#Text Annotation

[maruful009]

Expert Data Annotator Machine Learning

I'm Md. Maruful Islam is a proficient Bangladeshi data annotator trainer. At the moment, I consider it an honour to be employed by Acme AI, the leader in the data annotation industry. Throughout my career, I've gotten better at using a range of annotation tools, including SuperAnnotate, Kili, Cvat, Tasuki, FastLabel, and others.

I am a well-respected professional in the field, having produced consistently excellent annotations. My certifications for GDPR, ISO 27001, and ISO 9001 further guarantee that privacy and data security regulations are adhered to.

I sincerely hope you will give my application some thought. As a data annotator, I'd like to know more about this project and provide recommendations based on my knowledge.

Fiveer-https://www.fiverr.com/s/vqgwlLUpwork-https://www.upwork.com/services/product/design-ai-segmentation-labeling-bounding-box-for-precision-1746946743155208192?ref=project_share

[haivoai]

Text Annotation with HAIVO AI: Empowering Natural Language Processing and Machine Learning

Explore HAIVO AI's text annotation services, your key to advancing natural language processing and text annotation machine learning. Unleash the potential of your text data projects with our expertise.

[wedarkacademia]

Yesterday I was the Moon by Noor Unnahar

[just-bee-lieve]

the funeral

[happyheidi]

𝑐𝑢𝑡𝑒 𝑏𝑜𝑜𝑘 𝑎𝑛𝑛𝑜𝑡𝑎𝑡𝑖𝑜𝑛𝑠 *, ‘✯

[thedungeonbat]

no sleep, no coffee🌛

Just like the night before I slept less than 4 hours tonight, yay…Our coffee machine didn’t feel like doing its job at 6.30am (me too, my dear, me too), so the only thing that made me feel somewhat alive was todays sunset. Since the term is almost over we’re not doing too much in classes anymore. Gladly that means I can more or less relax until February. Except for homework and teachers getting on my nerves (my tutor huh). Who didn’t get on my nerves though was a friend of mine! They asked if I could give them feedback on their writing samples for their uni applications and I really enjoyed reading and reviewing it! It was a mix of short stories, text excerpts and poems; their last poem was my personal favourite :)

Now: watching soccer match, hoping to sleep >4h

[windienine]

everyone has to be a little less mean to themselves about not reading enough books. letting go of reading as a pride thing is the first step to relearning how to actually enjoy reading for pleasure again. it's totally fine to start with a novella or with a comic or with a field guide or with literature meant for someone younger instead of being mad at yourself for not grokking ulysses in a week. just vary your diet and you'll be good.

i'm a literature scholar, i'm the one who has to be strict with myself about page counts and citations. you all? do what you want, just read and have fun.

[beescake]

PLEASE PLEASE MEGADUMP THE ARASOL!!! PLEAAASEE MR BEESCAKE I AM ON MY KNEES BEGGING YOU

HFHGHD GLADLY aaa i’ve been adding notes to it here and there for months but just hesitant to post it bcs im 🧍‍♂️🧍‍♂️🧍‍♂️🧍‍♂

also this is just my own takeaway of the events, it doesn’t necessarily comply to the Ultimate Truth of Canon-Alignment or represent the actual facts of what hussie intended! v sentimental smh but hopefully its still interesting to read

i love when characters inform each other by proximity, it's one of my fave things to see in media :') it feels even more significant when two characters deliberately choose to stick together, so that when one operates, you can tell the other is similarly aligned in associative solidarity.

sollux is a keystone of this trope — whoever he aligns with is a wordless statement, a nod of approval. this stood out to me bcs the main four humans were alr friends by default, but once you reach hivebent you realize the trolls can actively choose who they want to hang out with.

and as we all know, after assessing every troll's biases/loyalties, sollux is the only one who maintains his selective preference for innately Good 👍 people.

aradia is such a beautiful character honestly, she evokes such incredible feelings in me. she might not have been consistently written with care but the best parts of her character are truly stunning. i think it's easy to remember sollux as the self-sacrificing one bc he's so open about it (and his friends frequently react to his Moments) but when you compare him to aradia, it's always struck me

how much more. raw it is

to be so alone as an agent of time, having to orchestrate immeasurably harrowing events nobody understands or gives a fuck about

with your role painted in the story as one who must tend to the needs of the narrative, responsible to match every next note

because when you're given the capabilities, it becomes your duty to carry it out.

