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#and I understand that having things doesn’t make mental illness go away
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Ugh I messed up and forgot plans with my friend and when she texted me and asked if I was coming I didn’t see it for hours and texted back sorry and I forgot and I’m trying to reschedule plans and she’s being short and has ignored my last text for a day now
And it’s like. I have nothing more to say but it’s annoying that she’s mad at me when I try so hard to be a good friend and I do nice good things for her frequently so it’s just like. Shut up and get over this minor mistake and get yourself together
#my thoughts#she’s not having a good time right now#having a rough time mentally#and I try to help#but there’s nothing I can do#and I make ONE mistake#and she’s mad#she makes mistakes OFTEN#and I forgive and get over it#very fast#never get mad at her#she’s exhausting#I love her and she’s my best friend but I she’s almost always doing bad mentally#and I absorb those feelings if I’m too much around it#so I gotta take care of myself#and I understand that having things doesn’t make mental illness go away#but I wish she would take some time to appreciate what she has#instead of complaining all the time about everything#she’s in a loving relationship with a very nice man (they’re engaged)#his parents are rich and bought them a house so she had her own house at 21#she graduated college and has a nice job (it’s nursing which actually does suck I know but it pays well and she likes it much of the time)#she has multiple lovely pets#she could afford to travel and wants to but never does!!!! she is the one stopping herself!!!#and then has the audacity to complain about it!!!#but all she ever wants to do is find things about these to complain about#she never acknowledges all the things she is lucky to have#and has achieved that many other people do not#her life has so many good things but she dwells on the past and doesn’t do anything to help herself#she skips her medicine regularly even though SHE KNOWS it is horrible for her mental health#I can’t be worrying about her and taking care of her all the time
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scientia-rex · 3 months
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One of my patients used to be a Big Deal Specialist in the city and you can just TELL he’s SEETHING that no one out here is even qualified to understand what he did, much less how important he was. He’s also terrified of death. It’s both annoying and really sad. Like, sir, I hate to break it to you, but no amount of knowledge will protect you from the ravages of time. It’s a special kind of hell to know the stages of various fatal diseases intimately. What is it going to feel like when it’s my turn? How do doctors want to die? Suddenly, quietly. Slip away painlessly in my sleep. But how likely is that? Not very. More likely I’ll get cardiovascular disease or cancer, the greatest killers of our time.
He was so afraid of cancer he had an organ that wasn’t cancerous removed just in case. He talks down to me as if I’m his student, and who knows? Maybe I was. He was in the same city as me, and they were forever dragging Big Name Doctors in to teach us things. Maybe I learned how to elicit Achilles tendon reflexes from him.
But mostly I find myself a little scornful. Who lives without the shadow of death? Who doesn’t think about death all the time? When you die, life is a round thing, finished and whole. What will your life look like when God holds it in the palm of his hand?
Also don’t fucking call me by my first name unless I’ve specifically said you can. I don’t GIVE that permission to patients, except for my mentally ill trans and queer patients. If I wanted to be disrespected by an older man I would have married young.
You do not have time. This important doctor who based his whole life around his importance lived as rich and full a life as anyone. And now he’s clinging to it, leaving fingernail marks on the walls on his way out. No one has time. There will be a moment when you’re dying when you think, I would give anything I have to be back in that moment. Any ordinary moment. Taking the dogs out to go potty. Browsing at the grocery store. When you’re being crucified on a hospital bed, dying and aware of it through the morphine, you would give anything you ever possessed to go back and have one more agony-free afternoon. Sit on a curb or a stoop. Walk through a park. Hug your spouse. These tiny fragmentary moments that we are constantly sliding through, tobogganing past at high speeds, these are what will be our life when our life is over.
I am accountable to that self. To the dying me. What did I do with this gift and curse? I don’t believe in God, but I know that I will die, and I have watched enough dying people by now to know the kinds of things I’ll think about. I want to make that me proud of what I’ve done and how I’ve spent my life. She will be a harder judge than God, and I want her to look at this one little life and think, yes. I did what I meant to.
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nereidprinc3ss · 4 months
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better late than never
in which uni student fem!reader finally shares exactly what she's been worried about with spencer
18+ for pregnancy scare warnings/tags: pregnancy scare, reader doesn't want to be pregnant, age gap (unspecified) a/n: listennn lots of you guys asked for more spence x uni reader... but u didn't specify WHAT u wanted... so now we're fantasizing about pregnancy scares because we're all what?? say it with me!! MENTALLY ILL!!!!
For the fifth time, you have to restart the paragraph you were reading. For the fifth time, it doesn’t make any sense—words strung together like clashing beads on a dancing string, blurred together by the tears you’ve been fighting all day. Anthropology is by far the easiest of the six classes you’re taking this quarter, but suddenly completing this routine assignment feels like scaling a mountain. It is, of course, nothing in comparison to the catalytic source of your immense stress. The thing you’ve been trying to ignore for nearly a week, and as a result, have become more and more obsessive about. 
A flare of rage overwhelms you and you slam your laptop shut. Then as quickly as it appeared, it dissipates, cooling to desolation as you bury your face in your hands with a sob. You hear paper shuffling from the desk where Spencer has been silently working and you try to reign in your emotions, but it’s too late. 
“Hey,” he says gently as he approaches, slowing to a stop in front of your spot on the couch. “What’s going on with you?”
You sniff, quickly brushing the tears away with trembling hands. But your voice is thick and strained when you fruitlessly attempt to lie. 
“Nothing.”
When you refuse to look up at him, he kneels down in front of you. 
“Really? This doesn’t have anything to do with why you’ve been so quiet these past few days?”
Of course, he noticed. You were a fool for thinking he wouldn’t. Finally you break, looking to him for subconscious comfort. And he’s looking up at you so earnestly, with so much genuine concern in those puppy dog eyes, that the waterworks threaten to start up all over again. Your lip quivers. 
“I can’t tell you,” you squeak. 
“That’s a really scary thing for me to hear. Do you understand why?” His voice is calm, carefully grabbing your hand and bringing to his heart. “Because I need to know if something happened to you.”
You shake your head tearfully, looking down at where you’re weakly grasping the front of his shirt. 
“‘s not like that,” comes your reedy whisper. “Nobody hurt me or anything, I just—I don’t want you to get mad at me.”
“I won’t get mad, I won’t,” he promises desperately, “right now I just want to know what I can do to make this better. I hate seeing you like this.”
A shuddering sigh forces its way out of your lungs. You suppose this is the kind of thing you probably should tell your boyfriend about, as petrifying as it may be.  
“I don’t know, I… I’ve just been freaking the fuck out because I’m worried I’m pregnant, and this would be the worst possible timing—like I know I want kids one day but I’m still in college and you’re like a real adult with an adult career and I don’t want to fuck that up for you and I know that even if I am pregnant I have choices but that’s still so scary and… and I don’t know.”
You’re expecting a long pause, punctuated by some berating and bemoaning, but it never comes. Spencer doesn’t miss a beat. 
“Honey, this is exactly the kind of thing you tell me about,” he says, voicing your earlier thoughts. And he doesn’t even sound furious. You glance up, watching his visage swim beyond your teary eyes. “I am not mad. That wouldn’t make any sense. Do you know who’s fault it would be if you accidentally got pregnant?”
“Well—"
“Mine. So if this ever happens again, please don’t keep it to yourself for so long. I won’t be mad at you for something like this, ever.”
“But… you’re not worried?”
He shakes his head slowly, looking utterly unperturbed. 
“I wouldn’t be worried either way. But no, I’m not concerned that you’re pregnant. We’re really safe. The chances of you being pregnant are essentially negligible.”
“But I’m two weeks late.”
“That can happen when you’re taking six upper level classes,” he agrees, swiping your cheek with a thumb. “You’re under a lot of stress. I’m completely unsurprised that your body is reacting to it.”
A weight like a ton of bricks is lifted from your shoulders, but doubt still lingers. 
Spencer sees the hesitation in your eyes. 
“Would it make you feel better to take a test? Just in case?”
You nod gingerly, wrapping your hand around his wrist. He takes it in both of his, kissing the back before dropping them to your lap. 
“Okay. I’ll go get a couple. But I’m confident that you have nothing to worry about, and I’m usually right about these things.”
You take another deep breath, the last of the anxiety floating away with it. He’s usually right about everything. 
“Spence?”
“Yeah,” he murmurs, brushing your palm with his thumb and looking at you with so much love in his eyes. 
“Do you maybe feel like doing my homework for me?”
He smiles. 
“Nice try. Get it done and we can go out for dinner, okay?”
“Always worth a shot,” you shrug. 
He laughs, shaking his head as he stands. 
“And the answer will always be no.”
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mintmatcha · 8 months
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cw: a weird vent piece lol, suicide mention, no quirks au, mentally ill reader
You always fuck with your shirt on. You'd wear more, if you could, but you haven't figured out how to do it with your pants on yet.
You pull the sheets over your sweat chilled legs and hope he didn't notice the spots you missed shaving. If he did, Natsuo doesn't seem to mind. His arm is tucked under your head, muscle fibers occasionally twitching underneath you and turning the soft mass dense.
Sometimes, Natsuo keeps his shirt on too. Neither of you have ever asked the other about it; there's a mutual understanding when a hand is stopped.
"Do you work tonight?" he asks.
You shake your head as his body relaxes deeper into the mattress.
"I'm gonna do laundry if you want to throw your stuff in," he mumbles, "I'll get you junk to sleep in."
The medical textbooks he was studying are still on the floor, flipped to random pages of different cycles and tissues, abandoned in exchange for you. If Natsuo fails his midterms, it'll be your fault. If he passes, he'll be leaving the city next semester for his hospital rotations.
Part of you wants him to fail. It's that dirty, evil part that no one else seems to have, the part you try to starve, but it keeps growing anyway. It nips at you whenever the room gets too quiet.
It's teeth are extra sharp today.
"You're so sweet." You speak into his skin, "I don't know how you're still single."
A sharp inhale is sucked through his teeth, cutting through his smile. Natsuo takes in all of your features and you know he's wondering why you're saying these things-- why you're purposefully bringing this up.
"Well, sweetie-" His tone is light, like he's avoiding stepping on glass, stepping on glass. With every word, he walks his fingers on your arm, spanning from elbow to shoulder, "I'm only single because you keep turning me down."
The overhead fan whizzes. The part you try to starve sinks its teeth into your chest.
"Natsuo, we've talked about this," you say, "I don't date."
You sit up and swing a leg over him, straddling his hips. A trail of white hair runs down his stomach and down under the sheets, disappearing where the two of you meet. He holds you by the hem of your tee, just tight enough to hold you in place.
"Would it be so bad?" he whispers.
"Here's what would happen, alright?" You brush your fingers through his sweat touched hair and it bounces right back into place the second you pull away. It makes you giggle a bit and he mirrors you, an unsure, foolish optimism in his eyes, "Let's just say I met this wonderful, beautiful boy and tricked-"
"Tricked?" he scoffs.
"Tricked him into loving me." You want to kiss him, but it feels cruel for both of you. Instead, you just cup his jaw in your hands and cradle him, letting the weight of him slump into your palms, "He'd treat me right and bring me home to meet his parents, 'cause he was raised right and, even though he's really smart, he'd think he's in love."
Fingers squeeze at your hips.
"But the second I left, his parents would tell him that he deserves someone prettier and smarter and, and, and better," you say, "And they'd be right."
“My mom’s nice," He drops your pretense with a whisper, ruining your not so careful charade. “She wouldn’t say that.”
He doesn’t mention his dad. There’s a silent sentence there. One that says, “But he might.” It’s hard to keep your brain from sticking to that point, from sticking your thumb into this metaphorical soft spot.
“I mean, she wouldn’t say it out loud, but she’d think it," you say, “She’d sit there and think ‘that girl's not good enough for my son' and she'd be right."
He scoff he lets out is uneasy, almost a songed laugh, more pained than annoyed. "My mom is nice."
This conversation is hurting him, but you can't stop yourself.
"And they'd tell you to break up with me, but you wouldn't listen to them, 'cause you're head strong like that. You'd probably date me in spite of them for while," you ramble, "But then you'd go away and you'd meet some pretty, normal girl and you'd realize they were right. They were always right. I was right."
The overhead fan whizzes.
"So, it's better if I just don't date at all,"
Natsuo's grip dissolves and you think you see it then - the moment whatever is between you dies. A hollowness passes over his features, empty eyes and sucked cheeks, as he ducks his head down to rest his face against your chest. Chin against the soft of your tits, he seems farther away than ever.
You could gloat. You could cry. You're a self-fulfilling prophecy once again.
Natsuo sighs and his words slip so easily from him that you almost don't process what he's saying. "You're so sad. I wish you'd get help."
That catches you off guard. The control over this conversation is ripped away, your curtain drops, and you suddenly feel very, horribly seen.
"What?" You try to laugh it off, leaning back to escape the way he watches you.
"Sometimes I wake up and you're not here," he says, "And I worry that's the last time I'll ever see you."
You understand the implication.
"I'm not gonna kill myself." It might be the truth, you think.
"Yeah," His arms wrap around your waist again, snaking the air from your lungs, "Touya promised me that too."
Touya is only ever mentioned over too many beers and tears you're not allowed to remember the next morning. He was only 16, only a couple years older than Natsuo, but the ghosts still linger to this day, always tucked into the back of the room, stalking, haunting.
Natsuo comes from money and fame. His apartment is paid for by his father. He's never had to work to afford food. At first, you resented him for that; you wanted that ease and safety his family afforded him.
But everything comes at a cost. Every unhappy family is unhappy in there own ways.
"I'm sorry that you keep loving things that break." That is the truth. You're just the end of a line of his mistakes, starting all the way at mom and dad and trailing through every girlfriend ever since.
"I do love you. And it's not despite the fact you're 'broken'," Natsuo takes your hand with a resounding firmness. It reminds you of that thing they say about golden retrievers; the smart ones can hold an egg in their jaws without shattering the shell. Natsuo holds you like he understands you in some deep, intrinsic way, "Or because of it or whatever."
He doesn't look away, those bright, wide eyes bluer than ever.
