#Please don't be sad it's not the end of the comic

[pyralart]

In which Luz gets isekai-ed another way

First part >> Next Part

Remember folks, look both ways before crossing the road or this might happen to YOU! This was an advert from the Road Safety Agency (it's not).

Oops, I just dropped the angst! I can reveal that it's inspired by this original post, although I'll put my own spin on it so don't think you know what's gonna happen!

[amarrymeinbostonwriter]

The Spring of Sapphic Satisfaction (2023) by VBL (me)

This is a rewrite in the form of a comic strip of Radclyffe Hall's The Well of Loneliness (1928). Her novel was about the butch lesbian heroine, Stephen Gordon. The ending is really sad so I wanted to rewrite the story so Stephen got another girlfriend who stays with her. Pipah was a character who came to me to fix that.

There's a glare on the last panel because it's already framed for an art show that they do in my local community.

The mediums are pen, ink and colored pencil. I hand drew/wrote it.

[doggytail-duck]

My desire to not have a Will/Mike/El love triangle that ends in heartbreak vs my desire to have Will be canonically gay and in love with Mike: fight

[cherubfae]

Hello! I love your writing, it's so cute! Here's an Idea bouncing around in my head: Reader is a shy and easily flustered individual who's developed a crush on Alastor. However they try to keep their distance as they know he's Aro/Ace and doesn't want to overstep boundaries. They go to Lucifer a (somewhat) expert on romance and feelings of longing to vent, also developing a crush on Lucifer- (Reader is a hopeless romantic lol)

Anyway, hope you have a nice day and remember to drink water!

|| The Price of Love || Alastor x Reader x Lucifer

tags: gn!sinner!reader, fluff, hurt/comfort, love triangle, miscommunication, blood/injuries, mild nudity mention, divorced!Luci, I had to make it a bit comical, I made this too angsty for my own liking now I'm sad 😭, protective bois

This is a one shot. I won't be writing a part two. Thank you! :)

A dreamy sigh echoes from your lips, swirling down the empty hallway. You're sitting on your bed with your knees pulled to your chest with a clawed hand over your heart. Sometimes you miss the thrum of your heartbeat against your fingers. With all of the people occupying Hell, you didn't expect to feel quite this lonely.

You stare down at the pocket watch in your hands. Such a tiny device cost quite a fortune, but it was a true antique having been manufactured in the 1920s. Your intention was to give it to Alastor. Yet, you never did.

Despite everything in your being wanting you to give him the simple gift, a token of your love and your friendship, you just couldn't. You were already internally setting yourself up for a failure that may not even come. You weren't sure Alastor would ever be into someone, let alone you. So, allowing these thoughts to fester you withdrew yourself from him. Forcing smiles when around him and the others, faking laughter; all of which Alastor could see right through. Every time he tried to seek you out, to confront you, you were already engaged with someone else or another task for the hotel.

You were actively allowing your depression to swallow you whole all the whole not realizing that if you had only asked, Alastor's feelings are the same as yours. He just didn't know how to approach you and Rosie thought it best to let you come to him; yet you never did. Even Alastor was finding it a bit hard to keep that smile on his face. Why won't you just approach him? He...He can't do it. Please.

A dreary day in Hell with violent lightning and thunderclouds and acidic rain brought you into the company of Lucifer Morningstar himself. He could smell your sadness from miles away and like clockwork, he instantly pulls you under his wings.

"Now then, sweetling, what brings you to see the Big Boss Man Himself?" Lucifer grins, crossing his leg over his knee nursing an apple martini with an apple slice hanging off the sugar-dusted edge. He serves you whatever drink you may like, alcoholic or non-alcoholic.

"I'm in love with Alastor and I don't know what to do! I'm scared to get too close to him because I'm not even sure he's into me like that and I don't want to get hurt!" You sob, the words come pooling out of your mouth like a waterfall and so do the tears.

Lucifer visibly bristles at the mention of his rival, almost choking on his drink. With a snap of his fingers, his martini glass vanishes with a poof! His full attention now on you. Gently, he takes your hand in his gloved one.

Softly, he begins. "Getting hurt is unfortunately part of the risk of being in love. It lets you know what you feel is or was real. It's not the end of the world, not by a long shot. Everyone who we meet and who we love crosses our paths for a reason. To teach us something, either for a short chapter or they'll be lifelong companions. Even in the afterlife, there are still people worth risking the hurt for." Smiling wobbly, Lucifer embraces you close. "Take a few deep breaths. If this is truly how you feel, talk to him about it. We may be magic down here in Hell but not all of us are mind-readers, darlin'."

For the first time in a long while, you smile too. Embracing him again with a laugh.

Standing to leave, you turn to your friend. "May I see you again?"

Lucifer let out a tiny gasp, a slight pink hue coating his cheeks. "I'd like that a lot!" He jumps up. "I can show you how to paint rubber ducks!"

When you finally return from your outing, you're in a much more visibly happy mood. With eyebrows raised, Alastor watches from the shadows as you whistle a happy little tune and make your way up the stairs and veer to the left towards your bedroom. A familiar scent clings to your own, one that makes his lips curl back in a vicious snarl. Lucifer.

"Now darling, I think it's time that we have a talk--" Alastor materializes from the shadows, fully manifesting into your bedroom. You shriek in surprise.

Immediately, you snap. "Alastor, what the fuck! OUT."

Alastor, who has been turned away from you, spins to face you aghast that you'd speak to him in such a manner as you never have before, only to quickly cover his eyes. You were standing in the privacy of your bedroom, almost entirely naked except for those flimsy bottoms you called your underwear. Alastor swallows thickly at the sight of your bare skin, even when you wrap your blanket around your body. He feels lightheaded.

"My apologies, dearest. Ta-ta!" In a plume of smoke, Alastor fades out of the room. By the time he returns to his radio tower, he's gasping with his palm covering his face which was now nearly as red as his hair. He's ashamed he hadn't shown more decorum and instead witnessed you in such a state. Even when angry with him, you had never looked more alluring.

Lucifer swung by the hotel rather unexpectedly, surprising Charlie with a new plant for her bedroom and crushing Maggie into a huge hug! The place was really coming along, he had to admit. There was a more inviting atmosphere to the hotel now since it was rebuilt. It almost felt cozy.

"Dad, what brings you by?" Charlie smiles, carefully handing the plant over to Vaggie.

Lucifer smiles. "I'm here to pick up a friend for a little coffee date and I figured I'd say hi to my favorite daughter and my favorite soon-to-be daughter-in-law!" He coos, squishing Charlie's cheeks between his gloved hands.

On queue, you're walking down the stairs into the foyer. "Lucifer!" You beam, a large smile crossing your cheeks. His tummy flutters at the sight. The outfit you had on was darling, suiting you to a T.

A crackle of static explodes into the front lobby, the Radio Demon taking form between you and the Morningstars. Alastor's eyes immediately narrowing at the unwelcomed guest, at least in his mind.

Laughing nervously, Charlie wedges herself between her father and friend. The air rippled with electricity as the two stared the other down.

"Okay, you two, calm down. Let's not start anything, ok?" She glances at Vaggie for help who simply shrugs her shoulders; setting Charlie's new plant baby aside. Approaching slowly you stand by Lucifer's side. Placing a hand on the King's shoulder, Alastor nearly explodes with radio feedback. An eerie green glow consuming his form.

Static voice dripping with malice spits out, "You're going out with him." It wasn't a question.

Casting a look over your shoulder, you nod at Alastor. "We're going out for coffee."

The Radio Demon is practically seething with venomous rage--not at you, but at the puny little shortstack of a King who thinks he can meddle with those in his life. "You don't deserve their attention, Morningstar."

Lucifer balks. "You had your chance, pal! You snooze, you lose." Alastor's expression turns to one of confusion.

"What do you mean?" The radio filter is gone from his voice.

Snarling, Lucifer glowers at him. "They were in love with you! And now I'm here to pick up the pieces-- oh, fuck, you didn't tell him did you, sweetling?" His gaze is gentle as he regards you. You're begging for the ground to swallow you up.

Fighting back tears, you fidget on the spot. You're looking everywhere but at the two men who have held your heart captive. There was the love you held for Alastor, pure and genuine. How you got together like pieces of a puzzle. And then there was your love for Lucifer, intimate and loving. He was able to teach a part of you that you'd long forgotten. He helped you smile again.

Alastor shoves Lucifer out of the way, his clawed hands cupping your face. He wipes away those tiny tears with a gentleness no one in the hotel had seen. "Je t'aime tellement, mon cour."

Lucifer, now in his Full Demon form, shoves Alastor aside and grasps your arm. You let out a cry of pain, making the two males jump. With the appearance of his full form his claws had accidentally sunk too deep into your skin. Red leaked from the four deep gashes slashed across your skin, staining the sleeve of your lovely shirt. Your pretty eyes pooling with tears.

Like a true beast, Alastor explodes into his demonic form, arms outstretched to shield you behind him. Lucifer can only fixate on the blood dripping down your arm. Vaggie and Charlie are tugging you away while Husk prepares the First-Aid kit.

Lucifer is only able to stare at the tiny pool of blood you had left behind and the pain in his eyes. And then there was Alastor, ever the gentleman, always the one fighting for your honor, looking damn well ready to devour the entire fucking Earth for you.

And Lucifer felt he deserved whatever he had coming to him. His own words echo in his head: "Getting hurt is unfortunately part of the risk of being in love. It lets you know what you feel is or was real."

|| I DON'T GIVE PERMISSION FOR MY WORKS TO BE REPOSTED, RESHARED, OR EDITED. TUMBLR IS MY ONLY ACCOUNT AND THE ONLY PLACE WHERE I POST MY WRITING. ALL CHARACTERS BELONG TO THEIR RIGHTFUL OWNERS, THE STORY BELONGS TO ME. || CHERUBFAE © 2024

[randomshyperson]

R U Mine? - Heart Shaped Series

Chapter Summary: A game of cat and mouse begins between an Avenger and a criminal. But perhaps there are no winners, as they both fall.

Warnings: mentions of typical canon violence, hints of abusive past and unhealthy work dynamics, some superhero routine lore, more shapeshifter power mentions, mutual pining, forbidden relationship, some teasing, (first) kiss and then a lot of kisses and steamy make out, some fluff and comedy. | Words: 6.965K

A/N-> How many references to Killing Eve can one put in a story. And also, references to the Witch's Road comics. This here is the extra chapter about their first kiss, enjoy reading.

General Masterlist | AO3 | Series Masterlist

-&-

Before.

"I know what you're doing."

Three weeks prior, Natasha's sentence would have made her jump with fright. Perhaps she would have tried to hide all those files and lie and lie again, until she could convince herself the whole thing was about the job.

But today? Wanda was tired. She had spent the last few hours stumbling into dead ends, no progress on whatever she was trying to do with all that vague information Shield had on you.

So she lifted her face to the redhead who appeared in her room late at night, two cups of coffee in hand, and chuckled weakly at the statement. It was obvious that the drink was an invitation - perhaps even a sign of 'hey, I'm not trying to start a fight. I want to help,' and Wanda accepted without hesitation.

"It's not like I'm doing a good job of keeping it a secret." She retorts to Nat, who smiles before taking the empty space on the bed. Practically all the Shield files - now labeled Avengers - about you are scattered on the mattress. It's a mess, and to Nat, it makes sense that Wanda hasn't made much progress.

"To be fair, for a first-time Investigation, I think you're doing all right." Says the widow after a sip of her coffee. "You covered your tracks and even used an official justification for researching her. Your mistake was involving Vision."

Wanda sighs. "Let me guess, he talks under pressure?"

Nat chuckles, nodding. Wanda rubs a tension point on her forehead. Taking advantage of this, Natasha gestures to one of the files. "I'm not going to tell you what you can and can't do, Maximoff. But this doesn't seem very healthy."

Wanda gives a sad smile, and Nat expects her to defend herself. But instead, the smaller girl sighs. "I know." She murmurs sincerely, forcing a faint smile at the widow. "But I need this, Nat. It's the first time in months that I've managed to think about anything other than Pietro. And I know it doesn't look healthy, but it's all I've got. I'm an Avenger now. Maybe it's just time to get to work, and arrest villains or something."

Natasha frowned at her, absorbing the confession for a moment before rebutting: "Is that what you want to do with Y/N, though? Lock her up?"

Wanda swallows dryly, looking down. "Of course, Nat."

"You're a terrible liar."

The brunette sighs. "I mean it!"

"And I don't believe you." Nat insists in a good mood despite everything. "Look at all this, Wanda. You've been at it for days. Studying her. Did you even remember to eat anything in the last few hours?" Wanda snorts, gesturing to the breakfast leftovers on the dresser in the corner of the room which makes Natasha let out an incredulous laugh. "Wow, a nutritious example you are."

The witch tosses her hair back. "If you've come here to try to babysit me, please leave."

Natasha rolled her eyes and ignored the other woman's stubbornness. She put her coffee down between her crossed legs and started organizing the files.

"You're naturally perceptive and clever, Maximoff. But you lack experience and practice. You need to put together a timeline and find the gaps." The widow began, and masterfully, all the security camera photos, reports from shield agents, and unexplained crimes related to thieves with no identifiable faces began to connect and make sense. "But I must warn you, I did all this years ago. When I started at Shield, your little friend was already some sort of the goose that laid the golden eggs, or stole the gold for the saying to work."

"She's not my friend." Wanda murmured, her gaze fixed on the files so Natasha wouldn't see her blush. The widow ignored the comment and continued talking.

"My point is that I didn't get very far." Nat says with a sigh. "To be honest, it was an insult to my ego. She was just a kid back there. And she managed to flee much more experienced agents. She had endless, untraceable disguises. She doesn't need to impersonate, you know? She can create faces. It makes her almost impossible to monitor. When we met for the first time, it was she who found me." Nat says, swallowing dryly at her own memories. Wanda's eyes widen softly, listening carefully. "I never told this to anyone, but when Clint first met me, he told me that he felt something. As if he knew I wanted to escape. And when I saw Y/N, I had the same feeling."

"What did you do?" Wanda asked and Nat sighed.

"I couldn't do what Clitn did for me, Wanda, I'm sorry." Said the widow sincerely. "She attacked first. And I had to defend myself. It wasn't just protocol, it was all I'd learned to do."

Wanda frowns. "Why are you telling me all this, Nat?"

The redhead sighs. "Because it's important. It means that she doesn't trust easily, and attacks when she feels threatened. She reminds me of both of us, to be honest." Nat comments, getting a small smile from the witch. "Besides, I want you to be really careful if you do dig into this."

"I will."

"I'm serious, Wanda." Insists the redhead. "Careful not to miss a gun hidden in her dress." She remembers the last official report Wanda made, regarding her first mission, the night she simply couldn't stop thinking about, especially after your secret vision to the compound, and the witch swallows dryly. Nat doesn't mind her hesitation. "Careful in a way that you'll use your powers if necessary."

Without looking the widow in the eye, Wanda retorts between her teeth: "I get it, Nat."

"You're not going to carry this on until you look me in the eye, Maximoff. And swear it."

Wanda's stubbornness falters, and she returns her attention to the widow, looking at her seriously. Nat gives her a small smile as she adds, "It's not just Clint who cares about your safety. We all do. I'm not going to allow you to throw yourself headlong into something dangerous just to escape your grief, Wanda. Swear that you'll be very careful, and you'll walk away if it gets too dangerous."

Wanda is surprised by the tenderness, and a little embarrassed. It takes a moment but she finally nods. "I swear." She says before adding. "I want to help Y/N. Like Clint helped you. Not lock her up, like I said before."

Natasha chuckles. "I know, kid. I know."

With the Black Widow’s blessing, she kept digging those files. And Nat didn't lie, you're untraceable. Every time you meet, it's clear that you've let yourself be found. Even with handcuffs on your wrist, you keep smiling as if it was all part of the plan. Judging by the way you always escape from prisons, later going public that some confidential information for the police was stolen, this is easily confirmed.

