#The Laws of Magic

[rosie-love98]

Comparing "The Worst Witch" And "Harry Potter":

Throughout the 1998 series, the wizards and witches adhere to the Foster's Effect. A phenomenon where (super)natural disasters can be caused by overusing magic. Which is why the characters can come off as more "Muggle-Like" in comparison to the enchanters of "Harry Potter" who, let's face it, can be a bunch of show-offs.

That being said, does "Harry Potter" have something similar to the Foster's Effect? I'm still reading "The Half-Blood Prince" and know of Gamp's Law Of Elemental Transfiguration thanks to HarryPotterTheory's video, "10 Things Magic CAN'T Do". But is there anything else that's the most similar to the Foster's Effect?

[pro-royalty]

Zendaya

photographed by Anthony Prince Leslie

[nextstopparis]

i really like the hc that magic loved arthur and protected him until merlin came into the picture but very specifically bc it means his idea of like. the laws of physics and How Nature Works would be completely warped. the reason why all those miraculously falling branches didnt raise any questions? its been happening to him his entire life

[mothicbeauty]

I pray that every single soul who sees this, likes this, or reblogs this experiences a miracle within the next hour.

[wandoffire]

[dapper-lil-arts]

Every time I write Cadance I make her a bit unhinged lol

Sequence from one of the later chapters of the Princess and the Peasant lmao. Cadance being incredibly forward and shameless is very funny. Somebody once said this is "Out of character" which, first of all, lmao of course, second of all, she doesnt even have much character in mlp so Im very much working with a blank canvas, and when I have a blank canvas, i wanna paint a masterpiece lmao

[mlpoutofcontext]

[thevalleyisjolly]

I like to imagine that every so often, Caleb and Essek go on vacation which entirely consists of two weeks of Essek trying to brute force teleport them into Aeor so that Caleb can have another go at that necromantic gem in the pillar.

[elminx]

Hey Tumbleweeds,

If you haven't heard yet, the sentencing date is 7/11 - so work that magic for a very long prison sentence if that is your thing.

(it sure the fuck is mine)

[universalitgirlsblog2]

👑🩰MOVIE THERAPY👑🩰

-In this post, I want to mention the lessons I learnt from two beautiful movies - Queen and English Vinglish. I HIGHLY RECOMMEND these movies!!!! Both the movies start with women who are timid , stuck in their past , trying to please others , lack self love , dependent on others but in the end they become independent, confident and develop self love. Isn't that wonderful ?

Let's start from Queen movie starring Kangana Ranaut, Rajkumar Rao and Lisa Haydon. It's about a girl named Rani who was dumped by her fiance and she decides to go on honeymoon, all by herself

1) If they leave you, it's not the end of the world.

Rani's fiance dumped her just before the wedding, ofc she was heartbroken and locked herself in room . After that she decided to go to honeymoon, all by herself! She went to the same place where she was supposed to go after her marriage - Amsterdam , Paris . I know it hurts , when a close one , whether it's your fiance , boyfriend, girlfriend , best friend etc leaves your side with/without any reason. As once a wise women said , you lose people who aren't meant for the best version of you . Even if they leave, you have to enjoy your own company and continue with your own life . Vijay aka Rani's fiance cancelling the wedding was a blessing in disguise . Also if they left without any reason or if they were just embarrassed by you , they didn't deserve you at all .

2) YOU ARE COMPLETE ON YOUR OWN

Yes , here is a spoiler from the movie , Rani doesn't end up with any new guy or gets married to her ex fiance. Infact , she becomes independent and free. You are whole on your own. You are complete on your own , you don't need anyone to complete you. You are a queen/king and will always remain one ! You can be happy on your own. You don't need anyone or their approval.

3) Have fun with friends , don't judge each other

Rani met VijayLaxmi , Olexander or ( Sikander🐵) , Taka and time. Their friendship was perfect example of "opposites attract " . However , despite the differences, she never judged them because she knew they were good human beings , deep inside .

