#There is so many topics to discuss and consider and talking about!

[moon-splatter]

Debating is so fun when it’s over text because my tone of voice won’t alter the purpose of my words.

it’s amazing. I love it. Debating really allows you to see inside the person you are talking to. Their thoughts and feelings, the inner workings of how they perceive things. Then you get to debate about it and talk about and learn new perspectives!

my voice gets all dismissive and argumentative sounding when I’m debating. I don’t mean to do it but I do and it changes the way my input is perceived.

I love debating over text. It’s so fun

[kjzx]

An important thing to remember as an artist that started out drawing characters crudely and then started learning the fundamentals, at first your art will not look nice.

At first, drawing faces and bodies in different positions will make your characters look weird, then poor perspective will make your characters look weird, and finally when all the kinda things I mentioned above will be dealt with, just the hype of finally knowing how to draw anatomy will bite you in the ass because you can do all these things, you can draw them correctly or close to that, but whether that's figure drawing knowledge gaps, or awkwards poses/composition, or just not a very harmonious combination of realism and stylization in facial features or in general, but your before and after pictures might get this look of "clear objective technical improvement but many would consider it a downgrade"

That's a very common thing. I used to be in this before/after art community, and it was so toxic it was a meme within the community that no matter how much you've improved there will be people that will say that the before is better. There's a seed of truth to these words though, what they fundamentally get wrong is this implication that you "ruined your art"

That's a big example of why you shouldn't listen to non-art people for art advice. Keep going. You're closer to your art dreams than you ever were, you just need to look into all these things like the remaining knowledge gaps or personality to your art you might've lost as you were on your anatomy grind.

Keep creating, keep looking at art that inspires you and try to think of how to make yourself like your art better. Don't get stuck on it, if it begins being unfun, please do take a breather. Also, none of that is objective, people will still prefer things different to what you find beautiful. It's alright, create what you like, that's what this post is about. If you don't wanna, don't focus on aesthetics, just the process of creating art is fun and will eventually get you in the right place, that's what I do, I just occasionally throw in things I like and sometimes they work. Take care.

These are my current thoughts on the topic. I wouldn't take them too close to heart, this is just a blogging site and I'm blogin 👍

[great-and-small]

When I was in vet school I went to this one lecture that I will never forget. Various clubs would have different guest lecturers come in to talk about relevant topics and since I was in the Wildlife Disease Association club I naturally attended all the wildlife and conservation discussions. Well on this particular occasion, the speakers started off telling us they had been working on a project involving the conservation of lemurs in Madagascar. Lemurs exist only in Madagascar, and they are in real trouble; they’re considered the most endangered group of mammals on Earth. This team of veterinarians was initially assembled to address threats to lemur health and work on conservation solutions to try and save as many lemur species from extinction as possible. As they explored the most present dangers to lemurs they found that although habitat loss was the primary problem for these vulnerable animals, predation by humans was a significant cause of losses as well. The vets realized it was crucial for the hunting of lemurs by native people to stop, but of course this is not so simple a problem.

The local Malagasy people are dealing with extreme poverty and food insecurity, with nearly half of children under five years old suffering from chronic malnutrition. The local people have always subsisted on hunting wildlife for food, and as Madagascar’s wildlife population declines, the people who rely on so-called bushmeat to survive are struggling more and more. People are literally starving.

Our conservation team thought about this a lot. They had initially intended to focus efforts on education but came to understand that this is not an issue arising from a lack of knowledge. For these people it is a question of survival. It doesn’t matter how many times a foreigner tells you not to eat an animal you’ve hunted your entire life, if your child is starving you are going to do everything in your power to keep your family alive.

So the vets changed course. Rather than focus efforts on simply teaching people about lemurs, they decided to try and use veterinary medicine to reduce the underlying issue of food insecurity. They supposed that if a reliable protein source could be introduced for the people who needed it, the dependence on meat from wildlife would greatly decrease. So they got to work establishing new flocks of chickens in the most at-risk communities, and also initiated an aggressive vaccination program for Newcastle disease (an infectious illness of poultry that is of particular concern in this area). They worked with over 600 households to ensure appropriate husbandry and vaccination for every flock, and soon found these communities were being transformed by the introduction of a steady protein source. Families with a healthy flock of chickens were far less likely to hunt wild animals like lemurs, and fewer kids went hungry. Thats what we call a win-win situation.

This chicken vaccine program became just one small part of an amazing conservation outreach initiative in Madagascar that puts local people at the center of everything they do. Helping these vulnerable communities of people helps similarly vulnerable wildlife, always. If we go into a country guns-blazing with that fire for conservation in our hearts and a plan to save native animals, we simply cannot ignore the humans who live around them. Doing so is counterintuitive to creating an effective plan because whether we recognize it or not, humans and animals are inextricably linked in many ways. A true conservation success story is one that doesn’t leave needy humans in its wake, and that is why I think this particular story has stuck with me for so long.

(Source 1)

(Source 2- cool video exploring this initiative from some folks involved)

(Source 3)

[cheeseceli]

When you struggle to eat

Pairing: Ot8!skz × Gn!reader (individually)

Genre: hurt/comfort, fluff, reactions

Request: reader thinking she eats "too much" and decides to eat way less for her body image, and how the skz boys would react to that.

Warnings: eating struggles will be discussed; reader has body image issues; mentions of food multiple times; use of petnames in Chan and Changbin's

Disclaimer: this was made with the purpose to comfort anyone who's going through a similar situation. If I made a mistake and made someone uncomfortable/aggravated the situation, please do tell me and I'll correct or delete this post immediately, whatever is preferred. Topics related to eating disorders will be discussed here, please don't read if that's something that triggers you.

Bang Chan - is ready to listen to all your worries

‌We all remember Chan's Room right?

‌He's ready to spend hours if needed just to understand what you're going through ‌and where your insecurities are coming from

‌At the same time, he will never judge you

‌So you know he's your safe place

Constantly checks up on you even if he's far away through texts and calls

And if there's someone who's aggravating the situation or making you insecure, you can bet he's gonna solve the situation himself

"Talk to me baby. What's going on in that mind of yours, hm?"

Lee Know - eats with you

Probably the first to realise something's off, considering food is almost his love language atp

Likes to have as many meals with you as possible

‌He usually makes a mountain of food in his plate, so you don't worry about the amount of food in yours

‌And he also runs errands with you

‌Especially those like buying food

‌You don't even gotta ask, he would be volunteering on the first opportunity

‌Also cooks for you, whatever you want

"Do you want to eat anything? I can cook"

Changbin - Hype man

‌Your personal hype man fr

‌Is ready to compliment you in absolutely everything

‌The best part is that you know that his compliments are always genuine

‌What do you mean you didn't like that trousers?? You looked fantastic in it! That shirt made you look even more gorgeous

‌He has known you for so long and still, he always finds something new to compliment you on

But even if after all the reassurance you want to change the way you look, he will be by your side to help you do it in a safe and healthy way

"You look perfect, baby. I promise. Actually, I still don't believe I managed to pull someone so beautiful like that"

Hyunjin - has all meals with you

‌And with that, I really mean all meals

‌Breakfast, lunch, dinner, you name it

‌Even if you can't really get out of your work place or your university, he's going there then

‌He just doesn't want you to be by yourself

‌He also always has something to say during those meals

‌News about their comeback, gossip at jyp, stories from his childhood...

He never fails to admire you a lot in those moments as well, never letting you forget how much he loves and appreciates you

‌He does that hoping it will distract you from the food, so you can be more at ease

"Have I ever told you about the time Kkami bit my ankle? I think I still have the scar."

Han - makes you feel beautiful

‌He truly doesn't understand how you don't think you're the most beautiful human being to ever set foot on this earth

‌In his eyes, you were born perfect

‌So, naturally, he makes it his mission to make you see yourself in his point of view

‌Compliments and adores you

‌Will make you feel beautiful, pretty, sexy, cute... Whatever you wanna be

‌Above all, he'll make you feel loved

"No matter what size, you'll always be my love. Don't forget that."

Felix - distracts you

‌With that, I mean that he tries to take your attention off food and body image related subjects

‌Before and after eating, he will always bring you along to activities where your mind can be turned off

‌So many fun dates!!

‌Even during the meals he'll have a similar idea to hyunjin and simply won't shut up

‌Most of his compliments don't involve around your body, so you really don't think about it

"I love this hairstyle of yours. It looks wonderful"

Seungmin - protects you

‌In a sense that no one even dares to comment on your looks/habits

Even if he isn't there with you

‌That because he made it very clear that everyone should watch their mouths around you

‌For as long as he's around you, he will do his best and more to protect you from harmful comment

Also tries to experiment a lot of different foods with you all the time, so you never feel like that's a burden or a bad thing

"Hey, have you heard about the new restaurant close to home? The food is peruvian. We could have dinner there tonight."

I.N - physically reassures you

‌He loves you and every single part of you, including your looks

I believe he was a bit lost in the beginning, not exactly sure on how to help you

‌But even if his words aren't exactly his biggest strength, he still wants to reassure you as much as he can

‌So he does that with his touch

‌Holding you on his lap, kissing all of your "imperfections" and tracing patterns in your skin

‌Anything that can ground, reassure and give you comfort at the same time

"Have I ever told you how perfect you are? I should tell you that more."