The Avengers are getting used to the strange persecution, very much because each of them has their secrets. And just like his protégé, Steve Rogers had side missions to pursue Bucky. It would be hypocritical of him to hold anything against Wanda for being after you.

And Wanda couldn't stop. Even after hundreds of dead ends and ridiculous escapes. She had to meet you, and have less than five minutes in your presence with another twelve agents and the whole Avengers present every fortnight when they manage to track you only for you to escape again. She didn't know why, but she had the impression that you looked forward to these moments as much as she did.

Like a little private game of mouse and cat, only you and her were part of.

-&-

There are a hundred things to do in the Capital of Crime.

The most complete list of gambling games imaginable, right down to a mural of targets to be captured.

All these things are at your disposal, and all you can think about is the new addition to the Avengers team.

Wanda Maximoff was born in the country that fell from the sky around the same time that Baron Strucker was playing Pinky and the Brain with your cells in a secret laboratory of the now-destroyed Hydra. A Stark bomb made her an orphan, and after bouncing from orphanage to orphanage, often expelled for getting into trouble with her twin brother, Wanda embarked on protest groups in search of civil rights until she was finally recruited into a human experimentation program that turned her into an enhanced version of herself. She was the only reason for the first time in your life that you wished you hadn't split with Strucker so soon - If you'd still been his puppy instead of the clients he got, you would have met her. You may have become friends.

"She's doing it again." Xu Xialing whispered to Layla, the two engaged in a game of Beat the Hero - a competition of colored cards that contained electronic figures detailing the abilities of real-life superheroes. It was, in a way, training for possible battles in real life, where they learned about their enemies by playing. The two of them were sitting in opposite armchairs, while you were practically lying on the sofa, drinking with a lost look on your face. According to them, fantasizing for the tenth time in a row about the Avenger you met in Italia weeks ago.

Layla giggled when she saw your expression before turning her face to Xu Xialing again. "You know, they say Maximoff has psychic powers. Maybe Y/N is under a spell."

"A love spell, that is." Mocks the Chinese woman, getting a laugh from the other.

You only came out of your trance of thoughts about Wanda with the bell from the private room you were in. Your face changed before the curtain opened, and Xu Xialing was the first to look at the security guard entering, somewhat annoyed at having her private time playing games with friends interrupted.

"Forgive me for intruding, madam. The Countess is here and requests the Sage to join her." The man said, and Xialing nodded in understanding. She turned to you, but there was no need. With a soft leap from the sofa, you got to your feet and took one of Layla's cards from her pile - you threw it on the board and helped her win the game, taking the opportunity to leave the room while the two of them discussed whether the assisted victory had been fair or not.

The Golden Daggers Club was as packed and vibrant as ever. The next round of betting for the fights was due to start soon, and there were a lot of people shouting their bets to the judges, and joining the fight cages, so you had to make some effort to follow the venue's security guard into the special area of the place - where federal agents were given even more privacy to be around.

Contessa Valentina Allegra de la Fontaine was waiting for you alone, but behind a door with six security guards guarding her. Each of them gave you a look of contempt, but you walked past them without any reaction until you were with Valentina in a room with no windows, every inch of which was covered in priceless works of art, many of them stolen throughout history, which you and Layla recovered together in the service of the Ten Rings.

"You wanted to see me, Countess?" was your greeting, softly snarky. You weren't in the best of moods, especially since Valentina had interrupted your rest.

The woman gave you a false smile from the armchair where she was sitting waiting for you. A closed file and a glass of wine lay on the corner table.

"Oh, what a surprise, after your last defeat, I thought you'd given up on Sage." She comments with a certain venom on your disguise, the same one you wore two weeks ago when you went on what she called a streak of bad luck in the Club's fighting competitions, but which Xu Xialing called a distracted lovesick puppy. You try to disguise your clumsiness by clearing your throat.

Checking that the door is closed, you return to your real appearance and Valentina gives you a small but genuine smile.

"What do you want?" you insist, and in response, she pats the file resting on the table. You sigh. "What's this?"

"Last month has been very busy, but I've finally had time to review some of your late missions reports." She begins and you hide your nervousness, knowing full well where this conversation could end. "I apologize for taking so long to check them, darling. I hope you don’t think I’m jeopardizing your learning progress."

"Stop stalling, Valentina, just tell me what the problem is." You retort grumpily but she chuckles, her fingers tracing the paper before she grabs the file.

“Normally, I trust your experience, but I've heard that you've been particularly... antsy in your last few operations. Of course, you've successfully made it out of all of them, after all, we're having this conversation, but for a master of disguise, the increased number of encounters with the Avengers attracted my curiosity. I thought I'd take a closer look at your original encounters with them, and found an interesting passage in your report on Italy two months ago."

The page is already marked and in the next moment, she begins to read;

"My exit was interrupted by the presence of a new Avenger. A woman, perhaps the same age as me. The new, improved one from Sokovia. Average height, brown hair. Green eyes. Intense. Hypnotizing."

You swallow dryly, looking down at your feet. You're grateful to have control over your own body, or Valentina would be able to watch your cheeks blush.

She continues reading. "We faced each other briefly. The girl doesn't have complete control of her abilities, it was a quick fight. I immobilized her and departed in the getaway vehicle. No disguise was compromised, no other witnesses." Valentina narrates, finally raising her eyes from the file to you. "You know what's funny, sweetheart? The Avengers submitted their own report on Sapienza, and Wanda Maximoff describes the encounter with a Shapeshifter in detail. My question is, why are you lying for someone who didn't hesitate to use her special abilities to show her team your real appearance?"

You're caught off guard. A conflict of emotions rises in your chest, from anger to disappointment. It hurts. It's confusing and suffocating, and you feel the urge to start crying. But none of these emotions floats over your expression, your nails digging into your palm are enough to keep everything well buried.

With a soft sigh, you look Valentina in the eye.

"I don't trust the CIA."

Your boss chuckles, closing the file and crossing her legs. It's not exactly her best lie, but it seems to work on her.

"If this is about the Hydra clean-up in the public sector, I can assure you that we're safe." Valentina says. "Besides, your job is to trust me, Y/N. Not the CIA, or the Ten Rings, or any of your contractors. Only me, dear child, must you trust."

You bite your tongue hard, tears almost escaping this time. 

"I just..." You try, not knowing exactly what to say. "There was a conflict, and the girl, she beat me. Effortlessly. That energy she possesses revealed my disguise immediately, I had no chance to try another one. So I made a choice, and I omitted the part that I thought would do me any harm. Isn't that what you taught me to do?"

Right answer. Valentina grins, before sighing and standing up. You don't want her to touch you, but she puts her hands on your arms and you resist the urge to pull away.

"I'm proud of you, you're getting cleverer every day. I want you to be this way, Y/N. Strong-willed, resourceful." She compliments you, her hands moving up to your cheeks. You try to smile, but Valentina squeezes your skin tighter. "That doesn't mean you will lie to me. Understand?" She asks but doesn't expect a vocal response. Your nod is more than enough for her to give you a fake smile and loosen her grip. "You're my most valuable employee. I don't want you to put yourself in vulnerable situations without a reason."

Valentina steps away, and you decide to take a chance.

"She's like me." It's more hesitant than you'd like, but it's enough to make your boss raise an eyebrow at you. Swallowing dryly, you continue. "Wanda and her brother were also Strucker's experiments. We are the same. I thought I could-"

Valentina interrupts with a spiteful chuckle that makes you cringe like a frightened child. "The same? Is that what you think?" She retorts in a mocking tone that makes you feel too ashamed to even broach the subject. Leaning her waist on the table, she looks at you. "I know you've been digging through my files on her, Y/N. I don't blame you for being curious, but by now, I imagine you know very well the conditions of the experiments Miss Maximoff was part of. How she volunteered for all that. How can you say you're the same?"

You hesitate uneasily. "I don't mind that she volunteered. War called for desperate measures. I just... I've never met any other of us. Another who survived the Baron. I've been thinking if I could just see her-"

Valentina bursts into laughter, and you fall silent, concentrating so that she can't see your red ears. "See her? Now what's that, huh? Romeo and Juliet of the supers? What an absurd idea, child!" Refutes your boss, still chuckling as she walks away to the table. She finishes her glass of wine in one long gulp, and to your surprise, throws the file in your direction. You catch the item flat against your chest. "The notes the Avengers made about you are on page 24. Read what she said about you, and draw your own conclusions about who you call an equal. I came here to confirm your mental state, and this conversation was enlightening. I'll arrange an assessment."

"Val-"

"It’s not open for discussions Y/N." She cuts you off, a car key already in hand that makes you groan to yourself impatiently. "You're not going back to work until you talk to Doctor Grand."

She leaves without saying another word and you're left alone with the file in your hands. Without hurrying, you flip to the page mentioned earlier and sigh when you find a photograph of Wanda wearing a uniform with the Avengers crest embroidered on it. Below is her statement about the mission.

You trace your fingers over the passage "An extraordinary and dangerous skill from an equally impressive fighter" but hesitate when you read the passages about how she felt scared and unsafe. About how she thought you were aiming at her. About how she felt she failed by not bringing a high-risk criminal into custody.

Your tears finally fall, staining the page before you quickly wipe them away, closing the file tightly after ripping Wanda's photo out.

It was time to wrap up loose ends and get back to your perfect record.

-&-

In the fake drawer hidden on the floor under your bed - safeguards for someone whose apartment is frequently visited by a two-faced countess - you kept some personal things. Hydra's last record of you, small souvenirs from missions, and a photograph of Wanda Maximoff.

And this morning - and any other morning really - you were supposed to ignore that drawer, leave any weapons at home, put on a presentable outfit, and meet Valentina in the lobby promptly at 10 o'clock. She would take you by car to Dr. Grant's office who would do a standard assessment of your mental state that would tell whether or not you were fit to return to work.

But instead, you took the photo of Wanda out of its hiding place and put it in your pocket. You stood up, walked through your closet, and chose the least flashy backpack you owned. Then you armed yourself with three different types of knives and two pistols in a chest holster, very similar to that of American detectives. And speaking of the police, your drawer of false documentation provided by Valentina was studied without haste until you had in your pockets the identity of a Shield agent who never existed but was meant to be a little tribute to the job you were performing today.

With your disguise ready, you left the apartment two hours before your scheduled meeting with Valentina, and you had barely boarded the ferry when she called you.

"Our appointments aren't something to be skipped, young lady." Stated the woman seriously, but you gave her a weary sigh.

"I don't wish to see Doctor Grant."

Valentina chuckled, as you handed your ticket to the clerk passing in the corridors. On the other end of the line, she then spoke;

"You're not getting away with this, Y/N. I'm not authorizing your return to work until Roland confirms to me that your mental state is stable for you to continue."

You prop your feet up on the seat, switching your cell phone to another ear. "Val, I'm not running away, I promise. I just needed a break. Give me a few days, okay? Reschedule the visit, I'll be there. I'll even be there early."

She pauses thoughtfully, you can hear her breathing. And then she sighs in defeat and you smile. "Okay. If it's any encouragement, your next service is already being prepared. It's something you've never stolen before, and I'd like it to be yours. Of course, if you prove suitable."

A few weeks ago, the temptation would have been too much and you would have turned around and gone to the appointment just to win Grant's approval and be cleared for the job. To prove not only to Valentina, but to the world, and to any other colleague, that you could complete that mission. 

But now you let out a short laugh, and that surprises Valentina enough for her to keep quiet. "Reschedule for the end of the week. I guarantee that I'll have Dr. Grant's approval and you'll have your order in no time."

The promise seems to be enough for her, and after another sigh, Valentina hangs up. You put your cell phone away and return your attention to the now-stamped train ticket to New York.

The trip didn't take long, and within a few hours, you were in the bustling city. Especially today, at the inaugural Heroes of Earth celebration event, Manhattan was almost chaotic.

With fans and journalists from all over the world filling the streets that had been closed off for a sort of open-air Comic Con, you had no trouble at all going unnoticed in the crowd. You wore a disguise, of course, but you didn't have to. A few minutes into the fair, you really did look like a tourist, with your Avengers sweatshirt, cap, and colorful glasses.

The knives in your backpack were well hidden under the amount of superhero souvenirs you got.

You were trying to choose between an Incredible Hulk smash-burger or a portion of Thor's worthy chicken when the bell announcing the photo session with the Avengers was about to start.

Your appetite disappeared, anxiety taking over your whole body at once.

It was time to move.

The queue was huge, as was to be expected. At least, most of them were there for the best-known Avengers. Thor wasn't even on Earth, which meant that the other five originals were competing with each other over who got the most autographs. The new members, like Wanda, the Falcon, or Vision, were given presentation stands but had much more free time at the event.

You tried to ignore the pang of pride when you saw that among the new members, the queue of people to see Wanda was the longest. A considerable number of children were very excited to ask her to do magic tricks.

Your strawberry milkshake - Black Widow's Special - almost fell out of your hand when you finally saw Wanda leave the curtains dividing the dressing rooms and join the autograph table.

She wasn't wearing the soft hoodie with the Avengers symbol from the photograph you sneak a peek at almost every night, nor was she wearing the pathetic disguise she wore the first time you saw her. No, somehow, she managed to look prettier. Like all her teammates, she was wearing an outfit similar to the official fighting uniform, probably designed just for the event. With a black tactical outfit covered by a red jacket, the gloves that didn't cover her fingers were probably your favorite part.

Despite her relatively unfriendly uniform, Wanda offered such lovely smiles to the people who came to greet her that you thought the milkshake made you sick, judging by the way your stomach and heart were unsettled.

When the Meet & Greets began, you had to go to the ticket booth and buy a single ticket in cash; to meet Wanda, of course.

It would take place back in the fair's improvised dressing rooms, and after waiting for almost forty minutes, you were finally guided inside. Your backpack wasn't searched, perhaps because your weapons were hidden by Ten Rings technology, a gift from Xu Xialing on your last assignment, and when it went through the X-ray at the entrance, all they detected were the countless fair toys you had acquired. And the knives hidden in your body, well, it's obvious to say that when it comes to changing aspects of your anatomy for any situation, passing a security search was quite easy.

"Miss Maximoff will be here in a minute. She had a little problem with her costume, the children who came in before you caused a little milkshake accident."

One of the organizers informed you, and you gave her a kind smile, commenting that the Black Widow special was essential, even if it might cause minor accidents. The employee chuckled before going to answer a call on her communicator that could have been your intentional flooding of one of the toilets to occupy as many of the staff as possible.

Wanda's dressing room was the most intimate environment of hers you've ever been in. It didn't have many things, of course, but for someone who only had access to government documents, it was paradise.

Curious fingers traced all the belongings you could reach, from more comfortable pieces of clothing for her to change into during the event, to different types of tea and books, until you found a music device. 

The password protection on a Stark Industries MP3 player made you laugh to yourself. "What a distrustful little witch." You murmured affectionately, stowing the item in your jacket pocket and moving over to the schedule board.

You had already read the row that marked the start of the Meets, probably described there and in all the other dressing rooms, when your gaze caught a small notebook forgotten in one of the armchairs.

You got the chance to take it in hand and smile at the sketches on the first few pages before the item was suddenly lifted and pulled out of your hand.

"Sorry, but this is private." Wanda grabbed the item out of the air, but you stood there, static like a frightened animal, unable to breathe properly under her gaze. She seemed to realize that she had been too harsh and huffed out a laugh, the notebook clutched tightly against her chest. The sound made you swallow. "I shouldn't have kept you waiting, I guess you got bored. Sorry about that. Let me put this away, and we can, um, get started."

She didn't use magic to return the book to a safe place, you didn't know that yet, but Wanda was still learning to trust her powers. And if she could help it, she usually didn't use them.

She approached you, to put the book away in a bag that you didn't have a chance to peek into, and the sudden movement made your body react in alarm. Your back hit the schedule board, and Wanda frowned, stopping in her tracks with an almost hurt look on her face.