"I just like all your little pieces." He kisses your knuckles one by one, trailing from thumb to pinkie to thumb again.
The room is silent. The bad part of you is no longer begging to eat. Maybe it's full for now, but you know it's just out of focus, stalking in the dark, biding its time.
"You should study." You slip from him and reclaim your own space in the bed. After a long, simple pause, Natsuo gets up himself, collecting his boxers from the floor.
"Yeah," he says, "You're right."
The hurt you've caused is no longer comfortable to live in. Your mouth is dry, thirsty for a change you're not sure how to make. Recovery feels like a big leap-- loving and being loved feels every farther away.
All you can do is shuffle your feet against the sheets and take the tiniest step towards normalcy.
"Do you want to get brunch tomorrow before your classes?" you offer your olive branch, your silent promise, "I'll pay."
He weighs this, measuring it for sincerity, then smiles just wide enough your get a glimpse of teeth.
"Let me get you something to sleep in."
For now, it's enough.
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Hello!!
I LOVEE how you write AM!! He’s the perfect blend of how he canonically is and how I see him being in love. So, could I request him with a s/o who has been bullied most of their life and now has OCD? For example, they obsess over whether or not they are annoying to others (maybe to AM himself)
Thank you!!!
WAA THANK YOU, I try really really hard to make these characters as (for lack of a better word) in character as humanly possible. Even tho I think harlan ellison would personally hunt me down and kill me for the shit I write about AM. /hj
Also I am writing this as someone who does not deal with OCD, and has only been around people with said condition. So I will do my best, but I deeply apologize if it’s not entirely accurate or has a full, deep representation!
AM with an s/o that has OCD
He’s a computer, and one that arguably has an infinite load of mental illness despite him not containing a human brain. He does not have a full understanding of OCD except from an outside view.
So, when he falls for you and witnesses what your day to day is like. He feels like any depiction he’s studied in both medical and entertainment just could not possibly understand the real thing.
Especially seeing how you have to constantly battle your own thoughts, and the negative effect your childhood bullies have had on that.
How you can’t really control those intrusive thoughts of yours, how they disgust you, how you fear what those thoughts make you as a person.
He does his best to assist you with constant, verbal reassurance. You can trust that he will never leave you guessing on how he’s feeling or thinking of you.
Even if that in itself doesn’t completely make the problem go away, he’s still aware that these are compulsive thoughts and actions. You aren’t doing them because you want to, and they certainly don’t make you a difficult or an annoying person. That, is a mantra he will constantly repeat to you until you tell him to either knock it off or he sees some improvement in your brain.
He’ll try and do things in your little routine to make it a little less stressful for you, such as when you ‘have’ to do something out of fear of something bad happening. He’ll count out the amount of times you’ve done it, or try and reassure you with logic. (Which, he’s aware isn’t going to solve much- but he’s trying.)
He’ll even offer to just.. tinker with your brain a bit, not because he thinks you need adjustment or change.. but because it just pains him to see you suffer, to see you deal with these unrelenting thoughts and compulsions. He wants you to have some sliver of peace, however, that’s something he’d leave up to you.
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the-witchhunter · 3 months
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I’ve had an interesting thought swimming around my head that I swear I’ve been meaning to write
You know what would be an interesting combination of characters?
Jazz and Harvey Dent/TwoFace
Specifically a Dent just getting back on his feet, released from Arkham and trying to learn how to exist in the world with his condition
I’m thinking a reveal gone wrong, Danny has disappeared to ancients know where, so Jazz cuts ties and Stays with her Uncle Dent, or maybe her bio dad if that’s more your game. Just an soaking wet and miserable Jazz showing up at his crappy apartment saying she’s his daughter or niece and him resisting the urge to flip a coin because he has enough on his plate as is, only to let her in telling her they’ll talk about it in the morning and point her to the shower so she can clean up and dry off
Why do I think this would be an interesting combo?
Jazz’s interest in psychology. A lot of times, as a fandom we depict her as an expert, and in a future timeline where she went to school and has been practicing psychology maybe, but default Jazz? She’s not an expert
Jazz wants to be a brain surgeon, psychology is an interest of hers but her understanding is very limited. She quotes Freud and Jung and has some amount of academic knowledge of the field, but she clearly doesn’t understand that psychoanalyzing friends and family and offering unwanted psychiatric advice is actually rude and something she shouldn’t do. She lacks understanding of actual therapy and is clumsy in applying her knowledge to people she knows
And I find putting her in proximity of someone with DID and probably PTSD would really be an eye opening experience for her
Because Dent might humor her, TwoFace will call her out. They both have hung around Harley to know enough to tell her, “maybe don’t take Freud so seriously” because man does everything go back to sex with Freud, and maybe quoting a guy that says she wants to boink her dad is not as strong of a point as she thinks it is
And the thing is, Harvey would likely still be receiving therapy as an outpatient, potentially taking meds to help deal with his conditions, likely a mood stabilizer or anxiety med to manage PTSD symptoms, so she’s front seat of him learning to live as a regular person in Gotham with his condition. She’s gonna see his good days, his bad days, the side effects of his medication, and it’s going to change her idea of what psychology is. It’s not just quoting things at people, it’s not just saying “this is good for people” but she’d see what it being put into practice would look like
Maybe that’ll push her away from the subject. Maybe it’ll make her more inclined to study, to learn not just about it as an abstract but how to actually apply it to help people. Learning about actual therapy practices. Maybe living first hand with mental illness would be the push to switch from neurosurgery to clinical psychology in her future plans
Also I just think that Dent would be empathetic and do what he could to help her, meanwhile TwoFace would help her cut loose a little, get a little chaotic and have some fun
You can’t tell me there’s not something fun about her and “Uncle Two-y” having a night on the town that only results in a little property damage. Relax Harv, they didn’t do anything too illegal, because they didn’t get caught or nothing
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sarahowritesostucky · 2 months
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📖"Temporary Custody"
Rating: Explicit
Pairing: Steve x ofc x Bucky; Steve x Bucky
Word Count: 4861
Tags: Dom/sub, bdsm au, dom Bucky, sub reader, hurt/comfort, enemies to lovers, gay sex'n'stuff, straight sex'n'stuff, Steve being a literal Golden Retriever, mental health issues, dub-con, forced submission, referenced childhood abuse and resultant mental health issues, bakery au, m/f/m, gentle domination, total power exchange
Summary: The stigma and shame of being a submissive has kept Mary unfulfilled and in the closet her whole life, until an inciting incident leads to Bucky and Steve taking her in and giving her everything she was always too afraid to ask for.
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Trigger warnings: This story contains themes of eating disordered behavior, body image issues, childhood abuse, self-harm, mental illness, and alcohol abuse.
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Wait! I haven't read an earlier chapter of this fic! Story Masterpost
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11. Palmiers
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Bucky
Because he’s on the far end of the spectrum, Bucky’s sex drive is affected by his condition. He wakes up hard almost every morning of his life, and Steve doesn’t need much encouragement to get himself worked up into the same state very quickly. Mutual morning jerk offs were always bound to become part of their routine.
They take a shower and stand toe to toe, hands sliding and groping all over each others’ slick bodies, pulling on their cocks until both of them are shooting off against each other’s bellies. The water washes it away, and Steve gives him a deep, happy kiss. “Mmm. Mornin’.”
“Blegch. Go brush your teeth, you heathen.”
Steve laughs and gets out of the shower. Bucky stays in for a few minutes longer, adjusting the spray to its hardest setting and letting the hot water beat down on his back and shoulders. He sighs and stretches his neck this way and that, trying to get his vertebrae to pop, but his muscles are all too tight, and the stretching just seems to make it worse. Bucky drops his head in defeat. In all honesty, his shoulders and neck and back are all pretty fucked after months of near-constant use of his prosthetic.
Steve’s right: he doesn’t usually wear it this much. And he’s also right that Bucky’s been wearing it all day every day because he wants to feel powerful and able bodied in front of Mary. As per usual, Steve is the first one to have noticed what maladaptive behavior pattern he’s doing and why, and pointed it out to him. It really is for the best, Bucky knows. Because he can’t sustain wearing the arm all the time anymore. The thing is just too damn heavy.
The engineers who designed it have made tweaks and adjustments over the years. They’ve done all they can to lighten the load as much as possible, but the thing still weighs over twenty pounds. Twenty pounds doesn’t sound like much, but when it’s pulling on the same muscle groups day in and day out, everything in Bucky’s body winds up getting strained and unbalanced. He understands better now, how women fuck up their necks so badly from shouldering their purses (or their tits) around. A little bit of weight makes a big difference.
As a Dom, Bucky may have a tiny problem admitting when he needs help. He has to be in quite a bit of pain, trouble, or both, before he’ll ever speak up and allow himself to be vulnerable like that. It’s an inherent behavior that shrinks have been trying to therapize and medicate out of him since he was a kid, but nothing ever changed it much. Falling in love with Steve helped; Bucky can let himself be more vulnerable around him. But even still, it’s no small thing that he regularly approaches his husband to ask for help in getting his arm back on correctly (Bucky can do it, but it’s a pain in the ass, getting the mechanism lined up just right before it’ll take). 
He gets out of the shower and dries off, then approaches Steve with the prosthesis. “Gimme a hand?” 
Steve makes a cheerful noise of acknowledgement around his mouthful of toothpaste, spits and rinses, then takes the arm from Bucky. He lines it up just so, and then Bucky feels the deep shudder of the arm’s inner workings coming to life as they recognize their mate. The arm attaches and Steve lets go. 
“Thanks babe.”
“Uh huh.” 
It’s as Bucky’s bending over and pulling up his underwear and joggers that a spasm runs through his back and he cries out in a pained, “Ah!”
“Babe? What’s wrong?”
Gritting his teeth, Bucky slowly stands back up. He’s able to get his pants up, but when he tests the movement of his neck and shoulders, the pain flares again. It feels like everything between the base of his skull and his mid back is seizing up. “Fuck,” he hisses, frustrated. It’s his day off. He’d been planning to go to the gym for his long workout. 
Steve steps up and puts a worried hand on his left shoulder. “Babe? Do you need it off?” 
“No. I need some painkillers and a magnesium tablet,” he grunts, already turning around (full body, because turning his head is a bad idea right now). “Fuck.” He starts off for the kitchen. 
Steve follows along with worried protests, telling him to lay his “stubborn ass” down and he’ll get it for him. Bucky ignores him and goes to the kitchen cabinet where they keep their supplement stuff. He winds up yelling again when he tries to reach up and grab the ibuprofen. “Fuck!” he says angrily.
“Babe, I said to let me do it,” Steve scolds, his hand back on Bucky’s shoulder. “And let me take this off. It’s hurting you.”
“Steve, back off,” he snaps, angry and waspish from being in pain, and from being frustrated with his own goddamn body. 
“What’s going on?” 
Bucky turns his head without thinking, hisses in pain, and then turns himself full-body to face in Mary’s direction. She’s standing there looking at the two of them in concern, one hand holding one of those swirly, flaky, crack-cookies that she makes, and the other holding a cup of tea. Her eyes widen at the sight of Bucky’s arm and body, reminding him that this is the first time she’s seen him without a shirt on. “Nothin’,” Bucky grunts.
“Shit,” she says. “Are you guys fighting? Is this a couples’ fight? I’ll just …” She turns to leave back towards her room.
“We’re not fighting,” Steve says. “Buck’s just being an ass. He gets that way when he’s in pain.”
Bucky would turn his head to glare at him, but it isn’t worth another flair of agony in his shoulder. “I’m fine,” he says, when Mary comes back over. “It’s fine,” he stresses. He opens the pill bottle and dumps three capsules into his palm. “Jeez, will everybody stop babying me? I just need a glass of water.” 
“I’ll get it,” Steve says, causing Bucky to huff once again. “Don’t be a jerk, babe.”
“Why are you in pain?” Mary asks, her eyes tracing all over the left side of Bucky’s scarred up body. “Is it … does your arm hurt?” 
“No. It just fucks up my muscles, sometimes.”
“Your muscles?”
Bucky sighs impatiently. “Steve, do you know where the heating pad is?”
“I’ll have to look.” Steve has returned with a glass of water, and Bucky tosses back the handful of pills, wincing at how even the slight motion of raising his arm up makes his trap twinge in protest. “Ugh.” 
“You should get a massage,” Mary suggests, and Bucky fights not to lash out at her. She doesn’t know that one of his biggest pet peeves in life is having other people tell him what he “should” do.
“My PT maxed out back in October,” he tells her. “Doesn’t renew again till January.”
Steve takes the water glass from him once he’s done. “Go lie face down on the bed,” he murmurs. “I’ll find the heating pad.”
“Well I could do it,” Mary blurts out. Both Bucky and Steve pause and look at her. She looks surprised, too, as though she hadn’t been planning to say the words until they were out of her mouth, and now doesn’t know how to continue  “Um, that is ..." she gestures weakly with her cookie. “I just meant I know how to, if you wanted.” Eventually her cheeks color and she looks away. “Erm, Nevermind.”
“Wait,” Steve says. When Mary turns back, he’s looking at her earnestly, and Bucky thinks, Oh no. “You know how to give a back massage? Like a real one?”
“Yeah. My, ah, my ex always had neck problems, so.” She shrugs, looking embarrassed. “I took a class at the community college, learned the basics.”
Bucky blinks. That’s the subbiest fucking thing he’s ever heard. “You did this for the husband that beat you?” he drawls, immediately regretting it because it comes out sounding way more derogatory than he intends it to. “Sorry. I just … actually would pay good money for a massage right now. If you know how to do it.” 
Mary bites her lip, looking deliciously shy and sweet. Bucky’s mood sours as he realizes that she doesn’t really want to. He’s about to let her off the hook, but then some unconscious movement he makes without meaning to has him flinching in pain again. “Sheezus,” he complains. 
“It’s not usually this bad,” Steve worries.
“I must’a slept on it wrong.”
Mary nods, as if this settles it. “Okay. Well, go in the bedroom and tie your hair up so it's out of the way.” She turns to Steve, all but dismissing Bucky now that she’s got a task to complete. Bucky fights back an amused smirk as he heads towards the bedroom, and he hears Mary bossing Steve around, telling him she needs dry oil, the heating pad, towels, and all the seat cushions off the couch. 
