#and what a better way to bring it back

[talesfromthecrypts]

BG3 Challenge

[1/3] Companions: Astarion

Can we kill them? Please? Pretty please?

[solifelessblog]

There's tragedy at every step of the way

Please reblog, don’t repost :)

[soup-of-the-daisies]

cannot stop thinking about that meta that’s like “voldemort’s ultimate goal was to simply destroy the british wizarding world” because it makes so much sense. tom riddle was a poor, orphaned, assumed muggleborn boy with a (most likely) ‘commoner’ accent and a distaste for humanity who sorted into slytherin, the hogwarts house infamous for being filled with loud rich bigots. tom riddle, with his background, could not have possibly been very popular those first few years of his schooling. tom riddle would’ve loathed the lot of them, all those arrogant, spoiled rich kids boasting about their family line. finding out he was the heir of slytherin would have been both a relief (he has something to fit in) and a jackpot (if they knew, they’d bow before him). and he uses that heritage later, when ‘tom riddle’ has disappeared and a stranger called ‘voldemort’ appears in his place. the fanatics literally kiss his feet.

voldemort is canonically a genius. he would’ve known that non-magical blood doesn’t make you dirty or less talented, because he himself is the prime example of that. espousing the bigoted pureblood agenda was simply the easiest way to gain power over the ones in power—all to send society crumbling to the ground from the inside. he takes over the ministry and ruins it, taking the first steps in tearing down the establishment; he kills regardless of blood, implying he doesn’t give one flying fuck what your heritage is; he tries to destroy the sorting hat, which would render the concept of ‘houses’ void.

personally i think it’s very interesting and appealing to put this interpretation in the context of tomarry/harrymort. i’ve always HC’d that harry will grow tired when he’s older, after he’s saved the wizarding world once (at the expense of his own happiness and well-being) and sees that nothing has changed or will change. that voldemort was a symptom, not the disease. that he and hermione and ron keep struggling, working themselves to the bone to make their world more fair and to suppress and eradicate the rampant underlying bigotry, but that it just won’t take.

and with an older harry, an embittered one, turned caustic and cynical by the very world he once viewed as his sanctuary—i don’t really think their beliefs would differ all that much. they’ve both seen and experienced the injustices. they’re both annoyed and disenchanted. harry will always have a regard for life, and voldemort won’t ever, but if anyone would have a wish to tear society down and build it back up again it’s them both.

[poorly-drawn-mdzs]

True love is possible only in the next world. For new people. It it too late for us.

(Redraw for @pakhnokh's DTIYS post!)

[s0fter-sin]

punk!soap metalhead!ghost brain blast!!!

ghost trying so hard to get soap out of the bad parts of the scene bc he's starting to get pulled in by the shadows, a group of wannabe anarchists that stand for nothing except themselves, but soap loses his shit; laying into ghost for daring to try and "save" him

no one's ever been there for him when he needed them; no one ever offered him support or a soft place to land, why the hell would he want ghost's help when he's perfectly fine on his own? (when he’s always had to be?)

"you think i can't make my own decisions? well fuck you, ghost, who needs a washed up piece o’ shite like you!"

he doesn’t talk to ghost for days, doesn’t let himself acknowledge the hole he’s left behind until he's getting pissed with the shadows one night in an abandoned house and graves starts waving around the gun he snuck through customs and it accidentally goes off, grazing soap's temple

he's never heard anything so loud, even at all the shows he’s attended and there’s so much blood; it's getting in his eyes, running down his neck and soaking into his clothes and he’s frozen. graves and all his shadows bolt after hearing the gunshot, worried about cops finding them and they leave him there; staring at the growing puddle at his feet

soap's panicking; half-blind, blistering pain lighting up his head and he can't think about anything beyond how much he wants ghost

ghost's been sulking at his flat since soap blew him off; pissed at soap for going off on him when he just wants to help but still worried about the punk. he doesn’t want him going down the same road as him; doesn’t want him to repeat his mistakes when he could save himself so much suffering and he almost doesn't answer his phone when it buzzes on the couch

he lets out a ragged sigh as he picks it up; raking a hand over his shaved head when he sees the bubble emoji and contemplates letting it ring out. contemplates answering with a growl; something a younger, crueler version of him would spit. in the end, he decides on silence and puts the phone to his ear just before it can stop ringing

he almost breaks it when he hears soap choke out, "i've been shot."

he's out the door in a heartbeat, running down the stairs because the lift is too slow; trying to get more information out of him but he can't get anything out beyond a repeated, "i've been shot."

he breaks every law there is as he speeds to soap's location; visions of his cold, bloodless corpse staining his mind's eye. the only thing keeping him calm are the strangled breaths from the other end of the line; he's not dead, he can work with not dead, this isn't tommy, soap won't end up like tommy-

ghost screeches to a halt outside a random alley and throws himself from the car when he sees soap collapsed against a garbage bin. he's covered in blood, soaked, just like that night, it's everywhere and he's not moving, he's not moving-

“johnny!”

he skids to his knees and fits his hand under his chin to check his pulse… but his heart beats strong under his fingertips and soap's eyes flutter open; flooded with blood but conscious and alive

the second he registers ghost in front of him, he’s reaching out for him; babbling apologies over and over, "you were right, i'm sorry ghost, i should've listened; i'm sorry, i'm so sorry."

ghost just gently hushes him, cupping his face heedless of the blood. "that doesn't matter now, johnny. we're gonna get you all fixed up, yeah?"

soap’s hands fist in his shirt, clinging to him. "i got shot, ghost," he says again; lost and smaller than he's ever heard from his punk and it's been years since he's felt this kind of rage but he doesn't let a drop of it touch his voice

“i know, lad. i know. gonna let me take a look at it? make it right?"