Masterlist | you'll probably like: when you're overworked (ateez comfort)

Thank you for reading<3 I hope this was able to help someone

» I won't put the taglist on this one as I don't want to tag anyone in something that can possibly trigger them «

Dividers by @/cafekitsune, images 1 2 3

Thank you so much for the beta readers: @duhgurl @beebee18 @applekiwi3202 @elqivxstxr @mrsunshine999 @msauthor

[mrfoox]

Also love how... Slightly awkward it was in the beginning but then I started to talk and then he just took over and went on an topic rant and all was normal and good (:

[fishing-lesbian-catgirl]

I occasionally see people complain that stereotypes of trans women even in our own online communities are often about us being nerdy shut ins, and how they say that’s unfair and inaccurate. But besides the obvious selection bias that in online spaces people who are shut ins that spend most of their time online are going to be more prevalent than those who spend less time online, I feel like it takes a bit of willful ignorance to pretend that nerdy shut ins don’t make up a very large portion of transgender women for very material reasons. Most of the transgender women I know have a few things in common:

We grew up uncomfortable with our bodies

We spent most of our lives prior to transitioning feeling like something is very wrong and feeling like we don’t fit in with most of society

We frequently fantasized about a life that could be different

Again there is a very real amount of selection bias in this because basically every trans woman I know is also mentally ill and spends most of her time online. But again I feel that the material reality of being a person who feels uncomfortable with themselves, feels like they don’t belong, and often fantasizes about a life where they didn’t have those problems very much would cause said person to gravitate towards being nerdy and/or a shut in. And that is intensified if you consider the statistically higher percentage of trans women that are autistic (the autism-transgender connection is a whole different topic but there is a statistically significant overlap). To a person like that, video games, tabletop role playing, and online communities where you can present yourself how you’d like are all very attractive things. And if so many of us gravitated to those things before transitioning, existing in this world that is so deeply cruel and unaccepting of trans women only pushes us further into using those as our outlets.

I won’t pretend to have any statistical or other knowledge to make sweeping statements about that making up the majority of us or anything, and I also recognize there is selection bias inherent to this discussion and that my view is limited as an American white woman. But I will say that I don’t think it should be necessarily surprising or disappointing to anyone that online communities of transgender women tend to focus on talking about the types of transgender women that make up the majority of those communities: the ones who spend more time online

[mypimpademia]

— Housewife

Bakugo x fem! Reader

Synopsis: What it’d be like to be Katsukis housewife

TW: Swearing, suggestive, mentions of having children

Note: Izuku’s version here!

⇶ Originally, you and Katsuki had never planned for you to be a housewife

⇶ He was a naturally hard worker and so were you, the thought of a life where you were at home almost all day everyday never really crossed your mind

⇶ But that was during the first few years of your relationship and marriage

⇶ Overtime, you found your job getting more and more stressful

⇶ You tried to hide your stress from Katsuki, but if anyone could read you, it was him

⇶ He always offered his support and asked how he could help take some stress off you, but there was hardly anything he could do for you

⇶ And even with the little things he could do, you knew he was busy with hero

⇶ Katsuki grew concerned as you came home from work too tired and overworked to even sit down and have a meal with him

⇶ You both knew that he was more than capable of supporting the both of you on his own

⇶ But when he proposed that you quit your job entirely and essentially become a housewife, you thought he lost it

⇶ You loved him and trusted him, yes, but you also prided yourself on your independence

⇶ The topic of you quitting your job was a weekly discussion for the two of you, but you denied his offer everytime

⇶ Soon, he gave up and decided that you would do it when you were ready

⇶ And you were ready faster than either of you had anticipated

⇶ Day by day, his proposition sounded more and more appealing

⇶ And after one too many stressful weeks, you finally made the decision to quit your job

⇶ Though, you’ll be the first to admit that it was far from planned out

⇶ It was a particularly rough day in a particularly rough week that drove you over the edge, causing you to quit your job in a stress induced outburst

⇶ Thankfully, Katsuki was more than understanding even with through sobbed out apologies you gave him when he came home to you crying on the couch

⇶ From that day forward, you and Katsuki have had an established dynamic

⇶ He goes to work, and you take care of the house and spend your day, and his money, as you please

⇶ You always make it back from your days out and shopping trips just in time to make a nice dinner for the both of you to enjoy when Katsuki arrives home

⇶ And while some may argue that the work of a housewife is worthless, Katsuki sees it as quite the opposite and often times comes home with flowers and gifts to show his appreciation

⇶ After you grew into your routine more, the conversation of kids was off the back burner and became something you and Katsuki began to consider more and more

⇶ Katsuki would take time off to be with you during your pregnancy and postpartum of course, flipping the roles to essentially become your house husband while your only job was to carry your bundle of joy

⇶ When you both talked about the idea of it, Katsuki sounded more enthusiastic about it than you did as he romanticized what it’d be like to further your domestic life in such a way

⇶ If you didn’t know him so well, you’d say it was out of character

⇶ He’d thought of names, mostly combinations of yours and his, the baby shower theme, what their nursery would look like, and even what brands you’d use for your baby

⇶ It all sounded like a dream, and Katsuki promised to make it come true one day

—

Taglist: @megurulvr @zairene @planetlunaa @rynfiles @szaplsdropthealbum @dreampurpledreams @goldenglow149 @gender-queery @roaringlion @cosmiles @tatiquichi @lillizxzz @strawhatkia @nikorubakugou @ruubric @justadekusimp @lokalblackie @strwbskitkat

Send in an ask or DM me to be added to all taglists, or fill out my form to be added to select ones.

—

Thank you for reading, comments and reblogs are appreciated! Follow for more!

[neroushalvaus]

Okay I am going to use the Somerton situation to talk about something that is very important to me. Following the discussion I have seen former Somerton fans being disappointed in themselves and questioning how they can ever trust another video essayist again. I have also seen some people being smug because to them Somerton was obviously unreliable from the start. As a person who also saw the "red flags" in Somerton, I would like to skip the smugness and talk a bit about what the red flags were to me.

Someone else has probably posted something similar and Hbomberguy's & Todd in the Shadows's videos touched a few of these points, but they didn't focus on them or how to spot these things. I think it is a good thing: I think it would have reinforced the idea that Somerton's fans were to blame for being lied to, and these youtubers didn't want to pin any blame on the fans. Also, some of the things I'm going to talk about were not by any means proof of him being unreliable, they were common tropes I personally associate with people who are bullshitting on internet. Think of it as something like spotting terfs: If you consider following a tumblr user and find out they have at some point posted "males will always be a danger to females no matter what they say", it is very possible that they are not a terf. Maybe they were having a bad day and were just wording their post badly – But you should probably search "trans" from their blog before following them, just to be sure.

So, the tropes in James Somerton's content that I consider red flags:

Lack of sources. This one may seem obvious and Hbomb talked about this in his video, but the lack of sources in his videos was outrageous. Video essays are called essays for a reason, they are not supposed to be just a guy talking about whatever comes to his mind, they should be well researched essays. Obviously video essays should contain one's own thoughts and interpretations and those do not need citations. But James Somerton didn't come out of the womb knowing everything about LGBT history, Disney and film theory, if he actually knew something about all this stuff, he should have learnt it from somewhere. There should be sources he could point to. It is very common that even when a video essayist doesn't tell you where they got all their information, they open their video by saying stuff like "when I prepared for this video I read the book Also sprach Zarathustra by Friedrich Nietzsche and this one thrilling blog post about lesbian cruising in 1960s Sweden". From what I've seen, James does not really do this. From watching his videos you could arrive to the conclusion that James Somerton does not read any books, he just knows everything. There are situations where people don't feel the need to add sources, like when the information is considered common knowledge or when the topic relates heavily to the essayist's actual academic field or profession. This is okay and very understandable, but can sometimes be dangerous, since if the video essayist markets himself as a marketing specialist, people are more likely to take his word for stuff that has to do with marketing, even without sources. It is understandable that in many situations an essayist may think "why should I cite a source? I know this thing!", but doing your research well is partly about checking if the information you are certain of is actually true. Also, as Hbomb pointed out, if you can cite a source, your audience can go learn more about the subject. It's not about anyone doubting you know your stuff, it's about learning. That's why well-respected video essayists usually cite their sources very clearly.

Lack of pictures and screenshots. This is about different kinds of sources again, many things on this list are kind of about sources. An example: When James Somerton made a video about JKR, he mentioned something about Rowling at one time saying that trans students in 30-50Feralhogs (or whatever the wizard school is called) could use magic to present as their gender. If this was any other video essayist, you'd expect a tweet to pop up, or something else confirming Rowling ever said this. Nothing pops up, obviously because Rowling didn't say this, but you can't see anything fishy in that because things rarely pop up in Somerton's videos. He doesn't show you court documents when speaking about a court case, he doesn't show you the comments apparently mad at him for implying the gay anime is gay when he is complaining about people being mad at him. There is a reason people show screenshots and tweets in video essays. When a good video essayist says JK Rowling has tweeted that all people who menstruate should be referred to as women, the video essayist shows the tweet so people know they are not making it up. If there were hoards of annoying bitc-- I mean, angry white women whining about gay sex in HuffPost articles or Somerton's youtube comments, he should have no trouble showing you those. Remember that you should not trust someone just because they show you pictures or screenshots. Pictures can be photoshopped, screenshots can be doctored. Many youtubers are aware that you listen to their videos while cleaning or while walking your dog and don't actually see the screen all the time, and some may take advantage of that by saying something like "and here she threatened to kill me" while showing a text message where someone said "die mad about it". A screenshot alone isn't much but you should demand to see the screenshot.