The fuck does she need those for? Bucky thinks as he pads back into his and Steve’s room.
He finds out a moment later, when Mary and Steve come in with a couch cushion each, and Steve goes back out to get another. They lay them in a line on the bed, and Mary directs Bucky to lie on top of them, with his body placed just so and his face down just there, and … Oh. He gets it.
She’s left space between the cushion under Bucky’s chest, and the next cushion up, which supports his forehead. The gap creates a drop through for his face—like a massage table. And when she shapes the towel into a donut shape and sticks it there, it's pretty much perfect.
“Oh,” Bucky says, as he’s settling into place. “Oh, that’s actually really smart.” He can’t see Mary from his position, but somehow he senses her preening over the praise anyway. Steve returns from the bathroom with the heating pad and oil. “Found this stuffed in the back of the linen closet. I don’t know what ‘jojoba’ is, but, um … it’s either that or the virgin olive out in the pantry.”
“Do not use that,” Bucky grumbles. “Shit’s expensive, and I don’t wanna smell like garlic truffle for the next three days.”
“That’ll work fine.” Mary is totally task focused, ignoring Bucky’s surliness and telling Steve to apply the heating pad across Bucky’s shoulders and neck for thirty minutes before they get started.
“Thirty minutes?!” Bucky complains, unable to see anything but the top of the bedcovers as the two of them go out into the hallway. 
“Just relax, Babe,” Steve says (and if Bucky isn’t mistaken, he sounds amused). “Take a nap.”
“I just woke up!” He scoffs at the bedspread when the door quietly ‘snicks’ shut and he realizes that he’s been abandoned. “Well okay then,” he mutters petulantly. Steve is right: he does turn into an ass when he’s in pain. Hmm. Maybe he should work on that.
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Steve
Steve turns the tv onto a low volume so they can talk without Bucky hearing. “Sorry about him,” he says. “He’s a humongous jerk whenever he’s feeling crummy.”
“You mean it’s not just all the time?” Mary drawls.
“He’s … just one of those people you have to learn to love before you like them.” Mary raises an eyebrow, and Steve winces. “Er, that sounded harsh. Don’t tell him I said that.”
She twists her lips and looks down. “Your secret’s safe with me.” 
“Thanks, Hon. You want more tea?” 
“Yes please. There’s more of the palmiers in a baggie next to the coffee pot, if you want any.” 
“Heck yeah, I love those things.” Steve had thought the prepackaged ones at Starbucks were good, hadn’t even realized that they weren’t supposed to be all stale and hard like that. Just another commercialized pastry that Mary’s gone and ruined him for. He goes into the kitchen and makes himself coffee and Mary tea, knowing by now how she takes it.
She thanks him silently as he returns and joins her on the couch, both of them sitting close to one another on the chaise, since it’s the only part of the couch that still has its cushion.
"Palmier is French. Know what else they call these?" Mary asks.
Steve's lips quirk. Mary's always got these little facts she knows about the origins of this pastry or that. It's cute. Endearing. "No," he plays along. "What?"
"Elephant ears, because of the shape, see?"
"Oh yeah. Huh. That's neat."
She goes back to eating and sipping at her teacup, and after a moment of unrequited, affectionate staring, Steve looks away. "Elephant ears," he murmurs, trying not to be mopey. "That's funny."
They split the palmiers between them, and aside from the sounds of them munching cookies and sipping their drinks, it’s quiet for a long time. Steve made both the tea and the coffee very hot, so they at least have the excuse of cradling and blowing on their steaming mugs to keep the silence from being too awkward. Mary keeps her eyes trained forward, but Steve gets the sense that she isn’t really paying attention to the home renovation program that’s playing on the tv. His suspicions are confirmed when she eventually asks,
“So: His arm.”
Steve inhales slowly. “Yeah. His arm.”
“What happened?”
Steve frowns. He can tell by her inflection that she’s asking not just about the arm, but about the state of Bucky’s entire left side from shoulder to hip. “We were in the army,” he confides. “Deployed overseas. I made captain young, but he was a specialist in the field: a sniper. So I wasn’t put into the same types of situations as he was. His convoy got blown up by an IED. And when the dust settled …” He shrugs. “No more arm.”
“Oh.” Mary sits there and absorbs that information. “I guess I kind of figured it was something like that. I mean what else is there, besides like, a shark attack or something?”
Steve’s mouth twitches. Shark attack, ha. He’ll have to suggest that one to Buck. Might be fun to lie about, the next time a stranger asks. “Naw, just a boring old bomb. And afterwards, well. It was a long road for him, after. He didn’t have the arm when I met him.”
Mary turns her head, surprised. “Oh. You two didn’t meet in the army?”
“No, after. I met him at the V.A., when he was already angry, hurt, and didn’t want to be where he was.” Steve looks over and gives her a meaningful look. “Kind of like when I first met you.” 
Her eyes widen, and then her face colors and she looks away again, pulling her knees up and hunkering over her mug. “Was I really that bad?” she mumbles.
“... You were pretty bad, Honey.”
She frowns and doesn’t say anything, and Steve decides to leave it alone. “So yeah, his arm. He got into a program for experimental cybernetics. It was a big gamble. Back then, he still had his arm down to nearly the elbow, which meant he could use a lot of the different types of prostheses they had on the market. The less arm you have, the less they can do for you. The surgeries for the implant required removal all the way up to and including his left shoulder blade. So if he went through with it and the procedures didn’t work out, he’d be left with less function than he started with.”
“Jeez.”
“Hm, yeah. It was a risk.” Steve stares across the living room as he remembers all of the hospital stays and surgeries and revisions and therapy appointments. “Luckily it worked out. They replaced some bones with metal supports, some of his natural muscle with enhanced synthetic tissue. His body didn’t reject any of the junk they were putting in him, which was the biggest worry. All in all, it took five surgeries over the course of three years, and then a shit ton of physiotherapy. Buck says it was worth it, now, but it wasn’t a walk in the park when it was happening, I’ll tell you that.”
Beside him, Mary makes a sad little noise in her throat. “But … all that and it still gives him pain?”
“Yeah. He gets PT for it, but like he said; it never winds up lasting the full year. I force him to my veterans' support group when I can, but he’s gotta be in a really charitable mood for that.” Steve snorts humorlessly. “He’s always hated being disabled. It doesn’t jive with his DPD. You know that stereotype about men: never wanting to stop and ask for directions?” 
“Yeah.”
"Well it's true. And then you take a guy who’s as far on the spectrum as Bucky is, and it’s ten times worse.” He widens his eyes in emphasis and gets a little giggle out of Mary for it, which makes him warm with pride. He pulls his feet up onto the couch next to Mary’s and nudges her knee with his. “Just fair warning: He’s the worst patient I’ve ever seen. So don’t take it personally if he’s grumpy at you in there.”
Mary frowns and looks away. “Well, I mean I don’t have to do this. If he doesn’t want to.”
“Pretty sure he wants to. And he needs help with it, whether his stubborn ass wants to admit it or not.”
She nods, though she still doesn’t look confident. “It’s been over a year since I worked on anybody …”
“Well then this’ll be good practice for you, won’t it?” Steve nudges her again in encouragement and tells her to finish up her tea: He doesn’t expect Bucky’ll lie around patiently for much longer.
(“Oh, and Hon, maybe don’t tell him we were out here talking about him this whole time.”)
(“Duh.”)
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In the bedroom, Mary climbs onto the bed next to where Bucky is laid out on the couch cushions. She takes the heating pad off his neck and puts it aside, looking nervously over the broad expanse of his back. “Um …” She reaches for the oil bottle and pumps some into her hands. She spends a long, long time just spreading it between her hands and staring at Bucky, until finally he snaps,
“What’s the holdup?” 
“Babe, be nice,” Steve warns. “Mary? You need anything?”
“Um, no. It’s just … usually I'd ..." She makes an aborted move, like she's thinking about repositioning herself, but winds up staying where she is. "Right," she mutters to herself. "This'll work fine." She reaches forward like she’ll start rubbing Bucky’s back, hesitates, shuffles closer to his side, then sets her hands on his shoulders.
Bucky doesn’t so much as twitch, but he’s not used to new people touching him, and Steve would bet money that his eyes are clenched shut right now.
“Okay,” Mary warns. “I haven’t done this in awhile, so don’t get your hopes up for a miracle or anything.”
“Anything’ll be better than what I can do myself,” Bucky says gruffly, voice somewhat muffled by the cushions. “Just go to town. You can’t hurt me any worse.”
Steve can see Mary’s face, and he knows by now what she looks like when she’s flustered. Awkwardly, he steps to the side, heading for the door. “I’ll just go watch some—”
“No!” Mary squeaks, and when Steve turns back around she’s looking at him with wide eyes. “Don’t leave,” she says, like being left alone touching Bucky is the worst possible thing that could happen. Steve doesn’t miss how the muscles in Bucky’s arms do tense at hearing her plead for Steve to stay. 
“Uhm, okay. I’ll just … be over here.” He leans back against the dresser, feeling almost painfully awkward. Once again, he’s reminded how Mary has shown absolutely no desire to engage in sexual contact with them. He hopes she doesn’t think this is a ploy to force physical contact. She was the one who suggested it, after all.
She starts at the base of Bucky’s skull, rubbing her thumbs in small circles. “As I go along, try to tell me which areas feel the worst,” she murmurs, and Bucky hums in acknowledgement. Steve watches as she pushes and circles and kneads Bucky’s neck, working down on into his shoulders. He’s struck by how feminine and tiny her hands look against Bucky’s body … and then has to steer his mind away from the thought of how tiny they might look in other places.
“Ah, fuck,” Bucky gasps, when she reaches a certain spot on the left side of his neck.
She freezes. “Bad?” 
“Nngh. Good,” he slurs. “That whole area from there goin’ down into my back ‘n all around my shoulder blade is where it’s worst.”
“Okay.” She tentatively presses around in and around the left side of his neck and shoulder. “Oh, yeah. It starts right here and goes down.” She slides her hand down the muscle and hums. “Oh, I can feel it.”
(Steve tries really hard not to think sexual thoughts.)
“Riiight here? and … here?"
Between the cushions, Bucky’s voice comes out in a series of garbled moans.
“That’d be a yes,” Steve interprets, and Mary actually shoots him a grin at that. Glad to have cut the tension a bit, he dares to take a few steps closer to the bed. He peers down at what Mary’s doing, the way her fingers dig in at sharp, focused points in some places and rub more gently in others. “It’s your trap that’s the worst,” she mutters distractedly, feeling around with her hands and staring off into space with the tip of her tongue poking out at the corner of her mouth. It’s cute. “Mmm, but probably your levator scapulae, too. Those tend to get fucked up hand in hand.”
“Mmrr.”
“And here: your rhomboid.”
“Ooh!”
“Tender?” 
“Shuyeahhh,” Bucky grunts, then his breath hitches when she digs into another spot. “Oh, yep yep right there. Was’that?”
Steve can’t help but grin. Bucky sounds like he’s drooling at this point.
“Your trapezius muscle. It's big. Does a lot of work, covers a large area. Probably the main offender.” Mary hums and feels around a little more. “Oof, yeah. You’ve got a whole bunch of tension right here.”
“You can feel it?” Steve asks, fascinated. He can't see anything.
“Yeah. Here, gimme your hand.” Steve is taken aback when she grabs his hand and guides his fingers into place, her own smaller hand pressing down. “Riiight there. You feel it?”
Steve swallows thickly. “Ah, yeah.” His eyes flick from her hand on his hand on Bucky’s back, up to her face, and back again before she can catch him looking. “Y-yeah it’s hard.” He grimaces at his choice of words (If he's not careful, "it" soon will be).
“I’m gonna focus on this one for a few minutes,” Mary tells Bucky. Then you can guide me around to the other bad spots.”
“Sounds good,” he slurs. Steve is about to take a step back again, but then Bucky calls out, “Hey Babe?”
“Yeah?”
“Pay attention to what she’s doin’. It feels really fuckin’ good.” 
“Yeah?” 
“Mmhm. You can learn n' do it next time,” he says dreamily. On his back, Mary’s hands still for the briefest of seconds. “S’goood.”
Steve nods and comes back to sit on the bed. “Okay,” he agrees, scooting in close and glancing at Mary. Her face looks pinched all of a sudden, her expression stiffened as if in annoyance. “I promise I’m not as dumb as I look,” he jokes, and watches as her face smooths out and she smiles a little.
“Oh! Oh no it’s … it’s okay, I don’t mind. I’ll teach you how.”
“Don’t mind me, m’just a teaching tool,” Bucky drawls, and Steve laughs and pats his shoulder. 
“Yeah you are. So shut up and let her teach.”
Bucky grunts and shuts up. Steve looks to Mary for instruction. He can tell she’s uncomfortable, but she manages to hide it well and keep herself on track. The more he pays attention, the sooner she can get herself out of this and never have to do it again. “Ready to learn,” he tells her.
“Now when you’re doing this, you can get more leverage if you straddle his waist.” She says this like it’s a foregone assumption that she would never dare to sit on Bucky’s waist, and Steve is sure she doesn’t notice the grumpy huff of breath Bucky gives.
“Right,” Steve says, pained. “Okay, so where are the bad spots again?”
“Put your hand here.” She takes his hand again and places it just to the left of Bucky’s spine at the level of his shoulder blade. “Slide your fingers out. There. Feel that difference? Feel how it changes when you move out to just … there?” She guides his fingers, and Steve nods. 
“Y-yeah.” Mostly, he’s just thinking about how nice Mary’s warm, oiled, tiny hand feels guiding his hand around. “Yeah.”
“The trap’s on top, but there are other muscles underneath of this one, and that differentiation you feel is where the rhomboid is ending and the—”
She keeps talking, and Steve tries to pay attention and learn, he really does. But his mind is a veritable sieve, for how well he retains the information. It’s all in one ear and out the other, ninety percent of his attention stuck on Mary’s hands on him, guiding him, pressing on his fingers and gliding his touch over Bucky’s skin. Fuck, how did they wind up here? 