4) A make over is never a bad idea !

A makeover can make you feel confident in yourself. The way you present and take care of yourself also shows how much you love and respect yourself. So wear a pretty pink dress and straight your hair or maybe curl them , whatever you like ! Also REMEMBER YOU ARE DOING IT FOR YOUUU!!!!!!!🧁💖

5) Step outside of your comfort zone

Why?? You don't grow in your comfort zone. Rani stepped out of her native country and tralleveled all alone to a country where she was supposed to go with her ex fiance. Remember Great things never come from comfort zone.

6) Free yourself

Be independent. Love yourself. Respect yourself. There is a scene in the movie where Rani rejects her fiance when he comes back while they play a beautiful and meaningful song in background . That scene represents Rani's walk of liberation. Rani finally became independent, learnt to love herself and be her own person !!

7) " Thank you " - Rani, Queen 2013

Rani thanks her fiance when he comes back to her. No, she doesn't take him back . She finally realized that if he didn't cancel the marriage, she would have never become her highest self which was confident , full of self love and independent. It was truly a blessing in disguise. Say thank you to all those hurtful past experiences, those experiences made you wiser. Say thank you to all the people who left you at your worst because they made you realize that you only need one person and that's YOU !

Lessons learnt from English vinglish , starring Sridevi . It's about a woman named Shashi who didn't receive any respect from her family peers for not knowing English. She was also timid and often mistreated by her daughter and not appreciated enough by her own husband.

1) Step out of your comfort zone

Shashi went to New York inorder to attend her sister's wedding but she couldn't speak or understand English. She went to a country where she didn't know how to communicate with anyone. You must get comfortable with the uncomfortable.

2) Turn your weakness into strength

Shashi was mocked by her own family for not knowing English. She took English classes and learnt English. She was committed and determined to learn English so she succeeded . She gave a meaningful speech in English too which shocked her daughter and her husband whereas some people were proud of her - her little son , her other cousin Radha , her English teacher and class peers. Later , her family also felt bad for mistreating like and they developed respect for her . Also please respect your parents , don't humiliate them for not knowing something or anything. The scene where Shashi cried because her daughter disrespected her were so painful to watch .

3) Don't allow others to degrade your hobbies / Job

Shashi was never appreciated for her being good at making sweets and her buisness was going pretty well but she never got the appreciation she deserved and was degraded by her own husband for being called " entrepreneur ". If you like something and if it is beneficial to you too , then don't care what others are saying , even if it's someone from your family.

3) Self love

Shashi summarized it in few words which hit hard so I will just end this post with her quote

" When you don't like yourself, you tend to dislike everything associated with you . New things seem to be more attractive , but once you start loving yourself , the same old life begins to feel new and good "

-Shashi , English Vinglish , 2012

[phoenix----rising]

𝑆𝑎𝑡𝑢𝑟𝑛 𝑆𝑜𝑛𝑔 𝑏𝑦 𝐸𝑚𝑖𝑙𝑦 𝐾𝑒𝑙𝑙

[pro-royalty]

Zendaya x Vogue Australia

[manifestmoons]

2024 The Lunar Calendar

Using a lunar calendar involves tracking and utilizing the phases of the moon for various purposes. Here's how you can use a lunar calendar:

Understanding the Moon Phases: Familiarize yourself with the eight primary phases of the moon: New Moon, Waxing Crescent, First Quarter, Waxing Gibbous, Full Moon, Waning Gibbous, Last Quarter, and Waning Crescent.

Setting Intentions and Goals: Each moon phase represents a different energy. New Moon is ideal for setting intentions, while Full Moon is a time for culmination and realization.

Manifestation and Planning: Plan important events, projects, or rituals aligned with the corresponding moon phase. For example, start new projects during the Waxing Crescent for growth or release unwanted habits during the Waning Moon.

