#Remove term

[lyrasky]

【ハウス・オブ・ザ・ドラゴン】シーズン2第1話ネタバレ あらすじ解説 愛のある者と愛がない者の格差 感想 House Of The Dragon2-1

【ハウス・オブ・ザ・ドラゴン】シーズン2第1話ネタバレ あらすじ解説 愛のある者と愛がない者の格差 感想 House Of The Dragon2-1 クリックしてアマゾンへ #HouseOfTheDragon #ハウスオブザドラゴン #EmmaDArcy #Targaryen #MattSmith #RhysIfans #SteveToussaint #EveBest

待ちに待った【House Of The Dragon ハウス・オブ・ザ・ドラゴン】シーズン２！「ありがたや〜」と見ているとついつい呟いてしまうくらい大好きなアイルランド〜イ��グランドの昔話のような舞台、セット、衣装、言い回しがお祭り状態なTVシリーズで嬉しくなってしまいます。 皆さんご存知でしょう…こちらの作品は、数々の賞を受賞した【Game Of Thrones ゲーム・オブ・スローンズ】のスピンオフ・ドラマになります。だからこのトラディショナルな雰囲気は当然のことなのですが、その中でもあの作品をただの王冠争奪戦ドラマではなく、より摩訶不思議な世界観にしている1番の要因でもあるダーガリアン家に焦点を当てた壮大なストーリーになっています。 そのシーズン2が放送開始になったので今日は、【ハウス・オブ・ザ・ドラゴン】シーズン2のあらすじや解説を致しましょう。 本家の【Game Of…

[biromantic-barbie]

No thoughts head empty just poolverine in cringe valentine's day template

[daisybell-on-a-carousel]

"Jason was the happy robin" this, "jason was the angry robin" that. Let's all be fully honest here Jason was the lonely robin

[okayto]

Important things to do at work today

[missing-sock-misto]

At night, the two would curl up in the hollowed out record player they called a bed. Misto would fastidiously work at Tugger’s treasured mane, focusing on the soft undercoat that was prone to mats, and the spots beneath his chin and on the back of his neck that the tom couldn’t reach himself. Meanwhile, Tugger would comb at Misto’s iridescent fur, purring as he caught stray sparks with his tongue. They spent the darkest hours of the night working together in comfortable silence.

[jimlingss]

Three years!

Hello, everyone and happy Jimlingss anniversary! Woohoo! It has been three years since my official retirement and eight years since I’ve began this blog. That’s absolutely crazy since it all feels like yesterday. Time flies when you’re having fun.

First and foremost, thank you to all who still send me messages and give me feedback on my stories! I do check back once in a while and read everything, so nothing goes unnoticed. Your kind words always make me miss the simpler days of writing. :’) It really gets me nostalgic.

Second, here is my yearly update!

I’ve finished my second year of law school! I finished off this year with a bang and did quite well, if I do say so myself. There’s one more year left to go and that’s insane since I remember the first day so vividly. I’m a bit sad for it to be all over — I never thought I’d ever feel this way. But I’ve made so many friends and created so many memories. When it’s all over, everyone will be going their own path. Luckily, I’m sure we’ll remain connected and be close friends no matter what.

I don’t think I’ve had such a positive experience quite like this in all my years of schooling. I’ve always been the type to just scurry on home, never liked what I was studying, and never had too many friends. So this change has been unexpected yet very welcome.

In terms of career, I’ve been working this summer and I have something lined up for when I’m finished school! So soon I’ll be racking in the dough, wooooooo!! Let’s get it!

My family is also doing well — and I feel very fortunate for that. 

Third, and most important, I am happy to announce that I have a boy I absolutely adore! We’ve officially been dating for four months? That seems so short on paper, but we’ve known each other for close to two years! I’m living out one of my friends to lovers fics, I swear (lol).

He’s been a close friend since the start of law school and somewhere along the line I gradually caught feelings (of course I did lmao). I was sure rejection was on the horizon and I wanted to preserve our dear friendship, so I was trying to get over it for months by myself. This included online dating and going on a string of dates (hahaha). I ended up cracking and calling him on the phone one night, but then aborted mission. Thanks to the advice of a friend, I stopped avoiding him and being an embarrassment, and I finally confronted him. He said we should give it a shot, and here we are!

He has brown, curly hair that reminds me of a poodle. And he made me realize why love is so loved — why it’s so revered — talked about — imprinted in each other’s minds. Everywhere. I’ve written countless love stories but never truly experienced the feeling before, and yet, he’s made the heart of my stories come to life. He’s let me live them in real time. 

