single femmes who stay inside all day and only go out to go to work, daydreaming about a butch just randomly bumping into them in the way the romantic movies do. i just want to let you know you are real, seen, and loved.
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I’ve always gone back and forth about whether to picture Martin stabbing Jon in the front or the back because there’s such beautiful symbolic potential for both.
Like on the one had you’ve got the image that they’re cradling the knife between them, both holding it during perhaps the closest thing they’ve had to a true act of free will in a long time. Jon can’t press the knife in, but he can ease the blow for Martin. He can tell him it’s okay, that he forgives him even though there’s nothing to forgive. It’s horrible and painful, but it’s also setting them free. The blood would get on both of them as they held each other, and, at first glance, you wouldn’t be able to tell whose it was.
But then on the other hand you’ve got nothing coming between them, not even this, not even now. It’s Jon being killed by the same person in whose arms he’s currently finding comfort—and those two things are not at odds. It’s the potential that, if the knife is long enough, Martin could cut himself as well, but that doesn’t matter because his heart already broke with Jon’s anyway. It’s two people who have always found it so hard to trust taking the ultimate symbol of betrayal and turning it into a symbol of loyalty.
And I don’t know which I love more.
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hunith comes to camelot to visit merlin and absolutely no one can understand how this sweet, loving, caring, polite woman sired The Menace that is merlin. especially uther. he normally doesn’t care for peasants but since arthur is fond of merlin and merlin insists on…being merlin, he’s intrigued by how different hunith is. hunith keeps things civil tho she detests his policies on magic and the whole purge business, but then she sees firsthand how uther treats her son in law- i mean arthur. her anger grows quick and she sees it reflected in merlin but merlin adores arthur and doesn’t want to put his position at arthur’s right hand in jeopardy so he bites his tongue. hunith has no such reservations. she stands before uther, back straight and eyes meeting his. she speaks evenly as she rips him a new asshole for how he treats arthur before socking him in the jaw so hard he stumbles back and has to grab the table to stay on his feet. as shes glaring down at him everyone suddenly sees just how merlin is her son.
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the thing with almost every "shawn becomes a criminal" au that ive seen is that they always seem to miss the most core canon premise. a shawn spencer who did not become a P.I. isnt a thief or a robber or a hitman. shawn spencer is and always has been a con man, and any subsequent au you write can ONLY be, to a frankly uncanny degree, the plot of "catch me if you can"
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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