Spiritual and Personal Practices: Use specific moon phases for spiritual practices like meditation, reflection, and manifestation. Many people find rituals such as charging crystals or performing moon-related ceremonies more potent during certain phases.

Gardening and Nature-Based Activities: Use the moon phases for gardening by planting seeds during the Waxing Moon for optimal growth and pruning during the Waning Moon.

Emotional Awareness: Pay attention to how the moon phases affect your emotions, energy levels, and sleep patterns. Understanding these patterns can help align activities with your natural rhythms.

Maintaining a Lunar Calendar: Keep track of the moon phases using a lunar calendar. Mark important dates and phases to assist with planning and intention-setting.

Remember, while the lunar calendar can offer guidance, personal experiences and interpretations of the moon's phases vary. Experiment with different practices to see what resonates best with you and brings you closer to your goals.

[sunshine-zenith]

TWO fairies who grant wishes for you? No, one fairy, plus the guy who lives in her house, hangs out with her when she’s working, and is legally bound to her by marriage

[wandoffire]

[bookshelf-in-progress]

Reflection: A Retelling of “Snow White and the Seven Dwarves”

The mirror is a gift from the dwarves. Its frame of hammered gold is wrought with delicately-crafted birds and beasts, fruit and flowers. Its silver-backed surface, unlike those created by human craftsman, shows a true reflection.

The queen loves to gaze at herself in the mirror. It tells her that she is beautiful—skin like milk, hair like midnight, eyes as blue as a crystalline lake. She is young, healthy, graceful, charming—perfection in human form. Truly a queen worthy of this kingdom.

Then, one day, the mirror’s message changes. It shows that the queen has lines around her eyes, sunspots on her nose, wicked glints of silver in her night-black hair. The queen does all she can to hide the damage, spends hours before the mirror with cosmetics and concealers. To the rest of the world, the queen is as perfect as ever.

Yet every morning, the mirror tells the truth.

Worst of all, her husband has a little daughter—barely fourteen years old—who grows lovelier by the day. Every morning, the mirror says that before long, those who worshiped the queen’s beauty will transfer their devotion to the princess—and will be right to do so.

The queen's beauty would not seem so tarnished if the princess were not there for comparison. The queen tries to send the princess to an isolated estate—tells her husband it is better for the girl to grow up away from the corrupting influences of the court. But the girl is too dear to her father. She wastes away with homesickness, until her father the king orders her to come home for the sake of her health.

The queen tries neglecting the girl in ways the king won't notice—refusing to let her wash with good soap, denying her a maid, forbidding her fashionable clothes and hairstyles. Through it all, the mirror tells her that the girl’s beauty shines out brighter than ever.

Before long, the queen spends hours by the mirror each day, locked in a futile endeavor to restore what is lost forever. One moonlit night, she finds a dagger, and considers plunging it into her heart just to end this ceaseless torment, but the morning shows her a better path.

She will never be perfect, nor make the princess less so—but she can destroy perfection.

It would be easy to take this dagger to where the princess sleeps and shove it through her perfect heart, but the queen doesn't dare to mar her own beauty with blood-stained hands.

She gives the dagger to a loyal huntsman. He takes the girl into the forest—and returns holding a small, bloody heart.

That night before the mirror, the queen's smile makes her glow with a new kind of beauty.

*

People often tell the princess she is beautiful. She believes them, for she has never seen an ugly face. Old Sal’s missing tooth is an open door into her smile. The chambermaid’s freckles make a daytime constellation. The little stable boy’s one good eye glitters green as an emerald. Her stepmother owns a beautiful mirror, but the princess barely gazes at it. Why would she waste time examining her own familiar face in a world with so many other lovely faces to gaze upon?

One day in early spring, she asks to go berrying in the forest beyond the castle, as she once did with her mother. To her surprise, the queen permits it—the queen rarely allows the princess anything that might be a luxury. She even sends one of her huntsmen as protection.