I really hope it works out! LOL

Anyway, I’m always happy to do these updates and for all those who may be just a bit curious enough about me to check in. Although this is a very positive update (and I hope it continues to be), my life isn’t without its ups and downs either. It just seems to be in a general upwards trajectory. 

Thank you to everyone who still remembers me, and who may still read my stories! I definitely haven’t forgotten about you all, so I hope you haven’t forgotten me either.

Here’s to another year! See you again!

[thehammerofbrokkr]

I need Buck to romance Tommy like he didn't have the chance to do with all his previous partners. I want Tommy not knowing what to do with the level of attention, and getting showered with love that Buck is gonna give him. Not only that, but I need Tommy blushing and nose scrunching 24/7.

Imagine Buck going to the hangar to pick him up after a grueling shift and sweep him off his feet with an impromptu picnic date, a warm bath and a relaxing night where Tommy gets to be the littlest spoon ever.

I need romantic Buck to make a comeback and shower Tommy with so much romance, they both forget about all their previous partners altogether.

[blueskittlesart]

pleeease give a review for infinity nikki ive been thinking about downloading it but i dont know if i have the space and if its worth it to clear some up for it !!!

as someone who spent HOURS on flash-based dollmakers as a kid, i absolutely love it. the gameplay hits somewhere between dressup game and open-world RPG, in that there's a large botw-like open map to explore, but the express purpose of exploring it is to unlock new clothes for your character. The exploration itself feels very calm and cozy most of the time, with the emphasis being on small collection tasks like fishing, bug-catching, and foraging. again, all of this is specifically to craft new outfits for nikki which you can both coordinate with no limitations to wear in the open world and use in scored styling contests with npcs, some of which reward you with game currency and some of which help you progress the story quests. the only place where i feel the gameplay truly suffers is in combat. you have one attack, and it's a ranged shooter, but there's no aim-assist whatsoever, and the mobile joystick isn't NEARLY sensitive enough to justify this. aiming in combat is one of the most difficult parts of the game, and nikki can only take 5 hits before she dies and has to respawn, making combat decently frustrating. However, there are very few places where combat is strictly necessary in-game, and both of the boss battles i've done so far had hitboxes large enough that it wasn't an issue; it's really in the open world against hordes of smaller enemies that the lack of targeting becomes really frustrating. other than that, though, the controls are fairly well-designed and intuitive, especially if you've played similar games before.

The clothes themselves are the star of the show, of course. I've yet to see a single clothing item in the game that I don't want. there's a good mix of fancy intricate outfit pieces and basics to obtain early-on, and without even touching the gacha you can coordinate some really cute outfits via in-universe boutiques and quests that reward you with clothes. Even the very obviously themed ability outfit sets that you craft early on almost always have a few pieces that are easy to mix and match with, so there's a TON of styling potential even for free players! As for the gacha, it's actually one of the more generous games i've played in terms of rewards and pity systems. My one complaint so far is that the 5-star gacha outfits especially seem to be very accessory-heavy, meaning it's possible to pull shoes, multiple necklaces, gloves, socks, and hairpieces before ever pulling the dress they're very obviously designed around. there is a pity mechanic to prevent this, but it requires you to pull a few too many times before your guarantee imo.

The story is ridiculous in a good way. It kind of reads like a 2000s-era barbie movie to me right now, in the best way possible. there's an amazingly predictable sexy villain, cute little flying creatures that follow you around, and every conflict is, of course, solved via clothes in one way or another. My absolute favorite thing about the writing, though, is how blatantly earnest it all is. at no point does the game poke fun at its own wacky concept or even attempt to make some self-aware joke about it to the player--it plays everything completely straight, and in this aspect it almost feels MORE self-aware. it knows that the kind of person who wants to play a dressup rpg is also the kind of person who does not, under any circumstances whatsoever, want to be questioned or made fun of for their love of fashion or their engagement with that game. It very much feels like the devs know that they're working with primarily girls and young women and a subject matter that those girls and young women are often looked down upon or made fun of for seriously engaging with, and so it promises to engage EXTRA-seriously to make up for that. (side note: there's one point in a story quest where, when asked to make a wish, nikki wishes that all girls never get cramps again. that was when i knew this was a game that knew its audience.) If I wanted to nitpick, i might say that every quest so far has sort of felt like an increasingly ridiculous trading sequence--you learn what you need to do very early on, but you'll always spend several hours of gameplay encountering obstacles and doing other smaller tasks to circumvent those obstacles so you can reach your original goal. this might annoy me more if the game was trying to market itself as a serious RPG, but it seems very self-aware to me, and despite how i'm describing it none of the quests ive played have actually FELT tedious. I think the fact that it's such a wild concept to begin with gives the writers a bit of leeway in how they handle the story quests, and because I as the player am aware i'm playing a dressup game I don't really expect quests to immediately get to the point and let me fight something. I will say that there are certain things that aren't super intuitive especially if you aren't a seasoned gacha rpg player, particularly the features relating to advancing your skills and the styling points of your clothing. though the game does technically explain what you need to do, it doesn't explain the RELEVANCE of the feature, just that it exists, so I had to lose multiple styling contests before I realized i could upgrade my clothing to get higher scores.

