#What is an example of cloud technology?

[newstrendline]

What is cloud technology

What is Cloud Technology? Cloud technology is changing the way businesses operate. With it, companies can access their IT infrastructure, applications and data from anywhere with an internet connection. There are many different types of cloud computing. These include public cloud, private cloud, and hybrid cloud. They can also be categorized by deployment model and service model. What is cloud…

[mm-draws]

Since my last post about FaB AU headcannons did so well, I decided to post another bunch of my head in the AU

- Since the beasts are likely very old, they would have some challenges in understanding some things. Like technology, guns, and etc.

Example:

Mystic Flour: Dark Cacao, can you help me here for a sec?

Dark Cacao: what's the matter?

Mystic Flour: can you help me send this message to Cloud Haetae?

Dark Cacao: ... uhm-

(Little does she know that Dark Cacao also can't use technology, they all had to ask help to Caramel Arrow Cookie.)

- Following their age headcannon, I feel that one of the beasts had already mentioned an village from the old times that today either changed it's name or was destroyed.

Example:

Shadow Milk: *Telling a story of the past* so I had to go to *insert village here*-

Pure Vanilla: ... where?

Shadow Milk: ...what do you mean where?

Pure Vanilla: What is this place?

Shadow Milk: ... the ___? Near the ___? Passing down ___?

Pure Vanilla: ... Oh! You must mean the ___!

Shadow Milk: ...what?

Pure Vanilla: ...

Shadow Milk: ... anyways-

This is the end of the headcannons today! The FaB is from @fishymom-art!

[jymwahuwu]

Food for thought, High-cloud Quintet era:

Jing Yuan, Dan Feng and Yingxing helping their innocent Darling (same darling bc its fun!) with "Stamina and Flexibility" training fwhile (and esp when) they have darling assist them in their work after a certain Sword Champion turned their request to be a disciple down for the nth time.

To make it more fun, there is no fixed schedule plan as in order to be a warrior, one must always be prepared to deal with unexpected situations after all:

- Dodging random and unexpected tendrils made of water by a certain high elder to test ones reflexes.

-Maintaining their concentration when meditating whilst being strapped down on a... "concentration training" machine made by a certain blade smith.

-Maintaining concentration and ability to strategize whilst being folded into different poses during a match of star chess with a languid Lieutenant.

For example, whilst also having to assist them while they work. They are busy people, you can't expect them to take time off their schedule to dedicate it to training you alone, would you?

-one of the peeps who hunts the comments section

This is so delicious, I immediately thought of what that would be like… 😌🫶

-CW: yandere, abuse of trust, overstimulation, sex machine

You are so naive and innocent... You are all focused on how to improve your strength and contribution, and you don't realize that there is something wrong with their "training"…

Dan Feng:

Imbibitor Lunae has the ability to manipulate water, weave rain and dew, create storms, and even split seawater, so training with water is really something you can expect. You just didn't expect…High Elder's training to be so…random. From HSR's description, we can know that Vidyadhara possesses a technology called cloudhymn magic, which can make them almost completely invisible and appear quietly around people. So… you were attacked completely randomly.

The water occasionally sprays onto your underwear, wetly revealing the shape of your sexual organs inside. You squirmed uncomfortably and closed your legs to avoid others noticing that water was dripping between your legs for no reason… You didn't want to be thought of as a weirdo who was in heat anytime and anywhere…

Dan Feng didn't even come to you on purpose. He showed no emotion when he did this. The High Elder sometimes wiggles his fingertips a little and your underwear is soaked, and then he goes to have lunch and deal with the daily affairs of Vidyadhara. Sometimes, your chest will also get wet, causing two puddles of water on the clothes on your chest. It's so embarrassing! You have to cross your arms over your chest to cover it up and then go change.

But…the "training" that requires taking off clothes is different. Dan Feng asks you to remain still. For an hour continuously, the warm water sprays on your private parts, the effect is like masturbation in the shower… You have to resist moving. This is a challenge of endurance and willpower…

Yingxing:

This talented weapon forger has gained a good reputation most of the time… Many people have commented that he is arrogant, but Yingxing does have the qualifications of "arrogance".

You trust Yingxing. He is so sweet and builds those weapons for you for free. He put decorations on the weapons he gave you and engraved them with beautiful patterns that suit you.

So… Even though Yingxing gave you that weird "concentration training" machine, you accepted it. That machine is automated…or it operates according to the program created by Yingxing, with more than ten modes.

In the normal mode, you only need to sit on the dildo of the machine (what Yingxing did not tell you is that the shape of the dildo is according to his…), and be penetrated deeply and trembled at the frequency of thrusting. This machine always seeks out your sensitive spots and stimulates them long-lasting and thoroughly. In full mode, your hands and legs are immobilized, and your nipples are caressed and rubbed for constant overstimulation.

Yingxing asks for your feedback and improves the machine. Maybe you should consider some suggestions…

Jing Yuan:

Jing Yuan coaxes you - this is about concentration and strategic skills training. If you can't strategize without interruption, you will suffer defeat in combat. He's just doing it for your own good. This…sounds reasonable?

At least once a day, you have to play chess with Jing Yuan, but the distraction is that you have to sit on his cock and fiddle with the chess pieces. He unbuttoned his pants and took out his fat cock, which was erect. He held his chin, narrowed his eyes and smiled, urging you to sit up. It took you a lot of courage to sit on it for the first time, and the unfamiliar cock almost split you open. So…thick and long. You moaned softly with every inch he thrust in, and his thumb rubbed your private parts to help lubricate you. Sitting completely on it is a terrifying experience. Pleasure bewilders and corrupts your brain…

Maybe this is what Jing Yuan meant by "training"? About whether you can focus on strategizing.

Of course you are… unable to focus. It collapsed in a few steps. Your fingertips tremble as you place the chess pieces. The brain cannot think about the next strategy and route…

After a few months, you get better at it, a little bit, but every time you get close to reaching "victory," you're screaming and bouncing on the general's cock, missing the chance of "victory" in orgasm...

[kotoryba]

#I have an idea but no time: what if "cultivation" in MDZS world really means... "farming"?

Based on this post: @dramatic-dolphin , I think you view things in the right direction! 😁❤️

Modern AU, where five powerful agricultural corporations practically rule the life of the country, dividing the workforce and resources for the best food production:

Cloud Recesses Inc. in Gusu — organic vegetables, strictly no pesticides, no chemical fertilisers; only straw mulching, complementary crops, attracting of natural predators for pests (ladybugs and other entomophagous predators), natural irrigation etc. Centuries-long history of family business, no outside high-level management at all. Organised the famous agricultural academy, where share the knowledge about organic farming.

Lotus Cove Company in Yunmeng — fisheries, lotus growing, for seeds, roots and making the dyes (famous "Yunmeng Lotus Purple), river pearls and others; the company unites many small local farms and proposes them the processing and manufacturing of finished products and logistics. Regular searches of new initiative talents for company from local residents, but they keep the controlling stake in the main family.