In the eaves of the forest, the princess finds strawberries not far from the path, and she hastens to gather as many as she can. She invites the huntsman to join her, but he stands statue-like at the edge of the clearing, always on guard. Not wanting him to go without, the princess brings the berries to him, and offers him the largest, sweetest one.

As she does, she gazes at his face. Scars make mountain ranges along his cheeks and brow. His hair is edged with silver. The lines of his face are solid as stone. His deep gray eyes hold storm clouds.

“Oh, my,” the princess says in awe. “You are beautiful.”

The huntsman’s face disappears as he hides it in one of his hands. “I can’t,” he says, his voice rough with unshed tears. “I must betray my queen."

His other hands darts to the side, quick as a serpent, and the silver flash of a blade disappears into the undergrowth.

The huntsmen places both of his hands on the princess’ shoulders and crouches to look into her face. “You must run. The queen wants you dead. If you stay at the palace, she will find a way to kill you. You must flee into the forest and never return.”

“The forest?” the princess asks in terror. She has often wandered in the eaves, but she has never dared the strange terrors that are said to lurk in its interior.

“There is nothing there that can harm such innocence,” the huntsman says. “You will find shelter.” He turns her around and pushes her toward the depths of the forest. “Now run! As fast and as far as you can!”

The shadows of the forest embrace her, and the flowers make a path at her feet. She crosses shallow rivers, climbs rocky slopes, winds through twisted groves of trees. She couldn’t return home even if she wanted to.

She had not been blind. She had seen something like ugliness in the queen’s face whenever they were alone. But hatred? Murder?

She nearly collapses with grief, but through the trees, she sees a wisp of smoke. A chimney. A roof over a tumbledown cottage. The princess runs through the open door, collapses on the floor, and is glad to find a safe place to weep.

Her father will think her dead, and she will not be there to comfort him. She will never again see any of the beautiful faces that fill the palace. The hundreds of hidden details that made the castle home are forever out of her reach. The huntsman saved her, but to what end? A lifetime of loneliness and misery? Is this truly a better fate than the quick death of a dagger through the heart?

She opens her eyes. She has looked too long at the sorrows in her heart. She must find solace from without.

She gazes upon the cottage.

And sees seven beautiful faces.

*

The dwarves love their princess. She is beautiful, not only because of her face, but because of the way her soul shines out through it. She is endlessly beautiful because she sees the beauty in everyone and everything.

There never was a girl so selfless. Her every waking moment is spent filling their days with a million small comforts. The cottage has never been so clean. The food has never been so lovingly prepared. There is nothing she would not do for them, and in return, they devote their lives to her service.

She needs their protection. One so naturally kind and innocent can’t recognize when strangers might have ill intent. One day, after being out in the woods, the seven dwarves return to the cottage to find the princess nearly strangled by a set of stays. When they revive her, she tells them of a ragged old woman (with such beautiful hands!) who asked for food and water and then repaid her generosity by giving a nearly-fatal gift. The eldest of the dwarves caught a glimpse of the stranger’s retreat, and saw enough of her form to suspect the queen.

The dwarves keep a closer guard on the princess, but six months later, a few minutes go by when all seven of them are away from home. They return to find the princess nearly killed by a poisoned comb in her hair. The story she tells is similar to the last one—an old woman in need of help repaid their kind princess with a gift meant to kill.

After that, the princess is never alone. The dwarf on guard duty always has the envied task, so lovely is it to be in her presence. A year, then two, go by with no signs of danger.

Then one winter morning, after a night of birthday feasting, all seven of the dwarves sleep late. The princess rises at her usual time, hoping to fix them a holiday breakfast. By the time the dwarves stumble out of bed, they find the princess sprawled across the kitchen floor—cold, pale and lifeless, with a poisoned apple in her hand.

