#What happened to my WELSH BOY!!!!!

[aftermathing]

Genuinely don't understand the changes that studio ghibli made to Howl's Moving Castle. American Howl? A plane war? A BIRD MONSTER?? MARKL????????? THEY RENAMED MICHAEL? TO MARKLE???????

[astronicht]

Hi I hope this isn't presumptuous, but so, that post you made about Tolkien making the lads leave their weapons outside the hall and CS Lewis thinking the hall was gonna get burned down by a lady who also wanted to kill herself... what's the historical precedent for that? Is there a trope in medieval lit where people like... do that? I ask because uh. I am obsessed with Children of Hurin and there's a scene where that like, happens. And I'm obsessed with that scene, and would love to know if there's like, cultural/mythic context that would enrich my knowledge!

OH BOY, sorry I'm getting to this late, it's been uhhh a summer, but one, this is a very good question!! And two, yes there is absolutely precedent, particularly in early medieval literature, and high medieval literature set in the early medieval (circa 500-1100 AD) past. I'll let someone else debate how often people actually historically locked their enemies into a hall and burned them, but especially in Old Norse literature (and if Fellowship felt like it leaned a little more on Old English literature, Two Towers, where Eowyn appears, felt a little more Old Norse) this is common. Off the top of my head, you've got many Icelandic family feuds ending in burning the whole family in their hall, like Njal's Saga (Old Norse), Attila the Hun dramas (yeah he's a big guy in the burning halls circuit, but actually not in the way you might expect) like his cameos in Volsung Saga (Old Norse) and Nibelungelied (Middle High German), and my vague recollection of a few Irish and Welsh versions that no search engine is giving up for me right now.

This, predictably, got long and slightly off topic.

Disclaimer: As usual, I should say I come from an Old English-centric background, and Old English literature is actually notable among all its neighbors for not burning down too many halls. Second disclaimer, all links are not proper citations, they just go to wiki.

Hall-burning in literature is, to my understanding, part of the concerns of a few early medieval cultures in which revenge is not only expected but in many cases legally reinforced and codified, and one in which conflicts could spiral to engulf -- figuratively, or literally and in flames -- entire families. Many medieval Icelandic sagas are focused on this exact type of destruction of whole families or friendship/community units. Most relevant of these to Eowyn, Two Towers, and the vibes of Edoras (since alas I am only partway into RotK and can't speak to Children of Hurin yet!) is Volsung Saga, which is set on the Continent, not Iceland, and actually has to do with Attila the Hun. As mentioned before, an incredible amount of stuff turns out to have to do with Attila. We will come back to him!

So, on the particular post you're talking about, a few people iirc have replied pointing out that the hall in TT is clearly supposed to be based on a hall from Old English literature, namely the hall in Beowulf, which famously did not actually get burnt down. And that's all true! I was not posting with much nuance; I was mostly having a joke at the expense of CS Lewis. However, I was also referencing a very very common trope in Old Norse/early medieval stories, and I personally think JRR was as well (AND I think Beowulf was also very consciously referencing the exact same motif anyway) (no one has to agree with me, a tumblr blog, on any of these points).

The thing about the hall when our heroes approach is that the scariest damn thing in that hall is Eowyn. Certainly not every hall-burning story requires a woman with no other recourse to set the fire (in fact, the "warrior band approaches unknown hall which might have a grudge against them" is a trope that can get you killed in a pretty homosocial environment, as I guess Aragorn at least was aware, being a big reader). Still, the presence of a woman who is swiftly running out of options does fit what I'd consider one of the or perhaps The best known version of the early medieval burning hall trope: Gudrun, who shows up in at least a dozen different texts in both the Scandinavian and the German language traditions, including Volsung Saga, a text which itself often gets paraded around as the basis of lotr (which I'm sure it is, in that JRR appears to have simply and very fairly based lotr on every piece of early medieval vernacular literature I can think of).

In a portion of Gudrun's story (which of course changes a bit in each retelling), after her first marriage she is unhappily married to Atli, who is none other than our main man Attila the Hun. After Attila kills her brothers for reasons (in one version, her father), seeing no other way to take the necessary revenge and no other way out, she kills the two sons she had by him, serves them to Attila for dinner, has Attila killed, and then sets fire to the hall with everyone in it. After this, she attempts to drown herself.

The self-destruction of this act is a really important beat, and has only gotten more-so as a comparison to Eowyn the further I've read into RotK (currently, I'm at the houses of healing after merry and eowyn take on the witch king). It's a lot clearer in the book than the films, for me, that Eowyn going off to battle was not so a straightforward empowering and/or freeing move, despite allowing her some agency, but more the one path she saw as available to her with which to die with honor (which was pretty much exactly what Gudrun was facing as well). Like Gudrun, whose first husband was a great hero but has died, Eowyn's romantic choice is a hero who is presumed dead (sorry Aragorn they did Not believe in your ghost skills). In fact, in some versions Gudrun does put on armor and fight with her brothers before they're killed. She kills Attila with her own hand, with the help of another man who needs to avenge a blood feud against Attila.

So while Eowyn didn't get forced into marriage to Attila Wormtongue (with apologies to both historical Attila and that one historical skald also called Wormtongue who was reportedly hot) and burn the whole place down, she's still trapped, and like Gudrun chooses destruction alongside her household.

Reading her arc feels so much like watching Tolkien write a fix-it for Gudrun. What if she got this one little chance, and this one other little chance, and this one more -- tiny little shifts in the narrative that allow her to get out, and not through fire, and not through death.

Anyway, this got away from me. I hope it added some context to the Children of Hurin arson case! Thanks for the ask

[beenoeila]

A list of underrated fics I adore.

▪️this don’t feel anything like sinking by

@dontcallmebree

A little over six weeks and his knee heals only for his breathing to act up. It may have been a handful of decades—coming up on a century, even—but he never did forget how it felt to wheeze through the night.

Steve sees it coming when Dr. Youssef tells him his lungs are taking a turn.

The year 2032 brings about the Summer Olympics, the coldest winter of the decade, and an end to Project Rebirth.

🔹 Learning to want by @luna-rainbow

Bucky is still trying to piece together his memories, but at least he now had Steve with him.

When Steve asks him if he wanted to meet with his sister, Becca, his response was, "I don't know about wants...I'll start with the shoulds."

Steve and Bucky goes for lunch with Becca. Steve and Bucky dealing with memory loss. Steve and Bucky being mutually pining idiots.

▪️better to speak or die by emilywithoutY (@between-a-ship-and-a-hard-place)

Summers in C. are as endless and hazy as when they were kids. All James wants is to play his part well enough that his mother stops looking at him with that twist of regret in her smile.

The only thing to break the sun-soaked monotony is the arrival of the new summer intern. While the rest of the household—and half the village—fawn over Steve Roger’s movie star looks and understated charm, James finds him aloof and his polite interest near unbearable.

But as they collide in vulnerable moments, the sparks of frustration ignite something neither has the power to stop.

Do you think Jonathan understood what happened that day David first stepped into his father’s court?

🔹The weapon remembers by pushdragon

The Winter Soldier finds old fantasies of Steve in his memory, and takes them for reality.

He's got two days to sort out all his mixed-up history, before he puts himself back in cryo freeze. Harder still, he's got to convince Steve to let him do it.

▪️Preberseeschießen by Ginny_Potter (@hipsterdiva)

Bucky takes his time, ignoring his comrades’ cheering and Gaiswinkler and Mariandl’s teasing. From his position, Steve only has an oblique view of Bucky’s face, which is mostly in the dark anyway – the strong line of his jaw, a smudge of grease on his cheekbone, a sweaty lock of hair curling on his forehead, his mouth pouting in concentration. Steve itches to draw him, to take out his battered sketchbook and reproduce that instant of perfect imperfection. Steve itches to touch him, push back his unruly curls, wipe away the smudge on his cheekbone, cup his face in his hands and…

Bucky breathes out and shoots. The bullet hits water… and there it is, the zapping sound of paper tearing.

The light turns on and off three times. Third circle. Just a lick out of bullseye.

The Howlies explode in cheers.

Or, the Howling Commandos play a shooting game with the Austrian Resistance and Steve has lots of unresolved feelings about himself, his new body, and his changing relationship with Bucky. In other words, comrades are comrades, angst looms, and Steve feels.

🔹Till there were no more wolves in the West

by @dharmasharks

“I’m afraid of a lot of things, Steve,” Bucky says softly.

“But this thing sticking in my heart—the part of me that’s yours? It is the best part of me. Maybe the only good part.” His rueful smile wavers. He makes a pained expression.

“What if it’s the only good part?” he asks.

Two Brooklyn boys find themselves aboard an orphan train headed west in 1854. Across farmland, war, and the lawless frontier, a childhood promise helps them find each other again.

(A Western SteveBucky retelling.)

▪️Hiraeth by ixalit

Hiraeth

noun /ˈhɪraɨ̯θ/

[Welsh] A homesickness or nostalgia, an earnest longing or desire, or a sense of regret. The feeling of longing for a home that never was.

🔹Undone by justanotherStonyfan

You’d think, given everything, that if one of them were going to regress, that if one of them were going to break down, it would be Bucky.

(Set mostly after Endgame - canon deaths remain but Steve doesn't leave)

▪️But You Can Hold Me (Only 'Cause It's a Cold Night in Brooklyn) by Voylitscope_speed (@voylitscope)

This should just be two friends getting off after the burlesque show. This should just be two pals both thinking about the girl. That would probably be okay, Bucky thinks.

But then he ruins it all when he says,

"Come here," and puts a hand out to tug on Steve's shoulder.

(Or: Sometimes, Bucky and Steve lend each other a hand, literally. Bucky tries not to be weird about it, but he's always been bad at controlling his thoughts about Steve.)

🔹Midlife Crisis by profoundalpacakitten

Steve isn’t expecting much of anything from life, he’s content to coast by, letting life flow past. Get up, get dressed, get to work, get home, get to sleep, rinse and repeat.

▪️ The Magic Touch by @broodybuck

The soldier is finally free but he has one big problem, he can't finish. Until he meets a man called Steve who apparently has the magic touch.

[greeneyed-thestral]

I MET MICHAEL SHEEN. 16/03/24, National Theatre

So, if you've read my post about booking tickets to see Michael, you know all about my what-ifs. But the day was finally here.

I arrived at the National Theatre, followed all the Nye signs and here's the Olivier Theatre. I made my sister buy me the show's programme, hoping I would be able to get it signed.

I find my seat, I'm not in the centre but the stage still feels very close and you can see everything (amphitheatres are always the best).

