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makeste · 3 years

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BnHA Chapter 325: Deku VS the Outside of U.A. ~Conclusion~

Previously on BnHA: Ochako was all “dear bloodthirsty mob, this kid you see standing before you has fought harder than anyone and put his life on the line to protect you all, so please chill the fuck out, jesus christ. like, putting aside that he’s humanity’s best hope and so it’s very much in your best interests to let him rest and recover someplace safe so that he can keep fighting for us, are y’all seriously going to turn away an injured and exhausted child in front of his sobbing mother?? seriously?? come on now.” I’m paraphrasing here but that’s basically how it went down. Anyway so then the mob was all, “...” and Deku collapsed to his knees in tears, and Gigantic Fox Lady and Kouta ran over to give him a hug but then the chapter ended.

Today on BnHA: Horikoshi is all “FINE, YOU CAN HUG HIM”, which, was that so hard?? The U.A. Clown Mob is all “come to think of it, we’ve kind of been taking the heroes for granted this entire time, maybe we should be less passive in the future. anyway so Deku if it’s not too much to ask, can you please save everyone and fix everything.” Deku is all “I sure can, and by the way I forgive you for swarming around all menacingly two minutes ago and trying to deny me basic shelter and stuff.” Ectoplasm is all, “hey Todogang get a load of this. [walks in a circle].” Hawks is all, “that’s literally the greatest thing I’ve ever seen.” Rat Principal is all, “anyway so that’s what your students did today, hope you’re enjoying your new *~*ROBOT LEG*~*, Aizawa.” Aizawa is all “[lots of exposition about Kurogiri and for some reason, Toga, while being all brooding and sexy].” All Might is all “[standing here right outside of U.A. doing absolutely nothing and being foreboding AF]” and that immediately sucked away all of the warm fuzzy feelings from the hugs, goddammit.

each new week has become a waiting game of “when will Deku finally get to take a bath so people will actually be willing to go near him and give him the hugs he deserves.” the stakes have never been so compelling. I’ve almost forgotten about AFO entirely

lmaoooooo

me: for the love of god will someone please give Deku a hug before I die of old age

Mineta: YOU GOT IT!! --

Iida: [SWIFTLY CUTS HIM OFF] NOT YOU

fucking losing it at Mineta’s crying face. he really wanted to hug him. I legit feel bad but this is also the funniest thing I have seen all week, omg

somehow Kouta, who last week was only a hand’s breadth away from touching Deku’s head, is now twenty miles away from him in this new chapter

can I make a Loki reference here. is this recap a good place to insert a joke about someone using a TVA time-rewinding device to fuck with my poor boy Kouta over here. well anyway there it is

AND NOW HE’S BACK ALL OF A SUDDEN OMG

(ETA: since when is he “niichan” omg?? can’t handle this cuteness.)

BUT THEY’RE STILL NOT HUGGING HIM FFFFKFFFFF. WHAT DO I HAVE TO DO. WHO DO I HAVE TO BRIBE AND/OR BLACKMAIL

OH NO KOUTA IS CRYING THAT’S IT I’M DONE FOR

“when I heard that lady I knew that I had to go, but then stop again within inches of actually touching you because you smell like week-old rotten onions.” listen Kouta, I’m not saying I don’t get it, but you all can’t keep doing this to me. it’s the way you guys keep teasing it. like, if you’re gonna hug him, hug him. don’t just stand there with your arms held rigidly out in front of you like a molded action figure

OH MY GOSH BUT HE SAID THE THING

KOUTA SWOOPING IN AT THE LAST MINUTE TO TAKE ALL THE CREDIT FOR FIXING DEKU LIKE THAT ONE KID IN THE GROUP PROJECT WHO DOES ABSOLUTELY NOTHING BUT STILL TAGS HIS NAME ONTO THE REPORT ANYWAY, WHAT A KNAVE

GASP

( ´͈ ᗨ `͈ )

SHE PICKED HIM UP LIKE A LITTLE BABY OMG?? she just leaned right over and lifted this child like he was a small animal. like a lil baby futon that she was about to hang up to dry. oh my god

-- HEY WHAT

(: well that’s extremely fucked up. though sadly not too surprising given what we just saw these past couple chapters

incidentally, I hope that anyone who was legitimately defending the civilians’ perspective earlier takes note here of how quickly that line of thinking -- “we’re just trying to keep our families safe” and all that-- can lead to straight up bigotry. if you’re willing to deny a child shelter and protection simply because he’s not YOUR child, and because you’ve decided based on Internet rumors (no real-world parallels there, I’m sure) that he might present a threat, it’s really not that much further of a leap to discriminating against entire groups of people simply because you perceive those groups as being dangerous. I’m sure the people who turned Gigantic Fox Lady away also told themselves afterwards that they did it to protect their families. “better safe than sorry.” “she’ll be fine, someone will take her in, but as for us, we can’t afford to take that risk.” people can come up with all kinds of justifications for treating other people as less than human, and the really scary thing about it is how fucking easy it is

one last quick side note, which is that Horikoshi does a great job here of showing how scapegoating works, given that AFO is the one who’s really to blame and who presents the actual threat, and yet Deku is the one who ultimately winds up being the target of the mob’s fear and outrage despite him being as much of a victim as they are. gotta love that irony, which unfortunately plays out far too often in the real world as well.

anyway I’ll get off my soapbox now, sorry about that. let us continue

YES, FINALLY OH MY GOD!!!!

AND THAT’S THE STORY OF HOW GIGANTIC FOX LADY BECAME THE GREATEST HERO. PACK IT ALL UP, WE’RE DONE HERE KIDS

holy shit. the real MVP right there. thanks for getting it done champ

jesus christ I have had it up to here with these people

literally the bar is set so low at this point that I’ll go ahead and take it. helping him because it offers them a tactical advantage is at least one step up from not helping him at all

“WHY NOT SHIKETSU” MOTHERFUCKER I SWEAR TO GOD

-- thank you!!

okay this one guy with the antennae hair is having himself a character development speedrun here

-- okay, but this part?? fucking this part, right here??

can we repeat that again?? the part where this guy acknowledges that the problems of hero society were caused not just by said heroes, but also by said society?? the part where he acknowledges that they treated the heroes like celebrities who were putting on a show for them?? the part where he acknowledges that when push came to shove, the vast majority of those heroes, when faced with a situation that offered no reward, were nonetheless willing to put their lives on the line to protect the very same people who then turned around and blamed them rather than thanking them?? are the civilians of BnHA even allowed to have actual deep thoughts about this stuff. holy shit

bro!!

ANTENNAE HAIR GUY SHOVING KOUTA AND GIGANTIC FOX LADY OUT OF THE WAY TO SLAP HIS NAME ONTO THE END CREDITS AS EXECUTIVE PRODUCER. CONGRATULATIONS SON YOU FIGURED OUT THE CORE PHILOSOPHICAL QUESTION AT THE VERY HEART OF THE MANGA. WAY TO GO BUD

meanwhile, on today’s episode of “one more chapter to go till the big volume cliffhanger, how else can I drag things out let’s see”

it’s a panel. of people’s feet. just a bunch of normal feet. with sneakers and shit

this All Might shirt guy is getting more screentime in this arc than 90% of the class 1-A kids

I guess I’m supposed to feel sorry for this dude now that he’s all “if we let you stay here do you promise to somehow magically fix every single problem that we are now currently facing?” those are some ridiculously exacting standards my dude. come on now

KACCHAN SIGHTING

thank fuck I’m not the only one who’s thoroughly unimpressed by absolutely all of this lol. I feel better now. meanwhile Iida and Kouda and Kiri are ready to run over there and hug them all. you guys are way too forgiving. damn you and your pure hearts

anyway so Deku’s like “yeah, definitely”

(ETA: almost forgot to comment on the “I’m no longer alone” part – he basically corrects the guy and says “sorry, but you’ll need to direct that question towards all of us, not just me, because moving forward we’re a team.” good stuff.)

you know what though, all joking aside... fuck yeah. because perfect victory, right. the strongest guys don’t settle for anything less. so I guess Deku has pretty exacting standards himself

also can you all just take a look at this fucking kid who’s got so much light in his eyes now that I’m gonna need eclipse goggles. hot damn. “you’re welcome” says All Might Shirt Guy as he is frantically interviewed by several local news networks asking him how he daringly managed to save Deku all by himself. “well I guess I’ve just never been the kind of guy who can sit back and let a bunch of rabble-rousers blame a little kid for all of humanity’s problems. someone had to step in and take action, you know?”

oH MY GOD THE SCENE IS FINALLY ENDING

don’t let the door hit you on your way out All Might Shirt Guy

but meanwhile, sudden Tododrama action??

oh shit

there are honestly so many ways in which Ochako’s very moving speech could have wildly backfired that I genuinely have no clue where this is headed lol. how exciting!!

so now Horikoshi is once again stalling for time with random filler panels, but this one is 10x better than the shoes lol omg

(1) was Ectoplasm’s jacket always this oversized. (2) did you guys know that if you go back to chapter 319 you can see that Horikoshi gave us a sneak peak at Enji’s Sad Detective disguise and I in fact made a joke about it in the 319 recap not realizing it was actually the stone cold truth. (3) did Shouto deliberately speed up out of impatience because Hawks was walking so fucking slow and he couldn’t take it any longer. (4) and what, I ask you, is up with these dramatic speedlines. so many mysteries here. what a masterpiece

everyone is acting all shocked about something ahh what’s going on

wait what

what the heck. did they just loop around behind everyone. what was the point of that lol. “anyway, so this is what they look like from the back” well okay, thanks for that Ectoplasm

(ETA: so it seems like they were actually hanging out someplace else away from the crowd this whole time, I guess? here I thought they had more faith in Enji’s disguise. I guess Shouto and Hawks don’t particularly want to attract this crowd’s attention themselves right now either, though.)

I am so fucking confused lmao

speaking of All Might WHERE THE FUCK IS HE lol. but yes, good, OFA brings everyone together, and Hawks is very deeply moved about this out of the blue all of a sudden. you know how it is

aw heck yeah now this is another filler panel I can get behind

Mineta really wants that hug, good lord. I genuinely love this actually. Mineta if you could just stay little and cute and keep crying about how much you love your classmates in a non-gross way for the rest of the series I would be so appreciative. you’re doing great

IIDA IS HOLDING DEKU’S HAND THIS IS NOT A DRILL. ONE TIME WASN’T ENOUGH FOR MY MAN HE’S ADDICTED NOW

what did I tell you. Kiri wants to get all of the mob’s autographs now. Kiri you’re a peach

Shouji having a conversation with another mutant type is a very nice touch! we really need to get to his backstory soon. I feel like that casual remark from GFL earlier was kind of hinting at more to come

is this the first time we’ve ever seen the Yaoyorictionary in action?? never forget that Viz tried to call it the “Yaoyorozu Reference Book” because they hate fun

last but not least, KAMIBAKU IS BACK ON THE MENU, FUCK YEAH. Kaminari trying to spice things up and introduce a little bit of controversy by smacking Kacchan on the back of the head for god knows what. I will be deeply disappointed after this if I can’t find at least one person unironically declaring that KamiBaku is now toxic and abusive

lfkdlWLWK TODODRAMA??

oh my god. Shouto’s face. Enji’s face. the back to “oyaji” again. the blunt, not-taking-no-for-an-answer, “I don’t know how much louder the universe can scream at you that doing things alone is not it, so hopefully you got the point” directness of it. fffdlkslj I’m so ready for this Horikoshi please don’t fuck it up my expectations are so high

HOLY FUCK

I SCROLLED DOWN AND HE WAS ALL “( ❛‿❛)” AND I JUST WASN’T FUCKING EXPECTING THAT OKAY. JESUS CHRIST. GIVE ME A SEC

lol okay moment over and now Enji’s pulling his hat down all dramatically like a world-weary Cowboy

OH MY GOD WERE YOU FACETIMING??

AHHHHHHHHH

(ETA: not to put Iida down or anything, but it’s kind of strange that Aizawa is all “the class rep sure did great” when Ochako is the one that was giving that whole big speech for like twenty minutes just now lol.)

(ETA 2: “thank god Iida stepped in just in the nick of time to keep Mineta from hugging Deku.” sorry Mineta I really do like you lately but it’s still low-hanging fruit lol.)

HE LOOKS SO SAD??! HE LOOKS LIKE HEARTBREAK ITSELF??! I AM BESOUGHT WITH THE URGE TO REACH INTO MY SCREEN AND PULL HIM INTO THE SAFETY OF MY ARMS??? MY GOD, AND I THOUGHT DEKU NEEDED HUGS

AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH okay I was gonna just hold down the letter H for a full minute and count it out loud but within about ten seconds I realized I needed to chill lol

-- but then again NO, I DON’T NEED TO CHILL, I HAVE ZERO CHILL, ACTUALLY, BECAUSE IT’S AIZAWA WITH A ROBOT LEG AHHHHHHHHHHHHHHHHHHHHHHHHH

COMPLETE WITH ROBOT TOES FOR THAT EXTRA TOUCH OF AUTHENTICITY!! I LIKE HOW HORIKOSHI PUT ALL THIS EXTRA “!!!” EMPHASIS AROUND IT IN CASE WE COULD SOMEHOW POSSIBLY FAIL TO TAKE NOTICE. “REMEMBER, EVERYONE?” SAYS HORIKOSHI HELPFULLY. “REMEMBER THAT TIME AIZAWA CHOPPED OFF HIS OWN LEG?” oh wow now that you mention it we somehow forgot all about that. like who do you take us for

OH NO NOT THE SAD BOYFRIEND ANGST THAT I WAS SECRETLY LOOKING FORWARD TO WITH GLEE

well at least he’s not M.I.A. or back with the villains again like I thought he might be. still, that’s gotta be brutal to know your friend is in there somewhere, but to not be able to reach him again no matter how hard you try. that’s the kind of angst that pays off in final battles just when you most expect it. such is my hope, at any rate

what’s this now??

trying to decide if this is Horikoshi’s way of saying don’t worry about that, or his way of saying definitely worry about that lol

anyway so Aizawa is out here being all irresponsibly handsome once again. when is someone going to do something about him

here for Sexy Robot Leg Eyepatch Aizawa clenching his fists and making speeches about revenge. pretty sure we’re all here for that

WELL, WELL, WELL

IT’S ABOUT FUCKING TIME

I’M VERY GLAD YOU’RE ALIVE AND SEEMINGLY WELL, THOUGH!

BUT WHAT THE ACTUAL FUCK THOUGH, ALL MIGHT

ffff. bracing myself for that cliffhanger next week. you’d better not touch one hair on this man’s head Horikoshi. I’m watching you

#bnha 325 #midoriya izuku #u.a. clown mob #class 1-a #aizawa shouta #bnha #boku no hero academia #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha

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abbynx · 3 years

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0 to 100 real quick

La Squadra reacting to a usually silent, patient teammate snapping and going off

Genre: Platonic, just the bois being bros, definitely a self-projection, comfort

Warning: Cursing, mentions of breakup and manipulation

Your phone rang for the umpteenth time, the stubborn caller failing to realise how many times you've wordlessly made it clear you want nothing to do with him. All you ask of him was to finally leave you alone and yet he continues to persistently pest you. Your will power proved itself mighty to be tolerating his nineteenth call in five minutes.

It was your ex being a stubborn son of a bitch who has a lot of time in his hands, constantly asking you to pick up the phone and let him 'smooth out and explain' his recent relationship with his 'friends' behind your back. You were nowhere near stupid, nor gullible after joining the mob. despite your outward appearance as an innocent, average civilian you've hardened over time with the help of your career and turning your feelings off was no longer a challenge. Over time it simply became a light switch.

After his recent actions came to light, you bear to hesitation to break it off. For a moment you felt guilty when he gave his explanation to why he started seeing other people without you knowing; of course you knew what you were getting into when you signed your soul away to the devil to work in this line of career, you were constantly faced with death and lacked the time to spend time with him. He had no knowledge about what you do for a living, but you knew how to make it clear you were never going to be a simple one-call-away. But over time you've finally gained some self-worth and self-preservation to see through his guilt tripping, before you dropped his ass.

Now you were here, rejecting his calls before pocketing it back in your pants before resuming the movie night. Even putting the phone on silent it continued to bother everyone around you as you continued to nonchalantly press the reject call button.

How can you be this patient, the rest of the team questions but the answer lay before them. Risotto hired the timid assassin with potential for their unwavering patience and swift wits to wiggle them selves out of severe situations, something the time could use to be honest especially when you have a ticking time bomb with no timer and goes off at random. Perhaps the question would be simply answered with a short and simple one: "It's just Y/N being Y/N."

With the pestering phone calls bothering you for the past few days, your team can't help to be annoyed on your behalf and would like to chuck your phone into the deepest trench of the ocean and buy you a new one.

Much to everyone's chagrin, they watch you pick your phone up, however, what you did next was new and unexpected. Instead of rejecting the call, you finally picked up. Most of the time you'd politely greet, but today was certainly different. As soon as you picked up the phone, you wasted no breathe to speak and cut to the chase. All eyes turned to you, some were concerned, curious, shocked, or proud.

"Can you quit blowing up my phone, dude? Twenty FUCKING calls every second is getting tiresome. If you're calling me to 'explain' to me how you're not meeting your hookups then fuck off and get lost! what? Do you miss your personal ego booster? Well then fuck you, go try and choke on your own dick! Do you fucking think I'll believe your half-assed bullshit lies and pathetic fucking cries and bitching will win me over? You must be so fucking DELUSIONAL to be thinking you're worth the effort! What? Are you sad that I’m not a passable doll you can manipulate and mold to your liking? Is that it, you crazy son of a bitch? Can't you fucking get a clue that I'm over it? Huh? I couldn't care less about the new lies you've come up with to try and win me over, I'm done! Finished! Tapos! Ho finito! He terminado! Я задолбался! WHAT OTHER LANGUAGES DO I NEED TO SPEAK TO GET IT THROUGH THAT THICK FUCKING NOGGIN OF YOUR’S? CALL ME AGAIN AND I SWEAR TO ALL THINGS CONSIDERED MIGHTY THAT YOU WON’T HAVE ANY TEETH LEFT, DO YOU FUCKING UNDERSTAND YOU FUCKING CHEATER? DO YOU FUCKING UNDERSTAND? Good."

As soon as you finished the call, you calmly set it down with a sigh of relief. Peace at last. You adjusted yourself comfortably on your seat, wanting to watch the movie on display, when you felt you've made yourself quite the spectacle.

“What?”

Formaggio

- “Woooh, they went off!” His initial response was to high-five you for some reason but you accepted, nevertheless.

- Very shocked and yet enthusiastic at how you handles yourself at the face of a situation like this. Not to mention, the build up! From you trying to tolerate the caller for the past few minutes, before picking up the call and gave them an ass whipping to remember for the rest of his life!

- He would feel sorry for the person of the other side of the line if it weren’t for the fact he cheated on you, so good for him to be told off.

Illuso

- “Heh, about time you told him off.”

- Silently supportive at how you handled yourself at the face of a situation like this and admires you for it. It was very entertaining while it lasted, now he just wants to go back to watching the movie.

- Along that, he was shock that this hidden side of yours came put of nowhere and came out strong, which he thinks is pretty fucking rad. He now thinks back at the times where he gave you backhanded comments and how you managed to keep yourself cool under it... He now reminds himself not to get on your bad side, ever.

Proscuitto

- “.... Thank fuck you’re done, I was starting to think about throwing your phone out.”

- Extremely flabbergasted, as he has never heard you speak fluent in profanities, nor raise your voice at the duration of your stay in La Squadra. and addition to that, the fact you leaned on your seat and calmed yourself immediately as if nothing happened.

- Nevertheless, he feels proud at you for standing up to yourself and standing your ground. You have always been the timid one entering the world of crime and he overlooked your development within this new and risky life style. Looks like his mentoring worked wonders on you and he feels proud of himself.

Pesci

- “......”

- He was too shaken up to speak, he has never heard you be this angry and frustrated before as you’ve always kept calm in every situation and he admires you for that.

- He is shaken up, sure but it doesn’t really change how he views you. You were still the patient person he has ever met-- he just happen to witness you lose your cool once but he’s sure that this won’t define you.

Melone

- “Good for you for getting rid of that guy.”

- He’s just relieved that you’re finally done with the guy who has been giving Melone weird vibes the moment you told him about your then boyfriend. A few alarm bells rang in his head as you detailed how he acts around you and despite being happy for you back then, Melone was extremely vocal about his concerns. Looking back at it, he feels that his ‘paranoia’ wasn’t far off.

- He isn’t really shock, he’s just happy that you’re standing your ground and establishing yourself as a person who don’t need no one to use as a co-dependent crutch. After being around Ghiaccio, he really isn’t that phased anymore.