"You don't have to be scared. I'm not going to hurt you, you know." She murmured with the tips of her ears red. "I'm just going to put my notebook away, you see." The backpack floated towards her with a tug, and Wanda hardly met your gaze after that. She tossed the bag into a corner of the room and fiddled uncomfortably with the edge of her blouse.

She was no longer wearing the outfit she'd worn before, she was wearing a comfortable set, too soft and domestic for you to be calm-minded about anything.

You forced your brain to work because you thought the whole thing was getting ridiculous.

"I'm not scared." Your voice comes out very hoarse, so you clear your throat. Wanda raises her eyes, finally, and the green irises make your cheeks warm. You don't hide it from her. "As a matter of fact, I'm not the one who usually gets scared when we meet, am I, Maximoff?"

Taking the time she needed to understand, you removed your colored glasses and cap, your face changing back to its original appearance. Wanda sighed shakily as soon as she recognized you.

"Hi, Y/N." She greeted, too sweet for you to do anything but smile shyly, forgetting for a moment exactly what you had come for. 

"Hello, Wanda." You tried to sound just as gentle, but you must have done a poor job, to blame it on your body that doesn't seem to be working properly. Wanda swallows dryly, her hands moving slowly in the air. You watch the unhurried gesture - the way her fingers draw the air, and how the items of disguise float away to the armchair, and in your hands appear handcuffs that don't prevent you from moving them, and don't hurt either. The most you feel is a tickle.

"I've come all this way, just for you to put me in chains, little witch." You try to tease her, and you think it's a victory the way Wanda tries to hide a smile, approaching with her head down until she's close enough to touch you.

Her hands should be gripping the magical handcuffs, but instead, they hold yours. Wanda sighs. 

"You can't be here." She whispers, meeting your eyes, and you think it's ridiculous that you made any plans at all. You could never do anything to harm Wanda, and that was just the truth. "Then why are you?"

Unlike her, you don't hide your smile. You shrug as if your heart wasn't thumping in your chest, and revel in playing with Wanda's buttons.

"I was in the neighborhood. Wanted to say hi." Your casual reply makes her snort impatiently.

Her hands release yours, and you raise an eyebrow at Wanda's audacity to start searching you. 

"Wow, take me on a date first, love." You joke, but despite the new color her cheeks acquire due to the joke, the fond nickname, Wanda doesn't stop. She gropes in your pockets, reaches into your jacket, and grimaces with disapproval at every illegal item she finds. The false documents, the Shield badge, the guns. The MP3 is in the front pocket and Wanda gets a little closer to reach it, enough so that you have to lick your lips trying to control the instinct to break the distance. She just looks so kissable and smells so good.

She offers you an incredulous look at the stolen item, which floats back to the table as she gropes for the other pocket. Finding the train ticket, she lets out a short laugh.

"Six hours of travel is not being in the neighborhood." She comments, raising her eyes to you. 

"What do you want me to say?" You retort with a little smile, discourteously glancing between her eyes and her lips. "That I couldn't help myself and had to get on the first train to see you again? That I can't even go back to work because I can't stop thinking about you?"

There's this thing that Wanda's eyes do. The pupils get huge, and the green darkens. And she looks at you as if you were something to be devoured in every detail as if you were worth admiring. As if you were worth any of her time.

She speaks again, so low and hoarse that you wouldn't be able to hear her if you weren't close.

"Your thoughts are loud. Are you always so hard on yourself?" 

You swallow dry, caught off guard. Your hesitation makes Wanda sigh. She looks ready to apologize when you nod.

"It doesn't matter, every time we bump into each other, you make me feel different. Better. You look at me as if you can see more. What do you see, Wanda?"

She sighs deeply, and her hands move to touch your face. It's too gentle, and affectionate in a real and true way that you never experience. Your body goes rigid, not knowing how to handle the tenderness, but Wanda doesn't catch any request for her to stop touching, so her hands continue to hold your cheeks.

"I can see your anger, just as I can see your fear. I see the thief, and the murderer, but I can also see only you. No disguises, no lies. The person you are underneath it all." She says, swallowing dryly as she lets her gaze fall to your lips. "This is the person I let get away. And the person I'd like to meet, if you'll let me."

Your chest is heavy with confusing feelings. Your traumas beep in unison, your defenses beg you to push Wanda away and flee before the rest of the Avengers decide to show up. 

But instead, you return watery eyes to Wanda and gasp softly; "Why? Why do you care?"

And Wanda tries to lie. "I think you could use a friend."

You chuckle dryly, pulling away from the touch. "Hard pass." You mutter, but Wanda doesn't let you move away entirely. She decides to risk everything.

She grabs your chin and tilts your face towards her. It's a miscalculated kiss, you both flinch and gasp at the first contact of your lips and being taken by surprise makes you lose your balance in the middle of the movement to get away from her.

You fall into the armchair, and Wanda should apologize, but she doesn't even bother. She pushes your tense shoulders and straddles your lap, this time, when her mouth meets yours, it's much hungrier and more determined.

The handcuffs disappear into thin air with the first gasp that leaves her lips, and you waste no time in grabbing her waist, roughly pulling her down and holding her tight against you as your mouths move together. It's a passionate kiss full of urgency, charged with all the tension you've built up.

Your tongue slides into her mouth without warning, more experienced than Wanda, you manage to get a whimper out in no time. She wants to shrink away from the sound, but your hands slide down to grab her ass and pin her down onto your front, and suddenly all she can do is moan.

It seems absurd that you've gone a lifetime without kissing Wanda Maximoff when you both seem molded to do this with perfection.

You don't even move apart to breathe, a battle of restless hands and hungry mouths panting against each other. Wanda begins to grind herself into your lap in search of friction and you let out a sound you didn't know you could make.

Everything is suddenly so hot that Wanda doesn't hear her surroundings. She doesn't hear the curtain or the footsteps. But she definitely hears the machine man's surprised exclamation.

"Oh, forgive me, Wanda." Vision's back is turned the second he catches a glimpse of what's happening in that armchair.

Wanda jumps away as if she's received a jolt, and you groan in displeasure at the interruption. Despite the way every cell in your body seems to be vibrating with euphoria, you manage subtle changes in your face that prevent the Synthesized from recognizing you if he decides to turn around. "I didn't mean to interrupt-"

"Vis, please leave." She demands with ragged breathing, her face bright red. Wanda looks neither at you nor at Vision.

The man clears his throat, stuttering. "Of course, Wanda, I'm so sorry." He says, but although he mentions leaving, he doesn't. Stopping just before the curtain, he risks a glance over his shoulder. "There was a forced distraction with criminal indications in the western sector, the fair has already been interrupted. The captain has asked everyone to gather for a patrol check, in case there's an attempted attack. I just wanted to warn you. It would be appropriate to send your... friend away." explains the machine, exchanging a quick glance with Wanda before leaving the dressing room.

You'd like to kiss her again, but Wanda sniffles at Vision's departure and you frown in a mixture of concern and confusion.

"That's why you're here, isn't it?" She deduces annoyed. "To try a bloody attack on a children's fair? God, I’m so stupid. You’re obviously using me to distract your partners-”

But you stood up with an impatient sigh for the anxious and nervous conclusions of an avenger who has been caught in the act.

You grab Wanda again and kiss her hard enough for her to lose her balance, and she ends up pressed against the schedule board, and then the coffee table, each kiss more desperate and heated than the last.

Your thigh presses between hers, and Wanda practically meows at the friction. You love how responsive she is to your touch, and you try to push a little further under her clothes, quickly addicted to attracting more sounds.

And you're almost to the edge of her bra when you're interrupted again.

"Jesus, Maximoff, what the hell is going on here?" Unlike Vision, Natasha Romanoff is much more serious and determined to put an end to the whole thing. And she cares little about what was happening against the table. You hide the change in your features on Wanda's shoulder, while also trying to control your own breathing, somehow much more aroused than before. "We're working, Maximoff. There may be terrorists on the perimeter and you're here, well, I'm not judging, I'm just saying there's an appropriate time for everything. I'm sure your friend will survive if you let go of her mouth for a few hours. Who knows, maybe next time you can meet in a more appropriate place?" 

When you finally look at Nat, you can see that she's hiding a teasing little smile. You're glad that Wanda is making friends.

And unlike you, who doesn't mind having been caught not once but twice by the Avengers, Wanda looks like an embarrassed tomato who nods quickly while her magic does the work of adjusting your half-open clothes and leaving the objects you bump into in order again. 

"Of course, Natasha, I'll send her away. I'm sorry." Wanda practically pushes you out, dragging you to a more secluded area at the back of the dressing rooms.

She tries unwillingly to resist your eager hands or the quick but intense kisses you steal from her on the way.

"You have to go." She struggles to gasp, her hands pushing your shoulders to stop the whole thing or she wouldn't be able to think.

Wanda with her hair disheveled after a proper make-out session, her face flushed and her lips swollen is too much for you.

"Fuck." You gasp and she swallows.

"What?" 

You don't know what to say, nothing seems enough. She's awakened something in you that you didn't know existed. Suddenly, the idea of staying away from her seems an impossibility.

"When will I see you again?"

She frowns at the question, laughing nervously. "We shouldn't have seen each other even today."

But your hands pull her by the waist. "Nonsense. We should definitely do this again.” Your lips trail down her jaw, to the sensitive points on her neck that you're trying to memorize. She sighs, and struggles to keep her eyes open, but only for a moment before she pushes you away again, laughing shyly.

"Please, darling, I need to get back, my job-"

"There's no attempt attack, I flooded a toilet so I'd have time to see you." You clarify quickly and Wanda has to shake her head and laugh incredulously.

"You're nuts."

"Honestly? Yes. I think I've figured out what was wrong with me over the last weeks. You’re driving me nuts, Wanda Maximoff. I can't stop thinking about you." You retort quickly, not caring about the irregular beating of your pulse, nor the way she blushes heavily. "I need to know when I'm going to see you again."

She looks back into the dressing rooms and can see that Natasha is coming out through the curtain. She approaches you at once to give you one last intense kiss and whispers goodbye on your lips as you part.

With every inch of skin that Wanda touched vibrating and your heart pounding in your chest, you only remember to regulate your powers and return to a disguise a good few minutes after she has disappeared from sight, and hope that no security cameras saw you there.

[soleminisanction]

Okay this misconception keeps coming across my dash and it drives me nuts because it means people are lumping two very different versions of the DC universe under one disparaging banner. So let me just say this to get it off my chest because I'm this close to shaking somebody:

The New 52 ended seven years ago in 2016.

That started a section of DC's history called "Rebirth" in which they started bringing elements of the pre-Flashpoint continuity back into the timeline. The first changes came in a big burst called Convergence -- which is how Jon Kent effectively manifested fully formed at 10 years old -- while other reintroductions like Kon-El, Bart Allen, Cass Cain, etc. were more gradual.

The original plan, being forced through by King of Bad Decisions Dan Didio, was that after ~4-5 Rebirth would give way to another full reboot known as 5G. I could go into detail about the plans but they're honestly not important to this post because Didio was (thankfully, finally) ousted from his role as publisher early in 2020, along with something like 80% of the higher-level editorial staff. DC had a complete creative turn-over at the start of the pandemic and completely changed directions as a result. The material being developed for 5G was retooled into the hypothetical future event "Future State" to buy the new staff time to pull together their new direction.

That new direction is called INFINITE FRONTIER. It started in 2021 and THAT is the era of DC comics we're in now. Infinite Frontier is an active push to bring back the pre-Flashpoint characters, as well as some pre-Crisis ideas and characters, while also keeping the few elements of the New 52 that people actually liked (like Jason Todd's more heroic characterization) and actively pursuing diversity initiatives both in creative staff and in creations. And outside of the big events, they're making a real effort to keep these comics short and self contained in the hopes that that'll make them more accessible. So it's actually really easy, if you read comics pre-Flashpoint and dropped off, to just pick up a series and go with the flow. Anything confusing is just a Google away.

Please, please don't make the mistake of thinking modern comics are as bad as the New 52 just because some people are butthurt their ship isn't getting canonized. There have been some really good comics made in the last few years that you should totally try! Spirit World, Monkey Prince and the entire We Are Legends line has been genuinely fantastic. The new Birds of Prey is shaping up to be a ton of fun. Dark Knights of Steel is an entertaining Elseworld. Urban Legends and Brave & the Bold have done some really fun things with shorter anthology books. One Minute War was a really fun Flash family event and everything Stargirl's done recently is liable to make you cry.

I'm begging people to give these comics a chance. It's just really sad to see them being dismissed out of hand.

[iloveyouemanuelmarco]

I don't understand how Vivziepop still has a fanbase anymore that unironically still supports her after all the scenarios of controversy where she brushes it off as petty internet drama from "petty envious antis" atleast before she runs off into her crowd of chronically online and discourse obsessed problematic adults on any social media platform(Mostly Twitter to be specific but still)who are just a group of yes-men for her to use to attack not even only children on the interwebs who just happen to be uncomfortable with the fandom she's cultivated over her career of a wannabe artist and animator, but other adults too who by the way are somewhat consisting of survivors of abuse, rape, are LGBTQIA+, BIPOC, neurodivergent/disabled and possibly more. It honestly makes me sad as it does angry because the concept of the show isn't that crazily impossible in my opinion atleast and it could of had so much potential to do way better if not only the obvious subject matters were treated with much more care in an attempt to rework the scripts but also if Viv didn't do half of the stuff she did just a bad person in general. Like...is that really the best you can do for your fanbase???You cannot be not-joking atleast a little bit when you're telling me that apparently not only are children not being stopped from engaging with an 18+ rated show(even though the amount of vulgar language is done so poorly that it could pass of as your average failed Newgrounds animation), but that they're literally being encouraged to interact with the fandom???Are you out of your mind???Don't even get me started on the other stuff that you all probably already know about such as the blatant mockery of S.A., abusive relationship dynamics, hypersexuality in victims of said scenarios that happen irl, having other such "jokes" including some sort of rapey scene at all and having someone who actively and openly supports "non-con" fiction???!!!! What is wrong with you people??And apparently I have to share the home of the beautiful planet Earth with these idiots choosing to have the cognitive dissonance and brain function of an almost-empty and dusty old peanut...Along with the fact that the woman herself treats her animators at Spindlehorse Productions(her studio I suppose)like utter dog-dung, she has proven to drag anyone who defies her problematic and dare I say dangerous behavior through the mud and gets away with it all because of her stans/fans making her the "face of independent animation/indie animators". I honestly feel so awful for those who may have genuinely looked up to her at one point, atleast not knowing how much of a horrible person she was behind the scenes of the computer screen but its whatever anyways I guess. If any aspiring makers of cartoons or comics(LGBTQIA+/BIPOC/Disabled preferred) would like to promote the stuff they male down below in my comments section than feel free☆. It's the least anyone can do under the storm that's being made and has happened for such a long time ughh. The project should have been attempted a little more to be prevented from the confines of those echo-chambery and gross parts of fandom-centric social media communities and It's so discouraging how long this has been going on too, but hey. She's the lady that unironically made a literal pedo character that she attempted to present as a villain while just having the original character end up as a sort of "cool af bad-girl aesthetic uwu" character. Oh my fucking God please stop at once I swear to the highest Heavens and the deepest, most darkest depths of Hell(Ironic).

[meimi-haneoka]

Cardcaptor Sakura Clear Card Special Chapter: Comments and Analysis

WELCOME BACK, CCS FAAAAAAAAAAAANSSS!!!!!

Oh my god 3 months went already by from that December 1st and chapter 80, didn't they?? Feels like yesterday 🙈But we're finally here, finally ready for the release of the definitive, last SPECIAL CHAPTER of Cardcaptor Sakura Clear Card!!!! After this, no more CCS for at least a while!!

