#and then they have a problem on their hands. two actually. the first one is: 'hey what the fuck'

[innerfare]

You’re Jealous

 Summary: You get jealous of someone else in his life.

Characters: Luffy, Zoro, Sanji, Ace, Sabo, Law, and Kid

Genre: Slight Angst // Fluff

CW: None // SFW

——— 

Luffy: He never told you Boa Hancock was in love with him, and when you find out, you have to remove yourself from the situation before you have an emotional outburst and start something with the Pirate Empress. The problem is, you don’t even know which emotion will spill out of you. Finding out the world’s most beautiful woman, and a powerful Warlord, no less, is desperate to marry Luffy is a whirlwind, to say the least. Luffy can seem clueless at times, but his emotional intelligence is through the roof, and he picks up on what has you upset almost straight away. He knows to give you some space, and when he senses you’re ready, he approaches you with a handful of wildflowers he picked. He doesn’t really say much, just pulls you into a hug, presses a few kisses into your cheek and temple, and says in your ear, “you’re my girl.” 

Zoro: He didn’t mention Perona was also at Mihawk’s castle for those two years until a few months after the crew gets together. He tells a story that features her, and you realize there was a woman keeping him company. Your heart drops into your stomach. Zoro insists he didn’t mention her because he didn’t think she was relevant; the only thing Perona did those two years was annoy him. He’s actually the one who won’t let it go, not you (even though you are pretty jealous). Whereas you’d prefer not to talk about it, Zoro is wracked with guilt because he’d never considered the whole thing in a relationship context. Him fretting constantly over it actually heals your jealousy because you realize you’ve never seen him panic over the prospect of hurting anyone else’s feelings. 

Sanji: Even with a third eye, Pudding is stunning. And Sanji almost married her. It was before you two were together, but listening to the stories from Whole Cake, hearing how close he came to marrying another woman, knowing she really did fall in love with his kind heart and wonderful cooking, turns you into a little green monster. You know you shouldn’t feel jealous of a woman you’ve never met before, a woman Sanji chose not to marry, but you can’t help it. Sanji is completely shocked that you would feel jealous over his relationship (if it could even be called that) with Pudding, though after thinking about it some more, he does realize why you might be jealous that he had a fiancé. His solution is to bring you a bouquet of roses and walk you through the dark details of his life, telling you things he’s never outright told anyone, so you understand the special place you have in his life. 

Ace: He collects people without trying, and often times, without realizing, either. Ace thinks he’s just making friends, but you see the way the women he laughs and shares drinks with are drawn to him like plants to the sun. He promises them freedom and adventure (and he has a very nice laugh), and you can see how it excites them. You don’t really mind it, knowing Ace well enough to see the way he holds those women at arm’s length, even if he seems close with them (such is the magic of Fire First Ace). But Yamato makes you jealous. It’s not hearing the way they laughed together but hearing the way they fought that gets to you. You know how Ace lives to fight and even just roughhouse, you know how he’s a rough and tumble guy, and you worry you’re not tough enough. Should you be punching his arm when he makes a joke? Should you be trying to trip him out on deck? What should you be doing? When you finally come clean with Ace about what’s been bothering you, he actually laughs. “If I wanted to be with someone who gives me hell, I’d be sleeping in Marco’s cabin every night. Besides,” he says, scooping you up in his arms, “I like being able to manhandle you.” 

Sabo: Sabo is a flirt, and you knew that going into your relationship. It actually doesn’t bother you when he flashes that charming smile of his at someone else or swoops in to save a damsel in distress (a speciality of his) and even serves to entertain, especially on the rare occasions his flirtations are rebuked. What does bother you, though, is his tight relationship with Koala. You know it’s ridiculous to be envious, you know Koala would sooner saw off her arm than kiss the man she considers her irksome big brother, but they’ve known each other since they were little kids, and Koala has been through so much with Sabo that the pair have such a close bond. It’s not the angry kind of jealousy that bubbles up in you when Koala mentions something about Sabo’s past that she assumes you know but you don’t, just the sad kind that you try to keep to yourself. Surprisingly, Sabo notices, though you don’t realize until he hugs you from behind and mumbles in your ear that he’s glad you’re the only one who knows he has a skincare routine, his silly words diffusing your mood and acting as the exact affirmation you needed. If it’s not enough, though, he’ll happily prove his loyalty to you by challenging Koala to a karate match, though.  

Law: Dr. Law and Dr. Robin sure do get along well- so well, in fact, you can’t help but wonder if they are better suited to each other than you and him. Even if they didn’t have such good chemistry, it would be impossible not to feel a touch of jealousy toward the archeologist. She’s intelligent, beautiful, fiercely loyal, a member of the Straw Hats, and has an impressive bounty that she earned even before she became a pirate. Needless to say, you find yourself brooding when the Robin brings him a beer and sits down beside him to discuss the immune systems of fishmen, a topic both are rather interested in. Of course, you’re interested in that, too, thus the reason Law realizes something is wrong when you don’t participate in the conversation. He ends up excusing the two of you and taking you to bed, worrying you had too much to drink, the thought you may be jealous never once occurring to him. You end up not saying anything (many thing in your relationship with Law being unspoken) and just sleeping it off, the fact that he excused the two of you proof enough of his loyalty. 

Kid: He doesn’t ever talk about his first love, Victoria. In fact, you didn’t even know she existed until Killer got drunk one night and began speaking of his dearly departed. What he didn’t mention was that Kid, too, had been in love with her. It only comes up the next night when you mention it to Wire, who mentions it was the death of his first love, Victoria, that put Kid on the war path and united the first four members of the Kid Pirates. Realizing Wire messed up, Heat chimes in to say, “he’d do the same for you.” But you’re not convinced, mainly because Kid never told you any of this. It tears you apart, leaves you tossing and turning for nights on end, until you finally burst into Kid’s workshop one night ranting about how he doesn’t trust you and holds you at arm’s length. “Heat says you’d do the same for me, but-” Kid cuts you off and says, “I wouldn’t do the same, I’d do worse. Much, much worse.” And from the wicked gleam in his eye, you’re inclined to believe him. 

———

Hope you enjoyed it! If you want more, you can check out my masterlist here!

[breannasfluff]

Danny’s funds are becoming increasingly slim and cutting back on food would be his first course of action. Except now there’s DeeDee to feed. He heads back to the bulletin board.

There’s a new advert up, Weed Pulling. Gloves Provided. The first call gets a busy signal, but when he tries again someone picks up. 

“Hi, I’m calling about the weed-pulling ad?”

“Are you strong?” a female voice asks.

“Er…yes?” Danny could pull on his ghost strength if he wasn’t obvious about it . 

“Can you be at the warehouse district on 220 tomorrow at 1?”

Because this is Gotham, he asks, “AM or PM?”

“AM. The weeds are weakest in the dark.”

Well, that sounds… shady as shit, as DeeDee would say. Still, pulling weeds can’t be too bad. Even if it is at night. In the warehouse district. Actually, this sounds like a bad idea–

As if the lady can hear the doubts in his head she says, “I’ll pay you $100 an hour.”

“Done.” Danny might have standards, but they include eating. At worst, he’ll use his ghost powers to escape.

The lady on the phone didn’t specify which warehouse, but it’s abundantly clear when Danny arrives. Vines are growing rampant over one of the buildings. 

“Are you the weed puller? I’m Pam.”

Danny turns to greet the speaker. She’s got red hair, glasses, and a baseball hat on. “I’m Dan.” Then he turns back to the warehouse. “That wouldn’t be your weed problem, would it?”

Pam joins him with a sigh, pulling off her glasses to clean them. “That would be it. It got a little…out of control.”

He doesn’t even want to know what made it grow to this size. It’s a localized Undergrowth all over again. Speaking of which… “Does it regenerate when cut?”

Pam turns to stare at him for a long moment. Maybe that’s a strange question to ask, even for Gotham. But then she says, “Yes. It’s too big for me to handle when it keeps growing back.”

With his ice powers, Danny could freeze the branches or even the base. From there, it would be a matter of pulling the vines off the building. Neither of which were feasible in his current form. 

He grimaces at the building. “Are you sticking around?”

Another long look. “I don’t care how you remove it if that’s what you are asking.”

“It’s not.”

Pam sucks her tongue against her teeth, then shrugs. “I could take a break for some tea. The area is empty tonight.”

Danny nods, already running logistics on how much time he’d need while keeping his powers less flashy. He’s not in Amity Park to simply blow the plant sky-high and call it a day. “Come back in two hours?”

“That’s a long tea break.”

“That’s a big weed.”

Pam stares, but Danny doesn’t back down. Finally, she shrugs again and hands him a pair of gloves. “Have fun weeding.” Her heels click on the pavement as she walks away.

Who wears heels at 1 AM for weeding? Probably the same people with building-sized weeds. 

Read the rest here!

[sacredsorceress]

Scars / Logan Howlett

pairing: dofp!logan howlett x mutant!reader summary: every person has a soulmate. after settling in the future that he saved, logan starts to consider his next mission when a suspicious mark appears on him. word count: 3.2k a/n: good ol'fashioned soulmate AU. this is the first actual fic i've written in a long time so please have some grace. reblogs and replies are super appreciated! warnings: general mentions of logan's past, scars, self-doubt, alcoholism, reader smokes a cigar, mentions of razors, scars, wounds, two uses of y/n

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It had been a week since Logan woke up in his healed timeline.

For most people, the change would have been dramatic. But Logan was far unlike most people. The initial dreamlike state he was in when he first walked through the mansion- seeing the ghosts he had once known returned to the flesh, unscathed- quickly subsided. Logan had always been a man thrown onto a new path- how he lived life constantly changing to best fit his interests. Now, with his newfound peace he found the most complicated mission of all: what to do with the life he was now free to live?