Ghiaccio

- “Fucking finally!”

- Similar to Melone, he’s just relieved your done with the phone calls and clingy boyfriend who is a walking-talking red flag. He hated how you didn’t have time back then to hang out with your other teammates just to spend time with your boyfriend to make up lost times, that often lasts until midnight and Ghiaccio can still hear you talking to your phone.

- Ghiaccio cares about you despite his distant veneer, and wants the best for the people he cares about. So he was happy that you finally broke your relationship of with a guy who doesn’t deserve you. Also, he’s starting to think that your choice of vocabulary all came from him and is unsure whether he should feel proud or not.

Risotto

- “Oh... Okay, good for you.”

- He blurted the first thing in mind, because he was just so shock at how you responded. He hired you for being so patient and calm at all times and now looking back, he doesn’t really see himself thinking that one day you’ll be going off without stopping to breathe and stutter.

- Don’t get him wrong, he actually thinks it’s awesome that you stood up for yourself like that, but just give him time to reel back to reality. He just never thought you’d explode that hard.

Gelato and Sorbet

- “See Sorbet? I told you they’d snap eventually!”

- The couple was immensely entertained at your empowering speech being quite the ego breaker and worse-fate-than-death threat. They adore it whenever they see a usually timid newcomer becoming unafraid to stand their ground and tell their oppressors off, it honestly feels like a proud parent thing for them to see their baby kid all grown up and kicking people in the guts with their words.

- If you would want a rebound, they won’t hesitate to set someone up with you who is far better than your dog-faced ex because they know that people are barely worthy for you

#la squadra x reader #platonic #x reader #comfort #formaggio x reader #illuso x reader #prosciutto x reader #pesci x reader #melone x reader #ghiacchio x #risotto x reader #gelato and sorbet x reader #JoJo's Bizarre Adventure #jjba golden wind #jjba part 5 #la sqaudra #all the foreign language are basically just 'im done'

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cooliogirl101 · 3 years

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it sounds like every other relationship one has with hisana i.e. shamal being absolutely amazed at her existence because how is she even real?? i can’t tell if he’s actually a little in love with her or if it’s just his usual love for women but i can see there’s a lot admiration mixed in there

I think Shamal getting sick was a turning point in their relationship for both of them. Like yeah Shamal had a bit of a crush on Nana from the moment he met her, but he has a bit of a crush on like the majority of the female population. This was where he started seeing her as a person, instead of just another pretty face to be cooed over and admired.

And like, Shamal grew up in the mafia world, alright? And everything was always about connections, favors, ulterior motives, making sure you were either underestimated or overestimated. Then he spent some time in the civilian world and realized it wasn’t all that different from the mafia world, just with less death and guns involved.

That wasn’t to say he hadn’t met some friendly people. No, Shamal was used to being around people who were perfectly nice. People with pretty, superficial smiles and flawless manners and sugar-sweet words that all meant nothing in the end. Nana Fujiwara, on the other hand, scowled and argued and seemed to have a never ending supply of scathing retorts. Shamal had always found that attitude kind of refreshing— he never had to worry about her pretending to like him, at least.

He hadn’t been expecting her to nurse him back to health. Given how annoyed she seemed to be at his very existence, the last thing he’d expected from her was kindness, especially since he’d done nothing to deserve it (quite the opposite, in fact). Nana Fujiwara was genuinely, unreservedly good and something about that scared him shitless.

As for Nana? She discovers it’s a lot harder to hate someone when you’ve seen them at their most vulnerable. It helped that Shamal was no longer acting quite as…Shamal-ish. Sure, he was still an insufferable flirt and still had a tendency to stare too long at a woman’s cleavage, but he’d stopped with the groping (or attempted groping) at least. He’d also stopped with the pet names completely, which she definitely appreciated.

They continue to get paired together for projects but it’s not as bad now. She still catches him stealing glances at her cleavage every now and then but she also catches him making a visible effort to look away, which is…well, it’s the bare minimum that he should be doing, but it’s more than he used to do and she supposes improvement is improvement, no matter how small. She also discovers, to her surprise, that when Shamal focuses on working instead of gawking at her breasts, he actually makes a pretty good partner.

She isn’t sure when she begins to relax around him, starts letting her guard down, starts trusting him. All she knows is that at some point, they start spending time together outside of school and the next thing she knows, she’s handing him a key to her apartment so he can take care of her plants while she visits her parents back home (she ‘forgets’ to ask for it back) and absently throwing Shamal’s favorite brand of chips into her shopping cart without even realizing it (his apartment always seems to be stocked with her favorite snacks as well).

Late one night (or rather, early one morning, depending on how you looked at it), he confesses that he’d always been prone to diseases and getting sick-- his parents hadn’t thought he’d make it past age five-- which was the reason why he’d gone into medicine (because if a cure didn’t currently exist, then damn it he was going to make one). He shows her the Trident Mosquitoes he’s been working on, and, after choking down her instinctive reaction to immediately hunt down a flamethrower (why did it have to be mosquitoes, why couldn’t it be butterflies?), she offers to help him develop and fine-tune their abilities.

Shamal’s also the one who introduces her to Flames.

“Technically, the existence of Flames is supposed to be a mafia secret and civilians aren’t supposed to know about them,” he explains. “However, since this is a mafia-affiliated medical school, there’s a bit more leeway in--”

“...excuse me, this is a what?”

#solar flame au

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riathedreamer · 3 years

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Zero is Null

A discussion of Zero’s love-hate-relationship with RvB and struggling independence; including a hotdog too big for the bun, tragic backstories, a single bow-chicka-bow-wow, and a cookie at the very end.

Welcome to what will be a lot of text. Basically, it will explore why Zero fails as an RvB (with emphasis on RvB) season. I will not be the first one to bring forth some of the points, and I promise to be fair and civil and fun. This isn’t supposed to be a piece of hate – in fact, I’m writing this because I love Red vs. Blue.

Okay, first of all, to increase your fun – take a guess on just how much of Zero is spent on fight scenes. You see, I’ve calculated the exact amount, and I will reveal it later, but for now, take a guess and remember the number. Maybe you are the winner!

Alright, time to share my thoughts. Wait! Since I suffer from anxiety and have this one annoying voice pretending to be all those critical statements my opinion could be met with, let’s give it an actual voice and address the points throughout this review.

“Why would I care about your opinion, Ria?” – I don’t know, you’re the one who clicked Read More.

“Your opinion doesn’t matter!” – Of course, it doesn’t! Geez. Do you think your opinion matters, though? Listen, we’re on Tumblr, the actual equivalent of screaming into the void. And it’s fun, too!

“If you don’t like it, don’t watch!” - *activates Uno Reverse Card* “You can’t talk about something you haven’t watched!”

“You’re just a Hater” – Actually, this is a point I’ll come back to. Like a cliffhanger. Also, at the end of this, there’ll be a cookie. But this will also include me talking about the stuff I like, because, surprise, Zero is not without talent!

“You just don’t like it because the Reds and Blues aren’t in it!” – Actually, that’s a good point, so instead, this review will start with a sole focus on Zero and discuss the problem that lies within that story. Then we can address why the lack of OG cast is understandable and problematic and weird.

But first! Backstory.

When the first 5 second teaser dropped back in spring (you know, when we were young and innocent and the world didn’t feel like an apocalyptic movie yet), I held onto that one image of what I thought (hoped) to be Grif and Simmons in the sunset, hopefully addressing Grif’s hateglue arc, but boy was I wrong because a) that’s not Simmons, that’s Sarge, and b) the image was from a PSA since the Reds are not in Zero.

Actual face-reveal of me below:

Admittedly, when I heard that the Reds and Blues were not going to be the main characters (or even show up), it felt like a gut punch. However, I actually found myself getting excited due to the creators’ hype. I want to praise them for this. It’s been a while since an RvB season was talked so much ABOUT before its release; it had advertisements, it had creators and voice-actors talking about it. Please. More of that in the future. Their passion rubbed off on me, and that deserves recognition. So it pains me that this was clearly a passion-project, and then when I gave it a try, I didn’t want to touch it again for weeks.

Here’s the thing. I cannot whole-heartedly say that Zero is bad. It’s not gonna melt your eyes. It’s not even so-bad-it’s-good. For me, it’s meh. It’s a Saturday-morning-cartoon aimed for a younger audience with a rushed plot and clichéd characters. The problem is that it calls itself RvB, and with that title comes something to live up to – but more importantly, something to continue.

My main issue is that Zero forces its story into existence by ignoring established content rather than adjusting to it. Let’s call this for the hotdog-too-big-for-the-bun syndrome solely for the sake of the bow-chicka-bow-wow that’s coming now. Bow-chicka-bow-wow. Many of the separate issues I will dive into all add to this hotdog-issue, so I will scream “Hotdog!” whenever this is the case so we can all keep track of my argument.

You can continue the story of Red vs. Blue without the Reds and Blues. While that would personally crush my heart, it can be done. There’s a story of Red vs. Blue that can be continued. The world can be expanded, the previous actions of the Reds and Blues can be explored from another angle.

So.

How does Zero do this? It doesn’t.

I just want to make it clear that new elements can definitely be added when it comes to worldbuilding. That’s literally the point of sequels. But Zero’s settings are presented with so little grace and with no connection to previously established worldbuilding. We get Alliance of Defense and GLASS thrown in our face as very big important organizations – yet we’ve never heard of them before. A big central plot point of RvB is the UNSC and Project Freelancers, and those were introduced naturally with the plot. We already have big established intergalactic organizations. What is AOD’s connection with those? We aren’t told. We are just told they exist and expected to accept it, no questions asked. If this was a whole new world and story – fine. But when you need to build on an already established worldbuilding, you need more grace than this. Chorus was a whole new setting, but it was explained, and it was connected to the previous plot. Same with Iris. Same with Desert Gulch. In Zero, it feels lazy. It feels forced. These organizations are just there because the story is built around them (HOTDOG).

This vagueness when it comes to wordbuilding is also reflected in the settings - we have a desert, a training base, a lab, temples, Tucker’s workplace, and we do not know if all those are set place on the same planet. If that is the case, what is this planet’s relationship with Chorus? Is it Earth? And most importantly, what is the deal with the temples? Why are they connected to Tucker’s sword if it isn’t the same planet. Are they made by the same aliens? Are people okay with this? Why haven’t these temples been explored before? Chorus makes sure to establish this, while Zero doesn’t, adding to a growing amount of confusion.

Okay, so no connection with previous worldbuilding. What about characters? I mean, we got Wash and Carolina and Tucker! So we have RvB characters, it gotta be RvB! Technically – yeah. But it feels dirty. These three characters are not here to be characters. They are here to be props to the new cast. They are not given any development. Their presence isn’t even that important, and if this was a whole new show, they could easily have been replaced with an unknown face. Worst of all, they feel miswritten.

Carolina and Wash are working at a new military organization? Leaving the Reds and Blues behind? To help people? First of all, fucking bad idea, Carolina, the last time you left the Reds and Blues alone, they changed the timeline. But most importantly – Carolina and Wash just joined this new super elite military organization? After being mistreated and manipulated by such an organization in the past?

Carolina is there to introduce the characters. That’s it. We are force-fed their personality by having her literally read out loud their personality. There is no gentle introduction to the new cast. We are not allowed to get to know them naturally. Why show when you can tell, huh? That’s Carolina’s role. That’s why she is there. To introduce the cast and explain their story. That’s it. (HOTDOG).

How about Wash? He is there to get beat up and be a damsel in distress so that the new cast has a reason to explore the plot. Oh, and that brain damage that was the consequence of previous seasons – gone now. The guy who literally has trauma from having an AI explode inside his head is fine with having a computer inserted into it instead. Because that’s needed. To explore his brain damage wouldn’t work now when his role is to be a prop to lure the new cast for one episode and then be put onto the bench for the rest of the runtime (HOTDOG).

And Tucker – he is there to die for a second and have his sword taken from him. That’s literally it. And for the few moments he is there, he feels like old super flirty Tucker, which erases the character development he went through in previous seasons. Okay, so Tucker dies, and then not dies, and then he is put on the bench with Wash where they can sit and talk or whatever (‘cause holy shit, the new cast is not allowed to that), because he isn’t important. The sword is. Tucker is just a prop, even more than his sword is (HOTDOG).

Damn. Wash gets beat up. Tucker gets beat up. Dies. Gets his sword taken away. Almost seems like a Red’s wet dream. Sorry not sorry, Blues, you were done dirty.

So there are miswritten old characters. Even worse is the retconning. The plot needs a “normal” Wash, so, bam, magic computer solution. Never mind Wash’s trauma and character traits. Never mind the logic of the new worldbuilding which also includes a character suffering for years to heal an illness. But the brain damage that was such a big consequence that it became the main part of the plot of the last two seasons – gone. I mean, a gunshot to the head can be healed by CPR. That’s canon. But no one gave Wash CPR so it’s a big thing, okay. It was canonically a big thing, and Zero erased that. This is not me saying that a Cerebral Enhancer couldn’t work in the RvB universe. Imagine it being done right. Wash struggling with the choice of getting used to his disability or accepting the possibility of help - at the cost of reliving his trauma. The struggle between what to choose - what should he choose when he wants to help as many as possible, the sacrifices he thinks he has to make, the way it could have been used as a part of his character growth. But in Zero, the enhancer isn’t a part of Wash’s character. It’s there so the story can work without having to deal with the previous plot’s consequence (HOTDOG).

Same with the sword thing. They sorta explain it by having Tucker flatline, but it’s weak. Honestly, I find it sorta offensive. What about Locus’ sword as well? It’s twisting previous lore to make the new plot work (HOTDOG). (Also, are we not gonna talk about the ultimate power being Spencer Porkensenson’s helmet? Have the writers forgotten Spencer Porkensenson? Have we as a community forgotten Spencer Porkensenson?)

If you have Red vs. Blue in your title, you cannot ignore what you inherit from it. You need to respect the worldbuilding, the established characters, and the previous plot. Zero does not do this.

Let’s talk about the Triplets. No, really, let’s do it. I don’t think I’ve ever talked about them before, because season 14 was a mixed bag for me (that I have now learned to appreciate. Thank you, Zero.) because I have heart at the size of the Grinch and can only love a few characters at a time, and that did not include the Triplets. Can’t even remember their names. Well, I can, but I can’t for the love of me remember which state is which, and my tongue is twisted every time I try to say Ohio, Iowa, and Idaho, and I know it’s on purpose. I know it is. And it got me good. That being said, the fandom actually embraced them really, really well! Seriously, I’ve seen more content for the Triplets than for Zero as a whole.

Why talk about the Triplets? (Was Iowa the lesbian? Or was it Ohio? Fuck.) Because like Zero, they introduced new characters with a story of their own. The Reds and Blues didn’t play a role. But here’s what I feel like the Triplets got right. They didn’t change the settings to force their narrative. They used stuff already established (Project Freelancer), added their own story as a continuation of that. They even included old characters in the beginning (Wash and some other Freelancers) but it felt natural and it didn’t feel like it happened at the expense of the old characters. Wash’s writing felt natural, and his presence wasn’t needed to tell these new character’s stories. He wasn’t a prop to them. He was there to establish the setting and to establish the relationship with these new characters, and then he and the other familiar faces (helmets??) left, and we as the viewers were left with these new characters. And the new characters told their own story by themselves. It felt like, hey, here’s something you know – remember Mother of Invention, and remember Wash’ lower rank, but now, try to imagine being even lower rank than him, aren’t you curious about those fates? Now let’s hear their story! It was new, it was something else, but it didn’t wreck what came before it, and it stayed true to the classic vibes of RvB.

As I said before, the hotdog-issue is my biggest problem with Zero. It infuriates me. I will return to this. But there are more issues, even if we try to look past the title-related problems.

If we try to imagine Zero as its own story and universe (as it should be, in my opinion), it still earns the meh review from me.

These isolated issues include awkwardness, the writing, lack of self-awareness, and pacing. First of all, holy shit, this is a tell, don’t show. Nothing is subtle, nothing is allowed to develop. It’s like the show thinks you are six years old with an attention span of a goldfish. You are not just led by the hand – they have literally pulled off your arm by the end of the show. We are force-fed every bit of information, every bit of personality from these new characters.

The voice-acting is a mixed bag for me. Sometimes it’s pretty good, sometimes it’s not. Some of the problems can definitely be blamed on the dialogue that you can only do so much with. It’s not good. I can’t remember any good jokes (the one joke I really appreciate was the cast on armor, and that was freaking visual humor. That was so RvB. Kudos to that. It was fun. More of that, please.), and RvB is known for having memorably good lines. This is a show built on good, clever, funny dialogue. Zero does not deliver. You have to sit through clichéd lines – “You’re not my dad”, “I trusted you”, “Come with me”, “It can’t be!”, “She’s way too powerful”, and “We have to do this together” – performed unironically. I cringed more than I laughed. Worst thing is that Zero could be a good parody. Sometimes, it feels like it is. One-dimensional characters, a villain wanting ‘the ultimate power’, very overpowered characters, bad one-liners, etc. But Zero takes itself seriously, and I was one of the people rooting for Jax to show up at the end and yell “Cut”. That would have been a funny-as-fuck twist. A spin-off parody. If I can’t have “Sarge the Movie”, I would have taken that and loved it. I would have forgiven everything. “We put so much info into finding that power, but we had no idea what it was” is really a line in the finale, and I cannot believe this is real in a show that somehow still tries to present itself as serious. What a plot.

We have to talk about pacing. God, first of all it should be stated that RvB is a mess when it comes to pacing. I honestly get what they were going for. Sometimes, RvB has come across as a bit boring when you get three episodes stretched over three weeks without much going on. I know season 11 did not have the warmest welcome because it was seen as boring until the finale. But when you see season 11 as a whole, as a movie, as a part of a trilogy, it works so well. Zero is more focused on being episodic. They want something to happen all the time so we will stay tuned. The thing that will happen – a fight. Oh god. The fight scenes.

I have done the math. I have run the numbers. I deserve a freaking cookie for this. Are you ready?

If you put all the episodes together, you have a runtime of 106 minutes. HOWEVER, with the introduction of credits in every episode, you gotta account for this. Removing the credits, this gives us 94 minutes of actual runtime. Out of that, 45 minutes are dedicated to fight scenes. That means 48% of the show is fight scenes.

If I wanted that many fight scenes, I’d watch Death Battle. Except the actual RvB Death Battle episode has a runtime of 20 minutes, and out of that, 5 minutes is dedicated to the actual battle. For the people who hate math – that’s 25% of the actual runtime.

RvB Zero has more fight scenes than a show called Death Battle. Take that in.

The pace suffers from this. Where’s the time to explore the characters? Where’s the time for good dialogue? All I can think of is this:

I get that RvB is a show that’s literally making fun of itself by acknowledging all their characters do is stand around and talk. I get that you want characters to do more than that. But for the love of Church, would it kill the new characters to stand around and talk? For just a minute? Stop fighting, I am begging you, stop fighting! Am I a pacifist now? Am I purple? Have I joined Doc’s team? What has Zero done to me?!

The good thing though is that fight scenes are very good. They’re entertaining. However, they seem to deconstruct themselves when we need to get a fight scene in every episode. Usually, the few fight scenes in an RvB season were in some of the most climatic episodes. In Zero, I can hardly keep up with the pace because they won’t stop moving. Fight scenes aren’t plot. They aren’t character development. You need more than just fight scenes. They entertain, but there’s a limit to that.

Noël Wiggins, the co-writer, stated the inspiration was a Saturday-morning cartoon. They nailed that vibe. If that was their goal, hurray, they have accomplished something! Because of the poor plot and constant fight scenes, it feels like you could just switch on the TV and drop in at any moment and let yourself be entertained by the cool and colorful soldiers punching and kicking each other. I will admit that the fight scenes entertained me. But they don’t make it a good season.

If I were the six-year-old with the attention span of a goldfish that the show believes I am, I honestly would enjoy it. The stiff dialogue and the constant tell-don’t-show makes you feel like an audience that’s not supposed to do anything else but admire the flashy fight scenes. I miss the cleverness of RvB. I miss the characters I get to connect with as I see them grow.

I miss the tone of RvB. Because this isn’t RvB to me.

It’s not that RvB hasn’t changed its tone before. Holy shit, I sorta do want to experience the absolute shock the RvB fandom went through when s6 aired and they were given new characters and serious plot. I would have loved to experience that, but I was too busy being ten years old. The Freelancers seasons also introduced a new tone and more fight scenes with very talented fighters compared to the Blood Gulch gang, but a balance was kept by having half of the season still revolving around the Reds and Blues. But Zero – Zero is so much change. And it’s on purpose. At least this has been made very clear from the beginning.