Jin Golden Carp Corp. in Lanling - floristic and orchard business, have huge greenhouses with exotic fruits; M&A the lands from small landlords and enterprises by cheap prices and in general lead the tons of leasing and funding financial operations. Not clean reputation, but the huge PR&GR and legal departments helps with this a lot.

Butcher's Saber Ent. in Qinghe — meat and dairy production mostly. They propose the best salaries on local workforce market and due to that acquire a strong loyalty among the residents — but have severe corporation policies about the industrial espionage and thefts . And also BS Ent. has the strictest (except Cloud Recesses Inc.) safety standards for all product cycle.

Wen LLC in Qishan — broiler poultry farming, second big competitor of meat production after BS Ent. in region; breeding of new sorts and seed selling business (here we have uncontrollable usage of GMO, chemicals and pharmaceutical products, but all experiments keeps in secret from public). Due to the excessive usage of pesticides and fertilisation, they faced with pollution and soil depletion, therefore actively expanding their cultivation areas by raider attacks and property fraud. Payed the good salaries but have a catastrophic penalty system for keeping the mouths shut, but you must be Wen for obtaining even the middle management position.

Maybe the story begins, where the prominent student WWX (who thinks about agricultural technologies in non-traditional way, for example — builds robots and automatisation programs for harvesters machines, searches the solutions in nano-biology and something similar) entered the Gusu Lan academy as a part of sharing experience delegation from Lotus Cove.

Or from the moment, when Wens decided to attack their competitors, using the false accusations about owners, cyberattacks, sabotage and brute force?

Or when the little WWX's innovative company in the most infertile lands of Burial Mounds became way too bottleneck due to progressive researches of someone's brilliant mind, that the other big corporations collectively decided to wip the unwanted competitor from the market at all?

Maybe in the classic way, when WWX, who was in a coma for thirteen years after a huge fire in his laboratory, received the organ transplant and new face from unknown beneficiary — and waked up? With clear suspicions who was really behind this incident that also killed his shijie and her husband? Now he's unrecognisable for his friends and enemies and can investigate the case freely. Maybe, the little help from LWJ, the second heir of Cloud Recesses Inc., could be useful? They were just-step-before-good-friends in his previous life...

Do you know, guys, that there are real wars in agricultural business nowadays? Maybe, they are even more dangerous, than in imaginary magical world of jianhu...

[sapphiresaphics]

Arcane shows that Hextech is extremely dangerous. It’s volatile, it’s unpredictable, and it can kill a lot of people very easily.

Arcane shows that the Arcane itself is dangerous. It shows that a single seed of the Arcane can corrupt people, grow and lay waste to entire cities. Magic is outright banned in Piltover as a founding tenant by one who suffered through seeing its corruption firsthand.

Arcane shows that putting Hextech tools in the hands of the average person is dangerous. It becomes very easy to use these tools to kill and murder. It makes hurting other people impersonal and detached.

Arcane shows that creating a tool this unbelievably powerful is dangerous. It attracts those who want to corrupt its purpose and use it for their own selfish ends. Be it the chembarons, Piltover themseves, or Noxus.

Arcane shows that just giving people technology isn’t enough to solve systemic problems. Quite the opposite, it often results in a greater class divide as those who have the technology can use it to oppress those who do not.

Arcane shows that rapidly putting out technology untested is dangerous. It results in toxic waste and run off hurting people you didn’t even think were there.

Arcane shows that progress for the sake of progress is dangerous. Without considering how your actions will affect other people, blindly doing science just because you can often results in unregulated and unchecked power imbalances, corruption, death and destruction.

If you looked at all of these examples and came away with the perspective that arcane is telling Jayce and Viktor that they shouldn’t have dreamed to help people and that the ultimate message of the show is to be thankful for what you have and never make waves, you’re a fucking IDIOT.

Jayce and Viktor weren’t wrong for dreaming big and wanting to help people. Jayce and Viktor were wrong because they crammed through their tech too fast in an effort to get it out before they died so they could be remembered for their legacy.

Jayce and Viktor were wrong because their technology made things worse, not better, for everyone around them.

They were wrong because they unintentionally hurt so many people in the name of progress. They didn’t stop to think what their tech could be used for, how it would be coveted by corrupt individuals, or how their toxic run off would hurt the planet and the people below them.

Arcane isn’t telling you not to dream big or not to help people. Arcane is telling you to be cautious, think about what you’re doing, not let your ego or your personal issues cloud your judgement, and to be mindful of what and how you’re going about it.

Hextech was ALWAYS a risky and dangerous investment. It was not neutral. It was incredibly dangerous and foolhardy to try and give that level of RAW POWER into the hands of the average everyday person. Hextech was like giving every person on the planet a loaded gun that shoots radiation bullets.

Hextech is a cautionary tale. It always was. Season 2 didn’t change that. Season 1 laid those ground works and Season 2 is what happens when you IGNORE the warning signs.

Viktor was right to want to destroy the hexcore.

He lost himself, lost his dream.

In the pursuit of greatness he failed to do good.

THAT is the message of Hextech in Arcane.

[aloeaceae]

On Witches

Cloud Tower is one of the three schools the viewer gets to know intimately in Winx Club, and yet, not much is actually known about witches as magical beings. Over the years, I’ve spent a lot of time thinking and lurking in Winx-themed forums, and here are some headcanons I’ve developed about them.

What Are Fairies?

Okay, yes—this post is technically about witches. But to understand witches, we first need to understand their counterparts: fairies.

Fairies are magical beings with a unique ability to generate magical energy—mana—internally. While as civilians they may have some magical abilities, a fairy’s power increases dramatically when they activate their wings through transformation. In that form, mana is continuously generated through the wings, though only for a limited time. The more advanced the transformation, the more aggressively mana is produced, and the stronger their magic becomes.

With that out of the way, let’s move on to the main point.

What Are Witches?

In short, witches are fairies who lost the ability to transform.

Centuries ago—long before the Ancestral Witches and the Black Circle—there was a long and turbulent war between fairies and other magical beings. Some fairies, in desperation, fled to Obsidian: a dimension of darkness and despair steeped in black magic. It was a last-resort escape, as they knew no one would dare follow them into such a realm.

Prolonged exposure to this darkness and negative energy gradually stripped them of their wings and their ability to transform. For some, the damage was so deep that the black magic penetrated their DNA, corrupting their magic cores and altering them so thoroughly that even their offspring could no longer transform.

Still, because mana is intrinsic to their being, they retained the ability to wield magic—just not to the same extent as fully transformed fairies. So, to compensate for the power they lost, they turned to black magic.

On Black Magic

Black magic is a powerful—but more volatile—form of magic, amplified by emotion. The more emotionally charged a witch is—and the more in tune they are with their inner self—the better they can wield it.

Since witches aren’t tied to a transformation form, their magic is far more flexible. Unlike fairies, who are often limited to one or two magical affinities (Musa–fairy of Music, Stella–fairy of Sun and Moon, Tecna–fairy of Technology, etc.), witches have access to a broader and more diverse arsenal of spells.

