#also every time we learn this kinda thing i have to wonder if it also applies to cecil

[mikashisus]

connections between venti and arlecchino that i found particularly interesting, a rambling 🗣️

ARLECCHINO STORY QUEST SPOILERS‼️‼️

(these r just some cool things i found kinda sus and interesting. this was for fun.)

1. first, my thoughts on clervie — specifically what she says in response to learning about mondstadt:

2. the similarities between arlecchino and venti regarding “freedom”:

venti fought for freedom that was earned, and eventually became the god of freedom shortly after he earned said freedom.

he also tested vennessa. he tested her by saying he could grant her freedom and waited to see if she would leave the cell with him, but she didn’t. she stayed and showed him how freedom was meant to be earned, not given. venti was more than satisfied with her answer and left.

venti has shown time and time again that he believes freedom is meant to be earned. at least, that’s how i see his character and his ideals.

now i want to bring up what arlecchino said towards the end of her story quest. i find it interesting how she also believes that freedom is meant to be earned, not given.

pretty interesting.

3. now for my own personal rant and theories:

“freedom” itself is always being mentioned in this game. it started in mondstadt, the nation embodying freedom. the god of freedom himself entered the fray and showed us what freedom truly meant.

liyue was “freed” from their own god, who saw it time to step down from his position as archon and left the task of ruling & protecting liyue to the humans.

wouldn’t say there’s much freedom in inazuma tbh. unless you count the people being “freed” from the vision hunt decree and the sakoku decree.

nahida being freed from the hands of the sages/akademiya.

furina being freed from her curse and the act she played out for 500 years.

i wonder if we’ll see any freedom in natlan too.

ANYWAYS, ALL THIS TO SAY (i didnt mean for this to become a venti rant, i have constant venti brainrot) — i believe that venti and freedom play an ENORMOUS part in the lore of the game and we haven’t seen anything yet.

i am a firm believer that venti is one of the most important characters in this game. bro has lore in literally every nation, maybe with the exception of fontaine (iirc, there hasn’t been anything in fontaine calling back to barbatos).

he even has lore in the chasm and enkanomiya, which says A LOT. i haven’t finished the remuria world quest yet, so idk if there’s any lore about him or istaroth sprinkled there too. tbh i wouldn’t be surprised if there was.

everything always comes full circle when it comes to venti. he’s everywhere, which is pretty cool to think about when you realize that he’s supposed to be the embodiment of the wind, which is everywhere all at once and can hear everything.

which brings me to my last point —

4. this voiceline from arlecchino about the wind.

hmmm.. 🤨

[little-hermit-crab56]

I've been writing for a while so I thought I'd share some writing tips I've learned along the way.

1. Never sacrifice the flow for a quirky line.

That bit of dialogue or flowery paragraph you really like but it kinda disrupts the flow? Scrap it. I know it hurts, but you need to. If you really want to keep it, find somewhere else to put it where it actually fits in.

2. Dialogue is a dance.

Dialogue should go at the pace of an actual conversation, back and forth with little breaks and pauses. Add as little dialogue tags as possible while still making it clear who is speaking. You can also describe what is happening during a pause in the conversation rather than saying they paused, unless the pause is important.

3. Show don't tell is a guideline, not a rule.

Show don't tell is a very useful guideline, but if you're ALWAYS showing it can get exhausting to read. Skip the boring bits and just tell us what happened, then we can get to the good stuff.

4. If it's boring to write, it's probably boring to read.

If you can cut out a whole scene with little consequence to the story, you probably should. As I said before, you don't always have to show us, you can always tell us.

5. Everything needs to have a purpose.

I know there are probably lots of interesting or cute scenes where your characters are just fucking around, but if it doesn't develop character, relations, conflict, or plot, why should we care? Definitely still write them if they make you happy, but if you're gonna add it to your final draft, make sure it matters.

6. You don't need to explain everything all at once.

I know it feels tempting to put all the lore, and all the character's intentions, and reasonings into the first few chapters, but please refrain, you can reserve that for your character and worldbuilding sheets. Instead, take the time to let us get to know the characters, and the world, in the same way we'd get to know a real person. Make your exposition as seamless and natural as possible. It will take practice to know when to reveal information and when to let us wonder, but you'll get there.

7. Write in a way that comes naturally.

I know you probably have an author you wanna write just like, but that is unlikely to happen. Embrace your natural writing style and perfect it, rather than trying to be something you're not. Writing is an art, you need to find your own style and polish it as best you can.

8. Try to make us feel connected by cutting out certain words like "felt".

"Chad felt like a glass of water." Can be replaced with, "Chad was thirsty, so he reached for a glass of water." Both sentences tell us Chad wants a glass of water, but one makes us feel more connected to Chad than the other. Though both sentences have their time and place, you want to make your audience feel as close to their protagonist as possible. Make them feel like they're there, rather than just an onlooker.

9. We don't need to know every physical detail of your character.

I know you probably spent ages creating the perfect characters and you want to give us the perfect image of what they look like, but it can get monotonous and boring, why do we care that your character has brown eyes unless the colour has some sort of significance? Try to list off only the most notable features of your character and put focus only on the relevant details. Sometimes you can even not describe them at all and throw in little bits of information about their appearance for the audience to put together. We read to imagine, not to have a perfect image painted for us when we could be getting to the plot.

10. You're allowed to be vague.

Allow your audience to assume things, with some things you can just be lazy and let your audience's imagination do the work for you. Of course, don't do this with important things, but you can save so much time you might've spent researching an irrelevant topic when you can just be vague about it. You don't have to know everything you're writing about, so long as you know the bits that matter.

11. Writing is a skill that takes practice.

Don't be so hard on yourself if your writing is a bit cringe, we've all been there. The important part is that you research how to get better and keep writing those super cringe chapters. One day you'll reread something from a while ago and realize you're actually not as bad as you thought.

12. Leave your work to rest.

I know you wanna start editing right away, but once you've finished, leave it for at least a month. The longer you leave it the better, but that depends on your attention span. A month to six months is good if you're really impatient but want a good result. If you keep writing in that time your skills will continue to improve, then you'll be editing that draft with fresh eyes and fresh skills.

And if you're a fanfic author, I usually leave my chapters for a week before editing and posting.

Hope this helps anyone struggling, I thought this might be especially relevant now with nanowrimo.

I recently realized how much knowledge I've been accumulating over the years, I definitely have more but this is all I can think of for now.

I'm no writing guru, but if anyone has anything they're struggling with, I can do my best to help you out, so dont hesitate to ask questions.

[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? Why don’t you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips �� “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

[rucksackmentality]

List of the truths shared in Nana Morri's Honesty trial (C3E79):

Imogen: I am genuinely scared to meet my mom again.

Laudna: Deep down inside, both Delilah and I want the shard...Fearne should have it, but I don't know anymore what's my opinion or desires or feelings, or hers.

Imogen: I love Laudna deeply but I'm disgusted at the thought of Delilah looking at us all the time.

Orym: I'm super lonely all the time, especially at night. It doesn’t matter if I'm bunking with one of you guys.

FCG: Sometimes I pity some of you because you have beating hearts and opportunities and you don’t do enough with them...Chetney, you have so much love to give and it doesn't seem like you're interested in anything other than wood! There's people out there who you could love and experiences you could share with someone else, but all you care about is wood!

Orym: I've always kind of laughed it off but I guess I do kind of wonder if Chetney is my dad.

Ashton: I am the reason that the Jiana Hexum robbery went fucking wrong, and the reason why I got thrown out of a fucking window.

Fearne: I feel like we’re very ill-equipped for this job and we're going to fail at saving the world. (Laudna: Honestly that's probably true, I'm right there with you.)

Chetney: While wood may be the superior material to metal, I do fear that, with the dwindling interest in it, that children will find my toys - and thereby myself - obsolete every year I grow older.

FCG: I think it's something buried deep down in my circuitry, but every time I hurt or kill something - it feels really good. It makes me sort of relax a little bit and some of my stress goes away.

Imogen: I know we're supposed to save the gods, but I've tried talking to them my whole life and none of them would ever respond. I think I'm tainted. I dont know if I want to save gods that don't love me.

Laudna: You know we could rip-cord out of [saving the world] at any moment...right? And sometimes I fantasize about it all the time.

Fearne: I sometimes do stuff to you guys while you're sleeping - not weird stuff, I just like to look at you closely...and maybe like, twiddle your hair or braid it. Nothing bad!

Ashton: Whenever it starts to get quiet, I start worrying that one of us - most of us - are going to end up killing another one of us accidentally...I have panicked thinking about when one you kills another one of us.

Orym: I have all the faith in the world in you guys...and I have also spent time thinking of how to neutralize each of you.

FCG: I kinda worry that I put all my eggs in the Changebringer basket and she might betray us all. I had a really weird conversation with her and I think she's just out for herself and she might not really care about me - but what if she does? And I'm saying horrible things?

Imogen: Fearne, I was really disappointed in you for running away from your power. You should take the shard!

Orym: I really miss Dorian, and sometimes I think that's okay, and sometimes I think it isn't.

Ashton: I feel fucking worse that I just fucked up Fearne's life way more than mine and I should've died instead of that happening.

Chetney: I grew up in the Bramblewood outside of Westruun, and when I was a kid, I came back from learning how to make toys and found that my whole family had left. All they left behind were toys. They ran when Errevon the Rimelord was running across the plains, and so I'm kind of afraid of dragons. And I had five siblings - Alabaster, Pepper, Sugarplum, Hermey, and Chad - and I was so mad that they left I never looked for any of them, and now I'm pretty sure they're dead. So I think any family I have is just gonna look for a reason to leave me. That's why I don't get attached to anybody.

[olderthannetfic]

Now I'm wondering how countries like Japan and China teach literacy.

Since kanji / hanzi don't really have that much in the way of phonetic elements, they kinda have to teach them by memorization and I don't think they have many reading comprehension problems over there.

(Although both countries do have supplementary phonetic writing systems in the form of bopomofo and pinyin for China, and the kanas for Japan)

--

FAVORITE SOAPBOX TOPIC UNLOCKED!

RELEASE THE KRAKEN!

It's a little closer to teaching vocabulary than spelling, but the same kinds of principles apply: You teach the building blocks, like the traditional radicals, which aren't so different from teaching Latin and Greek roots in an English class for English speakers.

And, as a matter of fact, lots of those radicals do predict pronunciation, just not in every single case. They can also be clues to meaning, but again, not absolutely consistently. Many characters have a sound-cueing radical on one side and a meaning-cueing radical on the other. It's just that only some are still useful in the modern day, while others are more like the English word 'plumbing' where knowledge of Roman lead pipes explains why this word comes from the one for lead, but the root probably wouldn't help a kid learn the word in the first place.

One similarity to teaching phonics would be teaching students to tell very complicated and similar characters apart: you want to help a student spot all the little building blocks of the character and then spot the ones that are different, not just glance at the whole character and get a general overall vibe. If you do a whole look-based approach, too many characters are too easy to mistake for one another.