soap finally nods, his stuttering apologies coming to a halt and ghost runs back to his car to get a towel. he presses it to soap's skin, trying to soak up as much as he can so he can get a proper look; cooing assurances as soap absently hisses in pain the closer he gets to it

it's only a graze and something in his chest unravels; old fears and grief settling as the shallow wound continues to gush into the towel

ghost slumps, pressing his forehead into the top of soap's head and takes a second to just breathe. “‘s’alright, johnny; it’s not even that bad, not even that bad,” he promises, low; spoken more to himself than soap

his hand starts to grow damp and he forces himself to his feet, gathering up soap and getting him into his car. he puts the towel in his hand and presses it against the wound, trying to coax him through his shock to put pressure on it so he can drive

soap curls up in the passenger seat; eyes distant, seeing nothing and ghost has to tighten his grip on the steering wheel so he doesn't turn around

soap is the priority

he has to get him home; has to get him cleaned up and safe

then he can go hunting for the gutless shadow that hurt his punk

[thenotoriousscuttlecliff]

I've seen some speculation that Moiraine and Lanfear's big confrontation will be moved forward to the end of S3. I can see that working mainly because neither really has anything much to do in The Fires of Heaven and it would make the finale of S4 less cluttered with big events.

The only reason I'd be against it is it mean losing Rosamund Pike and Natasha O'Keeffe a whole season earlier than expected, unless the writers then intended to follow Moiraine and Lanfear's experience in the world of the Finn until both come back into the main narrative, in which case I would be totally up for that. I'd love a season or two of Moiraine and Lanfear just being forced to live and work together to survive.

[birgittesilverbae]

Sister "I became skilled at so many things just so I would still have value" Beatrice not having hobbies makes me feral. Camila has her music, Shannon had her art, Mary had her cooking, Lilith has her being-a-massive-bitch, and Beatrice is over there like "I have encyclopedic knowledge of the fighting styles of every woman in this convent, and also I have spreadsheets"

girl, ava shouldn't have to yeet herself into another dimension for you to realize you need a better work-life balance

[caeslxys]

also on the topic of meaningful consequences re: character death I don't understand the take that death in fantasy requires physical permanency to matter or give a story "stakes". death is permanent regardless. Do you really think that if they get her back, they'll just go back to normal? That these characters are not forever fundamentally changed from this, that Laudna will not be fundamentally changed from this?

That Imogen's world will be less fractured, that she won't be even more of an anxious wreck now that what she stands to lose has been put into vivid clarity? That Orym won't still carry the guilt of being the chosen, that he will be less haunted by the connections he drew to his own grief with Will to Imogen's with Laudna? That Fearne won't look at Laudna and think of that coin flip, of her choice, and what that means for her and how she loves? That FCG and Ashton won't think to this and be reminded of the people they've hurt or been hurt by, and what this effort and what this grief means for how they view the hells?

That Laudna, who has been so blasé about life and if she's alive and what being alive even means for someone like her, won't wake up surrounded by family and by love and be driven to reexamine everything she's taught herself in 28 years of isolation to cope with the trauma of Whitestone? That this, maybe, will be the driving force she needed to realize that there are things she wants to live for?

It might be that I'm just biased, but I'm not sure what stakes Laudna perma-dying adds aside from just presenting the characters with the knowledge they all already have that they can, in fact, die. that what they're up against is incomprehensibly powerful and dangerous. The stakes already feel so impossibly high when you think of what and who they are preparing to face. frankly the aftermath of this combat alone, even if everything had gone perfect and everyone had gotten back up a-okay, would have set that tone.

I don't know, regardless I'll be happy to watch whatever story they choose to tell unfold as it does, but it strikes me that so many people seem to think that death only matters if there is a physical absence.

[marc--chilton]

you just know they had to make up a reason for wilson to be away for house's infarction because if he was there things would have been different

[jasontoddenthusiastt]

The New Titans #55 (1989)

Batman (2010-) #641

…

Red Hood and the Outlaws (2016-) #6

…

…

…

Batman and Red Hood (2011-) #20

…

Batman (2016-) #138

They sure do bAT&Tman. They sure as hell do.

Yet Jason never thought this way about you.

[inamagicalhallucination]

i dont get when ppl say "atsushi would be horrified" at something thats probably just another tuesday for him

[sciderman]

deadpool (2008) #36

[dropespeon]

god. god. sasasap. ogd

[quietwingsinthesky]

i do love canon amy & rory but god, does some part of me wish they really had gone with the idea of the doctor picking up a child as a companion (and then later, that child’s best friend with a huge crush on her.) with the rest of the season really not changing at all, except now it’s amelia pond with an angel in her head killing her and lost alone in the woods. it’s little rory who dies and is forgotten and becomes a toy soldier. if this is going to be a fairy tale, then let it be one. children have never been safe in fairy tales.

[mokeonn]

One of my favorite things about being in my early 20s is that I'm starting to understand that I can use things not for their intended purpose. When you're growing up, you get told what an object is and what its intended purpose is, and as a kid/teen, I just accepted all of it at face value. As a young adult it's finally clicking that I can simply do things a different way if it makes me happier. Sure, I was taught that you stand to take a shower, but there's nothing stopping me from just sitting if I don't feel like it, ya know? I might have always had my medication in the kitchen, but if I'm no longer remembering to take it, I can just move it somewhere where I can remember. You don't have to specifically store all food in the kitchen, you can have a little snack cart or snack station in another room.

The downside to finding out the various ways you can use objects is that you develop habits that would probably go on an r/relationships post where everyone says you're a little freak.

[arsenicflame]

something something everything izzy has always done has been for ed, its just that now we get to see him act in ways that are actually in eds best interests, rather than izzy trying to keep him safe whatever the costs