Why do you see me so euphoric?? WELL, THERE IS MORE THAN ONE VERY GOOD REASON 😂 But let's not jump the gun and let's introduce this post properly: this time around, I won't be posting pictures to "illustrate" the analysis/commentary, because this special chapter was treated differently from the other ones. It didn't get, in fact, a free release on CLAMP's Youtube channel, in any language, and wasn't even uploaded for digital purchase on Comic Days like all the rest of the chapters. The only way to obtain it was via the April issue of Nakayoshi, either with the physical or digital version. Since it is clear to me their intention to keep this gem of a special chapter away from the internet jungle, and since lately I used only the screenshots from Youtube to illustrate my analysis, this time around I won't be posting anything (aside from the color page, which was released by the official account themselves).

AND! I won't be mixing analysis and summary, because I have already conveniently prepared some screenshots with a detailed summary of the chapter for the people who were curious to know, but didn't get to see the chapter yet or did see it but couldn't read Japanese. I have already posted these screenshots on my Twitter account, and I'll put them here too under the cut (please don't repost them around or in other social media), so you can immediately get a broad view on the content of the chapter (I don't have to point out translation mistakes, haha 😅), and then, afterwards, I'll write my commentary. And there is SO MUCH to say!!

But before starting, we can't break the tradition right at the LAST ROUND of our chapter commentaries, right?? So off we go, with the GIF OF THE MONTH!!

Yes, I think this is the GIF that can represent this chapter the most. 😂

The Color Page

This special chapter is composed of 33 pages, and of course I can't avoid starting my commentary precisely from the color page!!

I admit it, I hoped for a color spread with the four main characters of Clear Card (hence, including Kaito and Akiho too), but since the other two appeared with their own color page just in chapter 79, we'll gladly take this single color page with SyaoSaku too!! ❤️ The JP text reads "We've been together till now, and we will always be! Featuring a long-awaited special chapter!!" Syaosaku look absolutely adorable....and so, so happy!! Looking at us, from a wreath made of cherry blossoms, of course dressed in their image colors pink and green, in a "pair look"...I think their shiny smiles conquered the hearts of the entire fandom (saw many comments about it) and it is certainly a perfect introduction to a chapter that is, indeed, completely made of this happy, leisurely, warm atmosphere. I feel like it tastes even better, after all the anxiety they made us go through, right? I'm pretty sure that was CLAMP's goal all along, giving us this little reward after all the hard situations they've put their characters through. This color page looks like Sakura and Syaoran are saying "goodbye" to us, holding their hands in a lover's hold, but seeing them so cute and happy definitely soothes the sad feeling 🥲 Until we meet again...hopefully!

Letters From Around The World

But it's when the chapter starts that we get our first surprise: the time skip is of one entire year!!! We left our little heroes at the end of the first year of Tomoeda Middle school, ready to go in spring break and then start the second year...here, Sakura says she's in her spring break of the next year, ready to become a 9th grader!!! I almost couldn't believe they actually went that far, I knew from CLAMP's podcast that there was a timeskip, but I expected just some months! Although....I have to say the characters don't look that different, Mokona said she made them a tiny bit older and she kept true to that, because it's barely visible! 🤭 But if you compare them with how they looked at the middle of the story, of course the difference is visible.

I was so happy to see that the chapter started right away with a letter from Akiho: a letter or a videocall was definitely among the type of content I wanted to see in this chapter, because of course I still was quite preoccupied about the difficult journey Akiho and Kaito embarked on, so I wanted to see how they were faring. The amount of letters Sakura accumulated over the span of this year tells me that they moved around quite a lot, and she had always something to share with her "long-distance sister" 🤭 Kero praising Akiho's skills and even feeling some sort of "reverence" for her insane talent to find all the crazy and rare books was so funny and nice!! 😂Sakura is adorable, feeling all proud about the talent of her "sister" 🤭 Loved that they actually mentioned the place where Akiho and Kaito are currently at!! (cause they didn't reveal where they'd go first, in chapter 80, and I guess we'll never know). I appreciated SO SO much that they let us see that Akiho didn't drop, but actually continued to practice her sewing skills like she was doing before everything went down the drain with the Alice in Clockland play: moreover, finding out later that this skill is also helping her greatly with the true ambition of her life made me incredibly satisfied. How cute of her to send outfits for Kero and Suppy, even from far away??

I was quite surprised to find out that Akiho sends all the rare books to Eriol, and then laughed my as* off at Kero saying he's selling them off (the way Kero phrases it in JP makes it look a QUITE shady activity 😂). This shows there's a continued collaboration between the "group" in England and YunaAki, and it's very nice. They're not only "taking" support from Eriol, Akiho also does return the favor, providing Eriol with the books he needs.

And then....got really emotional to know that Kaito wrote a letter to Sakura, back when they left one year ago 🥲 I DID feel like some kind of acknowledgement or apology from Kaito to Sakura was missing from chapter 80 (but honestly, with everything they had to explain, where they could fit that?) and so this little mention completely fixed that sense of "he made a mess and barely managed to apologize to Akiho before leaving". Kaito isn't an ass*ole so of course he would've done something like that, and a letter seems perfect for an introvert boy of few words like him. I imagine the letter wasn't really long either. The little moon on the sealing wax...❤️The fact that Sakura is storing that single letter together with Akiho's letters in a specific box makes me almost cry. She cares for those two so, so much! 😭 Sakura wishes to receive more letters from Kaito and I really hope he will open up to her along the way, because he could benefit ENORMOUSLY from her advices and perspective! Also THANK YOU CLAMP for giving us a little "still" of those two next to eachother from the moment when they were leaving Tomoeda, with the suitcases and all 🥲that last faraway shot of all four of them together in chapter 80 was so great, but I wanted to see them like this too!

The SyaoSaku Date

Aaaaaand then we get to the long awaited, craved, coveted SYAOSAKU DATE!!! 🤣 I can't count how many people I've seen wishing for this....to be honest I was going to be ok with any kind of sweet moment between the two, but gotta admit that a carefree afternoon watching a stage play and then taking refreshment at a café gives this sense of normal, complete fun that was missing a bit for them. They are dressed in a very fancy way (loved that Sakura isn't wearing her usual long one-pieces but something different, with puff shorts! A sign of her growing up?) and even though they're not exactly wearing a "pair look" (too corny, maybe?), they are well matching eachother's outfits. And of course we find out that Tomoyo made Sakura's cute outfit and even the decorations on Syaoran's collar! The fact she was the one asking Syaoran to wear them at the date is kinda funny, like some sort of guidance into looking like a couple, thanks to the matching decorations! Tomoyo really takes care of everything....yes....everything. 🥲 The mention of Sakura's wedding dress of course made me go "OH MY GOD" and made me realize that if Tomoyo is already mentioning that.......we aren't *that* far away from that day (I always imagined SyaoSaku marrying early, since they're soulmates and got together so young!! 😆). Truly an emotional, sweet moment that was reinforced by Tomoyo's tender expression in the flashback. Her resolution to devote herself to learn to design even normal everyday outfits, or date outfits, everything that could accompany her dear Sakura everyday, reminded me that Tomoyo found her very own way to be with Sakura, and she's perfectly content with that. Tomoyo's happiness is seeing Sakura happy, and she will do anything to achieve that. ✨

Syaoran and Kaito's Friendship

And then my blushy blushy Sakura changes topic and suddenly throws me on the floor in a fit of laughter, because seeing Syaoran's confused look while he was trying to make sense of the pictures Kaito sent him on his phone WAS HONESTLY PRICELESS. 😆 My god, how long have I wished to see them like this? Moving their timid steps into a friendship (since their girlfriends are like sisters and Sakura literally saved Kaito's derriere), being their awkward dorky selves...they surprisingly get along so well and Syaoran doesn't seem to hold resentment towards him, which is GREAT for me!! He's learning from Sakura to just let go of hard feelings, when you've found out the person who acted in an oppositive way was just in a very desperate situation and had actually no ill intentions. And that makes me incredibly happy. Kaito needs all the support he can get, to make the right decisions in his life, and I can totally see him finding a particular connection with Syaoran, due to how they're both moon boys, who would give their life for the person they love. I think precisely for this, precisely because Syaoran can understand to a degree Kaito's situation and behavior, he wouldn't feel judged and would feel more free to establish a connection with him. I was k*lled with laughter and endearment when I saw that Syaoran felt confused, but still tried to understand Kaito's peculiar way of communicating with him 😂 And guess what? I think he doesn't realize it, but he's totally starting to get it! 😂The way our wolfie boy snaps that picture IMMEDIATELY as the cat passes by, and how he only framed the ear, really shows how in the end he's speaking "the same language" as Kaito 😂 Seeing Sakura so excitedly think to herself that the two became such good friends made me scream "SAME SAKURA-CHAN, SAME!!!" 😂 All in all, seeing these two having such a relaxed, comfortable date talking about their friends and stuff that happened lately made me completely feel that one year that elapsed, and now they act totally like a couple that's been dating for quite some time. 😊 Ooooh thank you sensei, really. Thank you so much for this scene. 🙏

The Moon Is Really Beautiful, Right?

BUT! The real reason why CLAMP will always have my heart and my gratitude is hidden in the next scene. 😂

Oh my god, the screams I've belted out when I saw them. And when I've read THAT. But let's go in order, let's go in order and not jump the gun! We're in Germany, Akiho and Kaito now seem to be living in an apartment in a nice building! They're still talking in keigo, and still calling eachother "Akiho-san" and "Kaito-san". 😊

Kaito SMILES genuinely at the picture Syaoran sent him!! And answers, to an observant Akiho, that he's having fun!! 😭HIM! The one who couldn't understand what was fun in interacting with others!!! He looks honestly so radiant and happy, a sign that his mental recovery is going strong. And that he's slowly expanding his "trusted people" network. 🥲🙏Also, he looks younger than ever!!! 😂

It made me INCREDIBLY HAPPY to see that Akiho didn't drop the "hobby" she had started in chapter 26 (ages ago!!), remember this scene?

I remember how much I loved to know she had started learning how to do this, because together with my friends, at the time, we all thought this could easily become her aspiration in life......and guess what?? CLAMP confirmed she wants to take on a job revolving around books and book repairing!! This is all canon!! T___T oh my happy tears.... There's a sense of pride in seeing that this journey for Akiho isn't only revolving around finding the cure for Kaito's shortened lifespan (which hurt his body terribly) and restarting his "stopped time", or finding Momo and the Alice in Clockland book, but she's also got the mental resolution to do something for herself, for what she wants to do in life, something that is completely disconnected from Kaito. Again, I cannot reiterate enough how this girl doesn't have an unhealthy codependent relationship with Kaito, and she's completely capable of thinking about her own future, aspirations and wishes. She wants him with her, and she could never live happily without him, but the love of her life isn't the only thing that exists for her. It is incredibly satisfying to see her working hard for her own future, where she'll be able to contribute (especially financially) to their livelihood. I can see Kaito helping her and assisting her with that. The other day I was dreaming away with my friends about Kaito and Akiho managing a "book cafè" together somewhere, how impossibly sweet that would be?

Seeing this volitive, ambitious, strong-willed Akiho once again filled my heart immensely. And I wasn't the only one, apparently.....

Oh god, you have no idea of the SHRIEKS I belted out when I saw Kaito saying "the moon is really beautiful, right?" in full daylight. Like. It is absolutely unmistakable at this point what kind of love he feels for her, and while I always knew, I'm sure the character took his own sweet time and personal introspection to reach that conclusion. If you remember, I've always said it and reiterated it at the end of chapter 80: Kaito won't understand things overnight, it will take a long time. And one year, at that age, is enough of a long time to come to terms with one's feelings and understanding what exactly they mean. They lived all that time together as two "equals", no more butler/boss bullsh*t, so they had even more opportunities to see eachother's true colors. And Kaito couldn't help but fall even more in love with Akiho, to the point that seeing her working so excitedly for her future made him gently overflow with that feeling....and said that sweet quote of Natsume Soseki that we all know, by now, what it means. I think the mere fact that what made his heart explode was seeing her so independent and strong, is a good sign that Kaito's love for her is the healthy and supportive kind, too. He doesn't love her and feels attracted to her soul because she's a weaker, younger, malleable being that he can dominate (as a toxic relationship would portray), but at the contrary, because she's free and strong and wonderful on her own. The more he sees her shining, the more that feeling grows. Throughout this scene, he looks at her and talks to her in such an intensely sweet way, you can totally see he's smitten with her.

The most popular reply to someone who confesses with "the moon is beautiful" is the equivalent of "I could die for you/I can die happy now", in Japanese. And Kaito had been unconsciously replying that way, with his actions, the whole damn time during the serialization of Clear Card. But since he took it way too literally, things were really heading to tragedy. Nobody wanted him to die for real, and yet, subconsciously, that was the only way he had found to give outlet to an enormous amount of feels that he couldn't express (because it wasn't appropriate, and nobody would ever love him, and he only caused her pain, and he had to let go of Akiho anyway at the end of it).

So considering all of THAT, this "I love you very much" he said now (he added とても, "very", like Akiho did ❤️) in this way, makes me think even more "yes, you finally understood what was the best way to convey it!" and therefore, it represents another character development for our moon boy. 🥲

There's debate over whether he had already understood what Akiho had meant, in chapter 48. I stand firmly by my convinction that, even if he was informed of the Japanese folklore tale around it, he quickly dismissed it as "no, she's meaning it literally for the moon", since he couldn't really believe that anyone would ever take interest in him, and was sure he would've always been alone. Otherwise, if he really understood and believed that Akiho was in love with him, I don't think he could've ever said that "I thought you didn't need me to be happy". It doesn't make sense. But everything that happened at the fake moon, and all her angry tears, and all her resolution to find a way to cure him, made him finally see that she really meant it in that way. ❤️So his own acceptance and introspection could finally start, and....it brought to this. ❤️ If you want to know more about the popular phrase "the moon is beautiful, right?", I invite you to check my first Clear Card Trivia post, focused on the literary and musical references portrayed throughout this story!

And LOL, I couldn't help but noticing several things in how this scene played out: first, he immediately "runs away" blabbering about the breakfast being ready, a very similar way to how he "ran away" in chapter 52 when Akiho could see right through him and was trying to express her support and feelings to him. This is definitely an indication (taking into consideration also how he acted when he was little) that the reason why Kaito walked away back then, slamming the door, had a sprinkle of embarrassment embedded in it, too. Yeah. I mean, look at the face he's making here, just before he notices, puzzled, that his hand is shaking:

He's smiling so tenderly, among the pain he's feeling because of his poor health. He even laughs! He's happy he heard that! But he just couldn't stay hearing any longer, back then. Now, in this scene of the special chapter, he literally throws "the bomb" and runs away without hearing her answer or reaction 😂😂😂this is definitely embarrassment, and I'd like to think there's even a hint of teasing streak that I've always seen between the lines in his personality. It came out particularly with Syaoran and Momo, but Akiho isn't excluded from this dynamic! 😂

And excuse me, but Akiho's reaction literally made me roll on the floor laughing!! 😂The poor girl is probably so used to live abroad, and Japanese folklore isn't probably coming up immediately in her mind anymore, despite it's a phrase SHE used HERSELF back then! 😂Or maybe it's because she didn't really expect it from him, and so she took a moment to connect the dots. Either way, it was extremely funny! And I can't absolutely avoid pointing out how our girl isn't blushing like mad anymore, but just slightly.... I mean. It must have been quite clear to her too, by now, that her feelings were in some kind "reciprocated", be it for what Sakura said back at the fake moon, his decision to go back to her, and his decision to reveal his true name, hence giving her his most vulnerable part of himself... This isn't a shock for her, and she probably waited patiently, patiently, for him to finally say something like this. So maybe, more than embarrassed, she's surprised that the day finally came! 🥲 Goodness. This really puts all my worries to rest, Akiho will truly be happy. And it makes total sense that CLAMP made him say this now, and not at the end of chapter 80. As I said, more time was needed. This entire scene leaves me with a sweet, soft, comfortable feeling, and it's totally how I've always imagined their relationship to be. Also....no more of that "he loves her as a daughter/sister" crap, not canon-wise at least. 😊

One last thing I have to point out about this scene, which curiously reconnects everything together, is that recently CLAMP have announced the themes to which their upcoming exhibition will revolve around: among them, there's LOVE (of course!), and among the decorations surrounding the featured character on the key visual (Sakura, for now, but there's at least another one coming!) there are a couple of birds too. Birds are, in this sense, a symbol of love in CLAMP's language. I couldn't really help but noticing all the birds flying outside the window next to Akiho, the moment Kaito says that "the moon is really beautiful, right?". Basically, CLAMP were trying to scream it all over the place, however they could. 😂

"Momo-san?!"