Lights out. The audience is in religious silence. Can't believe I'm actually here, this is happening.

[skip this part in smaller font, if you want to avoid spoilers] In the words of Staged, he really loses himself in his roles. First of all, it's great to hear him speak in a Welsh accent.

But then we also see him turning back into a child, and you can totally believe he's young and innocent again. His stutter feels so real, his struggle and sadness too. The entire ensamble is great during the classroom scene, where they all help Nye against their bullying teacher (using those big canes to make him look scary really works). Hearing young Nye confessing that at times he thinks he 'shouldn't exist' because of who he is was a gut punch; Michael's delivery of that whole part is incredible, in that moment he really becomes a little boy that allows himself to feel vulnerable and says something dark to a friend. The way he jumps while saying "I can visualise and enunciate!" made me wanna jump too, he was ready to give up and then he found the solution through books, it's the joy and relief you feel when you realise that there is another way and your life is not over.

Now, I've watched musicals all my life and let me tell you that man is meant to be in one. He opened his mouth and all I could see was someone that had been waiting a long time for the occasion to show his talent, truly showstopping. He was so free and happy and confident, singing and dancing spectacularly. I couldn't stop smiling and giggling, we all clapped.

It's clear he means every word he says, and when he points and shouts his political arguments at the audience, those who feel called out must be shaking; I thought 'This is how people in Ancient Greece must have felt everytime they went to the theatre'. His Nye is inspiring, passionate, someone you'd want to follow, he stands up for what he believes in and lets nothing get in his way.

We get to watch him flirt, on all fours, waggling his 'tail'; everytime we think we've seen all he's capable of, he does something like this and surprises us.

But most of all, we see him being scared, first of having to do something, and then of not being able to do enough for all of us. At one point everyone has requests for Nye and I was expecting him to shout "Heal yourselves!" like Jesus in JCS, it totally conveyed what it must have been like to be in his role at the time, overwhelmed with daunting responsibilities.

In general, I appreciated the fact that it wasn't a linear biography, they chose life moments that have universal situations everyone can relate too, like they do in bio-musicals. I loved the staging. The colour palette is so recognisable; the curtains and the beds are used in many different ways so everything is explored at its full potential.

He is on stage basically all the time for more than two hours (sometimes twice a day, can you imagine?). Also barefoot and in his pajamas from start to finish, he looks like a teddy bear you just want to hug and protect.

He bows, looks at Nye's achievements, then leaves the stage.

Standing ovation, applause. I go back to the theatre lobby, I was supposed to wait for my sister, but she's late. Meanwhile, a fan asks me how to get to the Stage Door. I start too fear that I'm going to miss my chance if I keep waiting inside, so I decide to go on my own. After no more than 5 minutes, he's outside with us. Forget Nye, I am living my fever dream. He has just finished his second show of the day and yet he's smiling and listening to each and every one, signing and taking pictures. I know many have said this, but he really is an angel.

My sister arrives, and as soon as I'm sure she has the camera ready, I make my way to him. The two girls next to me who were speaking to him needed a pen and I lent them my sharpie, so I got my chance to look generous in front of him.

And suddently it was my turn. This is as much as my scrambled mind allows me to remember: I tell him I'm Francesca and I'm from Italy, he asks me how long I am going to stay, I confess that I had arrived that morning and just to see him, that I would be leaving already the following morning. I can't even focus while he's signing my programme, I just want to find the right words. I manage to say how I enjoyed seeing his passion, all these different sides of him and how watching him sing and dance has been the highlight of my evening. We take a picture together, I feel his hand on my shoulder and I realise my arm is around the waist of this person I love. I had to thank him again, telling him that he only deserves good things and that we are so lucky to have him. He wishes me a safe trip home, and I melt. I leave and I can't stop trembling. On my way back to the hotel I hold on tight to my signed programme and the sharpie that was in his hands just moments earlier. Only later I will realise that he's also written 'Ciao!', 'love' and 'X', without me asking for it or anything! Seeing him act live was a big gift already, but what followed outside was beyond my dreams. I can't look at the photos without blushing, the way he looks at me in the video and then also strokes my arm for a moment, I mean pinch me now.

The more I think about it, the more I can't believe it happened.

I want to thank everyone that under my first post pushed me and encouraged me to see the pros of doing this, I share this beautiful moment of my life with all of you. <3

[speirslore]

band of brothers officers: dating hcs

a/n: hello! this is my first post but ive been lurking in the bob fandom for a while & i'm soooo excited to finally join... i have a bunch of other ideas and drafts i want to post soon :) this includes the officers: winters, nixon, speirs, lipton, + buck, please lmk if anyone would be interested in more of the boys! i made it vague but the reader is implied to be a part of easy company in some capacity

[dick winters]

he is a very private person and shy... like his ears go bright red at the mere mention of your name which easy company takes full advantage of

you think it's incredibly sweet

it takes a while for him to have confidence when interacting with you in the beginning... he feels inexperienced and that you couldn’t possibly be interested in him

it's a slow burn for sureee

like men getting out of the hospital that come back to the company are immediately like "so are they finally together??"

there are bets on when and where it will finally happen

luz's theory is one of you has to confess when you all jump into berlin at the end of the war... the perfect hollywood ending

it ofc doesn't happen like that; it's a slow process of building trust, it's a mix of quality time and acts of service

the quality time can be hard to come by during the war but dick is determined to check in with you: small, reassuring smiles and touches, finding each other in crowded rooms

it's very private, he doesn't want to jeopardize either of your careers or reputations, but ofc lew knows the details (but the entire company basically knows?)

and lew is good at keeping secrets.. he's the intelligence officer ofc (as he constantly reminds the two of you)

a lot of wrapping his arms around you pulling your back to his chest, resting his chin on your head or shoulder

maybe even a quick smooch

kisses as rewards for him finishing all the action reports he has to do

omg then in austria... things definitely change... and it's easier to label what you have.. dick can finally relax (to some extent), and it starts to feel like more of a normal relationship

all the men are so happy for you like he's had 20+ wingmen this entire time <3

[lewis nixon]

another one that i think is definitely slow burn... but once he finds out he's getting divorced...

even before that, lew's humor always made you feel more comfortable and at ease

he has always gravitated towards you

definitely gets clingy

lovessss sleeping with you like insists that sleep is extremely important for a solider and he sleeps sooo well with you

it's literally impossible to escape his arms when you're sleeping... leg thrown over you, arms wrapped around you

the most comfortable you've ever been fr

the ungodly amount of sexual tension before you get together... oh god.. one time the officers are all playing poker; welsh and lipton just look at each other when lew's leg kicks yours under the table or you lean against his shoulder

like oh god... not again... they're telepathically planning their escape

all the tension, stares, touches, long talks you've had reach a boiling point as lew becomes more jaded by the war and he finds out abt the divorce

you instinctively want to take care of him and you're definitely worried about him... you have a lot of convos with dick trying to figure out the best way to approach and help lew

words of affirmation are very important to him... i think his initial instinct is gift giving but that's difficult with the war.. and he doesn't feel connected to that, it's just what he's always known

if he gets too drunk, you stay up monitoring him and you really don't mind and just knowing you're there for him makes him v emotional:

like you make him feel like there's hope and a future after the war... and he's been thinking that for a long time but finally says it laying on your chest with your hand running through his hair

you help him shave which eventually ends in making out (a lot of things you guys do devolve into that)

he's your poor little meow meow but in the best possible way

[ron speirs]

ngl the attraction was strong from the start and it didn't take long for you to fall for him... by england before your first drop you both already fell hard

everyone is in disbelief that the rumor is it's YOU that he's seeing

everyone thinks you're a total angel and then... speirs.. it's just tht absolutely none of the men can imagine him being soft or romantic

wants you all to himself... is very good about making free time to be with you

unintentionally hovers

and very subconsciously touchy

has to fight himself from grabbing your hand instinctively

like he can know where your platoon is, where you're dug in but still will make rounds just to have peace of mind and know you're okay

just like all the other rumors, ron doesn't really care about clarifying his relationship with you

oh but if he ever heard a man talking disparagingly about you... just one silent stare and the soldier wouldn't even look at you again

omg def the type to carry around a collection pictures.... those are his prized possessions fr

like a pocket in his uniform just full of very pretty (and private) pictures <3

there's a few wholesome ones too.. like when the two of you had a 48 hour pass to scotland... but others (most of them) not so much

and ofc if you ever need anything... like you need a new watch? he has one for you in a few hours

he truly does love gift giving...

i also think physical touch is a huge love language for him

+ i think like pillow talk, just late night talking with you letting him rant and get everything off of his mind is so cathartic for him

and he really appreciates feeling like you understand him and you want and are willing to listen

[carwood lipton]

definitely the wholesome mom and dad couple

usually, most definitely, attached at the hip

always has a hand on the small of your back, or shoulder, arm, etc, he likes the reassurance of small touches and knowing definitively that you're next to him

i have a very self indulgent headcanon that he likes whenever you kiss and thumb over the scar on his cheek <3 makes him feel less self conscious

okay so lip takes care of everyone else but who's taking care of him?!

guys will come to you bc they know carwood will listen to you if you're the one who tells him he has to rest and take it easy

omg.. and if you're married... he's always twisting and playing with his ring just to remind him of you

has multiple letters from you stuffed in one of his uniform's pocket

he has all of the words memorized by now but just physically holding them is so comforting

quality time and acts of service are HUGE for him

and alone time can be so hard to come by... but anything he can do to make your job and tasks easier... he will do

and vice versa ofc

everyone else watching like wow .. relationship goals fr

anytime he leaves and you're split up for a few days... you always have a dramatic reunion jumping into his arms

a lot of fantasizing about your future together... because it feels so close.. but also so far away

[buck compton]

fraternization rules?? what rules?

has absolutely no shame to be at the bar playing darts, hands all over your waist

and showing you off, dancinggg

just feeling a little silly and goofy... making out at the bar

and everyone is hyping you up

i think at the beginning of the war, your relationship is newer and fun... neither of you are really thinking about something serious

i think physical touch and words of affirmation are huge for him

as the war progresses, the thought and fear of losing you grows, especially after he saw so many of his men suffer/die

and he realizes how much he cares about you...

you comfort him after bastogne... a lot and even though it can be extremely melancholy, hearing you talking about your life pre war, and your life together in the future keeps him going

insisting to him that he'll have to show you california and ucla

writing to him constantly after he's taken off the line.. giving him updates on all the men

in austria, when he returns, watching him play baseball with the boys feels absolutely perfect

[kerubimcrepin]

Dofus: The Production - what is left of the old movie

Originally, the movie was supposed to tie in with the game and the Welsh & Shedar series, and be a trilogy.