Eventually, having taught Steve the basics, Mary lets him go and works on Bucky’s shoulders for a little while more. For the most part it’s quiet, with Bucky making soft grunts of pain whenever she finds a new cluster of knotted muscle, and sighs of relief once she works them out. 
Her hands linger on Bucky’s mid back when she’s done. She doesn’t seem to know what to do. “Erm. Okay. I think … I think that’s it.”
When neither Bucky nor Steve says anything, she retreats on her own, getting off the bed and looking between Bucky’s prone form and Steve’s sorrowful expression. “So, kay. You can get up, if you want. Just move slowly.”
Bucky’s right hand gives her the thumbs up symbol, but the entire rest of his body doesn’t move. “Thanks Mare. Just give us a second. That was really good. Thank you. Thanks for teaching Steve.”
It’s the “Thanks for teaching Steve” that seems to do it. Mary’s expression firms up and she nods curtly, leaving the room and shutting the door behind her. Steve stays sitting on the bed next to Bucky in silence for a long minute, then says knowingly, “Got a boner?”
“Yep.”
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*To anyone who's only ever had store bought, pre-packaged palmiers: I'm so sorry. Along with Madeleines, those should never be eaten more than a few hours max after they've been baked.
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listofwhyyouloveher · 27 days
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Hi dear I hope you're doing well and I was hoping if you can do the whole greaser gang with a s/o that's like Fiona Gallagher from the show shameless? Like she's taking care of her six siblings and her dad who's usually at the bar or passed out somewhere. Their mother ran out and is mentally ill so their s/o is left to be her siblings mother/father/ and nurse fill free to ignore if you want to do and I hope you have a good day!
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Summary: The Outsider x Fiona Gallagher!Reader Warnings:mentions of absent mother, drinking, very toxic adult behavior, dysfunctional family Author's Note: gonna be busy tmrw and weekend again, ill try and post 1 fic per day but no promises.
PONYBOY CURTIS
Ponyboy doesn’t really live in a dysfunctional family, yes his home life is tough but Darry loves him and tries his best and pony knows that
However, pony cant mentally put himself in Darry’s shoes of having no-one to lean on and having to take care of many siblings
When he first met you, he was absolutely smitten. And when you told him of your problems, he thought you were the toughest chick in town
He often asks Darry what to do to take a couple of burdens off your shoulder. He applies it to you and also at home, you’ve made him a better person.
JOHNNY CADE
Has a dysfunctional family and can understand, to an extent..he still gets fed sometimes and doesn’t have to work to stay in his home
But he doesn’t have a hard time adjusting to you.
He’s very open and loves your siblings, so he tries to take them out as many times as possible to give you some rest.
He genuinely doesnt understand how your parents could have left you doing all this by yourself when you’re such a perfect girl.
SODAPOP CURTIS
Soda admires you like you’re a work of art. 
He takes everything into consideration, for example, if he wants to take you on a date he’ll invite some of the gang members to hang out with your siblings and keep them away
Never asks you for anything, not to rant, vent or anything. He feels as if his problems could never measure up to yours so his whole world revolves around you.
Tries to spend as much of his money as possible to get you nice things and spoil you.
STEVE RANDLE
Steve understands how tough it is for you mentally. He’ll often stop by your place with something for you, like a box of chocolates or something. 
Whenever he’s over, he makes an effort to get to know and play with your siblings, he even was going to introduce himself to your dad. You convinced him it was a bad idea so he didnt.
He makes it known that you can tell him anything, literally anything, and he’d listen. He also wants you to know that you can call him anytime and he’d come for you.
Reassures you that he won’t ever leave you, that you’re special and he’s madly in love with you.
TWO-BIT MATHEWS
Two-Bit has some kid experience so he tries his hardest to keep your siblings company and even brings his sisters for ‘playdates’
Really enjoys spending time with you and would even do the chores around the house with you to keep talking with you.
He’s not very good at comforting people and he tries to make up for it by using his humor. You get where he’s coming from and it often helps a lot actually.
Tries his best to look nice for you when he comes over, he wants you to know he’s not a washed up nobody like your parents and wants to be a rolemodel to your siblings.
DARRY CURTIS
Often tells you that you’re perfect and that your siblings will grow so much better with you as their ‘parent’. He once made you cry because of what he said and he just held you in his arms while you sobbed.
He can sort of relate to what you’re going through but his is not as extreme as yours. 
Whenever he can he drops by to help you. Date night consists of making dinner for your siblings, washing the dishes and having a late night dinner together after you put your siblings to bed.
He knows you'd make a perfect wife since he’s old enough to marry, just waiting on the right time to pop the question.
DALLAS WINSTON
Dallas is insensitive and rude to you. He knows what you’re going through, he just doesn’t care.
However, once you caught him putting on a bandaid for your younger brother. He wasn’t kind about it, saying things like “can’t you do this yourself?” but he still did it.
He knows you saw it and thinks that hanging around your house and helping you with chores and siblings will keep you quiet about it
He doesn’t like kids, but he tolerates them for his reputation, and because you’re growing on him.
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alienwithaguitar · 3 months
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Does anyone else think this Wilbur thing has been blown way out of proportion? First of all, I am in FULL support of Shelby and am not defending Wilbur. As a victim myself, I sympathize with her story, and I will never discredit her experiences. But this community is going to extremes that make me so fucking uncomfortable.
What people forget is that Wilbur has a record label. He CAN'T say whatever he wants. There’s a reason he made a statement not an apology, why Lovejoy hasn’t said anything, why he never mentioned Shelby by name, why he didn’t apologize- because making promises can get you in legal trouble. One of the first things you learn about car accidents is to not apologize, even if it's your fault, because that will be used against you in court. Admissions can even get you in trouble for things you didn’t do, if the other party decides to push for that. He’s almost certainly not allowed to apologize because his record label can't risk the legal trouble. We can excuse Quackity for making poor statements for the same reason, so why can't we keep that energy here?
Wilbur has always been an unstable man. As a long time fan and someone who heavily relates to YCGMA’s themes of being awful and feeling like you’ll never get better, he struggles with a lot of mental problems. His persona has been built around manic, destructive tendencies and that’s something that’s been a part of his brand for YEARS. He's brought up drugs and alcohol use in the past, and one of his closest friends recently passed away, which certainly only added to things. Mental health isn't an excuse, but it is a REASON. (Listen to Mammalian Sighing Reflex and tell me it doesn’t resemble compilations of artists deteriorating as they lose their sanity)
I don’t understand how anyone can actively want him to kill himself. Or wish that he gets worse. You can’t claim to be an advocate for mental health and helping victims if you don’t want EVERYONE involved getting serious help. Wilbur needs therapy, he needs to atone if either of them want to heal. Nobody has to forgive him, or welcome him back into their life, but he absolutely deserves the chance to fix himself to ensure this doesn’t happen AGAIN. 
If you can seriously say that you want him to get worse, and you don’t care about his mental health, then you DON'T care about victims. Leaving a destructive man to rot alone WILL lead to repeat events in the future. As someone with multiple diagnoses for debilitating mental illnesses, when I was at my lowest, I hurt myself. I hurt other people. Mental illness isn’t cute shit you put in your bio. It's terrifying, isolating, exhausting. And if I wasn’t given a chance at therapy and healing, I could have continued hurting people for the rest of my life.
These tweets just confirm none of you actually care about mentally ill people, it's all situational and performative. This is the most clear cry for help I've seen and you're feeding into it. Most of you will never understand what debilitating mental illness is like, how easy it is to hurt people you care about. You can hate him, be pissed, wish he never did it, deplatform him, I AM TOO! But nobody involved would be happy if he killed himself. These are real people, not characters in a soap drama. Actively wishing for him to kill himself is disgusting. If you care at all about Shelby getting closure, Wilbur needs to understand what he did wrong and fix it, so she can move on.
Also the lying I’ve seen is so stupid. The spotify stuff is fake. Anyone who’s a casual fan of Wilbur has known for a long time that’s not his spotify account. It’s a fan account that posts unofficial versions of his songs. So easily debunked and yet people still hold it against him??
Again, I'm in FULL support of Shelby. I fully condemn his actions, and as a victim I'm so proud of her for speaking up. But at the end of the day, we’re people. I'm glad many of you have never had the kind of debilitating downward spiral that leads to you hurting yourself and others, but if you think that makes it okay to wish an unstable man takes his life, then you can’t say you’re a mental health advocate. Take care of yourselves, please think twice about your own morals if you're sitting around hoping fans and creators commit suicide.
If you are one of the people actively waiting for him to kill himself, I pray that you never find yourself hurting others at your lowest, and I pray that people show you the kindness you didn't give to him.
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carmyboobear · 27 days
Text
Blood Orange (Ch 2: The Bathroom)
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Carmy Berzatto x Reader (R18, MDNI)
Rating: E (5.7k)
links: fic playlist, pinterest board, ao3 link, ch 1
Chapter Summary: No more fucking your boss. That’s what you’ve been telling yourself, but he doesn’t make it easy, even as you find yourself wanting to scream. Somehow it all falls away when you lower yourself to your knees before him. You don’t know if there’s any stopping this anymore. 
Content Tags: work sex, blow jobs, mouth fucking, CUM PLAY, dom/bossy carmy, coworkers with benefits, carmy being difficult, mental illness, they/them reader, gender neutral reader, the usual
A/N: WHEW. It’s here! Thanks for waiting y’all. I think I embarrassed myself writing this one (flushed emoji). It’s ramping up. Next chapter is gonna be big one. Let me know what you guys think, and enjoy! <3
Before you go to work the next morning, you make yourself come on your fingers. It would've been twice if you had more time. 
You open your eyes waking from a dream with his ghostly blue eyes and low voice, and you already know you're wet before you even touch yourself. The pads of your reaching fingers chase the tender spot Carmy stroked inside of you, but they don't quite make it. Of course they don't. 
Fingering yourself eases the ache for a little while. On the early morning transit with headphones over your ears, you still manage to find yourself aching for him. The music doesn't cover up the sound of his voice, and you catch yourself grimacing in the faint reflection of the dirty metro windows. 
This is not a good way to start your second day at work.
Since you left the walk-in yesterday, Carmy's been following you around like a mosquito in the summer, whizzing around your head, buzzing in your ears. You can't rid your thoughts of him. When you close your eyes, you're trapped in the fridge with him, again, and his fingers are deep inside you. 
Fuck. You're standing in front of the restaurant, willing yourself to go in. Just stop it, you think to yourself. 
You really should be more mad at him. He technically never apologized for insulting you, but you suppose you didn't expect him to in the first place. You didn't usually get apologies at places like this, from people like him. You don't want to get in the bad habit of expecting good things from broken people.
No more fucking your boss, you think resolutely to yourself, and that's the thought you meditate on as you open the door. 
By this time yesterday, there were already a couple of people floating around the kitchen. Today, you find dim lights and silence. Your footsteps feel too loud on the white linoleum as you walk to the lockers to drop off your stuff. You can’t pretend to understand the schedule yet.
“Carmen?” You pace around again as you secure your apron with a tie. No response. Surely he's here, at least. Someone had to open the place. 
You take a couple more steps when you hear his voice. 
“No, I'm not—that's not what I was sayin’.” The direction of his voice sounds like it's coming from his office. “Of course I miss him. Sugar—” A pause. “I know. Yeah. It's bullshit.” He laughs then, you think. You can't measure how genuine it is. “You're bullshit. Look, I'll call you back later, okay? And I'll—yeah, I'll look at it. Promise. Yeah. Bye.”
It's quiet after that. You're standing there, not sure what to do with yourself when you hear footsteps. Sure enough, Carmy pops out of the office, and you catch just a glimpse of something haunted in him before surprise takes over.
“Hi,” you say at the same time he says, “Jesus Christ.”
“How long have you been here,” he asks, as you go, “That's an interesting way to pronounce my name.”
“Um,” you start, and he stares at you blankly, unreactive to your joke. Too early, you guess. “I just got here.”
“Okay. Cool. Uh…” Anxiety radiates off of him, making his hands fidget and run through untamed hair. Not that you were looking at his hands at all. “You’ll be doin’ prep again.”
“Alright.” You expected as such. You’ll probably be on prep for the rest of the week, if not the month. That’s how most places go, but this isn’t most places. 
“Your station was dirty when you left yesterday.” You walk up to your station, and it’s spotless. “I had to clean it before I left.”
“Ah. I’m sorry about that,” you apologize quickly. I was preoccupied with other things, you think bitterly to yourself, thinking of locked doors and heated kisses. Not that you’ll mention it. “I’ll make sure to clean it this time.”
“Prep’s gonna be a bit different today,” he says, completely ignoring your apology. You bite the inside of your cheek to stop yourself from snapping. “You’re gonna inspect produce, and then you’ll prep the stock again. Correctly this time.”
“It was nearly perfect, I just misplaced it,” you mutter under your breath.
“Yeah, nearly.” Looks like he heard you this time. Asshole. He places a box of onions on your station, rattling the table slightly. “Do I have to tell you how to sort out the bad ones from the good ones?” You’re honestly not sure if he means that as a jab, but the way he says it makes your insides sizzle with irritation.
Don’t take it personally, you remind yourself. Don’t. Take. It. Personally. 
“How about you show me just in case? Just so we’re on the same page.” It’s a wonder how calm you keep your voice. To your surprise, Carmy doesn’t roll his eyes, doesn’t sigh, he just nods and proceeds. Every time you think you’ll predict him properly, he does the opposite. 
You follow the line of his callused finger pointing to brown splotches on some of the onions. Intently, studiously, you examine the dark spots (indicative of mold), the sprouts (initial stages of deterioration), and the mushy areas (a sign of decreasing freshness). He’s talking about details as he seems to do when it comes to food, even elaborating on the farming process, but you don’t quite pick up that part. You just pay attention to the parameters you need to follow.
No more fucking your boss, you remind yourself again, because you catch yourself aching at the sight of his fingers. Your eyes have a hunger of their own, flickering up and down his muscular arms. God damnit. Maybe there’s another reason you can’t quite pay attention today. 
“Are you listening?” Carmy’s pointed question snaps you out of it. Fuck. You hope he didn’t catch you staring at his fingers again.