On Amulets

But relying on black magic alone wasn’t enough. Without wings, witches could no longer generate mana continuously, which limited their ability to cast powerful spells. This led to the creation of amulets—tools designed to store large quantities of mana externally.

An amulet can be any object, though witches typically choose small, portable items like jewelry for convenience. One example from the show might be the vacuums the Trix use—tools not only aiding in storing mana but also possessing a convenient function to detect powerful magic. Later in the series, the Trix are given Gloomix jewelry, another clear example.

While amulets can store large amounts of mana, they deplete quickly depending on the type of spells used and the duration of magic being cast. As a result, witches must recharge them regularly, usually through full moon rituals.

Because they lack the innate resources available to fairies, witches tend to be more inventive and more attuned to nature in their magical practices.

On Education

There are far fewer witches than there are fairies, and they often live in close-knit communities, as it’s crucial to teach young witches how to safely handle their dangerous magic as early as possible. Cloud Tower is one of the few schools that provides this education.

Students there learn essential skills such as amulet-charging rituals, emotional regulation, and mana control. Still, many witch families choose to educate their children at home, passing down knowledge from generation to generation.

Some witches retain the ability to channel wings and transform as their DNA had remained only partially altered by the Obsidian dimension, but such occurrences are rare and usually triggered by moments of extreme emotional intensity. While some seize this rare opportunity to turn to white magic (eg. Mirta), many witches who discover this ability choose to remain witches rather than become fairies. For them, the advantages of wielding black magic far outweigh the benefits of transformation.

More lore: On Alfea, On Cloud Tower

[askagamedev]

I've heard from friends that there's no reason for companies to shut down game/store servers because "it doesn't really cost them anything to keep it up", which feels wrong to me given how readily console makers are to close up features of older consoles that wouldn't conflict with newer ones. Is upkeep really that cheap?

Here's the thing - your friends are kind of right but also mostly wrong at the same time. In terms of technology and such, they are correct - running a server process in the cloud today is pretty cheap. We pay for how much CPU time our processes end up using and old games don't use up that much since there aren't that many players, so the cost of running the server itself is not that high.

However...

There are significantly more costs to running a game (especially a service game) than simply keeping the server running. That's where your friends are wrong.

Imagine, for example, a longtime player gets hacked and the hacker deletes her character and items. What is the player's recourse? Submit a ticket to customer service and get it resolved, right? Now we need to keep at least one customer service agent on the service to handle things like refunds, user mistakes, and so on. What if the server crashes? We'll need somebody to handle server maintenance. What if somebody discovers an exploit that severely harms the player experience? I guess we need a programmer who knows how to fix things. If there's any development to be done, there will also need to be production (to keep tasks prioritized and tracked) and QA (to validate fixes).

Remember, the vast majority of the costs of game development are the salaries and benefits paid out to the people working on and maintaining the game. Even a small skeleton crew costs hundreds of thousands of dollars per year in salary, benefits, taxes, equipment, rent, and so on. So... upkeep for the server processes really is that cheap. But keeping an entire game running is absolutely not that cheap. When the service can't afford to pay for its own upkeep - including the salaries of all of the people needed to keep the service running - then it gets shut down.

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[morallysuperiorlips]

How I Come Up With Compelling and Fun Characters!

Back at you again with another TedTalk.

Coming up with well-rounded characters is my favorite part of the writing process. I like to come up with convoluted plots, so ofc convoluted characters have to follow. While I am someone who is VERY guilty of injecting my own traits/experiences into my characters (because I like to live vicariously through them or use them to cope don't @ me), I try to do that once I've established them as their own people. Because then they just end up being other versions of me, and we don't want that trust me

The adage I like to live by is "when the character feels real to you, they'll feel real to the reader," so I try to go out of my way to know as much as I can about them before I start to put them down on paper.

I know full names, birthdays (down to the hour), exact heights, blood types, favorite colors, foods, etc. and I try to know most of the surface-level things. I'll try to delve a little deeper but I do like to let my characters breathe when I'm writing them because sometimes they do things that make me stare into the camera like I'm on the Office and I want to give them the room to do so because that's like 60% of the process (in my humblest of opinions as a self-taught/ professional hybrid)

When I first started writing my novel, I could tell you off the top of my head that my protagonist, Odette Harmonie Cinq-Mars, was born in the little fictional town of Pendulum Province, France on December 14th, 1997 at 8:16pm, her blood type is AB+, she's 5'0, she's left-handed, and her favorite color is royal purple. I could also tell you she has anger issues, is hyper-observant, is a classically trained singer and dancer, and is kind of cold as a person. That last trait ended up writing most of itself out as she developed, but it's how she started, and I never got much deeper than that until I wrote her.

But, rewinding a little bit, I like to come up with ideas for my characters from tropes and stereotypes. My truest formula for coming up with characters is:

Trope/Archetype

- Some tropey traits

+ Traits you might not normally see in that trope/archetype

+ As many details as possible

+ Putting them in random situations that come to mind and watching them figure it out (even if it might be unrelated to the plot)

+ A little bit of yourself (always optional)

For example:

My "tropiest" character's name is Noel Masse; he was heavily based on the archetype of the peacocky gay theater kid who kinda has a hoe streak. Before you come for my neck, hear me out.

What are traits of this trope I could erase (or heavily modify) for him? From my experience theater kids get kinda cliquey--not all, but some--Noel has his friends, but he's the type who wants to be friends with everyone. He doesn't like to judge unless people give him a reason to. Theater kids might have their heads in the clouds all the time, and Noel airs on the side of keeping himself grounded when he needs to.

What are some odd traits I could add to him? What can I expand on? Noel has severe indecision--he's a theater kid who doesn't know if he wants to be theater kid. He has dedicated his life to being a musical theater star, but he has a calling in mystery solving, coding, and all things tech. This indecision often cripples him, and even seeps into his love life, which leads to some promiscuity~

What are the little details I know about Noel? Noel Coretyn Masse is a natural born witch, born in a little (fictional) city in France called Athamera on September 9th, 1997 at 12:11am. He is 6'0, 175 pounds, blood type O-, ENFP-T, right-handed, his favorite color is royal blue, and he has a gifted vocal octave range (3.8), and is very good at most forms of dance.

What scenarios have I put him in that helped him build? This was actually how I decided he was good with technology and all things coding, hacking, computers, etc. I figured out he was good at this stuff when I needed a character to hack something later on in the story and I threw him into the mix just to see what would happen and it stuck IMMEDIATELY. So, this category can also help build category 2 for sure.

Bits of me? His dedication to the arts and his desire for a large friend group hope I didn't just roast myself lol

DISCLAIMER: I want to make a note for anyone who thinks that this is overkill: yes, it probably is. But, I also want to note that I have been told time and time again that my characterization in my stories is my strongest point. So, clearly I'm doing SOMETHING right here.