Passive voice. I am once again bitching about this. Somerton repeatedly says things like "it's been said that" or "it was common knowledge that" or "a legend says that" or "according to most interpretations". He doesn't say who says it, making it very hard to fact check and that seems to be his goal in some cases.

Relying heavily on anecdotes. Writing a dense, analytical video about film theory or history can be exhausting and you may want to pepper in little fun facts. However Somerton seemed to rely on these heavily; he can't just talk about how he has totally bought every lie told by The Pink Swastika, he also needs to tell a cute little anecdote about SS men forcing sexual favours out of men. He can't just tell a story about a court case, he needs to add in ridiculous stuff about the jury booing. This is what I mean by not all the things on this list being necessarily proof of someone being unreliable. Many people use anecdotes and little stories in their storytelling, it makes the videos flow better and it's hard to decide which anecdotes are valid and which are not. A source obviously makes an anecdote a bit more believable, but here are some things that instantly make me fact check an anecdote:

It's a bit too convenient, poetic or ironic. Sometimes real life is weirder than fiction but if an anecdote is "perfect" and has an amazing punchline and you could write twelve poems about it, there is a possibility it was invented by pop science books.

It assumes your political enemies are stupid. Dunking on conservatives, MRAs and transphobes is always fun and after you've seen a lot of this kind of content it's easy to believe anything about these people. You must resist the impulse to believe everything that may make your opponents look stupid.

The person telling the anecdote implies it is an example of a larger, systemic problem. You know what's worse than taking a random happenstance from human history or internet and basing an entire political theory on it? The said random happenstance being made up. You should in general be wary of people telling one story and explaining why it's an example of everything that's wrong in the world. We live in a huge world. You can always find a white woman who loves cute gays but hates the idea of Nick Heartstopper and Charlie Heartstopper getting nasty but that doesn't mean it's an indicator of a larger issue.

Simplifying complex issues. We all know that "only the boring gays survived the AIDS crisis, and that's why gays started to only care about marriage equality and military" is a horrible, insensitive thing to say, but you also have to think about it for like two seconds to realize that it can't be correct. It kind of reminds me of the "roe v wade caused the crime drop of 1990s" claim in Freakonomics. It sounds logical and simple, like a basic math calculation. Societal issues rarely are like that, though. You should never believe anyone who tells you about a huge societal shift and says it happened because of one thing and one thing only.

These were some of the things I noticed in Somerton's content that caused me to distrust him. I hope these were helpful to you and feel free to add your own "red flags" if you feel like it!

[chubsonthemoon]

It is done! This is The Death of Translation, originally written in English by @landwriter, translated into Mandarin by @thirrith. Binding is dos-à-dos, with English version on one side and Mandarin on the other. Bookcloth was handwoven by me, on my rigid heddle loom :3

More under the cut!

Typeset: Fanbinders are Liars

Full stop, this typeset would not have been possible without Eth and all their patience, enthusiasm, and willingness to do even more translating! I reached out to them *checks watch* nearly a year ago in July 2023 (lololol), asking if I could use their translation of TDOT in a surprise bind I wanted to send along with Gloam's author copy of Flower King. They were kind enough to say yes, and even kinder to answer my questions when I reached out six months later in January, when I was finally able to start work on the typeset.

We talked about the many delicious things that are bound to come up when discussing translating not just from English to Mandarin, but also from digital space to meatspace. Some topics I had anticipated, like font questions, translating the colophon, etc. But even with the topics I thought I'd prepared for, there were still things that came up that both surprised and delighted: for example, while AO3's website allows for italics in Mandarin--

--my publishing program doesn't (or at least, it doesn't without needing to manually tilt every character by about 10 degrees). So as a workaround, Eth suggested changing these cases of italics to the font 华文楷体:

Through no one's fault but my own, this ended up being only slightly less work than manually tilting every instance of italics--I wanted to be sure that I got all of them, so I ended up doing a lot of double-checking manually anyway, instead of relying solely on the Search function. There was a lot of cross-referencing with the Word document that Eth was kind enough to provide, as well as squinting and general swearing. I also did the same for the uses of Latin script, manually styling each instance as Garamond to keep it consistent with the English edition:

The only other time I've had to do font surgery this intensive is probably for my typeset for Tell Me About the Big Bang, which I had to port over from a PDF. Folks, hell on earth. Do not recommend XD I remember squinting at my monitor as I had to visually confirm every instance of italics, thinking I will never do this again. Welp, four years later, here were are: fanbinders are liars, LMAO. At the very least, using Eth's Word document at least allowed me to search by styles, so it was a little easier on my eyes. 🙏

Is there a script that I might've been able to use if I was more code-savvy? Probably. But I figured going at it sledgehammer style would be the least hair-pulling way to get the job done, weirdly enough. Still, despite my best efforts, there are a few instances of PMingLiU to Garamond and PMingLiU to 华文楷体 that I know I missed, and I know I missed them because I caught them after I'd printed/cut/folded/sewn/glued (cue more swearing), so Gloam and Eth, my apologies >.< please consider them artifacts of a uniquely handmade object ajslkdjfs

In addition to the fonts, there were also some other fun things Eth and I discussed, like how to translate the notes I usually provide on the colophons! In addition to information on fonts, I also usually include some variation of:

This private, limited edition published by chubsthehamster (Moonham Press, imprint of Renegade Publishing) in 2024. This is chubsthehamster's personal copy. Out of three existing copies, this is the first.

The thing that came up with this, which still tickles my brain to this day, was how Eth chose how to translate "Moonham Press, imprint of Renegade Publishing." To get a better sense of what word to use for "imprint," they asked what the relationship was between Moonham Press and Renegade Publishing, which got me thinking about the relationship between my lil imprint and the wonderful @renegadeguild:

What's all very funny about all of this is that we are now, in fact, going by the name "Renegade Bookbinding Guild," per our most recently updated Code of Conduct. While this renders the wording I asked for out of date (and thus, the wording that made it into the book out of date :'D), I think it's also a testament to how cool the work @renegadeguild is doing--like any artform, fanbinding is alive, with its own evolving language, communities, and ideas about the craft. And I love it, I love it so much. (Was this also a plug for our new-ish website? Perhaps).

There's more I could say here, but this post is already going to be long enough, so I'll move on for now! If you get anything from this section, it's that @thirrith is amazing and very patient and kind, and I'm so grateful that we got to talk shop together. Thank you so much for all your invaluable help with this, Eth! I hope the typeset, though undoubtedly flawed, does your hard work justice!

Binding: Or, SO Much Math. Like, So Much, Guys. (It was worth it, though!)

Whoo, boy! So math was never my strong suit in school, but when I set out to do this bind last year, that wasn't an issue. At first. The dos-à-dos binding, if anything, just requires a little bit of finagling on the usual case-bound format--a bit more math if you want to do an all-cloth cover, like I planned on doing, but nothing I couldn't work out with some trial and error. (My prototype below!)

Then came February, when I took a weaving class with my friend, and then everything kinda exploded.

My original idea was to use some green Duo bookcloth I had on hand (this color, actually)--for those of you not initiated into the Duo cult, Duo is a Rayon bookcloth with a very devoted fan following in Renegade. It's very pretty; the Rayon weave is one color, and the paper backing is usually complementary color, so it has this cool two-toned effect. Duo is in high demand in Renegade circles because sadly, the company that manufactures it went out of business last year. (Although I've heard rumors recently that there's another company making something similar, but the cloth has a really high purchase requirement and is, like, for businesses only I think).

Anyway, I also wanted to have a gold line around the whole book as a kind of bellyband/obi to further connect the two versions of the story (another reason why I chose the dos-à-dos format to begin with heh), as you can see from my scribbled notes here--

But alas! I knew going in that adhering things to Duo is often Problematic, thanks to one very painful experience trying to get some iron-on foil on another bind (the textured surface of Duo just makes it kinda hard to stick or paint stuff on it). So if I wanted a clean, continuous line, the remaining options were to either paint it on a strip of paper that I'd somehow...adhere to the cloth? Or maybe cut different slices of bookcloth and glue them on. I wasn't satisfied with either of those options, though.

Then--the weaving class. I made a scarf, and I love it and I loved making it. But the whole time, I'll not lie, my thoughts were elsewhere.

In short, my decision to weave my own bookcloth kinda came from a few different factors:

The desire to attempt to recreate Duo, that elusive beauty, the one that got away, etc. (I have several yards in my stash, but still). Others have also attempted to recreate it, and I thought I'd throw my hat in the ring.

My current spiral into the deep hole that is fiber arts (it started with crochet, then knitting, then sewing, then weaving, then spinning, and now I'm eyeing quilting! Please help me).