Even before the sentinels, the battles, the wars- he had always been a man on the run. He was solo, strategic, concise. For a man who was gifted with infinite regeneration, he had solely concerned himself with staying alive. He ate for sustenance, sought shelter for safety, and nursed a bottle to find enough peace of mind to sleep at night.

The professor had once told him that for a person to reach self-actualization they first had to have all of their needs met. Logan had scoffed at the time, assuring the professor that he knew himself just fine. But now, with his problems so solved that they had ceased to ever exist, he wondered if maybe the professor was right.

Who was he? Where did he go from here?

The answer was found in the form of a scar on his hand.

"Well, everything seems to be just fine."

Logan scoffed at the blue man in front of him

"Well it's not." Logan said. "Check again."

Two days after he had come back, a large, circular scar had appeared on the palms of each of his hands. When they hadn't disappeared after two minutes, he rushed to the bathroom and nicked himself with his razor, watching as the wound healed with only blood dripping down his scruff as a remanent of it. Thirty minutes after that he found himself in the lab with Hank, Jean, and the Professor hypothesizing his miraculous marks.

"Logan, the tests came back clear." Jean assured him, leaning against the wall. "Maybe it's time to consider that it's something else."

Logan quirked his head towards her.

"I haven't had a scar in over two hundred years," he reminded her, his voice laced with irony. "I get not one, but two and you... what? Think it's a coincidence?"

Before Jean had a chance at rebuttal, the professor moved to face Logan.

"That's not what Jean's inferring, Logan." Charles reminded him. "We're simply asking that you consider other options. Less... dire options. It could, after all, be a good thing."

"Yeah?" Logan scoffed. "Like what?"

A silence hung in the air.

When Logan had first come to them with news of his scar, the thought had been on all three of their minds. Still, there were a plethora of things that could have caused that. Though, when the tests came back clear and his skin continued to heal from all sorts of abrasions, it felt as if there was only one answer for his seemingly magical scars.

However, none of them were keen on sharing this diagnosis with Logan. One wondered whether he'd handle the idea of his body failing him over fated love.

Hank was the first to speak up.

"Like a soulmate."

Oh that was rich, Logan thought.

Logan wasn't unfamiliar with the idea of soulmates.

Around the time that two fated lovers were destined to meet, there would be a sign for each of them. In some cases they were eyes changing colors, feeling the other's pain, finding their names everywhere they looked. In other cases they were new birthmarks, tattoos, scars.

In some way, the two were inextricably connected.

In his long life he had seen others experience it dozens if not hundreds of times. When the first thirty years of his life rolled around with no one, Logan accepted that he was one of the outliers. He considered it for the best and by now, with everything that he had gone through, the concept of soulmates almost seemed like an old wives' tale.

Logan glanced at their faces. When he realized they were serious, a deep laugh escaped from his gut. There was a lack of light in his eyes that admitted his insincerity.

"So I disappear for a few decades and you all start believing in fairytales?" Logan pulled the needles from his arm, the heart rate monitor going flat as he did. "What a bunch of bullshit."

Jean laid her hand against his chest, urging him back into the seat.

"Logan." She soothed him. "This is a good thing. Scott and I-"

Oh this was real rich.

"Scott and you are... what, huh?" Logan urged. "Soulmates?"

Logan scoffed, swiping Jean's hand from his chest.

"Bet you're so happy with your 'soulmate' and that's why you lead me on, huh? That it? You're happy?" He taunted, a dark laugh escaping him once more. "Spare me-"

"Logan, that's enough!"

The professor's voice echoed against the linoleum walls of the lab, reverberating off of the medical equipment throughout.

"If you want to wallow in your own self-deprivation, be my guest, but spare the rest of us your grief." Charles continued. "I think it would be best if you go back to your quarters and consider the future the universe has offered you."

The energy in the air was thick.

Jean and Hank avoided Logan’s eye contact while the professor’s nearly burned a whole through him.

Accepting defeat, Logan threw his hands up in the air and pushed himself out of his metal chair.

“Fine.”

Soulmates. Logan thought. Who would believe in a thing like that?

-

"It's a pleasure to see you again."

The atmosphere in the mansion was a stark contrast to the lab Charles had been in days before.

Now the school day had commenced: children skipping from class to class, students chatting with their friends in the hallway, teachers grabbing coffee between lessons. Amidst the organized chaos, Charles had arranged to meet you in the foyer: the replacement history teacher for Logan's class.

"You too, professor." You smiled, reaching out your hand. "I was so glad to hear from you."

Your hand hung in the air briefly, awaiting his return. Charles examined it for a moment- a twinkle in his eye- before taking it. His thumbs brushed against the newfound scars between your knuckles as he did.

"Correct me if I'm wrong, but you didn't always have these scars, did you, Y/n?" Charles asked.

You had not.

You had woken with them a few days before. Despite your powers rooted in chaos magic, it wasn't uncommon for blemishes or wounds to etch themselves into your skin. However, you often knew why. These marks, scars, were not faint, but instead quite profound. Three thick, healed over wounds patched together like a stitch on the back of each of your hands.

"No professor."

He closed his eyes, a soft smile gracing his lips. Though you knew he wished to ask more questions, the moment was broken by Logan.

"Ah, the man himself." Charles beamed. "Logan, I'd like you to meet Y/n. She'll be covering your class."

You had seen your fair share of news stories about the Wolverine. Who hadn't? Though the television had never prepared you for just how tall, or broad he was.

"It's nice to meet you, Logan."

"You too." He nodded, taking your hand.

His hand lingered in yours for a moment. Charles cleared his throat.

"We were just discussing the most peculiar scar on Y/n's hand." Charles said. "Appeared just a few days ago out of nowhere."

Charles nodded his head in the direction of your hand, leading Logan to squint. As if a light bulb had gone off over his head, Logan glanced between Charles and yourself and with your hand still in his, he turned it examine the back.

Three scars between your knuckles. Right where his own claws would be.

Though he liked to imagine himself as the patron of remaining suave, Logan's eyebrows shot up at the recognition. He traced his view from your hands, up your torso, to your face where you eyed him questioningly.

He thought back to the way that he woke up in the seventies, wrapped in the arms of another woman. If times had been different and Logan hadn't undergone all the so-called character development in the last forty years, he was sure that a face like yours would have gotten him in a lot of trouble. You were beautiful, and your demeanor highlighted your strength.

Your face radiated kindness, warmth and most of all, sincerity- a trait that was difficult to come by in a trade such as his.

But then Logan recalled that this wasn't the seventies and you weren't at some bar leading him on the entire night: your hand was in his and, according to everyone else, he was yours.

The idea almost couldn't register in Logan's brain.

"Interesting, isn't it, Logan?" Charles asked, breaking the silence. "Almost identical to where your claws are, hmm?"

Oh the professor thought he was quite funny.

Logan pulled his hand back from your grasp and shook his head.

"Not that easy, Charles." Logan commented before turning to you, a spiteful tone in his voice. "See you around, bub."

Before you had the chance to open your mouth, you watched as Logan stomped down the nearest hallway, his boots squeaking against the floorboards as he did. His fists clenched and released at his sides as he disappeared from view.

His reaction had come so far from left field that if it hadn't given you whiplash, it would have hurt your ego. Instead you turned back to the professor.

"Was it something I said?" You asked.

The professor shook his head, patting your hand gently.

"Logan's quite a complicated man." He assured you. "I'm sure you'll come to know that more than the rest of us. Now, to your classroom..."

Glancing over your shoulder to the void-like hallway that Logan went down, you considered the professor's words.

-

A storm had taken over the mansion by nightfall.

As you padded down the wood panelled hallways, the lightbulbs shook in their glass with each thunder clap- wind swatting at the window panes every few seconds. The pitter patter of the raindrops, although harsh, was comforting. It was almost as if the mansion had been engulfed by the storm, trapping everyone inside, while consequently making the outside world feel a thousand miles away.

When you found Logan's door, tucked in at the end of the hallway, you knocked.

"Yep."

The weight of the door fell against the palm of your hands as you pushed it open.

Logan's room was dark. The only light in the space had been from the embers of the cigar that hung in his mouth, cradled between his thumb and forefinger. Despite the darkness, you could make out his figure sitting at his desk chair by the window, feet kicked up on the sill.

Logan only gave you a quick glance over his shoulder before turning back to the view.

"What d'you want?"

His voice was thick and rough around the edges.

"I came for your textbooks." You replied, tiptoeing against his floorboards. "The professor said you'd have them."

The hand of his that held the cigar waved around. Minuscule ashes fell to the floor as your eyes remained trained on the light and the faint glow of the moon that illuminated the side of his face.

"Be my guest," he said. "Don’t have a clue where they are."

The professor had given you the lowdown when he saw your scars.

Charles told you that despite everything that you had learned- the history that you had known- the Wolverine you'd meet was not the same person. He was a man from a different time with far different, darker memories and enough baggage to weigh down dozens.

Amidst the silence, you cleared your throat.

"Must be hard to wake up in someone else's life."

By now you had reached his desk, your fingertips tracing the lines in the dark, lacquered wood.

You could smell him and the cigar from this distance- aftershave mixed with smoke.

"The professor tell you that?"

"Mhm."

The chair creaked as Logan flicked his hand towards the window, ushering you to come closer.

Watching your step in the dark, you maneuvered around the furniture and sat beside Logan on his desk- pushing loose papers to the side.

"He give you his whole spiel on soulmates too?" He asked, eyes trained on the rain outside.

Soulmates.

Now that was the last thing you expected to come from the Wolverine's mouth.

You'd heard of them more times than you could count. You once wondered whether every repetitive coincidence was a sign that your person was coming. But, when that never happened, you lost hope.

Who got to tell you who you belonged to anyway?

Leaning over, you gingerly took the cigar from his grasp and replaced it with your own fingers. Sitting back into the desk as lightening struck a tree in the distance, you took a puff.

