#anyway I really like it I know only the basic of the storyline but nothing else so I'm spoiler free... I know nothing

[scentofdriedflowers]

Me watching The Last Of Us, I know nothing about the story except gifs from the videogame here on tumblr and I never played it, but I was curious about it

At somepoint a woman starts speaking out of camera...

me before seeing her:

ANNA TORV!! 😭😍😍

Boy I could recognize that voice everywhere

[bucksdaffy]

okay, so i've seen some people claim that tim minear is an avid buddie shipper and that he's slowly but surely laying the groundwork for buck and eddie to become canon in the future and...

i'm just thoroughly confused about this assertion.

i'll preface this by saying i'm very new to the fandom, so i'm prepared to be wrong about this. i'm aware i may lack crucial context because i've been here only so long. also, i don't know tim personally, so i obviously can't speak to his true intentions, but i'll make my case anyway.

i'll cite two RECENT comments by tim that i assume people might draw this conclusion from:

[?: There is a sect of the fandom that just wants 9-1-1 to be the Buck and Eddie show, and any cut that removes a second of them is going to get the same reaction. Nothing short of renaming the show "Christopher's Two Dads" is going to make them happy.] T: I totally get that. I even appreciate it. Which explains the entire first act of last night's episode. I kind of did for the Buck/Eddie fans (I mean I really do it for myself in the end). I just thought... they'd like it? Shrug. I liked it, so whatever.

Minear tells Rolling Stone that he hasn’t just been aware of fan reactions, he’s actually changed storylines in the past to avoid being accused of queerbaiting. But rather than help, he says it made the show worse. “Nobody wants to be accused of queerbaiting so I kind of stopped writing those characters together. And I think it hurt the show because I was so afraid to be accused of something that I wasn’t going where I would naturally go with the stories,” Minear says. “I just decided that I just have to write the thing that I think is right. I just have to be honest with the story I’m telling and let the chips fall where they may.”

now, i may be biased, but this doesn't read to me like he plans on buddie endgame at all.

while it's clear he loves the bond between buck and eddie and enjoys highlighting it in the show, saying he totally wants them to end up together feels like a reach.

he discusses being accused of queerbaiting in the past, which led him to backtrack a little and stop writing buck and eddie together. how does this suggest he did it because he wants buddie to become canon? if that were his intention he could have continued to drop more (apparent!) hints that buck and eddie may love each other in a non-platonic way. he wouldn't care about the accusations of queerbaiting so much, because he would be planning to make them canon all along. sure, there are external constraints that could prevent this from ever materializing, but that doesn't mean he couldn't write the dialogue in a clearly ambiguous way so that once he gets a pass and everyone else involved is on board with it, he could confirm that "yeah, you were right; it was a good ol' friends-to-lovers slow burn trope all along. congrats!!" no. instead he backtracked because he didn't want anyone to think he was writing buddie as anything other than a platonic relationship. that's it. but he eventually realized it doesn't really matter because people are going to think what they want to think regardless. and he obviously loves buck and eddie's friendship so he might as well just make the most out of it at this point. and if he ever feels like maybe it is a good time to turn their friendship into something more because it feels right for story, he'll go for it. but if not, he won't.

i see a lot of people claim buddie is a six-season-long slow burn, being carefully crafted right now for future canonization. and they say tim basically confirmed this. but i really can't see his comments being a confirmation of the sort.

if there are any quotes i'm missing that suggest otherwise, i would love to go through them. so if anyone's aware of any, please don't hesitate to hit me up.

but at the moment i believe y'all are just setting yourselves up for disappointment.

[terramythos]

Anyway here's my breakdown of the ffxiv jobs, my opinions on playing each, and the tier rank of how good their story was

TANKS

WARRIOR - warrior is so fucking funny why did they make it able to solo heal itself and the entire party in 90% of the content in the game. Raw Intuition/Bloodwhetting is so broken in dungeons its hilarious. And then they have like 3 additional healing skills on top of that. And they kept buffing it throughout Endwalker. So it is currently the easiest to play, does the most damage (i think...?), and has the best healing of any of the Tank jobs. 2nd fave probably.