Remembering a bajillion Chinese characters is hard if you're trying to memorize them in a year and not all of elementary school, but I think people who don't read them underestimate how many component parts there are and how approachable they can be if you start by learning fundamentals, not just memorizing a few individual characters as though they have no relation to anything else.

They're actually pretty systematic, just in the way that English spelling is with its overlapping systems and historical artifacts, not in the way that highly regular Spanish spelling is.

Having taken a lot of Japanese classes, I will say that Japanese as a foreign language textbooks often do a piss poor job of this and totally do teach kanji in a sight words-y way... But my Mandarin class started with important foundational concepts that served me well in Japanese later even if I bombed out of Chinese class at the time.

Can you tell how irritated I am by all the foreign language learners who think characters are sooooo hard when, really, it's just their crappy textbook? Haha.

They're moderately hard in the way that learning a full adult spectrum of vocabulary is hard, but people do that for foreign languages all the time. The countries that use characters do tend to make sets that are smaller for certain kinds of applications, same as we have things like simple English wikipedia, but a literate adult will always know lots more, whether it's from their career in engineering or their predilection for historical romance novels.

Uh... anyway, the answer is "Bit by bit in elementary school, just like in any other country".

[bonny-kookoo]

Jungkook

X♡X♡ [SEVEN DAYS] Day 1

You're struggling a bit to comprehend the fact that you really did agree to this whole week-long thing with him. Luckily for you, Jungkook knows exactly how to ease you into things. But wait- why is he naked?!

Tags/Warnings: Porn with a lot of plot basically, inexperienced!reader, Dom!Jungkook, BDSM themes and elements, non-sexual nudity, safeword discussion, Corruption kink, some backstory on JK, Shibari, wax play, Dom/Sub dynamics (beginner/introductory), minor sub-drop, slight angst, dry humping, cumming inside underwear, massages, mentions of primal play, mentions of pet play, very light orgasm control, hinted praise kink, JK in nothing but dark grey Calvin's for like... 90% of this, hinted big dick!JK, they both in love it's kinda cute,

Shibari: a form of artistic bondage using rope to create visually appealing patterns on the skin.

Wax play: the use of body-safe candles to drop wax onto someone's skin.

Corruption kink: gaining pleasure from corrupting a seemingly innocent person.

Length: 6k words

-> Masterlist

A/N: I'll include a short definition of the kinks in every chapter because I just know someone's gonna ask/complain that I don't explain things enough in my works haha. Also my smut writing is kinda rusty I've noticed, so I apologize for that as well...

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"So.." You say through your food, chopsticks seemingly aiming for any piece of meat that could be done next on the barbecue in front of you on the table. "..do we like, need some fifty-shades-of-grey-type contract?" You ask Jungkook, who rolls his eyes.

"Absolutely not." He shakes his head, drinking some water. "Don't tell me you saw that movie too." He asks, and you shrug.

"Saw it with Jimin and Yoongi back when it was in the theaters." You say. "Yoongi said there was a lady who literally masturbated in the front rows, but I don't believe that. Who would do that in public?" You cringe to yourself, and Jungkook watches you for a second.

He's gonna put a no on voyeurism for you then, judging from that reaction.

"I'm surprised Yoongi went." Jungkook chuckles.

"Me too. Wasn't really sure why he did." You tell Jungkook, snatching a piece of meat for yourself. "He just complained over it the entire time anyways."

"Yeah, well-" Jungkook says, reaching for the scissors to cut up some meat. "-he's in the same scene as I am, so I'm not surprised he thought the movie was dogshit too." He explains, and your eyes widen.

"Wait, Yoongi ties people up too?!" You hiss, and Jungkook can't help but shake his head, laughing to himself.

"That's the tamest thing he does." He laughs. "Yoongi actually.. showed me most of the things I know." Jungkook offers, putting the scissors back to the side to instead pick up his chopsticks again. You wonder what he means by that.

"Like.. what?" You ask him, unsure- but you can't deny the curiosity inside of you. You had a hunch about Yoongi for a while now- and in a way, you can see him being in the whole scene a lot more than Jungkook. Jungkook is your fluffy buff but cute best friend- Yoongi has this odd aura to him that feels almost like a warning that he's hiding more of himself than he shows.

"I'm a Dominant person, right?" He asks you, and you shrug. "I like to be in charge, command and take the lead during.. scenes."

"Yeah, that part-" You say, stuffing a steaming piece of meat into your mouth, almost burning your tongue, "-I know about that stuff. Like, dom and sub, top and bottom all that." You nod, and he acknowledges it too.

"Good. Then you probably also have read that the best Dom's have been sub's in the past." He simply tells you.

"… so Yoongi tied you up before?" You ask, and Jungkook lets his head fall for a second.

"You're so cute sometimes, you know that?" He shakes his head, before he continues. "No, he actually didn't. I learned that part all by myself." He explains gently. "But before I could take charge, I had to learn. Someone had to get me into this stuff somehow, right?" He shrugs.

"So you and Yoongi were a couple at some point?" You ask, but he shakes his head.

"Yoongi and I had something similar to.. us, one could say." He explains across from you. "Simple exploration, nothing more than that." He tells you, before his chopsticks reach out to steal a piece of food right from between yours- and when you look up, he's staring right at you. "So now that I think of it, Yoongi and I had nothing like we do." He says.

"H..how so?" You ask, slightly intimidated.

"Because I don't just want to explore and leave you be after this week." Jungkook says. "I hope you know that I'm aiming for something entirely different here."

"For what?" You wonder, and he leans back, crossing his arms, grill in between you both sizzling loudly.

"Your trust." He shrugs. "Your love." He offers.

"What if I can't love the same as you do?" You say, a little defeated. You know Jungkook likes you- it's no secret. And you know he knows that you like him too- because it's no secret either.

"Then we'll search until we find what works." He responds.

"But-" You start, but he reaches out instead, a warm hand over yours cutting you off in midst of your sentence as he speaks to you, voice just as warm as his skin.

"I won't give up without trying first." He tells you. "And neither should you."

◇━━━━━━━━━━X♡X♡━━━━━━━━━━━◇

"Why here?" You ask, as he adjusts the couch into a makeshift bed for the time being. You'll be staying the entire week with him, and you'd agreed to that, because you've stayed over a lot of times before. Jungkook's apartment is nothing new- it's familiar, like a second home, warm and comforting.

"Because my bedroom is too intimidating-" He starts, tucking in a bedsheet in the corners of the couch. "-and I don't want to ruin your own with memories that might be unpleasant." Jungkook offers.

"Oh." you simply say, unsure. You've not yet thought about the possibility of him doing something you.. don't like. What happens then? Will you have to leave, or will the week end before it's even begun? Will it make things awkward, and weird?

"Hey." Jungkook calls out softly, holding out a hand. You look at him confused. "The blanket?" He asks, and you remember now that you're holding one for yourself to sleep under tonight, giving it to him. He puts it in a corner for now, same with the pillows, before he pats the couch for you to join him on. "Are you scared?" He asks, and you shake your head- albeit a little unsure.

"Just.. nervous." You say. "It'll be weird."

"Maybe." He admits. "A lot of things are weird first time. Nothing wrong about that." He shrugs.

You sit down on the makeshift bed next to him, when he chuckles, and brushes your hair over your shoulder. "I'll go shower real quick, alright? You just get yourself comfortable." He tells you, and you nod, watching him as he leaves to walk into the bathroom, closing the door behind him.

It's clear that he's taking his time in there, because even after an hour, he's not yet returned. Or maybe longer? You're not sure, because you know you've somewhat dozed off on the bed when you feel his hand on your shoulder, simple strap top giving him access to a lot of bare skin there. He smells nice, and when you reach out, his skin is warm.

Wait- skin?

The moment you open your eyes you're greeted with his bare legs- he's only really dressed in some… dark grey, very form-fitting Calvin Klein's that pretty much hide almost nothing, really. It makes you sit up suddenly, body having to take a moment for a second after the rather sudden movement, a chuckle heard from Jungkook who seems entirely unbothered by his almost-nudity. "Sorry I took a bit longer. I had to get some stuff." He explains, sitting up properly himself.

"Why- why are you naked?" You ask, unsure where to look. In his opinion, you're so.. adorably shy just from the mere sight of his bare skin that it makes his inner desire stir a little. The fact that he's gonna be the one to really help you discover some of your hidden fantasies gives him chills- the good kind, of course.

He can't wait for what you might be hiding.

"I'm technically not." He raises his brows playfully, before crossing his arms- noticing the way your eyes focus on them for a good moment. "And considering why you're here, you'll soon have to get undressed too." He shrugs.

"Oh.." You hum yet again today, looking down on your body. You didn't really think about that. Compared to his toned body, you're.. an embarrassment.

"A body is just a body." He tells you. "I know you don't like yours, but I promise you it doesn't look the same to me as it does to you." He reassures you.

"Do I have to.. like.." You mumble, and he understands.

"You don't have to do anything." He promises. "We can just forget about this whole thing-"

"No!" You deny, shaking your head immediately. You do want this. You do want him to.. love you the way he does love others. Or maybe you want to somehow make him love you in a more.. special way. You're not sure- you don't really know what exactly you want right now, but you do know that you trust him.

You trust him.

"I trust you." You say out loud, grabbing the hem of your shirt- when he reaches out.

"..can I?" He wonders, and you nod, raising your arms without thinking so he can easily pull the item of clothing over your head. It's cute, the way you already feed into his own interests and kinks, without even knowing- and is that a piercing decorating your belly button? "Good girl." He purrs, lifting your shirt over your head, before slip out of your leggings, sitting back down. His hands move around your back slowly, fingers easily finding the clasp of your bra to undo it, letting the piece of underwear fall down easily from your shoulders and into your lap. "Hey-" Jungkook says, and you look up at him. "-you're fine." He smiles, and you nod.

You're fine.

"You can keep on the rest." He says, referring to your panties. At least you chose some cute ones, you think to yourself a bit relieved, as you nod. "I know you said you can't imagine it-" He starts, grabbing some pale pink and rather… delicate looking rope from the side. "But I'd like to try it, still." He asks, and you nod. "I won't restrain you this time. I'll only show you what it feels like, so you can decide for yourself if you enjoy the sensation or not." He says, and again, you only quietly nod. "But before that.. we have to address this first." He chuckles, looking at you. "I need.. verbal responses from you. Not just somewhat of an answer."

"Like.. do I need to call you sir, or something?" You ask, and he smirks.

"If you want to, you can." He smiles. "But you don't have to. A simple yes or no works just fine for me. And-" He adds on, undoing the neatly folded nylon rope in his hands as he speaks. "-We need a safeword."

"A safeword?" You repeat, and he nods.

"Something other than stop or no that you say to end a scene and get you out of whatever position you might be in." He explains. "Preferably something odd, that you wouldn't normally say during sex, so it won't be used by accident."

"So like.. Tiger?" You ask, not really thinking about it, and he nods.

"Tiger it is." He agrees, tapping your folded knees. "Turn around for me, yeah?"

"Yes." You say, moving to sit in front of him, making him chuckle.

"Cute." He comments under his breath, before he positions the rope right under your chest. "Tell me.. what do you usually do?" He wonders, and you don't answer for a moment.