"So that's what the scars on my hands were all about," You thought aloud.

The window fogged as you let the smoke leave from your mouth in a breathy sigh.

Logan tapped his fingers on his thighs, counting the seconds between a lightening strike and its consecutive rumble of thunder.

"Listen, I'm no prince charming if that's what you came here looking for."

Logan's chair creaked again as he leaned back in his seat. His arm draped against the desk as he met your gaze.

You chuckled and held out his cigar, offering it back to him.

"I came here looking for textbooks." You laughed. "You're the one who keeps talking about soulmates. I think you're more of a romantic than you let on.”

His fingers brushed against yours as he took the cigar back into his own hand. Another lightning strike met the ground in the distance, a clap of thunder following moments afterwards.

"You don't buy it?" Logan quirked his eyebrow. It was a teasing question, one he was curious to hear your answer to.

You shrugged.

"I don't think the universe gets to tell me who to love," you said. "If I fall in love with you it's because I love you, Logan. Not because some mark told me to. I just think of it as... a little shove in the right direction.”

The corner of his mouth quirked into a smile for the first time.

"A shove?"

"Like a... blind date." You finished. "Ever been on one of those?"

A congested laugh escaped him.

"Sweetheart, do I look like the type of guy to go on a blind date?"

You bit the inside of your cheek at the name.

Rolling your eyes, you swatted at his arm. You wouldn't admit how much it hurt your knuckles to do so. You'd have to make a mental note to remember his adamantium skeleton.

"Gosh, you're cocky!"

Logan shrugged, "You're the one who likes it apparently."

You felt yourself grow hot at his accusation.

Even though he had a mark signalling his future affection for you, you couldn't help but feel embarrassed by Logan's knowledge of yours. You felt like a child who's crush had just been exposed to the whole class. Was he noting ever glance that you gave him? The way you didn't move when his arm brushed against yours?

A brief pause hung in the air until another thunder clap reverberated against the walls.

"So what's your mark?" You asked.

Logan shoved the cigar into the corner of his mouth. The biting motion forced him to flex his jaw in a way that you would refuse to admit made you start to realize that maybe the universe was right.

And that maybe his cockiness was justified.

He laid out his hands for you. The room was still dark, making the ability to discern the details of his scar impossible. Taking Logan's hands in yours, you summoned your magic into your hands, watching as they glowed gold.

Logan had two large, circular scars imprinted into his palms. It was a clear indicator of your own magical power that surged from your hands.

It left a feeling you couldn't describe in your chest to know that someone else was marked for you. They were destined for you. To be with you. You had a future written together before the two of you had met. Even if he rejected you, there was a sign etched into his skin that bound the two of you together in some fateful way.

Gently, you traced your fingertips against the mark, feeling the warmth that radiated from his palms.

When your eyes flicked upwards, you noticed how close the two of you were now sitting. You could feel his warm breath against your lips as the lingering smell of the cigar drifted up your nose.

Although he wouldn’t admit it, Logan was enchanted by the energy radiating from you. Whether people hated or loved him, his ability got a lot of talk. In his mind though, he would never be a hero. He was just some guy who got lucky.

You, though? He didn’t need you to tell him that you were an Omega level mutant. Logan had heard about you from the professor: you could cast spells, read minds, reconfigure reality- to name a few. You didn't need a reason to fight for what's right, you just did. Again, and again, and again. Even here, now, you were picking up Logan's history class when he knew very well you could be on the other side of the world sipping pina coladas if you wanted.

What the hell was the universe thinking putting you with him?

Logan admired the reflection of the magic on your cheeks and the way your eyes stayed trained on his palms. Your touch was so gentle he could have sworn he was in a distant dream until your eyes met his.

The two of you stared at each other for a moment, gaze locked.

Then another clap of thunder shook the mansion.

You quickly leaned back, pulling your hands from Logan's touch.

"I should... I should go." You said, pushing yourself off of Logan's desk. "It's getting late and I have my first class in the morning."

Logan leaned back in his seat. He said nothing but eyes remained fixed on your form as you made your way towards the door.

Looking back at him with your hand on the knob you made a mental note to remember the image of him with his feet kicked back on the window as he smoked his cigar.

A soft smile remained.

"Good night, Logan."

When you didn't leave immediately, he nodded.

"Night, sweetheart."

Mustering up the courage to shoot him one last smile, you pulled open the door and stepped outside.

Now, Logan didn't know how much he believed in soulmates, but he could be inclined to consider that it was one good wingman.

Leaning back in his seat, Logan sighed and closed his eyes, letting himself drown out his worries with the sound of the rain.

a/n: my inbox is open for more requests! thank you for the request @welcometochilis585

[jetii]

So excited you are taking requests! I love your work ❤! Could I request a S(ish)FW (language and innuendos ok, basically anything except actual smut) with Prompt #56? I was thing fem Jedi!reader and Crosshair having a snarky/flirting conversation post mission? Maybe leads up to implied sexy times, I'll leave that up to you.

This prompt was so Crosshair lol thank you for requesting it!

Grateful

Pairing: Crosshair x Jedi!Reader

Words: 3,132

Tags/Warnings: fluff, canon-typical violence, arguing as a form of flirting, a gratuitous amount of swearing, some making out but nothing too crazy

Prompt: 56. “I-I don’t know if I want to yell at you or fuck you.” / “Surprisingly that is not the first time I’ve heard that.”

500 Follower Celebration Masterlist | Main Masterlist

“Eyes up, General.” Crosshair's smooth voice sounds in your ear. “You’ve got company.”

You quickly pocket your datapad, taking a look around the forest. You don't see anything, and you look up at the tree where you know Crosshair is perched, the tip of his rifle just barely poking through the leaves. 

"How many?" you ask, keeping your voice low.

"Just one, but it's a big one."

You take another look around the trees. "Where is it? I don't see anything."

"You will."

“That’s not helpful,” you grumble, turning back to your datapad, tapping on the screen to wake it back up. The screen lights up, and you go back to your notes, continuing your read through as you walk through the woods, your eyes flicking up every so often to glance around you.

Nothing.

Your eyes focus back on the datapad. You’re still searching for an elusive herb that is supposedly native to this planet, one which is a rare and valuable medicinal ingredient. It’s not uncommon for Jedi and other medics to search for them, though it was a pain to do so. Making matters more complicated was that this planet was so far removed from the Republic that you were risking getting into trouble just by being here. 

The natives had yet to be contacted by the Republic, so your presence was an unknown to them. You don't even know if they're civilized enough to communicate with you, and if they were, whether or not they'd be hostile to you.

What you do know is that you’d be punished if you were caught on this planet without permission, and the last thing you wanted was to be sent to the AgriCorps. Again.

Crosshair, of course, thinks you're stupid for even thinking about searching for this herb. He had made a point to tell you exactly what he thought as the two of you set off earlier this morning. You’d left Tech and Echo behind to repair the ship’s systems, while the two of you went out to explore, Hunter and Wrecker doing the same in the opposite direction.

Crosshair was less than pleased at the idea, but he'd agreed to go with you anyway, even if his reasoning was more to ensure you wouldn’t get yourself killed.

As much as you hated to admit it, the sniper was probably right. Your chances of actually finding this herb was slim. You'd spent several days searching for it already, and your only reward was sore feet and an empty vial. You didn't even know how the plant was supposed to look, other than the brief description provided to you by a Jedi Master who had been on this planet before and some poor quality photos.

Small, white, fragrant flowers. Leaves long and thin, shaped like a star, growing in groups of five.

You were sure there was plenty of vegetation that matched the description on this planet. Hell, it was a forest, and it seemed like everything was green. The only problem was finding the right one.

You had no idea how long you had until the flower stopped blooming, and the plant lost its medicinal value. If you didn't find it soon, you'd have to leave, and then you'd be forced to return home empty handed, without the rare herb and with no explanation as to why you'd returned without it.

And worse, Crosshair would be proven right.

The thought of that alone was enough to make you want to find the damn thing.

You walk a few steps farther, pausing at a small clearing in the forest. You glance at your datapad again, checking your notes, then scan the ground for any sign of the flower.

"It's not there."

You look up. You don't see Crosshair anywhere.

"Where are you?" you ask.

"Behind you."

You turn and look, and you still can't see him. "Well, if you're going to criticize my choices, the least you could do is get down here and help."

"I am helping. By keeping you alive."

You scowl. "Where the hell are you?"

"You should really watch your language, General."

You roll your eyes. "Come down here and help me," you say.

"Help you with what?"

You jump and turn, letting out a surprised yelp when you see Crosshair standing next to you, the butt of his rifle resting on the ground, one hand resting on it, the other on his hip. His helmet is still on, and you're unable to read his expression. You hadn't heard him approach, and it had startled you, enough so that your hand had gone to the lightsaber at your waist.

"What is wrong with you?" you demand.

He tilts his head. "I didn't realize you were so jumpy.”

"Yeah, well, if you weren't always hiding in trees and making creepy comments, I wouldn't be," you grumble, releasing your hold on your saber one finger at a time.

"If I wasn't always watching your back, you'd be dead," he retorts.

"Yeah, yeah," you mutter. "You're the only reason we're not all dead."

"You're welcome."

You let out a sigh and roll your eyes. You’re sure he’s smirking underneath his helmet, and you're not entirely sure how you feel about it. There's something about him that irritates you, that gets under your skin, but he's also the only one on the squad that seems to pay attention to you. And he does a good job of it, too.

It's strange, really, because he seems to notice things about you that nobody else does. He knows when you're annoyed, or upset, or when you need to eat. He can tell when you're not sleeping well, or when you're tired, or when you're distracted. And when you're focused, like now.