They constantly seem to appeal to new fans, rather than be directed towards older fans of the show. If you want an entirely new audience with a season with a new cast, new worldbuilding, and new tone, I’m confused as to why they don’t just make a new show. The hotdog-problem begs for this solution. This story and environment and characters feel so out of touch with the original RvB, that with a few rewrites and lack of Halo-armor, it could just be a new show. Problem solved.

If not this, then present it as a spin-off. In all ways, it feels like a spin-off (again, see everything marked HOTDOG). But the creators refuse to do this, and I don’t understand why. I could forgive many of these issues, had they officially separated themselves from canon.

Ah, what’s the idiom? You can’t both swallow and blow? (You can hear the Bow-chicka-bow-wow in the distance). Something about eating cake and having it. Forgive me, English isn’t my native language. POINT IS why are you calling yourself RvB while actively fighting against the core essence of RvB? In my humble opinion, you can’t be both. Marketing it as a spin-off would have granted it some defense when changing, well, literally everything, and I just, would someone please properly describe why it isn’t a spin-off? Isn’t this season marked by its association with the plot of RvB rather than a continuation of it? Zero presenting itself as not a spinoff feels like a toddler clinging to the hem of its mother’s dress while forcefully running away from her, ripping the dress in the process.

When they do connect with the original RvB, it leaves a bitter taste in my mouth. When they let Carolina, Wash, and Tucker appear for a moment, it feels like luring viewers in with the RvB title. Look at me. Look at me! I’m not saying this is the case. I say that it gives me the annoying vibes of being lured, rather than letting the characters be a part of the show for their own development, rather than having RvB in the title to continue its story. I should not be getting these vibes at all. But I am.

If you want to use RvB in the title, something from the core of RvB needs to be embraced. Things can be changed. They should. Something new should be brought in. But there’s a limit to how much you can change and replace and twist until it would have been better with an original show. As a season of RvB, it should tell the story of Red vs. Blue.

From my perspective, Zero fails to do so.

It pains me that the old cast has been replaced, but as stated earlier, a season could have worked without them. However, I do not like the take that one should be excited about all the new characters. That it isn’t a big thing that the OG cast got replaced. That we should just deal with it. Just, try to imagine another show suddenly replacing the main characters with characters we’ve never met before. Imagine RWBY suddenly only focusing on a new team of huntresses with the previous main characters reduced to an Easter Egg presence, or Camp Camp suddenly being about a new team of campers, no warning given. Can you imagine the outcry? So maybe let’s agree that a replacement of the main cast is a big thing and should be addressed and it’s valid to be upset about this change.

Could Zero have worked? It’s hard to answer this. How can I accept something as RvB if the season actively pushes away the core of RvB aside for an isolated story that could have been told in any other media? As a spinoff, I could have ignored it. To enjoy Zero, I have to fully separate it from RvB in my mind, and then it’s alright. S’not good. But it’s not bad. It’s entertaining enough. I really ended up liking Raymond and Tiny, and there were a few good jokes, and the fight scenes were admirable (but too much) and I love the creators’ passion. But it’s not RvB. I also wish that the new characters had been attached to previous worldbuilding, for example soldiers on Chorus or agents from Project Freelancer. That way we could build on familiar lore which would have decreased the confusion and added a much needed connection with the previous seasons of RvB.

God, the anxious voice is back (by the way, it sounds like Tutter from “Bear in the Blue House”).

“You’re racist” – I hope not. Literally, I do not want to be. Tell me if I’ve ever crossed some lines, because I swear, that is not my intention, I will apologize and most of all, change and do better. I included this because I’ve seen this take thrown around in the big ugly mess that is the fandom clashes regarding Zero. And racism is problem within RT community (this includes AH and RvB, sorry, I just use RT as an umbrella term for the latter), and I’m not saying it hasn’t been a problem with this season. Writers should never be harassed, and never-fucking-ever because of their skin color, and voice actors shouldn’t be treated like they are responsible for the choices of the show. But I was legit nervous to post this review, and I hope it’s been factual without feeling like personal attacks on the creators because that has never been my intention. I was delighted to hear about the diversity behind this project, and Torrian’s passion legit blew me away because it’s been a while since I’ve seen that for an RvB project. I’d hoped for it to be good, and when I feel disappointed, it’s for the reasons stated in this analysis. That said, Zero is made by a diverse cast and it’s made with love, and both of those things are so, so great, but it does not mean that Zero cannot be criticized. It can, and it should. It’s a product, just like all the other seasons, and fans are allowed to discuss it – both what they loved, and both what they found troublesome. And to repeat previous points, and be respectful, always, fuck racists, and never-fucking-ever harass the staff behind a season, what the fuck is wrong with you if you do this.

“Don’t you get it, it’s different because it’s trying something new!” – Hey, remember the philosophical question: if you replace all the parts of a ship one-by-one, is it still the same ship when you’re done? If it doesn’t include the Reds and Blues, if it ignores previous plot, if the old characters feel miswritten, if it values animation over dialogue, if it values fight scenes over comedy, if it wants to be Fast and Furious instead of Red vs. Blue – is it still Red vs. Blue? Because it doesn’t feel like it to me.

“It's been 17 seasons, it’s time to let the Reds and Blues go so someone else can shine!” – I simply do not understand us having been with the Reds and Blues for 17 seasons should be an argument to let them go, rather than be an argument as to why their absence hurt like hell.

“The Reds and Blues ran out of things to do!” – Did- did they, though? I mean, if we were discussing pretty much any other show, I’d probably agree that they were running out of content. But for the Reds and Blues… I think the PSAs nailed it this year! I’m not kidding, I had more fun watching the Reds and Blues discuss how to do laundry than watching Zero. You could literally give me an hour of the Reds and Blues trying to bake a cake or clear a gutter or simply settling down with an ordinary life, and I would trust them to make it worth the watch.

“The flaws were due to the fact it’s only 8 episodes long!” – Look, I can only judge a product the way it’s presented to me. I cannot come up with excuses for it. If they had 8 episodes to work with, they need to come up with a plot that works with this runtime. Seriously, this excuse cannot work when 48% of the season is spent on fight scenes. They could have used more runtime, sure, but the show needs to be able to pace itself and be planned accordingly.

“The OG cast couldn’t be a part of this year, hence Zero!” – That might be true. But. Would one year without RvB kill it? Is Zero necessary? Again, I just can’t judge excuses for the show. But trouble with the cast has been an issue before. Season 15 solves Geoff’s sabbatical by actually making Grif’s absence a part of the plot. Zero’s lack of Reds and Blues just feels like this excuse to tell a story that needn’t be a part of RvB.

Am I a hater? I guess? I greatly dislike Zero for the critique stated above. I do, however, not harass the creators and no one should ever do that. However, I have to admit that I feel there’s been this weird rejection of any critique of Zero where everything’s been brushed off as haters gonna hate, including the critique stated above. And I think that’s a problem because critique, as hard as it can be to hear (and I know this. I’m an author of original works. Weird flex, I know), is valid and necessary and shouldn’t just be shrugged away. As always, both sides of the fandom should always be respectful, but my own opinion is that addressing the flaws of Zero should not be controversial.

Does this super long rant/critique/whatever mean you cannot enjoy Zero? Gods no! I almost envy you if you enjoy this season, but holy shit, feel free to love it and tell the creators that you love it! Me pointing out the issues I have with the season shouldn’t be stopping you. I loved (and still love) s15 when it came out, and it was majorly rejected by the fandom. There were many, many critical posts, people were going on about how RvB should have ended with s13, and it evolved into the writer receiving death threats (me, once again: never ever harass the creators, assholes). But I didn’t tell people to stop being negative. I actually agreed with many of the flaws that were pointed out, and I enjoyed the season despite this, because that is possible. We, as RvB fans, should agree that RvB, is... I mean, it’s not the greatest, most flawless of shows, but we love it nonetheless. So go ahead and love Zero. This is not a stop sign. This is my opinion that you chose to read.

Wait, I promised you a cookie, didn’t I? Well, you’re not getting one. Why? Because I’m a Red and this is my chance to piss off a Blue. As Caboose wisely said: “Well, at least I don't go around... knocking on people's non-doors... and promising them cookies... and then NOT. GIVING. THEM. COOKIES!”

Blue Team sucks.

End speech.

#rvb zero #rvb #rvb zero critical #rvb critical #rvb0 #my rvb stuff #pls dont hate me for this #this is my honest opinion that people apparantly wanted to hear #as a standalone story zero isnt totally bad #as an rvb season it is

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ships-bynoa · 3 years

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The Titans are almost back, bitches. aka 3x06

Guys, literally every time the titans are together-or even paired up-the episode gets ten times better, but in 6 episodes there is simply not enough Kory and Gar. I can easily forget that when I’m basking in the episode they are in, especially when they’re giving us family dynamics.

Kory:

“You’re not mad that I left. You’re mad I came back.” Kory’s face tells us Blackfire is right on the money, and who would know her better than her sister?

So, Kory, oh boy. Our girl is on edge. She is slowly unraveling and is super vulnerable and raw with Kom around and little sister is going to exploit it and her guilt, which I think she’s carrying a lot of. So far their dynamic has been fascinating because there’s so much to read between them and so many accusations being flung back and forth, from both. From Kory; you sense guilt and even contempt and from Kom there’s envy and resentment, but also there’s a sense of idealization for her older sister, too, which of course, with younger siblings, there always is an element of that. And as an older sibling, there is always an unspoken and sometimes spoken responsibility placed on them for their younger siblings. Parents often don’t realize it, but they can create a lot of tension within siblingships by assigning roles.

They remember home and family very differently, which is often the case, too. Kom was often thrown in the pit and to that, Kory attributes her sister’s constant rebellion as the reason, and yet, Kory herself was a bit of a rule breaker, sleeping with her guard, Fiddei.

Kory was being suffocated by the laws and customs of her home planet; one could say she rebelled by going on a mission, to escape her duties. Home did neither of them any favors because while one rebelled because she did not fit in, the one who did fit in was dying inside, surrounded by little robots and becoming one herself. Being told what to eat, wear and who to love or be friends with is yikes.

I was thinking Kom began her game of manipulation in the bunker, but she really started before that when she sent Fiddei to bring Kory home when she probably intended to kill him all along. After all she would’ve castrated him if she’d had the chance to for sleeping with Kory in the first place. Shortly after Fiddei’s death, Kory flamed out. No powers. Emotionally wrung out from the news her family was dead and now the culprit is here. These two know each other very well and know exactly how to get underneath each other’s skin. Right now Kom is getting underneath Kory’s and our girl is losing patience fast.

I’m wondering when exactly Dick will tune into Kory’s anxiety-ridden state and step in to support.

Ultimately, I just want to see what truly happened to the girls on their planet and how we have the versions we have now. Like, Kory said to Rachel, “No one is born good or bad, we are defined by our choices.” I get the feeling Kory has given Kom so many chances to make a different choice and has become disillusioned, meanwhile Kom believes nothing she does will give her the respect she feels she deserves anyway, so she may as well blow shit up, figuratively and literally. At least then she’ll have Kory’s attention.

Gar:

Gar losing it on Dick was so cathartic and yet he could’ve gone much further, considering Dick abandoned him last season to go jail and hallucinate Bruce. It ultimately led to Gar (and Conner) being kidnapped and experimented on by Mercy. It’s actually all the adults fault this happened, but as the leader promoting his family everywhere he goes, he needs to keep his eye on the ball. He would know if he spent five minutes at home with them that Gar is struggling. Last season Gar was #OperationSaveTitans and this season he’s #ThisFamilyIsDying. He’s doing what the adults should be doing, or at least leading the charge on it. He’s the glue, but who will hold him together?

He’s carrying too much emotional responsibility and Dick’s dismissal, because he is fully locked into Gotham and being Batman, makes me mad. Get your head in the game, Grayson. Gotham is going to eat your family while you retread the nostalgic steps of your past.

We all know Dick’s not good at expressing himself emotionally, though he’s usually forced to express something when talking to or being confronted by Kory, so I was proud of him for giving Gar the floor to speak. I just wish Gar spoke about himself, but then again, he needs more time and consistent offers to be heard. I’m happy Dick followed up the conversation up with a bonding/training session. There was definitely pride in Dick’s face because Gar really has come a long way in this group, but he needs MORE SCREEN TIME. I’d like to see the two of them out in the field together the way we’ve seen Kory this season with Gar and Conner.

I wonder if Gar losing control is the start of all his trauma bubbling up to the surface, will being in Gotham, hunting down a friend be too much?

As a side, has the CGI tiger face gotten worse?

Kom (and Conner):

First thing’s first, what music are we thinking Kom listens to? Probably the kind of music she can break your tailbone to, like, Kendrick Lamar, J. Cole and Jay Z, or Prince, Jimmy Hendrix, Stevie Nicks and Led Zeppelin? Rihanna?

Kom is absolutely a villain this season and if she isn’t, what a waste that’ll be. A mastermind at mind games (see, her picking up the chess piece), who is going to drum up Kory’s paranoia and anxiety around her being there. Trying to kill her suspicion by guilt tripping her while simultaneously being a do good-er to the group, feigning interest in helping the Titans to earn her way in, a tip from our boy, Conner.

She says she wants acceptance and I believe that’s absolutely true, but she doesn’t know how to get that without using power, so she’ll continue to covet acceptance through and with power because according to Kory, she’s always been a climber. Add to that, being born the cursed child and the only royal member born without the gift of fire, something that differentiates them from the common folk, being too frail to participate in the same games as Kory, having a speech therapist be her only friend while being the object of ridicule and you have a villain origin story nicely set up.

I really enjoyed Conner and Kom’s exchange. The boy lit up when he spoke about seeing his family happy and it made me light up. He’s so genuine and has a big heart and Kom is going to take advantage of it, that’s not to say she won’t develop real feelings for him, but she can like him and still use him.

Conner’s “you have to earn your way into the family,” is perhaps an internal and personal struggle he has from sharing blood with Luthor. I think it may come from an insecure place because he was made a titan as soon as he woke up and no one questioned it, but as he’s only half of superman, he’s constantly trying to prove his usefulness for good, which losing Hank has rocked, leaving him vulnerable to Kom’s recognition for his otherness. Their otherness.

She gave us insight into her mind, but also she has likely seized an opportunity to use the vulnerability against Conner and to her favor by making him her kindred. Outcasts. Will she gain influence over him? He’s still young and learning, and trusting, too.

Her interest in him felt layered, ignoring the ugly customs of sex servants, she was also observing Kory’s relationships and ranking them in her sister’s life. Her being able to determine who may have Kory’s interest (which Kory gave away with her vulnerable display of worry over Dick’s welfare in front of Kom) will surely come into play at some point, right? After all, Kom did kill Kory’s last lover/royal guard. This may be me projecting. LOL.

Romantically, I’m waiting to see how they play it before I decide if I like it or not, but so far, they have a nice chemistry. Friendly.

Dick (and Barbara) :

What a lovable dumb ass.

I was so happy Kory lost it on him and called him on his lone ranger shit, at least when it’s her, even when he’s being an idiot, he’s still listening. “Let’s go.” and I thought it was hilarious that he tried explaining himself, but when Gar called him out, he got all huffy with, “Excuse me, young man.”

Gar asking Kory not to have words with Barbara over Dick getting shot was so funny because Dick’s face seemed to ask the same when she asked how it happened. We love a protective Kory. I’ll be looking at him when it’s his turn to reciprocate.

I don’t like him dismissing their concerns about his personal safety and how it affects them, it’s like he’s learned nothing after running off alone to battle Trigon, or rather has unlearned his lessons of S2. I’d like to see some more permanent emotional growth from him by this season’s end. In his current state, he’s not an exuding leader. He can’t be when he’s still wrapped up in Bruce and all things Gotham. He’s not tuned into Kory’s anxiety, or Conner’s grief and insecurity, or Gar’s emotional burden.

He’s started making it up to him, but he has much to do in taking Gar’s concerns and emotional needs seriously.

I’m not even going to try and work out the timeline between Barbara and Dick and Dick and old Titans in San Fran and S1. But it doesn’t bode well that Dick’s dream with Barbara ended in a nightmare.

I wish they’d never did the whole Dick and Dawn relationship in S2 because they’re basically repeating some of the beats in showing us how they don’t work as a couple, only his relationship with Babs makes a lot more sense even though I don't care. Dick has unfinished business with that relationship, Bruce and Gotham and I can only hope he’s wrapped it up for good by this season’s end. I want to see relaxed, smiling and happy Dick in THE PRESENT. I still Babs will be the one to notice and point out Dick's feelings for Kory.

Barbara (outside of Dick) is being downplayed a little, no? Dismissing Dick’s suspicions about Jason when he arrived, showing no knowledge of Jason’s visits to Crane and then taking the bait and moving Crane after he got a light beat down. A commissioner who was also a very capable vigilante is tricked by a recording and goes to meet “Bruce” on her own. I really enjoyed that she could hold her own and the fight scene was really good, but it was a bit baffling that she fell for that ruse. So far, she’s not entirely good at her job.

Dick’s a distraction in his own right and her feelings clearly get in the way, which is why she keeps asking him to leave the precinct and Gotham; because she’s pining a fantasy and he’s ruining it. Lastly, I really like the way Savannah plays Barbara.

Why’d they do that to Tim?? :(

Overall, it was a better episode and I enjoyed it more than latter episodes, but they’re not quite there yet for me. I’m still waiting for Team Titans.

#dc titans #kory anders #koriand'r #stafire #gar logan #beast boy #dick grayson #nightwing #conner kent #superboy #noa posts

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egyptian-sun-god · 3 years

Text

Never Have I ever S2

SPOILERS.....Turn back now I’m serious.

I’m waiting....

Okay cool your fault at this point

I was fairly critical of NHIE S1, I won’t lie. And I’ll be real I still stand by the fact that NHIE S1 was fairly meh overall.

But holy shit, they knocked this season outta the world man. The show really really found its proper footing this season. They were smart to keep the cheating for only two episodes and explore the repercussion for the other 8.

1.Devi Vishwakumar.

Let’s start with the main character. Devi still does immensely fucked up shit this season. Dating two boys and have them find out in the MOST humiliating way possible. Yikes. Being a really sucky friend to Aneesa and starting that rumour about her (inadvertently) and pretending to her. Stalking her mother and being possessive of her. The really awful apology that was pretty self centred, a bit not good.

But she really does do her best to improve and I am SO proud of that. She uses her father’s advice and apologizes better to Aneesa, she actually handled the Ben and Aneesa dating WAAAAY better than I’ve seen some people handle things like that. I might’ve blown a fuse if two of my friends had 4 tickle fights and had major PDA sessions when we were trying to do a group project. Like she handled that shit fairly well all things considered. Devi actually gets into the beginnings of delving into her trauma and her temporary paralysis and healing from it. I

really see how the label ‘crazy’ weighs on her and how she blew up with it and the message of destigmatizing mental illness. (Crazy Aneesa and Crazy Devi) Her properly bonding with her mother and watching videos of her father and remembering/honouring his memory hit REALLY HARD (since I lost many people in my family recently and that fear of forgetting them has been real). Devi is actually beginning to heal from the loss of her father by strengthening the relationship with her Amma. And the slap from Paati was so so needed, it really gave her a better respect of her mother and fixed the problem I had with Devi mouthing off so much to her Amma. I live to see good maamiyar marumagal relationships. Her relationship with Paxton is really good and it gets developed very logically and having her be scared of being pathetic but in the end she accepted her own self worth and stopped chasing after them which was good.

Overall Devi really blossomed into her own developing person and I actually like her so much more this season.

2. Paxton Hall Yoshida

I was honestly, like genuinely sad last season he was like 80% eye candy with not much else going for him. Paxton had so much faith as a character and Ms Kaling has really pulled him into such a better person this season.

Paxton got hit by a car before swim season, lost his ticket to college and wow, got two timed by a girl he liked all in two episodes. If he was salty about that for more than one season I would’ve completely accepted it. Cause that’s a bad public humiliation.

Paxton episode really really made me love him as a character (honestly more so than Ben) I think because I heard Paxton’s entire worry and irritation that he was being underestimated and no one really expected him to go to college from a friend of mine not more than a month ago. That shit is real, and it hurted my friends a lot that people were really underestimating them and just seeing them as a dumb athlete who has no hope of college. It’s really nice to see Paxton actually want to go to college and learn Japanese American side with his Oji-chan giving him advice and supporting him. And him bringing his grandfather to speak about the internment camps, that seriously do not get spoken about enough.

Also him putting effort and making a genuine effort to work hard and bring up his grades with Devi and therefore bonding with her was really nice to see. I wouldn’t mind them being endgame but Devi does really work a lot better as his pushy Indian mom/best friend/tutor. And Devi getting mad at him for him expecting him to hold his hand throughout really hit well. Was it deserved yeah. But Devi also did blow him off after promising him to study so his anger is justified there. I’m just kinda vibing with Paxton like coming up and taking a better interest in school and being a full 3D character. And that one scene where he gives the extra credit presentation and Trent high fives the man. Classic.