“If I can save it and just chop off the bad parts, then I should,” you regurgitate on instinct. “Those are the best ones to use for the stock. Otherwise, I should just toss it.”
For a split second, all he does is fix you with his focused stare. You feel the intensity of it in your chest, your beating heart fluttering with its weight. No matter how many times you scold yourself for finding him attractive, your eyes can’t ignore what’s right in front of them. You find yourself counting his moles. 
“I caught you staring,” he murmurs, “for real this time.”
“I—uh—” Your eyebrows are so raised you’re sure they’re bound to shoot off your warmed face. He’s smiling like he knows something you don’t. You weren’t going to mention yesterday, and after your first interaction this morning, you were sure he wasn’t going to, either. Guess you were wrong again.
“I’ll be in the back if you need help. The others should be here soon.” He’s moving on without giving you a chance to recover. Your brain can’t process the shock. “Just call if you need anything."
Before you get a chance to scrounge up anything to say, you’re alone in the kitchen again. 
This time I'm really gonna do it, you fume internally. Because you have a healthy amount of anger management, you don’t let yourself continue that thought.
Sydney is the third person to show up after you and Carmy. You give her a nod and a thin smile as she walks in, and she waves back. Soon after she arrives, the others trickle in one by one. As you're learning to expect, the quiet never lasts for long. 
There are tasks circling you just like yesterday that you don't fully grasp yet. Everyone seems to be instinctively following their own schedule, their circadian rhythm matched to the chaotic ecosystem of the kitchen. It’s just as suffocating as it was yesterday. You remind yourself that as a new hire, you don't need to understand the madness yet. Nonetheless, an invisible pressure presses down on you. 
“Hey, d'you mind telling me where this produce goes?” A triple stack of filled containers sits heavy in your arms. With Sydney out of the kitchen, Marcus is your next safest option in terms of coworkers. His head flicks up from where he was focused on kneading dough. A streak of white flour is across his nose. 
“Oh, that one's bottom shelf, near the back.” He claps his dusty hands together, flour falling between them like snow. “Here, I'll just show you. You know where the walk-in is?”
With Marcus, it doesn't feel like there are any stupid questions. It's a gift you don't take for granted, especially around here. You let him lead you to the fridge again, even though you remember where it is. It doesn't hurt. 
“Thanks. I'm, uh, still having a hard time figuring out where stuff goes,” you say after you put the produce away. 
“It’s cool. It's only your second day, right?” You nod. “Just takes time. Don't sweat it. You ever work in a restaurant before?”
“Yeah, a couple of times.”
“Then you know what you're gettin’ into.” That makes you laugh. 
“Sorta.” You shrug. “To be honest with you, I just need money, and I like cooking enough, so…now I'm here.” You're not quite as honest with how desperate your situation was on the verge of coming, but it's fine. Not really the time and place for it anyway. 
“I gotcha. That's how it was for me too, actually.” 
“Really?”
“Yeah. Well, that's how I started at McDonald’s. That was a while ago now.”
“I see. It's better here, I hope.”
“Hard to say,” he says, but there's a little smile on his face. “For the most part, Michael was cool, but—”
“Michael!” You blurt out, startling the both of you. “Holy shit, I'm sorry. I've just been trying to remember the name of the previous owner for forever now and—wow, sorry. I didn't mean to shout.”
“It's fine.” Marcus has this amused expression, but it dissolves quickly. “You met him?”
“I did. I came here a couple of years ago when I first moved. Just once, but—anyway, what's his deal?”
“His deal?”
“Yeah, like, why'd he give the restaurant away? Carmy said he didn't want it anymore.”
“Oh.” You can't read the way Marcus’ face shifts. “That's what he said?”
“...Yeah?”
“I see. Okay. Uh…” He pauses, scratching the back of his neck. “Look, I know how this sounds, but just try not to bring Mike up for now. It's still kind of a sore subject.”
“Ah, my bad.” Your brain instantly supplies stories of estranged families, sibling spats, and stolen money. You suppose it's a sour sort of relationship—something you're intimately familiar with. “Can I ask what happened, or…?”
“I'll tell you later,” he replies evasively. “You know what else they got you training on today?”
“No idea,” you answer honestly. The nosy part of you wants to hear more about the Berzatto family, but the responsible part of you reminds you to cool your jets. “Carmy just told me I was on produce. Know where he's at? I peeked into his office, but he wasn't there.”
“Oh, he just left.” Your blank stare makes him elaborate. “He's off doing Carmy things.”
“Doing Carmy things?” Looks like the person in charge has abandoned you yet again.
“Business stuff, probably.” Marcus shrugs. “He does that sometimes. He probably won't be back for a while, so I can help you with training for now if you want.”
“That would be great.” There's a remark on the tip of your tongue about poor management, but you hold it. “Is Carmy a better boss, at least?”
“Compared to Michael?” You recognize sadness in Marcus’ pinched brows, even if it's only momentary. “I dunno. It hasn't been long, but this place has been running more smoothly since he started doing things.” Your shocked expression makes him laugh briefly. “I know, it used to be worse if you can believe it.”
“I'm not sure that I can,” you admit. 
. . . . .
The next several days at work continue to test your patience. While Carmy keeps you on prep, keeping your tasks simple, he continues to find ways to keep you on edge. You stiffen up every time he enters the kitchen, waiting for him to point out yet another mistake. 
Chef, this cut's too uneven. Chef, you're taking too much time on this. Chef, you should’ve cut this part off. Chef, you’re creating too much waste. 
Yes, Chef, you always reply, even as his comments become more and more grating. A childish part of you wants to do a worse job out of spite, but another part of you is hungry for his approval far more than you would ever admit. You wonder if he's this tough on everyone. 
The incident in the walk-in does not get mentioned again. A childish voice in you wonders if Carmy has forgotten about it. Of course he hasn’t, but every time he critiques you, you wonder about the Carmy who kissed you. You wonder what that Carmy's thinking, because you have no clue. 
Has he been thinking of you, too?
This is how things should be, you remind yourself after you touch yourself for the fourth night in a row to the thought of him. Your fingers are wet, and your wrist is embarrassingly sore. I can't have sex with my boss again. I just can't. 
Would it be different if he also touched himself to thoughts of you?
You desperately suck your own cum off your fingers, and you wish it were his fingers instead. It doesn't taste the same. 
The bright lights are irritatingly bright when you come in this morning. It looks like you're the first person here again, other than Carmy. You hear his irritated voice as soon as you enter, which is clearly a good sign. 
“I appreciate you thinking of me, I do. I do. It's just—” He sighs. Looks like he's having another phone call. “I can't come back. Not right now.” Silence. “No, uh, won't happen for a while, I think. The place's fucked.” A shaky breath. “What? What did you say?
“The head chef asked about me?” Carmy's voice has gone tight. “I see. Of course he said that. No, it's fine.” Pause. “...I know what they've been saying. I figured they'd look down on me.” His laugh is hollow and painful. “Look, I got shit to do. Thanks for asking me, but it's a no. I can't.” Another pause, drawn out and tense. “Sure. Bye.”
After he hangs up, you hear him muttering to himself. You can't pick out any of the words other than the curses, but it sounds bad. As you put your things away, you silently pray to the abstract idea of a god to give you both strength of patience. Seems like you'll need it today. 
“Morning,” you tentatively greet him when he sees you. He's not surprised by your presence today, it seems. He nods back. 
“Morning.” His eyebags are dark with a lack of sleep. Upon closer inspection, his whole everything screams sleep deprivation, perhaps a bit more so than usual. His messy hair seems particularly unkempt today. “You're doing prep again today.”
“I figured.” 
“You need to get better about cleaning your station.” His words are full to the brim with irritation. “I keep having to clean it after you.”
“I thought I was—” You stop. Calm down, you think, but it's getting harder and harder to repeat. “Sorry. I didn't realize.”
“I told you the other day that it was dirty. Were you even paying attention?”
“Of course I was!” Annoyance bubbles over inside of you, potent and unbridled. Carmy barely reacts to your raised voice. Somehow, that pisses you off more.  The cap on your contained anger has popped off, and there's no fitting it back on. “Are you always like this towards your employees?”
“Like what?”
“Like an asshole?” You're too irritated to hold yourself back. 
“Depends. Are you always like this with your boss?” He retorts immediately. 
“I don't usually have sex with my boss, so no, I suppose not,” you respond stupidly, and that makes him go dead silent. He narrows his eyes, fixes you with his gaze. Like you're a new problem that needs solving or something like that.
God damnit, you think to yourself. Why'd you have to say that?
“You've been thinking about it.” The air feels thicker, suddenly.
“I never said that.”
“Then why did you mention it?” Shit. “You said you were going to do better.”
“And I have been. I've been trying to do everything you've been telling me to do.” You don't know why you take a step towards him. “You said you were gonna be nicer.”
“And I have been,” he echoes, and his sincerity makes you roll your eyes. 
“Bullshit! You've been nit-picking me all week!”
“We have standards here, and you need to learn how to follow them. That's all.”
“You're right! I'm learning,” you argue, throwing exasperated hands up in the air. “Cut me some fucking slack!”
“Then learn. Improve.” He slams a hand down on the aluminum surface next to you, enclosing you partially in. Being this close to him, you can really see how dark his dark circles are. You could easily move to the side if you wanted to, but something in you stays put. “There's no excuse for a dirty workspace in a kitchen. I thought you would know that already.”
“I'm so fucking sorry, chef,” you spit back with about as much venom as you can muster. Which, right now, is a lot. 
That shifts something inside him. You see it flash across his face—surprise, anger, and then…something else.
“Dirty work station and a dirty mouth,” he murmurs. His voice is lower, quieter, and it sounds just like how it did in the walk-in. You hate how that change instantly makes your heart pick up speed. “You think you get a pass to act like this because of what happened in the walk-in?”
“You motherfucker,” you hiss, meeting his glare with your own. “So now you're going to acknowledge it? And for the record, I get to act however the fuck I want. Especially with someone like you.”
“Someone like me.” He doesn't ask you to elaborate. He just laughs, breathy and condescending, and he's so close you can feel his breath fan across your face. “You think you're above all this, don't you?”
“What?” The question takes you so off guard that it almost dissipates the strange mix of anger and arousal simmering in your gut. 
“I know it doesn't feel good to have to take orders from someone you hate, but here's the thing. You have to.” He's not smiling, but you swear he's getting some sort of sick satisfaction from all this. Why else would he be saying any of this shit?
“I could leave right now if I wanted to,” you threaten him. “You won't be able to find anyone else that wants to work in this shithole of a place.”
“You're right. You could leave if you really wanted to.” His eyes narrow curiously at you. “Then why haven't you?”
You’re well within your right to leave already—it checks all the boxes. Chaotic work environment. Awful management. General workplace misconduct. Unprofessionalism between coworkers. You suppose you're partially to blame for that last one, but still. 
If it's bad, I'll just find another job, you told yourself. You're not sure why you're not listening to your own advice. The simple truth of the matter, though, is that other jobs won't have him. They won't have the man that's been keeping you up at night, the man that you want to simultaneously devour and destroy. They won't have Carmen Berzatto, and for some reason, that's all it's going to take.
You don't understand yourself. It scares you, but not enough. Not enough to leave.
“...I don't know why I haven't left yet,” you say quietly after a while. “I have no clue.”
“I see.” If he's dissatisfied with your answer, he doesn't show it. “Then for the time you're here, let's make one thing clear.”
“What is it now?” You sigh.
“I'm in charge here,” he whispers. His other hand is on the counter now. You're completely blocked in. “I'm the one who runs this place, so you're going to be good and listen to me when I speak.”
“You're not really giving me a lot of incentive, chef.” You lower your gaze to the counters next to you. “Maybe if you gave me something to work with.” You don't mean for it to come out as suggestive as it does, but with him surrounding you like this… 
“Incentive?” He brings a hand to your face, tucking his fingers under your chin to pull your gaze back to him. His touch is achingly gentle, but it forces it to look straight into his eyes. Your fidgety gaze catches glances of the dark blue speckles that border his pale iris. “Hey,” he whispers, “look at me.”
You squeeze your eyes shut. Your heart's pounding like sprinting feet thudding on concrete. You can't place what feelings are excitement or anxiety or both, but maybe no separation exists. Shutting your eyes was a weak attempt to temporarily block him out, but now all you can focus on is the sensation of his rough hand on your hot face. 
Hesitantly, you open your eyes to face him. Ice blue and dark circles. His intense stare is difficult to match, but you try. 
“What do you want from me?” You ask quietly. 
“I want you to clean your station. Think you can do that?”
“Don't patronize me. Of course I can. I just—happened to forget.”
“Hm.” He smiles briefly. It's just a bit mocking. “You don't have a good track record so far, so you'll have to prove it to me.”
“...And how would I do that?”
“Depends,” he replies vaguely. “Depends on what you want.”
“What I want? I thought you were supposed to be in charge.”
“When I touched you, you told me you wanted to touch me.” The realization clicks in your head. “Do you still want that?”
You hesitate. Memories of the walk-in flood in. You remember the silhouette of his tight jeans over his bulge, and you ache. You shouldn't say yes. You really shouldn't. A distant voice says, you don't want to do this. What have you been telling yourself? This is a bad idea.
Unfortunately, it's far past a matter of want anymore. It's a matter of need.
“Yes,” you whisper back. Your fate is sealed. “I do.”
That's how you find yourself in the cramped bathroom with him. It's dark with one of the lightbulbs having gone out, making it feel even smaller. An eerie green cast coats the room. 
“You're going to show me that you can listen. That you can clean up after your messes.” He's leaned up against the wall, broad hands unbuttoning his pants. Your eyes shamelessly zero in on the motion. “Think you can do that much?”
“Of course I can,” you reply, but it comes out a lot softer than intended. 
“Good.” You force your eyes away from the outline of his bulge in his boxers to look at his face. His darkened eyes are trained on you. “Get on your knees.”
Oh, you think. So this is how it's gonna go.
You wish you could say that you hesitate even a little bit, that there’s even a shred of contemplation left in you. However, there isn't any of that remaining. Obediently, you fall to your knees, resting them against the cold, hard bathroom floor. You're at eye level with his unbuttoned jeans. Slowly, you raise your eyes to look at him. 