The two of you spend a moment staring at each other, neither of you saying anything. You can practically see the smirk on his face, and you narrow your eyes, not trusting him. He's the most unpredictable member of the squad, and he always seems to catch you off guard. He seems to take great pride in it, too, and you don't appreciate it.

"Whatever," you finally say, turning back to your datapad and looking at it again. The description of the herb and its supposed medicinal value was all well and good, but the picture of the plant was very generic. It looked like pretty much every plant in this damn forest.

"Do you actually have any idea what you're looking for?" he asks, stepping up next to you.

You give him a withering look, and he just stares back at you.

"No," you hiss. He chuckles, a low, warm sound that makes your skin prickle. "You wanna tell me what's so funny?"

"Not really," he says, his helmet turning towards you.

"Asshole," you mutter, turning away from him and scanning the ground. He's still staring at you, and the feeling of his eyes on you makes your skin crawl. "Do you mind?"

"No," he replies, his voice low. His helmet tilts to the side as he watches you, and you can feel your cheeks growing warm. He's close, and it makes you feel uneasy, but you don't back down, and he doesn't move.

“Look, if you don't want to be here, you can leave," you say, turning to him, your voice rising.

He takes a step closer, and you have to fight the urge to back away. You stand your ground, and he leans closer, the black visor of his helmet mere inches from your face.

He scoffs. “And get blamed when you disappear and die on this planet? No thanks."

"You'd love that, wouldn't you?"

He shrugs. "Wouldn't matter to me," he says. "But I like to think of myself as a loyal soldier. Wouldn't leave a comrade behind, no matter how idiotic the mission. Or the person.”

You roll your eyes. He's just trying to piss you off, and he's succeeding.

"You're insufferable," you hiss. "Get lost, and stop following me. That's an order."

He chuckles, the sound sending a shiver down your spine. "Can't," he says. "I'm stuck with you."

"Why?"

He doesn't answer, just shrugs.

"Then just leave," you mutter, turning and walking away. You hear him follow behind, but you don't bother to look. You know he'll keep pace with you.

You walk in silence for a few minutes, before he speaks.

"What exactly are we looking for, anyway?"

"Are you actually going to help, or are you just gonna complain?"

"Complain, probably."

"Then leave."

"Not until you do."

"Ugh," you groan. "Fine. Look for anything with long, thin leaves, and white flowers."

"What does it do?"

"You don't care."

"Probably not, but I'm asking anyway."

"It's for an antidote," you reply. "For a poison. It's very rare, and expensive, and the only way to obtain it is by harvesting the flower. If we can find one with roots in tact, we can bring it back with us and grow our own. But the only place it's grown is here, and the blooming season is only a few days and then it's over."

"Sounds like a lot of trouble," he comments.

"It's worth it," you argue. "This could save thousands of lives."

"So, what do I look for?" he asks. You give him a look, and he shakes his head. "What? You asked for my help. Tell me what to do."

"Fine," you sigh. "The flower is usually found growing at the base of a tree or shrub, and the roots are long and deep, and it has a unique scent."

"Unique how?"

"I don't know, it's like..." You wrinkle your nose, thinking. "Like... honey and mint, I think? It's hard to explain. I don't really smell it myself, but that's what I was told."

Crosshair stares at you for a moment, his hands flexing. He looks like he's contemplating something, but doesn't say anything. Instead, he just turns away, walking into the woods.

"Cross?"

"Keep your eyes open, and don't die," he calls back.

"Where are you going?"

"To find your precious herb," he replies, waving over his shoulder.

You roll your eyes. "Just don't get lost!"

He doesn't answer, disappearing among the trees.

You continue on your way, stopping every so often to check the ground for any sign of the flower, and then move on. The day passes slowly, and you feel yourself getting more and more frustrated. Your frustration only grows when you see the sun starting to set, the sky slowly darkening.

"Fuck," you grumble, turning and heading back in the direction of the ship. Crosshair had left hours ago, and you hadn't seen or heard from him since. You had no idea where he was, or if he was still alive.

"Cross, you there?" you ask, tapping your comm.

Nothing.

"Crosshair, come in."

Still nothing.

You let out a frustrated huff. He was probably fine, but that didn't stop the worry from creeping up inside of you. It wasn't unusual for him to disappear, but you had expected him to stay close to you, especially after insisting that he stick with you.

"Dammit," you growl, turning back around. You're about to call out for him again, when you hear a twig snap behind you. You go still, your hand instinctively going to your lightsaber, and you spin around, igniting it.

You're not prepared for what greets you.

You're met by a massive, six-legged creature, easily three times your size, and twice as wide. It's covered in thick, shaggy fur, its legs ending in sharp talons. It lets out a growl, its teeth bared, saliva dripping from its mouth.

You're frozen in place, your heart pounding. You can't move, your limbs trembling, and you try to think, to find a way out of this, but you can't.

The creature takes a step towards you, its head lowered, and you can feel the air around you shift as it inhales. It's trying to catch your scent.

You grip the hilt of your lightsaber tightly, willing your hands to stop shaking, trying to keep the blade steady. You’ve fought bigger, more dangerous things than this. You can handle it.

You swallow hard, trying to calm your nerves. You can do this. You're a Jedi.

The creature opens its mouth, a low, rumbling growl echoing in the woods. It's almost on top of you now, and you brace yourself, knowing you have to act, or you'll be dead.

You move forward, swinging your lightsaber towards the creature. It reacts immediately, lunging at you.

A loud shot rings through the forest, and the creature stumbles, its head jerking to the side. Another shot, and another, and the creature falls, the life draining from its body.

You stand there for a moment, your lightsaber humming quietly, the smell of the creature's blood filling the air. You can feel your heart beating wildly, and you know you should be relieved, but you're not. You're angry, and terrified.

“What the fuck is wrong with you? You could have gotten yourself killed."

Crosshair is standing next to you, his rifle aimed at the creature, his eyes hidden behind the black visor of his helmet. His hands are steady, his finger resting lightly on the trigger, and you can feel the tension radiating off of him.

Okay, now you're furious.

"What the fuck is wrong with you?!" you demand, glaring at him. "There’s no way the locals didn’t hear that. We're going to be in so much shit."

"That thing was about to kill you, and all you can think about is how much trouble you're going to be in?"

"Yes!"

He lowers his rifle and pulls off his helmet, and you're met with his usual expression of disdain. "You're unbelievable."

"Where the hell were you, anyway?"

"Helping you," he says.

"Bullshit," you hiss. "If you were helping me, we'd have found the damn flower by now."

He holsters his rifle and digs into the pouch on his belt, pulling out a vial and holding it up.

You stare at it for a moment, not believing what you're seeing. It can't be. There's no way.

"Are you kidding me?" you ask, snatching the vial out of his hand and turning it over. Sure enough, inside is a small, white flower, its roots still intact.

"You're welcome."

"This can't be real," you murmur, your eyes widening as you stare at the herb. It's everything you'd hoped for, and more.

"It is," he says.

You turn to him, your mouth hanging open. “I…”

"It's okay," he says, taking the vial back and handing you his helmet. "You can say it."

“I—I don’t know if I want to yell at you or fuck you.” The words are out of your mouth before you can stop them, and you cover your mouth with your free hand, your face burning.

His eyebrows shoot up, and he tilts his head.

“Surprisingly not the first time I’ve heard that," he says, a smile tugging at the corner of his mouth.

"It just slipped out," you protest. "I didn't--"

"Sure you did," Crosshair cuts in, taking a step towards you. He's close, so close that you can feel the heat of his breath against your skin, and it makes your knees weak. "I've got that effect on people."

"I hate you," you whisper, unable to look away from him.

"No, you don't," he murmurs, leaning in and pressing his lips against yours.

You gasp, but don't pull away, your eyes fluttering closed as his hands rest on your hips, pulling you against him. His lips are soft, his kiss gentle, and you can't help but kiss him back, your arms wrapping around his neck, his helmet dangling from your fingers.

The two of you are pressed together, his warmth surrounding you, and you melt into his embrace. You're not sure how long you stand there, your lips moving against his, your heart pounding in your chest.

You can't seem to think straight, and all you can focus on is him, his touch, his scent, his taste. He takes a step forward, and you gasp as your back hits a tree, his body pinning you there. He takes advantage of the opportunity, his tongue slipping past your lips, exploring your mouth. You moan softly, and he deepens the kiss, his hands gripping your hips tighter.

Your knees are trembling, and you have to wrap your arms around his neck, afraid that you'll fall. He seems to sense this, his hands moving to your waist, pulling you flush against him. His armor is hard, digging into your skin, and you let out a soft whimper, a sound that makes him smirk against your lips.

He breaks the kiss, resting his forehead against yours, his breath hot against your skin. His eyes are dark and hooded, his cheeks flushed, and he's breathing hard. He doesn't speak, just stares at you, his gaze intense.

"Thank you," you finally whisper.

“For the flowers or the kiss?" he asks.

"Both."

He smiles, and it's one of the first genuine smiles you've ever seen from him. He's beautiful, and you can't help but stare at him, his sharp features, his piercing eyes.

"Come on," he says, pulling back and taking your hand. "Let's get back to the ship before the locals figure out we're here. You can show me how grateful you are later."

Your cheeks burn, and you quickly look away, trying to hide the blush that's creeping up your neck. 

"Yeah, yeah," you mutter, rolling your eyes, though you can't help but smile as he takes your hand and tugs you towards the ship. The two of you walk in silence, his fingers laced through yours. He's surprisingly gentle, his touch light, his thumb brushing over your skin.

You're still not entirely sure what to make of him. He's cocky and arrogant, but he's also protective, and attentive. He notices things that others don't, and he does what needs to be done, even when he doesn't want to. And he doesn't let anyone else tell him what to do.

But most of all, he's the one person who's always been there for you. He's the one who's always watched over you, even when you didn't want him to. And even when he's a pain in the ass, you're glad he's there.