"Like.. when I do it myself?" You ask, and he hums an agreeing reply.

"Yes. I'd like to know." He tells you. "So I'll have somewhat of an.. idea what is safe and comfortable for you." He explains his reasons, while he moves and adjusts the pale pink rope around your torso. You've almost instinctively moves your hands to hold onto your neck so your arms are out of the way, and he can't help but grin about that.

So much to 'I can't see myself enjoying that'.

"Uhm.. I don't know-" You begin, unsure how to really talk about that. "I have like.. toys, n' stuff, and I usually do it in the bathroom cause I get the bed dirty otherwise.." You explain.

"Toys?" He asks, pulling the rope snug in some places- and while it's tight, it doesn't bother you at all, surprisingly. You understand when he said that some people feel some sense of security from it- it feels actually quite nice, even the knots you can feel dig a bit harsher into your skin.

"Yeah like.." You take a deep breath, somewhat to test if that's still a possibility- and you can, while his fingers seem to adjust some knots in the back. "..a normal… dildo." You cringe at saying it out loud, moving on quickly. "And a vibrating.. thing. I don't use anything else." You admit, and he chuckles, as he taps your butt.

"Sit up for a second." He commands, and you do so, letting him guide the two ends of the rope in between your legs before he helps you sit down again. "So other than that, I guess you just use your hand, am I right?" He assumes, and you nod.

"Yes." You add on quickly, squirming a bit at the sensation of the rope between your legs. You have to control yourself. It's clear that he said he doesn't want sex- yet.

"You're free to get.. turned on, by the way." He tells you, teasingly pulling on the ends that run through your legs as if to underline his statement. "After all, this is about you."

"But-" You complain weakly, trying not to move to much. "-What about you?" You ask, and he shrugs, something you cannot see.

"I'm getting my satisfaction, don't worry." He explains. You're not sure how that would work- but you don't question it either. Say.." He starts, tapping your elbows. "How do you feel, right now?"

"Good." You nod to yourself. "It's.. surprisingly comfortable. It feels nice." You say.

"It looks nice, too." he offers, hands moving over your skin, causing goosebumps to erupt on your skin. "Very pretty." He praises, and you decide you don't care if he's just speaking about his work- you take this praise for yourself, using it to fuel your own emotional state in this moment. He runs his hands over your arms that are now comfortably down, hands holding yours for a second. "Let yourself go." He chuckles. "You're still tense."

"I can't help it.." You complain weakly, unsure what to do. It does feel nice, you want to move- but in a way, it's not quite right yet.

"Then maybe I can help.." He offers, hands testing the waters it seems like as they run over your thighs, just touching, nothing else. "Would you want that?" He asks, and you nod, eyes closed. "Words, darling." He demands, face close to yours while his fingers suddenly dig into your skin, gentle punishment for not following what he'd told you to do at the beginning.

"Yes.!" You almost gasp out, when one of his hands moves to grab onto the back of the artistically tied harness, pulling you, arching your back for you as he forces you to rest your upper body against his arm. You can practically feel the way your underwear soaks up your arousal, rope suddenly moving a lot more easily with the help of it between your legs.

"Show me how your hips can move." He hums into your ear, and what should feel weird comes naturally. Like in a trance you follow his words, let yourself fall because he's basically seeing all of you right now anyways- and he's seen much more before, so how bad can it really be? You trust him.

You trust him.

You can hear his breathing right next to your ear, and your hand starts to wander- before it stops. "Can-" You begin, swallowing down before you can continue. "can I touch you?" You ask, unsure if the same rules that apply to you apply to him as well. It's only fair if they do, right? It's only fair to ask him for permission, right?

"Yes." He answers, and with that, your hand blindly searches- finds his knee, moves up his thigh, warm skin underneath your rather cold fingertips earning a change in the pace at which he's breathing in. You hold onto his leg for a moment, feel the muscles move underneath the skin for a good while, as you become more and more desperate for a release of any sorts. You want to touch him too, but you don't know how- so you just leave your hand where it is, not moving any further.

His head, meanwhile, leans down into the crook of your neck, placing soft kisses there, while the hand that's not holding onto your harness moves over your chest, grabs onto the soft flesh with almost rough motions. You can only imagine the sight of his inked hand holding strongly onto your skin, thumb running over your nipple as your breathing hitches, legs moving in any way you can imagine to adjust your position.

But it's not enough.

Only when his hand sneaks between your underwear, the rope and your skin do you finally make any progress, breathing heavier as his fingers seem to play around with you just the way you like it. And it doesn't take long for you to come undone, back arching more, eyes clenching shut as he helps you ride it out for as long as you can.

You notice after a moment or two how he has already begun to untie you- and in a way, you're confused.

"What're you doing?" You slur a bit exhausted, surprised yourself how much energy this seemed to have taken out of you.

"Untying you." He chuckles, continuing to undo all the knots while he holds you close to him.

"Yeah but.." You mumble, moving a bit so he can reach your back better. "What about you?" You ask, and he shakes his head.

"This isn't about me." He declines. "And I've had my fun, don't worry about me." He reassures, gently pulling out the rope from between your legs, making you cringe as you feel how wet you are down there. "There we go." He softly hums, running his palms over the red skin where the rope has left it's mark here and there. It doesn't hurt- though you do have to admit that your back and neck are kind of sore now. "How do you feel?" He asks, and you shrug- hissing when it stings.

"I think I pulled something, dunno.." You say, sitting up as he rolls up the rope again, setting it aside, before he helps you sit properly for a moment. "I'll go wash up.. sorry for the uhm.. sheets.." You mumble as you see the damp spot where you've sat on.

"No problem." He shakes his head, getting up as well to help you up. It's only when you enter the bathroom and Jungkook is still behind you that you suddenly question what's going to happen next. "What?" He chuckles, amused.

"Uh.. I need to.." You struggle, unsure how to tell him what you want to say. "I wanna shower?" You question almost, and he laughs.

"I know." He confirms. "And I wanna make sure you're fine." He tells you, and you look at him confused. "You might feel fine right now- but once that adrenaline goes down-" He tells you, a finger gently tapping your collarbone. "-you might not be."

But you cross your arms, stubborn as you are. "I'm fine." You tell him, and he smirks suspiciously, looking at you with his arms now crossed as well. "You said a no means no and I'm saying no right now." You huff, and he reacts at that-

though not in the way you thought he would.

Because he simply nods, uncrosses his arms, and sets some towels out for you to use. "Don't worry about running around naked, I'm not bothered." He simply snickers, before he leaves you alone, a moment of silence soon interrupted by him moving around in the living room, presumably changing the sheet over the couch. You slowly take off your pretty soiled panties, putting them in the hamper to wash before you get into the shower to clean up.

And much to your own dismay, Jungkook seems to be right, because suddenly, as the water runs over your skin and you're almost done cleaning up, you're not fine anymore.

Dark, rather upsetting thoughts suddenly grow inside your head, making you feel not shame- but something almost like regret. You should have insisted to do something for him, right? Maybe he wanted to shower with you because he felt like you were abandoning him.. just because he is a guy, doesn't mean that he's without any feelings. Did you upset him? He probably won't tell you even if he did.

A knock on the bathroom door is heard, and you're busy trying to pull yourself together, when Jungkook's still bare arm reaches out to turn off the shower, before he wraps a towel around you. Quietly he dries your hair with a towel before he leads you to your makeshift bed, now with new sheets, where you sit in silence until he returns with brush and hairdryer. Everything goes by in a blur, until you feel Jungkook's hands on your shoulders, his legs next to yours as he holds you close to himself.

You're waiting for the 'I told you so'.

But he doesn't say it.

Instead, he simply silently sleeps on the couch with you, letting you cling onto him throughout the small nap you take in the middle of the day as much as you want.

◇━━━━━━━━━━X♡X♡━━━━━━━━━━━◇

A few hours later, when you wake up, things are.. weird. Just like you feared.

Jungkook is still sleeping heavily, right behind you with you laying on one of his outstretched arms, biceps serving as a surprisingly comfortable headrest. He smells nice, his body is warm, and he looks relaxed as he still slumbers away.

And yet, you feel odd.

He just quietly took care of you after.. what you did a few hours ago, but you don't understand why you actually felt that way. You know that it was irrational of you- nothing had happened, everything was fine, you made a decision that you felt most comfortable in. So why were you so distraught over it later?

Well, he told you that you might end up like that. You just didn't listen.

He slowly stirs behind you, waking up as he watches you already sitting on the couch, wide awake. He's careful but not overly cautious as he slowly gets up as well, simply observing for a minute or two before he decides to speak up.

"How are you feeling?" He asks, and you shrug. You're not sure. You don't know it yourself.

"I don't know." You answer because of that, because you can't give him anything than that.

"Hm, I can imagine." He hums simply, running a hand through his chaotic bedhair. "I knew you'd drop, but I also knew.. you had to experience it yourself." He shrugs, watching you with still sleepy eyes.

"Drop?" You wonder, and he nods leaning back on his hands.

"Think of it as.." he thinks for a good example, "when people go to concerts. And they end up crying afterwards. It's the same principle, at its core." He says, and only now, as you turn to face him, do you realize you're only wearing panties- just like he's only wearing his boxers, making you snatch up the blanket to cover yourself. You earn nothing but a chuckle from him. "What we did together gave you a rush. And without any aftercare, people crash down from it." He explains softly.

"So that's why.. you wanted to shower with me?" You ask. "Aftercare?" You wonder, and he nods.

"Its important. For everyone involved, not just the.. one receiving it." He offers.

"Were you.. upset?" You ask, and he shrugs his shoulders.

"A little." He honestly replies, and you're thankful for that. It only adds to your reasons to trust him.

"I'm sorry." You say, pulling the blanket a bit closer. "I didn't know."

"Now you do." He simply chuckles, a hand on your back as he gets up, and walks into the bathroom, getting some things you assume before he emerges again. He's still almost naked as he walks back to you, smiling in a friendly manner as he sets down a towel, and tells you to lay down on your stomach on it. You do as told- determined not to push him away this time.

He notices that change in your behavior almost immediately- and he can't help but feel excited about it.

You're swaying your legs a little as you watch him light a candle close by, setting it on a table for now before he leans back and watches you it seems like. You realize it's one of those he'd received in that package earlier today- and you're curious. "What're you doing with that?" You ask, chin on your arms.

"I'll.. let some of the wax drop onto your skin." He says, chuckles when you tense up. "Dont worry. They're body safe, very low melting point. I'm only using things I believe you can handle." He offers, when you feel something drop onto your back- right between your shoulder blades.

True. It's hot- but not unpleasantly so. Maybe like the warmth of a cup of tea maybe.

"After all…" he hums, one more drop under the last falling down. "…You're not only getting to know me.." he continues, voice almost.. sensual as he speaks, another two drops falling in quick sucession of one another onto your skin, straight on your spine. "…but I'm getting to know you, too." He tells you with amusement, free hand softly running over your back. "Your body is talking to me a lot more openly than you do, darling.." he purrs teasingly, and only now do you notice how dark it is in his apartment. How long did you two sleep? It must be almost nighttime by now- led lights and flame from the candle illuminating the room enough to see comfortably, while he runs his fingers over your skin, another set of drops falling down the length of your spine.