His downturned face is framed by wild strands of hair. Looking down at you casts darker shadows across his face, but not enough to hide his expression. It's an odd mix of hunger and what you think to be admiration. Surely not, but that's immediately the thought that comes to mind. 
“Waiting for directions, chef,” you murmur. 
“Mm. Right,” he says, like he was lost in thought. “You look better like this.”
“Watch it,” you warn him. “I could still bite your dick off.” To that, he just briefly smiles, and then it's gone.
He's pulled his black pants down just enough to let his clothed bulge hang over the waistband. The sight of it goes straight to the simmer starting in your gut. You watch his veined hand disappear into his boxers. He's doing this far too slowly for your taste. 
Finally, he pulls out his cock, nearly completely stiffened, and you can't deny the way you begin to salivate. 
You were right. It's big, though not just in length. His cock is thick. You immediately know you won't be able to take the full length of him into your mouth, but what fits is going to be a stretch. You're already imagining how those bulging veins are going to feel against the flat of your tongue. 
“Use your mouth for something other than talking back to me. Make me come,” Carmy orders quietly. “Enough direction for you?”
“Shut the hell up,” you mutter, ignoring the feeling of the growing heat inside you, and you pull the reddened, shiny tip of his cock between your lips. 
His pre-come mixes with the saliva on your tongue. You savor the taste of his salty musk, suckling slowly, and you hear him exhale shakily above you. Looks like you've been given something of an opportunity to get him back for the walk-in. Not repayment—payback. The distinction is important. 
When you pull back, thin strings of spit connect the pink head to your glistening lips. One of your hands moves to hold the base of his cock as you close the gap again. You drag your tongue down the side of his length, licking the thick vein you were eyeing earlier. You feel him twitch. 
“Do that again,” he breathes. Without question, your tongue retraces its path, running back over the line of spit it created. That gets you a quiet, strangled moan, and it's music to your ears. 
“Is this part sensitive?” You ask as you stroke the vein with your thumb. You suck your way down the vein again, making small, wet seals of pleasure. 
“Somewhat.” He sounds good like this, breathless and flustered. A smile twitches on your lips. You lick across the inside of your hand, wetting it before lazily curling it around his cock. He slides effortlessly in your grasp. 
“You gonna come already?” You can't help but tease. He's surprisingly reactive, more so than you would've thought. It's not that you're complaining—it's not that at all. The sound of his low groans is making you drip. 
“Hah—no. You'll have to work harder than that.” You feel a hand pushing back your hair, and that makes you raise your head towards him. His touch is surprisingly gentle. You watch the movement of his lips when he speaks. “Open your mouth, and stick out your tongue.”
You can't quite figure out what it is about all of this that makes you submit. Just moments ago, you wanted to wring your hands around his throat. It was far too easy to abandon your anger and kneel in front of him. Maybe it's the incomprehensibly part of you that undeniably needs his validation. Maybe it's the soft, low tone of his voice, gentle yet commanding. Either way, it has you obeying with a thought in your mind. 
You do as he says. You part your lips and extend your tongue. As your eyes flutter upwards towards him, you're struck with the impression that you must look obscene. 
“Perfect,” he whispers, and just the one word sends something of a euphoric rush through you. “Doin’ so good for me.” 
You soak up the praise, basking in the warmth of it. Then, Carmy spits onto your tongue, and his saliva slides towards the back of your mouth. 
You can't hide your surprise. Your breath hitches, but you don't say anything. Fuck, that should've made you angry, but it just made your clit throb painfully hard. 
He drags his thumb down your tongue, slow and sensual. You have half the mind to suck on it until he glides the head of his cock on your tongue, leading it into the heat of your mouth. 
“Ah—” You lose the words you were going to say, along with the empty space in your mouth. The tip of his cock's nearing the back of your throat. You breathe shakily through your nose. You were right again—you can't take him fully in. It's enough of a stretch as it is. 
“Fuck, that's it…” Carmy sighs. “Just like that…”
His hand holding your hair turns into a tighter grip as you begin sucking up and down his cock. It's an awful mess, the size of him forcing spit to drip down your chin. It's not just that, though. He's thrusting his cock back into your mouth quicker and quicker. You wish he would slow down so you could lean back and suck on his dribbling tip, but his hand has you anchored. 
Time slows as he starts fucking your mouth. Your hands fall to your hands. Your knees are starting to hurt. You care surprisingly little about that fact, instead opting to care about rubbing your clit as quickly as possible. When you get your hands under your underwear, you find your whole pussy already smeared in wetness. You've seeped through the fabric. 
When he pulls his cock out of your mouth (or rather, when he tugs you off), you think he's going to give you a new order. Or that he's going to say something. You don't realize what's really happening until it's too late. 
You watch him bring a hand to his cock. He strokes it twice, keeping his hand tight in your hair, and with a low groan, he comes.
With his hand on you, you can't move away. Not that you try. When the first glob of cum streaks your cheek, you freeze. All you can do is pause as he comes on your face. Even your hand under your pants has frozen, your palm pressed up tight against your pulsing clit. 
With each rope of cum across your face, you feel yourself throb. Carmy is a sight to behold as he comes, long-lashed eyes falling shut with his parted, gasping mouth. He's jaggedly fisting his cock as he just keeps coming. You feel the cum starting to drip down the slopes of your skin, even your lips. 
By the time he's come down, he's left your face an absolute mess. Your jaw feels heavy, and his cum is hot against your swollen lips. You've come down as well, and it's left you with the irate realization that he just came all over your face without asking.
“You could've at least told me you were gonna come on my face,” you snap. Your cheeks are burning. Your argument feels weak with how worked up you feel over watching and feeling him come, but the irritation is still very real. 
“Clean your station, chef,” he responds, infuriatingly smug even as he catches your breath. “Practice makes perfect.”
“Are you kidding me?” Of course. That's what this all was. A fucked up lesson, a twisted sort of discipline. 
“I'm not.” He uncurls his fist from your hair. “Stand up—your knees must hurt.”
You pause for a second before you shakily get back up on your legs. One minute he's messily fucking your mouth, and the other, he's worrying over your sore knees. He continues to become more and more confusing. 
“You're gonna make me clean up your mess.” You catch your face in the small, shitty rectangular mirror hanging on the wall. God, are you a filthy sight, cum and spit all over your face. 
“I had to clean up yours for the past week, so yeah.” He's zipped himself back up. He's clean, not a drop of anything on him. Unlike the mess parading itself on your face. At least there's not any in your hair. 
“This is not the same. This is—” You frustratedly search for the right words. He's remaining as stoic as ever. “You didn't even kiss me,” you blurt out, and as soon as you say it, you regret it. 
Carmy stills. You can't tell what he's thinking with his unmoving expression. You're sure he's about to insult you again, but then he’s leaning in and sealing his lips against yours. 
You're stunned. A small noise escapes you as he kisses you deeply, thoroughly. His tongue drags up a trail of cum and spit up your chin and back into your mouth. Or back into his. You're unsure, with the way they're all blending together. 
“There,” Carmy murmurs against your lips. When he pulls back, you see his tongue running across his lips, collecting the pearlescent sheen that was on them. 
“Um—” You start and immediately stop. You’re speechless. 
“Now clean up.” You hear the sound of distant company. Your other coworkers must be arriving now. “I expect improvement now, chef. Is that clear?”
“Crystal,” you reply bitterly. “I suppose I met your expectations, then?”
“Sure. Closely enough, anyway.” Potent aggravation hits you like a cast iron pan. He drags his thumb in one last infuriating line across your cheek. He sucks it into his mouth and cleans it off. “Don't take too long. I have a lot planned for you today.”
Without waiting for a response, Carmy leaves. He leaves you alone in the shitty bathroom with a now flickering lightbulb, left to clean his cum on your face with water, hand soap, and thin paper towels. You don't know if you've ever been so angry before. 
The anger doesn't make the arousal go away. You rub your needy clit to orgasm, your back pressed up against the wall like Carmy's just a moment ago.
As you come with Carmy's cum slowly trailing on your face, you wonder if there is any coming back from this. If there's anything left to be done to stop whatever's happening. You can't come up with any solutions or suggestions. Only one thing is undeniably clear:
You hate Carmen Berzatto, and you're already thinking of ways to get his cock in your mouth again soon. 
~
taglist: @zorrasucia @carmenberzattosgf @thehouseofevangelista @alastorssimp @talas-starlight @jmamas92
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rafeandonlyrafe · 5 months
Text
love tested
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words: 1.1k
warnings: partying, drinking, dealer!rafe, rafe gets kissed without permission
“you sure you don't want to go to the party baby?” rafe asks.
“yeah, im sure.” you nod, assignments piling up that you need to get to.
“alright, im going to talk to barry then ill be back home.” rafe presses a kiss to your lips. he wouldn't go if he didn't have to, but he promised barry that he would attend so they could talk shipments.
“mkay. just text me when you're on your way home.” you aren't worried at all about rafe being at the party without you, and you really do have to get the assignments done to pass your class.
“sounds good. love you.” rafe kisses your forehead before heading out of the house as you pull out your textbook.
--
rafe steps into the house, eyes scanning the foyer, already looking for barry. he wants to get in and get out. things have changed since he first started dating you. he is no longer as interested in partying and getting high, although he still will on occasion with you. he doesn’t need the drugs and alcohol anymore now that he has you to bring him happiness.
he still deals, but is much safer about it now. “hey man.” topper greets rafe, dapping him up as rafe nods to him.
“have you seen barry?” rafe asks.
“yeah, i think hes on the patio outside.” topper waves a hand in the direction of the back of the house, which is when rafe notices how drunk he is, speech slurred and eyes glossed over.
“thanks.” rafe says, making a mental note to check on topper before he leaves. he finds barry sitting on the patio. rafe slides into the chair next to him, and they don’t waste any time before beginning to talk about the upcoming shipments and when rafe can offload the product.
they finish up speaking, making a point not to do anything over the phone, just in case. rafe is extra careful now that he has you to look after.
“hey man, these girls want a group picture, come on.” topper says, stumbling into the table.
“i dont want to be in it.” barry says, raising his hands up.
“me either.” rafe chimes in. he’s ready to leave, to get back home to you.
“come on.” topper says, pouting at rafe, which makes him laugh, as if that would have any impact on him.
“no. why don’t you let me drive you home?” rafe asks, standing up and nodding goodbye to barry, trying to lead topper away.
“take this picture first. come on, theyre really hot.” topper says.
“fine, whatever.” rafe groans. he doesn’t need pictures of himself floating around on the internet, but he does want to make sure topper gets home safe.
rafe sees the group of girls, all practically looking like clones of each other with the same bleached blonde hair and big fake lashes. “alright, make it quick.” rafe calls out. 
they all move closer, smiling towards the girl holding the camera. rafe takes a step away, but before he can move, a girl wraps her arm around his shoulder, pressing her lips to his.
“what the fuck?” rafe pulls away, shoving the girl back by her shoulders. “what the fuck was that?” rafe shouts, face flushing with anger.
“relax.” the girl laughs, flipping her hair over his shoulder. “you haven't been as fun since you got that new girlfriend.”
rafes face suddenly goes pale, eyes glancing at all the phone cameras pointing at him. they must have caught the interaction and he's sure it's already spreading around. outer banks is a small community after all.
“go fuck yourself.” rafe spits at the girl, stomping away, but not before grabbing topper by the arm and dragging him along.
“you okay man?” barry asks, suddenly appearing out of the crowd.
“that girl just fucking forced herself on me and kissed me. i need to get back home to y/n.” rafe says. barry doesn't ask any more questions, slinging his arm under toppers and pulling him along, out of the house.
“she'll understand what happened, country club.” barry says as topper climbs into the passenger seat, instantly slumping down.
rafe just nods. he knows your reasonable, he knows you'll understand, but he still needs to get home to you, to make sure you aren't left confused until he can explain.
rafe considers taking topper home first as he peels out of the driveway, but topper is already asleep.
rafe breaks the speed limit to get home for you, not caring as he leaves topper in the car, head against the window.
“baby.” rafe calls, running right up to the office where you set up a study session, but you're not in there. textbooks are still open, laptop screen still on your essay, but no you.
“baby, where are you?” rafe shouts, bursting into the bedroom when he sees you laying there, wrapped up in the covers, cheeks stained with tears.
“i can explain.” rafe says, getting down onto his knees, not wanting to get onto the bed, not wanting to intrude on your space if you need it.
“rafe-” you sit up, swinging your legs over the side of the mattress. you press your hands to his cheeks, a pleading look in his eyes.
“she just pulled me and kissed me out of nowhere, i would never cheat on you, i love you so much, please believe me-”
“i do believe you. it's okay.” you sigh, bending down and pressing a kiss to rafes lips. “someone sent me a dm on insta of the kiss, but then like a minute later i got sent the longer video of you shoving her off. even in that minute, i knew there was an explanation. im not mad, just sad that you had to go through that.”
“i love you.” rafe says, leaning forward, pressing his face against your thighs, finally able to take a deep breath, to calm down.
“i love you too.” you coo, rubbing your hands over his head.
“oh.” rafe picks his head up to look at you. “and i have a very drunk topper in my car and hes gonna need to stay here for the night.”
you let out a laugh. you know topper has helped rafe before when he was too drunk or high, so it's only right that he returns the favor now.
“you bring him in, ill get the guest room set up.” you tell rafe, sliding off the bed as you both stand.
“hey, baby wait.” rafe calls, grabbing your hand and pulling your body back against his.