It was so nice to see Yukito and Kero-chan gossiping about Touya right in his face, with the complete intention to tease him 😂in that sense, Yukito really seems like a sweet and harmless character, but don't be fooled! His teasing power is over 9000!! 😂Touya's killing glare made me crack up! He's so done for, now that both Kero and Yukito can tease him in the open! 😂😂😂

But please, please, let me scream about MOMO!!! Oh my god I would've never accepted a special chapter that didn't feature her!! Aaaaahhh I'm so glad to see that she's fine 🥲 The conversation between her and Sakura made clear to me that she isn't that free to move how I imagined her to be. Certainly, she decides where to go and who the book stays with (and when to leave), but the impartiality imposed on her role doesn't allow her to act freely like she wants, unless she pays a price. And she decided to pay a price, not to see Akiho and Kaito, but to go and thank Sakura herself first. Because, as her "those kids" suggests, she of course still feels some kind of maternal instinct towards them, and as any mother would do, she wants to thank Sakura from the bottom of her heart for having helped and saved those two. Even her body language (the position of her hands) portrays that. And excuse me, but I A B S O L U T E L Y loved how CLAMP clarified once and for all, addressing directly the complaints of their own fandom, that Sakura wasn't forcingly dragged into a matter that wasn't related to her. Everything she did, she decided to do it because she felt it touched her personally. From the moment she became Akiho's friend and came to care for her, everything that happened and everything that she was involved with was related to her too. This wasn't "somebody else's business" anymore. Because Akiho is one of her most beloved friends, no matter how "fast" that happened. Some relationships bloom almost immediately, because the connection is just that strong. And so, this turned into just another expression of "your happiness is my happiness", with Sakura acting according to what her heart suggested. As Kaito is Akiho's most beloved person, Sakura couldn't help but care for him too, because doing so would've made her friend happy, in a wonderful "circulation of love".

Special mention for the scene with pregnant Lilie, oh my god I didn't really expect this either. How long ago I wrote that Tumblr post about cosmos flowers and the origin of Akiho's name? A couple of weeks ago? It's like CLAMP answered my curiosity, with this scene. I still keep my interpretation in my heart, but I also love the logic "it is a flower that keeps the same name in many countries". Of course. "Wherever you'll go, you'll always be your unique self". (And now I want to cry, mama's heart is so big😭) The way Lilie keeps her hands over her womb made me tear up. The ring isn't there anymore, a sign that she probably already gave it to Momo (understandably, since once Akiho would be born, she wouldn't really have much time left). The baby bump isn't that noticeable, probably because she's at the beginning of her pregnancy. Who knows if she kept seeing little Kaito while she was pregnant. 🥲Who knows if in the scene where she's telling him about how wonderful it is to have something you love, especially a person, she was already pregnant with Akiho. 🥲

Momo and Sakura's final words made me understand that Momo cannot go back to Akiho and Kaito till the circumstances and the moment is right. Whether it depends on Akiho's wish, or the right cosmic arrangement, it's surely not in the short term. Especially considering the limited scope of Momo's agency. It cannot come from Momo (unless she pays a huge price), it needs to come from them, strongly enough. I also want to think that, again as an acquired mother figure, Momo wants those two to find their own way, identity and figure out their relationship on their own, without her interference. I'm sure she's keeping an eye on them from faraway, though. 🥲Even though this still feels bittersweet because I wanted to see them reuniting in canon so badly, it gave me lots of hope for the future. Momo is just waiting for the right moment, and she'll be ready to embrace them when the time is right. Maybe, who knows, we'll see that reunion in another series or in a special publication in the future?

The End

And then....the final scene 🥲NOW it is finally clear what Ohkawa meant in that one Twitter Space, when she mentioned that there was a reason why they never featured Sakura's birthday!!! THEY NEEDED TO KEEP THE EXCLUSIVITY FOR THIS!! 😂 I'm so glad they did, really...it's so sweet to see her reaching 14 years old (the "standard age" of many shoujo heroines! 😂) and seeing Syaoran giving her a present, with that strikingly sweet smile full of love...but most importantly....the breathtaking final double spread 🥲🥲🥲🥲 The way she pulls his hand close to her chest, to her heart, while saying that Syaoran will be forever and ever her most important and special person.....really, this chapter is meant to k*ll us all with feels!🥲and I love how CLAMP keep finding ways to portray their physical displays of affection without resorting to the classic, most wanted (but also probably considered not appropriate yet) "kiss". The very final page is a direct parallel of a page from chapter one, where Sakura was going to school alone and looked back down the street to admire the cherry blossoms in full bloom.

Now, she's not alone anymore, but actually hugging the love of her life on her special day! Really, what a wonderful and fulfilling way to give the final touch to this amazing story! 🥲 Her very last line also contributed to this. Sakura leaves us again, 24 years after the first ending, with words of positivity for the future, and love for her important people. This wraps everything up nicely, but it still keeps things quite "open-ended", hopefully in the eventuality to return to this wonderful series in the future. Sakura is growing up, as CLAMP wished, and it might be possible to see her dealing with more "grown-up" situations, magic and non-magic wise. But one thing is for sure, her relationship with her loved ones will always take top priority. ❤️

Well well well, we came to the end of this looooooong commentary for this special chapter too. I can't help but thank once again all of you who followed my posts all these years, and commented with your POVs on the story.

As I've said multiple times, Cardcaptor Sakura gave me so much ever since I was a kid, and this sequel was no exception. This special chapter, in particular, overflowed with things I wanted to see, and I'm sure I'm not the only one thinking so. I once again want to congratulate CLAMP for wrapping everything up nicely, and thank them from the bottom of my heart for these almost 8 years of emotional journey. 🙏

See you around with my other tumblr posts, and let's look forward to the release of volume 16 on April 1st, and hopefully, news about the anime sequel of Clear Card!!

[burst-of-iridescent]

I'm writing this as a big Katara stan. I just found out that a new film about an adult Gaang is planned to be released, and Katara, like Aang, will be given a leading role there. I am so excited and glad that finally Katara will be given due respect as a character!

But for some reason, after searching on Tumblr, I saw joy about a new film in the entire Atla fandom except for our zutara community. on the contrary, there is a lot of discontent and bitterness. But why is that? Is it because zutara won't be in the movie? Well, yes, zutara is a fanon ship, it will never be anywhere but our fanfics and fanart. But after all, Zutara is not in the original ATLA show, and we still love it! This is no reason not to rejoice at the opportunity to see our favorite characters on the screen again, to see Katara again (God, I'm screaming with delight😍😍😍😍). Yes, there is a chance that the writing will be bad, but there is always such a chance before the release of any film. I'm just so happy to see Katara again, and the whole gaang too, and her new design for this movie seems so great to mе!

i mean this genuinely, anon: i love that you love katara so much, and i am really happy for you that you're looking forward to the new movie. i truly hope you enjoy it.

i don't want to speak for the rest of zutara fandom, but i can't share your feelings because - to put it point-blank - i don't trust the creators with katara's character. ever since they lost their writing team, nothing they've created post-atla has proven to me that they understand katara's character, or how to create a good arc for her. it's telling that the only post-canon comic featuring a decent story for katara (katara and the pirate's silver) came out in 2020, twelve years after the original show ended (and which was also, notably, the first comic that bryan and mike were not involved with).

i'm sure some people are salty that they won't see canon zutara, but personally i'm relieved that i won't have to see bry.ke ruin romantic zutara like they did with their friendship post-atla. i'm sure they'll do their damnedest to fuck up what remains of zuko and katara's platonic relationship in the new movie, which is why canon ended for me with the final agni kai. no magic pointy rock or canon ships in this household, thank you.

i wish i could share your excitement for the movie anon, but i just don't have faith in bryan and mike to do justice to the characters (especially zuko and katara) after everything they've said and created over the last decade. like really, calling zuko a bad boy in the year of our lord 2023? please watch your own show.

besides, nothing they can do for katara in this movie will retcon what they did to her in LOK. i already know she ends up as a sad, lonely housewife without any real power, impact or legacy; that can't be changed, no matter how they try to "fix" it. it looks like the movie has been delayed so my hope is that it just gets cancelled in production. atla has been milked to filth anyway; leave the og characters alone and do something new with the universe, or just let it rest in peace and find another story to tell.

[critterbitter]

More asks under cut! Yippee!

@scarftale-bryan Trip for trio right? If so, I'm working on a comic for that ;0 But to help answer, I've head cannoned Elesa to originally be from Sinnoh. She and the twins didn't have the greatest first meeting, but, well, you see how they turn out later in the future so all that starts subpar ends pretty well. @bat-in-disguise NICE NAME. VERY WOOBAT THEMED. Second of all AYYYY this is where I resurrect the shambling corpse of this fandom. Please. I desperately want to have more on the train men. @mynamesaplant AH,,, YOU READ MY ONE SHOT,,, Okay look. Look. I love drawing comics as much as the next person. But if there's an interest towards fanfiction maybe I'll write a bit more... HMMM. HMMMMMMMM. (But anyways THANK YOU FOR YOUR KIND WORDS! They keep the hearth cozy.) @dracally3 Don't worry about the rambles! If you wander through my ask box, you'd see I ramble. A lot. That out the way-- I'm sorry to hear about the drama! Man. I got into submas towards the tail end, which I'm a bit sad about (wish I got to interact with some of the bigger creators, but they moved on to other hyperfixations and I respect that). Drama's scary though, so maybe it's for the best I dodged the entire canonball. I'm glad my silly little characterizations of found family are healing! And I wish you the best too-- here's to happy futures ahead free of drama and full of shenanigans. @saffalilac AYYY Togekiss is so cool! I (heh) also only drew volo's togekiss once but the fact you're the second person to talk about how much you love them makes me chuckle. That in mind, here's a doodle.

@chime-of-bells Hello! I remember your ask about saying how much you liked togekiss in my style. Drew some togekisses and thought you'd like them too :) @impossiblynoisyrebel AYYYY I LOVE drawing the eel dog lamprey dragon thing. Just. A tube with teeth. And giant eyes. and lovely fins. And bioluminescence!! Who doesn't love that? @onimusha095 Look look your local floating nightlight has SOME manners. (But also, Ingo and Litwick do come to an agreement at somepoint on who the ghost type can actively chew on. Emmet's fine with it. Elesa, who has less experience with Litwick's everything, probably would not be less fine with it, and Ingo really doesn't want to loose a friend.)

@magicfeatherbean4 Hello I see you're back! (I'm fine with this. I like snail mail from folks hhehe.) That out the way-- oh yeah they're DEFINITELY getting into fisticuffs when the mood strikes. And uhh Emmet starting battles only for Ingo to finish them off? Mercilessly? Without pause? Yes. YES. I am EATING this headcannon rn. Shuffling this into the comic ideas as we speak.

[lazyjellyfish300]

DD pt 3 part 2 of 2

Fem reader x Miguel O'Hara who is your Uber driver

This art was commissioned to accompany this chapter by the incredibly talented @/ejpuki on Instagram. Please go support the original artist!

Pt 1 , Pt 2 , Pt 3 1 , Part 4 , Part 5

Synopsis- fem reader drinks too much and the bartender calls a random Uber for her which happens to be Miguel O'Hara himself. Her friends suck and ditch her. There's a lot of tension on the ride home...

TW: MINORS DNI, some blood, little.violence, suggestive content ,age gap (reader 26, Miguel 34), this one is a sad one, inspired by the original comic

-----

Over the next few days you two text back and forth and talk on the phone. You feel so happy and excited about this budding romance between you two. It's been so long since you felt safe enough to let yourself catch feelings for a guy. You flood his phone while he's at work. Miguel isn't used to someone texting him so often but it's kind of cute how you update him on every little thing that's happening in your day and he has to try not to burst out laughing in the break room at some of the Instagram reels you send him. 

Your text convo: 

Miguel (pookie 🐻❤️) : Why tf would you send me a video of a banana cat with that sad music 😂😐🤨 and who is that white guy that's always randomly showing up at the end of videos with that whistle tune playing? 

You(amor ❤️): it's a meme babe you don't get it😂😂😂 it's supposed to be random, that's what makes it funny af. And that's Josh Hutcherson. You've never seen or read Hunger Games?! 

Miguel(pookie 🐻❤️): no, I haven't. Your sense of humor is a little broken I'm afraid. 🤨 You kids and your memes. 

You(amor ❤️): my sense of humor is just fine 😂LMAO you're only like 8 years older than me. 😂 we're watching it immediately! And we're going to Barnes and Noble to get you a copy. 😇 

Miguel(pookie 🐻❤️): hmmm fine.😌 When would you like to, cutie? ❤️

You(amor ❤️): This weekend please? ❤️❤️❤️

Miguel(pookie 🐻❤️): I'm so sorry, I'll have Gabi with me. But she'll be at her mom's next weekend. Can we do it then? ❤️ 

You(amor ❤️): that's okay I totally understand! ❤️ Yes please! I'm so excited ❤️ I miss you... 

Miguel(pookie 🐻❤️): perfect. I miss you more. ❤️

--------- 

Next Friday

Miguel drives to work, his heart like a dead weight in his chest and his mind racing with different scenarios on how he's going to tell his boss he's had enough. This isn't what he signed up for. The project he was overseeing at work was trying to create these "special abilities"in humans. One of the test subjects passed away this week and he'd be lying to himself if he said it wasn't messing with his head. He had nightmares about her. She couldn't have been older than 19. Her blue eyes frantic as she realized she might not make it off the lab table alive. Her horrified screams ringing in his eardrums. Miguel's fist clamped tighter around the steering wheel as he choked back a sob. He felt this was his burden to shoulder alone. He knew he was falling for you steadily now, and he didn't want you to go crazy worrying about him. He knows you love to try and fix people, a lot of times to your detriment and couldn't stand to see you in that position or live with the fact that he put you there. 

 He really didn't care for his boss, Tyler Stone either. Tyler Stone was the 6'3, blonde haired, blue eyed, egotistical vice president over Research and Development at Alchemax. He and the other higher ups just spent all day figuratively (and possibly literally) sucking each other off in boardroom meetings for the hard work everyone underneath them was doing. He was a businessman, not a scientist, and it became clear to Miguel that profit came first for him over scientific discovery and advancement, and his cronies shared the same philosophy. 

Miguel faced the man now, sitting in his office. Tyler sighed and walked over to his decanter set that sat in the corner of his office on top of a polished mahogany drink cabinet. 

"Care for some bourbon?" He asked, rolling up his sleeves.

Miguel pinched the bridge of his nose and nodded, closing his eyes for a moment. 

"It pains me to hear that you're wanting to leave, it really does." Tyler says as he pours the bourbon in two short, square glasses. 

"I chose you because I believed you could handle it. Your track record doesn't lie, Miguel. You were top of your class at Columbia University. I've seen your research and read your thesis that you did with them. You know Dain was actually the one that submitted your nomination to me when I was looking for someone to promote?" Tyler hands the glass of bourbon to Miguel who murmurs a low thank you. 