Story Tier: C, it's ok, Curious Gorge is a good name. i have like nothing to say about it it's a generic AF story

PALADIN - I used to hate PLD but I think the partial rework they got halfway through Endwalker helped it a lot. It's much less clunky now. Probably still my least favorite Tank though Hallowed Ground is fun and it's pretty close to Gunbreaker for me.

Story Tier: F, this is the worst class storyline in the entire game. It's so stupid. The writing is so bad the writers acknowledge it makes no sense at all and I'm like. Yeah, thanks, I am experiencing this shit. Perhaps write a story that makes sense next time instead of pointing that out.

DARK KNIGHT - Unfortunately this is my favorite Tank 🫡 which is rough since it has the worst survivability out of any of them. But I love how you use MP and the silly number of OGCDs. The Blackest Night is such a fun ability and it's a crime that it's not a baseline skill you get from the start. Why do they have so many DRs that only cover magic damage. I must ask.

Story Tier: S, there's a reason it's the most popular and well regarded class storyline. It's really good, also the only questline I know of that uses the quest log text as part of the narrative. Outside maybe a few of the very late Endwalker quests. And, well... same writer lmao

GUNBREAKER: I think GNB looks cool as fuck and I like that it has 2 DPS rotations. The Gnashing Fang combo is so fun. Superbolide memes are always fun. My main issue with it is a skill issue because I am just constantly misaligning its burst windows.

Story Tier: C. It has some interesting lore but I found it pretty forgettable as a story.

HEALERS

WHITE MAGE: I hated White Mage for a while but something clicked and now I totally get it. I find it fun in dungeons cause you get to Holy spam and stun lock everything. As uh. The healer. That's fun. Once you get Afflatus heals (and then Afflatus Misery) it clicks. It's fun maximizing damage and playing chicken with the tank's HP.

Story Tier: B, you get a lot of lore around the Padjal, and I think the Stormblood story where you find a padjal living in hiding with her mother is pretty good! Also it's not technically the job storyline but there's a WHM side quest to get a unicorn mount? i guess it's technically a CNJ quest but same diff. no one else gets that shit. so that's cool

SCHOLAR: probably my least favorite of the healers... it just feels super clunky. You can tell a bunch of different design philosophies went into it over the years and none of them mesh very well. They've made it so the Fairy Gauge controls literally one spell. Why have the gauge at all? It's also a huge missed opportunity that there's no tie in or interaction with the fae in Shadowbringers. I love the idea of a battle tactician healer but I think it needs a rework.

Story Tier: B+, I liked the characters and its the main way to get backstory and lore on what happened with Nym.

ASTROLOGIAN: While I think AST has a similar issue to SCH (lots of different design philosophies over the years) I find it way more fun to play. I like the card mechanic and how it interacts with the rest of the party. AST is basically the only job that has its own like. Minigame? As part of its rotation. And I know a lot of people don't like the RNG for it but personally I find it fun. I know AST is getting a redesign in Dawntrail so hope it's good.

Story Tier: C? I think? I'll be honest I don't remember it super well but I didn't find anything objectionable about it. And I like the tarot aesthetic and lore and how it's healing based on manipulating luck.

SAGE: I think SGE is tons of fun, I'm not sure if I like it or WHM more. I love all the skills SGE has for preventing damage and the gimmick where your DPS heals someone in the party. Visually the hi-tech laser shooting healer is a lot of fun. IT HAS A GAP CLOSER. The only thing i wish was it wasn't so MP negative and that it did more damage. It's a little sad its DPS output is so low compared to the other healers (even AST when you factor in how it buffs the party). Since SGE is supposed to be a healer that heals through damage it's silly its damage kinda sucks.