As we had already explored on this blog, this did not happen for a variety of reasons.

Welsh and Shedar got cannibalized by other projects due to its cancellation, and the script of the movie "Dofus Book 1: Joris Jurgen" had to be completely rewritten from its old plot;

In that movie, Joris was likely supposed to be a street urchin, who survived together with Lilotte, who was a rogue, and the trailer we have for the older version of the movie reflects that:

As we can also see from the trailer, and the poster featured earlier, proto-Kerubim is also a part of the movie, and Khan was not yet meant to be a boufbowler.

(And considering the posters, the cat that inspired Kerubim's design was also a part of the movie. I wonder if it's related to Welsh's cat from Welsh and Shedar? But maybe I'm just crazy.)

Subsequently, the movie came out at a much later date than planned originally.

(two images included because, bizarrely, there are two versions - one with Joris's tail censored, and the other with his tail uncensored. This proves that already at this point they had a draconic backstory in mind for him, though we do know that at the time of Wakfu season 1 (and, likely, the cancelled DS game, as was noted in my post about it) it was not the case.)

Also, interestingly, it is the only art of this time to include the tail. A possible error on Xa's part, or something that was considered very briefly?

In the end, Kerubim (as well as Simone) swallowed up not just the design of Welsh's cat, clothes, and Ecaflip friend;

He also got the role Julith was supposed to have, both metaphorically, and also literally.

Or not entirely — considering the fact that Joris was supposed to spend time with him anyway, since we have art of Joris on his mount from that old draft.

It's quite interesting, to think of all that could have been different in the 2009-2012 version of the movie!

But even during the making of the second draft of the movie, a lot of things have changed. From the first idea of Joris winning Kerubim back at a pachinko machine, to the concept art of Joris's non-possessed appearance.

The movie was being actively rewritten at the time of the making of Aux Tresors, so some of the early drafts were already tied in with its canon — taking place in Astrub, to be specific — but not with its ending, because the show was still ongoing.

At one point there was supposed to be a whole cast of Huppermage characters, and judging from the fact one of them is mentioned in the following text, they did play some sort of role in the plot:

It is likely that from this early draft it was decided that Joris would be a boufbowl fan, which was then worked in as a plot point in Aux Tresors.

(Stélina may be a proto-version of Bakara.)

It also seems that at this stage, it would be likely that Lilotte was reworked to be the Princess of Bonta, before eventually becoming the Ouginak we know and love.

After this Ankama once again returned to the concept of Lilotte as an orphan, though — even when the movie was still set in Astrub!

And it seems that the draft involved travel between Astrub and Bonta, judging from the usage of a Zaap to attack Luis.

And even at this point they have come up with the tragically cut "Joris and Khan go to adult industry workers and Joris (10yo boy) engages in depressed underaged drinking" scene.

(I'll never forgive Ankama for cutting this. I still argue that it's in character for Khan, our detested/beloved turbovirgin, to do this — as long as he doesn't get together with any of the women due to thinking himself "too good" for them.)

Also, at some point the gods were supposed to play a role. And personally, I am glad it was cut — it feels a bit too grand for the first movie in what was supposed to be a series.

I don't have any grand statement, or conclusion, but it is interesting to see all the ways the movie has changed.

[suzannahnatters]

Some weirdly specific tropes that I absolutely adore but rarely see: Platonic Love Triangle Two attractive people will battle to the death over the right to be friends with you (I wrote this in A Day of Darkness and otherwise have only seen it in the kdrama Tale of the Nine-Tailed 1938)

The UnChosen One In the magical fantasy world, everyone has super awesome magical powers, except the protagonist (A Dream of Fire by JR Rasmussen did this SO WELL and it made me SO HAPPY; I also plan to do it myself in an upcoming project, A Lord of Thorns and Teeth)

Dying Baby King Terminally ill teen boy should be asking out his crush and having fun, not killing himself running a country (I wrote this in The Lady of Kingdoms with my squishy darling Baldwin IV, and I've only ever seen it done otherwise in the Trevor Nunn movie My Lady Jane)

Disabled Love Interest Put your romantic male lead in a wheelchair you cowards (Stella Dorthwany's Song and Flame and @rj-anderson's Knife have two of the best disabled love interests I've seen)

Sword in the Bed You've heard of Only One Bed but this is the superior medieval variant: before they bunk down together one of them draws a naked sword and lays it in the bed between them (IIRC, it happens in the Welsh Pwyll, Prince of Dyfed, and apart from that and some other medieval legends and fairytales, I've only seen it in an unfinished work by @rj-anderson auuuugh)

Fake Divorced Exactly what it says on the tin (I've never seen this? but DV I'll be writing it into the 5th Miss Dark book)

Bad Fictional Matriarchy What if the patriarchy was a fantasy matriarchy? It'd still be bad, obviously. I see this so rarely but it is always an opportunity for fantastic, layered social criticism (Greta Gerwig's Barbie movie did it well; I'm struggling to recall the one (1) other fantasy novel I read that did it!)

Sad Wet Puppy X Righteous Female Warrior ETL Enemies-to-lovers, but he's a skinny waterlogged little weirdo and she's the righteous paladin who is going to hound him to his destruction without mercy on the strength of her own heavenly wrath (it's the one thing in common between the kdrama Flower of Evil and the cdrama Till the End of the Moon and both of them sent me absolutely feral, plus I have an untitled project on the backburner that will give me the chance to do my own version of this...)

[les-fleurrs-du-mal]

ao3: les_fleurrs_du_mal (27 chapters posted and ongoing)

regulus black x original muggle character

[enemies to lovers]

summary:

Flora, the muggle half-sister of protective older brother Remus Lupin, finds herself hidden away during the First Wizarding War for fear of werewolf attacks. Her life is lonely and quiet until Regulus Black, a former Deatheater and an insufferable bigot, is also in need of sanctuary.

Chapter One

❦

Summer, 1978

It was some time after midnight when Flora awoke suddenly. Her curtains, which she’d left open after falling asleep from the sheer exhaustion of homework, twitched in the soft summer breeze of the still night. Welsh summers were never particularly warm, but this year had reached soaring temperatures. The air was still muggy when Flora woke in confusion, her skin prickly with sweat. The light of the full moon spilled into the room.

She moved only to push the books off her bed so she could get under the cool bedsheets, but was gripped with a sense of unease as she shifted her body and opened her eyes properly. A distinct creak on the stairs made her start. It was a slow, hesitant creak, like somebody was trying to be quiet.

Her parents had surely gone to bed, and it certainly wasn’t Remus. Not on a full moon. Flora pulled the sheet around herself, holding her breath to listen closer. She could feel and hear her pulse beating fast, gripped with a sudden certainty that she was about to die. She couldn’t move, insensible to all action. The footsteps continued up the stairs and moved down the hallway towards her bedroom. She hid deeper under her bedclothes, laying in dread of every second, her heart beating so hard and fast she was sure the intruder would hear it.

The door opened slowly and a small glowing light illuminated the room—a wand light.

“Flora?” A voice whispered, nervous.

Flora let out the breath she was holding and hastily threw back the covers, sitting up at once. “Sirius?”

His handsome face appeared in the dim glow of the wand light. His eyes widened and then softened with relief.

“Flora,” he rushed to her and took hold of her shoulders, looking her over quickly. “Are you alright?”

Flora noticed he was trembling. He stared at her like he wasn’t sure she was real, or more chillingly, alive. Flora was too bewildered to answer for a moment, wondering why she would not be alright, and why he didn’t turn the light on.

“Yes,” she answered distractedly, her eyes roving over his face. “Why are you here? Is Remus okay?”

Sirius blinked a moment, preoccupied with the inner whirlwind of his feelings. He looked at her softly and touched her face with platonic, brotherly affection. With the way he was constantly attached to Remus, Sirius may as well have been her brother. 

She became suddenly aware of a second presence in the doorway. Sirius calmly turned his head and greeted a bespectacled boy with black hair, who also had his wand raised with a light emitting from the end of it.

“She’s fine,” Sirius said to the boy, who quietly breathed a sigh of relief.

“We’d better take her now,” he replied, stepping further into the room with a deeply disturbed look on his face.

Flora raised her eyes to look at James Potter, a boy she had heard plenty about from Remus and Sirius, but had never met until now.

“What’s happened?” Flora asked, her confusion and fear mounting as she observed the troubled looks on their ashen faces. “Where’s my mam? My dad? Remus?"

They didn’t answer her. They began to talk between themselves in low, anxious tones about taking her somewhere. When Sirius turned to speak to her again, he took hold of her hands and squeezed them gently. “I’m going to take you to the Potter’s house, alright? His mum and dad are there. They’re kind and they’ll make sure you’re alright. You’ll have to side-along apparate with me. Have you ever done that before?”

Flora shook her head slowly. “No, but why—”

“It will feel a little uncomfortable,” Sirius cut her off, standing up. “Like a tight squeezing, but it won’t be for long.”

James regarded Sirius with uncertainty. “Are you sure you’re alright to do it, mate? Maybe we should wait until Moody or someone more senior gets here.”

“I can take her,” Sirius replied.

“I think we should wait.”

“No, it could be a while yet. We need to get her out of here and somewhere safe,” Sirius insisted firmly.

Flora felt a sudden urge to scream as the realisation dawned on her, that something truly awful had happened. Perhaps she'd anticipated it for a while, unconsciously, through snippets she'd heard in murmured voices between her parents and Remus. Conversations she was not meant to be privy to. She understood there was unrest in the wizarding world, that her brother and his friends were helping. Now something had happened. She didn’t realise she was screaming until she felt Sirius’ arms around her, his voice trying to soothe her. She crumbled into hysterics, begging an explanation and fighting against him in order to flee the room and find out what it was for herself. Sirius held her fast, gripping her shoulders and looking to James for help. He looked just as lost as Sirius. They needed Remus. Flora knew as well as they did that she needed her big brother.

“Flora, Flo, please,” Sirius pleaded, “Calm down. Please calm down.”

“What’s happened? Tell me right now!” She sobbed wildly. At only fifteen years old, nothing terrible had ever happened in her life. She studied and worked hard at school, went to the pictures sometimes, read books. Bad things didn't happen to her. She was the 'normal' child, the one who sorely wished sometimes that she was magic like her older brother just so interesting things would happen. Now suddenly she didn't want it. 