Can I also just say, it’s kinda valid that Paxton didn’t want to date her in public. Is it a dick move...yeah? But he’s within his rights to ask and she’s within her rights to deny. And he didn’t press her once she said no, he went along with it. And what Devi pulled on him is awful, and speaking as someone who’s seen popular kid cliques. Reputation really is important. Like what Devi did made Paxton lose face, if he gets back with Devi he ain’t gonna have any respect left in him. And Paxton was pretty right in deciding to not date her publicly, like even in the end he knows that his reputation is shot for what he did. Do we even know if Paxton has friends that aren’t fixated on his social status? Because becoming a social pariah without having any support of friends is gonna hurt like a bitch. Lord knows how Paxton gonna deal with it. I think Trent might be his only homie after the social downfall he will inevitably face.

I’m just gonna say, Paxton is my favourite now and I’m really rooting for him. Something I decidedly did not do last season. I’m happy Ms Kaling developed him so much and got me interested.

3. Ben Gross

Ah. Ben. Ben’s not my faaavouriteee.......like he’s fine. But I don’t love him. I can definitely see him and Devi becoming an almost endgame couple though. Especially with S2 ending.

Ben is fine and he’s pretty developed, especially with his episode in S1 and it was good he took a backseat this season and let everyone else star. I feel like he’ll come back strong next season though.

Personally do I ship him with Devi? No. I’ve been in a friendship with the similar competitive dynamic as Ben and Devi. And it was terrible. We loved to argue and we got each other’s super brainy side as Devi puts it. But we pushed each other faar too much and even the small things became arguments and each pthers achievements became jealousy. So yeah....I don’t have too much faith in the dynamic due to personal bias, but I’d love to see how it gets handled.

Also my brother Ben, PDA is a thing and it is common courtesy to refrain from it. Man’s really going at it with Aneesa half the time. But also the moment where Aneesa sort of choked on the presentation and Ben’s irritation at it gave me BAAAD vibes. It feels like while Devi can match him, they might push each other too far,

4. Kamala

I LOVE KAMALA. Girl is an ENTIRE vibe. My sweetheart, love of my life. I could go on. I really like her development as well and the banter between her and Nalini. The part where Nalini practically said she looked like a call girl and she was like ippadi potathaan velaila mariyaatha kidaikum. I legit had to pause, scream in laughter for a good few seconds.

They had such a good story with her and wanting to fight against the fact that they took her work and didn’t credit her and everyone was telling her to like take it bowing. Prasanth’s advice unfortunately checked out to me, because I’ve been told that all my life. My dad says it a lot and I know he doesn’t say it cause’ he doesn’t believe in me, but he loves me and wants my life to be easier and for me to succeed and his experience is that he’s had to deal with things like this and fighting won’t help. So yeah, what Prasanth said did not rub me the wrong way at all and I agreed with it and I’m fairly disappointed about that. I get that she got nervous and had cold feet about marriage but I do hope she and Prasanth can work this out through communication. Because I really don’t feel like Prasanth is the bad guy here. It’s just a miscommunication.

So yeah, a LOT of Kamala’s storyline continues to really hit me hard.

5. Nalini Vishwakumar

Nalini really had so much more screentime to blossom. I love that she has a good relationship with Mohan’s amma. It’s wonderful and I love it. Also I was shocked to see the house in Chennai. Like this house...in Chennai. The Chennai I’m used to and the Chennai they are used to are different Chennai’s. Basically wealth gap is crazy as hell and I was lowkey highkey confused if the actually shot this shit in Chennai. But props to the directors for putting some proper Tamil vibes in there. Like the scene where they kaala thottu kumbudurathu (touch the elder’s feet) before they leave for the US is so real and so vibes. I like that they decided to bring paati back. I was like hoping for it.

Also they really went at developing Nalini’s character as a workaholic mom who doesn’t get her daughter. That’s also a really common thing in Indian households with one working parent so I’m happy they portrayed that. I’m happy Nalini actually has a life outside her family portrayed and is still such a typical mother that it hits HARD. I love Nalini and she really developed as a character dealing with grief from Mohan’s death, the wish to move on with Dr.Jackson but knowing that she isn’t ready yet.

They gave her character a life and proper working outside Devi and it really has shown to develop her character and impact her relationship with Devi. The advice to “just say yes” works with cousins and younger siblings as well, I’ve heard it before and used it..and it saves so much time. Especially with small children.

(A memory I have is of my younger cousin going on and on about a princess and a castle and fighting a dragon and the witches and so much fantasy shit and ended with do you wanna come? I just clocked off my CCA’s and I had no energy left to question it so I just went yeah sure. Easiest decision, and 10/10 advice. )

6. Aneesa

I’m not gonna lie. I was skeptical of Aneesa and I didn’t like how Devi saw her in the trailer. But Aneesa reminds me so much of me....and its killing me.

Also the scene where she charms the hell out of Nalini and paati ma has literally happened to me before. Most of my Indian friends hate it..because I was raised with a lot more traditional manners with my grandparents so me and my siblings all are old fashioned which parents LOVE. And I really saw that Aneesa charming them and Devi also realizing, Damn none of my friends actually treat my family the way they should be treated, perks of having an Indian friend.

Also the scene where she gets Devi out of trouble is so so real. Because if you have one responsible friend that you parents trust, you could lie the hell to them, get you homie to back you up and it will work. Personal experience. So yeah, Aneesa character resonated with me a lot.

I also like that she wasn’t just a popular 1D Indian girl but she was genuinely cool and actually had proper issues and development where she gets more open to Sherman Oaks and actually kinda properly rebels against Noor, with having Ben as a boyfriend.

I feel like Aneesa has a lot more potential for growth, especially with the relationship with Ms Noor and Aneesa acting as a foil to Nalini and Devi’s. Also, I feel like Aneesa can grow within her social status at school as well and have Devi maturely handle it. Aneesa I feel will really really challenge Devi’s ability to be mature.

7. Eleanor and Fabiola’s plotlines

Okay like actually, major props to Ms Kaling man. This show touches so so many teen issues in one goddamn show. Emotionally manipulative relationships. So SO good. A lot of newer age relationships have a much more subtle and dangerous line of abuse that’s hard to find out. Like honestly it took me a while to see it as well and I realized oh fuck. oh fuck...I see it it’s bad. They really got the essence of Eleanor’s flamboyance matching with Malcom? (is it Malcolm..fuck it it’s Malcolm now) his “suaveness” and traditionally charming tendency. It made sense and it’s very realistic how Eleanor got played like a damn fiddle. I also again feel that the make up was faar to quick but I really appreciate that Eleanor got her own storyline with her step-mom and understanding of relationships instead of the show hyperfocusing on just Devi. I respect that a lot. Petition to get a Eleanor narration episode.

Fabiola’s storyline also was well taken. It’s an interesting added layer to the queer experience and how queerness can be expected to be performative and but really its all about being more of yourself. The idea that queer people don’t owe nobody anything or have to perform an ideal version of queerness and Fabiola struggling with that kinda hit. The part where they talked about her mother learning to support them and being Cricket? Queen/King. Like being trailblazers for the POC community and the LGBTQ+ community having overlapping struggles. Again, I liked that Fabiola was getting more personal screentime and less of her story revolving around Devi’s.

8. Everything else

I liked that there was more Tamil being casually thrown around. Like the Kamala vaadi to hold the suitcase down as they zipped it together was funny and relatable. The accents were really interesting because I promise you, I had no clue what they were saying sometimes. Nalini’s dialogues in Tamil were like immensely difficult to understand, and my Tamil is fluent. This isn’t a criticism... I’m fairly certain the difference is to do with the regional difference. American Tamil and Malaysian + rural Tamil slang are going to have huge accent differences so there’s no surprise that I found Nalini’s Tamil hard to understand.

I’m really really really meh about the Kamala and Manish/Mr Kulkarni thing. I still think she should sort it out with Prasanth maybe but I’m open to seeing where it goes. I might change my mind with it.

This show like any other show had its highs and lows. But I really really do feel that NHIE season 2 managed to truly figure out what the hell it wants to do and developed into a very strong and very entertaining show in terms of representation and diversity. I’m looking forward to season 3.

#nhie netflix #nhie season 2 #nhie s2 #nhie spoilers #nhie review #never have i ever #never have i ever season 2 #never have i ever spoilers #i have a lot of thoughts #bear with me here

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fitztragedy · 3 years

Text

Things I Want Changed in Fate S02

Better Costumes

Like, seriously, wth happened there? They were dressed awfully, and that's not news. The costumes were like straight out of a 90's teens movies, it was so obvious there was an adult trying do find out what teens used and maybe saw that 90s fashion was trending and thought that was the hype. Costume designer Catherine Adair has been a costume designer in 29 projects, none of them was a teen TV show (except her most recent project, after Fate, which is a disney kids mystery series) and 16 of wich were in the 90s. She has dressed TV shows before Fate but things like Desperate Housewives and The Man in the High Castle- Definitely not even close to the vibe Fate has. Hopefully she'll either do more research or they'll hire another costume designer since she's aparently working on this new Disney series. IMDb says we have a new Art Director in S02 (Justin Warburton-Brown, who apparently done The Witcher S02!!) so my hopes are very high!

New locations and sets!

I loved Alfea and the Winx Suite but I feel like we need more sets. That's not the fault of the art direction or set decoration (which were done by Karl Clifford -who isn't credited for anything but Fate- and Jil Turner who has a very good resume, having worked on Vikings and a lot of other fantasy movies and tv shows), I feel like they did a pretty good job with what they were given. Having the entire season be basically that got very repetitive and because of the number of views I'm hoping they have a bigger budged in S02 to be able to have different sets. I wanna see Magix! The cartoon did a wonderful job with the city near Alrea, it was super cool to see the futuristic town in a fairy show, which was a contrast to what me, as a kid, imagines what a magical town would look like. I don't think they'll to this for Fate but it'd be cool to see like magic being used in day to day lives. Also if Alfea is in the middle of nowhere where do the girls get like stuff? Where do they buy tampons if they need it? I MUST know!! Also it'd be pretty cool to see Solaria sometime. IMDb also told me we got a new set decorator in S02 and he's been the set decorator of Shadow and Bone (Kevin Downey) so I'M EXCITED.

More plot and Backstory for the characters

Let's skip Bloom and Sky because I think @lilshitwayne would do a better job talking about them and then focus on the others.

Aisha

WHERE IS AISHA'S PLOT??? They done my girl wrong, so wrong. Seriously, what is her backstory? What are her goals and dreams? What are her insecurities and challenges? What is her personal arc? What is her role in the series arc? I wish I could answer all these questions but I just can't. I saw @lilshitwayne and @rivusa dms about her yesterday and I want to give them the floor to talk about it so I'm not gonna say what they said, but I do want more from Aisha's character next season and I want her role to not be as suporting as she was in S01. I do think that the fact that she's a poc character had to do with her lack of development and I will HATE it if they make her also LGBTQ+ and continue with Netflix's trend of shoving all the minorities into one character. Hopefully because of the backlash they'll listen. Precious is a beautiful and great actress and she deservers better.

Musa

Musa had a pretty big part in S02 I'd say. She was basically the second most important character after Bloom, BUT she did not have a plot, let's be real. Her whole arch was basically "I hate my powers, they are useless and just make me suffer and I try to ignore them" and then she met Sam and was like "Oh he basically feels nothing so it's nice to spend time with him" and then she found out Sam was Terra's brother and wanted to keep their relationship a secret, then she told Terra and there was like too much drama for a non-dramatic revelation. Then she had to face her powers when Sam was dying but then he lived so she went back to being the same as she was but with a boring boyfriend now (I know people like Sam and that's okay because people have different tastes but I just don't see the appeal, okay? he's boring in my opinion). So like her whole development and plot was based around a guy. No internet struggle solved, no character development. Yes Musa is my favorite character but I still don't like her "plot".

Stella and Terra

idk what I'd say about them. I think one of the other girls in the fate fandom might have takes and stuff. Terra had the self-steem and body issues that basically went no where and Stella has mommy issues and issues in general that are probably gonna get more developed already so I'm not too worries about them.

I know people didn't like that they made Stella have a very different personality than the cartoons and (hot take) I kinda like it. Don't @ me. Stella was hella annoying in the cartoons and I like this very messed up Stella we got, yes she's a bitch but she's got layers and I can't wait to see them Explored.

Terra was not a cartoon character and I have no fucking idea why they didn't just put Flora. Flora in the cartoon had also a very different personality so maybe they thought she didn't fit, but then why not keep her and just change the personality like they did with Stella? Also if they had made Terra latina it wouldn't have changed anything in Terra's plot. Idk what happened behind the scenes but that's what we got. I do want Flora to appear and be this cute cinnamon roll but also badass (and latina) so *fingers crossed*

Riven

ah, Riven... He has so much potential and I can't wait to see his character development throughout the series. I can see a lot of troubles at home and internalized homophobia and fuck he's just so god damn Bi. Hopefully that little interaction with Dane about just liking whoever depending on the gender will make Riven be okay with his sexuality and I really like this plot okay?

Also, yes, as a Rivusa shipper I want that to happen and I've already done two huge post about Riven and Rivusa in Fate so if u wanna read more go and do it (here and here).

The rest idgaf about them (I do but i'm too lazy to type)

Future characters

I wanna see Brandon. They call even make Stella bi and change Brandon to like Brenda or something, I've done that in fics and I think that'd be interesting.

Flora, of course, as said above.

Helia if they bring Flora along. They should pair him with Terra, he's Flora's.

I don't wanna see Tecna and Timmy tbh, might be a controversial opinion but I didn't really care for them in the OG and with all the normal technology in Fate I don't really see a reason for them. Unless they change Tecna's powers like they did with Musa, but we don't need another white basic bitch character.

I think that's it!

If yall want to answer and discuss Fate feel free to reblog! I'd love to talk about how we could improve the show!

#fate #ftws #fate winx #fate the winx saga #winxsource

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lizacstuff · 3 years

Note

Your thoughts on the first episode of the new season? And can we talk about all those parallels? Also I'm loving the summer vibes!

I'm LIVING for the summer vibes! Doesn't everything feel like a breath of fresh air? I definitely feel like new life has been injected into the series. And that new location is so beautiful, I LOVE IT.

As for the episode, I thought it was masterfully done. You could tell Ayse was back and bringing the perfect mix of comedy, romance and drama. And the sparkle! The show sparkles again. The almost two and half hours flew buy, I was on the edge of my seat, and the performances from Hande and Kerem were amazing. Plus I just adore every moment between Serkan and his new nemesis (aka his secret daughter).

On the sober side, I don't care how jerky Serkan got while battling cancer, or how he may have pushed her away, nothing they've shown us so far even begins to justify Eda not telling him about Kiraz, and it certainly doesn't justify her continuing to lie when he's standing right in front of her making overtures (and her daughter is clearly longing for her father). Obviously, there are still many things we don't know and I'm sure there are many flashbacks to come, and Eda has been though so much, but still...I don't see how they will thread that needle and have Eda come out unscathed.

That being said, with this first episode they executed this story so well and it really does give new life to the series, so I won't dwell on the fact that Eda never would have done this. Never. We just have to move past it, accept that it's a soap opera plot device designed to give us an amazing second season packed with all sorts of amazing scenes and just enjoy every minute while it lasts.

(More under the cut)

I'll get to more on Edser later, as for everyone else... silliness abounds.

First... Erdem cheated on Leyla? WHAT!?!?! With whom? But I guess that was a clean way to explain Leyla leaving.

Engin and Piril, I love that Engin is staying home with their son, and that young actor is a cutie! As for Piril... GRRRRRR... she is still on my shitlist. Last time it was for betraying Eda (and Serkan) by enabling Selin's reign of terror, this time it's by betraying her friend and business partner Serkan! Good grief. If Piril just found out recently at the start of this project I could accept on her holding off because it's not her secret to run off and tell, but what I can't accept is her actively working against Serkan finding out. Even if in this episode she had gently said to Eda... "do you think maybe it's time you told him?" it would be a lot easier to swallow... but nope! She's acting like it would be the end of the world if Serkan found out. I sincerely hope that when everyone finds out and Engin finds out Piril knew, it causes problems between them. She deserves that.

She remains my second least favorite character. Who was my least favorite character this episode? Oh you know! Awful Ayfer is back! We got a reprieve from her in the last arc, but she's back to her annoying, controlling, Serkan-hating ways. Eda is a mother, an international award-winning landscape architect and business owner and she still has to lie to Ayfer because she's such a pain-in-the-ass? Watching her is going to be a trial.

Even though it feels like both Aydan and Ayfer were reset to zero character development, and Aydan has done worse (keeping the fact that Serkan was alive from Eda) I still find her a much easier character to take. Probably because Neslihan is a much better comedic actress, so she's a lot more entertaining. But... Aydan's been with Kemal for 5 years and hasn't told Serkan? WHY? I can't believe Kemal didn't give her an ultimatum years ago. I was loving, however, Serkan being in the way for both Aydan/Kemal and Engin/Piril. GOOD. Those people caused problems for him at one point or another or were in the way, it was nice to see him return the favor. I like Kemal and am still hoping they'll do a parallel "not knowing your father thing" and reveal he's Serkan's bio dad while Serkan is finding out he had a child he never knew about.

Melo and Seyfi were their awesome supportive, funny selves. It was great to see both of them, I'm so glad they stayed.

As for the new characters, love the kids. The new hotel manager is apparently ditzy and starstruck over Serkan, and I don't really understand how she's going to be integrated into the cast, but I love that she was used as a device to show us that Serkan has zero interest in any woman who is not Eda Yildiz. Eda's assistant seems like he'll be a fine side character. As for Burak, he seems harmless, obviously he has feeling for Eda that she does not reciprocate (fuck off Ayfer trying to push her on him) but hopefully they don't make him a psycho like Deniz. I did think he was a bit out of line to Serkan. Isn't that his cafe? And a customer has his glass spilled by a child in his care, and he insults him instead of apologizing? That is the worst customer service I've ever seen! He's a character that could wear on me quickly, we shall see. Kiraz can't help but be sassy because of genetics, but some of the adults in her life seem to be modeling rude behavior!

Now on to Eda and Serkan, I can't say enough about Hande and Kerem's acting in this episode. Phenomenal! They were both brilliant. Plus both are doing a great job working off of Maya (especially Kerem) those scenes were priceless. I don't often enjoy kids on shows, but so far I'm loving this dynamic.

As for Edser, while we don't know everything yet it feels like Serkan got to a point where he couldn't stand to see Eda in pain and putting her life on hold, he outright mentioned that she might not have graduated if they'd stayed together, and so that was part of the reason he reverted to his robot self and pushed her away. I'm going to guess she tried and tried and he was just unyielding. Saying he didn't want to get married or have kids in the harshest way possible. Perhaps even she went to tell him that she was pregnant and he went off on not wanting kids before she could even tell him. Time will tell.

At this juncture, my best guess is Eda's fear is rooted in rejection. It can't be that she thinks Serkan is a terrible person that doesn't deserve to know his child, or would be detrimental to Kiraz. However, she knows what it feels like to be rejected by Serkan, I'm sure she was beyond devastated, so I'm guessing now she's bent on protecting her daughter from feeling that same rejection. She fears if he found out, but wanted nothing to do with her, it would feel worse than him not knowing. She's not thinking clearly and perhaps it hasn't even occurred to her that the man she fell in love with is still under there and that man is fully capable of opening his heart wide to their child.

The fact that this child, a stranger to him, already has him wrapped around her little finger to the tune of being late to meetings while he waits for her to pick berries, speaks volumes.

The lies that Eda is telling Kiraz though... there is a fairy tale poetry to Eda saying her father is among the stars... but there was no way this would ever end well. Such a bad idea. Eda.... has made mistakes.

As for Eda and Serkan, their reunion was so bitter sweet. The way Serkan was sure he was hallucinating her and couldn't believe she was real, speaks to the fact that his thinking he saw her that morning was not an anomaly. It must happen all the time. She's never left his thoughts in 5 years. Especially since Engin makes it clear that women throw themselves at Serkan all the time, and he never bites. That's a lot of years celebrate, pining after a love he lost through his own actions. Though it's not that surprising that he didn't pursue other women, as he's never been a character who was motivated by sex. Which makes it hilarious that during his presentation that's where his mind was at, remembering their intimate times together. Serkan Bolat is an Edasexual.

Serkan seemed to want to brush past what happened between them, how they ended, but from Eda's pain, it's clear it was gut-wrenching and tragic and that's something he's going to need to recon with in the coming episodes. But how refreshing that they actually talked! That Eda actually expressed her pain to him! Wowza, that's a change from recent episodes when they didn't even have a proper conversation after he got his memory back.