It's almost agonizing how slow this all is. Frustrating, even. But you try and stay composed, maybe that'll earn you praise?

It's only when he sets the candle aside, and starts to dig the heels of his palms into your muscles that you sigh out in pleasure, feeling how your sore neck and back relax. Of course he'd know everything about massages. Sometimes, you're convinced he knows everything.

It feels childish to think like that, but sometimes, you've caught yourself looking at Jungkook as if he's the answer to all your problems. As if he can just pick you up and whisk you off your feet, hold you close and fight all monsters like a knight in shining armor ripped straight out of cheesy romance novels. He makes you feel like that, at least. And maybe it's time to let him prove if he can be prince charming.

"There we go." He praises suddenly, hands still moving as he sits behind you, legs pulled over his thighs while he continues to push out the knots in your neck and shoulders. "Let yourself go." He mumbles to you, as if he's hypnotizing you. If he does, it's working, weirdly enough. "I'll take over from here, hm?" He asks, no, states, and you simply sigh, closing your eyes.

"Yes." Is your answer, and you can't see the way his lips twitch.

His arms push your legs closer to him, manhandles you gently to have your core right over what you assume must be his own length, barely contained in his underwear. You wonder what he looks like. You've been told you can't take much- how will he make it work? He feels strong, big- maybe too much to handle. But you want to learn, maybe there's a way. You want to take him, even if it hurts. You've never felt like that before- it had never been something.. attractive to you. But you want him to make you take it. You trust that he will, now that you think about it.

You don't even question if he will. You know he will- the anticipation lays in how.

Are you already realizing it? What you could have with him? Probably- maybe. Or maybe it's just the way his bulge feels pressed against your core that's making you dizzy in the head. Yeah. That could be it, too. The way it's hot and hard, giving you nothing but a teaser of what he's got hidden away from you. How cruel he is. You want to see him.

"So needy.." he hums, chuckles, as his hands move with the help of the oil from the candle, fingers sliding easily down your back, to find their way around your waist to hold you. "Poor thing.." he mumbles towards you, grabs a bit more harshly at your flesh as if to test, and you want to whine-

But you swallow it down, making Jungkook tilt his head a bit with a smirk.

Not quite there yet, he thinks to himself. But I've got six more days to go to make you mine.

"Tell me what you're thinking." He asks- demands, because there's no question about this sentence you notice. It makes your spine tingle, a sudden urge to please and voice out your thoughts boiling up in your throat, as you let out a breath first and foremost, and he can't help but be affected by it, length in his underwear twitching impatiently at the sight of you so lost in pleasure. Oh the things he'd love to do to you make him greedy almost, mind coming up with scenario after scenario he'd love to see you in.

How long could he edge you until you'd cry and beg for him to let you have your release? Or how often could he make you cum until your body would give up?

How far would you go to please him?

Would you let him hunt you down like nothing but prey, just to feast on you, sex all bite and scratch and nothing but primal urges needing to be satiated? Or maybe you'd rather play his pretty little pet, loyal at his feet, patiently awaiting his command?

There's so many ways he can think of to corrupt you.

And he wants to try them all.

"You-" you answer his earlier question, hiding your face in your arms as you move your hips, grinding over his crotch on the hunt for your release. He'll be easy on you today, won't tell you no, will let you have it if you so desire. "I'm.. thinking-" you stutter a bit muffled into your arms, "-of you..!" you press out, and he can't help his smile from forming as he leans back his body, pulls you a little more roughly over his groin, unable to hide his growl as you become more and more shameless, moving erratically to gain any form of friction from him.

"Good." he sighs out as an answer to you, hands grabbing at your bottom, the urge to hit the soft flesh at least once agonizing- but he controls himself, holds back, just as to not overwhelm you too much at once. Instead, he presses you down, helps the movements of your lower body, earns a whimper as payment for it, and he can't help but be affected by it as well. "The only thing you're allowed to think of is me, understood?" he tests out, and much to his delight, you nod.

"yes-!" it feels like you almost want to say something else- and he wonders what your choice would've been, but he doesn't pry. He's got enough time to find out about it soon, after all- and he can be surprisingly patient, especially when it comes to things he's passionate about.

And god, is he passionate about you.

Suddenly, he wants to know. Wants to test you, despite his earlier choice of wanting to take is soft and slow- as his hands reach out, arms hooking underneath your thighs, suddenly lifting you up, leaving you with nothing before he turns you around onto your back, hands on your hips pressing down, preventing any movement. "Please-!" you beg, and he watches in interest how you struggle against him.

"Please, what?" he asks, acting nonchalant. "What do you want?" he wonders as if he doesn't know, and you look at him like you're searching for something, or maybe you're just collecting courage. For what, he doesn't know- yet.

"Please- let me.. cum.." you try, but it's not quite right for him. You also don't seem uncomfortable with the situation- you seem more like you're holding back, like you're unsure, hesitant.

"Hm, that won't do."he shakes his head, leaning further away, though his hold on you still keeps you still. "Try again." he tells you, and you close your eyes, like you're bracing yourself.

"Please let me cum!" You repeat, though this time with a lot more confidence, and he grins at that, one of his hands taking the front of your panties into it, before he pulls it up, fabric slipping between your lower lips, already drenched in your arousal.

"Go ahead then." he tells you. "Give me a good show, yeah?" he almost sings, and you immediately move, frantically so, hips rolling in desperation as he watches, muscles in your thighs stuttering especially when he helps you assist, pushing you towards your orgasm a lot faster than you anticipated.

It leaves you gasping for air, hips stuttering as you try and catch your breath, core clenching around nothing for a good while. The moment you open your eyes you're greeted with the sight of someone more akin to a demon, a predator, Eden's sin recreated as a human person- the sweat on his skin making him look as if he's glowing, eyes sharp and pupils blown wide, one hand carefully running over your thigh while he other is on his-

oh.

Oh..

There's a clear and surprisingly big stain on his dark grey Calvin Klein's, and you turn red as you realize what that must be. It gives you an odd boost of confidence, knowing that the sigh of you had done that to him- had helped him get to this point, even if just a little. It still counts, you still take it- as he smiles, and leans down to gently kiss your cheek.

"Good girl." he praises quietly, and this time you don't mask your whimper of pleasure, this one of different nature as you bathe in the praise clearly directed at you, you, and only you.

You feel drunk.

But this time, you happily let him move you around, pick you up and carry you into the bathroom, where he helps you step out of your underwear, your state leaving no room to feel shy about your nudity in front of him it seems like. He's used to it- it's nothing new to witness, but considering it's you in this state, he's even more gentle than he would usually be in a situation like this. how can he be with anyone else after you?

He doesn't know. And for now, he won't think of that.

All he knows is that underneath the shower, and later on on the couch where you'll sleep for the entirety of the week, he's got you.

And he'll do his best to keep you at his side forever.

[bumblebeehug]

every time i remember gruvia's double suicide i wonder how i'm not constantly talking about them rather than nalu. the emotional complexity between gray, the depressed guy who secretly thinks everyone hates him including himself, and juvia, the depressed girl who knows most people hates her (due to her past with phantom lord) but still manages to find the one who taught her to see the light in things - literally!! stopped her rain and all.

and then their beautiful progression where juvia proves her devotion, not only to her newfound love, but also to fairy tail as a guild - her newfound family. and gray slowly but surely has to face his past, in multiple ways, and slowly but surely juvia manages to chisel her way into his icey heart. and from that point there's some turmoil when juvia indirectly "kills" (releases) gray's father, her doubting her right to love him, gray telling her basically that if anyone were to do it, it had to be her, and that she freed his father rather than killed him.

and then the progression of acceptance - juvia staying strong and determined to keep loving the guy who never thought love was for him, and him slowly accepting her, even when he doubts his own power to protect her from any harm that could come their way

and then!! the horrific fate!!! them getting into a situation where they have to kill the other to get away from the situation alive, and juvia, who practically never stopped loving him, automatically wanting to sacrifice herself, knowing that gray, who might seem distant and cold, never could kill a guild mate. so she decides to take her own life, for his sake, but oh!! the plot twist!!! gray thought, like, the exact same thing! he only knew that juvia had to come out of this alive, but that there was no way she'd kill him, so he kills himself!! he can't imagine a future without her!

and then, after blacking out (thinking they're dead) gray wakes up, to his dismay, and he sees that juvia kept him alive, even as she herself was dying!!! so heartbreak and demon mode and he goes to kill natsu for being END and all that

but then the story progresses and they're both alive, and gray reluctantly admits that he wants juvia to himself, and then in the hyq we learn that he's working on himself to become a lad worthy of the love juvia has to offer, and that she's his will to live and his entire past present future and that they're rawdogging it in his dreams. kinda.

anyways i love them and i think i'll die, that's all, thanks for reading

[cosmerelists]

Cosmere Characters: Would They Be Good at Pulling Pranks?

Yesterday was April 1, aka April Fools Day, a holiday that encourages people to pull pranks. So that got me wondering: if such a holiday existed in the Cosmere, would various Cosmere characters be good at this whole "pranking" thing?

1. Syl: Yes, but only of one type

Syl is a prankster in canon: she likes to stick things together! Your shoes to your floor, your hand to your spear, your butt to your chair...so yes, she is great at pranks. I bet if April Fool's Day existed in the Cosmere, she would be an absolute menace.

2. Lopen: Depends on who you ask...

I think Lopen's pranks would be like his jokes: not intended to be mean, but actually kinda mean. In Dawnshard, Lopen came to learn that his jokes were not universally fun and beloved, and I feel like his journey with pranks would necessarily be similar. He'd love pulling them, though!

3. Wayne: Yes, and everyone has fun

Sanderson once said that the difference between Lopen & Wayne is that Wayne can read the room. So I think Wayne would not only like pranks, but would also be more aware of their effect. Like...if Lopen is tying your shoelaces together when you're late for work, Wayne is putting googly eyes (which he invented) on all of your family photos while you're out.

4. Sarene: Yes (mostly against Iadon)

Sarene, Miss Malicious-compliance-and-weaponizer-of-other-people's-misogyny, would love an excuse to "accidentally" prank Iadon. She'd either do really obvious pranks and blame them on feminine confusion ("Oh dear I just wanted to clean but I guess washing your portrait ruined it??") or do really sneaky pranks that no one could trace back to her (cut to Sarene secretly weakening the seams on all of Iadon's clothing so that a good sneeze will make them all fall off).

5. Kaladin: Not anymore

We know that in canon Kaladin pulled pranks as a kid--he told Tien to save a lurg to dump in their dad's bath later. But I feel like nowadays, Kaladin is too gloomy and glowering to pull pranks. He might just enjoy Syl's sometimes though...

6. Steris: Maybe they're just not the most creative...

I think that if a Pranking Holiday existed, Steris would study up and do a textbook prank. Like, she's replacing Wax's sugar bowl with salt, and then he drinks a sip of salty coffee, and then she says, "Ah ha! You have been Pranked per the Social Conventions of today's Holiday!" And Wax would be genuinely delighted.