it becomes expected of you to keep experimenting and arranging the machinations to work for everyone, dusting off hundreds of necessary failures to keep going

and having to be so unwavering in your drive knowing miserably that there's no one who can help you but yourself.

or alternatively: to make things fun! so other people won't think twice about letting you go off on your own.

sure she's had some very good buds, notably thanks to Team Charge v Team Scourge antics.

and yet, at the end of the day, the one friend that kept choosing her time and time again was the friend with the highest standards.

i can see why people like to define arasol as moirails/matesprits but surprisingly i find the nondescript, unlabeled aspect of their relationship more straightforward to understand.

there's no shortage of people who would accommodate sollux. most of the surviving trolls are his oldest friends bcs he’d chosen them well. his transparency with his feelings had built him strong friendships that won’t falter or break, regardless of how much of a dick he can be. they’ve already seen and accepted him at his worst, and they still like him for who he is.

contrast that with aradia, who'd been so approachable, friendly and reliable in her exchanges it was super fun to talk to her. but the moment she became depressed, all her connections broke down.

her friends became hesitant to interact with her (until she became god tier, “happy” and amicable again) because her gloom and resignation didn’t serve them. she dealt with it alone.

there’s def something of note here abt the disparity between the way male & female characters are written+perceived in homestuck (esp parallel arasol with davejade) but i won’t go into that lmaoo

with this in mind i like to think of sollux as a gift to her, a loyal companion given to complement and commend her resolve. she's capable of doing so much alone but hussie took the time to build her and sollux's relationship as one of a unit; a set.

the ambiguity of their status does complicate things, but i do believe it makes sense with their characters. aradia's relationship with romance is a rocky one, the dubious stringalong equius had with her is a pointed reminder that her feelings of attraction are ultimately controlled by the author writing her.

unlike the other trolls who can openly address and own up to their crushes, aradia had romantic emotions forced upon her (especially when hussie implies 'she kissed equius back on her own volition'). and it seems like her character is so intrinsically neutral abt attraction that even when forced by the almighty powers above, she's unable to retain it wholly.

however, looking back to pre-game when she could actually "choose" her own feelings, she did have a crush on sollux.

their soft spots for each other were so obvious to the point where other people could see it.

taunting aside, when vriska comments on their unit as bf/gf it actually informs the audience that arasol's relationship is romantic in nature despite not aligning with the quadrant system.

even while dead, aradia could still describe her care for sollux, expressing that she would like to see him happy. if they had more time to explore their relationship on alternia, it's possible they could've settled in a quadrant once they grew older.

but going back to the lack of labels, their dynamic was affected once more when aradia became god tier.

to me, her ascension was both the perfect culmination and possible closure of her character. it's the light at the end of her journey toiling through countless of timelines where she had to actively assess and participate. that's why it's cool to see her being silly and having fun giving guidance, passively exploring and watching other people do their parts.

and yet the joy of her freedom makes it hard to explore further introspection. if we take her by her word, she'd already come to terms with the hurt she's been through and forgiven those involved.

i can't help feeling attuned to how impersonal and detached it can be, to devote and meld your identity so completely with your designated position as Maid of Time until you've become hard for your old friends (and even some readers!) to personally connect to.

idk post-canon but i assume there’s some degree of similarity to be bridged here with aradia's god tier and how the hs2 humans' Ultimate forms was described as a consolidation of all their possibilities. since aradia's classpect is inherently of service to Time, going god-tier may have elevated her beyond personhood with the "game construct" possessing her entirely. sollux doesn't realize the extent of it bcs he's still mortal, but a part of him may have subconsciously understood this.

i think there is a core aspect to aradia that was lost to the dehumanizing glory of god tier — a core aspect that may have contained an element of why sollux enjoyed talking to her in the first place.

to him, aradia hadn't just been a nice girl, she was a cool girl. despite not having much in common, he's still willing to chill next to her so she's not alone while she does what needs to get done.

back on alternia, they held a mutual and equal-level regard for each other that could've definitely settled into something permanent. but now, he's placed himself in a position where he can be kept around or left behind at will. the parameters of the relationship are largely in aradia's court, so any label she suggests to identify their relationship with he's likely to accept.