“Please,” Sirius tried again, speaking calmly. “Let me take you to the Potters. I’ll explain things there, I swear.”

“Is Remus there?” She asked hopefully, knowing it was a silly question. “And my mam and dad?”

Sirius shook his head. James hesitantly stepped closer and knelt down in front of Flora, looking at her. “We will explain everything shortly,” he said with solemn eyes. “But right now, you need to leave. It isn’t safe here.”

“Why isn’t it safe?” Flora asked with wide, tearful eyes. “This is my house.”

“Let us take you to my parent’s house. Everything will be alright.”

Sirius was able to ease Flora to her feet, rubbing her back in a useless effort to calm her down. In only her nightie, she was swiftly removed from her quiet home to face the worst news she could possibly imagine.

❦

Autumn, 1980

Flora stood at the kitchen sink, yawning and contemplating an early night with a warm drink and the new book she wanted to start. Darkness had gathered around the little stone cottage, summoning the owls that Flora presently heard hooting in the surrounding blackness of the trees. She scratched the side of her head and pushed a loose piece of hair behind her ear, splashing bubbles on her cheek as she did so.

Her days were slow: peaceful, mundane. She wondered when her brother would arrive — if he would arrive. He’d promised he would, but Order meetings often kept him late or away altogether. She tried hard to stay up on the nights he promised to come back, the nights he brought fresh food and provisions and the occasional gift to lift her spirits, but quite often she would secede waiting and go to bed. In the morning she would find that everything she needed had been restocked in the night, like some elf or fairy had been. He did not usually stay. But tonight, Flora so terribly wanted to talk to him, to see someone, anyone, and so she fought back the temptation of an early night. For someone who was only seventeen, going to bed each night with only the company of one’s inner voice was a dreadful thing. It made Flora feel like an old woman who had already lived the excitement of youth, and yet Flora had yet to experience it.

A long shadow outside caught Flora’s eye and she lifted her head to peer out. Her heart lifted the moment she recognised the tall, wiry figure of her brother at the ancient stone gatepost with his wand illuminating the darkness. She drew back from the old sink, shook her hands dry of water and bubbles, and rushed across the kitchen to the door. Without slippers and in only her pyjamas, she ran outside and down the path. It was dark and wet outside, but she hadn’t been out of the house all day and liked the cool, late summer air on her face as she hurried to meet her brother. It braced her, filling her lungs with the scent of damp moss and earth.

“Remus,” she half walked on the tips of her toes over the dirt path, careful to avoid treading on any sharp stones. She lifted her eyes and noticed there was a second person with him. Not that that was unusual. Sirius Black went wherever Remus went, like a pair. Sirius gave Flora his typical charming smile, a smile that admittedly always made Flora blush just a little too much, as he walked beside Remus. The young man was almost dwarfed by the latter’s height. Half a dozen shopping bags of food floated a little way behind them.

“Where are your shoes? Go back inside,” Remus said as he fixed his eyes on his younger sister.

“I’ve been inside all day. Did you get everything on my list?” She asked in a rush.

He shrugged his thin shoulders. “Most of it, I think. Sirius lost the list before we got there.”

Flora’s eyes sharply darted to Sirius, who quickly sought to defend himself. “It's fine. I’ve got a good memory.”

Remus snorted lightly. They all walked into the little cottage. It was a venerable, white-washed stone building with two ground-floor rooms and four upper rooms, rooms which had been added to over the years. The building itself was at least three hundred years old and had changed relatively little as far as anyone could guess.

Wales was an ancient land. There might have been an older building on the location of the present one, and the magic was heavy here, heavy enough that even Flora could sometimes instinctively feel it. It was not uncommon for her to go walking in the forest and stumble across fairy rings, which she was careful to avoid stepping in. As a child, if she listened very closely at night, she was sure she could hear the soft tinkle of music outside. Remus told her it was the elves, though Flora had never quite believed him, thinking he was winding her up because he was magic and she was not. But then her mother — their mother, who was a muggle — confirmed it to be true and so Flora believed. They were half-siblings, Flora and Remus, but close enough in age and upbringing to consider themselves full siblings. It didn’t matter that Flora wasn’t a witch. Frankly, Flora didn’t mind so much anymore, not with everything going on. 

The cottage was firmly situated amongst the rolling green hills, overlooking the granite coastline of North Wales and little seaside town far below. The wizened old cottage was also heavily warded with protective and defensive charms, charms which protected its singular occupant. Remus said to protect, but to Flora, it felt like imprisonment. Worse still, she was almost always alone. The siblings had nobody but themselves to rely on, and increasingly Remus was unable to visit his younger sister. It was too dangerous, he said. Reports of werewolves in nearby towns and villages were becoming worryingly more common. He came now more out of necessity to deliver food and shopping and take a list of anything she needed or wanted. Today he had gone overboard, Flora thought, probably due to Sirius losing her carefully written list. But it quickly struck Flora as curious—there was too much food here for just one person.

“Right… bread, milk, eggs,” Remus began to empty the shopping bags onto the large kitchen table, which Flora sat down at and watched. He placed three loaves of bread down, two boxes of a dozen eggs, three pints of milk. “Jam… soup… uh, got you lots of fruit this time…chocolate…”

Flora studied him with a small frown, her chin resting in her hands. “Why’ve you got so much of everything?” She half exclaimed. “Half of this will expire by the time I get round to using it.”

Remus and Sirius shared a very brief, but tense look. It was a look that Flora caught immediately and it caused her to sit up straighter.

“What is it? Tell me now,” she demanded. Her soft Welsh accent lilted up and down as she spoke, which somewhat diminished the vexation in her tone.

Sirius smiled at her, speaking quickly in an attempt to distract her. “Shall we have a cup of tea?”

He flicked his wand at the kettle across the room and it began to heat up. Flora sat back in the wooden kitchen chair and folded her arms, eyeing them both with suspicion. Remus looked distinctly uncomfortable. He ran his hand through his thick fluffy hair and sighed through his nose quietly while Sirius busied himself with the tea. Sirius liked making tea. In fact, he enjoyed doing a lot of mundane household tasks (magic or no magic) simply because he never got to do it as a child. His absolute favourite was the microwave, which seemed to endlessly fascinate him no matter how many times he used it. He lived in a small flat with Remus in the muggle side of London, which Flora had only visited once.

Remus sat down opposite his sister. There was just a few years difference in age between them, but Remus always treated Flora like she was much younger. Since their parent's death, he had dutifully taken on a paternal role for his sister. 

“Remember I told you before that things are getting more dangerous out there?” He began.

“No,” Flora replied dryly. “Tell me again."

Remus gave her a steady, stern look. “Flo.”

“Does bringing extra food make it less dangerous?”

Remus decided to ignore her sarcasm, continuing to speak levelly. Flora always thought he would make a very good teacher when he started talking like this.

“Well, every time I come here it does get a little more dangerous than the last.”

“Why’d you keep coming back then?”

“Flora,” Remus huffed, beginning to lose his patience. “Would you please be serious for a minute.” Flora glanced at Sirius, but he was fixated on making the tea with a faraway look on his face and clearly in no mood for jokes.

“I need to explain something to you—ask something of you, actually,” Remus went on.

“Me?” She frowned. “Why? What?”

“Well, I do really,” Sirius suddenly came to life, straightening up and looking over his shoulder. His face remained neutral, controlled. Flora waited, confused.

“Let me explain something first,” Remus looked at Sirius, “Before we get to that part.”

Sirius shrugged and resumed making the tea. Remus turned back to his sister, his face set and grim.

“The werewolves—”

Flora sighed heavily and turned her head away, not letting him get halfway through his sentence. “Not the werewolves again. I've not heard or seen anything."

“Flora, would you be quiet for five minutes,” Remus snapped with a deepening frown. He leaned forward across the table. “Just listen. Werewolf attacks have been reported close to this area. They’re getting closer and I’m seriously worried they’re looking for you specifically.”

“Why would they?” Flora replied, feigning an air of indifference. But her skin prickled slightly at this awful suggestion. That awful night was recalled back to her memory. She dreamt about it sometimes, only her dreams filled in the horrors she’d never witnessed. Remus had never told her what really happened, perhaps to spare her the thought of how their parents died, but in her heart she knew. 

“Because they’re also after me. I’ve told you this before. Greyback wants me to join his—his pack. The Order believes that they believe hurting or kidnapping you would give them leverage. I’ve spent one full moon with them, but they don’t trust me. This isn’t just about protecting you as a just-in-case precaution, it’s crucial now that you stay put while I do what I need to do.”

Flora felt indignant at this. “I already do stay put! Where am I going to go?"

“You’ve left the wards several times. I know you go down to the beach, to the shops."

”I’m not likely to be attacked by a werewolf in broad daylight,” Flora said moodily. 

”No,” Remus agreed, “but there are spies around. Someone could still easily grab you, daylight or not. I need you to stay here.” 

“But it’s boring!”

”It’s safe.” 

“Flora, listen,” Sirius began now in support of Remus. He brought over their cups of tea and sat down next to Remus. “You can’t leave.”

“So you’ve brought me all this extra food to prevent me from going anywhere? Half that bread will go mouldy before I get to open it.”

“No,” Remus rubbed his forehead with the palm of his hand, stretching his long fingers out and burying them in his hairline. “No, that’s not it.”

“This is the second surprise,” Sirius said as he sipped his tea. He glanced again at Remus, who was now rubbing his eyelids with the heel of his palm. When Remus lowered his hands, his eyes were a little watery and red from the pressure of his hand. He looked suddenly very tired, older than his twenty-one years. 

“The other thing…” Remus started. His eyes met Sirius’ eyes.

“It’s my brother,” Sirius blurted out quickly.

Flora blinked. “Brother?”

“Yes, my younger brother.”

“I didn’t know you had a brother.”

“That’s because he’s a little prick. We don’t talk about him. He's, um, he was on the—you know, the other side of things. A Death Eater.”

Remus sighed heavily. Flora noticed he was gripping his cup of tea very tightly as Sirius struggled to explain whatever it was he was trying to explain. And this was odd because Sirius was never lost for words. He was always so sure of himself.

“A Death Eater,” Flora repeated when Sirius trailed off, prompting him to continue.

“Yeah, uh… well, ex-Death Eater I suppose now,” Sirius coughed softly to clear his throat. He swallowed thickly and his Adam’s apple bobbed noticeably in his throat. “He abandoned it all and came to find me. He’s hurt. Badly hurt. I still don’t fully know what happened to him because he won’t tell me. I thought maybe You-Know-Who had done something to him. But he's talking, giving us information that is useful to the Order, and so far it's been accurate, reliable."