7. Dalinar: No--not at any point in his life

Blackthorn Dalinar would think a prank is "stabbing a guy in the leg and laughing." Modern-day Dalinar would be puzzled that anyone actually does pranks--aren't they, you know, kinda beneath you? The Codes would DEFINITELY not allow them.

8. Sigzil: No, too much paperwork

The Prank Authorization Form is 7 pages and takes 5 weeks for review and approval. Who has that kind of time???

9. Lift: Yes, absolutely

I can see Lift positioning buckets of water over, like, Dalinar's door or slicking the floor right as that merchant she saw yelling at kids walks by. Now--imagine Lift & Syl going on a prank spree together. You're welcome.

10. Hoid: Nobody knows

Hoid put paperclips in the pockets of every single one of Elhokar's outfits. He put edible glitter into Rock's stew, turning it into Glitter Stew. He found one of Kaladin's buttons on the ground and straight-up ate it while making direct eye contact.

But...were any of those things pranks? Were they plots? Were they just Hoid being Wit?

Nobody knows.

[thesunshinecourts]

five curiosities for the next book, after reading the sunshine court

a non-exhaustive list, but five things i'm curious to (hopefully) find out more about in TSC2, or that i have questions about still:

what happened at the trojans' fall banquet (presumably jeremy's first year)? it's a Scandal, and jeremy cannot stand to be around bryson, and annalise has never forgiven him for sticking with exy after that, despite having attended all his games in high school. given the allusions to his stepfather, and also his step-grandfather being a congressman, i can see how jeremy's sexuality might be relevant to the situation—especially if we read into lucas' stiff apology and shame at his implication about jeremy and jean as being born from more than just common decency, but rather knowledge of this being a previous sticking point in terms of jeremy's scandals—but i also keep thinking about what cat said. jeremy has—three. two brothers, one sister. the way she says it, how it sticks out to jean as an odd switch, and the fact that we've only met two siblings – it makes me wonder what happened to the third. or if that's even the right question to ask, regarding jeremy's siblings.

elodie. i'm curious if we learn anything about what happened—by and large, i kinda hope not, if only because then jean has to too, unless it turns out stuart is lying, but that's a very different kind of fallout. (i don't actively theorise he is—at some point, these kids will run out of tolerance for ghost stories coming back to life—but i think its possibility ought to be considered, at least). i think we'll get more flashes of her from jean's thoughts, though, and i anticipate lots of heartbreak lmao

lucas. assuming stuart's contact comes through, and neil's hit goes ahead, we've got lucas in the aftermath of finding out his brother is a monster, and jean saying not to call the police, and then possibly his brother being dead. if it happens any other day—if it happens in west virginia, especially—i suspect lucas might be able to look at it like another domino in the ravens machine falling down, or even that something horrible happened to him when he returned home, but if it's still in LA, after what he did to jean, after jean said no cops-------i can see how that might twist into something more suspicious. who knows! i'm curious to see what happens there. grayson is a monster, but he is still lucas' brother. aaron and kevin still have complicated grief about tilda and riko, and they were their direct, constant abusers; cass never learned until after the fact, and lucas is in a complex space between the two parts of that spectrum. if grayson dies, i think the fallout will be unavoidable for exploration

this is a small one but man, i just want to keep seeing jean's list grow. it tears something out of me every time, and stitches me back together, and i want to go through that over and over, because i want to see a jean who not only hears that his life is his and worth living, but a jean who learns to believe it too

i'm just kinda assuming we see the foxes again, because i remember nora's character list having new details about characters who didn't show up in this one, but i'm also quietly hoping for more thea. their scene made me ache, and he'd never had good defenses against thea, and kevin knew that. jean would kill him for bringing her here made my heart do the !! double-tap. i'm extremely invested in jean, thea and kevin as a unit, and it would be so incredibly wonderful to see more

[gadriezmannsgirl]

Hi!!! I absolutely LOVE your work and I was wondering if you could write a fic with pablo in which they are at some sort of gathering with friends and the reader is playing with the kids because she just loves kids and they love her, & pablo and everyone else watches them?

Who Knows? -P.G6

Summary: Your fiancée loves watching you, little did you know what was he along with your family, thinking of

"¡Venga, que tú eres la princesa más linda!" (C'mon, you're the prettiest princess!) You say smiling at your fiancée's, Pablo; 6 year old cousin, Micaela

"But you're the queen of the kingdom!" You smile while you hear Jesús, Pablo's cousin, yell in excitement "And I'll marry you so I will be the king!"

"Not too sure about that, amigo" Pablo's voice came in as he finished his plate "She's my soon-to-be wife" You, yours and Pablo's family started to laugh at Gavi's bickering with his youngest relative

"Y/N, can you do my make up? Princess wear it to look prettier"

"You don't have the age to use make up yet baby, but you don't need it either way, you're the prettiest princess just the way you are, Nads" You said to your cousin, Nadia fixing her fairy wings before kissing her cheek

"Stop looking at her like you wanna get her pregnant right away" His sister said

"I kinda want to"

"Gosh, you're gross"

"Says the one who's five months pregnant!" He barks at Aurora softly and thankfully she laughed it off as his gaze went back to yours "She's so good with kids" He whispered softly

"She is" Your mom chimmed in taking away the dishes "She has always loved kids and kids love her" She whispers before kissing Pablo's hair and patting his shoulder

"You think I could be a good dad?" He asks worried "She's just so good, like she's natural"

"Parenting it's a thing that takes time, in fact, you never stop learning, you make mistake but you also do right decisions. And I bet the two of you will be amazing with both good and bad moments" Your mom says before smiling and leaving both siblings alone

"No, it fell!" Your voice brings Pablo back to you as he sees you and the kids surprised because of the fall of the lego tower

"You're truly in love with her" His aunt, says with a smile "And don't worry, she's too into you as well" Pablo smiled softly blushing

"But take it easy" His dad said, every eye looking at you and the kids playing "Enjoy your alone time, get married and enjoy it as well and when your time is right, there will be a Páez Y/L/N on the way and you'll be the greatest parents for them, hijo"

°°° °°° °°° °°°

We can take this as a PRE GENDER REVEAL, before Y/N and Pablito got married and everything, I think it could fit in the GR Universe😭 let me know if you think the same so I can link it as well with GR. I also know this is incredibly short but I hope you guys like it😭, please let me know if you like it in the comments or reblogs (with likes too), feedback is really really appreciated!

Taglist: @gaviymarcsbride @stuckinaf4nfiction @elijahslover @azzpenswrld @http-isabela

[firesnap]

i have a genuine question. i promise i am not at all trying to defend him. ive dropped him entirely, literally deleted everything i had of him and unliked his songs.

ive just been wondering like considering that he has been in therapy, and also considering how if he does take a year off and then comes back, why cant it be redeemable? like cant people change? cant we give them second chances? he is 27. is he just doomed to be an abuser forever?

its just scary and im asking as like a younger person who is in my very early 20s. i know ive made mistakes. i know ive not been a good partner or friend sometimes. (and yes i was also abusive to a past partner...im not proud of it and ive learned from it. i have never ever touched anyone in that way after that. it took awhile but my current relationship isnt toxic and i would never hurt anyone or hit them again yknow?) and it scares me that people keep insinuating that he is irredeemable. like cant abusers change and become better? dont they get second chances? if shelby has grown and healed in 10 months wouldn't it be fair to say the same for wilbur?

im just genuinely asking because based on everything i believe you are older than me and im looking for guidance and just...idk im scared. growing up on the internet has made me so scared of making mistakes and doing anything wrong because when it happens to others i look up to, its always treated as something they'll never be able to change or improve. makes me feel like imma just be a horrible person forever because i made mistakes in the past.

This is a really complicated question that multiple answers can validly fit.

I don't think, personally, that anyone is irredeemable. I think everyone is on a journey of forgiveness and some of us may need more grace than others.

This is tw// abuse even more than the current topic, but my mom was incredibly abusive. We lived in a very rural area and she had a lot of undiagnosed problems and trauma of her own that created a pressure pot of issues. After I was born, she suffered through full on post-partum psychosis that nearly ended about as well as that sentence implies it could have. She was incredibly violent, controlling, and cruel for years. My sister went no-contact with her the second she turned 18. A significant event occurred that eventually spurned her into seeking real treatment that lasted for years. It's still ongoing.

My sister is also still no contact and I support her decision 100%. Those are her wounds and what she needed to do to get peace should be respected. I decided I wanted a relationship with the person who came out of all that work and, even then, it's been hard. I don't know if she's redeemed herself, and my god do we still have bumps in the road, but I support her for trying.

With Wilbur, how he responds to this is going to really impact a lot of things. I mean, I know no matter how he responds I won't be going on whatever journey of redemption and healing he has to go through. I'm tired and I feel hurt enough. I would think, if he wanted to show he was sincere, admitting what happened would be a great sense of closure for a lot of people who put time and energy and faith into this guy for years.

Not every person that causes harm is inherently evil, but there has to be some kind of knowledge that you're aware of the harm you've caused. No one is stuck as anything forever, life is constantly moving, and most people aren't saying his life is just over. You can work on yourself. You can change. And I'm saying that specifically to you, anonymous.

(Saying this, actually, there ARE people who would argue once you've done x you're beyond redemption based entirely on their life experiences as a victim, personal histories and many other factors. Kinda like my sister, that's their choice. And you have to accept that sometimes you fuck up so badly that you will permanently lose some people from your life. But your life isn't over.)

But I do think, regardless of what he says or does about this, his time of controlling a large platform is at an end. He can still do a lot of things in his life after he works on himself -- editing, song producing, directing, writing or whatever -- but being in charge of a large impressionable audience that could enable more destructive behaviors is just not it.

[l0v3tast3]

can we have more hcs w young!reader :o they were so cute, do u think you could write like sparring w them or something, ty!!

✎ of course omggg <3 i love this concept whenever i see anyone else write this kind of thing with platonic young reader i eat that shit up !!! also merry christmas and happy last day of hannukah to all who celebrate!!

✎ tags : gender neutral!reader, written with 19 y/o reader in mind, all platonic relationships, fluff, young!reader is stereotypical gen z kinda, this is probably the most light-hearted thing i've ever written but there's separate angst at the end because i can't stop myself, as usual it's not really proofread

♡ so of course it takes awhile for you to come out of your shell around the rest of the 141. the previously youngest one of the group, kyle, is 7 whole years older than you, so it's a bit awkward at first.

♡ but once you're comfortable around them, you let your guard down a little and start letting your "regular" personality show instead of the "work" one. this involves bouncing-off-the-walls levels of energy and constant jokes and references that only kyle gets, and that's only sometimes. the other three guys just exchange a look and move on.

♡ you're constantly doing little dances and just fidgeting around, playing with anything you can get your hands on and always bouncing a leg (also never actually sitting like a normal person, price doesn't understand how you're comfortable most of the time). once, when it was just you and soap, you taught him a dance he thought looked fun, but made you promise to never tell anyone else. you told ghost as soon as you saw him next, and that was the first time you ever saw ghost smile (under the mask, of course, but you could tell).