I also want to note that this is NOT the "correct" way of coming up with characters. In fact, I don't think there is a "correct" way (as is with most things artistic and creative). This is just MY way of doing things. If you have a way that you come up with characters that works for you, I'd love to hear about it!

[opencommunion]

"What is this force, these human beings, referred to in this word – resistance? 

First, literally, we refer to the achievement of the poorest and most strategically disadvantaged people on the planet. Within the encircled and immiserated Gaza Strip, many of the Al-Qassam fighters are orphans. Amidst closure and de-development, the popular resistance has been able to consolidate an arsenal and bring 1.5% of its population into a guerrilla force of 30,000-40,000 men that can – man for man – outmatch nearly any in the world. 

The resistance, secondly, has alloyed ideological commitment, willingness to sacrifice for their people, and technological ingenuity into armed capacity capable of going head-to-head with a nuclear power from underground tunnels, the ‘rear base’ and physical strategic depth needed for guerilla insurgency. The concrete is their mountains. From there they have imperiled an enemy with orders of magnitude higher GDP per capita – Israeli GDP is at $52,000 a year, with arsenals worth billions.

Third, the resistance, in launching its October 7 operation, is an example to the world that post-Soviet asphyxiation and extermination procedures, sanctions and terror lists and aid-based countermeasures, could not prevent the rise of a disciplined and new national movement from raising its head to the sky. 

Fourth, the popular cradle brings the word resistance beyond armed men to doctors going to their deaths in lieu of abandoning their patients and women and men in the Gaza Strip’s North – facing white phosphorus rather than abandoning their homes. It is precisely the strength of the civilian commitment to the national project that provokes US-Israeli extermination: ‘the 'civilian' officials, including hospital administrators and school administrators, and also the entire Gaza population’ are, as a result, the targets – not out of cruelty but to break Hamas by breaking its cradle. 

Fifth, through these achievements, the Palestinian resistance has been able to present an acute threat to the settler-capitalist property structures called Israel, to militarized accumulation, to the world’s workshop for counterinsurgency technology, and to the entire architecture of regional repression with its associated petrodollar flows, treasury and security purchases, and arms merchandising. For capitalism is not just the smooth clockwork of accumulation through generalized commodity exchange and labor exploitation, it is the machinery of violence – its technology – which ensures the smooth running of the clock, the thingification of its human elements, the political decisions to maintain and rework the machinery of monopoly accumulation, and the waste of human lives which is increasingly the core Arab input into global capitalism. 

More worryingly from the perspective of monopoly power, the Palestinian resistance is not alone. It is part of a regional populist resistance enfolding the poorest people on Earth. ... It is unimaginable that the neocolonial authoritarian states nor their US benefactor would remotely tolerate massive working-class militia which speak a language of justice and republicanism and raise arms against those states’ sponsors. In turn, it is as natural as the sun rising in the East that the US, the UK, Germany, France, and their Gulf and Arab satraps would converge on support for Israel as the spear’s tip of the assault on the surrounding Arab popular militia. 

And because Israel is the keystone of the regional imperialist order – maintained not by hegemonic consensus but the brutality of Apaches and Merkavas – it is as natural as water falling from clouds that what has developed in the Gaza Strip, as soon as it mobilized politically and militarily, would incite the Western reaction to wipe it from the face of the Earth and impose unimaginable horror to terrify the Palestinian, Arab, and Third World people to never again raise their heads.

The October 7 operation has perhaps overcome the central role of the Israeli state in accumulation on a world scale: ingraining a state of defeat amongst the Arab working classes, as part-and-parcel of the post-Soviet ideological defeat imposed by capital upon labor globally. Deterrence is the form that defeat takes when pushed to the military plane, and Israel openly admits that its deterrence has been shattered.

Seen from this perspective, the risks run by the western capitalist states – their imposition of fascist regulation against freedoms of speech and assembly, their backing for genocide, their desperation to see the Palestinian armed militia wiped from the face of the Earth – is logical, reasonable, and rational in its sociopathy. It is the logic of monopoly attempting to defend itself and the consciousness which bodyguards it with fire from the sky. It is a logic which fills graveyards, and a logic which makes orphans, and it is a logic which might yet meet its end in that crossroads of continents – that salient, and city and their camps and their people."

[reasonsforhope]

Scientists have developed a new solar-powered system to convert saltwater into fresh drinking water which they say could help reduce dangerous the risk of waterborne diseases like cholera.

Via tests in rural communities, they showed that the process is more than 20% cheaper than traditional methods and can be deployed in rural locations around the globe.

Building on existing processes that convert saline groundwater to freshwater, the researchers from King’s College London, in collaboration with MIT and the Helmholtz Institute for Renewable Energy Systems, created a new system that produced consistent levels of water using solar power, and reported it in a paper published recently in Nature Water.

It works through a process called electrodialysis which separates the salt using a set of specialized membranes that channel salt ions into a stream of brine, leaving the water fresh and drinkable. By flexibly adjusting the voltage and the rate at which salt water flowed through the system, the researchers developed a system that adjusts to variable sunshine while not compromising on the amount of fresh drinking water produced.

Using data first gathered in the village of Chelleru near Hyderabad in India, and then recreating these conditions of the village in New Mexico, the team successfully converted up to 10 cubic meters, or several bathtubs worth of fresh drinking water. This was enough for 3,000 people a day with the process continuing to run regardless of variable solar power caused by cloud coverage and rain.

[Note: Not sure what metric they're using to calculate daily water needs here. Presumably this is drinking water only.]

Dr. Wei He from the Department of Engineering at King’s College London believes the new technology could bring massive benefits to rural communities, not only increasing the supply of drinking water but also bringing health benefits.

“By offering a cheap, eco-friendly alternative that can be operated off the grid, our technology enables communities to tap into alternative water sources (such as deep aquifers or saline water) to address water scarcity and contamination in traditional water supplies,” said He.

“This technology can expand water sources available to communities beyond traditional ones and by providing water from uncontaminated saline sources, may help combat water scarcity or unexpected emergencies when conventional water supplies are disrupted, for example like the recent cholera outbreaks in Zambia.”

In the global rural population, 1.6 billion people face water scarcity, many of whom are reliant on stressed reserves of groundwater lying beneath the Earth’s surface.

However, worldwide 56% of groundwater is saline and unsuitable for consumption. This issue is particularly prevalent in India, where 60% of the land harbors undrinkable saline water. Consequently, there is a pressing need for efficient desalination methods to create fresh drinking water cheaply, and at scale.

Traditional desalination technology has relied either on costly batteries in off-grid systems or a grid system to supply the energy necessary to remove salt from the water. In developing countries’ rural areas, however, grid infrastructure can be unreliable and is largely reliant on fossil fuels...

“By removing the need for a grid system entirely and cutting reliance on battery tech by 92%, our system can provide reliable access to safe drinking water, entirely emission-free, onsite, and at a discount of roughly 22% to the people who need it compared to traditional methods,” He said.