The flashback scenes were a combination of pure brilliance and pain. Just rip out my heart why don't you. Serkan's angry reactions seem very believable for someone suffering what he was going through. I think it's typical to lash out at the person closest to you. And their fear and pain, their commitment to getting him better and seeing it through... those scenes were made all the more heartbreaking knowing that they didn't make it out the other side intact.

On a lighter note, I loved how even despite their intention and best efforts to remain closed off to one another, and away from one another, they couldn't. Physically, Serkan couldn't stay away, and every time Eda was in his presence you saw her resolve slip and her start to feel that old pull towards him. The fact that Eda thinks there's any way to keep this secret and get rid of him, she must just be in full panic mode and not thinking clearly. She's never going to shake him.

Thank goodness Serkan came back and actually issued a sincere apology for what he said at coffee. He definitely owed her one, but what was extraordinary is that it showed that the growth he went through when they were together didn't regress. He was able to apologize and explain that he was angry and hurt and that's why it happened. If you remember from the first time around, saying sorry was something he was just unable to do, so this felt big to me. He's not the same robot Bolat, she left an indelible mark on him.

As for him making her present her proposal, it's really not out-of-line for the professional relationship, however, we all know he did it just so he had an excuse to be around her. That man will take any excuse, plus he likes to get a rise out of her.

The dinner scene was breathtaking. How beautiful and achingly romantic was that setting? Wowza. And what a roller coaster of emotion those scenes were. It was great to watch them talk and laugh. Who didn't swoon when he deveined her shrimp and when she gave him fries? But we had to know it wouldn't last. Eda's speech had me breathless. Serkan had that coming, it hurt but it had to happen. What a relief to see them get things out in the open. Now I hope we get to see them really talk about what happened and why. Explain yourself Serkan!

As for the next episode, I was so hopeful that the Kiraz secret would be out after the final scene, but the first fragman makes it look like that's not going to happen, at least not at the start of the episode. My fear is that if Eda outright lies to him that just makes everything worse. The longer she keeps it from him, when they're back in each other's orbits and it's clear he's not running away, it makes her more and more at fault.

In any case, it looks like we're in for some fabulous scene so I look forward to the second episode!

#Sen Çal Kapımı #Sen Cal Kapimi #edser #sck discussion #edser discussion #sck episode discussion #sck 2x40 #edser meta #sckask #asklizac #anonymous

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love-takes-work · 3 years

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Steven Universe: End of an Era: Outline & Review

I wrote this review in October but never got around to posting it here

Steven Universe: End of an Era is far more than an art book–it’s also a collection of behind-the-scenes material, stories about the experience of working on the show, planning documents and associated background info, and both older versions of developed concepts AND concepts that never made it into the show. It's a huge fusion of all those elements, and it's definitely an experience!

Some low-quality images are included with my review just to give you an idea of what’s there--it’s not a good substitute for getting your own copy, but here’s a tour!

Like the previous concept art book, Art and Origins, I'll be giving you a description of the structure and overview, while also collecting notable information for fans. Obviously just about everything is "notable" once again, but I'll aim for unique insight or perspective on the main source material, keeping the screaming about everything new to a minimum so you can also enjoy something for yourself if you pick it up. My low-quality photos should prevent people from feeling like I'm reproducing the book in any capacity. Please grab one while you can and have your own experience!

[SU Book and Comic Reviews]

OVERVIEW

The book is titled "End of an Era" for a couple reasons--obviously because it is released after the show has wrapped, but also because Gem history recently ended its "Era 2" and began Era 3--an age of prosperity and peace. The author--the person in charge of adapting all of this information into this slick, readable package--is Chris McDonnell, whose work was previously applied on the Art and Origins book.

The foreword is by N.K. Jemisin, a well-known science fiction author who's a huge fan of the show (and wrote a really excellent series that also has a weird geological connection, by the way).

And the cover, like its predecessor, is shiny and decorated with a beach scene featuring minimalistic characters--this time it's the Gems at night in front of the Temple, and on the back cover is a big pink leg ship in a cross-legged pose.

The interior covers are decorated with tons of amazing sketches of Steven and Connie on the front, and a bunch of Gem sketches on the back. Every interior page that most would leave blank is highlighted with some kind of sketch art or character exercise--it's so much to look at, so much to absorb.

The book is dedicated "For Eddie."

Its organization is different from the previous book in that it shares applicable work in chunks associated with groups of episodes rather than pertaining to different aspects of building the show.

FOREWORD

N.K. Jemisin gives us such a great introduction to the book--apparently understanding very well that the audience of this book is full of animation enthusiasts and adult fans more than it is full of kids, and explaining that bewildering journey some adults had from blowing this show off as a silly kid thing to falling in love with it hard and fast.

The important thing, Jemisin says, is being able to trust a storyteller with your heart. And it was clear to her that Rebecca Sugar knew what she was talking about and was saying important things about identity and the radical power that comes with accepting it and demanding respect.

Important also is how we handle heroes and who gets to be one in fantasy. That's part of the reason Steven Universe speaks to so many--because we see ourselves here, and know stories can be about us. Acknowledging the power we all have to MAKE THINGS BETTER with what we fight for is so important--especially if we're going to speaking to the next generation about it.

Highlighting Rose Quartz as a "born leader" who failed and Steven as a relatable scamp who did what she couldn't, Jemisin asserts that we can save the world.

1. END OF AN ERA

We start with an appeal to the audience to think about identity and the formative parts of our childhood--and how different it is if who you are and who you become is restricted, mocked, erased, or Not Allowed. Most people, if not ALL people, can relate to this, but for those of us with a special relationship with Steven Universe because of queer identity, this hits hard.

But it doesn't have to be anything grand to be something we respect--this show's authenticity comes largely from how personal everything is, drawn from real-life experiences and incidental truths from each artist's perspective, leaning hard on childhood and formative experiences.

Rebecca Sugar offers some interview bits to discuss writing philosophy and why "writing female characters" was difficult for a nonbinary person who'd been socialized as a girl and a woman. Rebecca has spoken before about how frustrating it is that marketing for cartoons was SO gendered when she was growing up (and to some extent still is).

The Gems in the story are all "she/her," but on their planet they're defined by their work, not by emotion or relationships (unlike women in our society), so having them be socialized opposite to how she was and be able to claim those emotions through choice and NOT as just an expectation "as women" was revolutionary. Rebecca wants her show to tell all marginalized people that they don't deserve to be in the margins.

Weighing in on other aspects of the show were Ian Jones-Quartey, Joe Johnston, and Miki Brewster. Ian describes feeling like at first doing SU was a thrill ride that meant they'd finally get to do all the cool stuff, but it quickly became a responsibility that he took very seriously--the need to tell a good story now that he'd been given a megaphone.

Promotional art, planning documents, character sketches, and concept art from the lighthearted to the stone serious is included, along with some very cool (sort of famous) timeline charts that track major characters' developments. It's emphasized by Rebecca that the developmental materials ARE NOT CANON (and especially are not MORE canon) compared the final show.

There are concept sketches alongside final art for Aquamarine and Topaz in "Wanted" (with Topaz labeled "Imperial Topaz"), the Zircons in "The Trial," Blue and Yellow Diamond, and the Off Colors (including Pink Lars).

And there's also a spread of "the two sides of Steven's life: Gem Magic and Rock N Roll" featuring Sadie Killer and the Suspects (referred to as "Buck's band")--as well as a cool "Crew Cameos" key and some concepts for short-haired Connie.

And then there's some more "finished" art with stills alongside concepts, including some background art, revision, and really cool "fairytale" art from some of the shadowplay storytelling bits. We get "Lars of the Stars," "Jungle Moon," and "Can't Go Back."

2. THE BEGINNING OF THE END: A SINGLE PALE ROSE

In discussing the huge reveals and Gem mysteries in the show, the pacing is examined, and emphasis is put on the intended "slow burn." One of the most difficult things in the show was to strategize so that every piece that was needed to support another piece in the future was placed properly to seed what it was supposed to.

Some of the ideas they developed were more of a group effort and were fit together collaboratively (like Amethyst's being younger than the other Gems and Jasper being from Earth), while others were intended from the beginning based on Rebecca's vision (the fundamental idea of Pink Diamond's true identity, for instance, as well as Obsidian's design and sword and our Pearl not being Pink's first).

The writing process gets a great deep dive here, including fun tidbits like how the orb in the moon base was inserted by Joe Johnston and they literally had no idea what it was for when they wrote the episode. They repurposed it when they figured out what they needed.

Rebecca credits her detailed timelines for helping keep the order straight, and discusses how other artists are sometimes flabbergasted that a storyboard-driven show can have this much detail and continuity and yet not get wrecked by the free non-scripted boarding process. But Rebecca and the Crew valued that approach and loved the way fresh eyes would handle an idea, making it come back alive, entertaining, vivid.

Several Crew members weigh in on the writing process. Lauren Hecht refers to making lots of incorrect guesses despite being on the inside. Joe Johnston recalled getting briefed on his first day and getting so excited to start working on this massive project.

Miki Brewster remembered being told Rose Quartz is Pink Diamond and being shocked--and also confused about why Ruby and Sapphire would need to be married if they're already basically married. Drew Green talks about being brought in late and getting to watch unaired episodes and a rough of the movie while eating cereal.

Ian Jones-Quartey complains about Pink Diamond's real jester-like form being leaked to the internet through a Hot Topic shirt. Rebecca piggybacks on that and says it was upsetting that the wedding was leaked because of toy fair keychains featuring Ruby and Sapphire in wedding attire. They'd always be worried about leaks, and sometimes Rebecca struggled not to talk about the reality of Pink Diamond before the reveal because she knew it would make so much more sense once the truth was out. And everything associated with Rose makes more sense once you know she's Pink--especially what happened with Bismuth, considering what we know about how Pink Diamond has a habit of treating anyone who no longer serves her interests.

When it comes to visual cues, Rebecca also talks about intentional designs to create a feeling of unity between concepts, like the flower shapes on Pink Diamond's palanquin lining up with the poofs of Steven's hair and the star imagery of the series. Steven Sugar and Mary Nash discuss how the Human Zoo incorporated this imagery, trying to look like Homeworld with a Pink Diamond touch.

Steven Sugar, as a game nerd, liked to throw in video game references from old and modern stuff to feel like he's inserting what he's enjoying and who he is from moment to moment, while Mary Nash, who related to Sadie as a basement-dwelling young person with cult interests, liked to include stuff from MST3K and cult movies. Pearl's hand gestures get a spotlight too--her reflex to cover her mouth when Pink Diamond was being discussed was analyzed here.

A "Top Secret Visual Timeline" from 2016 is included which tells us some Diamond history. It has an earlier version of Pink Pearl's fate and does not include Spinel since the movie hadn't been greenlit. The timeline includes the birth of the Diamonds, the emergence and major story beats for each major character, and some philosophy of the driving force behind each.

We're told that Pink Diamond straightened up, behavior-wise, after she lost her first Pearl, and that Yellow and Blue wanted to give her a planet but White only agreed to it to prove she would fail at managing a colony. Pearl, meanwhile, is so confused to have a Diamond who keeps asking her what she thinks when she doesn't believe she should have opinions.

And when Pink moonlighted as Rose to start conflict, she found herself leading an army to fight Pink's troops--then Yellow's, and eventually Blue's too. Lapis is said to be waiting for the conflict to end on Earth so she can terraform, but she gets trapped instead.

Pearl's love story with Rose is described as "an endless honeymoon" where she's free to love her, while Rose's is more like "I'm now the head of the family and I'm going to give everyone what they never had, so everyone is super special!"

Jasper is described as "adopted" into Yellow's army as the only successful Beta Quartz. And White Diamond knew that Pink Diamond was not dead--she thought she was just running away from home like a brat and would eventually be back.

3. THE HEART OF THE CRYSTAL GEMS

Now we discuss Rose Quartz--the original Pink Diamond. How she was selfish and selfless, never enough and always too much, and how Greg was her first partner who "challenged her" to be an equal. Rebecca describes Rose as being delighted by the idea that both she and Greg reinvented themselves, but when that leads her to want to share her past, Greg isn't interested--he only wants to know who she is now, and doesn't consider the old her to be her.

Rebecca likes Carl Jung's concept of "enantiodromia," which is the idea that extremes lead to their extreme opposite. This is demonstrated in all of the Diamonds. This narrative is interspersed with drawings of Greg and Rose being cute.

But another "heart" of the Crystal Gems is its relationships--particularly, Garnet, the fairy tale romance embodied. More psychological theories are discussed with regard to differentiation in a relationship making the relationship stronger, and how they made sure that happened for Garnet during the appropriate arc. Rebecca has struggled with the idea that she, like Ruby, went straight from a "family" group to a living-with-others situation and never lived by herself. But she also learned that you can in fact develop as a person in the context of a relationship--you don't have to be alone to do it. Ruby learned that too, and chose on her own terms to be with Sapphire.

The wedding made so much sense to Rebecca and the crew that they couldn't imagine a wholesome couple like Ruby and Sapphire not having a wedding episode. They wanted it for years: The wedding concepts always included the tuxedo for Sapphire and the wedding dress for Ruby.

But pushback (often blamed on the conservative standards of the international market) led to negotiations trying to keep Ruby and Sapphire's relationship from being explicit. Rebecca and the Crew were very tired of this double standard, and they were especially irritated by attempts to claim a wedding wouldn't be well received by a core demographic or wouldn't make sense for Steven's character. But other shows had done weddings and Steven had been established to love weddings already.

Rebecca kept adding more elements to the wedding episode to answer all the concerns, but she didn't want to back down from explicit marriage between these characters. They deserved it. And the audience deserved to see this as wholesome, like any other cartoon wedding. Eventually they got their way and were allowed to have the wedding. But the ordered episodes were also coming to a close without promise of more, so Rebecca had to request more episodes to be able to wrap up the storyline!

And of course, there is Steven, the true heart of the team. A very interesting aside discusses Garnet's leadership and how the network pushed the Crewniverse to acknowledge Steven as the leader. This was successfully resisted throughout as well--because Garnet is the leader (unless she's incapacitated, of course). It's fantastic that this concept was preserved because too often a young male chosen one is elevated above people with more experience and knowledge because of that chosen one tradition, so it's really nice to have a show acknowledge that team leadership is more appropriate for an adult.

4. ERA 3

Beginning with a discussion of the Diamonds, this chapter deconstructs the dysfunctional "family" of the Diamonds (who are said to be based on tropes about evil stepmothers and stepsisters), with the thread of dysfunction originating with White Diamond.

Yellow is physical, Blue is emotional, White is judgmental, and Pink is impulsive. Some philosophy on why Pink is naturally manipulative and why she clashes so much with White is offered.

White believes her identity is to be imposed on all because she is the pinnacle of what should be--and therefore, she has the right to make decisions and statements about and on behalf of everyone. But her secret is that she can't do what the others do--act or feel or want. In trying to be everyone, she is no one.

And this becomes very important when she confronts Steven about his identity and turns out to be wrong. The triumph of Steven being totally, fully himself is a beautiful, simple revelation that's described as far more satisfying than the theories about Pink living inside him or Rose returning from his Gem.

Also discussed is Gem architecture. A lot went into this idea, and Steven Sugar weighs in to say he had to think of what it would mean for a world to have buildings but serve no human needs. That's why it's mostly focused on transport and storage. Even the broken planet is meant to indicate a place stripped for its resources, and everything serves a function that is meant to avoid looking like the human equivalents.

And there's another layer, too: a difference between Era 1 and Era 2. Era 2 became more functional to hide Era 1's broken bits, and older Homeworld buildings still have some "ornate and ancient" feel to them. And the fact that props, tools, and even walls and doors could be living was taken from a concept Rebecca thought was horrible from old Busby Berkeley movies, where people were inanimate objects and it was portrayed as lovely. Tom Herpich helped conceptualize these living objects.

Steven dealing with "princess tropes" is discussed here too. The Pebbles (worked on with Pendleton Ward) were sort of his Cinderella's mice, and all the locked-in-a-tower, having supportive tiny friends help you, getting princess clothes made, attending a ball, having to mind your manners stuff was intentionally related to fairy tales.

The point of doing that (besides fun) was to easily invoke the feeling that Steven was being made to be someone he's not, and that he was being treated like THIS is who he really is when it isn't. White Diamond as the "evil stepmother" is discussed with regard to her detailed features and massive scale. They generally didn't put fingernails and eyelashes on characters (especially not to indicate that they were women or girls!), but they decided White would get all of these feminine markers for tradition's sake.

Rebecca also invokes several other references that were included and describes the princess tropes as "chipping away at his integrity" setting him up for the final challenge with White.

There is again tons of concept art: Homeworld architecture, Pebbles, Diamond diagrams, background Jades and Lemon Jade Fusion, Comby, Diamond extraction chambers, and White Diamond.

5. CHANGE YOUR MIND

Now we finally begin to discuss Steven's identity. The "Perfect Steven," discussed in several interviews before this book's release, was an idea back in 2013; the "ultimate Steven," beefed up and shonen-looking, was far from perfect because OUR Steven is perfect, while this alpha hero Steven idea (used in Steven Universe Future) didn't belong being idolized in such a show.

They thought about having Steven fall apart into organic half and Gem half early in the show (during "Giant Woman" after a successful fusion and unfusion, even!), but they didn't try the concept until the last episode. They didn't want the "Pink" Steven to be portrayed as "better" even though he would be more powerful, so they decided he isn't whole without his organic self and he's just as much of a shell as the organic half. They absolutely did not want any ending that required Rose to be inside him or waiting to come back. But the debates were fierce--what DOES it mean to have Rose's Gem?

Ian Jones-Quartey brings in an anecdote about his own family to emphasize some of the immigrant themes that inspired aspects of the show. He had a brother who reinvented himself elsewhere away from family without resolving issues, and all the ramifications of that were explored in the show through Rose Quartz. (He is careful to say he doesn't think his immigrant experience is like being from another planet!) But he did say you can hurt your old family even if they were toxic or didn't know the real you, and you can hurt your new family by hiding your past. The Pizza family of course was also a more direct reference to Ian's Ghanaian family.

In talking about the new Fusions from this episode, Sunstone is largely described by Miki, who also got to board the Sunstone section. Sunstone was described as a cool 1990s character and the evolution just continued into making them a fourth-wall-breaking PSA dispenser. Obsidian is also discussed, with their sword being an early concept. Steven Sugar said they totally knew it would be forged in action. Obsidian being similar to the Temple design is of course another very early detail.

The story of how James Baxter got involved with one of the final scenes (Organic Steven and Pink Steven fusing in front of White Diamond) was shared. His family was fans of the show and Rebecca Sugar took the time to drive to a birthday party for his daughter and give her a drawing. He then owed her a favor, and this was it.

Concept art is again included, this time with sample boards, promo images, a Diamond fight concept, costume design changes for the Gems, new Fusions, the so-called "Mega Diamond" ship conglomerate, some scenes from the White Diamond confrontation, Pink Steven, multiple pages of James Baxter animation, corrupted Gems and their healed selves, and photos from the "Change Your Mind" premiere and some awards. The show has won one design-related Emmy, a Peabody Award, and a GLAAD award.

6. STEVEN UNIVERSE FUTURE

The book doesn't cover the movie because it got its own book, but dives right into Future. Ian Jones-Quartey emphasizes that the movie and Future are separate and different from the original show, which ENDED. After all, after that, Steven has a neck!

Some new names are invoked now: new writers Kate Tsang, Jack Pendarvis, and Taneka Stotts. They were excited to have Steven make HIS OWN mistakes instead of trying to clean up someone else's! Now, instead of doing the usual shonen anime thing and having the final battle be a big physical rumble, Steven has to make peace with himself and take an active role in coping with what all the fighting has done to him and what effect it's had on who he is (and who he wants to be). There is no sudden "I love myself!" answer, either. It's always a process.

Drew Green and Maya Petersen, who came on board as storyboarders officially in Future, also weighed in on writing for a "mature" show, how to deal with Steven being a "moral compass" while being sort of unreliable, and what they learned as Crew that they didn't know as fans. Drew didn't know Garnet never asks questions. Jack didn't realize the show never deviated from Steven's point of view. Taneka was nervous but excited to collaborate. Kate was worried about how established the show was and what to do as a new writer to contribute appropriately.

Maya was on the old Crew but not as a storyboarder, so felt like some of the "old" ideas ended up not being appropriate for the "new" Future in an embarrassing way--and dreaded the idea of dealing with Steven's emotional problems when they were similar to stuff she'd been through. She also was personally behind the idea of Steven wanting to dump his problems by becoming Stevonnie, and got to work with Etienne Guignard on inventing the Pearl creation backstory with Volleyball.