They despise themselves for having failed her, but their love for the princess drives them to serve her the only way they can—by laying her body to rest. The cold, hard earth won’t take her, and they can’t bear to hide her away in the realm of death. Knowing that decay will not touch one so innocent, they place her in a coffin of glass and lay her in their garden, where her beauty can brighten the world in death as it did in life.

They keep a constant vigil, lost in loving grief. They ought to have known she would end this way. This is the fate of all innocence in this dark and sinful world—to be destroyed by wickedness. Even as they see this truth, they know that it is wrong. The world should not be this way, but what can they do? They wish and pray for better, but they can’t hope. How can innocence ever overcome such evil?

In the spring, when the last snow melts and the first snowbells bloom, the dwarves see movement in the woods beyond their cottage. A prince approaches on a snow-white horse. He is ruler of this forest and its mysterious ways—a king of kings, even more beautiful than their princess. His face shines with a wisdom that does nothing to defile the innocence of his heart.

He leaps from his horse, approaches the coffin, raises the lid, and takes the cold hand of the princess between his.

“Beloved,” he says, “arise.”

In his words and actions, the dwarves find the answer to the riddle they have pondered in their long vigil of grief. In a world of wickedness, the salvation of Innocence is Love.

The princess opens her eyes. Takes a breath. Sits up and gazes upon the world she loves, upon the one who loved her back to life. Something of the prince’s wisdom is reflected in her, so that her beauty is almost painful to behold.

The dwarves rejoice, and the princess rejoices with them. She kisses each one atop the head, but does not release the hand of her prince.

Eager to serve one who served them so well, the dwarves cook her breakfast, and she eats with even more enthusiasm than she showed in her former life. Yet when the meal ends, she stands with her prince at the threshold of the cottage.

“I must return to my father,” the princess says.

The dwarves protest. What of the queen? What of the danger?

The princess looks at her prince with eyes full of love. “I have nothing to fear.”

*

The king rejoices at his daughter’s return—he has thought her dead for so many years. Grief has aged and weakened him, but there is beauty in his face that grows brighter with every minute he spends in the presence of the princess.

The princess tells him of her troubles since she went away, and the king is horrified by her words. “I knew my wife had lost her reason,” he says, “but not her heart! She must pay for her crimes!”

He moves toward the door as though he will administer justice this moment.

The prince stops him with a gentle hand upon his chest. “There is no need.”

*

The queen gazes at herself in the mirror. She never looks anywhere else. If there is a world beyond the edges of its frame, she has forgotten it. She sees only her own face, searches for the remaining scraps of beauty, tries desperately to erase the blemishes that grow ever more hateful with the passing of years.

Another face appears in the reflection—a face the queen thought she had destroyed long ago. It is lovelier than ever. The queen hides her face in her hands so she can not see the painful beauty of the princess.

“Come away from there,” the princess says. “Gaze with me upon the other beauties of the world.”

“And lose myself?” the queen shrieks. “That is what you have always wanted—to destroy my very self! To take all the honor and beauty that should be mine!”

“I wish to save you,” the princess says. “Come away.”

“Never!” the queen screams, clutching the mirror in two white-knuckled hands. “I have everything I need right here! You can’t take it from me!”

The princess touches the queen’s shoulder. The queen screams and shrinks away, hiding her face once more in her hands.

A man’s voice—painful in its beauty—says, “Beloved, she has made her choice.”

At long last, they leave. The queen looks in the mirror and sees no face but her own. No greater beauty remains nearby to shame her.

In the confines of her world’s silver surface, she is fairest of all.

*

The queen is locked away in the prison of her choosing.

The king stays to do what good he can for his kingdom, and the princess promises to return for him after he has fulfilled his purpose.

The prince places the princess on his snow-white horse, and they travel once more past the cottage of the dwarves, who are glad to see her so beautiful and beloved.

At last, the prince brings the princess to his kingdom at the heart of the forest.

The beauty she finds there is beyond words.