The final thing I'll talk about is performance. I'm playing the game on my iphone 13, and the performance is.... not great, i'm ngl. Off the bat, if you play the game on a mobile device, you're going to be getting a HEAVILY scaled-down version of the terrain graphics. all of those screenshots you see online of beautiful terrain full of flowers and particle effects are from ps5s or custom pcs. truthfully, the mobile app looks like a game from 2012 and it will still turn your phone into an incinerator. I've also encountered multiple graphics bugs, some during pivotal scenes, and I get consistent lags when playing for longer than a few hours, likely due to the strain on my phone's hardware. it's also an INSANE battery drain, so i only play when my phone is plugged in. All that being said, the game has been out for less than a week, so visual bugs are inevitable, and the developers have stated that mobile optimization is a priority, so hopefully we'll at the very least no longer have to overheat our devices to play it soon. Also worth noting, from what I've seen the rendering of the CLOTHING doesn't suffer AT ALL on mobile devices. presumably they sacrificed terrain rendering to allow for such beautiful texturing on the clothing itself, which, given that the clothing is the main focus of the game, I can't fault them for. Basically, if you're going to try to run an unreal engine game on your iphone, be aware that it will run like an unreal engine game on an iphone. and prepare yourself to have to let your device cool down every few hours.

tldr: i love the game so far. i'm really excited to keep playing and see where the story goes, and I think they should make more games for girls <3

[boo-cool-robot]

I didn't notice this on my first read of JJK, but it's fascinating how Gojo's powerset and Toji + Maki's Heavenly Restriction powersets are similar. Gojo has his Six Eyes that let him see cursed energy in extreme detail, while Toji + Maki have their extreme heightened senses that give them awareness of basically everything because they can sense where things are in relation to each other. Gojo can float and walk on air with Limitless, and Toji + Maki can physically bounce off surfaces of the air. Gojo has Reverse Cursed Technique to heal himself, and Maki demonstrates in Sakurajima that she has some kind of fast-recovery ability. (I think it's likely Toji also has this ability, though it clearly isn't enough to overcome Hollow Purple.)

It's just REALLY fun that the pinnacle of sorcery and the pinnacles of the negation of sorcery converge on the same place!

[valyrianrepublic]

Dragon Age: The Veilguard making the Venatori, the Qunari and the Evanuris all on the same side was one of the worst choices of the game. It flattened the lore and the gravity of the slavery question in Tevinter. It would have been way better if the darkspawn stayed the main force of the resurgent gods with both qun and Venatori opposing them and Rook was at one point forced to join forces with one of them to fight Elgarn'an, bringing the moral grayness of having to ally with a foundamentalist army hell bent on conquering Thedas or a nationalist slavery cult of nobles against the treath of world end, as a callback to "there are no good choices in a blight" from Origins.

[space-is-vast]

Commisions open.

[Plain text: commisions open. End plain text]

Nitro commisions open [we cannot take any other payment]

Will do

- humaniod

- Ocs

- fanart

- ships

- multiple charecters [only for 10 $]

- furry and extreamly nonhuman charecters [i have little to no practice here but am will to learn and am willing to take simpler free request first]

-backgrounds [detailed and simple]

*Won't do*

- nsfw/suggestive. At all.

- really heavy gore

l just need refrences and an idea of what you want! I can send sketches and updates for you to ask for changes. I am flexible and will work with what you need!

Discord is space.is.vast

I just love drawing for people and would love the practice!

[hulloitsdani]

hi dani fire emblem :) do you happen to have any thoughts on book 6 "I'm going to kill you too" scene?

Please, Dani fire emblem was my father. Just call me HulloIts.

As for the scene in question, oh man. It’s the “I’m going to kill you too” scene, what more can I add! I got some tweaks and reads on Letizia, but I feel like that scene speaks for itself. You don’t need me to tell you why it’s good— It’s one of the moments where feh’s writing really works.