The system also has the potential to be used outside of developing areas, particularly in agriculture where climate change is leading to unstable reserves of fresh water for irrigation.

The team plans to scale up the availability of the technology across India through collaboration with local partners. Beyond this, a team from MIT also plans to create a start-up to commercialize and fund the technology.

“While the US and UK have more stable, diversified grids than most countries, they still rely on fossil fuels. By removing fossil fuels from the equation for energy-hungry sectors like agriculture, we can help accelerate the transition to Net Zero,” He said.

-via Good News Network, April 2, 2024

[mostlysignssomeportents]

Cloudburst

Enshittification isn’t inevitable: under different conditions and constraints, the old, good internet could have given way to a new, good internet. Enshittification is the result of specific policy choices: encouraging monopolies; enabling high-speed, digital shell games; and blocking interoperability.

First we allowed companies to buy up their competitors. Google is the shining example here: having made one good product (search), they then fielded an essentially unbroken string of in-house flops, but it didn’t matter, because they were able to buy their way to glory: video, mobile, ad-tech, server management, docs, navigation…They’re not Willy Wonka’s idea factory, they’re Rich Uncle Pennybags, making up for their lack of invention by buying out everyone else:

https://locusmag.com/2022/03/cory-doctorow-vertically-challenged/

But this acquisition-fueled growth isn’t unique to tech. Every administration since Reagan (but not Biden! more on this later) has chipped away at antitrust enforcement, so that every sector has undergone an orgy of mergers, from athletic shoes to sea freight, eyeglasses to pro wrestling:

https://www.whitehouse.gov/cea/written-materials/2021/07/09/the-importance-of-competition-for-the-american-economy/

But tech is different, because digital is flexible in a way that analog can never be. Tech companies can “twiddle” the back-ends of their clouds to change the rules of the business from moment to moment, in a high-speed shell-game that can make it impossible to know what kind of deal you’re getting:

https://pluralistic.net/2023/02/27/knob-jockeys/#bros-be-twiddlin

To make things worse, users are banned from twiddling. The thicket of rules we call IP ensure that twiddling is only done against users, never for them. Reverse-engineering, scraping, bots — these can all be blocked with legal threats and suits and even criminal sanctions, even if they’re being done for legitimate purposes:

https://locusmag.com/2020/09/cory-doctorow-ip/

Enhittification isn’t inevitable but if we let companies buy all their competitors, if we let them twiddle us with every hour that God sends, if we make it illegal to twiddle back in self-defense, we will get twiddled to death. When a company can operate without the discipline of competition, nor of privacy law, nor of labor law, nor of fair trading law, with the US government standing by to punish any rival who alters the logic of their service, then enshittification is the utterly foreseeable outcome.

To understand how our technology gets distorted by these policy choices, consider “The Cloud.” Once, “the cloud” was just a white-board glyph, a way to show that some part of a software’s logic would touch some commodified, fungible, interchangeable appendage of the internet. Today, “The Cloud” is a flashing warning sign, the harbinger of enshittification.

When your image-editing tools live on your computer, your files are yours. But once Adobe moves your software to The Cloud, your critical, labor-intensive, unrecreatable images are purely contingent. At at time, without notice, Adobe can twiddle the back end and literally steal the colors out of your own files:

https://pluralistic.net/2022/10/28/fade-to-black/#trust-the-process

The finance sector loves The Cloud. Add “The Cloud” to a product and profits (money you get for selling something) can turn into rents (money you get for owning something). Profits can be eroded by competition, but rents are evergreen:

https://pluralistic.net/2023/07/24/rent-to-pwn/#kitt-is-a-demon

No wonder The Cloud has seeped into every corner of our lives. Remember your first iPod? Adding music to it was trivial: double click any music file to import it into iTunes, then plug in your iPod and presto, synched! Today, even sophisticated technology users struggle to “side load” files onto their mobile devices. Instead, the mobile duopoly — Apple and Google, who bought their way to mobile glory and have converged on the same rent-seeking business practices, down to the percentages they charge — want you to get your files from The Cloud, via their apps. This isn’t for technological reasons, it’s a business imperative: 30% of every transaction that involves an app gets creamed off by either Apple or Google in pure rents:

https://www.kickstarter.com/projects/doctorow/red-team-blues-another-audiobook-that-amazon-wont-sell/posts/3788112

And yet, The Cloud is undeniably useful. Having your files synch across multiple devices, including your collaborators’ devices, with built-in tools for resolving conflicting changes, is amazing. Indeed, this feat is the holy grail of networked tools, because it’s how programmers write all the software we use, including software in The Cloud.

If you want to know how good a tool can be, just look at the tools that toolsmiths use. With “source control” — the software programmers use to collaboratively write software — we get a very different vision of how The Cloud could operate. Indeed, modern source control doesn’t use The Cloud at all. Programmers’ workflow doesn’t break if they can’t access the internet, and if the company that provides their source control servers goes away, it’s simplicity itself to move onto another server provider.

This isn’t The Cloud, it’s just “the cloud” — that whiteboard glyph from the days of the old, good internet — freely interchangeable, eminently fungible, disposable and replaceable. For a tool like git, Github is just one possible synchronization point among many, all of which have a workflow whereby programmers’ computers automatically make local copies of all relevant data and periodically lob it back up to one or more servers, resolving conflicting edits through a process that is also largely automated.

There’s a name for this model: it’s called “Local First” computing, which is computing that starts from the presumption that the user and their device is the most important element of the system. Networked servers are dumb pipes and dumb storage, a nice-to-have that fails gracefully when it’s not available.

The data structures of source-code are among the most complicated formats we have; if we can do this for code, we can do it for spreadsheets, word-processing files, slide-decks, even edit-decision-lists for video and audio projects. If local-first computing can work for programmers writing code, it can work for the programs those programmers write.

Local-first computing is experiencing a renaissance. Writing for Wired, Gregory Barber traces the history of the movement, starting with the French computer scientist Marc Shapiro, who helped develop the theory of “Conflict-Free Replicated Data” — a way to synchronize data after multiple people edit it — two decades ago:

https://www.wired.com/story/the-cloud-is-a-prison-can-the-local-first-software-movement-set-us-free/

Shapiro and his co-author Nuno Preguiça envisioned CFRD as the building block of a new generation of P2P collaboration tools that weren’t exactly serverless, but which also didn’t rely on servers as the lynchpin of their operation. They published a technical paper that, while exiting, was largely drowned out by the release of GoogleDocs (based on technology built by a company that Google bought, not something Google made in-house).