You steal a glance at him, and he's looking at you, his expression soft.

"What?" you ask.

"Nothing," he replies, a smirk tugging at the corner of his mouth. "Just wondering how grateful you're going to be."

You flush, looking away, and he chuckles, squeezing your hand.

"Shut up," you mutter, trying, and failing, to hold back a smile. You can’t deny you’re looking forward to it.

Taglist: @baddest-batchers @covert1ntrovert @stellarbit @bruh-myguy-what @qvnthesia

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@marchingviolist @deerspringdreams @chaicilatte @somewhere-on-kamino @silly-starfish

[paper-mario-wiki]

I feel like I've ended up in the same spot as so transmasc before me: I have a lovely cis boyfriend who loves my tits which I love for him, but I am getting dysphoric to the point I wanna lift my lips and show a lil teeth when I see his hands coming towards them. Feels bad because they are his favorite and we haven't been fucking as much because as soon as he starts touching me I am out of it™ and get all in my head and freeze up. Any advice?

good god, brother. i am utterly baffled at why you have elected me as the strategist for this problem, and i'm even more confused as to why you have chosen to go into as much detail as you have.

but.

if i were to give you some advice on this

i'd say that you should consider a conversation with your partner about the long-term plan for the relationship. a "relationship" is two lives that are connected, right? and your life is not one where you're gonna have boobs for the rest of it (or at least based on what you've told me i would assume, should you have your way, those bad boys are gettin lopped off at some point), therefore it's pertinent that it be brought up, because it concerns your life, therefore it concerns the relationship, therefore it concerns him, yes?

now, the first and most obvious thing to start with out the gate is the boundary, made clear and concise: the hills are now closed, off limits to tourists. all discussions regarding this come next. make it clear that it's about something quite core to your identity, and something that does in fact cause physical pain (a panic response from the nervous system is pain homie).

this brings some followup questions (and remember, this isn't an interrogation, it's a dialogue to share): how does he feel about this? if he's against, why? for that matter, how much does it bother him? is there something he doesn't understand about your discomfort? is there some concern he has about your financial or bodily well-being with regards to the procedure? is it because it's vital to his attraction to you as a partner? if that's the case, would their removal be a deal-breaker?

now keep in mind, these question can be brought up whether or not you've got immediate plans to engage in the aforementioned lopping-off of your aforementioned Bad Boys, because the actual point of this dialectical exercise is to create a simple, easy to navigate, easy to understand conversation, which will set a foundation for further negotiations-- should you learn something new about each other, or yourselves, or the relationship as a whole.

either way, i do not think that letting it keep happening and keeping it to yourself is a good idea. i can understand feeling guilty about withholding some physical and emotional gratification you could give "easily" to this person you care dearly for, but trust me when i say that it's not the way to let it be. not just because it's unfair to your partner to secretly grow to resent them for a reason you don't want to vocalize, but to yourself as well.

you may not know it, but by keeping it to yourself you're slowly building up a resentment. that frustration actually shows up pretty clearly in your message. and even if what you're frustrated about is only that particular activity, that activity is irrevocably tied to another person. specifically, a person that you consider to be a pretty central pillar in your life. if that resentment grows, it can evolve into anger, hatred, fear, paranoia, and all sorts of nasty things. and even aside from the emotional and psychological damage that can do, it can grow into a physiological issue, where your brain wears out more and more due to the growing emotional distress ripping through your neurons with all sorts of "emergency" chemicals. like i said, the panic response is a physical pain, even if your body doesn't feel like it "hurts".

so. to summarize.

ABSOLUTELY bring it up. if you don't, it could become damaging to your relationship, and also your actual real life physical brain.

when you do bring it up, remember that the goals are to set a boundary, and to reach an understanding through mutual conversation. it's a dialogue, not a lecture.

when you reach an understanding, figure out if the relationship needs to be renegotiated in some way. that usually means new boundaries, or expectations. or maybe nothing! though surely your boyfriend can find more things to love about you.

that's as best as i can muster. you don't have to follow it, but hopefully it'll at least give you some ideas you can use.

[zcinderone]

An ironically conspicuous yet never exploited(except by me as far as I can see) dot that connects everything which could be the ultimate layer of secret to unravel the true identity of Arei's murderer...

It's Levi and this is where the final piece of puzzle come to make sense of itself: the Monotv recruiting Teruko do CAULKING scene!!!

This is such a detailed and prominant plot that so far made 0 sense as to its connection to the case. Monotv must have enlisted a helper to clean up the mess left in the gym. Since he can't even do caulking, it is 100% valid for the narrative that there are something in this mess he can't handle. This helper would have abundance of time to figure out the mechanism and took the tape.

(Monotv specifically mentioning he needs help to do certain chores)

Apart from the 4 involved in Ace's case, the only one awake/available late at night was Levi(and we never know for what purpose the story writer specifically left only him awake and readily came out to check the commotion either). This connects everything.

Think about it rationally. It makes absolutely no sense for those involved in the previous case to make an imitation of their own. On paper, only 4 people knew what happened, and Nico ran off leaving the only necessary tool(tape) to replicate this. Should any of the 3 try to imitate a crime only they knew and able to replicate, they are basically yelling they're the only targets from the get-go (and isn't this what's happening right now?)which is beyond absurd. However, if a third party does exist, it changes everything, they would have everything to gain from pulling an imitation since the premise would exclude their possibility permanently.

Based on the aforementioned points, I will make a tentative prediction about one event we are likely gonna see in ep 15: A scrum debate will happen soon, concerning whether or not Ace&Eden really is the only option scope for imitation crime, for they will most certainly discuss the very reason why they imitate and promptly realized the absurdity thereof. The narrative would seem really off if they don't dabble on why, accepting imitation for the sake of imitation. Some will take the stance that such attempt would be illogical for a rational conspirator in the first place, others will insist on the lack of direct evidence of a third party.

I am basing this theory on the assumption that the tape went missing under the dialogue box cg is dev's mistake, because the tape on the ground scene always includes Ace on the ground and the moment he stood it changed which feels too abrupt and dev might just forgot to add that, and there is not a single scene that showed the tape missing without such blockade.

More importantly, there were some clues to back my assumption in the "i'm not fxxing dead!" scene. The tape is placed rather near in front of Ace, a little to our right. Yet, when he stood up he knocked Eden out to our left. It would seem shaky if we take this alone by face value as it could just be a dramatic effect, but what happened afterward is the camera itself clearly turned left to film Eden gradually standing, and turned right to focus on Ace and then turned further right to focus on Teruko, which clearly suggested the actual positioning is: Eden Ace (tape?) Teruko (tape ?) . Problem is, the tape still exitsted right before, and went missing right after Ace stood up under the Teruko "yeah i figured" dialogue box, few secs before Eden stood up, therefore her positioning would exclude her possibility of getting it. And Ace couldn't get it either since four eyes were and the camera was mostly on him, even depicting him reaching his wound with two hands.

I think If the dev did had such meticulous intent for this hidden scene to be the key to locking the culprit, they would most likely be equally meticulous about either the tape's positioning or Ace's act to make unequivocal sense that one of them would have a clear window to obtain it, which in turn suggests they probably never had such intention to begin with.

Also, we got to consider factoring in complementary details like the starched clothes ball(Levi was the only one who mentioned being in the laundry room some time at night in ep10), Arei's missing glove(both Eden and Ace wears glove, Levi doesn't), enough strength to throw the rope near the ceiling(they emphasized early in one scene how high the ceiling is and eden is the smallest girl) Whit trying to make an argument about another motive Levi could have for killing Arei yet got cut off, and trying to redirect the crew's attention back to Levi's secret itself for some reason and got cut off again in ep13 11:22 12:44 (this i think is super super important and it seems only I was mentioning this). These solid details are all adding to the likelihood of Levi, and I really can't find as many other details to back Eden or Ace.

[rainybyday]

Second part of the first time travel team 7 idea

So next on the list are Uchiha’s

So the Senju patrol found out about Sasuke and Tenzo

The Uchiha?

They find Sakura and Kakashi

(Yes Sai and Obito are out for now)

So I think the beginning problem is how Team Seven are all separated and are all trying to find each other

Tenzo actually found Obito first but they split up for Obito to grab Sai and Tenzo got Sasuke once they felt both got their location from Tenzo’s ability to be a tree whisperer

Sakura found Kakashi and they both were going to find the rest of the pack but they met a returning Uchiha party from a job well done

The party has Izuna 

This will happen for two reason

One is so that they understand at least roughly at what time they appeared in

And Two is that they have an important figure of the Uchiha clan to see Kakashi. No, he doesn’t have Obito’s eye anymore but the prospect of seeing a Hatake so close to their clan compound is what I’m after here

Unlike the Senju patrol who immediately went after Sasuke, the Uchiha’s just stop

Cus like, that’s a HATAKE

SHIT

Like on one hand there is another clan claimed name on their land without their permission 

But on the other, its a Hatake, one of the few clans you want to be wary of and think carefully about when you interact with them

Even with the mask on Kakashi, they still don’t want to test their limits on getting fucken mutilated by Hatake teeth

Feral or not, a calm Hatake is still a Hatake

So Izuna, politely mediates and tries to understand why Kakashi and his cub? Packmember? Are on their land

Especially when said cub/pack member looks like they went through hell and back

Who is the stupid person whom attacked a Hatake pack/cub member???

I have no clue what this conversation will entitled but Sakura and Kakashi are allowed to leave relatively safe by all means

Even though they are freaking the fuck out of what they are just witnessing because was that Sasuke? No? You're not Sasuke??? Then who the fuck-?

Meanwhile, Izuna and his party are booking it back to their compound to tell Madara about the wild Hatake in their lands and to make sure to warn the rest of the clan because if they make a mistake like, oh i don't know, FIGHTING THE HATAKE, then there will be problems

On their end not the Hatake’s 

The Hatakes, while not animals are very protective of their own, a slight against one is a slight against all Hatakes. 