The gold line. It kept bugging me. And when I found weaving, I just thought there was something very neat about the process of actually making the cloth for a dos-à-dos binding from scratch, and especially for this binding. I wanted to bind a story about translation (or rather, the death of it, and yet still the necessity of it--how we must try to communicate, despite of, or perhaps precisely because of, everything that gets lost in the spaces between people, and the tragedy of that loss, and the beauty of what makes it through, and the love always present in the effort regardless), and also, the translation of that story. Weaving is a very meditative process, and with every pass of the shuttle, back and forth, building slowly but surely the fabric that would hold the story that Gloam had written and that Eth had translated, I thought a lot about translation, and the gaps between people, and how we choose our words not just when translating, but when we speak at all. From a design perspective, I used the same colors I would've used had I chosen the Duo bookcloth--green and gold--so the design wasn't too altered in terms of color scheme. But I think the choice to weave the bookcloth--the thing that bound it all together--made the project take on a completely new meaning for me, both in process and in scope, one that hadn't been there when I started. I saw the warp, perhaps, as the original story, laying the groundwork for the weft, the translation; or maybe it was the other way around, with the translation providing the scaffolding for its own, new meaning, choices that Eth had to make with this word or phrase or another building something new, something translated, and the original a live, moving thing that wove over and under each word turned phrase turned story; or maybe it was both. Maybe it didn't matter which was which, in the end. And as I wove, the thing that connected them, that gold line that had started all of this, slowly formed.

All that to say: Good God, was there a lot of math. So much math. That prototype pictured above was actually made specifically so I could calculate exactly how much I needed to weave, lol, because while I certainly had enough thread, I didn't want to have to warp more than once. I'd learned the basics in my class, but the training wheels came off here. I wanted to make my own custom fabric, which meant calculating things like ends per inch, picks per inch, loom waste, shrinkage after washing, the width of that damn gold line, how much I'd need for the hinge, the turn-ins, the boards--the whole nine yards (I didn't actually weave nine yards tho heh). It was all absolutely worth it in the end--so challenging and so, so rewarding!

(And my final reason for weaving the bookcloth? Not gonna lie, It was because I just wanted to see if I could do it LOL. I love trying at least one new thing with each of my binds, and this was it for this project. While I've been bookbinding for a few years now, I'm still very much a beginner weaver, and I'm so excited to continue to learn and experiment! Also, here's a video of me unwinding the cloth from the loom, heh. I used 10/2 Perle cotton in gold and green colors :3)

Also, turns out, you can back handmade cloth the same way you can any other cloth! I backed it using my usual heat-n-bond method, and with some Unryu Tissue in the color Forest. Since the cloth itself is a bit transparent, there are a bunch of really fun fibers you can see when it's held up to the light, but which aren't visible when the cloth is glued down to the boards. Still, knowing they're there still makes me happy :D

Finally, capping all this off, is one final, small detail I really liked: ginkgo leaf endpapers :3 this one's for me and Eth and Gloam specifically <3

Aaaand that's all from me for today, folks! Thus ends (several months late XD) my last Binderary project for the year. This was probably my most ambitious bind to date, and gosh it was so, so much fun.

And, of course, thank you so much to Gloam for sharing your story, and Eth for translating it. I can't wait for y'all to receive your copies soon!

All my love! <3

[gin-juice-tonic]

So, for Starters: Book Of Bill Spoilers warning. Another opinion from me below. (Here's my first opinion I shared, if you havent seen it) This new one is about the lost journal pages again, of course.

Originally, I wanted to make a super big crazy essay about all the reasons I think the journal pages in BOB (The Book of Bill’s given name) are fake, and show off my super-cool totally completely sound deductive reasoning techniques in the process.  

Unfortunately, knowing myself I’m not sure I’m actually capable of accomplishing such a feat. You all know how I tend to post things in parts, sometimes out of order, often never finished. However I would like to share something in particular that’s been eating at me that I’ve seen… partially discussed, but only partially. And certainly not the part that I would like to discuss. 

It’s about the rats.

You know, the rats.

I saw these rats being talked about since before I was even able to have a look at the book myself. 

But before I get further into it all, I would like to start off with a joke: 

Why did dead rats, eggnog, a land orca, shrimp colors, It’s a Small World After All, and an Anti-Cipherite Suit cross the road? 

Well, that’s easy. To get to the other side. 

Of the book, that is. 

If you’re anything like me, you probably skipped right to the journal pages upon contact with the book. And if you’re even MORE like me, you were probably left a little confounded by them. Not only did they seem… wrong somehow. But they also felt random. Full of odd choices of subject that didn’t make a lot of sense. Could these pages really have come from journal 3? If so, why do parts of them feel so… completely out of context? 

And this is where the rats come in. As I mentioned before, I saw many people discussing them. In particular, they were noting their connection to this passage from earlier in the book:

Many of the related discussions also felt odd to me. Though I lacked the knowledge to be able to articulate why at the time. UNTIL, I read the book for myself from start to finish. That's when I realized something:  This is not the only time something from earlier in the book connects back to the journal pages. In fact, it happens many, many times throughout the earlier passages. (Here is a small collection of them for your perusal.)

And then it started clicking into place. The reasons the pages felt like they were so abnormally out of context… is because they WERE lacking context!

Now, before you can finish saying “Gin, you’re an idiot.” I would like you to ponder these three questions: 

1) Why, if these pages were taken from Journal 3, should they require context from outside of it to be able to be completely understood?

2) Why is it that this context can be found in what Bill Cipher has been writing in the preceding passages up till now? 

3) If you put food in a mogwai’s mouth at midnight EST but drive it over the CST time zone line back to 11PM before it can swallow, will it still transform into a gremlin? 

Okay, you caught me, that third one is unrelated. But the first two I believe require further thinking. So let’s delve a little further into the idea. Consider this the real third question: 

3) Are we to seriously believe that these, the only pages of J3 still lost to us, just so happen to tie into the new topics from the rest of the Book of Bill over and over like this?  

And since you’ve done so well thinking thus far, I’ll ask a fourth question: 

4) Are you aware of the concepts of Watsonian and Doyalist analysis? 

Assuming you don’t and you won’t google it, I’ll skip to the important part. Watsonian analysis is to analyze a story from within it, as if you yourself were Watson making deductions in a Sherlock Holmes novel.  

Now, from a Watsonian point of view, what happens when we try to answer our earlier questions? Why should it be that the Book of Bill provides so many of these points of reference to the journal pages? 

One possible line of thought could be that Bill wrote the earlier passages of his book *around* the idea of what was contained in the pages, but I think this doesn’t work for a few reasons. For one thing, the purpose of the book is to get the reader to make a deal, not to take a whole novel to set the stage for a 3 day mini Ford adventure. For another, not all of what I described prior is really fit to be called “context”, is it? The rats, the “Small World” cassette, and the Bill-Suit are one thing, but Eggnog? Shrimp colors? Land Orcas? I certainly wouldn’t define them that way. If anything, they’d be better suited to being called “references”. And unlike the more contextual ideas, there’d be no real need for Bill to sneak mere references to the pages into his grand story.  And lastly, there are a great deal of Bill pages that have nothing to do with the content in the journal pages at all.

So what exactly am I trying to say here? 

If we do intend to think of the callbacks outlined above as references, the only logical conclusion within the story is that the journal pages themselves are referencing back to the Book of Bill, not the other way around.

But… how? And why? Something Ford has written in the 80’s shouldn't be able to reference something Bill is writing post-weirdmageddon certainly. 

That’s because “Ford” isn’t referencing it at all!

And as for why… Well, have you ever noticed when you're writing a story on the fly, things you wrote earlier all come crashing back to you as you try to wrap things up? I believe personally that the journal pages are nothing more than a strange endcap on Bill’s crazy train of thought! And the "references" are just fuel that further the pages creation. Almost as if, to quote someone much more knowledgeable than me on this subject…

In the end, all I've described above (as well as other aspects of the pages I've not mentioned here) leave me with the impression the pages are not real.

As I stated only a bit earlier, the idea that these pages, the only pages of J3 purported to be lost, should be so connected to the rest of the book is beyond coincidence to me. Not to mention that in order to take these pages as total truth, you must give credence to several other passages of Bill's book as well. And I'm not too keen on having to trust him that much.

To all who have read this far, even to those who may have scoffed at the ideas in here or think I've only written up nonsense. Thank you for reading and considering my thoughts.

I am not saying anyone must agree with me on this. I know some people have found the pages to be important and meaningful to them, and I do not wish to give the impression that I think my view is the end all be all correct one, or that I think lesser of those who believe in them. I only want to share my own opinions. And to anyone else who found the pages to feel "off" somehow, possibly validate their feelings too.

[johnbrand]

Screen Froze

Podcasting had become inescapable in recent years. Everyone seemed to have an opinion on...well everything. Politics, world sports, cooking, an obscure movie from 1978 only released in a now-extinct language. If it could be covered, it would be. And one could find this content anywhere across the internet. Youtube, social media, even streaming services promoted their podcasters. Everyone was watching everyone talking. 

Of course, with so many different podcasters flying about, it was difficult to actually spot out talent. And from a sociologically micro perspective, it was even harder for individuals to find podcasters discussing the content they actually wanted to hear about. The more unique the niche, the less people one could happen upon to be talking about it during their recorded stream of consciousness. It was a simple formula, but it forced individuals to browse for hours or even days to find what they were searching for.

Sometimes though, people could not hold such patience. They would not wait for their new hero, a disciple preaching their values and morals to audiences around the globe. They would skip past one livestream discussing the economics of green villages in Switzerland to the next debating the potential existence between a minor character in two separate fandom universes. They could even perhaps land into a podcast like Sean’s.