Shapiro and Preguiça’s work got fresh interest with the 2019 publication of “Local-First Software: You Own Your Data, in spite of the Cloud,” a viral whitepaper-cum-manifesto from a quartet of computer scientists associated with Cambridge University and Ink and Switch, a self-described “industrial research lab”:

https://www.inkandswitch.com/local-first/static/local-first.pdf

The paper describes how its authors — Martin Kleppmann, Adam Wiggins, Peter van Hardenberg and Mark McGranaghan — prototyped and tested a bunch of simple local-first collaboration tools built on CFRD algorithms, with the goal of “network optional…seamless collaboration.” The results are impressive, if nascent. Conflicting edits were simpler to resolve than the authors anticipated, and users found URLs to be a good, intuitive way of sharing documents. The biggest hurdles are relatively minor, like managing large amounts of change-data associated with shared files.

Just as importantly, the paper makes the case for why you’d want to switch to local-first computing. The Cloud is not reliable. Companies like Evernote don’t last forever — they can disappear in an eyeblink, and take your data with them:

https://www.theverge.com/2023/7/9/23789012/evernote-layoff-us-staff-bending-spoons-note-taking-app

Google isn’t likely to disappear any time soon, but Google is a graduate of the Darth Vader MBA program (“I have altered the deal, pray I don’t alter it any further”) and notorious for shuttering its products, even beloved ones like Google Reader:

https://www.theverge.com/23778253/google-reader-death-2013-rss-social

And while the authors don’t mention it, Google is also prone to simply kicking people off all its services, costing them their phone numbers, email addresses, photos, document archives and more:

https://pluralistic.net/2022/08/22/allopathic-risk/#snitches-get-stitches

There is enormous enthusiasm among developers for local-first application design, which is only natural. After all, companies that use The Cloud go to great lengths to make it just “the cloud,” using containerization to simplify hopping from one cloud provider to another in a bid to stave off lock-in from their cloud providers and the enshittification that inevitably follows.

The nimbleness of containerization acts as a disciplining force on cloud providers when they deal with their business customers: disciplined by the threat of losing money, cloud companies are incentivized to treat those customers better. The companies we deal with as end-users know exactly how bad it gets when a tech company can impose high switching costs on you and then turn the screws until things are almost-but-not-quite so bad that you bolt for the doors. They devote fantastic effort to making sure that never happens to them — and that they can always do that to you.

Interoperability — the ability to leave one service for another — is technology’s secret weapon, the thing that ensures that users can turn The Cloud into “the cloud,” a humble whiteboard glyph that you can erase and redraw whenever it suits you. It’s the greatest hedge we have against enshittification, so small wonder that Big Tech has spent decades using interop to clobber their competitors, and lobbying to make it illegal to use interop against them:

https://locusmag.com/2019/01/cory-doctorow-disruption-for-thee-but-not-for-me/

Getting interop back is a hard slog, but it’s also our best shot at creating a new, good internet that lives up the promise of the old, good internet. In my next book, The Internet Con: How to Seize the Means of Computation (Verso Books, Sept 5), I set out a program fro disenshittifying the internet:

https://www.versobooks.com/products/3035-the-internet-con

The book is up for pre-order on Kickstarter now, along with an independent, DRM-free audiobooks (DRM-free media is the content-layer equivalent of containerized services — you can move them into or out of any app you want):

http://seizethemeansofcomputation.org

Meanwhile, Lina Khan, the FTC and the DoJ Antitrust Division are taking steps to halt the economic side of enshittification, publishing new merger guidelines that will ban the kind of anticompetitive merger that let Big Tech buy its way to glory:

https://www.theatlantic.com/ideas/archive/2023/07/biden-administration-corporate-merger-antitrust-guidelines/674779/

The internet doesn’t have to be enshittified, and it’s not too late to disenshittify it. Indeed — the same forces that enshittified the internet — monopoly mergers, a privacy and labor free-for-all, prohibitions on user-side twiddling — have enshittified everything from cars to powered wheelchairs. Not only should we fight enshittification — we must.

Back my anti-enshittification Kickstarter here!

If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad- free, tracker-free blog:

https://pluralistic.net/2023/08/03/there-is-no-cloud/#only-other-peoples-computers

Image: Drahtlos (modified) https://commons.wikimedia.org/wiki/File:Motherboard_Intel_386.jpg

CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/deed.en

—

cdsessums (modified) https://commons.wikimedia.org/wiki/File:Monsoon_Season_Flagstaff_AZ_clouds_storm.jpg

CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0/deed.en

[samhadjblog2]

Hex-tech being a "Evil force is a contradiction to the show's themes.

On the topic of Hex-tech I want to state that with all of the criticism's I have with Arcane. Making Hex-tech "Evil" is one of the worse choices within the show.

Because Arcane is a neutral force within league of legends that only works depending on how a person uses it.

And to go into the route that "Power corrupts" is just lazy writing. because"Power never corrupts power always reveals. The Arcane never turned people evil, it was evil people who mistreated. Yes it caused destruction but it also created wonders. To simply claim "Magic is evil" is placing blame on a thing not take responsible.

Arcane shows that creating a tool this unbelievably powerful is dangerous. It attracts those who want to corrupt its purpose and use it for their own selfish ends. Be it the chembarons, Piltover themseves, or Noxus.

Many have sited how Jayce and Viktor's reckless actions in S1 are example of "why" the Arcane should never have been used. Which isn't the case,because the problem was never the Arcane, the problem was that Viktor and Jayce own ambitions got the better of them. And had they been cautious when making Hex-tech, things would of been different.

And so this isn't a conversation on "How we should "never "use Hex-tech" rather on "How we "should" use Hex-tech. Because its a similar analogy to nuclear energy, because while yes it has the capacity to "destroy" but its also able to "create".

And while yes Hex-tech can't solve more inter-political issues, that doesn't mean it can't make lives, better. For instance "The Hex-gates" have expanded travel and this in turn brought artist together and build. And this is something

And once again proves "The Arcane is neutral depending on how a person uses it".

Arcane shows that rapidly putting out technology untested is dangerous. It results in toxic waste and run off hurting people you didn’t even think were there.

And it also made clear that "Taking time and being cautious" is also as detrimental as being reckless. That trying to take time and stand still your not able to accomplish anything. Not to dismiss "The basis of being reckless" just that you need to find a balance between caution and patience. That sometimes you need to take risk while at the same time you can't stay still.

If you looked at all of these examples and came away with the perspective that arcane is telling Jayce and Viktor that they shouldn’t have dreamed to help people and that the ultimate message of the show is to be thankful for what you have and never make waves, you’re a fucking IDIOT.

Correction. People were aware that "Viktor and Jayce" made reckless actions when they used Hex-tech. However that didn't mean "Hex-tech was evil" it just meant that when used "wrong" it will cause problems and that Jayce and Viktor needed to be careful when using Hex-tech. And not "Hex-tech should of never been invented". Because that is what the conversation of S1 introduces "How" should we use this new form of technology that has the capacity to do good and do bad. And to me this should of been their story in S2. Viktor and Jayce trying to utilize the Arcane in a more positive way. I.E the building of Blitzcrank. You know "The robot Viktor builds that go's on their own journey of self-discovery" And whom embodies how "Hex-tech is a neutral force".