"My point is, if you leave, I got no one to replace you, and that makes my job even more tough." Tyler takes a sip of his bourbon and makes a small face. "I'm going to bat for your little science project every time I meet with the board of directors. I'll be honest with you, they're ready to trim the fat." Tyler's blue eyes bore into Miguel's over the rim of his glass. "But I tell them that this process, is worth the wait. We won't have these superhuman abilities lined up for purchase on shelves tomorrow. But give or take a few years we will be the first to break 100 bil in quarterly revenue when we roll this out to the public.  My point is, I'm willing to do whatever I gotta do to keep this project afloat because I've ran the numbers, I've seen what guys like you and Dain can do. It's a worthwhile investment."

Miguel takes a sip of his bourbon and winces. Fuck it, he downs the rest of the whiskey, his throat on fire. He holds out his empty glass to Tyler who takes it and goes to refill it, his back turned to Miguel.

 "I'm sorry...." Miguel finally says. "I've made up my mind. I'm flattered that you think I'm the right person for this job, but I'm telling you, I don't want to be the guy who all of this is riding on anymore. I'm not gonna gamble if people's lives are the chips."

Tyler's face went dark and he started tapping the side of his glass, his back still turned to Miguel.

Since when did this fucker grow a conscience? He knows he wouldn't be doing this job if he wasn't getting paid for it either right? He'd given Miguel and his team resources that any group of scientists would give their left kidney for. It was thanks to him in those board meetings that those ungrateful bastards even still had a job. And now their hang up is human test subjects? 

Tyler handed Miguel back another glass and said nothing as he watched Miguel down it. Miguel winced again as he finished his liquor, throat still on fire and cheeks starting to flush. 

Tyler turned back around, looking at the now setting sun on the horizon. "I'm afraid I can't let you go." He said calmly. 

Miguel raised an eyebrow, then suddenly his face turned white when Tyler held up an empty vial of Rapture, his back still turned to him. Tyler spoke again, his back still facing Miguel. "Alchemax is the only distributor of Rapture. Leave if you want, but I'm going to have to be forced to let the board know and involve law enforcement when they realize one of their silly little scientists couldn't keep his hands out of the cookie jar and became a needy little addict." He took a long sip. 

"You're not gonna make me look like a weak little bitch in front of the whole board. I don't lose, Miguel. You're not gonna fuck this up for me." 

Enraged, Miguel shot up, shattering the shot glass in his hand, blood gushing out of his fingers. "You fucking piece of shit!" 

Tyler remained calm. "You wanna hurt me? Go right ahead. I used your sign in to get this vial from the lab. The access history and empty vial next to my dead body will just deepen the hole you dug yourself. Either do as I say, or throw away your freedom right now and kill me before you even had a chance to see your little girl go to Prom." 

Miguel paused. This fucker was playing chess with him. Tyler took another sip. "It'd be a damn shame if you did. Especially about that new slutty girlfriend of yours. Did you even get to find out what her pussy feels like?"

That was it. Miguel threw his chair against the wall, the wooden legs splintering into the cabinet Tyler was leaning up against, a neutral expression on his prick face as he sipped more bourbon. 

Miguel turned and left the office, and slammed the door so hard the receptionist let out a small squeak of terror as Miguel tore down the hallway, rage seething out of his ears. 

  "Aaron?" Tyler asked in his cold expressionless voice. 

A short, balding man in his mid-thirties with green eyes and thick black rimmed glasses stepped out from behind a two way mirror in the corner of Tyler's office. 

"You rewrote the code in Machine A-2099 in sector 8, right?" 

"Yes boss." 

--------

You hummed happily as you lit a few of your favorite vanilla almond scented candles on your coffee table. You went all out with a smorgasbord of treats for your movie date night with Miguel including popcorn, gummy worms, Milk Duds, Pretzels, M&Ms, beef jerky, and root beer floats. As soon as you got off work, you cleaned the whole apartment top to bottom and put fresh sheets on the bed. You checked your phone anxiously.

Text convo: 

Miguel (pookie 🐻❤️): Good morning beautiful ❤️ how'd you sleep? Have a great day, I'll be at your apartment at 8 pm. 

You(amor ❤️): you just made my whole morning!🥰🥰 Good morning handsome! I slept great! I'm so looking forward to movie night tonight. I have a bunch of treats and goodies for us to snack on too. 😇

Miguel (pookie 🐻❤️): that sounds wonderful, baby. ❤️ Driving to work now, I'll text you when I get there but I'm not going to be able to talk much today. I have a meeting with the boss and a bunch of other stuff related to the project I'm overseeing. Just wanted to let you know not to worry ❤️ I'll call you at 6! 

6 pm came and went and you felt sick to your stomach. 

You(amor ❤️): Babe? Everything okay, I tried you twice. 

Nothing. 

You (amor ❤️): Miguel? It's 9 pm. Are you okay? Please just call or text me to let me know everything's okay...

It was now 10 pm. He wasn't coming. Your stomach lay in knots. You had called him 28 times with no answer.

What's happening? Is he cheating on me? Did he get into an accident? Is he dead on the side of the road while I'm hundreds of miles away and can't do anything?

He gets busy at work but he always, always checks in with you. You can't help but fight back tears at his untouched root beer float sitting next to yours. You knew going into this that you had to jump, knowing you were gonna fall and he might not be there to catch you. Well, here you were with a small dagger in your heart on what was supposed to be your second date. You couldn't help but let yourself get in your head. His rejection of you this time confirmed everything you feared about yourself. You laid down on the couch and sobbed quietly to sleep. 

------

That same night at Alchemax

Miguel's painful screams reverberated off the tiled floor of the genetics lab at Alchemax. The tall powerful man he was, was writhing on the floor in agony. It was as though his blood had turned to acid. His whole body felt on fire. Please God, if I'm supposed to die right now just take me already. He hadn't felt pain this intense ever before in his life. His eyes turned bloodshot, foaming at the mouth as his saliva bubbled and splurted out in incoherent gasps. 

Aside from his screams, the machine responsible for his pain let out a low beep. Miguel knew that a copy of his original DNA sample was logged into one of the gene altering machines that he set up when he was first put in charge of Tyler's superhuman project. He knew that as long as he had a drop of Rapture in him, he'd remain an addict defenseless against his new dependency Tyler forced on him. He had tried in vain to rewrite his current biology back to the original, but Tyler was one step ahead. Tyler knew nothing about science or how DNA worked, but it didn't take much to convince Miguel's bitter, jealous subordinate, Aaron Delgado to sabotage the machine. Very little was known about what type of effect that might have on a human, so there was a good chance he'd just die. Just what they wanted. Aaron and Tyler's smug faces entered the lab, watching Miguel suffer and taunting him, even pouring up another round of bourbon while they waited for the show to end. Yep, he'd be dead in just a few more minutes. They had an alibi and a cover up ready to go. They'd post his job opening by Monday and then they could pretend like this never happened. Miguel suddenly became still, his chest seeming to freeze in place, no longer rising and falling with his normal breathes. 

Gabriella, my little girl...I'm so sorry....I love you more than anything 

His eyes became glassy with tears. He was on his way to finding happiness with you too, only to have the rug pulled out from under him, now he was going to die here, alone. And those who killed him would never know justice behind their corporate wall of privilege and greed that would surely protect them. He uttered your name, his lips barely moving before his eyes fell closed and saw only black.. 

----

Pt 4 coming soon! Thanks for the support 🖤

@mysteris-things

[jar-of-maise]

"Um Lyney," Paimon began, in an uncharacteristically hesitant voice.

"Oh? It isn't like you to be so shy, please go on, what's on your mind?" Lyney asked, looking up at her curiously.

Paimon looked at Aether anxiously, then floated a little closer to him, shedding sparkles as she flew, "well, some of the kids were telling us about how you tell them about fairytales..." She begins.

"Ah!" Lyney snaps his fingers, "are you here to ask me to tell you some stories? Well why didn't you say so?" He hops up easily, gracefully revealing several embossed hardcover books which fall out of his hat.

"Take a pick! There are many here, don't be shy," Lyney says cheerfully, showing the books off happily, "this one is a personal favourite," he winks at Aether.

The cover is of a golden-haired prince, drawing a sword from his sheath, sparkles dance around his figure. White armour adorns his strong figure. "It's a pretty cover...but," Paimon begins, raising a finger.

Lyney raises his eyebrows, "oh? Not to your taste? That's alright," he twirls the book around on his fingers, then tosses it up in the air, where it disappears after a sharp snap of his fingers.

"How about this one? It's about a mermaid and her journey to the human world," Lyney offers, smiling at Paimon and Aether as he shows them the book.

"Well, they're all very nice but–" Paimon tries again.

"Goodness! Have you always driven such a hard bargain?" Lyney asks comically, shaking his head, the books tumble down from his hands as he sighs in defeat.

"Lyney." Lynette says with a deadpan look on her face, "they probably want you to tell them a specific story."

"Yeah!" Paimon exclaims, "thank you Lynette!"

"No worries," Lynette says, crossing her arms and nodding, "my brother does have a habit of talking too much," she says, tail swishing side to side.

"Hey! I'm still here you know!" Lyney cries.

Lynettte fixes him with a very exasperated glare, "I know."

"Oh Lynette, how could you be so cruel to your dear brother?" Lyney whines, slumping, a few cards slipping out from underneath his hat. They fall sadly onto the ground, like limp autumn leaves.

"Um..." Aether begins, "we were hoping to hear about the story you created for the kids here," he says hopefully.

"The story...I made?" Lyney asks, perking up, "you want to hear my stories?" He asks in a tone so innocent that Aether can't help but feel endeared by his excitement.

"Yeah! Of course we do, you're a great storyteller Lyney!" Paimon cheers, "yeah!" Aether agrees, nodding vigorously.

"Well then," Lyney gathers his cards in one sweeping motion, shoving them back into his hat, "I can't disappoint my audience then, can I? Please take a seat, the show will be put on momentarily." Lyney grins, gesturing at the table in front of them.

"Please help yourself," Lynette says in a monotone voice as Paimon and Aether slid into their seats. She places her hat onto the table, and once she removes it, trays and plates of snacks appear magically.

"Wow! Thank you! Paimon's digging in then!"

Lynette nods, satisfied, she pours herself a cup of tea and takes a long sip from her cup.

"So Lyney," Paimon says to the magician, who's mumbling to himself as they help themselves.

"Hm? What's up?" Lyney asks curiously.

"The children here said that this story was called, 'The Thief's Hope' but, they also said that it has a sad ending," Paimon comments, "is that true?"

"Ah, you want to hear that story," Lyney says, there's an unreadable expression on his face, "well I wouldn't say it's that sad, uh, it's just not your typical fairytale."

"Yet the kids still love this story," Aether says, watching as Lyney puffs out his cheeks in slight disagreement.

"Yeah I don't really know why," Lyney laughs, slumping onto a nearby couch with a poof!

"Hey, at least that means you're a good story teller!" Paimon says comfortingly, nibbling on a cupcake as she talks.

"Perhaps," Lyney looks at Aether, then at Lynette. His eyes are wistful as he gazes at his hands silently. Outside, the rain was pouring ceaselessly. A cold wind brushed by and the water rapped on the windows. Lyney thought for a long time, then he just sighed fondly, fingers tracing a seam on his shorts before smiling brightly at Aether and Paimon. 

“Alright! Let me tell you the story!” He jumps up from the chair and bows deeply, “Lynette, if you would please,” he bows towards his sister who sighs, “fine," she says.

Lynette snaps her fingers and just like magic, a large backdrop appears behind Lyney, Paimon gasps in surprise and Aether leans forward curiously. It’s a depiction of the Fontaine streets, and the desolate piece of artwork is crafted with life-like accuracy. 

“Allow me to take you back in time,” Lyney steps forth, a hand tucked behind his back as he twirls his hat on his fingers. 

“There once lived a young boy, he was very poor and often worried about when his next meal would come by,” Lyney snapped his fingers and a little doll fell down from somewhere above his head, it was neatly stitched together, yet dirty and battered as though it had been abused and never loved. 

Lyney smiled and nodded at Lynette who waved her hand. A spotlight shone onto the makeshift “stage” focusing on the tiny doll who picked himself up and began to walk around. 

“He was often bullied, looked down upon and slowly, he found himself pushed to the darkest streets, where the light did not fall,” as he spoke, Lyney flicked his fingers, they appeared as dark, long shadows on the harsh light of the backdrop and the doll was flung away.

“But he never forgot what being in the light felt like,” Lyney’s voice echoed from somewhere, like a omnipresent narrator. As he spoke, the little doll picked itself up and began to stumble slowly towards the audience, “he longed to go back, there was a hole in his heart that he wanted to fill. A void that was as dark as the night sky.”

The inky blackness that suddenly filled the stage was so desperate and suffocating that Paimon audibly gasped. No light shone, indeed, it seemed as though even the oxygen was being removed from their lungs. Aether wondered if this too, was a part of the magic.

"He tried to fill his heart with the scraps that littered the streets," Lyney's voice began to speak again, "he hoarded those little things zealously, even they had no love for him and he had no love for them."

A small pinprick of light appeared on the stage and focused on Lyney's figure, he stood in the centre, with a grave expression on his face.

"His fingers were nimble and his feet too, were agile," Lyney smiled, a small doll appearing on his hand.

"He took the memories and love of others, he tried to light up the darkness in his heart with the light and warmth of others." Lyney procured a candle, "but he could not chase away the cold in his heart, nor could he brighten any corner of that room, for it was locked!"

Lynette grimanced into her cup, but begrudgingly waved her hand. The flame of the candle died out as she waved her hand and Lyney smiled widely.

"How should I light up this dark heart?" Lyney walked across the stage, making a thoughtful expression, "Ah! The boy realised something, when he was wandering the streets one day!"

Lyney smiles, carefully placing the doll down, "people crave the unknown, they are fascinated by fantasy…and what better way to achieve that than–” a sudden burst of streamers erupted from behind his back, “magic?”

The backdrop changed, it was a light and happy scene, where the doll reappeared, looking much cleaner and put together, the doll was surrounded by other dolls, they were smiling at him. 

 "If I can't love myself...and I can't take it from others, what if I made them give it to me? That was what the thief thought," Lyney grinned, blowing a shower of confetti hearts at his audience.

Aether smiled slightly when some of the paper brushed his cheek.

"So he began to try and perform, with the few skills he had learned from stealing. No matter how he tried to mask his true self, this boy was a thief," Lyney pointed at the heinous doll with an accusatory finger.

"The truth was that he was a thief, and that all his story-truths were lies." Lyney declared.

Aether and Paimon smiled knowingly, Lynette helped herself to a muffin. She was enjoying the chance to enjoy as many treats as she could.  

“So the thief had finally found something that could fill up his empty heart," Lyney kept talking, "but still, the feeling of emptiness persisted. So he kept performing, kept going, just to chase that feeing," butterflies flew out from Lyney's finger tips as he spoke.

“The treacherous thief lied his way to the top. He tricked people ceaselessly, putting on a show that the masses would love. Lies were piled up on falsehoods. The thief could no longer return to the shadows of his past."

Lyney made a shape with him fingers where the light reflected it's shadow onto the backdrop, "The Thief looked down at the world from on top of the tower he’d built. It was exquisitely crafted, held together by fabricated illusions. He was a sinner, a devil who’d escaped from hell who was undeserving of the light he had gained."

Aether's eyes narrowed slightly, he sipped some tea but listened attentively, Lyney noticed this change, smiling to himself he thought, 'ah he gets it.'

Lyney kept talking, "Like a famous actor, the parts that he had to play continued to increase. People’s lives were entrusted to his hands at night, and in the daytime, he stole people’s hearts. He had never been bested and life itself, was the stage for his craft. 

He sat under the night sky one lonely evening, gazing out into the inky darkness. The thief looked at the stars, they had always sparkled so beautifully, untouched by pain or sorrow. He wanted that light, even though he knew he could never emulate that gentle radiance. 