“Most people just don’t understand the Soviet Union’s impact on architecture,” the measly, pale nerd innocently commented. A little shy in front of the camera, he was only able to relax a bit when discussing his favorite topics. Sean dressed in theme too, wearing a brutalist-like business casual outfit, a trait his small but dedicated fanbase adored.

“There were a lot of architects that really shaped this movement from all around the world,” Sean continued. “But today, we are just going to focus on those from the USSR.”

So what happened when one’s patience dried up? Well, everything was brought to a halt.

DragonHeart49: anyone else’s screen freeze? superduperloverboy: mine too <3bitsandmore: sean, I think ur glitching out

With the screen frozen, our impatient soul could now get to work. If one could not find the podcast they were looking for, then why not just create their own? Obviously, this did not mean constructing a podcast themselves, but rather alter the fabric of reality and completely realign another’s being to their preferred state. That was much easier.

Physical modifications were made first. A much larger body was necessary, something that demanded confidence and respect from others. Juicy pecs, rippling abs, sturdy legs. There was always something unreasonably fun in bloating the podcaster’s feet up a few sizes. An imposing frame to be craved by others, even when hidden underneath clothes, was priority. And speaking of clothes, those were quickly stripped down to less formal articles. Expensive branded tee, athletic shorts so small that boxer-briefs were visible, classic white Nike socks, all of it much more respectable than a button-up and tie.

This was not the impatient soul’s first time altering a podcaster to their liking, nor would it be their last. Physically at least, each of the end products were a little different. All alpha males, but just enough variation to not warrant any unnecessary rumors. This particular podcaster had his pre-American heritage redirected from France to India, the features in the screenshot tanning accordingly as a dark stubble acquainted itself along the sharper jawline. Of course, the bulge was accurately enlarged for geographical standards too.

Mentally however, all the podcasters could be considered copies. They each spoke of the same rhetoric, theories, and ideologies that our impatient soul wanted to hear. No matter how “backwards” or “hateful” their discussions were deemed as, nearly anything could be said by hulking bodies with undeniable charisma.

“These homos have no idea what they’re talking about!” Sanjay raged as the podcast restarted, his deep voice cocky and assertive. "Sure bro, I was just thinkin’ about a girl’s rack I saw earlier today but there's more to a girl than big tits. There's a tight pussy too!”

The chat section lit off with encouragement, their fates too having been altered.

MassiveFART69: you tell them fags bro! LOL XD crassmassschlongnator: we want to BREED THEM TOO!!!! <3TITSGALORE: JUST TALKIN ABOUT IT ALREADY GOT SANJAY GRABBIN HIMSELF AGAIN

Sanjay vacantly looked down, finding himself already subconsciously scratching at the thick bush within his shorts. He let out a hot protein fart followed by a laugh, his scratching slowly extending into groping his fat 8 inch babymaker.

“God, that was WET bros!” Sanjay applauded himself, his free massive hand swallowing the mic. “Anyway, I’ll catch you on the flip side dudes, gotta go hit the gym. Bros for life!”

There was a reason the traditional masculine movement was becoming stronger. Maybe it was because men were slowly aspiring to become the alphas’ equals, or because fags were beginning to submit to their nature. Or possibly, it could have been because each time a screen froze, reality was altered one click closer to traditional, normal masculinity.

[yumeka-sxf]

My thoughts on Spy x Family: EYES ONLY Guidebook (English ver) - part 1

I finished reading through my copy of the English version of the SxF manga guidebook "EYES ONLY." There's tons of fantastic information about the series, but I wanted to share my thoughts/commentary on parts that were the most interesting to me. Since there's so much content to cover, I'll be dividing it into a few different posts. Also, rather than go in the order of the book's sections, I decided to group the content based on topic. This first post will cover Endo's comments about the characters individually, as well as information about Garden.

Endo's Q&As and comments about the characters

Loid:

I like that Endo provides a reason for why Loid wears a WISE logo pin as it's something more than one fan of the series has questioned! And I totally agree with Lin about his "lack of distinctive features." Compared to so many other anime characters, especially shonen main characters, Loid's design is so plain, particularly in his hair and clothes. At least in his spy outfit he has a gun to make him a little flashier, but when he's in his casual clothes, he literally just looks like "some guy," haha. But that also makes sense for his character.

I love how Endo gave specific numbers for comparing Loid and Yor's strength (Yor: 10, Loid: 6-7)

Anya:

I did notice what Endo is talking about how Anya's design changed over time. But that can be said for all the characters really, and it's definitely not uncommon for manga-ka's styles to evolve as they get a better feel for their characters and world.

He mentions the classical language thing that was also brought up in chapter 42. Definitely makes me think that will somehow tie into her backstory.

Speaking of Anya's backstory, there was this little excerpt about the researchers at the lab. So one thing we can say for sure about her past is that she was not treated well there at all (which has been hinted at in the series).

Endo also discussed the origin of Anya's pink hair (namely, there really isn't any origin, lol).

Yor:

Interesting that he spent the most time designing Yor, and also about the origin of her stilettoes. And his apology to the cosplayers for that bonus feature about Yor's hair, haha.

I had to chuckle when he said they can't measure her strength because she keeps breaking the instruments! Also the fact that she hasn't learned how to make a single successful meal since the stew…Endo is such a savage sometimes, lol. But keep in mind that this book was originally published over a year ago, and obviously we know from recent chapters that her cooking is improving. I also like that he mentions that she has left witnesses to her work, like in Extra Mission 2. I wonder if that will be a bigger plot point somewhere down the line.

Like Anya having pink hair, Endo expresses some regret about making Yor an assassin (but his laugh makes it clear he's not terribly hung up about it!)

Bond:

I know some people are bothered by the fact that Yor is Bond's least favorite. But I think Bond's (initial) dislike for her originated from the chapter where he assumes he would have died from her cooking. Also the fact that Anya put the idea in his head that she would "murder" him if he did something she didn't like, like shun her food (which is obviously heavily exaggerated). But again, this book was published over a year ago, and the most recent chapter revealed that he definitely doesn't dislike her even if she's not his favorite. It's perfectly normal for pets to have family members they prefer over others for whatever reason.

Franky:

I love that Franky does charity work. I hope we'll see that in a future chapter.

Fiona:

It's interesting that he ranks Fiona's combat ability so low, especially when you consider what she did to Wheeler in the recent arc. But to me, that wasn't so much a display of combat prowess as it was totally raw, uninhibited willpower.

Yuri:

I love his blunt answer about whether Yuri has other interests besides Yor. Also intriguing that he mentions Nightfall when discussing Yuri's combat ability…maybe those two will meet eventually?

Information about Garden

Since Garden is still such a mysterious entity in the SxF universe, I tried to gather everything about them that the book mentions.

It's interesting that Yor sees Shopkeeper as her mentor since he taught her survival skills in her youth. The book also raises the question about how Yor found Garden in the first place…maybe something Endo will expand on in the future?

So the information Franky gives us about Garden is exaggerated? Gah, that just makes them even more mysterious!

The above was a cool bit of trivia...so it seems like the secret police might know more about Garden than WISE. Perhaps Yuri will find out about Yor's real identity before Twilight?

Continue to Part 2 ->

[menhera-info-archieve]

in case you haven't seen it yet, here's the menhera 101 article by HoshiCandy from Kei Club Issue 3. not sure if i'll post the other menhera related articles from this issue or not, so consider checking the link in source if you're interested.

i'm also leaving a text transcription under the cut for anyone that may benefit from that

Menhera 101

Menhera fashion has quickly been gaining popularity worldwide! This fast growth has come with its fair share of misunderstandings about the community and style. Menhera artist and designer HoshiCandy is here with a lesson on menhera’s origins, history, and basics. Find more of her work on the pages before and after this article!

What is Menhera? 

“Menhera” can be thought of as “a person who seeks mental wellbeing”. 

The word “Menhera” was born in Japan in 2001, on the “Mental Health” board of anonymous forum 2ch, where users discussed their wellbeing. The users of this board were named “Mental Healthers” which was shortened to “Menhera”. 

The Menhera community covers anything that might cause one mental suffering, such as: physical illness or disability, depression, anxiety, eating disorders, bullying, hyper-sexuality, sexism, homophobia, etc. Importantly, there is no need for a formal diagnosis, as the focus is on how you feel, and that you want to feel better. 

It is difficult to talk about these topics in Japanese society without being heavily stigmatized. Menhera is a community to speak safely without that stigma. Of course, this stigma and need for community when it comes to one’s mental wellbeing is not limited to Japan, and that is why menhera has grown in the west as well. 

Since the creation of the word in 2001, there have been several manga published with “Menhera” in the title, many Visual Kei songs about it, Menhera idol groups, and several menhera fashion brands. 

However, an unfortunate addition to all this has been the discovery of the word in mainstream media...

Just as the topic of illness is heavily stigmatized in Japanese society, the word “Menhera” itself became quickly stigmatized and stereotyped as “an attention seeking, troublesome person” or “an overly attached girlfriend” (aka “yandere”). If you were to speak to a Japanese person about “Menhera”, this would most likely be what they would think you meant. This stereotype tends to be referred to as “Menhera Kei” in Japanese which is why we avoid the use of “kei” for Menhera in particular. 