And now some people have made some arguments to these claims

they unintentionally hurt so many people in the name of progress. They didn’t stop to think what their tech could be used for, how it would be coveted by corrupt individuals, or how their toxic run off would hurt the planet and the people below them.

While yes Viktor and Jayce let their own ambitions cloud their judgement however they did test Hex-tech out. For instance with things like "The wild runes" Jayce said that had tested the Arcane for years and never seen any wild runes until now, another thing . The "Toxic run-off" is barely a plot point. And only existed in "The Tree" that is never brought up again.

Hextech was ALWAYS a risky and dangerous investment. It was not neutral. It was incredibly dangerous and foolhardy to try and give that level of RAW POWER into the hands of the average everyday person. Hextech was like giving every person on the planet a loaded gun that shoots radiation bullets.

Yes it was always neutral. Because that's how magic has always worked in LoL. Its a neutral force dependent on how a person uses it. There is literally various other examples of magic being used for good in this world. Heck Mel is an example of The Arcane being neutral force. On top of that Viktor and Jayce didn't create weapons, they created power-tools.

There was good and bad. And to simply say "Hextech was evil all along", then thats a contradiction to the entire "You should still dream but be cautious" sentiment. Because you can do anything "Accept make Hex-tech good".

To simply say that "The Arcane can only ever be evil and destroy". Wouldn't that also apply to Jinx, someone who believed they could "only ever destroy". And that by learning that they aren't held down by the past they are able to carve something new. However the same can't ever be applied to Hex-tech. Hex-tech can only do bad

The show also talks about how change is a necessary thing in the world that allows for us to move forward. The same can be said about VI. Someone who is adverse to change, which is her greatest weakness. So simply saying "The Arcane is evil because of its potential to do bad". Is just another justification to never change and have everything stay still.

Another thing I think is important to note that "People should always have a choice" that we aren't bond by destiny and we can choose our own fate. "However this can never be applied to the Arcane, because its an "evil" virus of satan that can only do bad"

And this brings me to the show's most prominent theme. "The capacity to change how we operate in the world allows us to move forward". S2 has character's learn to think outside themselves and allow for them to actually improve themselves. And back to the point about Viktor and Jayce, because yes they were impulsive they made rash choices. However that didn't mean they shouldn't have used the Arcane. Rather that they needed to cautious about how they used. Just like how they needed to think outside themselves in order to improve. The same has to be applied to "The Arcane" as well.

To have the main theme of the show be "Change is necessary" and then have it not apply to "The Arcane/ Hex-tech" then its a load of BS. Its an equally reductive mindset that the show criticizes the characters for having and so just ending the show "this way" is just underwhelming.

To end things off I think this video explains these issues better. And how The Arcane in of itself can be utilized

[twopoppies]

I’m coming off anon because I saw that daisie was interested in knowing more about the softwares used by brands to do social listening.

https://brandwatch.com is the one that I’ve personally used, basically the brand tells the plataform (throught coding ) what topics associated with the brand they want to monitor. So if I was doing the social monitoring for let’s say the Harry Styles brand, I would have a query for his music career, another one for his acting career and another one for his personal life. In each query you program the topics you want to monitor, in which socials and how often.

Then the plataform gives you a report that includes:

1) all the post related to the query ranked from most important to least, the importance is measured by the reach of the post and by the positive of negative impact of that post on the brand reputation. The plataform automatically decides if something is positive or negative but you can program it too. So for example… if I, with my 28 Twitter followers, said in a tweet that Harry styles sucks and is a bad singer and another person with 10k followers said the same thing, they would get ranked higher in the importance list because of their reach and so on

2) a word cloud of all the topics.

3) a list of everyone that made a post related to the query ranked from most influential to least.

you can also break post and people by every demographic you can think off.

in conclusion, is very easy for brands to know what and who is talkin about them. I’m pretty sure that artists as big as the boys, have some kind of social listening going on because there’s no way they have an intern scrolling on social media constantly and we know for a fact that their teams often react to what’s going on in the fandom.

if someone want to know more, feel free to dm me.

Hi, darling. Thank you for coming off anon about all of this. It’s so interesting to me (and Daisie, obviously).

And yeah, with the volume of posts about these guys, there’s no way it’s even a handful of interns scrolling. It’s crazy how technology has allowed brands to hone in on such specifics.

@daisiesonafield-blog this one’s for you!

[homestuckreplay]

hauntingly relaxing basslines to grow/disappearify pumpkins to

(page 818-825)

Jade irradiates a tasty dinner for Bec, leaving it full of ‘nice depleted steak isotopes’ (p.819). I was wondering about the science behind this, and learned that while radioactive decay naturally gives off heat, it’s probably not enough to cook a steak. Radioisotope thermal generators convert the heat of radiation into electricity, and there’s a lot of theory about radioisotopic batteries that could operate similarly to solar cells, but their efficiency is below 2% in laboratory tests.

This got me thinking about Skaia as a perfect conserver of energy – on page 193, Rose expends six units of build grist to construct three Perfectly Generic Objects. On p.261, she deletes them and regains six build grist. Next page, she uses the recovered grist to build a platform extending from John’s house, and finally on p.485 turns that platform back into six grist to build more stairs. In the real world, there is always a loss of energy and raw materials when changing something’s form, and many games model this (for example, an in game item costing 100 gold but only sold back for 50) to discourage players changing their minds. But Sburb explicitly allows for this experimentation, and a similar principle could explain why Jade’s uranium powered devices are so efficient.

Speaking of Jade’s technology, we see her ECLECTIC BASS, which is a kind of triple keytar. It definitely does not need to exist but it is so cool that it does. Jade (via the narrator) is frustratingly vague again with ‘obviously it's too complicated to play it in person like this’, refusing to clarify what ‘in person’ means, but I’d guess it’s a remote controlled hand or several that can play bass remotely without the limitations of human fingers. Possibly controlled through her other invention: the computer.

Instead of a regular desktop, Jade’s LUNCHTOP works through beams of light emitting from small floating polyhedrons, positioning her literally within the digital space. Amidst floating clouds, extra pixels and jpeg debris, and spinning chromosomes of light is a cool dragon as a wallpaper, icons for Pesterchum, Echidna (probably a browser) and Fresh Jamz!, which has an icon of a musical note over a jar of fruit jam. Is Jade a composer too? Did she write her own hauntingly relaxing bassline that caused the plants to grow? Is this a hobby she and Dave have in common?

Jade’s hauntingly relaxing bassline (p.822) is a great companion piece to WV: Ascend, showing Jade’s island in its current state as opposed to in extended timelapse. The house, with its orbs atop spires, is clearly modeled on a now broken part of the frog statue, and was designed to fit in with the existing architecture and shape of the island (it forms a peak to the small second mountain). The house was built for aesthetics, not function, and is primarily vertical especially towards the top. No wonder Jade ‘almost never use[s] the stairs’.