but that's why it's so difficult to label it. because god tier aradia may not necessarily Want quadrants or relationship labels. rather than the initial romantic attachment, their commitment to each other had evolved into one fundamentally of companionship.

no label? ok fine. no matter what, he still thinks she's a good soul worth latching on to. the best, actually. aradia > everyone else.

even if it gets stilted at times. there's an unexpected struggle to connect when sollux's go-to default for talking points is his feelings about things, and aradia may not want to talk about emotions all the time.

not to mention god tier aradia became an observer, especially of chaos. but sollux's avoidance of involvement comes partially from his innate pressure to get involved if something goes wrong. and he can't always tell when something goes wrong, because aradia doesn't mind if things go wrong anymore.

it's a non-negotiable preference that causes them to take the occasional time apart, a new boundary that wouldn't have existed before the game and aradia's god tier.

but just like how his friends tolerated his moods, sollux accepts aradia as she is. with no quadrants, their connection doesn't break down because there's no implicit romantic expectations to be disappointed by or resentful over.

sometimes when i see hs content that deliberately distances sollux from aradia, i assume this is the dissonance people might have felt. people might find it "easier" to be cynical about them bcs of this strange tension.

but idc lmao. grab that shit by the neck

lack of easy resolutions and cleanly tied ribbons is pretty standard of homestuck and imo it doesn't make arasol's dynamic any less incredible. with the right affection and consideration, there's still so much potential to develop the nuance of their relationship outside of the popular quadrant-based depictions.

hs has a lot of really great character compatibilities but the way aradia and sollux are in their own special orbit is why i can write this much about them in the first place. it's that frail innocence between first loves that makes it so sweet to me, two kids who grew up too fast playing guesswork without being clear where they're going.

ultimately i do think you're meant to feel a little tragedy for just how much they care for each other, even if they can't quite establish it in simple terms.

maybe they keep taking breaks to progress their own paths. maybe they remain as anchor partners while seeing other people. but even if you decide to separate them, they're still (awkwardly) texting each other updates all the while. and when they reunite it feels like coming home.

and well. more than anything, i like to believe that they do want to be exclusive.

they're just afraid. after all, they're still learning how to love, beyond the projections of the foursquare quadrant system they had inadvertently distanced themselves from since young.

they might not have everything figured out, but they'll get there eventually if you just hold them together and write them there.

optional post-canon segment:

one of the limitations of main hs is that (monogamous) relationships are often written as the go-to solution to wrap up character growth; it's an easy "patch" to imagine characters getting their happy ending because they have a partner, and those who don't end up with someone don't get that closure (most notably jade).

hs2 reaffirms this by suggesting that aradia's character cannot progress without letting sollux go, because happily settling in a relationship automatically locks your potential.

that pathetic panel of sollux staring emptily into the sky is still my fave hs2 spoiler ngl i find the impact of their parting so emotionally provoking precisely bcs they were written in original hs to be each other's forever, coming back together again and again

but now, they're subject to the decisions of the post-canon authors who might choose to deviate from that.

it's not new for them to part, but now there's an underlying worry that her dropping him off this time might be the last time. while i think the prospect of shattering their stability to make them grow separately sounds fun on paper, no amount of me desperately hoping for a good execution is gonna guarantee it

idk. i guess prediction-wise im expecting sollux in classic dramatic-hs2 fashion to tell dave to back off aradia LMAO. otherwise it's just gon be sollux and karkat pathetically watching aradia and dave from a distance swimming in their unresolved feelings for narratively-powerful time players smh obvs it sounds corny as hell but who knows its still plausible

srsly tho i hope they take the opportunity to develop arasol's relationship in a fresh direction that doesn't hurt me too badly...... and i hope they force sollux out of his comfort zone. i like watching him struggle :-)

[moonkissedletters]

Lydia Kamakaeha, from Songs; "Farewell to Thee," wr. c. April 1896

[dvchvnde]

excerpt; hitchhiker au | Simon Riley x Reader gore. graphic descriptions of decomposition. implied noncon.

“You’re not real,” she whimpers, words a rough scrape out of her raw, torn throat. “You can't be real.”

