#Perfect evening

[brucespringsteencomments]

[ariyuka]

Bought the totebag and the poster I think the only time I've been that intensely excited and euphoric was when I went to Japan.

If I had known what it was, I would have bought a ticket for the second London day too.

Just. Magical.

[chaotictarlos]

Have spent the last few hours listening to soft music and reading Red, White, and Royal Blue.

[itsscaredycat]

the truth is stranger than my own worst dreams

oh the darkness got a hold on me

[benoitblanc]

leia organa truly has one of the best bait-and-switch character introductions of all time because when you meet her she's this brave, stoic picture of elegance and justice and always knows just what to say to vader and tarkin and is clad in white like an angel and is this perfect two-dimensional archetype of pureness of heart. and then approximately half an hour later into the film she meets luke and han and she IMMEDIATELY shows her true colors as a sarcastic, bitchy control freak with a massive impulsive streak and a deep mine of hyperspecific insults. 10/10 character design i'm obsessed with her

[millificent]

Every Nico Di Angelo fan focusing more on the background of the episode than the actual plot

[orgyofthedamned]

originally posted 2015-2016. stan and ford i made for the wayfaring strangers zine, and fids was for a zine i dont think ever ended up happening.

here they are all together! ⚠️

[darkqueen32]

[stuckinapril]

lived my whole life in guilt bc i thought i was responsible for people's feelings. newly realizing that other people are responsible for their feelings and reactions, even if they make it seem like i'm the problem. a lot of the time it really has to do w them and their own emotional regulation. i can't keep thinking i'm not allowed to have space bc of other people's insecurities. like i literally refuse to dim myself. other people are responsible for their feelings just as i'm responsible for mine.

[lynx-224]

tv sally jackson show haters can’t handle that she’s portrayed as a woman and not an angel

[fanaticalthings]

the muskification of twitter except it's lex luthor instead of elon lol

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[lilpierogibby]

journaling for the new year and my little sister made me a delicious london fog

[retquits]

see what they don't tell you is that you HAVE to make the most self-indulgent ocs and self inserts to inject into your favorite media and to have the most tender moments with your favorite blorbos and to live out every fantasy and tragedy your heart desires. you just have to

[laricnoli]

Based on "The Kiss" by Gustav Klimt

[egophiliac]

tsum events continue to be just the best

[vanillabeanmachine]

Assad Zaman's portrayal of Armand is particularly striking to me because of his profound stillness—a trait that could easily be attributed to Armand being 500 years removed from his humanity. However, there's an additional depth to Armand’s minimal movement that I think might stem directly from his humanity, itself. As a slave, one of his primary responsibilities was to pose for portraiture—a task that requires remaining immensely still for long hours to avoid disrupting the painter’s gaze. I think that this experience has subtly shaped Armand's posture; even centuries later, he instinctively maintains a certain poise, subconsciously always holding the perfect angle. His face card never declines because if it ever did, he would be beaten.