Despite all this, the true menhera community has continued to grow. 

Menhera Motifs

Artists in the Menhera community created many works of “Vent Art” art that expresses their feelings and suffering. When this art was printed onto clothing, Menhera fashion was born. 

These are some themes you will commonly see in Menhera: 

Medication

Suicide 

Self-harm 

Hospitals

Sex and BDSM

Social Media Addiction

Heartbreak 

Wearing Menhera art printed on clothing serves as a way of literally wearing one’s feelings on one’s sleeves. It turns invisible suffering visible, and fights against the stigma driven silence. This means that Menhera fashion is highly confrontational, with graphic depictions of illness symptoms. Although the onlooker may feel discomfort, the Menhera style says “this is my true reality, don’t pretend it doesn’t exist!”

Depending on the feelings of the wearer, Menhera fashion also says “although I am sick, I can still be ‘kawaii’” or “although I appear ‘kawaii’, on the inside I am suffering”. 

Turning the invisible visible, forcing the silence to be broken, and challenging kawaii culture, these are the goals of Menhera fashion.

The Menhera Silhouette

Carefully avoiding a highly theatrical or OTT (over-the-top) look is important for maintaining the integrity of the goals of menhera. Menhera is a very casual style, with few accessories and light makeup. The key is for a coord to centre on Menhera imagery, whether vent art or text-focused designs, printed onto clothing. 

Be careful not to dress up as the characters depicted in vent art, who are often costumey, gory, and OTT. 

Menhera Coord checklist: 

Printed Menhera art

Byojaku/Minimal makeup

Not OTT/Few accessories

Flat Shoes 

[optional] Oversized top

[optional] Hime bangs 

[optional] twintails

Colors can vary: a pastel yume look, or a gothic yami look, both are fine!

The makeup style is called “Byojaku” meaning “sickly/weak”. Reddish colors are applied to areas around the eyes to give the impression of crying or illness. The rest of the face is kept plain without much color. 

A Note of Caution

The Menhera community is about healing, and seeking recovery and wellbeing. It advocates getting help, medication, therapy, and receiving support through your recovery journey. 

True Menhera never encourages or enables harmful behaviors, and never glorifies them. Menhera fashion is an alternative way of expressing your suffering without self-harm. Menhera fashion empowers the individual through their recovery, but does not empower harmful behaviors. 

There are some, sometimes labeled by the community as “Wannabe Menhera”, who mistook the meaning of “menhera” after seeing its rise in popularity, as it being trendy to fake mental illness. They engage in behaviors such as posting self-harm photos (real or faked) to social media with the tag #menhera, and other attention-seeking behaviors. 

While this is the opposite of what the Menhera community stands for, is harmful to the unfortunate viewers of these photos, and creates further stigma against the community...it cannot be ignored that these “Wannabe Menhera”, too, need help and healing. 

The Menhera fashion movement is to help you feel comfortable, unashamed, and kawaii in your skin, scars and all. It is NOT for encouraging people to create new scars “for the aesthetic”. 

If you are struggling with mental or physical suffering, thoughts, or behaviors that cause harm to yourself or others, please seek help. If you do not believe you deserve help, you do, please seek help. If you believe you are faking it, you likely are not, your feelings are valid, please seek help.

Don’t have access to therapy? 

We found a comprehensive list of suicide prevention hotlines at https://ibpf.org/resource/list-international-suicide-hotlines [link no longer working]

There are also free and affordable counseling services online like Better Help and Pride Counseling! Look online to find what option could work for you! 

Alternatives to Menhera

After reading all this you may be thinking “the Menhera community sounds good but all the fashion is too restrictive for me” and if so, you’re not alone! But the good news is that you don’t have to wear Menhera fashion to be in the Menhera community. 

Look up any of these alternative styles online for examples and more information:

Yamikawaii (“Sickly-cute”) is essentially the aesthetic of Menhera without the activism, a corrupted dark kawaii. Unfortunately the word was trademarked and now suffers from copyright takedowns. 

Yumekawaii (“Dreamy-cute”) an aesthetic evolved from Fairy kei to describe everything pastel and kawaii, but with a slight edge, described as “fairytales with poison”. 

Marekawaii (“Nightmare-cute”) created as an alternative to Yamikawaii to avoid the copyright issues, and as a counterpart to Yumekawaii. Marekawaii is specifically defined as being open to your own interpretation and style. 

Medikawaii (“Medical-cute”) a pastel kawaii aesthetic focusing only on medical motifs, such as medicine and hospitals. 

Gurokawaii (“Grotesque-cute”) mixes frightening and disturbing imagery with kawaii. Kyary Pamyu Pamyu helped popularize it. 

Iryouu Kei (“Medical Kei”) a Visual Kei substyle with lots of gore and hospital theming, very OTT and theatrical, such as dressing like a nightmare nurse. 

Living Doll artists see themselves and their bodies as a canvas to create art and express themselves, often with intricate makeup and body painting. This is a good one to look at if you’re into heavy artistic makeup.

[estcaligo]

Nobody: Me at 3 AM: Glorious Masquerade represents the confrontation between polytheistic and monotheistic worldviews

Or "The Big Three of Olympus vs One Christian God" in the Glorious Masquerade event

Content Warning: Greek Mythology, religion, Christianity, Glorious Masquerade event spoilers

Note: I talk about things in this post from a researcher's point of view, in a descriptive and comparative manner mostly. Just some observations.

I've already discussed a similar concept before - Idia, Jade, and Sebek representing Hades, Poseidon, and Zeus, the "Big Three" in Greek mythology, the most powerful and important gods of Olympus - during the Harveston event. See the post here.

However, in the Glorious Masquerade, the situation becomes even more peculiar because the SSR characters are dorm leaders - those who are in charge. And then there's Rollo, who is twisted from Frollo.

Note: I will consider all sources of inspiration for Rollo, including the book and the musical, which were confirmed by Yana herself to be inspirations for Rollo.

What? Why? Who?

3 vs 1. The Big Three of Greek Pantheon vs The One God, who embodies 3 in 1 - the Father, the Son and the Spirit.

The Big Three are the three most powerful gods among the Olympians - Zeus, Poseidon and Hades.

Zeus commands the sky, lightning, kingship and summon any weather conditions.

Poseidon manipulates water, storms and earthquakes.

Hades has dominion over the dead and undead, darkness, earth-related disasters, and metals and jewels.

*By the way, lightning was considered just Zeus throwing a temper tantrum, and what happened when Malleus got angry? Right, he started throwing  lightnings left and right.

And now we have Rollo. Twisted from Frollo, who, as we know was a religious man (especially in the book where he is a priest, not a minister).

And despite there being other characters, such as vice-president and the assistant, they aren't "real" or “important” characters like Rollo.

So we can say there is only one (1) main character in this event.

2. 7 Dorm Leaders vs 1 Head of the Council

As is well known, Ancient Greek mythology features many major gods, each controlling different aspects of life (or representing them, or serving as patrons). This makes Ancient Greek religion a polytheistic system - meaning it has multiple gods - akin to the Great Seven and the dorm system at NRC.

The Dorm Leader Council functions much like a small pantheon. Not to mention NRC is located on upper hills, which resembles a mountain (Olympus) if we look at the landscape of the Sage Island.

On the other hand, Christianity only has one God, making it monotheistic religion. There are multiple saints in Christianity, who are patrons of different aspects of life, however it is important to note that these saints do not control - they are more like the intercessors between man and God.

Even the NBC itself is focused on one Villain and has one statue in the yard, not the 7 (the "pantheon" of NRC). And NBC itself doesn't have Dorm system like NRC.

3. Oral vs Written

Greek religious tradition is primarily oral, with legends and stories passed down through generations by word of mouth.

In contrast, Christianity is predominantly a written religion, where the written canon holds great importance.

How is it important here?

Well, in this event specifically the NRC guys spend their time walking around and commenting on things. We learn some of their lore and thoughts on various topics through dialogue. Even Professor Trein reveals his past verbally telling about it. Naturally, it’s a game mechanism. But since we’re talking about such details….

On the other hand, the most important part of Rollo lore is found by the Big Three in written form - Rollo’s diary.  It's also noted how Rollo prefers writing above all else. He writes in his diary, sends letters, and drafts invitations. While this may not apply to the NBC in general, since we're focusing on Rollo, this detail is worth considering as well.

4. Our guys vs That One

Another difference between the two religions is that the Greek gods had flaws that made them more similar to humans. They had tempers and they often held grudges. This made the followers of the religion not want to be like them but, instead learn from them and their shortcomings, frequently through fear. 

In contrast to the flawed gods of Greek mythology, Jesus is portrayed as a man who is to be aspired to, more so than the Greek portrayal of a god; who the audience learns from (imitating in a way), rather than obeys.

Our NRC boys are someone we know and who we’re familiar with. We know their struggles and fears, their dark past. Even the guys in charge of each dorm - the Dorm Leaders - are not so distant from the regular students. Well, more of less.

Whereas Rollo is described by all the characters we’ve met at NBC (and even from his vignette) as someone who is amazing, excellent, wonderful and so…exemplementry. Rollo, at the same time, distances himself from everyone.

5. Vertical vs Horizontal

A small but interesting observation is that many monotheistic religions, including Christianity, often have a “vertical mindset” - symbolizing a relationship between the human and God.