He doesn't answer tonight. Silent in his appraisal, his hatred; the bloodlust rolls off of him in waves, a suffocating deluge that tangles in her chest. Heart pulsing at the base of her throat, clogging her airways. She can't breathe. Can't move. Can only watch as the man cocks his head slowly to the side in a mutated parody of consideration. Confusion. Taking her in as he stands in her doorway, massive body filling the frame in an outline of black, making him more shadow than man. An apparition that haunts her at devil's hour. Always.

The moon's glow casts a line through the open window. A pale meridian between them. 

Childishly, she thinks of hiding under her blanket. Bad things can't touch you under the covers. Curling into a ball with her eyes squeezed shut, fingers plugging her ears. Wishing for her mother. Howling for her dad. Waiting until morning when the thing haunting her finally leaves.

But he doesn't. Not tonight. 

And she knows if she tries to hide, he'll just crawl into the bed next to her—

“Fix your bumper yet?” He asks, measured in his mockery. The weight of his words makes her stomach churn. Nausea a cold, familiar comfort that tethers itself to her ribcage. “Better get that fixed before someone comes askin’ questions, pet. Clean the blood off it, too. Caused quite the nasty spill.”

His directive makes her want to curl into a ball. “I–I didn't mean to, I didn't—”

“What'd you tell everyone? Hit a deer? Left ‘im in the bushes to die? And now he's got maggots crawlin’ all around ‘is ‘ead. Eatin’ his brains clean outta ‘is skull—”

“Shut up, shut up, shut up—you’re not real! You're not real—”

The man—Simon Riley, her mind supplies bitterly, brokenly; tinged full of regret and sorrow and hatred—lashes out in an instant, moves like water, like shadows on the wall, the too bright flicker of a moving car, until he's in her face, looming over her. A massive, unclimbable wall. And she hates it. Hates when he's this close to her. Close enough to smell the stench of rotten blood that dries on his chest, the side of his head. A brown stain that sinks into the too-large frame of his chest. 

He smells of death. Sickening. Tainted with a noisome sweetness that glues in her nostrils, leaks down her throat. She can taste him there, right on her tongue. Him. Simon Riley. 

Missing, the newspapers say. But only she knows the truth. Stowed away in a facsimile of a grave by the swamps, left to rot. Here, in her bedroom. Waiting for her whenever she tries for a modicum of sleep. A veteran. A drifter. Homeless, they write, and he barked out an ugly laugh as he read over your shoulder, but said nothing else as you scrolled. Tense. Shivering in your seat, waiting for the day the police show up and arrest you. You did a terrible thing. A horrible thing. Pay for what you've done—

His hand reaches out, fingers wrapping around the delicate arch of her throat. The width spans the entirety of it until the bone china, the vulnerable slope, is clenched tight in his slick, slippery palm. Moss, she knows; it grows over his hands and feet now. The earth reclaiming the body she threw into the swamp—

“Not real?” He mocks, wrenching her closer by her throat. Pulse thudding like the wings of a hummingbird against his thumb. “Oh, pet. M’very real—”

He leans in, too, until his horrid face is lit by the sliver of pale blue moonlight. Scraps of tissue slough off of his head, skin purpling beneath the balaclava that peels off in patches. Animals, he'd told her idly, like talking about his body being eaten away by creatures was piecemeal. The jaundiced bone of his cheek pokes out from raspberry skin. It shifts when he speaks, and draws her eye to the devastation of his mouth. Jawbone visible; muscle blackened, clinging by a strip of thin tissue to his lower mandible. His teeth gleam in the light. Yellow and crooked. The rest of his face is covered under the blood soaked fabric of his mask. A small mercy, she thinks.

But the worst is his eyes. 

Once black, midnight grey, is now filmed over. Milky. And the other—

Something moves in the cherryred chasm. A long, thin black line slinks out of the gaping hole. Another. Another. From the rotten socket, a large spider emerges, crawling over the craggy pieces of his broken nose, making his decomposing body her home. 

She whimpers as the bile surges up, swallowing it down when the blue skin of his mouth peel back in a horrifying grin—

Something white falls from the corner of his eye, rolling down the slick, damp skin of his oily face in a mockery of a teardrop, the image glueing to the bone deep remorse that coils like a noose around her neck. Tighter, tighter. 