♡ you don't really respect the more "arbitrary" boundaries; you would randomly take food off of the other guy's plates without asking and you always had to be invading someone's personal space. after lots of scolding and you acting like they were denying you a fundamental human right, they learned that it really was easier to just accept it and give up. you don't take food from ghost's plate, because you may be a little dumb sometimes but you aren't stupid. sometimes he shoves his leftovers in your direction if he notices you aren't eating as much that day.

♡ when you aren't terrorizing one of the 141 members, they keep an eye on you while you focus on whatever your latest interest is with an intensity that they'd only expect from you on actual life-or-death missions. it always causes soap some actual concern for you, but you just think it's because he can't sit still, ever.

♡ once, after you had all returned from a mission, you went into your room to shower, came out, got something to eat, then went into your room and proceeded to spend the next 3 days completing the newest pokemon game. full pokedex, awesome outfit, full level 100 team, you had it all, and you proudly shoved the switch screen in their faces to show them your achievements once you deemed yourself done. they learned you were a perfectionist pretty early on, while they took turns checking on you every few hours.

♡ you'll do the thing of casually dropping something horrible that happened to you into a conversation, as if it was just some silly thing that happened the other day. they all just kind of do a double take, because none of them actually talk about that stuff. you just look up from whatever app you were absently fiddling with on your phone and wonder why everyone went quiet; they just move on, as usual.

૮ ’• ˕ •` ა here, have some sparring headcanons now!

♡ when you and ghost sparred for the first time, you swore up and down he was out to break every bone in your body. he told price that it was the easiest he'd went on a recruit in years (he did also say you did much better than he expected). despite your complaints, you got back up every single time he knocked you on your ass, and you quickly adapted to the way ghost fought. you still didn't win a single round, but that was more of a him-being-really-big thing.

♡ soap only goes easy enough on you to not break any bones, but it doesn't take much to get him fired up, and sparring is no exception. you spend the entire session on the defensive, just trying to keep yourself all intact. you always lecture him that you aren't the actual goddamn enemy before you spar with him now while he rolls his eyes and says you're being dramatic.

♡ kyle claims he isn't going easy on you but everyone knows he is. he can't help it; usually he doesn't care that much when he accidentally actually hurts someone when sparring, but the thought of leaving a scar on you rubs him the wrong way. he doesn't ever tell anyone this, but everyone sees how he always acts like an older brother to you.

♡ you only actually spar with price once, mostly as a joke, after you're all more acquainted. you're acting all cocky, basically just saying he's old and you'll put him in the retirement home a couple years early. you're on your back in less than five seconds with him looking down at you, a loud laugh booming out of his chest.

♡ one time, ghost must have been sick or something, because the match ended with you making what would have been the killing blow in a real fight. you had stared in amazement at your achievement, then started yelling at the other guys to ask if they had seen what you had done. ghost let you have your victory, finding your astronomical excitement funny (on the inside, of course).

♡ kyle is your easiest target. usually he doesn't even want to spar with you anymore, because he knows you'll probably end up throwing him to the ground with your full strength and saying you don't need to go easy on him, he's a grown ass man. you've mastered how to use his weight against him, and he knows it. he also knows the look you get when you're walking up to him to ask to spar, and at this point he just points you to soap or ghost and shoos you away. one time he actually said "go on, git!" to you; his british accent made it much more funny than he had intended.

♡ fighting against soap kind of has 50-50 odds of you winning. if you're not afraid to start bleeding in multiple areas that day, you'll most likely be able to pin him. if you don't feel really like it, then you pretty much just have to run away. your before-sparring lecture for him eventually gets accompanied by an after-sparring lecture from you while he helps you put band-aids on the new cuts and scrapes.

₍ᐢ.᎔.ᐢ₎ okay a couple angsty ones because i can't help it,,,

♡ price knows how young you are, and you know he does without him having to tell you, because sometimes you catch him looking at you with sad eyes that see a lot more than you do. usually, if the conditions are just right, you're all for attempting to get the team members to open up to you, but this is what you and price don't talk about. instead, you tell him not to worry, that you'll at least outlive him.

♡ they're all waiting for that one day that, on one of their missions, you'll see something or have to do something that you won't come back from, because it's inevitable in this line of work. but you find a way to smile, even after the worst days, and you always say it's because someone has to.

[astaroth1357]

We Gotta Talk About Barbatos (And Kinda Solomon But This Ain't About Him)

SPOILERS for up to Chapter 16 of NB

These recent chapters have been giving us breadcrumbs about the pasts of both Barbatos and Solomon, the two of which seem to be deeply entwined. I have yet to make a post about Solomon's past (which gets twistier and twistier by the minute btw), but right now I just want to touch on my questions about Barbatos and... well. The hell is he up to?? I have one question that has been eating away at me the longer NB goes on and I think its answer could solve everything:

Is there only one Barbatos?

What I mean by this question is something along the lines of my Timeless!Barbatos idea from a while ago. Is there only Barbatos, i.e. is Barbatos a being that exists outside of the constraints of time? Is he like the controller/arbiter of time, but not subject to things like continuity himself? When he exists in a certain timeline, is that mirrored through every other timeline (i.e. multiple Barbatos that are spread throughout multiple branches) or is there ever only ONE. Just him. And he selects which timeline to inhabit?

I have this question because there are things about the Barbatos we interact with and hints dropped by others that Barbatos is, potentially, far, far older and far more powerful than I think we can actually grasp.

Thirteen's last point is the one that really makes me wonder, because if Barbatos really has such a broad ability to transcend time and space, then it would be a bit of a nightmare if there were a billion of him running around. Any random change makes a new timeline that makes a new Barbatos with those same godlike abilities until you're completely swamped in the man. Plus, Barbatos never gives us any indication that he speaks to or witnesses his past or future selves, even when he's manipulating things from sidelines...

If there is only one Barbatos, then 1. Little Dia managed to convince, like, the singularly most powerful being in the universe to play House with him, which is such a power move. And 2. That also means any interactions we have with Barbatos in this (or any) timeline cannot be replicated elsewhere. No matter how funky our time adventures get, that Barbatos remains a constant. Thus, NB Barbatos IS OM Barbatos. Probably just hijacked by Solomon to go to past. A past he was no longer present in, because he exists in a continuous state of "present" (his presence is instantly erased from past and he doesn't appear in the future).

And for a being THAT powerful, you really have to wonder...

How much has he changed...?

In Chapter 16, we learn why Beel went berserk and destroyed the Castle. He was triggered by Lucifer explaining a banshee's scream. In OM canon, two kinds of people can hear these screams: those who will die or have a loved one who will die soon and those who have heard it before.

Beel heard a banshee scream in the human world before the War and internalized it as the warning that Lilith was going to die. Naturally, he thinks that if he had told Lucifer then he may have changed his mind but Satan drops this bombshell on us.

A baneshee's warning is supposed to predetermine time. According to Satan, Lilith was alway going to die. But we have a problem here...

Lilith just. Is not dead. Like. Canonically in both the OG title and in NB, Lilith survives the War. So... what gives??

Beel can hear a banshee scream and nobody else can. There's no question that someone was supposed to die. Which only leaves three options:

1. Lilith is dead. Even as a human, she perished.

2. Lilith was never made human... Someone lied to Lucifer and she's actually dead.

3. Barbatos fucked with time to save Lilith.

Option 1 would be pretty lackluster, all things considered. Though it would be a little darkly humorous if Lilith fought and survived in a Celestial War, then got hit by a car one year later or something.

Option 2 would be... so fucked up. But could also shed some light onto Diavolo's guilt about taking in the brothers. Like, imagine if he knew that nothing could be done for Lilith and still tricked Lucifer into eternal service anyway knowing that he could never check his bluff. That would be downright diabolical... and out of character, so I don't think that's the case. (Though, I could see Barbatos lying about it if it gave Diavolo Lucifer's loyalty in the end.)

But Option 3... I think that's actually spine-chilling. Imagine if Diavolo ordered Barbatos to find some way to twist time to save Lilith. And not just spare her life, but to somehow turn her human. That means that we're already playing the events of an altered timeline.

Now combine this idea with our Singular Barbatos theory. If there is one Barbatos, then this is the only timeline where he currently resides. If Barbatos wasn't in THIS timeline, Lilith would be dead. In every other timeline, Lilith is dead. And if OM keeps the detail about MC's lineage, then MC NEVER GETS TO EXIST. They can only be alive in THIS BRANCH OF TIME. There are no other MCs. Just the one (and the corpse that got phased out of being, but we don't talk about them). And this could explain why MC's very existence would be so important to a time-travel being like Nightbringer. There's only one MC to use.

Now, since MC is so powerful (possibly as being that is an aberration in time) it makes me wonder a whole lot more about where someone as powerful Solomon actually came from... How much meddling as Barbatos really done here? If... it was even Barbatos at all. 👀 (Speculation for another day)

[vesper-tinus]

begs you for more simon content, but maybe where he tortures his girlfriend with his awful dad jokes? xd idk if they qualify as dad jokes they are kinda dark 💀 the dog one haunts me

Hello! I'd be happy to!

Unfortunately, I am nowhere near as hilarious as Simon and Co., but I wrote my favourite pun, and hopefully that will be sufficient!

𝐄𝐚𝐫𝐥𝐲 𝐌𝐨𝐫𝐧𝐢𝐧𝐠 𝐏𝐮𝐧𝐬. Simon "Ghost" Riley x Female ! Reader

Summary: Waking up in the morning, you are faced with the consequences of having the King of Jokes in your home. Requested by anonymous—thank you very much for the interest! I hope it lives up to your expectations! Keywords: Established relationship—married, female ! reader, though only mentioned once in spouse-title (Mrs), a pun(?), romantic fluff. Wordcount: 1062

You wake up in your spacious bed. Alone, but with a light heart knowing that Simon is not far. Not only is he a light-sleeper, but also an early-riser, and part of you wonders if it's genuine, or something that has been learned. Drilled into him from years of military duty.

Though sometimes—most of the time—he remains next to you until you wake up. 

He would never confess to it, but he enjoys watching you. Peacefully sleeping. Safe. A content expression on your resting face. He takes in every detail of you. From the fluttering of your lashes to the faint wrinkles beneath your eyes. The lovebites he left on your skin; the sleep lines the linen also left, and he smiles to himself at how lovely you are. How human it all is. How domestic.

Those quiet moments to himself are what grounds him. Most mornings he struggles to keep his hands from caressing your face, lest he risks waking you.

But on this particular morning, he is not beside you. So you abandoned the cosiness and warmth of your bed, course set, leisure-wear on, as you leave to find your husband.

You tiredly stretch your arms as you venture towards the kitchen of your shared home, yawning as you go. The house is peacefully quiet, but a different kind of quiet. It's silent, yes, but the closer to the kitchen you get, you hear stifled sounds of what makes home a home. The idle stirring of a spoon, the crinkling of a newspaper. The sounds of life. The sounds of living. The sounds of Simon. 

Home is said to be where the heart is, and Simon is yours. Heart and home.