In Christian cosmology, we often imagine a vertical world structure: Hell at the bottom, the human realm in the middle, and Heaven above.

In this event, we also experience vertical movement when things get serious. Initially, when it's peaceful and fun, we mostly walk around the town (mostly horizontal, not including the lower parts).

However, when the action begins, Rollo first sends us downward into the sewers. From there, we start moving upward. The ascent of the tower is highly symbolic, as we are literally ascending towards the sky where Rollo awaits us (with his “judgment”)

 6. Masks

The whole masquerade theme is, of course, a nod to the cartoon and part of the game feature to get the characters to dress up.

But let’s remember that in Ancient Greece, masks played a significant role in theater, particularly in tragedies and comedies (twst features elements of both). In general, it is known that masks represent hidden nature, transformation, and more. 

Interestingly, only our NRC squad wears masks and costumes. We even encountered some Royal Sword Academy students, but they were not given costumes (again, a game feature, but still noteworthy).

On the other hand, there's Rollo, who isn't wearing a mask or even a costume. He doesn’t need to. He is who he is, with no need to transform into something else, as he represents the One, in our comparison here. 

What's even more interesting is that, despite not wearing a physical mask, Rollo is the one with ulterior motives in this event, and we only learn his true face later on. He metaphorically takes the mask off, even though he never wore one in the literal sense.

7. Catholic Guilt

The last but not least - Rollo's punishment, which, perhaps is the most fitting and cruel outcome for him. Rollo, after being defeated, expects harsh punishment because he is ruthless with himself and assumes others will treat him the same way. He failed and he expects to be punished. However our Big Three surprise him by concealing the truth and allowing others (the NBC mobs were the first to thank him for his bravery at the tower) to believe that Rollo was a hero. This situation forces Rollo into a state of internal torment, where he must live with the guilt of his actions while being praised for something he didn't truly do.

Rollo's punishment is psychological, forcing him to confront his guilt and shame in isolation. They choose leave him one on one with his Sin.

On the contrast, in Ancient Greek mythology punishments were often cruel and involved physical pain. One of the most popular example would be of course the myth about Prometheus, which, by the way involved Zeus.

And the way Big Three dealt with Rollo was truly cruel in its own way.

(from an interesting article about Greek Gods and punishment - here)

Fin

I left out some obvious notes like Malleus having horns, Rollo hating on magic etc.

Naturally, there may be other details I haven’t mentioned, so feel free to add any additional insights!

[stormsbourne]

alright listen

I know we're all having an evaluation of how eagerly we believe people who present with even the slightest air of authority and frankly good! we all need to be less credulous of people on the internet who tell lies.

but I think there are also other lessons to learn from james somerton. namely about his raging and blatant misogyny, which I've often seen similar forms of in fandom and on this specific site. to paraphrase bombs himself in the ctrl alt del video, if you see shitty behavior within your sphere, it's important to recognize it and try to fix it instead of rejecting it and asserting that no REAL members of the ingroup are like that. and nerds have a misogyny problem. including tumblr. so let's reckon with it.

do you append "white" or "straight" to your comments about women even when those things have little to do with the topic being discussed, just to make your comments seem more legit? (and no, m/m shipping discourse does not give you a ticket to say it's all straight women -- it's fictional characters, james.) do you often theorize about how (hurriedly appended "straight/white/cis") women are responsible for a problem in fandom, nay, all problems in fandom? have you made up a guy based on a single post that annoyed you and extrapolated to say that all (appended signifier to make it ok) women in fandom are like that? do you see women as uniquely fetishizing, uniquely stupid about politics or social issues, uniquely annoying to talk to? do you assume when there's an issue, even a real one and not the fake ones james made up, that a woman is probably at the root of it?

all of this still applies to you if you're a woman. it also applies if you're gay or a person of color or trans. being an oppressed group doesn't mean you are immune from sexism, and sexism is still rampant in everyday life for pretty much everyone.

your shipping and fandom discourse isn't immune from this. no, I'm not talking about how not enough people like yuri. I'm talking about how women who like "bad" ships like r*ylo or whatever are seen as open targets for harassment. how women who are into "bad/problematic" fandoms are seen as idiots and enablers who deserve what they get. how there's an attitude that women who like shitty bad porn must think it's good, must be too stupid to know better, and must need to be handheld and taught about good, acceptable fiction. I've already talked a lot about tumblr's complete refusal to admit that fujoshi wasn't a term coined by delicate japanese mlm to complain about evil women (and I wonder if james contributed to that idiotic concept), but the way I've seen people assert that women into m/m must be straight, must be stupid, must be lying about their identities, must be hurting gay men in real life in addition to wanting some anime boys to kiss ...

I've seen how some of you people talk about amb*r h*ard, is all I'm saying, and I've seen what you've tried to do to dozens of female creatives that, for some reason, you've decided deserve to be taken down or taught a lesson. I've seen the descriptions you use. shrieking, bitchy, whiny, uppity, shrewish, karen (don't get me started on how karen has been turned into an easy excuse for misogyny). you're not bystanders to what james did and is doing, you're a part of it. sure, you might not have the nazi fetish, but you've said things about women that put somerton to shame.

just a thing to keep in mind while the plagiarism discourse is ongoing. somerton is a shithead for many reasons but this is one that's important to remember because I think people often treat misogyny like a lesser crime, a smaller concern, and it's not. just think of what laws are passing and what views popular movements have of women and then, for one moment, consider that maybe your reflexive need to blame women or pick them apart might have been influenced by the Society In Which We Live.

[andivmg]

speak up andi, I beg of you, you have been mistreated the most here, I know it took shubble a lot of courage but she has helped so many people

i want to start this off by saying it is not a competition and i do not want to compare my experience to anybody else’s. shubble is so fucking strong and i admire her and everyone else who has spoken up about experiencing abuse endlessly.

DISCLAIMER 1

this is way longer than i intended it to be. i did not plan to go into as much depth as i did but the words just kinda kept coming and i kept thinking that if someone else is in a similar situation to the one i was in, it would be good to point out even some of the smaller details so that they can see that these behaviors are not something to be overlooked and could be a symptom of a bigger issue… idk. i apologize for how lengthy and wordy this is but i hope it all makes sense somehow

DISCLAIMER 2

a lot of you know who one of my exes is and i am asking you to please not make this about him. i am simply sharing my experience with some of my past relationships in hopes that they help someone else. i beg of you, do not go on twitter making threads speculating on whatever because it’s just going to cause me a bunch of problems and i don’t want this to be brought to his attention. if you share my story, please do not do it with the intent of starting drama. if you share my story, focus on the behaviors i am talking about instead of trying to figure out if it’s about him.

DISCLAIMER 3

this goes without saying but i’ll put it here anyway: i will be talking about toxic relationships, mention of self harm, mention of sex, implied violence. if any of these topics are triggering to you please scroll away, protect yourself.

I have been in a lot of relationships, but there are 4 that i would truly identify as the ones who had the biggest impact on me. Two of those i would consider emotional mistreatment. I don’t want to say i was abused for reasons that i will be discussing with my therapist this week, but i can certainly say i was mistreated. For the sake of privacy, i will be referring to these two dudes as 1 and 6.

I think the biggest difference between 1 and 6 is that 6 was obsessed with me to the point where i felt like i was being suffocated, whereas i’m not sure if 1 ever cared about me in the first place.

6 and i started out pretty normally. we had a bunch of friends in common and we were around the same people. so eventually, we became friends too. we would text and call all the time until feelings developed into a relationship. in the beginning he was really sweet and caring, saying all the right things that got me falling head over heels. now, something important to note is that i am someone who has always had a lot of guy friends. when i was little and in school, my mom made friends with a bunch of other moms and those moms were boy moms, so i grew up surrounded by boys. i bring this up because 6 didn’t like my guy friends. actually, i think he just didn’t like the fact that i had guy friends at all. so, whenever i would hang out with my friends, it was a problem. so this resulted in me never being able to go out or hang out with my friends unless he was there. then it got worse. before we started dating he had decided to cut back on drinking and to stop smoking. so because of this, i decided that i wouldn’t drink or smoke around him in solidarity. this was not enough for him. i had to stop drinking and smoking altogether. so once, when i was hanging out with my girl friends we decided to stay in and get wine drunk. we posted about it on our private stories on snap and once he saw, 6 called me arguing and yelling at me because i was drinking and posting about it on my story for “attention”. after this incident, i was no longer allowed to hang out with my friends because they were a “bad influence”. he also didn’t like the clothes i wore. sorry, let me reiterate: he didn’t like my clothes when he wasn’t around. it was perfectly fine for me to wear a short dress… if i was with him. i was not allowed to wear “revealing” clothing if he wasn’t around. mind you, none of the clothes i wore were revealing, it’s not my fault i’m hot yk? he took over my life. who i talked to, what i did, what i wore, where i would go, it was all up to him. my life no longer belonged to me. and at the time, i was okay with that. i didn’t realize that he had so much control over everything. i was young and naïve and he convinced me that he knew what was best for me. that he had lived more than i had and experienced more than i had and that he knew better. he was so good at making everything my fault and making him the hero or victim depending on the situation. i got catcalled on the street? “because you were wearing that fucking dress again, andrea you know how that looks. of course you got catcalled. this is why you can’t wear things like that when i’m not around to protect you”. I decided to have a fun night in with my friends and get drunk? “i just don’t understand why you would be posting yourself on your private story like that. you’re drunk and vulnerable. why do you want other people, other guys, to see you like that? and you know i’ve cut back on drinking so how do you think it makes me feel to see that? don’t you love me enough to do this for me?” the worst part is i believed him. because, in the beginning, he helped me so much and i looked up to him so much, surely he had my best interests at heart, right? this relationship went on for way longer than it should have. you may be asking yourself, how did you leave? if you were so in love with him and entranced by him to the point where he consumed you, why did you leave? he raised his hand. that’s what got me to finally leave. a year after we broke up, i found out that he was drinking, smoking, and doing all kinds of shit he told me he wasn’t throughout our entire relationship. he was awful, and i’m really proud of myself for being strong enough to leave when i did. i’m also really grateful for my friends, who stuck out that whole train wreck with me. who i lashed out against in order to protect him and defend him. they stuck by me through it all and i don’t know where i would be without them so shoutout to them lmfao.