His tongue lulls out. Cold, slimy, when it flickers over the trembling ridge of her jaw. Fingers digging into her skin, stealing the warmth from her flesh. The air from her lungs. 

He'll have her like this, she knows. Always does when he gets in these moods—the kind that makes him touch her more, sink boney fingers beneath the hem of her pants, and cooing in her ear about how much he wants to eat her alive. Buzzing with some strange, electric energy. She can't run. Can't scream. 

Going to the police isn't an option when she buried a body under loose rocks and sticks. Hit and run. Vehicular manslaughter. Life over in a blink—

No. No—

She just has to wait, she thinks, her eyes slipping shut as his rancid breath curdled over the tears on her cheeks. Wait until his body rots all the way. 

Until he's nothing but bones—

Only then will this ghost finally leave her alone. 

[choco-bite]

Love language 🎀

[haivoai]

Unlocking Language Insights | Expert Text Annotation at Haivo AI 

Empower your natural language understanding with Haivo AI's text annotation services. From intricate linguistic nuances to machine learning integration, we provide comprehensive solutions for refining your language-focused AI applications.

[chiropteracupola]

hornblower ceramics au that no one (incl. me) asked for

[diaryofruchita]

ruchita, excerpt from the house on fire

[thatscarletflycatcher]

I was probably going to mention this on that post I wrote about the social dance episodes of The Nanny and Frasier, but going to dance classes has given me so many interesting insights, and one of them is the lie --we may call it imprecision, if we want to be precise :P-- that in order to dance well you need to relax.

Because that's not really it. Even from the most basic technical standpoint, dancing depends hugely on things like balance and precision, which you cannot really produce if you are relaxed, really.

What they mean by relaxation is actually that you need to un-stiffen in order to acquire elasticity. And elasticity in action is a form of tension, just not the kind of tension where all the movement stems from you as a motor, and you have a vice grip on. This becomes even more complicated if it is a couples dance, because the tension involved in leading is different from the one involved in following.

In any case I've been thinking about this a lot in the context of my thesis writing. I've always been a very tight, concise academic writer. I'm very used by method to only start when I have a clear scheme in mind not only of the general structure of what I'm writing, but of each part too. That's my only way of reaching flow in writing --I'm writing one section but my mind is already in the next section and is bringing them both to a neat connection. This my advisor with great kindness and elegance calls the metaphysical drive, but tbh with all of you, it's just being a stiff, white knucked gripping writer. And that's just not a viable way of writing something of the length and complexity of even an honors thesis.

(Amusingly, I did write 8 pages of introduction back in December, which advisor called excellent ,in a matter of a few days, which probably gave him the absolutely wrong impression about my normal writing speed. Hence his comments about me sending him 6 more pages whenever I have them, no matter how unpolished. He probably thinks I spend a lot of time polishing before I send. No, siree, my brain just doesn't conceptualize the first draft. I WILL stare at the page for 5 minutes then write two lines. Repeat ad infinitum. Yes, I'm working 15-60 minutes a day on my thesis. That does NOT translate to the reasonable number of words you'd expect from that time.)

So what I'm really musing and grasping after is... what is the writing equivalent to the elastic tension of dancing? Because ultimately when people advice me to "enjoy the process" and to "loosen up", they don't mean that I'll achieve flow when I relax (though they might think that that's what they mean), but when I finally acquire elasticity. The problem is that, in dancing, you have a dance teacher that models the elastic tension of dancing for you, that can even physically demonstrate and show you with actual touch what it means. I don't think there's such a thing for writing, not in any sense that is comparable. I guess part of the process of thesis directing is creating the sort of feedback loop of writing that gives you a mind opposite the way dancing gives you a body opposite, but of course the process is much less intuitive. A thesis director can correct your style, can also give you pointers as to how to cross some rivers and fill some potholes, but they cannot really model for you the skill of writing as a process.

[marq-lynch]

Psst Swerve fans this is the 'unofficial' official fan site Swerve has been promoting this month they've been stalled out at trying to hit 100 followers on X to do a giveaway and I've been watching them teeter from 98 down to 96 up to 97 again for hours three of you jump in the odds are good for a giveaway