“Mornin’, love.” Simon’s voice is peaceful in the morning, but with a hoarseness to it that reminds you of how hard he worked you last night. Your legs certainly remember. “How’d you sleep?” he asks, looking towards you; hand outstretched for you to take. Inviting you into his space.  

“Good,” you respond, coming to stand beside him, hand in hand. You lean down to press a kiss to his temple, and you feel Simon gently rotate the wedding band around your finger; you suppress a slight shiver feeling the engravings upon it. “Yours?”

“Perfect,” he hums contently, turning his head to press a kiss to your throat. “Kept the kettle on for you,” he murmurs softly against your skin, and you have to suppress another shiver. 

“No breakfast?” you ask. 

“Thought we could eat together.”

“Clever boy.” And for that comment, you are rewarded with a squeeze of your rear, his palm hot against your skin. A pleasant laugh escapes you as you wiggle out of his grasp to assess the breakfast situation, leaving your husband to his paper.

You hadn’t expected him to be a newspaper sort of man, but you’ve enjoyed learning all those little things about him. There’s always that feeling of pride in your heart of knowing that he lets you see those parts of him. That he is comfortable enough to share himself with you.  

Simon absentmindedly stirs the spoon in his mug of tea as he listens to you working the kitchen. Slow and methodically, just like his mind. His lips slip into a secretive smile, partially hidden behind the newspaper. He steals glances at you between boring articles, his eyes often falling to your hands and how skillful you are with them. Both in and outside the bedroom. 

You consider turning on the radio for some static, but decide against it. There is something blissful about the shared silence. How comfortable you both feel saying nothing, yet exchanging glances that speaks volumes. 

The silence is only broken when Simon’s voice disturbs it.

“Some American celebrity died. An actress. Decently young, too.”

“Another one?” you call over your shoulder, shutting the fridge door with your hip, milk in hand. “I feel like everyone is dropping like flies these days… What's her name?”

Simon shrugs, feigning ignorance as he flips another delicate page of the newspaper. “Reese something-or-other,” he offers with another noncommittal shrug. 

“Witherspoon?!” She was so good in Legally Blonde!

“No, with a knife.”

…

….

…..

The silence that follows is deafening as you turn to look at your husband. 

Your husband who is looking much too smug for your liking. Smiling like a cat that had cream for supper. 

You stalk towards him, the carton of milk discarded on the kitchen counter. Breakfast officially on hold.

“Simon”—you grab his chin with little strength, tilting his head back as you lean forward—”that was awful.'' It’s difficult to resist the instinct to laugh as your husband hooks his arm around your waist, feeling no remorse for your predicament. Gentle fingers resting on the dip of your hip bone—comforting, securely. You practically melt against him, it’s difficult not to. Some of your previous disgruntlement and tiredness dissipating with each gentle rub of his fingers. 

Unfortunately, it’s all a clever ploy to lull you into a false sense of security, and once he knows he has you, he strikes. 

Taken by surprise, you’re easily pulled forward. The drowsiness of a lazy morning having left you light on your feet. Simon managed to manoeuvre you into his lap. Your back to his chest as his muscular arms circle around to cage you against him. Newspaper discarded on the table. 

“You’re a real piece of work, Riley,” you grumble with mock-annoyance, your eyes narrowing. The joke itself was fine, hilarious even, but the fact that you (literally) fell for it? There’s no coming back for that, and Simon is the kind of man who will hang it over your head.

“Me-Riley, or You-Riley, ‘cause if I’m not mistaken,” he says, “which I’m not. You took my surname, Mrs. Riley.”

“Fuck you,” you huff, cheeks warming at the flirtatious tone.

Simon has the gall to chuckle at you. You feel the vibrations coming from his chest against your back, and it makes your heart flutter beneath your ribcage. How easily you fall for his wiles, it’s almost unfair, but somehow, you cannot find it in yourself to be anything but grateful. 

So you chalk it up as a win for him, and let yourself lean against him. Laughing as you replay the pun in your mind, and Simon has never heard a more beautiful sound. 

[clanwarrior-tumbly]

I've been thinking about this for a while. May I request Kerian battling a "snow on Mt. Silver" Reader? Reader was the strongest trainer at Blueberry academy and champion of the BB league until they willingly handed off the title to Drayton and climbed to the highest point in the polar biome to wait for a strong challenger. Kerian, upon becoming champion, gets wind of them and decides to battle them. Things go bad quickly as reader is a ghost/corpse. Kerian does get rescued but is traumatized.

Oh this is a GOOD concept,,,give him that near-death trauma waaaaay before he even learns about terapagos

Also ik the weather conditions in the terarium are all simulated, but let's just say it malfunctioned and resulted in an actual blizzard at the very peak of the polar biome that killed reader + their Pokémon off (yet no one knows this)

......

"Have you heard from [y/n] lately, Drayton?"

"Nope. Last time I checked, they're still chilling at the Polar Biome peak, waiting for a "worthy challenger"."

"Was that pun intended?"

"...maybe, haha. But y'know, I kinda miss seeing their face around campus. I mean..they were our club's first champion, and to this day I still don't know why they handed the title over to me and bailed on-"

"Hold on, there was a champion before you and...you didn't even fight them for the title? No wonder I was able to beat you so easily."

"Oh great, just the person I hoped to see." With a dry chuckle, Drayton turned his head only slightly upon seeing Kieran approaching the clubroom's table with a deep scowl, eyes bleak.

Of course, the new champion of BB Academy believed he had every right to barge into the Elite Four's conversations--given he was having a bit of a "power trip" ever since gaining the title yesterday.

But the dragon trainer elected to ignore him, instead turning back to the others. "Anyways..I'm sure [y/n]'s already moved onto better things. No way could they still be up there after all that weird stuff happened with the weather."

"You mean..the time there was an actual blizzard in the terarium??" Lacey gasped, before shaking her head and making an "x" pose. "Bzzzt. Nope. Impossible. They sent a search and rescue team in case anyone in the outdoor classroom got stranded up there. And they didn't find a soul!"

"Yeah!" Crispin nodded in agreement. "I get they were the strongest trainer in this entire school, but why would they risk-?"

"I'm sorry, they're the strongest? Why am I only hearing about this [y/n] now?"

With a small yelp, he turned to the purple-haired boy. "Wah!! I-I totally forgot you were here, sorry.." He mumbled, slightly cowering under his harsh gaze. "Obviously you're the strongest! [Y/n]'s not important..d-don't worry about them. They're history-"

"But you all seem pretty convinced they're still here." Kieran's eyebrows furrowed as he stared at the group. "And you just told me where I might find them." He clenched his fists, already shaking with anticipation.

"Easy there, champ.." Drayton huffed in annoyance. "It's only a rumor that they're still hanging around. They weren't much of a talker, so we have no clue where they are. Could be in another region for all we know."

"..........."

"Don't tell me....you're thinking about charging up that mountain all by yourself to see if they're there, are you? That's suicide."

"I have to agree with Drayton." Amarys nodded. "The staff is still trying to determine the cause of the anomalous weather patterns. We aren't banned from venturing up there, but until they can find a solution, it's ill-advised."

"Exactly!" Lacey joined in. "I heard one of the rescue team members had to get treated for frostbite. And it wasn't from some ice-type Pokémon, but the blizzard itself. This is serious, Kieran!"

"....I'll be fine. Your scare tactics won't work on me."

"Huh?! But we're not-"

"Enough. I'm gonna go find them myself, seeing as you're all too cowardly to do so." The champion sneered. "If a worthy challenger is what they're after, then I'll give them one. I'll let them know there's a new champion in town..and that he's the strongest trainer in this academy. Not them."

With that, he turned on his heel and left the room, mumbling under his breath things that made the four feel uneasy.

"How pathetic. The Elite Four..scared of a little snow and ice? Whatever. I'll show them. I'll show [y/n]. I'll show them ALL..."

After the doors slammed shut behind him, they felt the tension still lingering in the air--as did every other club member who was hanging out on the sofas and by the BP computer.

"Man." Drayton broke the silence, sitting up to stretch his arms. "That kid catches wind of some random stranger who's just a little stronger than him, and boom. He's obsessed. Hope he doesn't get himself killed up there."

"Should one of us go after him?" Lacey muttered in concern, her gaze not leaving the doors.

"I-I think that would make him angrier.." Crispin shook his head. "He's got an Incineroar, so maybe it'll keep him toasty."

"That is true. He could also either confirm or deny [y/n]'s presence atop that mountain." Amarys spoke up. "I only hope he properly prepares himself for the long journey..and that no other weather anomalies arise.."

..........

"They weren't kidding..i-it's freezing...but we're doing this, Incineroar."

"Cinn.." Huffing, the Heel Pokémon remained beside its trainer as the two made their ascension towards the summit. They couldn't see any rest spots nor healing centers below them due to the snowfall being so heavy.

Even the teraglobe was barely visible.

Yet Kieran was persistent as ever in his goal, keeping his jacket zipped up and Incineroar close to him. He didn't care about the fact his hands were already growing numb, nor the cold biting at his legs leaving them weak.

He was the new champion. He had to let everyone in this school know and defeat whoever could threaten the position he worked so hard to achieve.

If not [Florian/Juliana]..then it was you.

You're someone he's never even met, but knowing you were the very first BB League champion and had a big-enough ego to come up here and wait for a strong challenger...was something he couldn't turn a blind eye to.

No.

Not if he wanted to be the best in this entire school and eliminate any competition.

Absolutely nothing was gonna stop him.

Not even the fact that his Incineroar's flames were struggling to stay alive, gradually exhausting the feline as it struggled to keep up. It began having chills itself, although it knew better than to disobey its trainer when he demanded to keep the fire going.

Surely it can tough it out for him, right?

After what seemed like an eternity, Kieran finally reached the top of the mountain and saw you: the lone figure waiting for them both. Much of the snowfall had already cleared up allowing him to see you in a cap that concealed your eyes and a BB Academy uniform.

You were looking at something up in the sky, until you heard the sounds of shuffling and turned around, looking down with surprise at the challenger.

This kid...came up all this way to see you? Impressive.

His Incineroar looked a little worse for wear, the flames around its belt dying out, yet it stuck close to its trainer's side as he stared at you with a cold hard gaze.

"Are you [y/n], former BB League Champion?" He questioned.

"........."

"Not much of a talker, huh? Guess they were right. I'm Kieran, or better yet..Champion Kieran."

Although you barely gave a response aside from a slight tilt of your head, he just smirked. "Yeah, you heard me. I'm the new champion and president of the League Club, not that dumb dragon tamer. Because unlike him, I worked hard to earn this title. I don't wait around for things to be handed to me on a silver platter."

".........."

"You think being champion is a joke? Something you can just pawn off to somebody when you get bored of it?"

"........."

"I thought so. That means you never deserved the title to begin with.." He scoffed, irritated by your silence. "Anyway, they said you were the strongest, but I'm here to change that!" Pointing up at you, he shouted over the wind. "You wanted a worthy opponent..well HERE I AM!!! Incineroar, Porygon-Z...show them the power of a true BB League Champion!!"