These issues must be mediated carefully. 

So Team Seven!

Kakashi does not have Obito’s eye and Obito has both eyes and has the classic white hair and half white/half tan body. 

Tenzo and Sai aren’t as worse looking as the rest of the team but that doesn’t mean Tenzo lost a vest somewhere in his dimension or how sai doesn’t have any scrolls or that his ink supplies is all over him

Sakura and Obito look the worse off, no questions asked

Sasuke literally looks all bloody from overuse of his Sharingan and he still has the Rinnegan so thats going to go over so will with everyone else

Ah zetsu will find out about that huh….

Naruto looks… okay

The boys going through it

They are all almost chakura depleted but not empty, still have the little bit to survive you know

Ok so back to story

ON the team 7 side I know they will probably find each other and probably make a makeshift base of operation in the location where Konoha will be

Its temporary for them since its the close place they know of in their time and they need to rest

So they rest for a prompt of a few days without any issues

Why is that?

Well on the senju side they just got reports that a uchiha was seen on their land so they of course are angered that their enemy was so close on their land and will have Madara’s head

But at the same time that very same Uchiha was saved by a Senju with the mokuton of all things

So its a whole political shit show with Hashirama trying to understand that not only are an Uchiha and senju in kahoots with each other but that this implies a missing senju member was left unaccounted for by the clan, Tobirama is more uneasy by the multiple chakra signatures that in the forest and the Senju elders are convinced that the Uchiha’s found and used a senju as a tool for war

Meanwhile, the Uchihas are sweating bullets trying to warn the rest of their members about a Hatake pack most likely near or on their grounds and Madara is going through a mountain full of paper trying to write the best most polite but not-directing-blame-nor-accusing letter to the Hatake clan to ask if they had 1) a that a Hatake pack was seen in their lands and 2) that someone may or may not have attacked said pack (but it wasn’t them they swear on Amaterasu’s sake)

Yeah so Team 7 has a lot of time to rest before everything gets set to motion

Mostly it is Tenzo and Sai getting caught up in what happened in the battle of Kaguya, the realization that everyone they ever known are now gone, and trying to survive in this new environment 

Of course there is a lot of self blame and guilt in this

Obito and Kakashi definitely have guilt with each other and their actions that got reflected in their battle

Everyone but the Uchiha’s are realizing who they left behind in their old world and its just… crashing on them

Sasuke is still on the Itachi thing but he is not as emotionally invested like the rest of this team, probably thinking about the battle and the information that he was told of being Indara’s incarnation or somth

Sai has left the people he wanted to be friends with and his chance of being happy with them, yes he still has team 7 but his dream was to befriend everyone and now that's just…. Gone

Tenzo is not stable either ngl

Yeah so first few days are basically the calm before the storm

Then the Uchiha’s get a letter, a letter they expected but not by who sent said letter

They were expecting the Hatake’s to contact them first, not the Senju’s

Then the Madara is reading a letter from Hashirama about the incident the portal had a few days ago and lost it

[deancasbigbang]

Title: work song

Author: dothraki_shieldmaiden

Artist: tallula03

Rating: Explicit

Pairings: Dean Winchester/Castiel

Length: 70000

Warnings: Graphic Depictions of Violence

Tags: Murder Husbands, Revenge, Canon-Typical Violence, Break Up and Make Up, Mutual Pining, Getting Back Together, Criminal!Castiel, Angst with a Happy Ending

Posting Date: October 31, 2024

Summary: Two years ago, Dean Winchester's life came crashing to a halt when his boyfriend, Castiel Novak, died in a tragic accident. After painstakingly putting his life back together, Dean goes on a vacation with his best friend, where he sees a face he never thought he would see again. Now reunited, Castiel tells Dean the truth about his past and the reason for his disappearance. However, all is not well--Dean cannot move past Cas' betrayal and lies, and the ghosts from Cas' past refuse to remain there. With danger looming, Dean and Cas start on a mission of revenge and justice, but they're badly outnumbered. With the hurt of the past colliding with the fragile promise of the future, Dean and Castiel need to learn how to create a new path--or else risk being lost forever.

Excerpt: Dean settles on the edge of the couch, ready to jump away at a moment’s notice. The surrealness of the situation — him, talking to Castiel two years after he thought Cas died, furious instead of joyful, wanting nothing more than to flee from Cas as fast as he can — would flatten him if he thought about it for longer than two seconds.  So he just doesn’t think about it. He sits and he waits.  Cas takes a long time to get to the point, twisting his fingers around each other, so abruptly that Dean winces at the sharp pop of his knuckles. Cas stares at a stain on the carpet like the secrets to the universe are written in its oblong edges.  By the time Cas finally speaks, Dean is ready to jump out of his skin with anticipation. He’s ready for Cas to yell at him, to call him pathetic. He just wants Cas to say something, but he’s completely unprepared for what Cas does eventually say.  “You are…” Cas’ throat bobs as he says, with an inflection that sounds like something soft and small dying, “were… one of the most important things in my life. The most important thing in my life.”  Cas sounds so sincere. Dean could almost believe him.  “I never would have left if I had the choice. Those two years I spent with you… They were the happiest of my life.”  Cas takes a deep breath, fortifying himself. Dean does the same, rebuilding his wall that had started to crack at the first sign of Cas’ vulnerability. He’s imagining everything from Cas actually admitting that he’s just shit at breaking up with someone and couldn’t figure out a different way to end the relationship, to Cas saying that he had to flee due to problems with the IRS. “When I said you were in danger… Dean, I wasn’t lying. When I first met you, I had been on the run for over a year. I knew that staying with you was only tempting fate — bringing danger right to your doorstep — but I couldn’t help myself. You were so…” Castiel swallows. His hands are clasped so tightly together that his knuckles are bleeding white. “And for two years, I thought it might be all right. I thought… I thought maybe I was allowed to have you. But then I saw someone from my past, and I knew that if they had managed to find me, they could threaten you. They could hurt you.”  “Hurt me? Cas, I don’t—”  He doesn’t know what to expect, but he still couldn’t have prepared himself for what Cas says next.  “Dean, I was a member of the Archangel crime organization until it was taken over by Lucifer Morningstar. I was on the run because he put a bounty on my head, and I know you might not believe this, but the reason I left was to protect you.”  Fucking what?

DCBB 2024 Posting Schedule

[nogenderbee]

♡˗ˏ✎*ೃ˚ ℙ𝕣𝕖𝕥𝕥𝕪 𝕒𝕣𝕔𝕙𝕚𝕥𝕖𝕔𝕥 ₊˚ˑ༄

*ੈ✩‧₊˚ @miya-akane request: To celebrate me getting kaveh, can you write an oneshot bout kaveh with fem s/o that would gush over his beauty everytime and everywhere to anyone (basically a simp) cause i love how pretty he is

Perhaps even showing off like 'i have the prettiest boyfriend in the whole world and you cannot argue with that' and etc

-🌹

*ੈ✩‧₊˚ OMG CONGRATS IN GETTING HIM!!

Also YESSS hihihi I swear I had so much fun writing it >w< So hopefully you'll like it too!

*ੈ✩‧₊˚ fluff

It was a normal day at first... you were just getting your work done around Sumeru city when you noticed your boyfriend arguing with his roommate. Kaveh seemed to be a bit irritates as he walked away, so you made it your mission to catch up to him!

"Kaveh!! Wait a second!"

You ran after him yelling throguh whole city, some people even turned to look at you two... And so did your blonde boy~ He was a bit shocked to hear you though...

"Y/N? What are you doing here?"

He stopped in his tracks to look at you and wait patiently for you to come over.

"Oh I was just out running some errands~"

You chirped and quickly threw your hands at him as soon as you came closer to him. Hugging him closely, not hiding how much you missed him.

"Have I told you before how pretty you are~?"

You began again as you looked up at him admiringly. He was so pretty after all! His face was so perfect... his hair was soft... and gosh, those mesmerizing eyes!

"Hehe~ I believe it was yesterday~"

He answered your question, reminding you how you spent whole hour yesterday spoiling him with compliments because you had to go different ways, since it was already midnight...

"One day too long!"

Quickly excusing yourself, you leaned in to plant a few kisses on his cheeks, keeping your hands at the back of his head to keep him even closer. Your voice was filled with sweetness and love too~ And he could sense it!

"You're just so... ADORABLE!! Your cheeks are so soft... and I could play with your hair for decades!"

He on the other hand quickly got flustered despite preparing himself mentally not long ago for what's about to come. His cheeks got slightly more pink and he had problem keeping his hands steadily around you when he was actually melting right now...!!

His hands were still at your sides but he was holding you so gently that you wouldn't have slightest trouble pulling away if you wanted. He tried his best to appear calm since you were in public, but he was doing a horrible job so far... And of course, you noticed it.

"Awwwh~ Look at you! Your cheeks are even cuter now!!"

You poked his cheeks as you pointed out the blush he was having on his face, which only made it deepen.

"Y/N... everyone's looking at us..."

"So? Everyone would agree you're so pretty anyway!"

"Yes but- can we please move it to somewhere private?"

He asked seemingly begging fate to let you agree to move it anywhere else than middle on the city, as you are now. And it seemed to listen to him for once!

"Sure~ My place?"

"Sounds perfect."

He quickly agreed to your offer despite the fact he was supposed to buy some resources for his new architecture project... Right now, he only wanted to move this little scene somewhere more cornered so both his reputation wouldn't get hurt and so he could enjoy your attention only to himself~

﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌

@bleachtheidiot - come get your architect beuty~

[tyrantisterror]

What's the worst legacy sequel you've ever seen? What, in your opinion, separates a good legacy sequel from a bad legacy sequel and what's the worst thing you think a legacy sequel can do?