1 was a bit more complicated. it started out in a similar way. we had the same friends, hung out around the same people, so it was only a matter of time until we became friends too. we would call and text every day until feelings were developed. at least i developed feelings, i’m still not sure he did. i told him this and i don’t remember how the conversation went but basically we had decided that we were talking as more than friends now. enough time went by where i was ready for it to become a relationship and i communicated that to him. looking back, i think he felt pressured into the relationship by me and by our friends. anyway we started dating and everything was fine. we would hang out and talk all the time but i felt like he was bored or disinterested by me, so i would constantly beg for his attention. i became this needy clingy version of myself that i hated. it felt like when we would hang out, he was always distracted by something else. i basically felt invisible to him. that is, when i wasn’t hanging out with my guy friends. similarly to 6, 1 did not like my guy friends or the fact that i had guy friends in the first place. i had a guy best friend at the time who is one of the most amazing people i have ever met. let’s call him S. S and 1 were acquainted with each other, hung out in the same circles etc. but 1 still didn’t like him. sometimes, whenever 1 was busy doing whatever he did when he wasn’t with me, i would hang out with S, we would watch shows together and just talk. Some days, it felt like i talked to S more than my own boyfriend. this did not sit well with 1. he would ask “why the fuck are you always hanging out with him?” to which i would reply “maybe if you hung out with me more, i wouldn’t have so much free time to spend with him” (toxic ik but what can i say? i was feeling neglected). so you can see what problems this caused. eventually i cut S off. I stopped talking to him completely and i haven’t spoken to him since. Back to 1. even after cutting off my best friend, nothing really changed. He didn’t spend much time with me and whenever we would, i felt like he couldn’t wait to go off and do something else. this got exhausting. at that point i was begging him to love me, to pay attention to me, to care about me. this led to us breaking up. he broke up with me over text. it read, and i quote, “i think we aren’t meant for each other. i think you deserve someone that will treat you better than i do. I don’t think i’m in love with you and i tried to force myself to love you because i thought that’s what i wanted but i really don’t think it is. we started this relationship when i was just tired of being alone and i really just don’t think it is right anymore. i don’t think i am attracted to you. I am sorry, i really didn’t know how to end this and this probably isn’t the best way to do it but it’s time”. The relationship went on for another six months after this. granted, i should have had more self respect and never gotten back together with him but it is what it is. so after he told me that he didn’t love me and that he wasn’t attracted to me, we stayed “friends”. which basically meant that we did everything that a relationship involved. without actually being in a relationship. that is, until one of his friends hit me up. there was some flirtation going on but nothing serious. i was still in love with 1 but, at the time, i was in desperate need for attention and his buddy was there to provide it. when i told 1 about it he flipped out, called me all kinds of crazy and decided he was done with me. his friend and i talked about it and poked fun at the fact that he broke up with me but got mad at someone else paying attention to me. when 1 saw this (he ended up forcing me to show him the screenshots of the conversation) he was even more pissed and even more done with me. the next day he called me and we were basically back together again.

however, this time, i was meant to earn his affection. because i did something so unforgivable and atrocious, he was basically in the clear to treat me like shit. and he did. he would cancel plans to go hang out with his friends. he would only come over late at night, even when i had class the next day. i was basically at his mercy. we only hung out when he decided. we only spoke when he wanted to. i honestly can’t even recall us going on any date after that incident, save for one dinner. in short, i was not a priority to him. this, combined with some other stuff, really took at toll on my mental health. i entered a deep depression and began self-harming after being clean for 3 years. i sought out help and found a wonderful therapist who really helped me. but, 1 only saw this as one more problem. when we hung out he would complain that i was too sad. important note: because of that text he sent me i was incredibly insecure. so, little arguments would always end up escalating because i felt like he literally did not care about me and he would just keep making me feel like shit about being depressed. whenever we argued (which was very often) it would end in me locking myself in the bathroom, sobbing, nearly throwing up, while he was on his phone. i remember one specific argument started because he asked me if i would leave him for harry styles and i jokingly said yes (i am not and have never been attracted to harry styles). that argument escalated to the point where we almost broke up and he said to me “you should warn people before they fall in love with you that you are so mentally ill. because you’re always going to bring down the mental state of who you’re with”. he used my mental health against me like that a lot. whenever i would bring up something i wanted him to do or something that i didn’t like, he would call me needy, clingy, and say that he was trying his best but that i needed too much, that i was too much. all i wanted was reassurance. looking back, that’s all i ever asked for. whenever i would ask him if he loved me he would say “well i’m with you aren’t i?”. this is the same man who decided to go to vegas with his friends on my birthday after he promised he wouldn’t. this is the same man who said that he didn’t love me. the same one who said he wasn’t attracted to me. the same man who i would catch looking at other girl’s (some being his “friends”) provocative pictures on twitter. (this is definitely tmi so i’m just going to put a bunch of asterisks at the end of the tmi so you can skip there if you don’t want to read it) but there was a long period of time in our relationship where we had zero intimacy, and it wasn’t because of me. this fucked with my head a lot because i had this idea that because i was so emotional and needy that i could compensate physically. but when that stopped, my thoughts looked something like “the only thing i was useful for was sex and now he doesn’t even want that from me”.************whenever i remember this, a part of me thinks he might’ve been cheating on me during that time, but i have no proof so i guess we’ll never know. also during that time period, we were arguing over the same things over and over “it feels like you don’t love me” “but i’m hanging out with you” “that’s not the same as loving me” “you’re so fucking needy. and then you wonder why i don’t like coming over”. it was exhausting. we had the same friend group. and even our friends got so sick of us that they would tell me to break up with him. this went on for months until one day, on our one year anniversary, he told me that his plans for the day included playing video games. nothing else. that’s when i broke up with him. that was the straw that broke the camel’s back. i just couldn’t do it anymore.

we stayed friends afterwards in order to keep the peace within the friend group. after about a month, he told me he was going to do better. he said he was going to start going to the gym, and maybe even going to therapy, that he was going to eat better and live a better lifestyle for me. he said he was going to plan dates for us and treat me the way i deserved etc. very much vibes from that one euphoria scene. but i was done. maybe i didn’t communicate that well enough to him and that’s my fault. but i was really confused at the time and i didn’t know what i wanted. eventually we had a conversation and that’s when i told him that i was no longer interested in a relationship. i think i just didn’t believe him anymore. i didn’t believe that he would change for me or anyone else for that matter. through the entire relationship he was mean to me, he neglected me, belittled me, and overall made me feel like shit at worst and invisible at best. even when i would offer to plan things or suggest activities for us to do together, he would be disinterested the entire time or just cancel and make plans with his friends instead. and of course it was all my fault for one, flirting with his friend that one time, and two, just not being interesting enough. he made it feel like i wasn’t good enough, and at the same time victimized himself. he would tell me “nothing i do is ever good enough for you” while i was the one putting in all the effort in the relationship. then he would go “well why would i put in effort with you? remember when you were flirting with [redacted]? I still think about that and it fucks me up”. mind you, he would only bring this up whenever i brought up any concerns or issues. anyway, as you can tell it took me a really long time to realize that this relationship was toxic and unhealthy and i’m really proud of myself, again, for having the strength to leave and never look back. i think one of the reasons why it took me so long to realize that i was being mistreated was because everyone around him loved him. and to me it was hard to see how someone that was so well liked could be bad. so i felt like i was the problem. i felt like there was something wrong with me and if i just fixed that, then he would treat me better and love me and care about me. it took a lot of therapy to realize that he just wasn’t that into me. i was like a toy to him that he could just pay attention to when he was bored but ignore me the rest of the time. but then, when someone else showed interest in me he would suddenly care and be like “no she’s mine, you can’t have her”. he didn’t want me but he didn’t want anyone else to have me and that was the bottom line. that was the base off all the problems and toxicity that happened while we were together.

in conclusion, both of these men were awful in their own unique ways. i hope that by sharing this, someone who is in a similar situation will see it and identify these behaviors as something to watch out for. i hope that someone will see it and realize that they are not alone, and that they are not the first person to go through it, and that it gets better. these events all happened over two years ago and now i am in a beautiful and healthy relationship, i’m studying something that i am passionate about, and i am surrounded by people who love, care about, and support me. i am in a much happier place now and you will find that too, whoever you might be <3