That was when he met her,” Lyney’s voice took on a reminiscing tone and suddenly Aether was seized by a strange thought, was this just a mere story? He had no time to ponder this question, because Lyney was moving onto the next part of the story.

”Who was she?" Lyney wondered aloud, "well, perhaps she could be described like a burst of sunlight in a cold, frosty winter, or a wonderful flower blossoming in a wasteland...but no," he paused, "she was more than just those."

"She was the steady roll of waves on the ocean, she was the star that never left the night sky," it seemed like Lyney had forgotten his magic in that moment. He stood before them, as a performer still, but Aether realised that this was not only a story, but a reflection of Lyney himself.

"She was not words, she was a feeling," Lyney almost whispered to himself. Yet in the breathless silence that beheld the room, he may as well have shouted those words. Upon beholding this vulnerable side of Lyney, Aether couldn't help but smile sadly.

"The Thief was a certain kind of summertime sadness, one that spring couldn't cure," Lyney said slowly, withered petals falling with every step he took backward, away from the audience.

"He had no words that could describe her, for all the stories The Thief had spun, all the lies he'd said, there was no word he knew that could speak about the truth in her. But The Thief liked to call her mon armour," Lyney smiled bitterly, there was a hatred in the way he uttered those words.

Aether was taken back, but he didn't know why Lyney seemed to dislike those last few words so much.

"Her presence was gentle, yet searing. To The Thief who couldn't remember hugs or caresses, her touches was an uncomfortable, addicting burn."

Sitting in the audience, Lynette looked at her reflection in her cup sadly. This, was his way of atoning for lies, by weaving truths into his stories so that he might not spin falsehoods. She knew Lyney better than anyone else, to most this was obvious, but they didn't know about the hopes of her older brother. Past his light, and his shadow, was a young boy who loved to love and be loved.

That, was also a kind of truth.

"This Thief," Lyney murmured, "he was a haunted house, hollow from inside to out, plagued by a restless soul that was more focused on destroying the construct that kept it existing than anything else. Every now and then, a wind would rush through and open half-closed, weeping wounds.

The people who sojourned in this house did not help the soul, they loved only the mystery, the romance, the unattainable nature of his performance. And often left the house shabbier than when they first entered.

But not mon armour, she came in, like a little ghost. Planting purple wisteria in his mind, with wonderful trees that entwined their roots around the house and bound him to the earth. Camomile grew from his scars, moss and dewdrops patched his wounds.

She planted gardens of lavender in his mind, so that his anxiety might be soothed.

If there was anyone that might make him feel like life was worth living on, it would be her. A gentle love, that didn't demand. How funny, The Thief had never once known how to care, he did not think about the emotion itself. Never committed." Lyney nodded, though Aether didn't know if he was talking to himself or his audience.

"Yet he tried, loving was clumsy. He couldn't make sense of the lines he was meant to colour inside and often scribbled outside of those boundaries. But at least, he was less transient, and more of a home now." Lyney drifted off into his own thoughts, "my love, what a wonderful name, if only..."

Aether lets him mumble to himself, Paimon also floats over to him with a soft, melancholic smile. "Poor Lyney..." she says quietly, "the story must mean a lot to him."

"I think there was a bit more than just that," Aether comments, but refrains from saying some of his other thoughts, knowing Paimon would just freak out.

"My brother finds it hard to express himself," Lynette chips in, "thank you for listening to him," she bows her head.

"It's okay, please tell him that we'd listen to him anytime!" Paimon exclaims waving her hands.

"Thank you, I will."

"I know you're not much of a talker, but we'll also listen to you, if you need it," Aether says, smiling brightly at Lynette, who gives him a little smile in response.

"I will cherish that offer." She says, "honestly," she adds, looking at Lyney with a half-endearing, half-fond and equal parts exasperated expression, "for someone who insists he's unlovable, loving sure comes easily to him."

"He has a lot to give," Aether says kindly, Lyney is quiet, a broken piece of cermanic-ware, so fractured yet so well patched up he looks new. Aether is glad he has something to hope for.

"Lyney loves like he breathes but treats it like it's cancer," Lynette replies, "when he first realised he was infatuated he said he got a heart stroke. Yet if loving really was a disease, he'd hope he'd never recover from his illness" Lynette takes a sip of tea and rolls her eyes gracefully. "In that sense, he's utterly hopeless,"

[hobiebrownismygod]

What if Hobie Brown's Police Captain Canon Event was losing Captain Anarchy?

I'M BACK ON THE ANALYSES GUYS - CREATIVITY HAS FOUND ME

Every Spider-man loses a police captain who tries to save a child and ends up getting killed. We saw it almost happen to Pav and we see different Peter Parkers' and various other Spider-man variants looking at the holograms of themselves holding their police captain in the scene where Miguel is explaining everything to Miles.

We see Peter B. Parker looking at his captain's death and we see Andrew Garfield's Spider-man doing the same.

*sorry for the crappy quality*

Keep this in mind as you continue reading.

Hobie Brown hates cops.

He kills them. He calls them pigs. He calls them fascists. In his comic book cover entrance, the cops are literally depicted as pigs with snouts and everything. We see him fighting and beating up cops, we see him openly talking about hating the government and even more. Comic Hobie is notoriously ACAB and hates police officers with every fiber of his being.

But if losing a Police Captain is a canon event...

Hobie must have lost a police captain too, right?

Except he doesn't like cops. He would never befriend a cop, it just doesn't make sense for his character. If he befriended a cop it would go against his entire agenda of how all cops are pigs.

So what if he didn't lost a police captain?

What if Hobie's canon event was losing his long-time friend, Captain Anarchy?

Look back at the images I showed you in the beginning. We see the Spider-people mourning over the loss of their captain. We also see the Captain's faces. We see that they are in fact all variants of Captain Stacy.

But we don't see Hobie's canon event.

We see him looking down, obviously at his canon event, and then looking back up and trying to play it off.

We don't see his universe's version of Captain Stacy. All we see is him. We don't know who died during his canon event because they were never shown.

This is why I think Hobie didn't lose a police captain. I think he lost his best friend. Because if he lost a cop, it wouldn't have an impact on his character, and thats what canon events are supposed to be. Canon events are the events that shape every Spider-man's journey, but losing a cop wouldn't have changed anything about him because Hobie hates cops. But losing his best friend...

That would be a life-changing event. Which is what its supposed to be.

Note: You can always argue that Hobie wasn't sad about his canon event because he doesn't look sad in the gif provided and because these are headcanons, I can't say anything against it. However, you have to note that him losing a cop would not have impacted him and Miguel says in the movie that canon events have to have an impact on the person they're affecting.

Hopefully this made sense. I didn't really do that much research on it besides figuring out who Captain Anarchy was and finding the gifs online, so if anything looks or reads inaccurately please let me know!

[olderthannetfic]

Maybe I'm just dumb and uneducated, but the publishing world just sounds a bit like a scam. Not in the traditional sense, but more in the sense that everyone for some reason thinks they'll make the break through so you should aim to get a publishing deal because you might end up being the next big star! You'll be the one who's books will lead to having a movie made*, you'll get the merch, the comics, the games, you'll be lauded and remembered for your writing and how YOU changed the publishing world. You just need to be a human machine who managed to write exactly what the publishing chefs at the top want. Please keep individuality to a minimum. In reality you might get a boost in money maybe if your book ever gets deigned to be bought up, how much is the average? 10-20K? Everything after that is just dead air. You will probably never be able to survive on the royalties, your book is most likely gonna end up side by side with books with the exact same premise as yours, because publishing prefers just copy pasting the same things over and over. Maybe you'll be the rare "token" #NotLikeOtherBooks that's there to test the waters for the next big trend, but most likely not, because those spots are for nepotism publications or big social media names. Oh but maybe you'll be the super big social media star who managed to get a huge social media following, so maybe you'll get a publishing deal that way, not because you're a good writer, but because you already got an audience. Oh the writing of this famous person is subpar? Oh who cares, just buy their book, we can sell with their name! While you're at it, do all the advertisement yourself, we don't really want to bother anymore. What do you expect us to do? Actually promote your book? Pfff, do that yourself. Oh you don't have social media? Welp, goodbye!

*from what I've seen studios might buy movie deals but that just means they'll keep the right to making a movie, not that there ever will be a movie, and you obviously lose the tiny nugget of chance that another studio does it.

--

I think you're being unduly pessimistic, not because this stuff isn't true of publishing but because this is how most sexy jobs work.

You become an accountant because the pay is steady. You might also enjoy it, but it's not one of those sexy jobs with a zillion people flinging themselves at the opportunity to be perpetually underpaid. Most arts jobs and a fair number of other over-mythologized ones, however, are in this same category where people have romantic ideas that they'll be the lone success... and they won't be.

Sure, it's sad that the dream of buying a mansion from your book royalties is out of reach, but... lots of life is like this? I don't think it's a big deal.

--

Now, as for the movie deal thing, you've misunderstood that one totally. What studios buy is options. That means they're tying up your movie rights for a few years so nobody else can have them.

The key feature here is that options run out.

If you keep being successful for a long time, you can sell an option on the same work over and over and over. It's a great deal for the author!

The chance that your thing will actually be made and that, if it is made, the adaptation won't be an absolute abomination is low. It's not worth worrying about. (If you want to make movies, go pursue that, not book writing.) But that sweet, sweet option money is great if you can get it.

--

A lot of people like to get huffy about how "good" books don't sell and "bad" books do, but this is short-sighted nonsense.

Like other commercial art, a good marketing campaign can sell an inferior product, but a lot of what makes the difference is a book being appealing or not. Yes, yes, the plebes have bad taste, boo hoo. More people want to buy a romance novel than a very depressing and dense literary one in general. News at 11.

But for every genuinely shitty book with a lot of buzz, there are a number of solid genre fiction works that are obviously fun for the audience for that genre.

Celebrity memoir sells, sure, but the majority of novels aren't by famous people. There are some gimmick books on the market, including, yes, novels by social media stars, but a lot of "bad" books sell because people just actually do want a Wattpad-sounding crap romance with an alphahole dude and a girl who's pretty when she takes her glasses off—or whatever other cliche you can name.

--

Like other products, books benefit from a strong brand. An author who's been writing for years is more of a sure thing. As a reader, one has limited time and energy to vet newbies.

This is sad for us as authors, but think about it as a reader! How much of your free time do you want to spend magnanimously giving a chance to people who are probably wasting your time vs. picking up something you know you'll enjoy?

And also from a reader's perspective, I don't want surprises. Sure, I don't want a book that's so predictable it's boring, but when I pick up a romance novel, I want a happy ending. When I pick up a mystery novel, I want the mystery to get solved. When I'm reading on AO3, I expect your ship tags to be accurate.

It's a great mistake to focus on how ~nobody likes originality~. This is just pretentious art student puffery that ignores how normal human tastes and emotions work. People with this attitude are ill-suited for creative professions.

--

I think that, in general, most publishing pros, whether authors or not, are fairly up front that it's hard to live on royalties and that most authors have day jobs. This isn't new. It's something people have been trying to educate prospective authors on for decades.

I'd blame starry-eyed outsiders for these kinds of misconceptions more than I'd blame the industry.

I do support trying to inform hopefuls about the realities of choosing this as a career though. They need to know they're not going to be making rent money in most markets on writing alone.

--

All of that said, the two big changes that I do see are a couple of things related to publishing companies getting ever more beholden to corporate overlords. The profit margin has always been slim, and this can be an issue when the bean counters are too involved.

First, editorial standards have slipped a lot. 1990s trash fiction did often get at least a little bit of developmental editing from the publisher. 2020s trash fiction might get that from an agent, but often, it's expected that an author shows up with a publication-ready manuscript.

I think the idea that the publisher wanted to sit around with their thumb up their ass workshopping your baby forever was unrealistic even back in the day, but there has been a change and most people acknowledge it. I've also seen way worse basic proofreading in recent books that I don't see in used books from years ago. It's still rare to see many errors because publishers do provide this type of editing, they're good at it, and correctness is far more objective than for developmental editing, but I used to see basically zero typos and malapropisms in big publishers' books, and that is no longer true.

I'm no insider, but from what I hear, the basic issue is that publishers are being squeezed and they just don't have time or budget to do more than cursory editing now compared to some times in the past. (Of course, plenty of greats did come out of the world of pulp fiction, and I'm sure that was edited in ten seconds too, so...)

Second, yes, publishers offer very little in the way of marketing help, book tours, etc. now and expect a lot from authors. Again, I gather they're being squeezed.

It's that latter issue that made me just not bother to pursue traditional publishing. I don't trust them to understand BL-y type aesthetics in most cases. I don't want to write books within the word count that is most profitable in traditional print. And I really, really don't want to be asked to do marketing within specific parameters while not being given access to timely sales data like a normal marketer who works for the publisher or a selfpub author would have.

--

But all in all, people who work in publishing are not the enemy. They like books. If they have to make some commercial decisions over artistic ones or bow to popular tastes you don't like... well, that's life.

[writing-for-life]

Nuance in (The Sandman) Fandom

Send me asks about everything Sandman-related!

I thought a lot over the past few days, partly prompted by discourse on here, partly due to a couple of “interesting” asks and messages I received (the type you don’t answer). I *think* they might have been prompted by engaging in discourse on topics like anti-blackness/racism, misogyny/sexism, TERF characters etc in The Sandman.

Fandoms are always getting super sensitive if someone shines a critical lens on their favourite works, authors and characters. So to make this clear (in case it isn’t already obvious from my brain-rot blog):

I love The Sandman. I love Neil Gaiman. I have an extremely soft spot for Dream (and Desire btw, who deserves a lot more character analysis than just being summed up as “villainous, sexy bitch”. One day, perhaps ;)).

I can read The Sandman and just get lost in the story, even after decades and many rereads. 

But I can also view it through a critical lens—these things aren’t mutually exclusive.

Not critical enough or too critical?

As fans, we can get trapped in certain thinking patterns, like:

“My blorbo can do no wrong”-syndrome 

“Characters with flaws are inherently problematic and imply authorial endorsement of those actions” 

“Characterisation and problematic subtext are one and the same” (aka overanalysing and looking for problems where there are none is the death of every story, but failing to see problematic patterns where they are clearly visible is a problem, too).

Don't say anything bad about my favourite character

I think this doesn’t need much further exploration. It’s not my personal way of looking at stories through permanently rose-tinted glasses (I always feel it stalls my experience, but my experience is not everyone else's). Some people prefer that type of escapism, and I’m good with that (although the downside is of course that by not willing to engage with issues, we can unwillingly perpetuate them). Live and let live, ship and let sail. But please, for the love of god: Don’t insult people via their inboxes or messages just because their opinions and preferences don’t align with yours. I’m not going to sugarcoat it or phrase it “nicely”: It’s infantile (and a form of bullying btw), end of.

How can you even like a character who's so horrible? And that author must be equally horrible, too

We have to separate flawed characters, even those who are written to be really problematic, from real-life endorsement of these actions. 

Author, narrator and character are three fundamentally different things, and don’t overlap as much as some people seem to think. 

We can write vile, despicable characters to make a point (for me, Thessaly was always a prime example for this, and I explained why here). We probably hate them as we write them. I don’t know what else to say, but this facet of writing seems to get more and more lost on people, and it’s a worry. Crying for sanitised characterisation is one step away from censorship. We explore what is problematic about people and humanity through story. That’s how we process and learn. It’s nothing new, but it becomes impossible if we can’t write flawed and even disgusting characters. 

Face value…

Since I’m mostly in The Sandman fandom, I often read that its ending is hopeless, and that’s supposedly the entire message. 

It is agonisingly sad, yes. But is it truly hopeless? I personally see it as quite the opposite, but of course that’s my opinion, coloured by my life experiences.