The worst that I've seen is probably Rise of Skywalker. It's close competition, though - both Jurassic World: Fallen Kingdom and Jurassic World: Dominion have moments that are significantly more stupid than anything in Rise of Sky Walker, but I also think both have a bit more creative effort put into them - Fallen Kingdom has that third act where it basically becomes a Resident Evil adaptation except with a murder-saurus in place of the Tyrant, and Dominion has the whole locust plotline which, while terrible, is at least an unexpected direction for a Jurassic Park sequel to go into that tries to figure out something ELSE you could do with the genetic engineering premise of the franchise beyond just making dinosaurs. Like, all three Jurassic World movies have big problems and they get progressively dumber with each installment, but they're also all ambitious to some degree that I still feel respect for, even if they never really actually reach those lofty aspirations.

Rise of Skywalker, on the other hand, has no ambitions at all. It has nothing it wants to say, no unique twists to pull, no real identity of its own. It's a potroast made of leftovers from better movies, a resuscitated corpse of something much more interesting, patched together like a Frankenstein's monster and abandoned to a cruel world just as callously.

It has no desire to do anything new, merely a checklist of Things You've Seen Before That the Focus Groups Say You'd Probably Like to See Again. Any character that can be slipped into an arc that was done in a previous Star Wars film is slipped into one no matter how little sense it makes for them, and any character who can't is either forced to tread water with nothing to do (hi Finn!) or just quietly shoved off to the side early on and forgotten about (hi Rose!).

Any story beats that weren't in the original films are simply grabbed from a box that reads "time tested cliches to keep your script moving with minimal effort." Make the plot a treasure hunt so we can just race from scene to scene with the flimsiest justification possible and try and trick the audience into thinking something is actually happening! What's that, audience interest is flagging? Quick, throw in a cameo of someone from an older movie! What's that, they're bored again? Pretend to kill one of the old characters, but make sure to reveal they actually lived in no more than two scenes down the line, or else we might piss off the fanboys! Hey, let's look at the Cinema Sins videos for the original movies and see if there's some gripes we can "fix" with this one for added fan cred! Can't disappoint our audience!

It's the story-telling equivalent of smothering something in salt to cover up the funky taste of the close-to-the-expiration-date ingredients.

As for what makes a good vs. a bad legacy sequel... ok, so, let's define legacy sequel first. A legacy sequel is a film or TV show that is a sequel to a popular film or TV series that ended a good many years ago, which brings back some of the old cast of characters (generally played by the same, and thus much older, actors that played them in the past) along with adding a new cast of characters played by younger actors. It tries to replicate the tone of the original series despite being made in a different era and probably by different writers and directors, and generally aims to give you that Ratatouille style moment of nostalgia.

I think most Legacy sequels are kind of doomed to be mediocre at best on the outset because the goal of them from the moment of conception is so mercenary - they're not created to Tell A Good Story, they're created to Keep Consumers Invested in a Lucrative Content Franchise. They have the artistic aspirations of a McDonald's Hamburger - "This tastes exactly like what you had as a kid, and doesn't that make you crave more of it?"

I don't think that art made for mercenary reasons is doomed to be bad, mind you - I mean, almost ALL movies and television were made to make money first and foremost. Even the classic High Art movies I love like Seven Samurai and The Third Man were made for mercenary reasons at the end of the line - it didn't stop the people who were working on them from having artistic goals, but it's a fact nonetheless.

But Legacy Sequels just have an uphill battle in the "artistic aspirations" department, because most people with artistic aspirations don't want to recreate the feeling someone else inspired with their art - they want to put their own stamp on it, their own spin, their own voice. And that will often mean something VERY different will be made, something that might piss of the fans - something that doesn't taste like the McDonald's hamburger you had as a kid, even though it came in the same wrapper.

The worst parts of Legacy Sequels are the only parts that Rise of Skywalker is made of - the parts where the story is clearly only trying to show you things you know, only trying to reheat the leftovers so they taste like your memories, only trying to trick the nostalgia center of your brain that you're four years old again eating at McDonald's. "Here's the thing you know! Here's the running gag you liked, repeated five more times by actors with far less enthusiasm! Here's the same basic premise as the first film, but the stakes have been inflated to make it feel like a progression! Cameos! Catch phrases! Eat your hamburger, you consumer pig!"

The rare good legacy sequels don't really TRY to be legacy sequels. They're just... sequels. Another story in the same world as the first, bringing back the characters who actually have interesting arcs left in them, creating new characters with their own shit going on who have good chemistry with the pre-established characters and setting, expanding on themes from the original and exploring parts of the setting that hadn't been explored yet, and all in all telling their own story that's related to the first one's but still manages to be its own distinct thing.

There are not many good legacy sequels, because a good legacy sequel is different than the McDonald's hamburger you ate when you were four, and might make less money than desired because of it.

[offorestsongs]

OC INTRODUCTION ❣ JÓZEFINA

BASIC INFORMATION

full name 💍 Józefina [last name redacted] (pronounced: yuu-zeh-FEE-na) nicknames 💍 Józia (friends), Baby Shrimpy (Floyd), Modmoiselle Feu (Rook) species 💍 normal human height 💍 172 cm age 💍 17 y/o birthday 💍 [redacted] gender 💍 trans girl (she/her) sexuality 💍 questioning hometown 💍 normal human world (Poland specifically) dorm 💍 Ramshackle class 💍 A-1 club 💍 Equestrian Club favorite subject 💍 biology dominant hand 💍 right talent 💍singing, braiding other people's hair hobby 💍 learning new instruments favorite food 💍meringues least favorie food 💍 mizeria pet peeve 💍 getting her hair dirty

PERSONALITY

A friendly young lady who's quick to meet new people anywhere she goes. She likes to make new relationships and be amongst crowds, especially when the attention is on her. She wouldn't call herself an attention seeker - she just doesn't like to be ignored, and really, isn't it just natural that everybody's eyes should be on her? Since coming to NRC, she delights every benefit that being labelled as "everybody's little sister" gets her.

Sweet as sugar, always tries to act like a well-behaved and well-mannered, polite lady and expects everyone to uphold the same level of manners. "Tries to act" being the key phrase here; Józefina is impulsive and often acts before a thought can even start forming in her head, resulting in her getting into all sorts of situations a perfect little lady like her definitely shouldn't be. It definitely doesn't help that she's brave to the point of recklessness and infinitely curious - nothing will stop her from discovering the many mysteries of Twisted Wonderland! She just cannot help, but like the thrill of adventure and troublemaking.

Very proud and a bit prissy, easily takes offence, especially if she doesn't know somebody well - it's a deffence mechanism of sorts, as she often expects everyone to do or say the worst thing, and it's hard for her to believe that people could actually take her seriously. She tends to mellow out considerably once she gets closer to somebody and sees that they don't underestimate her or actually have good intentions. However, gaining her trust is not the easiest thing.

Openly showing her emotions, to the point of being theatrical at times... the good ones, at least. The bad ones? Well, that depends on if it benefits her. Thrust into a world she doesn't understand, she's willing to do a lot to ensure her survival, and if it involves overexaggerating her tears to gain other people's sympathy or telling a lie or two? Well, who could blame her? At least, she tends to feel somewhat guilty about it... most of the time.

BACKSTORY

Arrived to Twisted Wonderland during the Spelldrive tournament in book 2, specifically during the "game" that the Hearshackle gang was playing; she accidentally knocked Lysander out by landing on him. The Headmage has allowed her to stay, mostly because Lysander had promised to take the responsibility for her.

Similarly to Lysander, she doesn't have any memories from her previous world. Memories come back to her in flashes, often triggered by physical sensations, though so far, she had managed to remember even less than her dormmate. She's not particularly bothered by it, though, taking her new surroundings in stride.

TRIVIA

it seems that, unlike Lysander, she didn't came from the modern world - she doesn't seem to know much about modern technology. despite that, she's eager to learn and often asks the others about it

she didn't actually know how to ride horses when she had first joined the Equestrian Club - she just liked helping to take care of her, because it calmed her down

knows how to play a few instruments but is the best with a violin

she always dreamed of becoming a famous singer

unlike Lysander, she's a disaster in the kitchen

she's afraid of heights (which posed a bit of a problem when she tried to learn horse riding)

she cares a lot for her hair and usually doesn't let other people touch it, unless she's close with them and trusts them

she also really loves to put bows in her hair

she actually prefers to be called by her full name, because "Józia" is very cutesy and kinda childlish, but most people can't pronounce it correctly so she just kinda gave up (not that they can pronounce Józia correctly either...)

Azul tried to get her to sing at the Mostro Lounge a few times, but she always refuses untill he "pays her what she's worth" (whatever that means remains to be determined)

dividers. template.

[woodchipp]

OMORI and Detroit: Become Human's Plot Twists - How A Bad Plot Twist Ruins The Story Instead Of Enhancing It

In the 2020 game OMORI, the story's plot twist is that the main protagonist's sister, Mari, didn't kill herself as the player was led to believe - instead, the main protagonist himself accidentally killed her in a fit of rage after an argument they had and his best friend subsequently covered that up by staging it as a suicide.

In the 2018 game Detroit: Become Human, the plot twist of Kara’s story is that Alice, the seemingly human child Kara took care of after the two broke free of Alice’s abusive father, was actually an android all along. 

What do they have in common? The answer’s simple - not only are they emblematic of their respective games’ shoddy writing, they detract from the story they’re supposed to elevate.

First things first - both twists don’t make sense upon scrutiny. OMORI’s plot twist in particular hinges on a huge contrivance - the fact Basil just so happened to be present in Sunny’s house (for reasons the game leaves unexplained) at exactly the right time to witness Sunny committing manslaughter and come up with a plan to absolve him of any blame. Furthermore, the twist’s insinuation that Mari overworked Sunny and didn’t tolerate his mistakes comes out of left field, as Mari was consistently portrayed as kind and flawless (both in Sunny’s dreams and in the real world via the photo album)  throughout the game up until that point.