Flora nodded slowly, keeping her large eyes fixed on the two young men. “Okay…”

“He’s not safe where he is,” Sirius continued. “We’re hiding him in our flat at the moment, but he can’t stay there.”

Flora was not stupid, and the realisation of what he was trying to ask hit her very quickly. But she held back, not speaking, and she waited for the horror of the situation to descend.

“Just to be clear,” Remus spoke up in a low, glum voice, “I don’t want this. I wish this wasn’t happening at all and I’m sorry.”

“Are you going to tell me that you’ve invited a Death Eater to come and live with me?” Flora demanded now, her voice growing increasingly higher as panic set in. She looked to her brother for help, but he was looking down obstinately at the table.

“Ex-Death Eater,” Sirius quickly corrected.

Flora glowered. “Oh, that's alright then."

“He won’t hurt you,” Sirius floundered. “I trust him.”

Flora scoffed, folding her arms across her chest.

“Please, just listen to me” he pleaded. Remus was clearly sitting out on the discussion, having known exactly how his sister would react. It was down to Sirius to convince her, and so far he wasn’t doing a very good job.

“He won’t have access to his wand,” he continued. “He won’t be able to do any magic."

“So he is dangerous?”

“No, it’s just…” Sirius rubbed his face now. “He’s not dangerous. Not really—”

“Not really?”

“Fuck’s sake,” Remus muttered with another very heavy sigh. “Let me explain it to her.”

“I wish one of you would,” Flora snapped in irritation. 

“I was against it too, okay?” Remus began calmly. “I still am. I don’t like him but he’s been fairly reliable so far. He’ll be killed if he’s found. By the look of things, he nearly was killed."

Sirius’ face had grown rather pinched. He held his chin in his hand and frowned down at his mostly untouched cup of tea. His whole body, which he usually held in a careless, relaxed way, was now very tense and hunched.

“I just want him to be safe,” Sirius murmured without raising his eyes.

Flora was quiet for a long moment, glaring at the two of them. “So the extra food,” she began after a minute, “That’s for him?”

“I’m sorry we didn’t ask you first, Flo,” Remus answered softly. “We need to move him quickly though. It probably won’t be for long, mind. The Order will eventually find somewhere more permanent for him to go, maybe. But he’s not exactly their priority right now. He’s just a runaway, at the end of the day.”

“More like an escaped lunatic," Flora said indignantly. "I don’t want him here. I’m telling you no.”

“Flora, please,” Sirius looked up now. His soft eyes were huge and desperate. “I’ll be the first to admit he’s an insufferable little prick. He has his ridiculous airs and prejudices, but I swear he won’t hurt you. I wouldn’t have asked if I thought for even a moment that he would harm a hair on your head. Maybe it’s stupid, but I truly believe he can change. He just needs the chance.”

Flora sat back, halfway defeated. She found it very challenging to argue when Sirius was looking at her with eyes like that, and it did not help that she’d had a foolishly desperate crush on him since she was eleven. She knew she would cave the moment he asked. She reasoned she could handle a rude houseguest — she’d helped at the village pub when she was fourteen during the summer holidays — but she wasn’t so keen on her houseguest being a dark wizard who openly hated muggles. This would be odious, but she couldn’t deny Sirius anything.

“We already broached the subject with him,” Sirius went on when she didn’t respond. “We’ve made it very clear that he has to behave himself.”

“How long will it be for?”

Sirius shrugged. “Honestly, I don’t know. If he becomes too much to deal with, we’ll take him back to the flat until we can find another arrangement.”

“What exactly do you mean by ‘too much to deal with’?" She questioned carefully.

“Exactly what I said before. He’s a prick. I’m going to be completely honest with you, he will likely treat you with a lot of disdain because you’re a muggle. But whatever he says, take no notice. Just tell me and I'll sort the little bastard out."

“So he’ll just be rude?”

“At best, yes.”

“What about at worst?”

Sirius drummed his fingers on the table top. “He can be hateful.”

Remus sat up a little, as though a thought had just occurred to him. He touched Sirius’ arm lightly and shook his head, “Let’s not do this. We can find somewhere else for him to go. Why destroy her peace? She doesn’t need to know what people like him think of her.”

Sirius’ face dropped slightly. He looked a lot like a small child who had just been told no. Flora watched them curiously, feeling an odd swelling in her heart as she observed the pain and anxiety in Sirius’ eyes. Besides that, she was undeniably interested in doing something other than sitting around the house reading novels. When Flora had said life was boring, she meant she felt she was fading into the wings, always waiting, stagnant. She was so bored, lonely, and she resented her brother more and more everyday for keeping her here.

“Where’s he going to go, Moony?” Sirius was speaking in a low murmur to Remus. "He's not safe."

“We’ll find somewhere,” Remus replied with little certainty in his voice. “I promise.”

“He’ll be killed,” Sirius hissed. “They’ll find him.”

“They won’t.”

“One week,” Flora spoke up quietly, barely believing her own words as they left her mouth. She couldn't bear witnessing this. She didn’t have it in her to be cruel, and right now she felt cruel if she said no. “If he can behave himself for one week, he can stay.”

“Flo, you don’t have to—” Remus began hesitantly.

Sirius’ eyes lit up with new-founded hope though. “One week?” he replied quickly, latching to her words.

Flora nodded slowly. Her heart felt heavy but she couldn’t go back now. One week was fair, she reasoned. It wasn’t such a long time. And if Sirius’s brother turned out to be alright, then perhaps she would have a friend to fill her time with. As he was younger than Sirius, she assumed he must be her age. Either way, she reasoned, she had quite literally nothing to lose in letting him stay.

“One week. Okay,” Sirius nodded eagerly, “and we’ll visit every morning and evening to check how he gets on.”

Remus frowned. “I don’t think we can do that.”

“Well, I will anyway,” Sirius said. He then leaned across the table and clasped hold of Flora’s small hand. “Thank you. Thank you,” he whispered with great sincerity.

Flora coloured with pleasure, smiling a little in spite of herself as she relished in his joy and relief — joy and relief she had given. She knew her actions weren’t motivated out of any concern for his brother. Her motivation was purely for Sirius and herself.

“What’s his name anyway?” Flora asked, realising she’d never considered it.

“Regulus.”

“Of course it is,” she rolled her eyes gently and shook her head.

Sirius smiled, still grasping her hand in his tightly. He then kissed her hand, just like a knight in storybooks, placing a chaste kiss on her knuckles. Flora blushed to her ears and looked away, mortified and thrilled. And that was that. Regulus Black would be arriving the very next day.

[bloodstainedsaint]

eugene roe x best friend + medic! reader hcs

word count: 900+

warnings: mentions of war (obv) but overall fluffy happy stuff :)

notes: this is really self-indulgent but i hope y'all enjoy it too

first of all, i feel like you're the only person that eugene would ever call by their nickname (at least before babe)

his nickname(s) for you would probably be based off your name or where you're from (if you're not also from louisiana), like “bluebonnet” for texas

your nickname(s) for him would be gene, bayou, or my favorite: genie

when you call him by his real name, that's how you know it's a serious matter

someone would ask: “why do you call doc roe genie?”

“‘cause he makes your wishes come true when he treats you”

if you're from louisiana, then that’s how you know him; otherwise, you guys met in the army, or thru my personal hc: you went to nursing school in louisiana and met him in a town there before the war started

being friends with eugene means that you’re either an extrovert or actually an introvert who is less soft-spoken than eugene and is therefore the more outgoing one between the two of you (bc someone has to be the talker and it's not going to be him)

when he gets mad at you (usually coming from a place of concern, like you were being too risky saving someone…or you didn't eat), he cusses at you/reprimands you in french, and if you don’t know french, then you’re just hearing angry french noises

will give you chocolate bars, a listening ear, and words of advice when you're feeling down (bc his love language is acts of service and quality time)

you’re there to calm him down whenever all his bottled up emotions are too much to suppress any further and he blows up, like with winters and welsh or when he returns from bastogne

you let him know that what he’s feeling is entirely valid and shouldn’t be swallowed down

he’d definitely go off at/death stare anyone messing with you, and you'd do the same for him (but everyone in the company loves y'all so i don't see this happening)

you’re the one who encourages him to talk to easy company’s men, because you know that you could lose them but you’re friends with them anyway and you want him to get close to them too

when eugene’s smiling, you’re smiling because you just want to see him happy

actually, he smiles the most around you, even if it's the fleeting kind

you, as you snuff out the cigarette he was smoking: “how do you smoke and you're a medic? that stuff kills you”

cue eugene hitting you with a slightly annoyed look (he does that a lot) (with love ofc)

when he comes back from the town of bastogne for the first time, you like to tease him about meeting renée

“someone finally understood your gibberish!” or “bayou, why does your face look red? usually you look sickly and pale”

bc that boy looks like a ghost in the ardennes

you’re cheerful when he makes a friend in babe heffron, because until then eugene was only sticking by you

during off-duty times where no one's actively in danger, the two of you are inseparable; where one goes the other is not far, and that goes for anywhere the company takes you

you guys shared a foxhole in bastogne before dike told you two to split up so the company didn’t lose two medics with one shelling

but before that you would huddle up with him for warmth, your head on his shoulder and his head resting on your head

sibling bond fr

from a distance, he smiles as he watches you interact and laugh with the easy guys until you pull him in so he could be part of the camaraderie too

when someone yells medic, one of you goes and the other stays if someone else gets hurt for max efficiency

when the two of you do work together, it's like you guys are in sync, hardly needing to use words to communicate what the other needs to do

you like to mess up his already spiky hair

you can tell when he’s feeling despondent, so you just sit there with him in silence, keeping him company with a few jokes or random stories here and there to get his mind off of things, seeing as he's not really one to vent

if you like someone in the company, trust that eugene is scrutinizing them, making sure that they’re a good match for you and that they’re going to treat you right

he’ll also warn you that having a crush in the military or being in a relationship during war could be dangerous; he has your best interests at heart, but you have to tell him that you know what you're getting into

he WILL tease you a little bit though

“want me to go injure (your crush’s name) so you can treat him?”

cue you smacking him with a “gene!”

he’s protective over you; he’ll stand slightly in front of you when shit starts going down, and if you’re close enough, he’ll check that you're okay first before going on to the rest of the men

you best believe that after the war, you guys are still the best of friends and will keep in touch and visit each other, even if your paths diverge

the rapport between fellow medics is unmatched, and that’s especially the case for you two <3

-

taglist: @mads-weasley, @ronsparky, @dcyllom, @malarkgirlypop

[soleilnewspaper]

Remus John Lupin ☾₊ ⊹:

A collection of my favourite headcannons and some of my own personal ones relating to Moony.

