because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.
you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.
you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.
don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.
if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.
you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:
how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!
aren't you happy yet?
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Apparently, my decision to be silly and make fanart of someone's writing (because I genuinely enjoy the story the person is writing and I was struck with inspiration upon reading a particular scene) has benevolent and wildly unforeseen consequences.
I apparently gained a bit of control of the canon because said writer really loved the art and decided what I drew/draw is canon.
2. Writer put said artwork into the document of his story right below the scene, so now it's IN the story where people who read the story will see it (with a link to me)
3. He sent the artwork to all his friends and people he knows because he was so excited
Wholesome interaction and I watched him do all that in real time, good stuff. However...there are two more consequences I was notified of today...nearly a full week after I gave the artwork.
Seeing the artwork caused his friends to become interested in reading and hearing about his story, which means more people are reading what he's writing and giving him critique on the story (which he actively asks for).
Apparently, upon seeing the art, his writer friends got a sudden second wind to pick back up writing they'd abandoned for a few months. Because, I quote, "seeing that someone enjoyed {his} writing enough to take the time to make art of it gave them the motivation that maybe THEY can write something that will inspire someone to also create something." I have accidentally caused a writing frenzy among his writer friends and my silly idea to make art for someone has had a butterfly effect for people who I don't even know.
Uhh...I'm pretty sure there's a moral here but I am tired and have a great deal of emotions about this.
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i love the (slightly cracky) premise that the newer batkids like duke who weren't around during jason's genuine "i hate the batfam" era would sometimes forget that it even happened so there'd be times where it would go:
Tim: where are you going
Jason: got a call from a friend in the alley, some fuckers need bullets in their knees. tell B and i'll kill you
Tim: no you won't
Jason: i dunno, i almost did it twice, third time's the charm
Tim: boooo you'll have to try harder
Jason, flipping him off as he leaves: watch your back, timmers!
Duke, who was sitting next to Tim the whole time: ??? he almost did it twice???? i thought he's joking when he says that????
Tim: oh, he is joking whenever he says that now. try a few years ago and it wouldn't have been as much of a joke
Duke: ???????????
Tim, snorting: i'd like to see him try again, anyway. once you realise that spends 80% of his free time in the local library he becomes no better than a nerdy loser who happens to be a bit dangerous
Duke: DUDE
Tim: what? do you find jason scary?
Duke: not usually but DUDE?!?!?
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big big big fan of found family relationships with shithead sibling dynamics
sure, yeah, they had no one in the world until they found each other, and they will fight tooth and nail for each other's safety, but they will also eat the last of the other's cereal and put the box back in the cabinet or tell the other's significant other every embarrassing story about them or greet each other by means of full body tackle and chokehold
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I'm sorry but idgaf about no fucking pins on your suit when you should've been on the streets disrupting the oscars. cause further disruption. 5 minute delay wasn't enough
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thinking about the way ghost doesn't hesitate to start killing shadows when graves betrays them but soap only takes one hostage
you can almost hear the voice in his head telling him it doesn't have to be this way; they can still talk it out
"i'm calling shepherd"
his first instinct when confronted with betrayal is to play it by the books: to go up the chain. that goes against everything we've seen him do. he bucks authority at every chance except for the one time he's confronted with the barrels of his allies' guns
he wants a peaceful resolution; for the first time we've ever seen, he doesn't want violence to be the answer. there has to be another fix, a solution that doesn't end with him killing the same men he's been working with; his friends
nothing's happened yet
it doesn't have to go this way
but ghost has been betrayed before. he knows the way this ends; either with him six feet under or his enemy
he doesn't hesitate
it's only when they knock alejandro out that soap shoots; when they spill the first blood and cross a line they can never come back from
only when ghost orders him to run and he has to cover his retreat
and somewhere along the line, between civilians’ screams and taunting voices, between his shaking breath and ghost steady in his ear, that naivety is stripped away; his trust turned to teeth that he uses to sink into throats of men he'd have given his life for
"be careful who you trust, sergeant; people you know can hurt you the most"
he's learned the price of trust
just like ghost did
but unlike ghost, he has someone to guide him through the aftermath
"good advice, It"
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