There's some discussion of "depression hobbies," stress, and the show's pacing. And they say Etienne was entertaining at pitches. There's even some discussion of how Greg is taken off a bit of a pedestal because his terrible restrictive life in the suburbs sounded wholesome to Steven and Greg presented it negatively.

And then there is some information about how the Crew felt behind the scenes due to fan reactions and negative press. Ian discusses feeling offended when the Black characters are described as bad examples, as if their cartoonized but realistic-in-context features are automatically caricatures.

Rebecca Sugar felt beaten down by some of these narratives and began to access mental health services, inspiring some of the content of "Mindful Education." A long reflection from Rebecca discusses people's infighting about her show and what she had a responsibility to show or not show in the story. She learned a lot about bullying from Cartoon Network's anti-bullying program and learned that bullies thrive on whatever attention you give them--unless it is made clear to them by a peer group that no one is impressed by their cruel actions. Also, not all negative feedback is bullying. Constructive criticism is different. Self-awareness can help you avoid internalizing what bullies might do or say to you.

Segueing from the discussion of how people are affected by and connect with the show, we then discuss how they chose as a team what should be covered as the show came to a close. They didn't have time to do quite a few stories they wanted time for, like a Rhodonite story, a Lars side story, and Diamond "prehistory" and religion; all of it was put aside for the main arc with Steven.

They thought people would find those stories about Homeworld and Off Color history very interesting, but so much of the show had been about Steven's Gem adventures, so keeping him mostly on Earth seemed appropriate. The acknowledgment of his battle damage, of his trauma, was necessary and real, and helpful in an important way to the core audience.

Oh, and there was some stuff about a cheeseburger tree. Don't ask.

In discussing the "reverse escapism" of the original show (Gem aliens are intrigued by everyday human culture, and realism is necessary), Rebecca says her views have changed on escapism and gets why some people want a soothing feel-better show. She acknowledged also that her own escapist dreams-come-true fulfilled in the show didn't feel like escapism because they were givens to the majority of mainstream culture, but were never guaranteed to marginalized people.

Rebecca ties in her several-times-told story about "Love Like You" and how the middle bit was when she didn't feel she was worth looking up to, and the realizations she had to tie the beginning to the end. Feeling like someone will like you less if they know you more is terrible. So sometimes a show like this can be helpful in telling people that they belong when their fantasies are things like "I want to be loved" and "I want to know I exist."

In Future, Steven has to connect to who he is and love that person--and understand that person enough to finally feel that even if he's not fixing their problems or saving their world right this second, Steven deserves his family's love and support, and they WANT to give it to him.

There's a huge amount of supplemental material in this section so there's no way I could name it all. The charts for Future's timeline are pretty straightforward, though a few episodes like "A Very Special Episode," "Why So Blue," "In Dreams," and "Bismuth Casual" aren't specifically represented and a couple are in a different order ("Prickly Pair" was conceived as happening after "Fragments" and "Homeworld Bound").

Steven feeling like a monster, having intrusive thoughts, having not forgiven the Diamonds, and getting help/moving on--it's all there.

We have keys, color scripts, and boards for the new opening and some various backgrounds and storyboard art from episodes. Model sheets for Shep, Nice Lapis and Mean Lapis, Jasper, Steven Tag Gems, Pink Steven Powers, Monster Steven. New house concepts, Era 3 Homeworld concept art for the Diamond environments, and background art for the Reef.

New Connie and Greg designs. Concepts for Mega Pearl, the Rose Quartzes, Bluebird, and Morganite (who didn't get used). And there are some photos from recording and the conference room. There are even some extras from "Crossover Nexus," the crossover with OK K.O.!--including an unused cut scene that included Ruby and Sapphire fighting. The rest of the book is a bunch of adorable Crewniverse art--extras, blog drawings, promos, and gifts to each other.

NOTABLE

The first timeline chart in the book features a cool sketch of the original Off Colors, which at the time this planning document was drafted included unused Off Colors Flint and Chert.

We knew of their existence already because of an episode of the podcast, but these two unexpectedly appeared as incidental characters in the Steven Universe Future episode "Homeworld Bound," identified only in the credits. Sad to think that instead of banding with the Off Colors, these two were probably shattered for their crime (being Quartzes who don't want to fight) and that's why we see them being repaired in this episode. Later, there's some brainstorming for types of Off Colors and "a Ruby that wants to wear limb enhancers" is mentioned as well.

It looks like there was also originally more juice to the story of tracking down the events of the war culminating in Pink Diamond's assassination.

One of the timelines talks about Steven thinking it makes sense that Pearl can't talk about her involvement because she might have been a double agent, explaining why Rose Quartz always knew what Pink Diamond was doing. It seems like that bit was supposed to be included in Garnet's version of the story she believed in "Your Mother and Mine." Seems like they originally conceived Garnet's story to inspire the Off Colors to become pirates and freedom fighters, though in the show's canon this storytelling happened after Lars had already reinvented himself the way he did.

Sadie was also supposed to be sending letters to Lars via Steven, which is funny since the "Letters to Lars" episode is just a montage Steven letter. And of course it's specified that Steven was supposed to get Pink Diamond flashbacks by going to the Palace on Homeworld.

The second chart in the book makes references to Sadie's reinvention of herself as a parallel to Lars, Greg, and Pink Diamond all doing the same thing, and how positive it is to embrace such a thing--a version of yourself that YOU create.

I love that Yellow Diamond's arm ship arm-wrestling the Cluster was always part of the plan.

There's some more explicit direction to have Connie help Steven understand the Diamonds as "strict parents," and a lot more emphasis on everyone realizing Rose had been inspired by THEM rather than them all following her.

White Diamond is presented here as if she thinks of Pink Diamond as a "daughter" (whom she now understands she has "lost"). There are notes on how the Diamonds have a responsibility to their children and should attend to it before just continuing to make more.

One of the concept art images for the Off Colors features Rhodonite crouching by Padparadscha saying "Don't worry, I won't let them hurt you." It's very interesting because she DOES seem to protect Padparadscha in the show, but doesn't seem confident about it in her final version, even though it does seem like she'd be "programmed" to guard aristocratic Gems because of her Ruby and Pearl makeup. Cool.

A "Crew Cameos" spread was included, which is of great interest to some of us who loved seeing the Crew insert themselves into the show. Not every SU Crew person who's been represented in a crowd was there, but this crowd included Amish Kumar, Kat Morris, Amanda Winterstein, Angie Wang, Lamar Abrams, Emily Walus, Mary Nash, Joe Johnston, Christy Cohen, Danny Cragg, Hilary Florido, Danny Hynes, Matt Burnett, Ben Levin, Elle Michalka.

The official national flower of South Korea, Hibiscus syriacus, is the name of Pink Diamond's flower.

One of Steven Sugar's comments about the silhouette difference between humans and Gems points out that humans have ears. This seems to be pretty good confirmation that they are not supposed to have ears, despite that sometimes we'll see ears drawn on them in some frames.

Rose Quartz/Pink Diamond is characterized in this book as "self-hating" in a really interesting way, saying that because she believed she was not capable of compassion, she practically worshiped those who demonstrated that ability and thought they were so much better than her--which is described as "intoxicating" and resulted in others being drawn to her. How interesting is that!

Timelines reveal that early plans for Pink Diamond's first Pearl originally had her getting destroyed by Pink during a game, and then her destruction was rewritten as a punishment from the Diamonds after Pink Pearl defended Pink Diamond to the other Diamonds. They went back to the idea of her getting hurt by Pink for the final version, though the cracked face and control by White Diamond was not on the agenda until they started writing "Change Your Mind."

10.

The approximate ages of the major characters, based on emergence, are revealed on these timelines. It begins with a cracked-planet-looking graphic depicting four tiny Diamonds emerging at 20,000 years ago. Some suspicious "blacked out" redacting surrounds a long timeline tail that goes back before that, which may mean there are secrets they still don't want to reveal. But the dates go like this:

20,000 years ago: The Diamonds emerge.

11,000 years ago: Pearl is custom-made for Pink Diamond.

8,000 years ago: Sapphire emerges (on Homeworld).

6,000 years ago: Ruby emerges (on a colony).

5,750 years ago: Garnet is formed.

5,600 years ago: Lapis is poofed and put in the mirror.

5,200 years ago: Jasper emerges (on Earth).

5,050 years ago: The Cluster is planted.

5,000 years ago: Amethyst emerges (on Earth).

4,500 years ago: The Crystal Gems found Amethyst.

3,000 years ago: Peridot emerges (on Homeworld).

40 years ago: Pearl found Lapis's mirror at the Galaxy Warp.

And of course we know 14 years ago Steven is born!

11.

Originally the Diamonds were based on a quartet of themes: Love, Fear, Pride, and Sorrow. It got too complicated to keep and it was abandoned, with Pink's identification of "love" being described as "particularly outdated."

12.

Notes on a sketch say that Pearl was inspired to become bold and unashamed because Pink's questions drove her to have opinions, and it's said that Rose "fell in love" with her boldness.

13.

Rebecca tells the story of driving off a ridge and getting stuck in the desert, comparing this to Ruby's tumble during her Wild West adventure and using it as inspiration. She's told this story before but here it is in print. She also included the story about using the flowers from a friend's wedding to put in Ruby's hair.

14.

Rebecca describes having to "fight" notes she was given when it had to do with Ruby and Sapphire's relationship. One she describes as NOT fighting was for a signing card depicting Ruby and Sapphire dancing. It was called "too romantic" and she decided not to worry about it since it wasn't the actual show content.

She was also scolded over her book The Answer because the powers that be expected her to downplay that relationship. She always argued that queer youth deserved these things.

15.

Tom Herpich describes being inspired to name Blue Diamond's comb "Comby" because he was watching the news about Comey getting fired from the FBI. It's also a mineral-related term and I always assumed that reference was intentional, but maybe it's not and this is the only intended significance to Comby's name?

16.

Rainbow Quartz 2.0's design is not discussed, though the other two new Fusions from "Change Your Mind" (Sunstone and Obsidian) were. RQ2 has some sketches included, but no accompanying narrative in the text.

17.

A sheet of corrupted Gems and their healed selves is offered, though it doesn't appear to be final. The obelisk in "Serious Steven" is labeled Albite. The unnamed Worm Monster, Desert Glass, and Watermelon Tourmaline are included. An unnamed birdlike Gem represents the Big Bird monster from "Giant Woman." The crab monster from "Arcade Mania" is labeled Blue Chalcedony. The Tongue Monster is drawn uncorrupted but not named. The Flower Monster from "Back to the Kindergarten" is labeled Grossular Diopside or Titanite. The invisible monster from "Island Adventure" is labeled Moonstone. The Lighthouse Gem is labeled White Topaz. A form for Larimar that was used in "Change Your Mind" but changed in Future is there. The Slinker is listed as Chrysocolla. And the Crab Monster is listed as Aventurine.

On the next page, this is changed to Bixbite (as it was in Steven Universe Future), and we then also have Lace Amethyst, Blue Lace Agate, Crazy Lace Agate (Fusion), Ocean Jasper, the Mother Centipeetle Nephrite (Facet 413 Cabochon 12) and three other Nephrites, Angel Aura Quartz, a hooded Jasper, Zebra Jasper, Biggs Jasper, Watermelon Tourmaline (labeled as Fusion of Gem * Onion--huh?), Snowflake Obsidian, "Little" Larimar, and Orange Spodumene (who was the Worm).

18.

The Rhodonite side story would have been about the love story of a Ruby and a Pearl working for Morganite. Images of Morganite and her servants, unfused, are in the book. We do not get this additional information, but Rebecca said in a panel shortly before the book's release that Rhodonite's story would have been about finding out that she had been Rejuvenated 17 times because her components kept falling in love and needing to be reset.

19.

Referring to the Diamonds on one of the charts, Steven's perspective is "I can't believe I helped these" and then there's a censor bar. Welp.

20.

Some included art by Hilary Florido features Kevin with a souped-up Koala Princess car and another where Kevin is staring at himself in the mirror in front of an altar to himself.

21.

Rebecca's sweater collection is included in the Crew art.

[SU Book and Comic Reviews]

#steven universe #steven universe end of an era #su spoilers #long post #su merch #myblog

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p-artsypants · 3 years

Text

The Ghost of Smokey Joe (2)

Autumn Serenade

Adrien Agreste was acting bizarre. Stilted body language, plastic smile, and he seemed to have forgotten how close they were. Before she can get the truth out of him, Marinette finds herself as the sole heir to the Gabriel brand and the mansion, following the murder-suicide of both Adrien and Gabriel Agreste. The mystery continues as Tikki explains that Adrien was Chat Noir...but if Adrien is six feet under, why is Chat Noir still running around?

Ao3 | FF.net

Many hours later, the door clicked closed, and Marinette sat up straight in attention. “Adrien?”

“No girl, just me,” said Alya. “Did you sleep at the table all night?”

Sunlight poured in the window.

“I guess I did.” Marinette rubbed at her eye, smearing her mascara. “What time is it?”

“Morning time. Almost 8. I’m surprised Sunshine isn’t still here. I have expected to catch you both cuddling on the couch together. Did you just…fall asleep at the table?”

Marinette didn’t answer, her eyes welling up with tears.

“Marinette?”

“He bailed on me. Ghosted me. Not even a text.”

“He what!?” She shrieked. “Why that dumb little—“ Alya whipped out her phone, and called someone, putting them on speaker.

“He didn’t answer me, Alya, don’t even try.”

Instead, Nino’s voice spoke over the line. “What did you forget?”

“I didn’t forget anything! It was that Best Man of yours!”

“Adrien? What did stuffed-with-fluff forget?”

“He forgot Marinette!”

“Marinette? He ghosted her!?”

“Yes! He never showed! And he’s not answering any calls, so you better get a good excuse from him! He better be dead or in the hospital, or I’ll put him there!”

“Alya…” Marinette said weakly. “I’m sure he has a good excuse…”

“I’ll call him,” Nino promised. “I’ll figure this all out. He’s a good boy, I know he wouldn’t just…not call.”

“I want to believe that too,” Alya said with pain in her voice.

Then, Marinette’s phone rang, and she hurriedly answered it, not looking at the number. “Hello?”

“Hello Miss Dupain-Cheng,” said Nathalie.

“Oh, good morning.”

“I’m calling to inform you that next week, you’ll be working from the office all week. Mr. Agreste is…feeling unwell.”

“Oh, okay. Thank you for letting me know. By chance, is Adrien there?”

“No.” And without anything else, Nathalie hung up.

“Rude,” Marinette muttered to herself. “Something smells fishy.”

Nino called back a minute later. “I can’t get a hold of Adrien either. He’s not answering his phone.”

Alya frowned, arms crossed. “Fishy indeed.”

“Well, he can’t avoid me forever. I am Gabriel’s intern, so I’ll corner him sometime.” Then a horrible realization came over Marinette. “Oh god, he didn’t actually ask me out!”

“What? Did you daydream this whole thing?!”

“No! He asked me if I wanted to have dinner, and he said he had something important he wanted to tell me! But he never clarified that it was a date! I kissed his cheek! What if he panicked!? Alya, this is my fault!”

Nino laughed from the other end of the line. “Dude, this is so not your fault. It sounded like a date to me. He still owes you an explanation. Regardless of what type. Don’t blame yourself.”

“Nino’s got it right, Marinette. You didn’t do anything wrong. When he stops being such a butthead, he’ll come groveling. I promise.”

“Yeah, well, we can only hope.”

Through the trees

Comes Autumn with her serenade

Melodies

The sweetest music ever played

Autumn kisses we knew

Are beautiful souvenirs

A whole week of silence was torture. Marinette continued to go to work, and put on her big girl pants and acted like everything was fine. Gabriel only communicated to her through emails, and she was unanimously thrust into the leadership role in his absence.

It was frustrating, annoying, and stressful, since she was not prepared to become CEO overnight. By the end of the week, she had run herself ragged. Fueled by coffee and fear of failure, she wrapped up her last project for the evening, and went back to the apartment.

There, blessedly, Alya and Nino greeted her with hugs and leftovers.

“Rough day?”

“Rough week! Mr. Agreste has been basically AWOL, and I’m the one filling in! He doesn’t answer my phone calls or texts, and answers my emails an hour after the fact. I’m exhausted!”

“And Nathalie didn’t say anything to you?”

“Nope, she’s sealed up tight. Apparently, Gabriel is sick. But I can’t get any news about Adrien. Honestly, I’m about one mental breakdown away from breaking down the gates and demanding answers.”

Alya chuckled. “No need to be so drastic, Marinette. Maybe both of them got the flu, and Nathalie is forbidding them from doing anything but resting. You know how strict she is.”

Marinette kicked off her shoes and leaned her head back on the couch. “I know, I know, and you’re probably right. It might be best if I come up with a plan in case this ever happens again. Specifically Gabriel getting sick, not Adrien being a coward.”

“It’s weird though,” Said Nino. “Adrien’s always been overly considerate. Even after all this time, he still asks too many questions about social faux pas. For him to just ghost you, for a whole week even; it’s concerning.”

Marinette had tried not to think like that. Adrien being awkward and scared was so much easier to stomach than something tragic befalling him.

And yet, if it had, wouldn’t she know by now?

She took out her phone, and called Nathalie, much to the curious gazes of Nino and Alya.

“Hello Marinette.” The woman greeted, as stoic as ever. “I was under the impression that you were done for the night.”

“I am. I just...haven’t heard from Adrien all week.”

“With Gabriel ill, Adrien has been busy, much like you. It wouldn’t surprise me that social calls would fall to the wayside.”

“I was just...worried. Is he there?”

“Yes. He’s fine.”

“Can I talk to him?”

“He’s asleep. He’s had a hard week. You’ll see him Monday, as Mr. Agreste wants you working at the manor.”

“Oh, okay then. I guess...thank you, Nathalie.”

“You're welcome.” The call ended.

“So he’s not dead in a ditch.” Marinette announced. “Nathalie said he’s asleep. And I’ll see him Monday.”

Nino frowned, though he didn’t say anything.

It was just...odd.

As I pause to recall

The leaves seem to fall like tears

Silver stars

Were clinging to an Autumn sky

Monday morning, Marinette went over to the mansion. She rang the bell, and the gates opened. She crossed the quiet drive, the gates shutting behind her, and approached the door.

There was usually someone there to open it to greet her, whether it was Nathalie or the Gorilla. Not this time.

Marinette took hold of the handle and opened it herself, for the first time ever. She didn’t think they would mind, if the gate opened.

“Hello?” She called. “Nathalie?”

The lights in the foyer were off. And despite the large windows beside her, dark shadows hung in the corners like cobwebs.

The house felt empty. Cold, and dark. The manor had always been cold, of course. It was picture perfect, sterile and modern minimal. But today it felt worse. Noticeably worse.

If this is what it felt like at night when she went home, it was no wonder Adrien hated it here.

The doors to Gabriel’s office were closed, and she approached, knocking gently.

“Come in.” Said Nathalie’s voice.

She was at her desk, but Gabriel was nowhere to be seen. “Good morning,” she greeted.

“G-good morning.” Marinette nodded. “I’m just letting you know I’m here. You usually greet me at the door so...”

“You’ve been here long enough, I didn’t think such formalities were necessary.”

“They aren’t! It’s fine, totally fine. Just...unexpected is all. Is Gabriel still ill?”

“A bit. He may come down, but he may not. I will field all questions.”

“Okay,” she nodded. She prepared to leave, but asked. “Is Adrien home?”

“He’s working in his room. He’s very busy.”

Marinette just nodded, and went to her own office down the hall.

It was a smaller room, used to belong to Emilie. Gabriel was very specific about how things were kept. The desk was Marinette’s, but everything else was Emilie’s. The bureau in the corner, the little settee, the curtains, it was all her design. Emilie had good taste, thankfully, and so the room was fine the way it was.

Even with the light off, this room didn’t have that oppressive weight in it.

She could relax, however slightly, and get to work.

It was hard to concentrate on work when all she wanted to do was storm upstairs and demand answers from Adrien. At this point, she definitely felt like she deserved them. Date or not, she deserved a little closure as to what had happened, and why he had never followed up.

In all likeliness, it would probably just be, “my phone died, and then I forgot to text you back.”

But Nino’s comment about Adrien’s extreme consciousness really nagged at her.

Before she knew it, it was time for her lunch break, and she took her sack lunch with her to Gabriel’s office.

He still hadn’t come down, but Nathalie was there.

“Nathalie? I’m taking my lunch now. Do you think I could visit Adrien?”

The woman stopped her work and screwed up her lips, an expression Marinette had never seen on her before. She seemed to be thinking much too hard.

“I will go see if he is able to handle company.”

“Tell him I don’t want to bother him, and we don’t have to talk. I just want company.”

Nathalie nodded, and stepped out of the room. Marinette followed across the foyer, before Nathalie harshly told her, “wait here.”

She ascended the stairs to Adrien’s room.