𝗡𝗼𝘄 𝗽𝗹𝗮𝘆𝗶𝗻𝗴:

"Starman - David Bowie" 

02:23 ━━━━●───── 04:11

      ㅤ ㅤ◁ㅤ ❚❚ ㅤ▷ ㅤㅤ↻    ☆

Dividers: @strangergraphics

James ver

Background: ════ ⋆★⋆ 

Hope Lupin (nee) Howell, his mother originates from Southeastern Wales where she grew up on her family farm which had been in their family for generations.

 Lyall Lupin grew up in an orphanage in England, which is why Remus knows none of his paternal family. 

Up until he was four years old, the Lupin family resided in a flat on the outskirts of London within good distance to the Ministry. 

After Remus was bitten, he and his family were forced to bounce around for a few years as his parents were afraid of his secret getting out. 

Hope inherited her parents' old farm from back in Wales, this surprised her as they had not seen her parents since Remus had been bitten from constantly being on the move. The family of three had to travel back to Wales to sort out affairs and plan the funeral. After the funeral they remained on the farm to sort out family affairs, while Hope and Remus tried to convince Lyall to let them stay. Lyall was hesitant to the idea at first, however he could not deny the hope of giving his family a home after years of not having one. The look of pure childlike joy in Remus’ eyes was one Lyall had longed to see again, and he finally had it back. That mere look is what managed to send him over the edge and sign the documents and take ownership of the farm. 

Lyall continued his work remotely and would commute occasionally when needed, to try to make the family extra cash when needed. Hope would go into town to run errands and collect the supplies, but Remus remained on the farm. 

When Remus’ came of schooling age, he was not allowed to attend the school in the village because of his condition. His parents feared for what would happen, so they decided against it. However, Hope being a muggle still wanted Remus to receive a non magical education. Out of love for her son Hope quit her job to become Remus’s teacher and be a stay at home mom for him. Hope took classes to get her qualifications and began homeschooling Remus. 

Lyall had to take on more odd jobs to support the family with Hope staying home with Remus and to support the demands of the farm. 

Hope taught Remus how to care for the farm animals and in turn he developed a deep love for animals. 

Besides subjects such as Math, English and Welsh, Hope taught Remus how to bake, cook and clean to give him a well rounded education. 

On special occasions, Lyall took Remus to the village bookstore for a day out. This was one of the rare times where he was allowed to leave the farm. They wanted to avoid any clues to his condition or that Lyall was a wizard.  

They were poor in money, but rich in love. 

Hope and Lyall did everything they could to protect their son and show him he was loved despite it all. However, even as a young boy he developed his self loathing tendencies because he knew how people took to his kind. 

Despite being only four at the time, Remus still vaguely remembers the incident and what his father’s views on werewolves were before it. Remus knows how much his father regrets it, which is why he has never brought it up as he doesn't want him to view himself as a bad father. 

Appearance: ════ ⋆★⋆ 

As per canon we know Remus has various self inflicted scars across his body from his wolf. 

His eyes are honey brown, and appear golden in the sun almost as if there is gold shining directly through his irises. 

Curls on the end of hair hair give it a fluffy look, the colour is a sandy, very warm toned brown.

Standing between 6’2-6’5 feet, he is taller than all the marauders

However his posture is terrible making him appear several inches shorter than he actually is. 

His body is skinny with long limbs and torso with a slim waist another result of his condition

He has a academic aesthetic bordering on grandpa vibes.

He layers his clothes to hide his body, and make it look distorted in shape.

Characteristics: ════ ⋆★⋆ 

He is a clinical smoker, and goes through multiple packs of cigarettes, especially when he’s stressed 

Despite being well mannered and polite, he is quite vulgar more so than any of the marauders. He swears like its a second language. Which always surprises people given his approach with teachers.

He’s highly protective of his loved ones, but he’s more subtle about it. 

However, when the full moon is close he is far from subtle 

He’s not all that much into PDA unless it’s a special occasion or if the full moon is close. Otherwise he just prefers small things such as interwinding hands. 

All of his friends own a sweater of his or more 

Introverted but extroverted in the presence of his friends 

He’s book smart, and highly intelligent but most of his knowledge is due to how much he reads 

He has to put a lot of work if he wants to maintain his good grades

Fun Facts: ════ ⋆★⋆ 

The library is one of his favourite places  

His mother taught him how to cook and bake 

He makes the best worlds brownies 

Uses sarcasm as a coping mechanism 

He’d love to work in a bookstore, or do anything related to literature 

He didn’t have any friends growing up so he found comfort in his books 

His first year of Hogwarts his suitcase was majorly filled with books as he thought he would need extra because no one would be his friend after they learned of his condition 

In later years he still brought his books, but not as many as he knew he would have friends to spend time with. 

He’s left handed 

He draws on his shoes 

His clothes are thrifted and vintage 

Secretly he writes stories but never shows them to others

He visits his ma whenever he can 

He has the boys do movie nights with him so he can educate them about muggle culture 

He’s a film geek as much as he is a book nerd 

The clothes he wears are always muted colours and colours that he can see 

Since began bitten as a child, over a span of multiple years he began to develop dichromatic vision

This is why he wears muted colours, browns, beige and ect as he always knows what they are 

Sometimes he has to ask the marauders for confirmation on colours 

He also prefers these colours as they help him blend in more so he can avoid attention 

He’s always involved in pranks but never gets caught

[bleedingcoffee42]

Transcribed under the cut with spelling errors intact. From Dick Winter's Talbert file. Gems like "Your Devoted Soldier Forever" and "you kept officers like Nixon Welsh with you and gave me Spears" "You son of a gun! I love ya!"

Dear "Dick",

I find it very difficult to call you "Dick" as far as I am concerned you will always be my "Bird Colonel". You feel I did I job for you, do you know you were my total inspiration. This is understandable because all my boys felt the sa,e way! You were a GI's soldier.

Do you remember the time you were leading us into Carentan. Something happened to the other platoons. I told my boys to follow me and we came through. I ask you one question as I passed you, which way should I turn at the dead end. You told me to go right. I lost Tipper + carried Lipton out on my shoulder from that intersection. We continued on clearing houses, some on fire, and a lot of mortar. Again seeing you in the middle of that road wanting to move was to much.

I don't know if you know this or not. I remember only two major withdrawls during the war. The first was a small town in Holland, cannot remember the name, you gave Lt. Peacock and I the orders of march. We were to move out on our right flank and attack and secure this small village. You advised us there was approx a platoon of Germans there. I will not go into all the details. I lost 5 or 6 men + Randleman stay in a barn all night. We had four English tanks in support. The Germans let us get well into the town. They knocked the two lead tanks out, burned and lost all the crews. At this time I know there was two Tiger tanks one on each flank. Lt. Peacock had the right ditch I has the right. My lead scout Mars got hit in the cheek + a couple more (Van Clinking) was killed at that time. My decision was to withdraw. As we initiated this action the Mortars were really something. I remember the first house we came to had a pool table (we were actually withdrawing through the houses) Cpl. Dukeman who was one hell of a solider and were shooting pool as a joke as the boys came though. We worked our way through the houses and reached an open field. I knew I had to get Lt. Peacock + the boys back across the road to continue the retreat. Peacock through his carbine onto the road. He would not more. Honest to God I told him to retrieve the carbine + move or I would shoot him. He did as I directed. I liked him he was a sincere + by the book officer, but not a soldier.

As long as he let me handle the men he and I got along alright. NOw I know I have got to face you!!! As I come down that long lonesome highway. Ha! there you were in the ditch waiting. You were really pissed off. I gave you my report and you put me in reserve. You brought up more troops to handle the job. Now I am in Co. reserve. We settled down made some coffee + K rations guess what I got committed to attack on your right flank. You know the rest of this story. You son of a gun I Love Ya!

Dick this can go on + on. I have never discussed these things with anyone on this earth. The things we had are damn near sacred to me.

I remember you got pissed at me. You wanted to send me to some OCS. At tines like these you made me say yes sir + no sir. I feel I did more for you as a Sgt than I ever could as an officer. The only thing I could not understand was why you kept Welsh Nixon +officers like that with you and gave me Spears probably had Sobble still been there I would have had him. Ha! I have alot more to talk to you about in San Diego. Thanks for the picture brings back memories. I will try to identific as of now Gordon ?(not sure what this says) Wynn.

Your Devoted Soldier Forever

[what-gs-watching]

“Breathe it in baby, because I am EXUDING and I am one of a kind.”

Okay so, I fell behind in Doctor Who because I’ve been job searching for like seven fucking months and a few weeks ago one came up that could be a good fit so I was trying to super focus on doing well through the interview loop even though I was pretty sure it wasn’t going to amount to anything because I’d gone through a ton of interview loops by that point but 

Y’ALL, I GOT THAT JOB! My horrible, soul-sucking ordeal is finally over, the paperwork is signed and I have a start date and everything has settled. Which means, I can finally catch up on 15 and my girl Ruby. 

Let’s gooooo!

73 Yards

Alright, I know there was upset around this episode because everyone is like ‘what the eff does it mean?’ but ooooh, I really enjoyed it. It was creepy as HELL and it just never stopped.

Wherein, Ruby and the Doctor pop over to Wales (this mofo really spends much too much time in Wales) and while on a cliffside, he steps on something AGAIN!!!!! and everything goes wrong.

Baby boy, did you not learn anything from the mine? Do you not take a scan around when you land somewhere, or are you just too excited about being adorable in your little yellow jacket and the hat and the stripes? You look fantastic, I get it, but peep down at those cute ass boots once in a while. 

I have to say, I’m impressed by Millie Gibson in this episode. It’s a lot of pressure to put on her to carry the entire thing, and she did it really well. How devastating is it to have your best friend disappear, realize you’re being followed by some crazy apparition that literally scares anyone and everyone away from you? 

Without any explanation. That’s the part that gets me. She becomes a piranha with this horrific THING attached to her and everyone she begs for help leaves her. Eve her MOTHER! It’s a mind fuck.

And I really wasn't sure where the episode was going, so I was excited for Kate Lethbridge-Stewart to show up, I was like ‘yeah let’s get UNIT into this mess’ and then she’s affected too and oh hell, that’s like, the last line of defense. 

