lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
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I'm not mad I'm just disappointed because if you spent two seconds to think about how fur and leather alone has deep ties to human culture and our understanding and appreciation of the natural world it's honestly really beautiful and just feels so strange to me that people who say they love nature want to divorce themselves from it.
Like yes, capitalism bad. I don't agree with the way that animals are treated as products to the point where blatant animal cruelty is excused by mega corporations. I want places like that to be held accountable and made to follow higher welfare standards for the animals they raise and the underpaid employees out there working in sometimes awful and very unsafe conditions.
But if you're simultaneously ignoring the culture of African leathermaking or the beautiful leather and wool textiles crafted by Indigenous artisans or the ways that ancient humans appreciated the animals they killed for meat and clothing by telling stories and making art depicted on the skins of the animals they took, that's what bothers me.
So many people are willing to just attack vulnerable communities instead of learning about thier culture and how animal products were used traditionally and today. There are better ways to raise animals for products sustainably and humanely and many of these communities have spoken very loudly about it but are yelled over by people who just want to be right or don't want to listen or just don't care.
So yes, I will continue to speak my mind and educate myself because if nothing else I wanna be the start of the change I wanna see in the world. I love animals and I love learning the history of humans and our relationships to animals. I want to be able to appreciate them in the ways we always have. With respect to the natural world and understanding that we're also a part of it.
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Irondad fic ideas #144
Peter Parker sounds just like Spider-Man. This is something that the students of Midtown find hilarious
Soon, Peter's getting comments in the halls like, "Hey are you that kid who sounds like Spider-Man?" "Uhhh I mean -" "Holy shit it's truuue" and, "Hey Parker, say, 'Hiya Mister Criminal'' "(sigh) Hiya Mister criminal-"
It becomes a daily bit on the school news: they put Peter in the cheapest, most ridiculous Spider-Man mask imaginable and get him to say wild stuff, whatever Midtown students can think of. Like that bit at the end of Honest Trailers.
(Peter may or may not go slightly viral saying some Stuff about the Rogue Avengers in his "Spider-Man voice." Tony may or may not nearly piss himself laughing about it when he finds out.
Spider-Man himself has yet to comment.)
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I keep seeing people suggest Crowley's presentation in 1827 was feminine, and listen—headcanon what you want, I'm not your mom. But the justification is that he's supposedly dressed in feminine, as opposed to masculine, clothing? He isn't. You're just looking at Regency fashion with 21st-century eyes.
Both Aziraphale and Crowley are exemplaries of well-dressed gentlemen of the early 19th century, just in different styles.
On the left, a many-caped greatcoat like the one Aziraphale is wearing; on the right, a coat with puffed sleeves and a narrow waist like the one Crowley is wearing. (Both images seem to originate from Journal des Dames et des Modes, 1811 and 1826, respectively.)
I also saw something about Crowley's fob watch actually being a chatelaine?
Again, I have to disagree. What Crowley's wearing just looks like a watch chain, which both men and women wore. What you can see is the chain and a charm at the end; the watch itself is tucked into a pocket (same as with Aziraphale's).
Watch chain (left; another plate from Journal des Dames et des Modes) vs. chatelaine (right, from here).
While a chatelaine could possibly refer to a decorative watch chain, the chatelaines specifically associated with women are the accessories worn by female heads of household or housekeepers (hence the name) to hold keys and other useful items. They could get quite elaborate. Crowley's doesn't look particularly like a chatelaine more than it looks like a watch chain, to me.
To sum up, there's not really anything I can see about Crowley's fashion choices in 1827 that specifically says "female presenting"; it all fits in with men's fashion of the time. You can headcanon whatever you want! But this particular era isn't one in which Crowley's wardrobe and styling definitively reads as feminine.
Note for a couple people with poor reading comprehension: TERFs are not welcome on this post. Fuck off.
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i'm stuck awake thinking about a bloodweave fine dining AU with bitchy lead server astarion and a smug sous chef gale. They butt heads a little in the beginning because Gale is a bit of a hard ass about the menu and Astarion doesn't care about anything other than making tips. Astarion pretty quickly wins over Gale though by bringing him drinks and snacks during the rush, always coming with a gift in hand when a table wants a ridiculous modification. Gale starts sneaking food to Astarion when it's slow just to make sure he's eaten because he sees him working long hours with no breaks. Gale finding Astarion crying in the walk in after a particularly hard day and just holding him tight while they both freeze. Taking smoke breaks together to share a cigarette after close. Going for drinks after work and getting a little too tipsy, stumbling home together while laughing about all the ridiculous people they dealt with today. Gale finds himself looking forward to working with Astarion every day. Eventually they stop bickering and just start flirting so much at work that everyone around them is just WAITING for them to finally kiss and get it over with. Also Karlach as a food runner who just has to WATCH them eye fuck eachother every time Astarion comes into the kitchen and she has to refrain from telling them to get a goddamn room.
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