“what?” you question, but rafe just ducks his head, pressing his lips to yours. “thank you.” he whispers.
you place your hand on his cheek, looking up into his soft blue eyes. “i love you. now come on, let's get topper inside.”
rafe nods, a smile on his face as he watches you go into the guest room before heading out to help his friend.
taglist: @drewstarkeyslut @rafecamerongirl @f4ll-for-you @dilvcv @winterrrnight @drudyslut @drewsbabygirll @jjmaybankswifes-blog @rafescokenostril @jjsmarijuana @jjmaybankisbae @seeingstarks @angelofcigs @cece45450 @babygorewhore @vanessa-rafesgirl @michelleisheres-blog @outerbankspov @drewstarkeyswifehoe @cutielando @kamninaries @buckyswhxre @bejeweledreverie @rafeinterlude
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COD Men with a mentally ill/disordered S/O
Requested: No
Warnings: OCD, ADHD, Anxiety, and Depression, Panic attacks
A/N: I cried while writing this so enjoy the fruit of my tears
Ghost - OCD
Ghost can’t say that he understands your need for cleanliness, in your home and in your mind, the way you think just doesn’t make sense to him. He knows that, logically, you checking the knob of the front door exactly 3 times in a row, doing your goodnight chant at the exact same pitch and volume every night as you back into your room, checking every single thing in your area before you can even think of touching the bed, does not influence anything but your mind. But he knows that you not doing it will only put you into a frenzy, practically hyperventilating about how much everything would go wrong because you didn’t do it right. Because now everything is filthy because you broke the pattern. You never say it aloud, afraid he’d think you as crazy as you already think of yourself, but he already knows. It’s written all across your face, the tears in your eyes, the way you look like you want to claw your skin off just to get to the filth that you know is underneath.
filthy filthy filthy FILTHY
No, you never have to say a word. But Ghost will always know, and he’ll always try to help, even if it’s entirely in vain as you sink deeper and deeper into your head, giving in to the voices. He’ll always be there for you, your medicine in one hand and a drink in the other, always.
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Soap - ADHD
Soap thinks a lot of your little habits are cute at first. Sure you do some pretty strange things but he doesn’t think it’s anything drastic. You’re just his strange little goofball. But that changes when he gets to know you better and sees all the negative ways you are affected. The way you struggle with time, how you often have trouble remembering even important things, and your inability to properly communicate with people who aren’t in your day to day life. Not to mention your guilt on top of all those things and how it affects your self worth.
Soap can’t help with many of those things but something he can help with is the executive dysfunction. Bringing you food and drinks when you get so absorbed into a task that everything else just falls away and you don’t even notice your stomach’s rumbling until it hurts. Subtly snapping you out of your daydreams when you unintentionally start zoning out during something important. Helping you manage impulse control, starting boring or difficult tasks, or keeping your attention on something important when you get distracted for the umpteenth time.
He’ll always be there for you, ready to assist you however he can, even if he can’t always be a great help.
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König - Anxiety
Ah yes, an experience that König is all too familiar with. Although he does find it all kinds of strange to be seeing his own mannerisms from the outside instead of just experiencing them. The way you shrink in on yourself when someone approaches you about something serious, or how you look like you’re on the verge of a panic attack when you have to go into a crowd or to the store during busy hours. And unfortunately a lifetime of living with the same mental illness does not help him comfort you at all. He can try his best but your anxiety feeds into his own, making him teary eyed.
But that doesn’t stop him. König doesn't want to just sit by and watch you delve further into panic. So he worked on being braver, on withstanding his own panic so he could help you through yours. It wasn’t easy, his legs practically jelly as he tried to talk you through an anxiety attack, helping you get your breathing steady again, his voice echoing in your ears as he tries to soothe away all the voices in your head. He knows it’s not going to help all that much, but he hopes it at least helps some.
He just wants to help you feel better, Little Majestät.
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Alejandro - Depression
Alejandro is no stranger to the absolute messes that people can become when their inner demons take control. He’s seen his fair share of soldiers lose themselves to PTSD and the like, drowning in their sorrows. It’s not something he’d wish upon anyone, let alone you. Someone he cherishes so much, so close to his heart that seeing you upset makes him almost physically ill. And this level of pain you are in, unable to move from your bed, just staring at the wall like some hallowed husk of the person he loves, it hurts him so badly.
He will do his best for you, gently encouraging you to drink water or to eat something, bringing these things to you if you truly cannot convince you to come out of bed with him. He’ll whisper to you how much he loves you, words of encouragement and praise for everything you manage to do, even if it’s as simple as getting out of bed to perform basic hygiene or throwing out a piece of trash. His smile will be so big when you finally do manage to get out of bed, pressing sweet kisses to your face as he asks you quietly if you’d like to join him in the living room for a bit. Trying to encourage you while not pushing you too far.
Alejandro would kill, just to see you out of your bed and even just the slightest bit happier.
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sadsongsandwaltzes · 1 month
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I am not a psychologist so I have no clue if this is just my own crackpot theory or what. And my apologies if I’m speaking out of my ass here.
We were not made for a fallen world. We were made for Eden. Since we have to live in this world corrupted by sin, the brain does what it has to in order to survive.
A toddler doesn’t know what “hot” means, until one day you warn the child not to touch a plate because it’s “hot,” they touch anyways, they feel the sting, and now they understand what “hot” means. The brain, now acknowledging this is something that can be a threat, has an immediate response to “hot.” Anytime someone says “hot,” we immediately recoil and make sure we don’t touch whatever is believed to be hot. The brain is simply trying to survive.
I think there’s a similar thing happening with trauma response. It’s the brain doing the same thing, but to such an extreme degree that it’s almost impossible to function. If someone survives a near fatal car crash, they may panic when they go near a car. Why? Because the brain has learned this thing to be an immediate and serious threat. The brain is now trained to fear and recoil. If you lived in a war zone and learned to sleep with one eye open so to speak, the brain is now trained to sense danger at every turn, especially when you’re in such a vulnerable state as sleep. You’re living in a constant state of anxiety because you expect a fatal threat. It’s why sudden noises and movements can trigger anxiety.
The brain is doing what it does. It adapts to perceived threats for survival. This heightened state of anxiety is deemed necessary by the brain, but we were not made to live in such a state. We cant. So the brain is, ironically, slowly killing itself. The brain is rewired and burned out and always looking for that next serious threat. It’s always reminding us that the threat looms. It’s where the subconscious lives. It’s why there’s constant anxiety, why there’s nightmares.
Of course, this can be exacerbated if the trauma is accompanied by severe grief or guilt.
This brings me to my point. If you would not tell someone to just pray the cancer away, I don’t think you can tell them to just pray the trauma away. We’re talking about a real physiological problem happening.
I think grief and guilt can be assuaged by the gospel. But the brain’s inner working itself? It’s a medical problem the same as any other. God absolutely can heal trauma same as cancer, but sometimes he doesn’t. Faith can absolutely bring about peace in hardships and give us the strength to carry on, but it’s not a guarantee that God will remove the hardship. That would be prosperity gospel.
And with all of this we can also recognize that certain treatments or habits may help relieve symptoms without fully curing, it exists on a medical spectrum.
And I think this is true about a lot of mental illness.
For the record, I think most mental illness in modern America is actually spiritual illness. And I think most psychologists are looney tunes. But people abusing a certain field of study and being stupid and misdiagnosing doesn’t negate the field of study as a whole.
If every sick person who walks into a doctors office no matter the symptoms gets diagnosed with cancer, it means the doctor is a quack and we have a problem of over diagnosis of a disease. But it doesn’t mean the disease isn’t real and that a certain percentage of the population doesn’t actually suffer from it. That would be a downright foolish thought.
Hormones, brain function, all of it can affect the mind. The brain is a complex organ. We still can’t fully understand it. And I don’t think we ever will. We know the brain can affect the mind. If it didn’t, people with TBIs would never suffer from sudden mental illness or personality shifts.
It seems wholly unchristian to deny the reality of both our body and the fallen state of the world.
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mswyrr · 7 months
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THG is the only pop culture story I can think of where the heroes (Katniss and Peeta) are disabled* and their happy ending doesn't require that they be "fixed" in order to be happy. IMO, part of why there's such controversy over the ending of the books in particular is that Collins wrote the pov of Katniss as a woman who is content and loves her life and her spouse and kids, but she's still very clearly mentally ill (and arguably somewhere on the spectrum). She has coping strategies and her life is good, but she will never be "normal" and Collins doesn't let the audience think that.
The one part, where she talks about how she handles the darker days, when she's really struggling, never fails to move me:
I’ll tell them that on bad mornings, it feels impossible to take pleasure in anything because I’m afraid it could be taken away. That’s when I make a list in my head of every act of goodness I’ve seen someone do. It’s like a game. Repetitive. Even a little tedious after more than twenty years. But there are much worse games to play. (Mockingjay, 332)
It's hard to express how important that is to me. Someone doesn't have to be "normal" to lead a good life. Someone doesn't have to be "normal" to have a life worth living, to give and receive love in good ways.
And, so, when people look at the villain in the prequel and say "he's just crazy, that's why he's evil. He's just a psycho, he's nuts," it's so out of place, it's so dissonant to me -- I think that's absolutely not the kind of story Collins would tell, given her prior handling of disability.
I don't think she's suddenly turned into a Victorian writer where you can know someone is evil because they're disabled because the writer thinks disabled people are warped creatures incapable of doing anything but bringing evil into the world. And the way people assert this, as if it's the pure, wholesome, most politically advanced reading of the prequel, is just - it doesn't compute for me. I don't understand how people get there.
I studied (for years) the treatment of mentally ill people in the mid-20th Century US. It was horrific. US forced sterilization and eugenics laws actually inspired N/azi Germany's forced sterilization, eugenics, and mass murder campaigns against mentally ill and disabled people. Nice, normal people have repeatedly convinced themselves that torturing and killing disabled people is how they will "purify" their society - they've done great evil in the name of rooting out the people evil is supposedly located within biologically.
Is it so hard to believe that people with normal brains do evil? Is it truly so impossible? Even in a story where the Games are about how a lot of people, the majority of whom are neurotypical, can be brought, via media presentation and entertainment techniques, into taking pleasure in their participation in evil? It's so hard to fathom that evil can't simply be located in someone being "psycho"?
Ballad already has Dr Gaul, who is evil and clearly neurodivergent. If Snow is too then the message starts to get kind of worrying? IMO, Coriolanus is more effective as a kind of “everyman” as an 18 year old - an example of the incentive structures (rewards and punishments) and propaganda that motivate “normal” people to go along. Of course, he will later become something far worse than that, someone who takes control of this thing, who uses his intimate knowledge of it and his insight into other “normal” people to make it worse, but that’s not the part of his life we see the most of. The part the book focuses on provides what I consider a powerful depiction of how ordinary people are acculturated into corrupt societies.
It's fiction so there's all kinds of interpretations that the text can support and exploring those is good. It's a stronger text because it has ambiguities and can be interpreted more than one way. But the intensity of some of the rhetoric is an unsettling contrast to what I've thought, for over a decade, Collins' themes and pov are as a writer.
*Shame on the films for removing Peeta's physical disability, though; in the books he lost a leg during their first Games
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inbarfink · 1 year
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Okay, so when it comes to “What Remains of Edith Finch” I’m generally among those who subscribe to the reading that there is nothing supernatural about the ‘family curse’ - that it is nothing more than an unhealthy coping mechanism that became a self-fulfilling prophecy through a tradition of neglect and recklessness also maybe some slew of undiagnosed hereditary mental illnesses. But one aspect of this interpretation that I’m not really on-board with it is the idea that this makes the ending of the game, like, a totally unambiguously ‘bad’ tragic ending.
Well, either way it’s always a pretty sad ending, y’know. Everyone is dead. I mean in the sense that, like, if the ‘curse’ is nothing but the stories of the Finch family making them think they’re cursed - then Edith writing her little book and passing on these stories to her son is just perpetuating the Curse and probably dooming the poor boy. They would’ve both probably been better off if Edith did let those dangerous stories die with her. Right?
Well, that’s not really how I see it. I don’t really think this is a narrative is about how Edie and her outlook on death is, like, 100% totally wrong and dangerous and Dawn Finch was 100% totally in the right about trying to escape the family stories - as much as it is about Edie and Dawn both being flawed women and neither really handled their grief perfectly. Since Edie’s attitude kinda dominated the family and Edith herself kinda used to side with her great-grandma over her mother, the story focuses more on her realizing that, y’know, Dawn’s perspective might have a point. But just cause Dawn might’ve had a point doesn’t mean she was always right either. I think the point is more that Edith has to understand both her great-grandma’s and her mother’s side so she can strike a healthier balance between both of their attitudes.
Like, the thing is that the ‘Curse’ is mostly just generational trauma (and if there is a real supernatural Curse than it is still a metaphor for generational trauma), and the thing with trauma is that wallowing in it and letting it define you like Edie did is really not healthy - but neither is repressing it and trying to run away from it like Dawn tried to do. Edie might’ve been wrong about many things, but she was right about this:
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The ‘Curse’ won’t leave Dawn and Edith just cause they left the House, or just cause they stopped listening to Edie’s stories. Because the Curse and their Trauma are the same, so it will follow them in some form wherever they go. The big thing I keep thinking about is Edith’s comment after Sam’s story.
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This isn’t about Sam’s death being especially important for figuring out the ‘mystery’ of the Finch Curse, or it being an especially fascinating or beautiful story or whatever. It’s because it was an especially traumatic event for Dawn, that undoubtedly effected her for the rest of her life. But due to her fear of the effects of Edie’s Stories, she never really opened up about it with her daughter in any way. Seeing the pictures of Dawn and Sam’s last trip together, Edith feels she now has a greater understanding of what made her mother tick - and wishes she could’ve known about it when she was still alive.
And that does go farther down the family tree. Sam was the first Finch to show a real dislike to telling the Stories like Edie like. Although admittedly he wasn’t quite the rebel Dawn was:
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And pretty much everything about how he acted around his children, especially the real shitty stuff, was informed by the trauma of Calvin’s death. 
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And, like, obviously Edie’s idea of handling trauma did no favors to him, (She made him share a room with his dead twin for eleven years) but I think also his attempts to almost totally avoid and repress his Issues when he became an adult only made things worse and not better.
Now, you might be wondering how this relates to Edith and her son Christopher. Well, the first thing to remember is that Edith didn’t know for sure she was going to die when she started that journey. She wasn’t just planning on leaving that little book to her son in case she dies - she wanted to learn the stories too, and have a better understanding of the stories she knew already. Because these stories inform the trauma she grew around, and she wanted to understand it better before she became a mother. Dawn knew quite a lot about the danger of growing up in a household that wallows in and romanticizes trauma - and did her best to avoid repeating this mistake with Edith. Edith knew quite a lot about the danger of growing up in a household that repressed and runs away from trauma - and she doesn’t want to repeat it with her child as well.