Ruby, completely and utterly alone. And they just make her live out her entire life like that. And she tries to fix it, of course, the whole thing with the Welsh politician was a really good attempt babe, I would have done the same thing but then that doesn’t even work?!

And so everyone is all ruffled because, what was the point of it, really? What was the message, what was the meaning??!

Was she actually the apparition? If not, who was she? And then, it just ends and none of it ever really happened at all and there’s absolutely no resolution. 

Why do we love making companions live these horrible alternate timelines? How many times did we make Amy live different lives? I feel like she at least remembered most of them. But with Ruby in this one, there’s no lesson. She learns nothing, neither of them do.

But still, I loved the creeping sense of unease, so I guess I don’t really need all the details.

Dot and Bubble

I’m simultaneously annoyed and intrigued by shows that keep telling me allegories about the dangers of technology and how dependent we are on it. So far, it’s mostly been annoyed, but oh my god y’all really hit the nail on the head with this one.

Wherein, a bunch of privileged youths are existing in a perfect society that enables them to basically LIVE social media, literally surrounded by a bubble that feeds them other people’s inanity all day long. 

One thing I have to say about this episode is that the angles are something else. Lindy, the girl we’re seeing everything through is alternately absolutely beautiful, and kind of weird looking? She’s got perfect social media face. Is that a weird thing to say? I stand by it. It’s like she’s covered in the perfect ring light. It was distracting. And probably part of the point. 

Basically, this girl has no idea that there are monsters in her fake ass society that are eating her friends, and she is very not into the Doctor and Ruby trying to help her. Like, they’re trying to get her out of danger, only to find out that she doesn’t have any idea how to walk without wearing her ‘bubble’ is so deeply disturbing. Watching this girl say “forward” to convince herself to move is amazing and upsetting on a lot of different levels. 

And then out of nowhere, media star Ricky September shows up and he literally starts giving her directions like the bubble would do and I’m like ‘okay that’s interesting’, we’re subverting the idea that this incredibly popular personality is a vapid idiot because it turns out he READS and he’s taking pity on this girl that is literally a shell of a person without the aid of technology. And it was so sweet. 

Basically, this episode is infuriating because at one point Lindy hugs Ricky and tells him she’s never been hugged before (even though we know she at least has a mother) but THEN later, when the Doctor tells her everyone is being killed in alphabetical order and Ricky is trying to fight off the dot that is literally trying to murder her, she RATS HIM OUT. His real last name starts with C, he should be dead already. 

Confusingly innocent and absolutely cut throat at the same time? I guess if you live your entire life exclusively online you don’t go through things that would actually cultivate compassion? Which honestly, is not an unfounded idea. That should make y’all feel queasy. 

And to make it all exponentially worse, they flat out tell the Doctor they can’t accept his help because he’s not “one of us”. Just straight up, really gross, really overt racism. 

15, honey, I get it, but please  don’t beg racists to let them save you. You’re too good for this world, babes. That gut wrenching shout though? Absolute perfection. And the tears. You marvelous thing. 

TL;DR Humanity is disgusting and technology will continue to feed our uglier tendencies. I felt that one deep in my damn bones.

Rogue

Okay hear me out. This episode is EVERYTHING. 

Y’all know I have a thing for boys in love. And I also have a thing for the Doctor flirting with basically anyone. I don’t particularly have a thing for the regency era necessarily, but I AM about incredible costumes and ridiculous plots. 

I was honest to god squealing this entire episode.

Wherein, 15 and Ruby show up to a ball in 1813 so they can pretend they’re in Bridgerton, meet a handsome young bounty hunting rake, talk a LOT about cosplaying, and deal with bird???! aliens???

There are a million details I loved in this one. The orchestra playing an instrumental version of “Bad Guy” and then later “Pokerface”. The absolutely incredible suit they put on 15. 

Not to mention: JONATHAN GROFF!!!!!!!!!!!!!! Loved him in Mindhunter, loved him in Glee (before it got absolutely ridiculous and when I didn’t know any better) but holy shiiiiiit I would watch him as Rogue every. damn. day. 

River Song will always and forever be my number one love for the Doctor, but I was absolutely immediately charmed by Rogue. I’m not sure why, and it doesn’t really matter. 

How absolutely adorable was the psychic paper displaying “you’re hot”? Or the bit where the Doctor figures out Rogue’s ship is wired for sound and the system blares “Can’t Get Your Outta My Head” and he lip syncs along while Rogue dies of embarrassment? 

The entire episode was just two dorks flirting and my heart was so happy. I don’t know why, but when 15 started singing “Pure Imagination” while showing Rogue around the Tardis, I thought I was going to die. 

I love that he can be so carefree and fun and adorable, but also extremely emotional and unafraid to show it. We’ve seen so many different facets of 15 already, and his obvious and silly flirty self is definitely my favorite part so far. 

Also, the fact that the Chuldur (again, bird aliens I guess? Sure) were basically just a race that went around cosplaying other people was so camp. I’ve seen a lot of posts about how the newest theory is that 15 and Ruby are somehow in some weird sort of tv show universe this season, and this episode definitely fuels that a little bit. 

And maybe y’all are onto something with that, but I honestly don’t care to figure out what’s going on, I just want to be along for the ride.

Of course though, we can’t have an episode that’s all fun and games. The Doctor went all in on shooting his shot with Rogue and it distracted him and it put Ruby in trouble, because of course. Maybe we should stop promising random mothers that their kids are gonna be safe? Doctor, baby, you know that they aren’t always going to be safe. 

But if you weren’t charmed by Rogue before that point, you had to jump on his bandwagon when he pushes Ruby out of the transport trap and just says “Find me” before he’s blasted away with the stupid birds to some far off dimension. 

BALLER MOVE, baby boy. Baller ass move. Because ya know what? 15 is not going to be able to resist that. And you know how I know? Because that boy put your ring on his finger and I will ship the fuck out of you two forever and ever because of that. 

The doctor has definitely been known to  kiss people he’s only just met, but this time might be in the top 3. I thought Madame de Pompadour was good? Nah girl, ya bumped down. This kiss was better. Just me sat on the couch with heart eyes for days.

So yeah, I think I’ve decided I like letting a few stack up so I can watch them in a row. Watching them boomerang between crazy scenarios and thinking about all of that at the same time is more fun. 

I’m loving this season. It’s ridiculous, it’s different, it’s a bunch of things I didn’t even realize I wanted. Gimme more pleaaaaase.

[jellyfishsthings]

Ok, first of all, I would like to apologise for not posting something for almost a month, bit it was exam season so... and I know I let you my fans down *que laughing bcuz it's not true*. Secondly, I would like to say that this is a bit different, it's not smut but I think it is quite funny and represents my character a little bit... also mean!Remus cuz he rules... so enjoy ig!!!

Part 2 , Part 3

I woke up, gasping for air, sweat making my shirt cling to my body like a second skin. I must look downright crazy, with flushed cheeks, hair a wild mess, and rubbing my thighs together without a stop. My mind drifted back to the dream that caused the state of my reaction.

His hands were roaming my body like I was the only thing he had ever wanted. And finally gripping my hips and making them move backwards until they hit his, and he was balls deep inside of me. Again. And again. And again.

The dream itself wasn't the problem. Sure, a sex dream wasn't that bad, and she had several over the years, but what she moaned and who was supposedly giving her all that pleasure was. Remus.

How? How had this happened to her? Not him. Not the one boy she never got along with. Not the one person who drove her up against the wall. Not the one that-

No, it actually made perfect sense. He was the only one who made her feel something. Sure, said "something" was regularly negative feelings. Like irritation, deep-rooted hate. But it certainly was more than anyone has ever made her feel. She looked at her alarm clock. And… great, only fifteen more minutes before it was time to get ready for breakfast. How was she supposed to pull herself together after that? It was going to be a long day.

She dressed in her uniform, only leaving her blue-silver striped tie, loosely knotted around her neck, her top two buttons open, exposing her collarbones. Her trousers, replacing the usual skirt, hugged her waist and hips nicely. Thank God, if there is one, but she had single-handedly managed to convince the professors in the monthly Perfects meeting, that the female population of this school, formal and fancy vocabulary had definitely been a strong part of her remarks, should be allowed to wear trousers whenever they wanted and felt like it.

She walked towards the Ravenclaw table and quickly filled her plate with pancakes doused in chocolate because well… who doesn't love chocolate? Her eyes roamed the blurry Dining Hall. Man, she really should start using her wire-framed glasses, the ones that were an identical pair to his. They had bought them so as to match when they were still friends. Before he ruined everything.

There he was. The beautiful, arrogant blurry bastard. She would recognise his curly hair and mischievous dark green eyes paired with his scarred face glory. Damn him and his annoying good looks. And when the hell did her eyesight get that bad? Maybe it was the sleep deprivation, which was again his fault. She could proudly say, though, that she was still squinting and glaring at the world as she always did. And everything was right. Until…

"My God, you are so tight. And so perfectly marked up. Everyone should know who you belong to, don't you think?" He said as his hand travelled upwards, one of her thighs. Moving easily as all her previous orgasms slid down her legs. All courtesy of his mouth, of course. "I love seeing you like this. I never thought that fucking your brains out until you are senseless would be such an easy way to shut you up."

… she remembered that and choked on her treacherous hot chocolate.

"Well, well, the she-devil just choked on her hot chocolate? Is it because your body detests anything sweet? " his voice called out. That deep, still slightly raspy and sleepy voice that made his Welsh accent stand out more prominently. She hated that voice, she thought, yet her body betrayed her and shivered, as if it was somehow remembering all that fantastic, imaginary, things it supposedly whispered in her skin.

Oohs and aahs echoed in the room, accompanied by chuckles and whispers, praising his "sick burn."

"You know what, Lupin? I always thought you were a pretentious piece of shit, but I never thought you were so self-centered to actually call yourself indirectly sweet. Is it one of those days of the month where you need a little confidence boost?", I called back as I finished eating and stood up from my seat.

A fuming Remus was the last thing I saw as I exited the room. Now, every member of the school faculty was laughing because of my comeback.

Lost in thought I walked towards the Ravenclaw Tower, and then felt an arm grasping my wrist and pining me into the wall, despite driving my elbow into said attacker in his nose, stomach (were those abs? Who was she kidding of course her attacker would have abs) and well … dick. But they didn't react at all as if those blows, who should have winded the air out of someone. Except- right lycanthropy super strength bullshit.

"You think that was funny?" He said in a deathly quiet tone, as if he wanted to murder me on the spot… or fuck me against the wall? Okay, now she was just self projecting.