Love was ours

Until October wandered by

Let the years come and go

I'll still feel the glow

That time cannot fade

When I hear

That lovely Autumn serenade

Marinette never had to wait. Since working in the same house, they had developed a pretty open door policy. He was allowed in her office anytime, and likewise, she was allowed in his room, though she usually knocked first. Young men and all.

But this was the first time anything like this happened. Was Nathalie just paranoid about her getting sick too? Or her getting Adrien sick?

Was Adrien still ignoring her, and let Nathalie in on it?

What had she done to warrant this reaction?

Finally, Nathalie came out of the room.

“Adrien can see you for a little bit. But he’s busy, so try not to distract him.” Her tone was stern, in a way that made Marinette instinctively curl into herself. A sternness like she was in trouble.

Seriously, what did she do?!

She climbed the stairs, and approached the door, knocking slightly. “Adrien?”

“Please come in,” his voice called back.

When she entered, she noticed the lights were out. He sat in his computer chair, facing her completely, sitting rigidly, and smiling.

It was the fakest smile she’d ever seen.

She sighed. “Relax. I’m not mad.”

He blinked. “You…aren’t?”

“I mean, I’m a little confused. Why didn’t you show?”

He frowned. “I’m sorry, I think I’m the one that’s confused. What are you talking about?”

She scoffed. “Last week? We were going to have dinner? You never showed or called?”

“Oh. I…forgot.”

“It was your idea!”

“I…was sick. And I fell asleep. Yes. What day?”

“Friday night.”

His eyes widened. “Oh yes. That is exactly what happened.”

She sighed as she sank into his couch, and opened her lunch. “I understand. I really do, but next time, could you return my calls? I spent a whole week in silence from you.”

“Nathalie confiscated my phone.”

This made her chuckle. “Okay, that’s an ironclad excuse.”

He smiled, again, so fake.

“So what did you want to tell me?”

“Tell you? I was under the impression that you wanted to talk to me.”

“Well yeah, but on Friday. You asked me to dinner and said you wanted to tell me something.”

He spun around in his chair to look at his computer. He scrolled through a document, and then turned back to her. “I don’t remember, I’m afraid. This past week has been…a bit fuzzy, to tell you the truth.”

“What were you sick with?”

His eye twitched. “Uh, cancer.”

“WHAT?!”

“Too severe? Strep throat then. Pneumonia. Bronchitis.”

“You could just say you don’t know instead of giving me a heart attack, you know.”

“Apologies.”

“Why are you talking like that?”

“Talking how so?”

“Like, really proper.”

“Is it not how I usually talk?”

“Not when we’re alone…”

He screwed up his lips. “Hmm. My bad. Too many period dramas while I was sick, I suppose.”

She laughed. “Oh my gosh, like when we binged Sherlock together, and we couldn’t stop talking with British accents?!”

He grinned. “Precisely. Just like that.”

“Man, had I known you were sick, I would have brought you some soup and given you company.”

“Nathalie wouldn’t have let you.”

“I know. It just kills me to think that you were alone all week.”

“It kills you?” He looked horrified.

“Yeah…I know you get lonely…sorry, I’m prying again.”

He shook his head. “Just…the phrasing caught me off guard.”

Marinette noticed from the moment she walked in, he had only once glanced at his computer. She was being a distraction, just like Nathalie had asked her not to.

“Well, I heard you were busy, so I’ll finish my lunch in my office. But, we’re good right?”

“What?”

“Like, you aren’t mad at me for anything? I didn’t do anything wrong?”

“No, you did nothing wrong. We’re great friends.”

“Good!”

Something was wrong.

Love was ours

Until October wandered by

Let the years come and go

I'll still feel the glow

That time cannot fade

When I hear

That lovely Autumn serenade

She walked to him and kissed his temple, like he always appreciated, and she spared a glance at the computer screen.

She only got a glimpse of the first line.

‘Your name is Adrien Agreste.’

I can’t guarantee prompt updates for a little bit. I have some logistics to figure out, but I have a few chapters ready, so I figured I’d start posting! All the chapter titles are songs from my spooky halloween playlist that inspired this fic (and their lyrics will be in the chapters)! You can find that playlist here. The playlist will be updated as the fic goes on.

I hope to post the last chapter on Halloween!

#ml #miraculous ladybug #fanfiction #adrien agreste #marinette dupain cheng #adrienette #the ghost of Smokey Joe #ladybug #chat noir #ghost story

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hekatekun · 3 years

Text

The metanarrative’s grand narrative: Osomatsu-san’s characterization throughout the franchise

The growing cynicism throughout the entire Osomatsu-san franchise shows itself in season 3 with more prominence than anything prior. I think that’s pretty common amongst any “long-running” gag comedy - replacing a plot with spiteful commentary that’s admittedly pretty hit or miss at times. However, it invariably creates a negative but pretty funny character growth, and I love the way the show (I’m including the movie too as “canon” material considering season 3 has referenced it way too many times for me to disregard) has set up this metanarrative across seasons. Long post ahead.

Obviously, Osomatsu-san is self-aware and has a casual relationship with itself. No linear plot (though S3 seems to be trying it out and I’ve enjoyed it - I love that they’re willing to experiment), rather a collection of unrelated skits; and so it points out its own metanarrative because of this “lack of consequences.” With comedy comes impermancy and Ososan AND -kun will always bounce back from that week’s insanity. From the Oxford Dictionary, a metanarrative is “a narrative account that experiments with or explores the idea of storytelling, often by drawing attention to its own artificiality.” Basically: a story about stories.

On top of this, is what I’m calling the “grand narrative,” which is often used interchangeably with metanarrative, but here I’m making a distinction to make it less confusing. Of course, Ososan is a story about stories, but with that comes a story it’s not directly telling, which is where most of the (little) character development is taking place. This is what I’m going to call the grand narrative of a show whose premise is being a meta-aware comedy. I’ll admit I’m by no means an expert on these subjects, but storytelling methods are something I enjoy trying to analyze. As a media format, Ososan really utilizes the fact that it’s a tv show.

Right off the bat S1E1 makes it clear what to expect: Nothing. Not a damn thing. But, the show had already been cleared for this first season, so it has to be produced. This same episode’s preview is done by Osomatsu, which I’m just gonna quote instead screenshot because there’s too many.

“...we plan on properly starting the anime the next episode.” “...you ended up with an extra minute, so you need me to do something to fill it?! Actually, is this anime going to be okay with episode one being like this? I’m getting worried about how the rest of this is going to be...” “There, I used up a minute! [EPISODE ENDS]”

Episode one is not only batshit referential, but downright mocking the state of anime in 2015. Which, truthfully, I don’t have much to comment on in that regard, as I’m not an avid anime fan. However, it does this under the premise of being indecisive about what kind of anime they wanted the Osokun reboot to be.

They’ll do just about anything to stay popular and relevant considering that is, quite literally, all they have going for them as characters in the series and just being characters in general. They may be pieces of shit, but they’re likeable pieces of shit. The dynamics they’ve built upon to be entertaining is encouraged, and they’re basically just roleplaying different skits and fucking around.

All the AUs! All the skits! They’re just playing! They’re just fuckin’ around!! They couldn’t come up with any interesting plot nor could they “graduate” from being anime protagonists and join the real world, so they just fuck around and make a gag anime!

Even if we follow both as the audience, the show makes a difference between the what’s them in their “normal life” (crazy begets crazy, no?) and what’s their “show.” But, really, that’s just one way to look at it, as they don’t really follow any rules as a show. I could say the Joshimatsus are separate characters from the sextuplets, and it’d be a “correct” interpretation. It doesn’t really matter - I’m choosing to examine it all as being the six of them just running around and playing, because being entertaining and having fun is all they know as characters. Besides, having it blended together beyond recognition reinforces how it prioritizes entertaining us, the audience, above logic. Storytelling doesn’t need to make absolute spatial-temporal sense for it to be enjoyable to fans.

In any case, that mentality really seems to be what pushes their character development negative, as they look to reinforce habits and rituals despite them being really detrimental for them in the long run. They know they’re popular characters as is, and with really everyone from staff to fans encouraging this behavior further, so they see no point in fixing what isn’t really broken.

I found this 4 year old article from Manga.Tokyo discussing the Ososan phenomenon in Japan because while the craze died off pretty quickly in American anime circles (which deserves a whole other post), Japanese fans went fuckin’ nuts.

This portion caught my attention, as it makes sense that entitled and enabled asshole children would grow up to be entitled and enabled asshole adults. The article also goes on to compare them to idols (even beyond the F6 spoof) and that they are rooted in being comfort characters above all else.

It’s worth a read, especially because Japanese fan response is what drives majority of the content post-S1, and, inevitably, ties into their character development.

They know that they’re Characters, particularly Protagonists. You know what happens to protagonists? Everything works out. Just about every single story created has stuff working out for protagonists. In fact, we have a whole genre made that separates stories with bad tragic endings from our Normal Stories. Ososan is a comedy, not a tragedy, so surely there’s gonna be some payoff somewhere along the road, especially as the seasons and other content are still being pumped out. To a self-aware, entitled, enabled protagonist, assuming everything is just gonna work out for you isn’t that far off from your narrative truth.

However, Ososan is a gag anime, and a lot of gag content (like 4koma mangas) is dropped for other projects before any emotional cathartic ending is provided for characters and fans alike. So, three seasons and a movie later, nothing has happened. It’s a great idol cash cow with a Family Guy filter, and the characters (and writers) don’t even bother to hide it anymore. And I know I’m being hypocritical concerning my definition of “canon material” but I think this portion from one of the drama cds “Choroplex” basically summarizes my point:

CHOROMATSU: Wait, don’t make this into a gag! You don’t even care about becoming employed, right? KARAMATSU: There’s no way that could happen... CHOROMATSU: What kind of future are you imagining? Is it nothing but this? [HUGE PAUSE BEFORE THEY MOVE ONTO SOMETHING ELSE]

They’re parodies of themselves and are running out of ideas. Stagnation and decay is normal, if not unavoidable, at this point in time for them. They’re just 20 somethings who’ve hit a wall but they’re too scared and insecure to bring about permanent positive change. It’s easier for them to fall back into normal patterns and joke off the rest.

They have an antagonistic relationship with expectations. They can’t handle a single iota of expectations, or responsibilities. They’ve never needed to worry before, so why bother now? Once the biggest hits on the block, now they’re just guppies in the ocean, and there’s nothing they believe themselves to be able to accomplish to keep up with this big brave new world. This is epitomized in S3E15, where old man Osomatsu tells a bastardized version of the Tortoise and the Hare, blatantly projecting his feelings onto it. Again, too many screenshots so let me pull more quotes (bolding for my own reference):

“The place that the tortoise thought was the goal was not actually the goal. His journey down the road of life still continued on. The tortoise was quite tired, but he continued running anyway.” “No one actually knew who was in front anymore. There are too many people above you.” “After the tortoise found out how society worked, he thought, ‘So this is the difference in talent? No amount of hard work is going to fix this. All right. I’m done competing with others.’”

S3 has left more questionable endings than its counterparts. The last 2 skits I referenced don’t even a gag to them, and the marriage skit doesn’t play music for the entire second half of S3E5. There’s more involved too. I haven’t even brought up the rice ball twins becoming actual entertainers in their universe, or how they introduced this whole AI subplot only to reject it because All Six Of Them aren’t interested in expanding their little corner of the world. Here’s a transcript of the ending preview from S3E1:

“Hey, hey, Osomatsu here. I thought we were saved from being replaced, but I guess we get new characters next week. Man, we’re busy. New encounters, changing surroundings... We’re NEETs to begin with because all that is a pain. I guess a lot can happen after three seasons. [EPISODE ENDS]”

The sextuplets’ mindsets are extremely self-centered, which is also an environmental thing (the parents don’t even really care that they’re NEETs, for one) and an understanding of what they ought to be (epic successful protagonists). They also have a very black and white mentality, all or nothing. They’re extremely sheltered, and once they realized where they stood in society at large, they just gave up. To them the world is divided between winners and losers, and somehow, “inexplicably,” they found themselves to have fallen from grace. But they’re protagonists, that has to count for something! Everything’s gonna end up okay, right? Well... what this show has told them: No, not at all. They are consistently compared and warned of Iyami, and are perfectly aware of this fact, and have come to internalize it as a truth rather than a reversible self-fulfilling prophecy.

Too many screencaps, taken from the S3S5 marriage discussion:

JYUSHIMATSU: I wonder if we’re gonna get married someday, too. CHOROMATSU: Well, I mean... probably? I’m not exactly sure, but... TODOMATSU: What? You’re gonna get married, Choromatsu-niisan? CHOROMATSU: Huh? Well, yeah... someday.

Surprise! They have commitment issues! The same group that couldn’t commit to a fucking plot! Though their personality issues have several factors involved, I can’t overlook the theater motifs abound. Life’s a stage, and they’re performing entirely unscripted and it shows.

Do I think all of this is 100% intentional on the writers’ part? No, probably not. There’s also an extra layer here regarding contemporary Japanese commentary that I’m not familiar with, so I just ended up focusing on the characters. I can’t be in the writers’ heads, but whatever decisions are being made by executives regarding censorship and “compliance” are reflected in these character changes that result in being significantly more bitter and defeatist.

In the all or nothing, winner-take-all mentality, the only way to save face at this point, in their minds, is to own up to it - act like it’s what they wanted all along. And, hey, it’s funny to watch, right?

“Why is Osomatsu all my examples”, you might be asking. Well, he’s the damn blueprint for it all. The leader of the bunch, the first personality to grab your attention, has had all his issues projected and ricocheted in their echo chamber.

Ultimately, my point here is that you could think their “canon characterizations” (though canon means nothing in a show like this) as being intertwined with the nature of their self-aware existence. They’ve shown you all their tricks, the smoke and mirrors are getting boring, and they’re stalling long enough the story seems to be moving on without them - in spite of them. And when something genuinely threatens their way of life, they don’t know how to respond.

You can play it all straight, of course. Remove the meta jokes and all the same plot points can be hit, but, as a slapstick comedy, it’s able to easily add this additional layer in that I appreciate. I’ve said it in my last post and I’ll probably say it in more, but with comedy comes sincerity - the caveat of all the cartoon violence is that, on some level somewhere, this is how they really feel.

#osomatsu san #osomatsu #karamatsu #choromatsu #ichimatsu #jyushimatsu #todomatsu #osomatsu matsuno #karamatsu matsuno #choromatsu matsuno #ichimatsu matsuno #jyushimatsu matsuno #todomatsu matsuno #analysis #confession this was sparked by a convo i had w friends about s3e18 #this is a bit truncated but i couldnt bring myself to make this longer #maybe ill make a pt2 or whatever idk

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boop-le-snoot · 4 years

Text

PARTY FAVOURS | CHAPTER 1

Rating: Explicit. 18+

‼️TW: Reader is EIGHTEEN! Recreational drug use, smoking and alcohol consumption, deeply internalised self-loathing, very questionable moral standards. Daddy kink taken half-seriously. BDSM themes in later chapters - explicit content will come with it's own TWs. FIRST PERSON POV.

Summary: You're Peter's classmate, a child of rich and famous but uncaring parents. Getting paired up for a lengthy project with the boy was an interesting turn of events and you don't know whether to feel blessed or cursed when you develop, seemingly, a perfectly normal, harmless crush on Tony Stark. Fueled by feelings of inadequacy and boredom, your life spirals out of control - and you're lucky your newfound friends are there to pick up the pieces even if you cannot find it in yourself to believe these amazing human (and not so human) beings voluntarily give you more than a fleeting glance and an offhanded thought. And they brought cake!

A/N: Bad girls are sad girls! Always wondered what goes through the mind of a spoiled, rich but intelligent and perceptive teenager? Have you found yourself craving that adrenaline rush, the danger of a forbidden fruit? Okay. That was cheesy as hell. Gross.

Let's try again. Sarcasm? Check. Vine references? Hell yes! Crude humour? Check. Blunt honesty? Double check. We're living in a Lana del Rey song, ladies.

The author doesn't actually condone codependent relationships in real life. This is a filthy little fantasy. Enjoy, deviants.

THE TAG LIST IS NOW OPEN! @another-stark-sub @mostly-marvel-musings

Beta read by the lovely and patient @miscmarvelwritings ! She deserves all the love 💙

Pining. I was pining after Stark and it made me upset. I thought I was better than that. Better than acting the part of a lovesick puppy, begging for scraps of attention- a kind word, a pat on the shoulder, a blanket thrown over me in my sleep. Even if he was my Mount Olympus, I wasn't exactly on board with starting the whole damn journey in the first place.

Most of all, I hated being a cliché. I tried my best to avoid showing how I felt and with time, I think I excelled at it. I am really good with things if I really put my mind to it. Was it a blessing, or was it a curse? Only the future will tell. I try not to think about it, as I prefer not to stress out too much. Peter was the anxious kid and I was the calm one. I was the Ying to his Yang. He flipped his shit often and I always calmed him down and cleaned up after him. No complaints there, Pete is pure and precious and I would kill everybody and then myself if he actually got hurt.

I'm only a year older than him and that year feels like an uncrossable bridge to me. We get along like a house on fire and I delight in the way he starts smiling when we're paired together for a project. Deep inside I'm sure he thinks of me as one of his best friends, his homies but-and there's always a but-I can't reciprocitate that. He goes to decathlon after school with his wholesome BFF duo, I go to a local dive bar with a fake ID I'd made sometime when I was about 15.

Peter has everything I wish I've ever had. Good for him. I'm not going to mess that up, no matter how much my angst demands I throw a tantrum and become, like, a supervillain or something.

I banter, instead. I chit-chat. I laugh and I repeatedly make a joke out of myself. Nobody suspects a thing, and I'm not surprised. People always see what they want to see. I've been the weird loner since middle school. Not the sad kind, of course, my pride wouldn't let me. I'm too good at things to be completely ignored. Teachers adore me, the event planning committee approaches me every year with tentative pleas for advice. The list goes on and on; what they don't understand is that it's just High School. Another year and I'll be out of there and nobody will be wiser.

I feel like a liar every time I'm excited. Because I'm not that - I don't care about their stupid field trips or collaborative projects. My mind is five steps and two hops ahead of that bullshit. It has to be or I just won't make it in the world.

"Parker-pen, Mr. Stark. G'day, sirs," I nodded, entering the lab, looking straight ahead. They both were hunched over... Something vaguely mechanical and I was terribly, horribly hungover. Saturday night was Science night but I'd gone to bed around 2PM after a party ran way too late.

"Hi," and "Powerpuff girl," came from them respectively, and they didn't even lift their heads.

I wondered if I could just skedaddle and leave them to their big brain time. "Is this a bad time? I can come tomorrow instead," I immediately regretted speaking, even to my own ears my voice sounds scratchy.

"No, actually, Dr. Ban-Bruce-wanted to talk to you," Peter mumbled out half-coherently. Tony kept ignoring me and I was fine with that. The less temptation I have the less trouble there will be.

"I'm not playing with his zucchini again," I groaned, causing the intricate pile of metal to squeak sadly as Pete tripped over his own damn body, jostling the prototype in the process. I could have sworn the room got several degrees hotter from the boy's blush alone.

Tony cackled, shuffling away from the newly ruined prototype. "He won the damn contest, you should've seen the judges faces," The engineer's grin threatened to split his face in half. I poked at my phone in muted interest. "Hold up, Friday has a recording. I definitely recorded the thing."

A holo-screen popped up. Tranquil scenes of a local fair, gourds and other assorted vegetables of various grotesque sizes were scattered throughout the square. An unmistakable mop of curly greying hair posed proudly next to a zucchini half the size of Hulk - I was fairly certain genetically engineering the plant was cheating and warned him so but somehow Banner managed to persuade the judges into letting him participate, and ultimately win, the competition for the Biggest Zucchini. Some of them were quite shocked at the size of that thing and well - well, their glances were quite contemplative to say the least.

"Damn, Tony, that blonde chick's face tells me all I need to know," I gave a lopsided smirk in the engineer's general direction. That was our thing, you see? He called me these ridiculous cutesy nicknames and asked me about getting my nails done or going to the mall and I'd make salacious comments and go on an occasional flirtatious spree. That was comfortable. We both enjoyed making Peter blush and giggle like the little schoolboy that he was.

"Our Brucie bear is a freak, don't let him tell you any different, Princess," Tony winked at me.

"Oh, I know all about it, Tones," I suggestively wiggled my eyebrows. Out of the corner of my eye, I saw Peter groan and palm his face. I briefly bumped my knuckles to Tony's outstretched hand and made my way to the adjacent lab that hosted the second resident crazy scientist.

"Bruce?"

"Oh, hi there, come on in," He smiled warmly at me and I relaxed, shrugging off the tension in my limbs that seemed to appear every time Tony was around me. Banner's soft, friendly nature always made me feel welcomed and appreciated.