Putting the timeline together, we know that Jade is about to message John at 16:34 his time (p.110), but they don’t actually talk until 17:25 (p.169), almost an hour later, at which point there’s an explosion outside Jade’s house. In page 822’s animation, an aeroplane flies low over Jade’s island and drops off a delivery (a blue package – something from John, perhaps?). This must be an uncommonly loud sound in a remote area. Depending on how this flash syncs with the timeline, this may or may not be the ‘explosion’. Either way, Jade will be on the computer during the explosion, and as her likely homemade computer involves complete immersion in the digital surroundings, I can believe that she would interpret a noise from her computer as something that’s happening outside her house.

We’ve explored Jade’s room, interests, musical talents, fetch modus, and now computer. In all of these she’s been set up differently to her friends. We have yet to explore the rest of her house and its surroundings (featuring, presumably, strange themed decor, a large humanoid doll and a piece of visual art Jade has created) and to meet Jade’s grandfather, witnessing her attempts to evade and eventually strife with him.

> Jade: Open Echidna and watch your favorite Squiddles episode.

[jedineedlove]

LMK VS Legend

The Guardians of Knowledge

I know that in the show these two are just call the guardians of knowledge,but after an interesting find I THINK I know who that actually are and if this is true it might make season 5 more interesting or not be effected based on the shows perspective, hope you enjoy.

LMK:

In the show these two dont get much screen time they are not given names either. They act as both guardians and keepers of knowledge. They have the physical and vibe of a celestial being. But they actually seem to be more librarians they say that knowledge is for everyone you just need a card. (Hilarious)

Their home the cloud seeming to be a magical /technological connected place out in a desert it’s very hard to tell its location the cloud glitch and the place has a lot of sand around.

These two look like giants but don’t have the size they have the coloring of demons but no horn or fangs but they could be hiding it. They wear what seems to be celestial armor but Azure wore some two along with Peng and Tusk. so there demos that wore them if they worked for the celestial realm.

Legend:

Who, I think these two are actually interesting I think they are Qiānlǐyǎn (Thousand-Mile Eyes), and Shùnfēng’ěr (Wind-Following Ears).

Does this seem similar to anyone?

It's very similar to the door of the cloud. Two brothers in a special pose holding golden weapons and wearing golden clothes, One is red while the other is green. "One is usually depicted as a green demon with large all-seeing eyes. He keeps a weather eye on the horizon, scouring the sea for sailors in need of the sea goddess’s assistance." that is the main physcill description of each of them. They don't wear the right headband but that could be explained because the image of the statue is from Taiwan, not China The two are normally depicted wearing "flowing clothing or open armor to show off their muscular physiques. Apart from their divine sashes, they are commonly shown wearing golden armbands, bracelets, and/or anklets, as well as a tiger skin at the waist." These traits appear to be consistent with all other examples I've seen. Some of these missing parts could been the show's decision. Remember I'm just speculation not stating.

Qianliyan is a Chinese sea and door god. He usually appears with Shunfeng'er as a guardian of the temples of the sea goddess Mazu. Qianliyan's sharp vision is employed to help protect sailors at night and during fog and other inclement weather.[12] In some accounts, he is capable of seeing everything in the world. Qianliyan typically appears as a green-skinned demon shielding his eyes from the sun's glare.

Shùnfēng’ěrThe god's role in helping sailors distinguish favorable winds also prompts the translations "Fair-Wind Ears"[3] and "Favorable-Wind Ears" In some accounts, he is capable of hearing everything in the world, no matter how quietly spoken, and was therefore also worshipped as a witness and guarantor of oaths and contracts. Shunfeng'er typically appears as a red- or brown-skinned demon cupping a hand to one of his ears.

Both demons depicted in art have a hand raised to a part of their heads or faces which is also similar to the Guardians of Knowledge Door mural.

History:

The brothers "Thousand-Miles Eye in the disguise of a lovely girl, lures men into a cave and then devours them. When With-the-Wind Ear sees this, he starts a fight with Thousand-Miles Eye, but in the end the two monsters pledge to become sworn brothers. Guanyin, seated on Mount Potala, orders the Dragon’s Daughter to tell Mazu to subdue the monsters. With the heavenly warriors helping her, she was able to defeat the two. After that, the two become her loyal servants. First, they help Mazu fight a man-eating lion, and subdue the Evil Dragon Monster Later down the timeline of their legend they would reach the JTTW.

JTTW:

That's right these two were in the JTTW you might have recognized their names in the being for t eJTTW readers if you remember them great for those who don't they were the ones that announced Wukong or just Stone Monkey at the time of birth they were sent by the Jade Emperor to find out why his place got set on fire from two laser beams. They are depicted as personifications of the Jade Emperor himselfs' own hearing and sight. That was why I was saying it would maybe be entering in season 5 if the Jade Emperor is gone and they are a part of him does that mean that they're gone?

But then again the show might not have gone that route they have changed a lot of the mythology of the original novel. They could have changed that as well I could not see the Jade Emperor personification of two of his senses living on the mortal plane and as kind-loving librarians or ones that play video games.

Notes:

That along with their origins and roles originally based around the sea why in a Desert and Why Librarians, I could see the show editors taking more of the JTTW versions and seeing the beings that personified ears and eyes they must be involved in knowledge right. They can see and hear everything in the world they must be knowledge-based beings.

Also, everyone else in the show so far has some sort of JTTW connection somewhere. The two must follow that formula.

But if I'm right then these two were literally the first ones to see newly hatched Wukong. So many questions.

Thank you

Hope you enjoyed :)

PS: how I thought of this well I was watching VR gameplay of

The Pirate Queen: A Forgotten Legend

And I saw the red and green statues of the two demons and thought "WAIT............ Hold up.........deja vu ......is that you?!"

[rottenpumpkin13]

I assume Genesis gets irrationally angry at Scarlet and Reno for trying to copy his red/bitchy/dramatic/sexy aesthetic. What happens when he's trying to court Cloud post-canon and meets Vincent?

------ Example:

Vincent: Hello, Cloud. This device is destined for the abyss; it has tested my patience and is about to discover my inner demons. Fix it.

Genesis hears: Hello, lover, let me spout poetry and demand your ✨services✨

Cloud hears: Help I'm an old man and technology is hard, I probably hit delete again.

What Vincent meant: Lucrecia Lucrecia Lucrecia Lucrecia this stupid PHS won't show me her picture please help I'm an old man Lucrecia my sins are many Lucrecia woe is me Lucrecia Lucrecia Lucrecia my suffering is deserved but I long for your gaze Lucrecia....

Genesis, through gritted teeth: I don't mean to sound irrational, but I sense Vincent's feelings for you are deeper than he lets on.

Cloud: Nonsense.

*Cloud turns on the device right as Vincent approaches them*

Vincent: Good morning, Cloud.

What Genesis hears: I want to bed you.

What Cloud hears: Sephiroth. Regret. Pain. Lucrecia. Fatherhood. Depression.

*Vincent walks away*

Cloud, tearing up: He's sad and sees me as a son.

Genesis: WHAT THE FUCK