Instead, I think what I can offer to the conversation is an analysis on Alfonse’s three gambit scenes and how they relate to each other. Because taken as a package, I find it fascinating how these scenes are treated by the narrative over time. Alfonse’s ability to pull these off is such a massive boon, but it’s been steadily growing into a delightful character flaw over the years.

Now, let’s back up. What do I mean by Alfonse’s gambit scenes? This is in reference to three scenes that have occurred throughout heroes: Alfonse calling Hel’s bluff in book 3, threatening Letizia in book 6, and his plot to cover for Ratatoskr in book 8. Also known as “Because it means that it is your life that will end in nine days’ time,” “I’m going to kill you too,” and “My saviors have arrived.” These scenes are defined by Alfonse risking everything on a charisma roll. There might not actually be any dice rolling, but that is certainly what it feels like. If he’s wrong about Hel’s curse, he’s dead. If he can’t convince Letizia of his ruthlessness, then he’s super dead and everyone’s screwed. If he doesn’t perfectly sell Hraesvelgr’s assassination attempt, then him AND Ratatoskr are, you guessed it, dead.

These are gambits— major risks with massive rewards. And what’s unique about Alfonse’s brand of it is that they occur on a social level. He’s not, for example, tactically sacrificing a hero for the chance of inflicting enough damage/debuffs so another can to land the kill. He’s not a tactician at the end of the day and has not been shown to be able to crunch those numbers that fast. Instead, he’s weaponizing everything he has gleaned about his enemies as people and staking his life on it.

Now, he does not do that without motive. For all of these scenes, he’s attempting to protect people while backed up into a corner. Using his encounter with Letizia as an example, she’s rather successfully forcing the Order’s hand into surrendering by sending innocent people to the Shadow Realm— I mean Embla’s domain. She’s working under the assumption that the Order, you know, cares about that type of thing. If Alfonse can successfully menace her into believing the opposite, even if for just a short time, it can give them the wiggle room to better position themselves and lessen the use of human shields as it would not longer be a tactical option. He’s protecting his friends and his people in one swoop at the expense of himself. Pulling that stunt with the lady who specializes in weaponizing information is a recipe for his future disaster, but that’s a loss he’d take in a heartbeat in order to keep everyone safe.

The same can be said about his encounter with Hel. He openly invites her to curse him, because in that nine day timeframe, he can ensure he drags Hel down with him. This is an infinitely better option for him than Hel slowly picking everyone off with her curse. Now, out of the three scenes, this one is notedly the most heroically coded and the most corned our protagonists are. We just spent an entire opening act witnessing the lethality and unavoidability of this curse. Of death herself. Alfonse, having had to spend that time accepting his own mortality, successfully weaponizes that acceptance against a cruel and power hungry death. That’s signifying a growth and change of his character. The success of that gambit permanently puts his own life on the gambling table. Which, in accordance to book 3’s themes of death, is a positive thing. But, as time goes on, this idea gains more nuance.

Which brings us back to Letizia. We are not narratively in Alfonse’s head when he pulls off this gambit. We understand the boy smiling in the face of death, because we have seen everything leading up to that point. We, comparably, do not initially understand the boy smiling as he says “I’m going to kill you too.” He has to explain himself afterwards. It’s very jarring as a result. Against a cruel god blinded by hubris, this gambit feels like overcoming against all odds. Against a mortal woman who successfully outsmarted him? It’s concerning to see that he has the capacity for that malice, even if it was not real. We didn’t have the context of Líf when Alfonse initially had that confrontation with Hel, but we do now. It colors all these more morally complex actions whether we want it to or not.

This brings me to the scene in book 8, which is by far the most interesting in my opinion. For the entire first half of that book, we are seeing the social manipulation game Alfonse excels at. He’s not the most friendly or personable, but he’s smart and good at pattern recognition. He knows the information his enemies have and successfully predicts their actions based on that. And he, unfortunately, correctly recognizes that Ratatoskr is coming under greater risk of being found out and getting potentially murdered on their behalf. If there is a mole, it’s going to be her. So he comes up with a scheme to ensure her safety via the best tool in his arsenal. Ole reliable, gambling his own life.