Alice’s twist only works because the story lies to the player: Kara finds a magazine with a picture of Alice’s model at the beginning of the game, but it’s conveniently blurred. While there are some hints that Alice is an android, such as the fact that she refuses to eat even when food is presented to her, this clashes with one of the main levels of Kara’s story, which has her looking for food and shelter for Alice’s sake. This implies that Kara deliberately ignored Alice’s true nature, for reasons that will be elaborated on later.

Alice’s twist, however, does have some solid hints at the very least. That brings me to a problem exclusive to OMORI’s twist - the game spends most of its runtime hinting at the red herring of Mari having hung herself as opposed to the twist of her having been shoved down the stairs. The only tangible clues to the twist are the prevalence of staircases in the brief cutscenes before Sunny fights his fears and the hands motif, but they are not enough. If the point of the reveal is that Mari didn’t kill herself, what’s the point in hinting she did?

Secondly, the twists’ linchpin characters are flat in terms of personality. Alice is the quintessential “little girl” in videogames: cute, small, withdrawn, barely cries (she doesn’t even go into hysterics at a concentration camp), constantly needs to be cared for and protected, at most steers you in the right moral direction if you do something “problematic”, even if for her sake. This, allegedly, is supposed to stem from her background, as she was abused by her father, but even the android that Kara spots and that makes her confront the truth has the same quiet, demure, sad demeanor, implying that it’s simply how Alice’s model is programmed to be. Alice is not a character: she is a pet you are supposed to find adorable. The twist that she was never a “real” human, therefore, falls flat on its face: she doesn’t prove anything about the depth of emotions androids can experience. For all intents and purposes, she is the doll racist humans see androids as.

Aside from a brief interaction with Hero in the first several minutes of the game (which is promptly forgotten as soon as it ends), Mari spends most of its runtime only as fuel for Sunny and his friends’ grief. She is given no personality beyond being the Team Mom, isn’t fleshed out in any objective flashbacks (as in, flashbacks not colored by Sunny’s perception of her), and if the vision Sunny experiences on Two Days Left is her ghost, she isn’t plussed in the slightest by her dear little brother profaning her memory by deciding to keep up Basil’s lie. The one flaw the game tries to give her - perfectionism - has no bearing on her character until the moment the game uses it to give Sunny a reason to lash out at her, and the negative impact said flaw had on her life before the argument is glossed over. OMORI’s point that her desire to be perfect was the reason for her downfall, therefore, falls flat on its face: for all intents and purposes, Mari is perfect. 

Finally, both twists are detrimental to the stories they are in.  Supposedly, the twist of android Alice is meant to make you question whether or not you, the player, are going to love her all the same even after learning that she’s not human (although the question should be moot since all three protagonists are androids and the most popular one in the fandom is the most machine-like one). What the game fails to answer, however, is why Kara refused to accept reality and deluded herself into thinking Alice was human to the point of endangering both of them for the sake of playing pretend (this, on top of everything else, makes replaying the game much more frustrating, as you no longer care to give Alice proper shelter as she doesn’t really need it). The implication is that she, herself, believes an android child is inherently less deserving of love as a human one, an interesting concept of internalized bigotry that is never explored. Even worse than this, what before could be seen as a touching relationship between an android and a human, who despite the hatred surrounding them can form a family out of natural love, is now nothing more than two androids following their programming: Kara keeps being a caretaker as she’s supposed to do, and Alice keeps being the perfect little child as she’s supposed to be. While they both rebelled against their abusive master, it means that, at their core, they didn’t even deviate in the first place, and instead forced themselves back into their pre-programmed roles. This is the complete antithesis of the message of the game, which is that androids are more than their programming and they are, instead, people.

Similarly, OMORI’s plot twist turns what could’ve been an interesting story about such topics as teenage suicide and suicide bereavement into a farce. It’s one thing to play this game under the impression Sunny and co. are struggling to live a life their beloved sister and friend unexpectedly removed herself from, but it’s very different to replay it with the knowledge that all the pain Kel, Hero and Aubrey went through was pointless since Mari never killed herself in the first place and stemmed from one of their friends desecrating her corpse. Without warning, the story turns from being about overcoming the grief of losing a loved one to suicide into being about grappling with the guilt of a manslaughter and a huge lie that destroyed multiple friendships - a lie Sunny directly facilitated by lying to his friends by omission to save his own skin. The only character in the game to call Sunny out on this is his suicidal depression, and its arguments are framed as irrational self-loathing so they’d be easier to dismiss; the game’s best ending, meanwhile, has him conveniently avoid the consequences of his confession by moving town, not caring anymore about the feelings of his friends (or the well-being of Basil, whom he leaves to bear the brunt of the consequences). None of this would’ve been a problem if the game simply focused on Sunny moving on from blaming himself for his sister’s suicide instead.

So, this brings me back to the post's title - not only should a good plot twist be properly foreshadowed, but it should enhance the plot when experienced multiple times. The twists in OMORI and DBH fail to do so, and create the impression they were haphazardly inserted into the plot for the sake of subverting the audience's expectations, with little thought given to how they retroactively affect said plot.

Unfortunately, the only expectation they manage to subvert is the expectation of a completent story.

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[yourgamemasterthewhiterabbit]

Of my 2% capacity to be attracted to anyone, my type is like 90% women, 5% pretty men and 5% men you would swear are super fucking manly, and never questioned being straight and cis, but are now suddenly *stressed* that they can't figure out why their attraction to me [fully socially interpreted as a woman and labelled that way up until relatively recently] feels incredibly fucking gay

[cerealmonster15]

IM GOING TO TALK ABOUT ALHAITHAM AND KAVEH AGAIN!!!!!!!!!!!

i love this fuckin argument kaveh and alhaitham have on the port ormos bulletin board

it's one of those instances where kaveh and alhaitham are arguing and alhaitham is saying that like, while he disagrees with kaveh lol, he also doesnt deny theres truth to what kaveh says.

but i also think it's funny how alhaitham is like "end of conversation. ALSO-" like bitch you kept going IMMEDIATELY fkjsjfklds and then that stupid bit where theyre like "he said this" "he did not fucking say that" "he did" "no he didnt fuck you" "he did give me a month ill prove it!!!!" THEYRE FIGHTING LIKE CHILDREN ON A PUBLIC MESSAGE BOARD😭😭😭

also i have this one bit stuck forever in my mind from kavehs hang out

[video source i screenshot from]

MAYBE im reading into it way too much bc i have terminal haikaveh brain. maybe. BUT!!!! art is subjective i can do what i want :^) anyway i think a lot about this part because TO ME it sounds like kaveh keeps assuming the worst from alhaitham - makes sense, they argue all the time and they def have a turbulent relationship. HOWEVER!!!!! while alhaitham does like poking fun at kaveh and gets annoyed with him dskjfdsklf i FEEL LIKE theres an implication that he like, does not enjoy seeing kaveh suffer the way kaveh just assumes he does.

like here, kaveh is like oh, youre not hoping to see me make a fool of myself are you >:(?? just bc alhaitham was like. in a location unexpectedly. lol. and then alhaithams phrasing is just so specific where he like, doesnt say yes but doesnt say no either lol. hes like "oh so you think i get joy from seeing you in pain day in and day out? well if that were true id be entertained always because youre always in distress"

but like. I DUNNO MAYBE IM BEING STUPID BUT JKSDLFJDKL to ME it felt like he was deflecting the question. to be fair it was a silly question so maybe alhaitham didnt think it worth answering lololol but like "are you here to watch me struggle" "why do you assume i enjoy you struggling" is the vibe i get. but then with bullying also bc alhaitham is still poking at him and his distresses lol jdkslfdskl

and then like the moment the traveler is about to be like "kavehs feeling sad" and kaveh tries to deflect it, i personally think alhaitham managed to come up with a distraction to get kaveh to walk away for a minute so he could hear about kavehs troubles bc hes IMMEDIATELY LIKE

ok now that hes gone tell me about kaveh and his issues. and then goes on to explain kaveh and his behavior

and there are SEVERAL INSTANCES i mean this is an obvious thing lol but like, many such cases where kaveh and alhaitham will be like "yeah this guy is incredibly smart but his personality is fucking unbearable" i just enjoy that as much as they rag on each other theyre still like "no he is a genius though im not gonna deny that" AND ALSO [help]

alhaitham says stuff like this a few times, i think hes got a teapot line or so where he says similar things 🤔 but hes like "yeah people go about their lives doing different things and thats fine everyone should stay in their lane as long as theyre not disrupting the lives of others" AND YET!!!!!!!!!!!! he and kaveh endlessly fight with each other on how they go about their lives. trying to get the other to see their way of thinking even though i think they both acknowledge [or it says somewhere in the lore that they do] that it is a losing battle bc theyre both really set in how they see things and their methods of doing things. I JUST FIND IT REALLY INTERESTING that alhaitham is like, "mind your business and ill mind my business what ever bye" but when it comes to kaveh hes like. no actually i have to debate you. the way you feel isnt wrong however your actions make your life really hard for yourself and you could be living better if you changed" like he cannot stay in his lane when kaveh is involved!!!!! and like the whole reason he's even IN the parade of providence event at all was bc he was pursuing a thread of research that he figured out was connected to kavehs dad and his disappearance!!! mister "i dont want to get involved if it doesnt disrupt my life" got involved to give his boy some closure on the haunting of his dead father!!!!!!!!!! I am going to explode now goodbye!!!!

[dirt-str1der]

I will always be vocal about how much dr stone sucks and how stupid it is but to be quite honest it consumes 80% of my waking thoughts and yes i also downloaded the chinese kemonomimi doujin so i could pretend to read it in my spare time