I also get that show-only fans often haven’t read the comics, or at least not the whole arc. And as such, their outlook from what they’ve seen so far (and choose to focus on) has to be different by default. I also understand that many people are quite new to the comics, even if they have read them in their entirety. I’ve sat with them for 30 years, and I still find new things on every reread (and I read it more times than anyone should 🙈), and I still don’t feel like I’ve understood it all. Perhaps because I still haven’t fully understood myself (and it’s unlikely I ever will). If there’s one thing The Sandman isn’t, it’s one-dimensional and easy to grasp in its whole depth.

I just wrote a ginormous meta on it, if you’re interested, it’s here:

Subtext, (not so) glorious subtext

This is where it gets complicated:

We shouldn’t mix up characterisation and story subtext. Overanalysing every line to death will always make us find something that’s “problematic”, when it really isn’t in the wider context of the story.

Zooming in is NOT always a good thing. Sometimes, we actually need to zoom out. 

But subtext *can be* (accidentally) problematic. Even in stories we love. And none of this negates what I previously wrote.

Stories have real-life implications of sorts, and we need to be able to talk about it. That’s where those slightly flabbergasting, hostile inbox messages come in, and I want to expand on that "topic of contention" a bit:

Neil himself confirmed that the Endless basically warp reality, and that this is why, after Dream’s failed relationship with Nada, many black women in his vicinity suffer terrible fates (Ruby and Carla in particular). And that this spell is only broken when he dies, and that it is the reason why Gwen doesn’t suffer the same fate. And said Gwen then gets used as a plot device to basically absolve Hob (who canonically really is a problematic character, whether show-only fans like it or not) from his slaver past. Once again, very clearly: No one is making this up. Neil confirmed it (for the comics, and that was over 20 years ago. It remains to be seen if his stance has changed as we move into that arc in the TV show).

I don't think it is correct to imply that Dream as a character is racist (I've read that, too) because he logically can’t be. He holds *all* the collective unconscious. He is also, strictly speaking, not white. He is everything and nothing, and he shows up in many different ethnicities throughout the whole arc, depending on who looks at him. But Neil played with a subtext here (reality warping due to a bad relationship which then affects everyone with similar physical traits) that will read very differently to a black person than it reads to a white person, and we have to understand why that is an *extremely* slippery slope.

Plus, we are supposed to see Hob, who *was* a racist at some point (you can’t not be if you’re a slave-trader—it’s impossible by default) as redeemed. And yes, he *does* regret deeply, good for him (and if I were saying this aloud, you would hear the sarcasm in my voice, because it is indeed all about him. We are to sympathise/empathise with him and his character growth while there isn’t much mention of the people he maltreated). But also: it was a black woman who basically forgave him (with dialogue that personally makes me cringe). And that black woman who offers forgiveness is not truly a black woman—she is a character written by a white man. And as much as author and character are not the same (see above), there is an inherent sensitivity in that power imbalance that we can't brush under the carpet.

I don’t think Neil is racist. Probably quite the opposite, and I can even see that his intentions were good from a storytelling point of view. BUT intention and impact are two fundamentally different things, and telling the story this way (comic version) betrays blindspots only white people have. Just like women have blindspots when they tell stories about men, and men have blindspots when they tell stories about women (and there are a few of those in The Sandman, too). And and and…

As storytellers, we can’t always speak from lived experience. It’s impossible. And that also means we occasionally make mistakes that look bad in hindsight, even if our intentions were good.

I guess the proof is in the pudding: What do we do when people who *have* that lived experience tell us it looks bad? If they inform us why it is hurtful, plays into old stereotypes etc?

Are we willing to listen and yield (both are the foundations of allyship btw), or are we insisting that our viewpoint as someone *without* lived experience is right? That lived experience extends to all lived experiences (sex/gender, sexual orientation, age...), and from all we’ve heard from Neil so far, it seems important to him to rewrite what he sees differently today. Whether they’ll always get it right for the show—we’ll see. At the moment, it looks a lot better than in the comics, and certain issues are already being handled with a lot more sensitivity, but a few problems remain.

Pushing back on criticism that comes from people with lived experience is problematic—I’d encourage us to think about what it looks like if a white majority in the fandom is basically saying that the opinions of POC are essentially “overreactions” (and yes, that happened).

It’s complicated. The Sandman was written in a different time, and I think we have to distinguish between things that weren’t really problematic at the time but have aged poorly (again, Thessaly springs to mind, and I have lived experience as a queer person during that time, so I can see it in context while at the same time acknowledging that I would make changes to bring it to the present day), and things that were always a problem due to blindspots. They were a problem in 1990, and if they don’t get changed, they are still a problem today.

This fandom is generally so much more open and nicer than others I know. But that doesn’t mean it’s infallible, because it’s full of humans. 

Nuance is sorely needed, in both story interpretation and interaction between said humans.

[skz317cb97]

Be Mine

Han Jisung x Female reader

Word count: 2.2k

Synopsis: When your Valentine's date ends up being an absolute jerk, Jisung tries to comfort you. You wonder if you'll ever find a guy like him.

A/N: 18+ only MDNI. I hadn't planned on writing this it just kind of came to me and I figured since you didn't get any smut in the first part of Valentine's Don't that I'd give you a mainline of Jisung smut. Good ol roommates to lovers. I was trying to have it done yesterday but oh well! Hope you enjoy! If you do please like, reblog, shoot me a comment or ask, feedback is the ultimate motivator! Warnings and smut below the cut!

Warnings: 18+ only MDNI! Cursing/strong language, fingering, oral (m&f), protected piv sex (condoms folks, use em), cum eating, praise/pet names (jagiya, baby etc) I think that's everything but as always if I missed something please let me know and I will add it!

You startled Jisung when you burst through the door of your shared apartment. He wasn’t expecting you home from your Valentine’s date for another couple of hours. When you ran through the living room straight to your room crying, he realized something was wrong. As fast as your door slammed Jisung was up and making his way down the hall to your room. When he got to your door, he could hear you crying inside. He hesitated for a moment and considered giving you space but he really wanted to find out what was wrong and comfort you, so he softly knocked at your door. 

“y/n? Can I come in?” He heard you sniffle and then a soft ‘yes’. When he walked in he saw you curled up in your bed with your face buried in a pillow. He walked over to your bed and sat next to where you were. 

“What’s wrong y/n?” He rubbed your back trying to calm you. 

“He ditched me.” Jisung was confused. 

“What do you mean he ditched you? Like he ghosted you?” You turned towards Jisung and wiped at your eyes. He hated to see you sad with your red puffy eyes, it broke his heart. 

“Ghosting would have been better. I was waiting at the restaurant and he text me saying I was his backup plan and that he was going out with the girl that had been his first choice. Who does that?” You started crying again and Jisung pulled you close and wrapped his arms around you. 

“A jerk and an idiot, that’s who. Guaranteed his ‘first choice’ was the wrong one if it wasn’t you.” You rested your cheek on Jisung’s shoulder as he sat there and held you. 

“Why can’t I find a sweet, cute, guy like you that is actually into me?” You sniffled again and Jisung froze. 

“Wha-what do you mean actually into you?” You sat up and shrugged, wiping your face again. 

“I don’t know just I wish I could find another you that cared for me. I know you care but I mean like romantically not just a roommate.” Jisung rested his hand on top of yours, his thumb rubbing the back. 

“y/n...” You looked up at Jisung and he looked, confused, his brows scrunched up. 

“Is it not painfully obvious?” You shook your head. You had no idea what he was talking about. 

“What? Is what not obvious.” Jisung shook his head and his fingers traced your cheek, your eyes closed and you leaned into the warmth of his touch no matter how small it was. 

“I’m in love with you.” Your eyes widened to a comically large size. 

“YOU WHAT?!” Jisung couldn’t help but laugh a little at your reaction. He had always thought that he was pretty transparent about his feelings. He thought that you just didn’t feel the same so you ignored it. Clearly he wasn’t as obvious as he’d thought he’d been. 

“I love you y/n.” He leaned in and kissed you softly. Your brow furrowed in confusion and you pulled away quickly, inspecting his face to see if this was just another one of his jokes but he looked worried when you pulled away. Afraid he’d taken too big of a step. You looked into his deep brown eyes and saw his love for you, then pulled him into another, more heated kiss. 

“I love you Jisung.” You whispered between kisses. His lips trailed down your jaw and neck. 

“You have no idea how badly I’ve wanted to hear those words from your gorgeous lips.” He devoured them again. You gripped the front of his shirt pulling him down on top of you as you laid back on your bed. 

“Touch me Ji, kiss me.” His brain was overheating. Thing’s he’d only dreamed of hearing you say were coming from your mouth and he was starting to lose control as he kissed, bit, and licked his way down your neck and shoulder. 

“God baby, you taste...” Jisung hummed and growled in satisfaction as he slid the strap of your dress down kissing further down your collar bone and chest. 

“What else can I taste? Hmm jagi?” Your body flushed with arousal at his question. You were panting, heavy breaths in and out, your chest rising and falling. 

“A-anything.” You said as you hid your face with your hands embarrassed. Jisung’s hands slid down your body until he reached the hem of your dress. He hooked his thumbs under and started sliding it up. You lifted your ass so Jisung could push it up around your midsection. When he saw your panties there was a prominent wet spot already forming. He buried his face between your legs and breathed in your sweet smell. He pulled your panties to the side and smiled. 

“So wet already. My kisses get you wet like this baby?” You bit your lip and nodded. Jisung smiled sweetly at you then gently slid his tongue through your slit tasting you, savoring you. The contact made you jump a little, you knew what he was going to do, still it caught you off guard. He ran his hands up and down your thighs gently placing soft kisses to the inside of them. 

“Is this alright? Do you want to stop?” You quickly shook your head no. 

“No! No I just, with you... well it’s all new.” He nodded dragging his tongue through your folds again slower than before. 

“We’ll take things nice and slow then baby.” And slow he went, mapping out every inch of you. When his soft lips sucked gently at your clit your legs involuntarily attempted to trap Jisung’s head in between them. When he pulled away you whined a little. You looked down and saw him sucking on his fingers looking into you, through you, his piercing brown eyes, only black pools of lust. He watched your face as he slid two of his fingers inside you. Your body relaxed and your head and eyes both rolled back. 

“Good girl jagiya.” He whispered against your pussy, then started kitten licking your clit as his fingers did wonders inside you. It wasn’t long before he had you writhing on the bed aching for release, your hands gripping his hair tighter and tighter the more the coil in your belly wound up. 

“P-please... p-please don’t sstop.” You managed to breathe out as your orgasm came rushing upon you quickly. Jisung’s hums of delight were the final blow and you came chanting his name in choked whispers. Jisung worked you through the explosive orgasm gently, slowly just like he’d done the entire time. He never thought he’d have this moment with you so he was going to savor it and make it last. As you drifted back down into your body Jisung removed his clothes and climbed back on top of you. 

“So beautiful...” He said as he kissed here and there on your cheeks and face. You could feel your face getting warm again. His gentle praise, his soft lips, the way he was in no hurry to end either of your pleasure had you burning for more. You licked your palm and slid your hand between your bodies gripping Jisung’s hard cock and slowly stroking. The blush that went to his cheeks and the way he bit his lips when you touched him had you dying to feel him inside you. 

“God Ji please I need you.” He hovered over you a moment eyes closed, bottom lip between his teeth, enjoying the way your smooth hand slid up and down his shaft perfectly. He pulled the other strap of your dress down exposing your breasts to him and he took one of your nipples into his warm wet mouth. It felt so good you squeezed his cock gently and he moaned. Fuck was it the sexiest sound you’d ever heard and you wanted to hear it again. When he sucked on your other nipple you gave it another squeeze a little firmer than last time and you were rewarded with that moan amplified. 

“Fuck baby, if you keep stroking me like that, I’m gonna cum.” You smiled up at him sweetly. 

“Good. I want you to cum Jisung.” You stroked him a little faster and his jaw fell open. He was certain that he was about to cum all over your hand and stomach if you kept at it. He gently grabbed your hand. 

“I will jagi, I will, but I have to feel you, I have to be inside you.” You nodded in agreement more than ready to feel Jisung filling you. 

“Condoms?” He managed to use his brain just long enough to ask the very important question. 

“Top bedside drawer.” While Jisung leaned over to grab one you took the time to slide your panties and dress off the rest of the way. When he turned back around with the condom and saw you splayed out completely naked for him his cock twitched. 

“Fuck how are you so pretty? This soft skin,” He traced his fingers down your body. 

“Those gorgeous eyes,” You looked at him as if he’d hung the stars and your eyes twinkled. 

“These lips.” He leaned down and kissed you, soft pouty lips slotted together gently. Jisung sat back up and ripped open the condom, sliding it down his dick before running his hands up your thighs to your knees, spreading your legs for him more. He leaned down again caging you under him. He nuzzled his nose against your cheek and gave it a small kiss. It was so sweet it took your breath away. 

“Be mine?” You looked at him, in his eyes. He was so sincere it was impossible to say no to him. 

“I’m yours Han Jisung. Always.” He smiled and kissed you as he slowly pushed into you. You gasped and gripped his broad shoulders as you felt the stretch of him filling you, just like you wanted and better than you’d imagined. He pulled out a little and pushed back in again, deeper. He pulled out and again deeper. 

“Oh god you feel so fucking good baby. That’s my good girl.” You wrapped your arms around Jisung’s shoulders pulling him down so you could kiss him again. He grabbed one of your legs and hiked it up around his slim waist. His other gently holding your face as he fucked you deeper and kissed you so sweetly he had to be made of pure sugar. Eventually you both were just holding each other, hips rocking back and forth into the others as your lips ravaged the others. 

“I-I’m gonna cum Ji, mmmfuuuck don’t stop.” Jisung kissed your cheek and down your neck as he continued to press his hips deep into yours. 

“Tha-that’s oh fuck... I...” Jisung moaned when you came around his cock. You may have been having the orgasm but the feeling of you squeezing his cock with your walls as you came hard under him was the next best thing. He started fucking you faster, the fastest he’d done anything until that point, prolonging your orgasm as he frantically chased his own. 

“I-I’m gonna cum jagi, where...” Was all he could manage to get out, he was so close. You pushed at his shoulders to roll him to his back and he did so taking you with him. You were straddling his waist but started inching your way down his legs. You pulled the condom off Jisung’s cock in one movement and had him inside your mouth the next. It was almost more than he could take. 

“N-not gonna l-last l-lo...” You hummed and stroked his shaft making him shudder from the pleasure you were giving him. 

“Cum for me Ji.” You took him into your mouth again and bobbed your head up and down sucking him off, your lips sliding up and down his shaft, your spit dripping down your fingers as you stroke what you couldn’t take, your other hand traveling and gently griping his balls. You could feel him twitch just as the words came out of his mouth. 

“FUCK! I’m coming! Oh god mmmm fuck, yes so pretty, such a good girl.” His hand smoothed your hair as his cum filled your mouth and he continued to twitch and shudder through his orgasm, as you swallowed everything he gave you, humming in pure satisfaction. You sat up and wiped your lips with your fingers making sure to not leave a trace of Jisung behind, then sucked on them. 

“Taste good?” You just hummed and nodded with a shy smile on your face as you bit on your nail. Jisung sat up and wrapped his arms around your waist pulling you close to him, your breasts in his face. He kissed and nibbled his way up to your lips, tickling you and making your laugh. When your laughter died down you looked into Jisung’s eyes and saw the way they scrunched and sparkled as he laughed with you. You cupped his soft cheek and Jisung leaned into your hand. 

“Be mine?” He smiled and leaned in to kiss you softly. 

@acciocriativity @caroline-ds-world @chansynie @ughbehavior @jquellen27 @hyunelixies @fixation-dump @lachinitaaaaa @rinrinndou @bangchans-angel @laylasbunbunny @owo-manii-uwu @armystay89 @b00dyguts @purplenimsicle @caticorn61 @lauraneuuh @channieandhisgoonsquad

“I always have been.” 

Please do not repost or translate any of my works. My blog and stories are NSFW and 18+ ONLY! Minors, ageless, and blank blogs will be blocked!