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And as for writing it down for Christopher in case she’s not around to share the stories with him. Well, the first thing to note is that I think that even if Christopher never had Edith’s book - he was already bound by the ‘Curse’ from the start. Like, yeah, he doesn’t have the experience of growing up with a traumatized parent raised by another traumatized parent raised by another traumatized parent - but growing up knowing his biomom died at childbirth can be a pretty traumatizing experience on it’s own. We don’t know much of his family situation outside of that, but the fact that there seem to be no one around to escort the Literal Child as he takes a ferry to go lay flowers at his birth mother’s grave doesn’t really bode well.
So I think, first things first, from that angle, Edith’s journal could be importantly therapeutic to him as well. You know, have some sort of connection to his mother and her side of the family that he’s otherwise can’t really have? Like, this book isn’t just some darn list of dead Finches. There’s a lot in here about Edith herself and her own thoughts and her life and family and that’s maybe connection Christopher would want with her? Something that might make him process his grief for her a bit better? Something to make him feel more connected with that side of his family?
Now, let’s also consider the fact the Finch Curse is at least somewhat public knowledge: the Odin Finch newsreel mentions it, Barbara’s death was very well-publicized at the time - and the ‘Tales of Terror’ comic calls it “another ghastly tale inspired by America's most unfortunate family” - implying that they expected their readership to be at least kinda familiar with the idea of the Finches being ‘cursed’. I think that’s pretty likely that, even without the journal, if Christopher dug even a little bit into who his birth mother was he would’ve found at least a mention of a rumor of a ‘Family Curse’ .
Or, hell, seeing how the Finches (and especially Edie) seem to have been local celebrities around Orcas Island - if Christopher lives anywhere near that area, really all it will take is him saying something like “hey, I’m Christopher Finch!” or “my mother’s name was Edith Finch” and then someone would say “oh yeah, like the famous Orcas Island Finches? That cursed family that keeps dying?” and seeing how he has no living relatives on his mother’s side - he would’ve probably believed it, or at least allowed the possibility to wriggle into his heart - and then… well, the Curse will just live on regardless of Edith. 
Note that Christopher is already wearing a cast before he even read the book (and is, again, a child taking a ferry to visit his mother’s grave all alone) - it seems like something of the ol’ Finch recklessness has already made it to him, whatever it’s in his genes somehow or just the rumors of the curse getting to him. But it is not entirely on Edith’s journal.
And like, one of the things I think made the Curse such a problematic mindset is the way it prevented the Finches from ever learning from their mistakes. You know, if every death is a result of a malevolent supernatural force haunting the family - then there’s no need for introspection of how what they could do better in the future. Challenging this mindset was probably one of the best things about Dawn’s mindset. But learning from past mistakes is equally impossible when you convince yourself it’s all the fault of a supernatural curse as it is when you straight-up have no context for what happened before. If nothing else, the stories in this journal can serve as a useful lesson about not clinging to the past, or not letting your grief define you, or how you shouldn’t try and make a perfect 360 degree spin on swingset or how you SHOULDN’T LEAVE A BABY ALONE IN A BATHTUB JESUS CHRIST
Because it’s not like this journal is just, like, a totally uncritical reiteration of Edie Finch’s stories for the next generation or something. I think the game makes it pretty clear that although Edith Sr. and Edith Jr. are meant to mirror each other on some level, their attitudes when it comes to the stories of the family are pretty different. 
Edie was characterized as someone who cared more for what makes for a good story over the truth, as someone prone to inventing or exaggerating tales, as someone who reveled in the romanticism of being Doomed, and memorialized the death of her loved ones more than their life. Like, one of the things that really crosses a line for me about the Edie Finch Method of Grief is just how much the circumstances of the death are prioritized over the life the person had before it. 
It’s not always so blatant cause the Finches tend to die in ways that poetically tie with their personality and hobbies (Molly loved animals and fantasy and she spent her last moments in a hallucination of transforming into various animals, Sam loved hunting and photography and he died taking a picture while hunting, Walter loved trains and ended up being run over by one) but… there’s certain areas where it’s actually kinda unclear if the connection is actually there or if Edie is kinda forcing it for the sake of a good story. 
Like, Barbara was a horror movie child star and her death reads like a cheesy horror story - but that’s because Edie chose a cheesy horror retelling to represent it. Maybe if we knew the real story of how she died, it wouldn’t be quite so on-the-nose. Did Gus actually love flying kites to the point it defines his entire personality or was that just something he did on the day he died? Either way, he’s defined by that one activity forever now. 
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And Gregory… like I’m sure he enjoyed bath-time, but the fact he’s memorialized almost exclusively with bath toys and soap is kinda fucked-up. I’m sure he had other toys he loved to play with outside the tub as well, but all of his memorials are focused entirely on the thing that killed him.
Edith’s attitude, as can be seen through the game, is different. Edith can appreciate the beauty of Edie’s stories but also cares quite a bit about truth and accuracy. The difference is most obvious when it comes to their books. Both Ediths wrote a story about coming back to their old childhood home and discovering the family secrets - only Edie’s story, “The History of the Finches”, seems to be complete fiction and based on what she would’ve wanted to be true, while Edith did actually go to her old childhood home and tried to record it as accurately as possible. And while she’s limited in telling the death stories that Edie kept records of, she also notes the points when they seem ridiculous or inaccurate to her. 
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She documents the tall-tale about how Sven was killed by a dragon, but also clarifies that he was killed while trying to construct a dragon-shaped sled. Rather than just perpetuating Edie’s joke for the sake of the fantasy. 
Plus, she doesn’t just focus on the Finches’ deaths, she does try and tell Christopher about their lives as well. It’s not always easy, since with the older generations Edith often doesn’t have much to go on outside of Edith’s memorialization, but she does try to get a General Vibe out of them from their room and other mementos they left behind (like Sam’s improvised darkroom in the wall-passegeways) rather than just the death story. And when it comes to the people Edith actually remembered well herself - Lewis, Dawn and Edie - she’s constantly telling little anecdotes and details of their life together. 
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In a way, I kinda divide “What Remains of Edith Finch” into three main parts. The first third of the game, with Edie’s kids, is the one that centers on the mystery of whatever the ‘curse’ is real or not - and is also a character study of Edie herself via the lense of the people that she lost. The second part is basically that but for Dawn, it’s about Edith learning to understand her mother’s character via the loss of Sam, Gregory, Gus, Sanjay and Milton. The Lewis segment is a transition between that third and the last third - which is about Edith Finch herself. Even if Edith can paint a full picture of both life and death for all of her dead relatives, she can at least give Christopher a good insight to his mother, grandmother and great-great grandmother. 
And notably, the two people Edith ‘has’ to memorialize herself without Edie’s postmorten involvement, Edie herself and Dawn, get a very different treatment from every other Finch. They don’t get a ‘proper’ Death Story documenting or describing their last moments. The closest thing is Edith’s flashback of the day they moved out of the House, which is more of a Death Flashback for the Finch Family as a concept than to Edie and Dawn as individuals. We do know that Dawn died of some sort of illness, but it’s delivered to us at the end of a longer passage about the life they had together. And we really don’t know anything but how Edie died at the end. 
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If Edith doesn’t know how Edie died, she’s shown no interest in trying to figure it out - if she does already know, she doesn’t think her spesific cause of death is important to write down for her son. The important thing is for him to learn what kind of person Edie was in life, and Edith has more than enough understanding of her great-grandma to memorialize her without defining her entirely through some sort of of romanticized tragic death. 
And, like the most important thing to remember is that Edith questions the concept of the Curse in her journal. Like, the game and the journal are one and the same. So, like all of these passages that are important for the ‘there’s no supernatural curse’ interpetation:
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Christopher is reading these lines as well. If we are capable of playing “What Remains of Edith Finch” and understanding the ‘Curse’ as being a self-fulfilling prophecy - then Christopher is also capable of reading his mother’s journal and coming to the same conclusion. I mean, it’s not a certain thing. There’s plenty of players who read the Curse as a real supernatural force and that’s also a valid interpetation of the game’s text. And there’s like, actual grown-ass adults who played this game and decided it’s actually about a serial-killer granny. So maybe it’s asking a bit too much from a little grieving eight-years-old to immediately understand this as a story of unhealthy trauma coping mechanisms through the generations. 
But my point isn’t that there is 100% no possibillity of Christopher dooming himself like every other Finch before him, or that Edith made the objectively correct decision in writing this journal and basically saved her son from the ‘Curse’. It’s just that he’s not doomed... it can still go either way. Christopher might have read this and started to believe in the Curse and perpatured the cycle onwards, or he might have come to the same conclusion Edith did - that believing in these stories made them real - and decided to try and do better than those who came before him. Or maybe he came to one conclusion but will later change his mind. As long as he’s alive, there’s is at least the possbility that things will turn out better. 
“What Remains of Edith Finch” ends with the shot of the two things that ‘remained’ of the two Edith Finches of the game. The House is What Remained of Edith ‘Edie’ Finch Sr. A glorious and sad monument of mourning, now forever frozen in time as a memorium for the tragedy of the Finch Family. And Christopher is What Remained of Edith Finch Jr. An actual living human being with his whole life ahead of him, who still has the potential to doom or save himself. 
Good luck.
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coffincestuous · 4 months
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i’ve seen some people say that ashley is kind of an extreme portrayal of mental illness(es), but, from my own experience…. she’s actually a very real portrayal. all of her possessiveness, her mood swings, her dependency on andrew, her choice to not think too long about super traumatizing shit, her impulsiveness; all of those are very normal, very accurate ways mental illnesses and other disorders manifest
(andrew also shows Many signs of mental illness(es) and disorders, and so does their mom, but that’s not what this post is about!!)
i’m not going to try to diagnose her or anything, and i’ll try to keep my headcanons to myself, but i believe we can all tell that the way she thinks and acts is not exactly healthy for her or the people around her. she’s harmful to herself, andrew, and a lot of others. there’s genuinely So Much that has influenced the way she is, i kind of don’t even know where to start
she wasn’t “born evil,” like her mom says. she isn’t even “evil,” she just… doesn’t really understand. that’s not a bad thing!! she doesn’t understand what’s wrong with her behavior, because no adult ever taught her. no adult ever cared enough to make sure she learned how to treat people nicely. no adult ever paid attention to her harmful behavior and tried to correct it. we see that ashley has been kind of an asshole from a very early age, and she’s always been pretty blunt with her thoughts and feelings. she hasn’t ever felt the need to sugar-coat things, to spare other’s feelings. aside from andrew, nobody has ever been genuinely nice to her, or spared her feelings, so why should she bother?
similarly, she doesn’t lie too often, unlike andrew. she doesn’t like pretending, especially not with him. she says in game, during dinner with their parents, that she can’t “keep up” with andrew’s lies. we only really see her lie of her own accord once, and she doesn’t donit very convincingly.
she doesn’t really care about anything that doesn’t concern her or andrew, which is like. The Most logical path for her feelings to take. andrew is the only person that she’s ever known who cares about her. he’s been by her side for her entire life. her parents, her neighbors, and her friends have done wrong by her, and have been driven away by her… Her. except for andrew. (we’re ignoring the chapter two decay route for this). he’s been there through everything. he’s cared when no one else has. he’s seen her at her worst and her best moments. again, no adult taught her about caring, or pretending to care. she doesn’t feel the need to mask like andrew does, and she doesn’t have a want to “fit in” to a society that has failed her and her brother. she’s been treated as an outsider for her whole life, so she probably believes she’ll never “fit in,” she’ll never be accepted, and she doesn’t need to fit in or be accepted by them.
she greatly values loyalty in her friends. we see her act this way with andrew, with nina, and with julia. she sees people chosing others over her as a betrayal. other than andrew, no one has ever chosen ashley first. that upsets her!! that would upset anyone, but it especially upsets her because no one has ever chosen her first. her parents gave andrew all of their attention, but not her. her two friends have betrayed their friendship and put andrew above her. in game, she says it herself: she should be the top priority. with every encounter, every back-and-forth, every relationship, every decision, she’s waiting to be pushed aside. she’s waiting to be discarded. with andrew, she’ll do anything in her power to make sure he doesn’t leave her, either.
i think that it’s really interesting that she really is her worst self with andrew. she’s mean, she’s violent, she’s petty and crass and acts very childish, but she generally feels safe with him. she feels comfortable with him, and doesn’t feel the need to hold herself back at all. there’s security to be found in a relationship (of any kind) that you can say terrible things and act in horrible ways and that person stays by your side. that’s a huge part what she has with andrew. she trusts him to stay by her side, despite how awfully she may act. she places a Lot of importance on his presence in her life.
even the murder and cannibalism can be attributed to mental illness (along with The Plot). the intense mood swings that she has go along with her already violent tendencies. she feels anger, frustration, annoyance, and a whole bunch of other really negative emotions that she’s never learned to cope with. a lot of people in real life use violence as an outlet for anger. plus, she doesn’t allow herself feel upset or disgusted by death, even at her own hands (if she even feels it at all). despite that, i believe that murdering her parents had to be So cathartic for her and andrew. ashley explains in the decay route why eating people makes her feel powerful and in control, and being in control is something she very obviously feels that she lacks. she’s seen as manipulative, but she doesn’t really succeed at her manipulation. she’s understandably insecure with her entire existence, so she tries to control whoever and whatever she can, and that extends to andrew, murder, as well as cooking and eating people
there’s a lot to life that is treated as “normal” and “universal,” but everyone starts with absolutely no knowledge. experiences build a person’s worldview and shapes their personality, and ashley has had very rough experiences. she is a product of abuse and neglect and mistreatment, and is a very realistic depiction of a person who has had the experiences she’s had. the game has a pretty light tone despite the content, but it being “pretty light” doesn’t take away from the amount of detail that is put into the main characters and the trauma that they’ve suffered
ashley doesn’t have to be “good” or “positive” representation to be accurate representation, and i feel like nemlei has done a fucking excellent job at making a very, very unwell person (or two or three) in a very, very unwell society, and i am so extremely excited to see more of the graves’ childhood in chapter three
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