He took out his Virutal Pokémon's pokeball, ready to send it into battle.

But it didn't come out after he tossed it to the ground.

"...huh?" Confused, Kieran picked up the pokeball, wondering why it wasn't opening. Then he noticed frost coating the button, practically icing it over entirely. "No, no, no.....what is this?!"

For some reason it was jammed, and he discovered that all the other pokeballs in his bag were like that, too, rendering them inaccessible.

But how?

It shouldn't be possible for all of them to freeze simultaneously...their insulation should be top-tier.

Brushing off his worries, he glared at you. "Whatever. I can win a single-battle, too! I've developed strategies for this. Incineroar, it's all up to you now"

Nodding, the Heel Pokémon cracked its knuckles and stepped forward. But as it looked at you, it began shivering all of the sudden, feeling a drastic drop in temperature as the flames on its belt struggled still.

It wasn't just the weather giving it chills..but you.

Something about you just seemed...off, but it couldn't exactly tell its trainer what that was. Nor would he probably care.

Whether it liked it or not, it had to win this battle.

Wordlessly, you stepped down so you could fight on equal ground and took out a single pokeball. It was covered in frost, with much of the red paint faded, and it looked awfully damaged--especially the button.

Yet somehow it was functional as you sent out your first Pokémon.

And the sight of it was so grisly, Kieran felt genuinely nauseated, unable to do anything except stare in shock.

"Wh...What the..."

It appeared as a sickly frostbit creature, with its colors dull and empty sockets in place of its eyes. Not to mention the heavy wounds littering its body, which seemed fresh. It's like you ran out of healing items and never bothered to look for any more.

And its cry was pained.

Considering how much Kieran himself loved and treasured Pokémon, he was gravely concerned and had second thoughts about fighting one in such a horrible state...

But that little voice in his head told him that refusing to fight your team would make him look weak. You'd probably think he was weak for backing down.

And he refused to do that.

Why was he suddenly so afraid? You were only trying to scare him, just like everybody else...and he was fed up with that.

He came this far. He had to finish this.

"You...think your Pokémon can battle in that condition? Looks like they can barely stand." His eyebrows furrowed. "No matter. Once I beat you, I'll take them off your ha-"

"Struggle."

A hoarse whisper escaped your lips, stunning him as he realized you could actually speak. But then your Pokémon suddenly threw itself at Incineroar, attacking and taking a good deal of recoil damage as it fainted soon afterwards.

Or rather...

It simply dropped to the ground and ceased all motions, with you making no move to recall them. Instead you just sent out your next party member.

Kieran tried not to think about why they did that, and just scoffed at your strategy. "Really? This is what the "strongest" trainer is capable of? I expected better..I'll beat you in no time at all."

Yet you didn't seem fazed by anything he said, as you commanded your Pokémon to use Struggle, too.....and every other one after that did the same thing.

What frustrated him the most was how they all managed to outspeed Incineroar, forcing it to endure every hit without getting a chance to retaliate. It felt so unfair, and he couldn't do anything except sit and watch, feeling his blood boiling more with each passing second.

He didn't know why you exhausted all of your team's moves, why you wouldn't give him a chance to strike back....or why you're even up here at all and allowed them to get this bad.

But he knew one thing.

He wanted to get off this mountain soon.

The snowfall was growing heavier again, the howling wind picking up as the temperature kept dropping.

"Stop! Just stop for a second!!" He snapped as you readied your final pokeball. All you did was pause and stare at him. "You haven't given me a chance to attack yet! And I'm locked out my pokeballs...this isn't fair! You're cheating!!"

"..it's almost over."

He tensed, wondering why you spoke those words so ominously. But he took that as an insult and scowled. "For me? No...it's almost over for you. You're down to your last Pokémon..and I still have all of mine. I'm putting an end to this pathetic "struggle strategy" of yours right now."

".........."

"What a joke this was. Everyone says you were the strongest trainer..but you're just another obstacle in my way."

Hearing that saddened you a little, almost making you regret what you're about to subject this hapless champion to next...but you will end this one way or another.

You couldn't tolerate his arrogance any longer.

Your final Pokémon's appearance completely wiped the smug look on Kieran's face, as his eyes widened upon seeing a Pikachu in the most horrific condition--one that didn't look anything like the others on your team.

Its fur was totally white with a layer of frost coating it; and it was missing a leg, ear, and part of its tail...as though something had torn and chewed at various sections of its body. And its wounds exposed its muscle and bones, yet somehow it was still able to stand on its own.

But the most terrifying thing was its lack of a cutesy smile typical to its species. Instead there was this creepy grin stretching from ear-to-nonexistent-ear. And it just stared at him with those pitch black eyes, giggling.

His hands shook with genuine fear, before he rubbed his eyes to make sure he wasn't hallucinating.

Yet both of you were still there when he looked, ready for battle.

Suddenly he didn't feel so high and mighty right now. His heart pounded and his throat felt dry, eyes stinging from the cold.

He felt as though he wasn't supposed to be here.

He shouldn't be here.

He didn't want to do this anymore.

He wanted to go home.

It was so cold...

But he needed to finish this.

"I-Incineroar, use-"

"Pain Split."

'Wait...Pikachu can learn that?!' His eyes widened in shock, but at the same time he was relieved you finally did something new-

Only for your Pikachu to screech and attack his Pokémon with that move, biting into its arm and causing the latter to roar in agony. He could only watch, horrified as blood splattered all across the snow.

By the time he managed to recall Incineroar, it had already fainted from the attack.

However your Pikachu did, too, laying among the other bodies of your Pokémon...who he now realized were in fact deceased. He could barely see them since the snow covered most of them.

But the morbid images would never leave his head.

He still didn't understand.

What have you become?

What are you?

"It's over."

Looking up, Kieran screamed upon seeing your uniform now covered in blood, the frostbite having eaten away at most of your flesh. You looked like some zombie, with exposed bones and hollowed eyes much like your Pokémon--gazing at him with that same sadness they held.

Now it finally hit him.

All this time, he wasn't battling some BB League ex-champion. He was battling the victim of that weather malfunction the four were talking about.

The one who never made it down this mountain alive.

You were already dead...and wanted him to suffer the same fate as you.

He blinked, and you were suddenly in front of him, grabbing the front of his jacket with two hands and staring at him. And all he could do was stare back in terror, unable to look away.

"Destiny B-"

"NO!! NO!! STOP!!! GET AWAY FROM ME!!!!!" Screaming as loud as he could, he lost all composure as he tried pushing you off of him, hitting your jaw and dislocating the bone.

You dropped him to the ground, and he sobbed, wrapping his arms over his head as he begged you to leave him be.

"L-Let me go home, please pleasepleaseplease-"

"Kieran?!!!"

With a sharp gasp, he looked up to hear the voice of Lacey, before seeing her, Carmine, and the other Elite Four members rushing towards him. They were all bundled-up, with Crispin's Magmortar and Heat Rotom keeping them warm.

"It's [y/n]!!" He shouted, pointing to where you stood. "Th-They..they're right there!!"

The group stopped, appearing confused as they looked all around, seeing nothing but snow.

"Wh-Why are you all standing around?!"

"Kieran..there's no one here except us." Crispin muttered.

".....huh?" Blinking, he looked back and realized you have disappeared entirely, not leaving behind a single trace of your presence. There weren't any blood or footprints in the snow, nor any frozen bodies of Pokémon lying in it.

It's like he was battling a hallucination all along.

But it felt so real..

"But I....I-I..."

"Only you would be insane enough to risk your life coming up here," Carmine huffed, kneeling down. But as soon as she saw the true terror in her little brother's eyes, her heart sank..wondering what he witnessed. "Kiki..?"

"...i-it was them...[y/n]..." He mumbled shakily, his arm still stuck in a pointing position. Tears streaked down his face, the cold wind making his cheeks sting like hell. "Th-They were right here..and...and they...they tried to-"

"Listen, I get you really wanted to meet them and battle them...but they're not here. They're long gone. Now c'mon. We need to get you off this stupid mountain." Picking him up was no problem for Carmine, given how he was light as a feather. He just clung to her, allowing himself to be carried on her back.

The four were astonished that he actually made the journey up here, with Drayton wondering if he was really that desperate to battle you that he came up here, realized you weren't around, and just...made up a scenario in which he wins anyways.

Instead, the poor kid seemed traumatized by whatever he saw...or believed he saw.

After making it safely down the mountain and getting treated--alongside his Incineroar--Kieran's detailed account of what happened led to another rescue team heading up the summit, just in case they may have missed something.

They had fire types and ground type tirelessly shoveling through the snow, digging in the exact spot where he battled you, but there were no signs of you anywhere.

Even so..he refused to believe it, and still had reoccurring nightmares of that encounter and how it might've ended if the others didn't show up in time.

Soon enough he got back on-track to training his Pokémon and becoming stronger everyday, but other trainers noticed how carefully he treaded throughout the Polar Biome..

And how he avoided going anywhere near the tallest mountain in that zone.

For he believed you were still up there, waiting for him.

[superkitten-poison]

Richarlyson's apology letter to Forever

Richas wasn't wearing full armor (like Forever always tells him to) and almost died yesterday, so he wrote him an apology (translated):

"OK 0_0 Oh my god I'm so nervous, I'm gonna write it down in my book so it's easier :D

Before anything, pai [dad], yesterday I almost died a couple times, and after we talked, once more, it wasn't my day, huh? KKKKKK

After that, me, pai Felps, Pom and the tios talked in my room and Pom was so worried, I didn't really understand why...

After that (this sentence is gonna be kinda funny), tio Bad took me to the cemetery. I had already seen that place, with memorials for my siblings, I leave flowers for them everytime I pass by there and I wonder if they still watch me from above, like I said to pai Felps... with time I stopped believing, you know? 0_0

That the stars are there in the sky, at night, to protect me and cheer me on, it's been a long time since I haven't heard these things...

I miss those stories...

It's been a while since I'd been this scared of dying... I stay awake for so long... and for that I see a lot of things... and I get attached a lot as well... but if I can make it to the end, and leave this island, with my tios, my friends, my siblings, with my pais, with you pai, will I be safe? That scares me, that scares me so much that I always thought it'd be better that if something happens, something inevitable, that I enjoy myself until then, you know? That I face the danger head on, that I feel things, that I use my resources because that's what makes them so valuable, that I accompany who I love in their adventures, and that if I don't make it, I will have left a little bit of myself in everybody. And those memories stay in every block, every conversations, every plaque I left, every 'good night' I learn in a new language :D

I'm sorry I stopped listening to you pai, I don't want to distance myself... but the pressure of always being here, at every moment just being such a fragile presence that it scares anybody around me.. I have fun when we're silly, take some risks, I hate being the reason my little sister carries in her hands what she says is 'to survive', do what she can to help 'survive', when the times I most got to see her living was when we played with Dapper, when we went out me and her alone, had fun, swam in lava, drove a boat, took photos with no armor on and ate cake. But I also don't want to be the reason to see her cry, because I was seconds aways from leaving without saying goodbye.

I'm sorry pai, do you promise you forgive me?"

Screenshots of the original letter under the cut