But, interestingly, this time he’s not simply trying to convince his enemies of his deception. No, the charisma check he has to pass here is deceiving his own allies. Against Letizia, keeping his friends out of the loop made a bit more sense. The narrative he was selling was that HE was the farce within the Order. His sister looking surprised at his “true nature” helped. That is not the case here. He kept his friends out of the loop to partially help sell the illusion that this assassination attempt was not planned, but mostly because they would not have allowed him to do this. They would not have approved of this overly dangerous plan, if the serious convincing required for Anna to let him go meet Veronica by himself is anything to go by. But this was the only way to ensure Ratatoskr’s safety, so he did it anyway. That is a fascinating character choice and I wish it caused more character conflict, but I suppose that’s what fanfiction and fanart are for.

Nonetheless, it’s fascinating how this behavior went from inciting a downright celebratory feeling to a more “what the hell is wrong with you?” reaction over time. The acceptance of his mortality in book three has straddled and then passed the line of overfamiliarity in book eight. This then pairs itself with his innate desire to protect those he cares about in ways that feel inevitable. If he doesn’t make that choice to put his life on the line, then it’s characters like Kiran experiencing the fallout. Or at least, that is how he perceives it after the events of seasons like book 5 and book 7. If their enemies are constantly trying to separate them, then maybe if he manually triggers it and puts the enemy focus on him instead, things will be better. The people he cares about won’t get hurt. It’s totally fine, he swears. He can take a hit.

[oddsconvert]

A glimpse into the mind and body of a bloodbag survivor!

Here is a little profile on Declan's health (physical and mental) post captivity! Keep in mind that he was kidnapped, tortured, fed from, and mind-controlled to the point of catatonia...

tw / mentions of physical and mental health conditions

(tagging some people who expressed particular interest on my previous post about this! apologies if you did not wish to be tagged!)

@another-whump-sideblog @writereleaserepeat @dragonqueenslayer6

[chaseisglitched]

wait you don't need to completely disregard previous appearances just because c!jack is retconned. there are still elements you can pick apart wait come back please

[en8y]

[IMAGE ID: four rectangular flags with five evenly-sized horizontal stripes. about half of the flags are taken up by simplified drinks. the first one has a lemonade-like glass, the second has a glass with whipped cream-like shape in it, the third has a coupe glass, and the fourth has a milkshake-like glass. the first flag’s stripes, from top to bottom, are as follows: black, dull red, red-pink, pastel pink, and black. the second flag’s stripes, from top to bottom, are as follows: black, dark red, bright red, cool off-white, and black. the third flag’s stripes, from top to bottom, are as follows: dark grey-purple, bright pink, cool pink, pastel purple, and dark grey-purple. the fourth flag’s stripes, from top to bottom, are as follows: black, bright red, medium grey, warm pink, and black. END ID.]

reverberita (cocktail): any queer person who presents their gender through the colors black, red, and pink.

dracuiri: any queer person who presents their gender through the colors black, red, and white.

dragon's breath (cocktail): any queer person who presents their gender through the colors black, pink, and white.

pink witch punch: any queer person who presents their gender through the colors black, pink, and silver.

part of the beverage presentation system by @satyrradio, and can be considered subsets of punch bowl, by @blood-moon-night-coining!

@radiomogai @liom-archive @obscurian @presentationflag-archive @gender-mailman

[natasha-in-space]

So I'm replaying Ray's After ending rn, and it got me thinking that what I adore so much about Rika as an antagonist is just how damn scary she can be. I always found those who cause harm with good intentions (at least in their point of view) much scarier than those who hurt you with pure intention on hurting you. I think the best example of it is this CG in particular:

Look at that. Such a loving, gentle expression on her face. Probably kissing his forehead. Because she loves him. Heck, without any context, this CG looks even sweet, if you think about it. And yet, all that is while Saeyoung is forcefully sedated on a powerful concoction of drugs even a trained agent like him can't do anything about (and Saeyoung WAS definitely trained to deal with this sort of thing, hence it's mentioned that this is a 'special' kind of drugs). He looks miserable. Bags under his eyes, his expression pained and troubled, even his hair is paler than usual. All that as a direct result of her actions. But she's utterly blind to it. What's scarier, is that she knowingly shuts off her understanding of what's really happening. She's not oblivious to it at all. She just chooses not to see it that way. Simply because she doesn't want to.

Rika is the type of antagonist that will cup your cheek into her warm hand with the most loving of smiles on her face, all while you are getting elixir poured down your throat. Even whispering to you that you're doing great, that the pain will soon pass, and that she can't wait to see you reach the happiness she knows you deserve. I won't be surprised if she even cried genuine tears of compassion during some ceremonies for her believers. All while being the sole reason behind their suffering.

And that's... God, that's terrifying to me. I love that about her.

Rika Kim, they could never make me hate you