Begging, begging, begging people to stop associating aging and femininity in men/masculine people as Wrong and Predatory. Femininity has no age limit.
To any feminine man, masculine person, or really, anybody who needs to hear this: Your femininity deserves to be recognized and celebrated. Aging is a natural and unique part of life, and you don't have to sacrifice your femininity for fear of being "too old" to be accepted or seen as charming. You are already charming.
There is no limit to being who you are. No matter what you're told, you still deserve to completely claim yourself.
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[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]
I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.
Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.
Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.
I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.
On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.
These two care about each other so much, and they’re way too much alike for their own good.
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ghost fucking soap so hard and so good he passes out but he utterly panics about it
he thinks he must’ve ignored soap asking to stop; was it pain that made him pass out? how bad could it have been to make him pass out when he’s been shot and kept going? should he bring him to medical? he’ll never touch him again, he’ll never so much as look at him again; he’ll ask for a transfer- fuck that, a dishonourable discharge. there’s no coming back from this
he spirals, guilt chasing hatred chasing despair chasing fear, until soap finally wakes back up
soap's still floating, loose-limbed and buzzing; fucked so thoroughly out of his head that it takes him a while to notice ghost isn't in bed with him anymore. he frowns, lifting a heavy head off the pillow and freezes. ghost's on the other side of the room, curled up tight in the corner as far away from soap as he could get without leaving him alone
(he would've left, would've made sure soap never had to see his face again and be reminded of what he did to him, of the monster he’d let into his bed- but he couldn't just leave him unconscious; what if he didn't wake up, he had to make sure he was safe first even if he'll rightfully hate him forever when he does wake up)
soap's voice when he calls out to him makes him flinch, his head burying deeper in his knees. cold worry chases the bliss from his blood and soap pushes himself up but his shaking arms can't hold his weight
the sound of him collapsing back onto the bed makes ghost rear up, his panic growing and soap's heart breaks at his red rimmed eyes
it takes a long time for soap to coax him back to the bed, countless loops of, "sweetheart, please, come here, what happened? it's okay, everything’s going to be okay.”
(and how ghost’s self-hatred grows hearing soap comforting him; hearing the concern and love in his voice when he doesn’t deserve a drop of it)
it takes even longer for ghost to believe soap when he says that he passed out because he felt so good; that he never asked ghost to stop, never wanted him to stop. that he trusts him more than anything and knows he'd rather die than ever hurt him, especially like that
“you’re not a monster, love,” he promises, soft with conviction and it’s as much a surrender as a relief when he collapses into his lap and lets him hold him close
ghost believes johnny but he still can't bring himself to be intimate with him for a while; that fear still haunting him, but soap doesn't hold it against him, doesn't complain about ghost's perceived "step back" in their relationship
hell, ghost seems to hate it more than he does; he misses being with soap, misses the connection, the closeness they shared, the safety and quiet he found in his embrace, but he's always trusted soap more than he trusts himself
soap doesn't let him be consumed by his fear or worse, sabotage them and turn it into a punishment; doesn't let him even get through the suggestion of switching because he knows how much he hates it and he won’t let him twist something as good and pure as their physical love into something self-harming
instead, he brings them back to the basics, working through the steps to get ghost comfortable with intimacy again, to get him to trust himself again; spends happy months just grinding and exchanging handjobs like when their relationship first started
and it's a happy day for them both when soap finally falls apart on his cock once again, anxiety the farthest thing from ghost's mind when his arms are wrapped so tightly around him, kissing a smile against his lips
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am i gonna put you in the book acknowledgements am i gonna be able to say your name without flinching am i ever gonna get a word in edgewise am i ever gonna recover the time i spent with you. computer virus kid; i arrived in your life already begging to be let in. somehow insecure i could even be your friend. like you had a line outside the door and we were all shifting our weight, begging.
you're so fucking good at that - at making people feel like they need to earn you, like you're a commodity none of us can afford. no kindness or careful communication could work on you - you were so good at just going-ghost, about deciding someone just wasn't cool-enough. something about that is super ironic. even the parts of it that weren't romantic felt like a romance book. i wanted you to like me so badly i scrubbed myself clean just so you'd spare me - what. your favor? a look?
okay okay okay. it's just a friendship - if it was even true that we were friends, if you even saw me as someone you trusted. on reddit someone would tell me girl literally just cut her out of your life, it's not that difficult. even i was aware of how fucked up the whole situation was. like, why the fuck do i even care about your approval? you're like, not even that fun to be around. you are often a little bit cruel.
but for almost four years of my life, i thought i had found someone like me. somebody who liked the same things i do. someone who liked to read and who liked making jokes with esoteric references and who spent maybe too much time on the internet and who was absolutely a little bit pretentious. i don't know, something about that was powerful and addictive.
i keep thinking about our last conversation. about how i said - okay, enough is enough. you pushed me too far, you really hurt my feelings.
and how you laughed and said - you think you're the victim?
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# Dcu x Dp 154
After Danny was able to escape from the GIW he moved to Gotham where he fell in love with Jason Todd aka Red Hood.
One day as Danny was in his room Batman himself appeared and pretty much told him he knew who he was and what he was. Danny thinks that he knows about the ecto acts and is there to turn him in.
He did not want Batman to find out that Jason was also an ecto entity so Danny did the only thing he could in his panic, he left a note that explained what happened and that he was breaking up with him to protect him and that he would brake if Jason is ever caught, that he does not want Jason to look for him.
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Johnny 13 is the Black Racer
I like the idea that Danny would promote many of old rouges to higher positions once he became King, and this one seemed obvious to me
(I looked it up and apparently the Black Racer uses Ski's, not a motorcycle like I had thought he did. Either way, it works)
Johnny is promoted to be a representation of the Concept of Death. He uses a Motorcycle, and has Shadow make him look more intimidating when he is on the Job.
When Johnny complains to Danny that he isn't fast enough to catch any Speedsters, he has Ellie (the Speedforce) give him some of her Power so he can catch them.
So now Johnny 13 is the Black Flash.
Idk what to do with this, but I liked the idea too much to let it just go unsaid.
Thoughts?
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