We made small talk as I threw on a lab coat and some protective glasses and discarded my bag in the far corner, away from any possible explosions. I congratulated him on his recent victory - here is when I say that despite what most will say, Banner has a serious competitive mean streak and isn't afraid to get down and dirty when it comes to matters of his personal pride.

That's what makes us alike, I think. I have too much dignity and self-respect to walk around Tony with stars in my eyes and hang around his neck like yesterday's tie.

The quiet, even pace of doing lab work made me completely lose track of time. Some time passed as I felt the crick in my neck become noticeable, and the deep ache in my calves from standing and dancing yesterday worsened. I hopped onto the nearest table, hunched over a tablet, eyes skimming over research articles - most of it didn't register at all in the wake of a dull throb behind my temples. My hair limply hung over my face - I had to wash it to get rid of the stench-hard liquor and cigarettes - but I was way too lazy to style it properly.

I ignored the swaying strands until a large palm gently tucked them behind my ear, a white lab coat coming into my field of view. "You okay?" Banner's quiet voice interrupted my reading. I lifted eyes enough to see he was wearing a dorky button-up in some gross shade of blue under the lab coat. His eyes were affectionate behind thinly rimmed glasses.

"Rough Friday night?" He questioned.

I chuckled. "Yeah, I'm hungover as fuck." There was no point in hiding the obvious; I'm sure the bags under my eyes already had tattled on me.

He chuckled, too, leaning his hip against the table, one broad arm coming to wrap around me in a hug. Usually he wasn't so touchy-feely; but I wasn't complaining. Banner was really, really warm. "I'll spare you the lecture on underage drinking," He said with another chuckle.

"Yeah, it's pretty pointless. You'd be three years too late."

A deep sigh left him, both of his arms wrapping around me in a comfortable embrace. I rested my chin on his shoulder, trying my best to really avoid showing how touch-starved I was. I was a hundred percent sure they all figured out my family life was difficult; the last thing I needed was their pity.

"Y'know, we should sit down and talk someday," He said after a brief moment of hesitation. "About your future. College, maybe?"

I gave a non-committal hum, basking in the warmth of the hug, staring straight ahead with unseeing eyes - behind the glass divide, I could faintly distinguish Tony's and Peter's shapes, still bent over that bench the pile of metal.

"You have a lot of potential," Banner continued, his tone developing a gently admonishing hint. "I understand if you want to take some time off from your studies but I'd rather you succeed and not let all that potential go to waste," He finished, patting me on the back with a gentle hand.

I tried not to preen under his touch. "Are you attempting to guilt-trip me over a party, doctor Banner?" I teased him, expecting the smile that I felt being hidden by my hair. Sometimes I felt that I could read the man like an open book, he was so earnest about his interactions.

"I just - we want you to stay safe, okay? Don't blow your future for a little bit of fun," He shrugged carefully.

"Okay, Bruce," I simply replied, meaning it this time

He kept hugging me, running his hand over my back absentmindedly. Probably thinking about his recent science bender. I wasn't upset: my own brain tended to get tangled in personal projects, too. I had only one complaint and it was that the cuddle was making me sleepy.

I yawned, startling the man. Pulling away from the hug wasn't really an option. He was broad and quite strong, probably courtesy of the Hulk and radiation in his blood.

"Why don't we put you in a guest room for tonight?" He inquired and I nodded. "Call your parents for me, okay?"

"My mother is in Vancouver for the week and I doubt she would care anyway," I rolled my eyes. "She's in the middle of some shitstorm with OsCorp and their marketing department." If anything, I was grateful my mother was preoccupied with her job. Being around her was like hanging out on top of an iceberg in the far end of the ocean.

I felt Bruce's frown. His body tensed briefly, blink and you'll miss the hunch of his shoulders. "What about your dad?"

I cringed. "He's been in Ibiza since the season opened, no doubt snorting miles of coke and... " I hesitated. "You can guess the rest."

My dad was kind of a dick, but I don't blame him at all for being the way he is. My parents have been married for twenty years. They were happy, once - I saw their college pictures with my mother's bright smiles and bushy hair, and my dad's terrible fashion sense and their dog, a funny little runt with an atrocious name. Then mother had me and for a while, they were happy too, but it lasted about until she landed her first prospective job. Kind of cliché.

Bruce sighed again. "Okay. You hungry?"

"No, I'm not going near food until tomorrow. Nu-uh," I fake-retched next to his ear, making Bruce shiver and playfully pinch my side.

"It'll help with your hangover. Doctor's advice."

"You're not even that kind of doctor," I laughed, very gently poking him back, somewhere around his stomach. He squirmed.

"I have seven PhDs," Bruce smiled as he rested his chin on top of my head as he adjusted his torso to prevent my fingers from reaching his ticklish spots. I poked him again in retaliation, fully enjoying the snort and squirm I caused. Soft™. "Let's go get you settled in," Bruce, seemingly without any difficulty, picked me up, propping me against his hip like a toddler. It probably looked awkward but what the hell, I haven't been carried around since I can remember myself. My legs wrapped around his hips for balance, butt resting on his forearm.

"You're a showoff," I couldn't help but snort, getting a lopsided smirk in return.

He made his way over to the elevator with me dangling and examining my nails in an expectant fashion. Tony's jokes aside, I really enjoyed getting them done and weird colors were a quest of entertainment for me. I obviously couldn't have them very long because I worked in a lab so I chose outrageous prints and decorations instead. This week, each of my nails had a different style - thankfully my aesthetician was professional enough to make it look somewhat put together even if it took a good chunk of my allowance and an hour long Uber ride to get to her salon.

I noticed the dimmed lights in Tony's lab and none of Peter's usual mess scattered on the tables, figuring he'd already left. Stark himself stood propped against a table, watching something, smoothie in hand.

For only a brief moment, I let my eyes rake over his body, his beautiful, sculpted physique hugged by a pair of fitted jeans and an old Led Zeppelin tee. Tony's handsomeness wasn't obvious, it wasn't in-your-face kind of appearance like Captain America's, but the engineer was built sturdy and his arms - the only bare part of him - were riddled with scars. He used his strong, bulky body for work.

I turned away before I got too ahead of myself. Bruce smelled like lab equipment and rubbing alcohol, something that made me sober up and snap out of my daydream before Stark took notice and started teasing me about ogling him. My once-over lasted barely three seconds yet with Tony's genius, I always had to be on my toes.

I saw movement in my peripheral. Banner waved before entering the elevator - at Tony, probably, so I looked back, seeing the man watching us, content replaced with a contemplating frown. I waved at him, resting my cheek on Bruce's shoulder. "Tony's having a big mood," I noted quietly in the scientist's ear.

"You know Tony," Bruce sighed, adjusting his hold on me as the car ascended to the housing floors. "His brain runs a mile a minute and he can't make sense of it for the biggest part. Give him some time and he'll be back to his annoying self."

I didn't see Tony as annoying in any way, but then again, I was severely biased. The billionaire was quirky venturing into absurd but also clever and brilliant.

We had reached our destination and Bruce carefully set me down on my feet once the door to my room was open. A large queen bed, TV and another door to an adjacent bathroom. It was really simple but luxurious nonetheless - I had the exact same carpet at home, having heard my mother bitch about it's cost after seeing me spill soda on it way too many times.

"I'll let you get settled in. Ask Friday if you need something," Bruce awkwardly shuffled his feet, taking off his glasses and briefly examining them before putting them back on again. "Breakfast here is on the 74th floor starting around 7AM, someone will probably get you around nine if you sleep in," He finished, giving a shy tilt of his lips.

"Thanks, Brucie-bear," The nickname easily slipped from my lips. I didn't resist the urge to hug the kind scientist, quickly wrapping my arms around his middle, delightfully sighing when he immediately returned the gesture.

"Good night, Princess," I had to suppress a happy squeak when the man kissed my forehead before retreating and closing the door behind himself. A quick shower and a quest to find a power outlet to plug my charger into preceded my less than graceful flop into the bed. It felt like sleeping on a cloud, honestly, it had nothing on my mother's orthopaedic memory foam mattresses. I passed out faster than I’d ever had.

#Bun writes #party favours #Tony Stark x y/n #Tony Stark x reader #Bruce Banner x reader #Bruce Banner x y/n #Stephen Strange x reader #Stephen Strange x y/n #We're going to Hell y'all

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ciggylungz · 4 years

Text

Birthday girl

Birthday girl-

Warning: literally all smut, like an actual porno

Summary: it’s Y/n’s birthday, and Harry has a gift in mind

*doing some one shots till I’m ready to post the next part of Butterflies and Bandaids*

••

Y/n got an immediate shot of adrenaline as she stepped into the party. For a house party, she was pretty impressed with the turn out and all the bells and whistles the host pulled out.

Strobe lights, good speakers, booze and decorations. Her favorite part, was that this party was for her.

A loud “happy birthday!” rang out as the girl walked through the door. Smiles, cheers, clapping all overwhelmed her senses as she crossed the threshold.

Her smile was big and surprised giggles were drowned out by the music, but everyone could tell it was a good reaction. Especially a boy who helped plan the surprise party for the girl, Harry couldn’t help but get giddy seeing the girl react the way she did.

Harry has had a couple interactions with the girl, he first met her in their shared English class when they got paired up for a project. They had mutual friends and just sort of clicked. They weren’t close friends by any means, but he wanted to change that. He wanted to go a step further since he pretty quickly from their first meeting, developed a pretty big crush on her.

So of course, the second he heard their mutual friends talking about planning her a surprise party he jumped in and made sure he did everything he could to make it as big as possible. He even convinced his uncle to let them use his mansion for it, promising they’d clean everything up and promising to babysit his cousins for him for 6 months.

Y/n was quickly handed a red cup with some mixed drink her friend Alexis poured her, giving her a nudge encouraging her to go mingle and enjoy her party.

••

Harry kept his eyes on the girl for the majority of the time of the party so far. He watched as she danced with different people, sang along to certain songs, nursed her drink and made a point to talk to and thank as many guests as she could.

He watched out of the corner of his eye as their friend Matt, who knew of Harry’s little crush talk to Y/n, pointing in Harry’s direction before he saw the girl start advancing towards him.

“Hi! I heard you put together my party, i really love it Harry. It’s really sweet and I really appreciate it, you’re the best!”

He couldn’t help but smile big and shrug shyly

“Was nothing really..wanted to make your birthday special. You’re cool you deserve a nice birthday.”

The girl couldn’t help but notice his nervous nature and the look in his eye, and she couldn’t explain the urge she had to keep talking to him as long as she could.

“How about we go out back, so we can talk? Little hard to hear you over the music”

She offered with a gentle smile getting an instant nod from her eager classmate.

“Yea! Yea, there’s a pool out back we can go sit by the pool?”

She found it cute how he nervously messed with his hair as he spoke

“Sounds perfect, lead the way”

••

The pair of teens soon found themselves on the pool deck, sitting on deck chairs at a glass table. Both of them sipping their drinks as they talk.

“Can’t believe you went through all that and promising 6 months of babysitting, what sounds like devil children, just to throw a party for me. Any reason why?”

She was putting out subtle bait for him, hoping he’d grab it and feed into her flirty attitude. And of course, he couldn’t help himself. His dimple showing as he gently wet his lips and smirked a little, resting back in his chair looking her head to toe quickly.

“Why not? Isn’t part of high school taking any chance we get to party? Plus...how could I not plan something big for such a pretty girl?”

He studied her face as she hummed, a sly smile on her face matching his as she fluttered her eyelashes at him.

“Sounds reasonable...I think you did a pretty good job, bonus points for the compliment. I would argue you’re cuter than me Styles.”

He let out a short chuckle and smiled at her

“Hmm, maybe but I’ll let you take the prize since it’s your birthday.”

Y/n snorted before lightly slapping his knee

“Confident are we? Can’t blame you when you look like that. Tall...fit...pretty eyes and dimples...those nice lips...I think you definitely win.”

Harry playfully raised his eyebrow and deepened his smirk, leaning forward slightly flicking his eyes up the length of her body all the way back to meet her eyes again.

“Careful doll...don’t talk yourself into something you can’t handle.”

Y/n smiled at him, licking the sugary drink off her plump lips before popping them, tilting her head quizzically.

“And what would that be pretty boy?”

She leaned forward a bit more, not breaking eye contact with her classmate.

“Depends...keep sweet talking and giving me those pretty eyes I might just have to fuck you in that pool...as a birthday present of course.”

He watched her carefully as she hummed and looked from his lips to his eyes a few times.

“Doesn’t sound like a very good reason to stop...sounds more like a reward...but I think I want a party favor first of seeing if pretty boy can kiss as good as he can flirt with those lips.”

Harry could almost feel his pupils dilate as her words sunk into his head. A muted groan coming from the bottom of his throat before bringing a hand up, running his thumb over her bottom lip while holding her chin still.

“I think I can swing that..”

He felt his heart pump harder as she opened her plump lips to lick his thumb gently before lightly sucking on it. Almost not able to stop a moan from vibrating through his chest just at the image, wasting no time in replacing his thumb with his lips.

The pair shifted to one chair, Y/n In his lap as their lips locked. Their breathing was more erratic as their lips sped up, the pressure and suction increasing enough to where they both knew they’d have swollen red lips by the end of it, and neither of them cared.

Harry let his hands wander from her hips to lower back before cupping her ass with both of his large palms, giving a firm squeeze and receiving her body pressing into his further and a hum in reward.

He pulled away just enough to whisper against her shiny swollen lips

“Liked that huh doll? God you’re so fucking cute.”

Their lips attached once again, both of them becoming even more frantic.

Hips rolling onto each other’s, hands groping at any part of each other they could reach. He was moving back and fourth between grabbing her ass and tits, labored breaths forcing their way out of his nose as she grabbed his bulge now feeling a bit too tight in the confines of his black jeans.

Y/n couldn’t help but smile when she felt his hips buck into her hold, pulling her mouth from his to sponge kisses down his jaw and neck, still rolling her hips on his while she muttered things to the boy who was living out his wet dreams in present time.

“You feel big...not even out of your pants but I can feel you have a big..-“

She placed a lick over the mark she just sucked right on his right collar bone before continuing her sentence.

“...-thick fucking cock.”

Harry genuinely thought he was gonna pass out. The girl he’s had a crush on, fantasized about more than once when his hand wandered under his covers or down between his legs while he was showering, who’s been on his mind for weeks, was now in his lap talking about how big his cock feels while sucking hickeys all over his neck.

Harry was in heaven.

A low grunt escaped his wet lips as she squeezed again

“Christ doll...you’re driving me crazy..”

“What are you gonna do about it? Because I think for my birthday I wanna know how big your cock is...and how well you know how to use it.”

Y/n could feel heat pooling between her legs as she became just as euphoric as Harry was, they were completely at each other’s mercy and they fucking loved it.

“Yea? You wanna play with my cock birthday girl? What do you want me to do, tell me sweetheart. Tell me what you want.”

His thumb and pointer finger held her chin in place making her look into his eyes, getting a sultry smile from her and he swears he saw her eyes almost roll back just hearing his words.

“Want you to let me see it..want you to let me play with it. I want you to put it in me, make my birthday special.”

He couldn’t help the little desperate noise that came from him as she finished talking, he swore he will never forget the way her voice sounded as she begged for all the dirty things he’s ever wanted to do with her.

“Play with what? I wanna hear you say it. Say what you wanna feel angel.”

“I wanna play with your cock...I want you to put your big fucking cock inside me. I want you to fuck me for my birthday, pretty boy.”

She ran her hands down his chest, loving how he was assertive and he loved how she didn’t back down. They had each other’s hormones on overdrive and need for touch between both of their legs through the roof.

••

The pair went into the pool house, a luxury Harry’s bougie uncle had that he was definitely grateful for in this moment.

Y/n wasted no time in locking the door and pushing the boy back, Harry smiling as his back gently hit the wall before their mouths connected again.

He definitely had a thing for feisty women.

Somehow in the frantic moving of lips and shoving of each other they managed to get themselves both stripped down to their underwear, Harry’s mouth currently busy sucking hickeys all over Y/n’s exposed breasts while she let out the hottest moans he’d ever gotten out of a girl.

His lips wrapped around one of her perked nipples while his right hand toyed with her other breast, he took a second to pull off just long enough to make a request

“Pull m’ hair love”

No sooner did he finish the request did she comply. Her hands twisting in his chocolate locks tugging from the roots as he gently bit down on her now saliva covered nipple.

He let out a almost pitiful whine as her hands abandoned his curls, he missed her harsh tugs on his roots immediately but he was definitely on board again as he felt Y/n making quick work of his boxers, pulling them down his thighs.

Y/n wasn’t bashful in the slightest as she shamelessly stared at his now exposed cock, smiling and licking over her swollen lips meeting the boys green eyes again.

“It is big..I was right, god you’re so thick...and veiny. Fuck Harry...”

His ego got a nice stroking from her words and his smirk grew with his lust.

“Go ahead doll, can touch. Wanted to play with m’ cock right birthday girl?”

Y/n tipped her head back and let out a dirty moan as he spoke, moving off his lap to the floor. She got herself down between his knees, hand wrapping around his shaft as she licked a stripe from the base of his balls all the way to his swollen leaking tip.

“Ah fuck...atta girl. Look fucking great on your knees doll.”

She smiled as she repeated the action, dribbling spit down his length before stroking him, making eye contact with him.

“Tell me how big it is, how big is your cock H?” Her hand maintained its speed as she flicked her wrist right as his tip.

“9 and a half sweetheart. Think you can take it?”

Y/n had to stop her eyes from rolling back and nodded

“Mhm, gonna make it fit.”

••

Soon enough Y/n was on her back on the day bed that sat against one of the walls, decorated with beach themed sheets and pillow cases, ‘very cliche’ was her first thought, but quickly that thought was run out of her head by a warm tongue splitting her labia.

The tip of his tongue teased her opening as the length of his tongue ran over the entirety of her dripping cunt. They both let out moans, her from the pleasure, him from her taste.

He swears he has a fetish for eating pussy. He could never seem to get enough of that tangy,heady,sweetness that girls were so lucky to have slicking their peaches.

“God fuck! Christ, you’re a good little cunt licker aren’t you Harry? God damn.”

She tugged harshly at his hair, using her grip to move his head up and down against her, using his tongue as her personal massager.

“S-shit Harry fuck!”

The girl felt her toes curl and knees tremble as he started tongue fucking her while thumbing at her clit. He refused to let a single drop of her sugar go anywhere but his tongue.

“I’m gonna fucking cum! Ha-Harry fuck I’m cumming I’m fucking OH GOD-“

Y/n felt her body tremble and thighs close on his head as she came. Stars dotted her vision as her stomach clenched, cunt quivering under his still moving tongue making sure he gets all he can, feeling her hands shove his face away and drag him up her body.

“You...you’re fucking amazing. Never came from getting licked before, you’re a fucking god.”

She let out a breathy laugh trying to compose herself while Harry stared down at her, loving her breath fanning against his face rapidly as she started to come down.

••

Harry was kneeling on the mattress as the girl laid under him, looking up at his looming figure and bobbing erection as he opened the foil package and slid the rubber on quickly, pupils blown as big as they go while he watched the girl anxiously watch his hands roll the magnum over himself.

“Safety first, even on birthdays.”

The boy snorted at her little playful comment as he moved back between his legs, lifting her hips up a bit to make sure he can get the best angle for both of them.

He bit his lip as he slipped his tip in, her walls snug on his head. Her cunt seemed to hug his cock perfectly as he got as much as he could in, he could feel how warm and soft her walls were even through the condom.

He felt like it was his fucking birthday too.

The pair were a mess of moans and dirty words as their bodies moved together. She swears she can feel him all the way in her chest when he gives a particularly harsh thrust, and god does she love it.

“Fuck, tight little cunt innit? God you’re like a vice on me doll.”

He took his hand and pressed his hand onto her lower stomach getting a wet gasp out of her as he felt the pressure of his own cock fucking as deep as he can into the girl.

“Feel that? Bloody deep aren’t I? Shit baby, you gonna cum? That why you’re squeezing me like that?”

All Y/n could manage was a frantic nod and a almost deafening moan as her body tipped over the edge the second time that night, her world spinning as chemicals surged through her brain. Her body was tingling, she felt like she was floating as Harry quite literally rocked her fucking world.

“Christ cumming hard pet, squeezing me fucking crazy shit yanking the rubber off love.”

Harry couldn’t believe how good she felt in this moment, he swears he saw the light to heavens gate as his balls contracted and he filled the condom with everything his body had to offer.

His body fell onto hers as they panted in each other’s ears, kissing each other’s faces and heads. A sweaty mess of fucked out bodies.

“Well, one things for sure Harry. This definitely was the best birthday gift I’ve ever gotten.”

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