So I just learned, due to entertaining a child with good ol sesame street, that Elmo (my favorite red kid monster) not only now had confirmed parents with like...ACTUAL names...
but you could also LITERALLY SEE THEM AND WHAT THEY LOOKED LIKE!!
It all started when some kid monster I'd never seen when growing up commented that Elmo's dad made something really well. AND ELMO IMMEDIATELY WAS JUST LIKE: YEP.
And excuse me if I had to replay that to make sure this "dad" person wasn't part of the imaginary game they were playing before I straight Googled that shit.
And was then informed these (fake) people have been existing since 2006!
Which I mean...I know sesame street has a history of expanding their world, adding and subtracting characters, and making changes repeatedly, I grew up watching several of them be made even. I still vaguely remember when Kermit was part of the show and that Elmo's world segment wasn't always a thing and when Oscar the grouch(and trash man) stopped getting as much screen time and no longer had his own segment thing for example. I'm aware of course that they've since added multiple characters I don't know and wouldn't recognize once I stopped watching the show.
But just the fact that they gave Elmo real physical parents that I'm only just now discovering has inner kid me freaking out a bit because I would have lost my shit back then if I got to finally see his parents appear (with explanation for their absence) after only having known him to live alone and be self dependent and mostly sufficient with no concrete anything regarding parentage as far as I remember.
The thing about jonmartin is that Martin wants to be a romantic, he loves poetry and probably watches romance but for him it is a fantasy, a silly game he plays. Martin is at his core very cynical. Things don't work out for him so he doesn't really belive in romance, it is a pretty dream but that's it. He is pratical and realist. Dating Jon he has to remind himself it is real and he actually struggles with romantic gestures, it is something he has to remind himself to do, to remind himself he can do even and honestly who even has the energy and what if Jon doesn't even like it?
Jon on the other hand wants to be cynical. His first coping mechanism was pretend the things he was afraid of weren't real and goddam if he isn't afraid of love. It didn't really work to him so far so it's easy to pretend he doesn't care. But he is a romantic at heart. He saw love and he read about it and he has enough evidence that it is undeniable. And to be honest Jon was always to much a bunch of mushy feelings hidden in a grumpy (and bitter and afraid) trench coat. Dating Martin he has to hold himself so he isn't too much. He plays the grumpy unromantic guy at first. But he just can't stop giving flowers and planing dates (this is the guy that saw a theme park on a fear domain and considered how he wanted to take Martin to a romantic ferris whell date [until he discovered Martin was afraid of them]) and making all the silly things one does when in love.
TR: Martin is deep down very cynical about love but wants to/pretends to be a romantic and Jon is deep down very romantic but wants to/pretends to be cynical about love.
regulily & wolfstar where it's rich as fuck sirius and reg meeting up after years to try to reconnect, and meeting up in a cafe as its neutral ground but remus and lily work there and are just watching as a man dressed in leather and spikes and ripped denim, holding a motorbike helmet, shouts at a man who looks so similar to him but is wearing a black victorian suit and a briefcase with a jack the ripper badge.
Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me
People really do everything they can to avoid having children and to bar children from public places and then wonder why the world seems dull and pointless.
People try to hold onto their own youth, but that just means they stagnate in immaturity. The real way to regain that child-like wonder is to see the world through the eyes of an actual child, and you do that by helping new children to experience the world.
i know the internet is super english centered but i wish it was more common to mention the language whenever theres talk about a voice actor too, just say "the english voice actor of xyz"? that cant be too hard to do right??
i wish there was more appreciation for non-english voice actors!! in english spaces as well as in general! i know the names of many of the english cast for zelda even though i dont like any of them and have never set my game to it but know them simply bc they are the only ones getting any mention and they are always just called "the voice of" making it seem like that is THE one and only voice
im aware that its in part bc i am mostly in english speaking online spaces and the internet IS a very english centered thing but i dont think its wrong to wish for more recognition of other actors for languages other than english or to simply want them to mention to what language they are the actor of
like i dont mean that you gotta talk about every single different voice actor but i think just mentioning it like that more directly implies that there ARE others at all, especially since alot of games dont even do other voices at all and just make english the only voice over even if the game was developed by non-english people, i just find it sad :(
the king had forsaken everything he ever did and fled into his dreams leaving only his dead selfdom and unheard repentance, littering the land in the forms of statues and black eggs and failed tramways and dead children. his corpse somewhere at the end of the world where you can follow his spine to the top and then back, his dreams locked so tightly behind his shame you have to shatter numerous other stories around you just to gain access to his, an act parallel to his reign and his life. you have to fight and you have to demand to get to the pinnacle of what he was so ashamed of and it was love, it stained the sacrifices everyone made in his name, once done with resolution and trust now in vain. the king had a clear beginning, peak, and ending whether in dream or death it wont matter because now he's gone, and the world moved on without him and despite him.
the queen is still there. she imprisoned herself and had a limited view of what was happening on the outside but she knew enough to tell that the plan she played such a big part in has failed. yet somehow, within minutes of meeting you after so long down in her paralyzed kingdom she asks you to do it all over again. the fate of her kingdom is up to you and she makes that clear. she reminisces the past and she does not acknowledge its death. the king's story had an ending, you could argue that he gave it to himself. the queen's is in limbo, she absolutely gave it to herself. you could not change her mind and neither could flowers. and you could not make her face what she has done.