"I think it was hilarious."

"Sometime you are going to learn to respect me, foxy?"

"Sure, when Hell freezes over."

"You know, you remind me of those foxes and black cats. They consider themselves so smart and mean, yet they are unaware of the danger they will face because of it. "

"And you are the danger? Climb off your high horse Lupin." I whisper in his face. Our lips only mere centimeters apart.

words: 900 (should I continue this?)

[kerubimcrepin]

An Afterword: talking about Welsh and Shedar

While we are done with the movie and the show, it cannot be understated, just how much we still have to cover. Both in terms of canon, and things out of the realm of canon.

And this includes interviews, and things that never got made.

[source]

The thing that often bothers me, is that the creator of the franchise that my most favorite cartoon of all time is a part of, probably despises said cartoon.

I can't not think about that, when I see Simone and other Aux Tresors characters reused in Wakfu season 4 as background character assets, or when I think about how every show except Aux Tresors has had an OST released, or how the only Aux Tresors companion in Waven is Lou. Though I know, logically speaking, that it's more likely because it's just not very popular.

Funnily enough, I personally, and rather selfishly, think that Welsh & Shedar's demise is probably the greatest fortune to happen to this franchise. What was one of the worst things to ever happen to Tot was one of my greatest fortunes. (I would not care about Joris as a character, had Kerubim never existed. The cartoon, and their relationship, mean a lot to me, for personal reasons.)

To Tot, the thing that I love the very most has cannibalized one of his life's dreams. Starting with the resources, and ending with character designs themselves. Even the character design of a fucking cat??

As an artist myself, I can't even begin to imagine the horror of that, and yet... I feel nothing but joy. It's quite weird, how life works.

The good news is that Welsh and Shedar has been resurrected by Ankama (watch as it gets a full artbook and an OST release before Aux Tresors, an 11 year show that still doesn't have those, yes I am bitter), so, it is mostly water under the bridge. We will hopefully get to enjoy both, in a couple of years.

[source]

But I feel like it's very likely, that a lot of Aux Tresors and the way Tot may feel about it, was influenced by this disaster, and I couldn't begin this post without addressing that.

So, what was, or could be in the future, Welsh and Shedar?

A plot summary from the youtube trailer's description, just as filled with Tot's overwhelming sadness as everything else relating to W&S's cancellation, man, goes as follows: "Here is the trailer for an animated series project launched in 2012 which has very little chance of arriving on your screens. The story is that of Welsh, a young boy forced to fight for an inheritance he never knew existed: that of the throne of the Kingdom of Bonta. Ankama’s “animation” department has plenty of ideas behind its graphics tablets: series, special episodes, films, our brains are always buzzing! However, not all projects are lucky enough to reach you…"

So basically, it was/is/will be a story about a young man, or boy, who finds out he is the next in line for Bonta's throne, and is taken there by Joris. How all of this happens is rather murky, AKA:

Anyway,

Tot has reported that his idea for this series was quite similar to the anime "Ranking of Kings", which I had sadly not watched. Make of that what you will.

When does Welsh & Shedar take place?

Firstly, I will say that, because of how much Tot loves this series, for years it was in a state of vague canonicity. AKA "it did likely happen, but it has never been produced so we don't know WHAT it is, that happened there. There sure was a guy named Welsh at some point."

What points to this is 1. Khan's old man design still being canon,

And 2. This usage of Welsh & Shedar-era Joris in an official timeline. It says that Joris would have been 60 years old, in this series.

Obviously, this timeline is subject to change, if/when Welsh & Shedar becomes real, and there are a lot of things we don't know!

Some curiosities...

Funnily enough, there exists this image, which was leaked by a French site when Aux Tresors began airing, — mistakenly used as promo for the series.

It could be depicting some other draft of W&S where Joris is a kid. Or, it could be depicting something between Aux Tresors and W&S, from when Ankama had to make something new up to take W&S's place.

It yet again makes me yearn for an Aux Tresors art book. Because seriously. What does this even mean.

Anyway thank you france for killing W&S, making Aux Tresors (the PEAK.... the SLAY.....) real, and now resurrecting W&S. We truly do live in the kindest timeline 🙏

[realredbanana]

Totally random thought. I’d love to read/write a Sara-centric fic/character study focused around identity and lack there of, especially in regard to autism. (Mild warning, I may be accidentally projecting a bit here as she is a character I personally deeply relate to).

Like, I’d love to explore/see someone explore her feelings around herself and who she is, because for a lot of (if not the entirety of) the series, she’s masking. Constantly. (Oo, would also love to explore the consequences of that) and constantly masking to that extent, on top of being absolutely exhausting, can realistically lead to a lack of any real identity. For example, personally, I have no real idea of where the mask ends and I begin, is the mask part of me? If it isn’t, why can’t I just switch it off? If it is why doesn’t it feel like me? So, I’d love to actually think deeper about that in regard to Sara.

Additionally, she’s mixed race. And since Micke’s out of the picture, it’s not unreasonable to assume that her, Simon and Linda see (or at least speak to) Linda’s side of the family more than Micke’s, which could potentially make Sara feel at least a little bit awkward given that she’s white-passing and has much less desire to speak Spanish (potentially because of bullying? Or general fear of being further ostracised?). That could easily lead to a feeling of not being Swedish enough to easily fit in with the white Swedish kids, yet not Venezuelan enough to easily fit in with the rest of her family. (This is the bit where I’m most concerned about slightly projecting because, while I am white, I was born in England (with mostly English family) yet I’ve spent most of my life in Wales, leading to a general feeling of being ‘not Welsh enough to be Welsh in Wales, but not English enough to be English in England’).

Plus, she was considered an outsider amongst the girls (and boys, really) who were experiencing crushes for the first time at, what, 12? 13?? 14??? Whereas she first experienced romantic/sexual attraction at 17, almost 18, much later than everyone else. And, as much as this sucks, I know that a fairly large part of the Teen Experience™️ is crushes. Talking about crushes. Teasing your friends about their crushes. Trying to talk to your crushes. Etc. So, to be quite late to experience your first crush (if you ever do) is quite isolating. You very quickly realise “ah. I see. I’m not normal.” — and to have any part of your identity built on top of this feeling of “I’m not normal” is kind of really horrific. Also, when she does experience that attraction, it happens to be towards someone who is, one, her first ever friend’s ex and, two, the guy who leaked CP of her brother, which really complicates everything. So, she’s suddenly forced to juggle her crush (something that may, on some level, make her feel “more normal”) alongside the fact that being with August means betraying Felice and Simon (and, when it came to Felice, well, Felice already expressed that she wasn’t ever really in love with August, and with Simon she felt like he’d betrayed her first (by speaking to Micke)).

On top of all of these things, Sara also seemed to be losing interest in horses, to some extent, in s3. And losing/feeling on the brink of losing a special interest is something I’d never wish on anybody. Especially because a special interest can be/is a very core part of most autistic people’s identities (like, my interest in Young Royals is a core part of me, in fact, I find it easiest to understand the world around me through Young Royals) and losing that can be deeply painful, like, you’re actually grieving the loss of a major part of yourself. Imagine feeling your most intense interest, the thing that you feel makes you you, the thing that helped you whenever you felt really tired or sad or stressed, slipping away through your fingers. Nothing you can do to prevent it from fading, and the more you try to cling to it the quicker it fades. It’s a deeply distressing experience.

Just. In general, I feel like identity for Sara must almost be this complicated seeming mess of feeling like you don’t really belong anywhere. Which just feels horrifically tragic to me.

[atlasdoe]

you should soooo tell my your remary thoughts

HI HERE ARE MY FAVE REMARY HEADCANNONS

They love holding hands and always do whenever they walk together. literally these two never stop touching each other even if it's just their pinky's they HAVE to be holding each other some way otherwise they'll explode

Remus doesn't like parties and Mary does so whenever Gryffindor have a party Remus will sit in the corner by the window with the smokers while Mary goes out to socialise with her friends and dance. Before she leaves him tho she'll put on a shit tone of lipstick and kiss his cheek so it stays on just to make sure that nobody thinks he's single and tries anything before she goes back. Remus pretends to hate it but really loves how wanted it makes him feel

Remus' favourite thing about Mary is her confidence. he admires her so much and how she can always hold her head high despite the prejudice she faces for being muggleborn. he can only wish that he will be even a tiny bit confident as she is despite him being a werewolf

Speaking on werewolves. In a cannon universe where they're together i imagine the prank happening on the same day or the day after Mary getting attacked by Mulciber. In this universe i'm saying that Remus did care about the prank for the plot. So Mary is shut out in her room because of Mulciber and doesn't want to speak to anyone but Lily is trying to get her talk to her about what happened and while she's doing so makes a comment about Remus also refusing to come out of his room. Mary immediately thinks that the Slytherins had also hurt Remus and goes to the boys dorm to see him (she is the most protective gf in the world) but when Remus opens the door and tries to get out of telling her what happened she mentions that the Slytherins hurt her too in a way to tell him that she understands and Remus sees RED

Hear me out. Remus Lupin is not intimidating in the slightest. So when he goes to Mulciber he's laughed at for even thinking that he could take him. But i hc that Remus knows every defensive spell on the book (because he wants to be able to protect those he loves like his dad protected him)

Remus does eventually tell Mary everything and that's how Mary finds out that Remus is a werewolf

SPEAKING OF PARENTS. Lyall and Hope ADORE Mary. Mary is literally every in laws dream. She's polite and helping and all smiles around them and they can clearly see how much she cares for Remus and how happy she makes him

AND MARYS PARENTS LOVE REMUS TOO. They were skeptical at first because of the scars and the scrawniness of him but once he started talking they fell in love. (and they're obsessed with his welsh accent. they love how he speaks)

AND MARYS YOUNGER SIBLINGS ARE OBSESSED WITH REMUS. Mary in my hcs has an older sister and two younger brothers and because her brothers are so small they think Remus is the coolest person ever. They very bluntly asked him where he got his scars from when they first met and Mary told them that Remus fought a dragon

Yknow the "she's like a shot of espresso" audio of Andrew Garfield talking about Emma Stone?? Yeah that's actually Remus Lupin talking about Mary MacDonald

Remus loves burying his face in Marys neck. It's his favourite place to be and he loves kissing her there

Mary loves kissing Remus' scar on his face and hands. She's always sitting on his lap and running her hands through his hair

Remus LOSES HIS MIND when Mary wears short skirts

THEYRE JUST SO PERFECT YOUR HONOR IM GOING TO THROW UP AT THE THOUGHT OF THEM