Story Tier: A, I loved this storyline. Both the Endwalker job stories are very self contained and interesting. While the twist is pretty obvious it's still an interesting exploration of uh. Scientific ethics. Yeah

PHYSICAL MELEE DPS

MONK: I've probably played MNK the least of the phys melee but I like the whole adaptable combo thing. Not much else to say since I have played it so little. Might bring it back out and try again. It DID have the funniest guide in the Balance discord for a while.

Story Tier: D. I think? I remember thinking it was dumb, lmao. Sorry.

DRAGOON: MAN I wished I liked DRG more. It looks so fucking cool and I like how it interacts with the dragon lore. But I find it very punishing to play. To do good damage you have to align so many different cooldowns... and snapshot your DOT correctly... and screwing one thing up just fucks your DPS output forever. Like AST I believe this is being reworked in Dawntrail so I hope it feels better to play.

Story Tier: C+. I think it starts strong since you get to meet Estinien pre-Heavensward and it melds nicely with that story. But I found it pretty directionless post-HW which is a shame.

NINJA: I remember finding this one fun. I like that there are different combos you do that have varied finishers depending on the situation. I am just... bad at remembering which combo to use to get which finisher, lol. So I haven't played it as much. NIN gets a lot of flavor other jobs don't get with their unique run and jump animations. And you get a Bunny of Shame on your head if you fuck up a combo, which is incredible.

Story Tier: A. The Rogue story is probably the most memorable of the basic class quests. Ninja just has great characters and a fun story. What is with that one guy. Karasu? If you know you know. I also like how the Rogue characters show up later in the Ninja story. That's fun.

SAMURAI: I had a similar experience to WHM here because I initially hated it then really came around once it clicked. SAM seems very complex, it has a ton of buttons and different combos. But it is actually quite intuitive once you figure out the general pattern. And it does INSANE damage. I think it's the highest DPS output in the game? I love building the combos and then doing a huge finisher for a bajillion damage. The guaranteed crits and constant OGCD weaves make me feel unstoppable. I think this is tied with RPR for me.

Story Tier: B+. I found the exiled samurai character and his journey toward redemption very compelling. I won't spoil beyond that. However it does fall apart a little in the second half. Still fun but not as good.

REAPER: I love RPR, the teleportation is a lot of fun, and I love finally unleashing the demon form and going ham on the enemy. The weapons are the coolest looking in the game. Every scythe design hits. I probably played this the most in Endwalker. My main critique is the Death's Design mechanic. I hate having to keep a stupid debuff on the target to do damage. It's like a dot but without the optimized snapshotting. If they want to keep this idea i think it would feel better to change it into something like SGE's Kardia where you apply it to one enemy to do increased damage to it without having to worry about reapplying it. not sure how they would balance this for aoe but that's not my job. But even with that caveat I still really enjoy the job.

Story Tier: A+. While it doesn't reach the highs of DRK's story it comes close. I love the badass old lady main character. Her hunting a voidsent that possessed her grandfather would be cool enough but making her a Garlean exile in hiding who grudgingly agrees to train you just adds an extra cool factor. I really enjoyed this story. As a bonus theres a lot of incidental dialogue in the post-6.0 Endwalker story if you completed the RPR story because it ties in a lot.

PHYSICAL RANGED DPS

BARD: It's a bit clunky, its got some outdated design elements, it has one of the lowest damage outputs in the game... and i LOVE IT. this was technically the first job I ever played? totally different character like 8 years ago. and i was so so bad. I think i am actually pretty good at current BRD. the animations look cool. i like that it's a class you really need to work for and optimize to eke out that last bit of damage. and boosting everyone else's damage by existing is kinda neat.

Story Tier: B. I'll be real I barely remember this but I do remember it was gay as fuck so immediately gets an extra tier for that.

MACHINIST: MCH is really funny right now because like. It's phys ranged, right. The design behind phys ranged is you have 100% uptime cause you can freely move around and not have to worry about cast timers or melee range or anything. So the trade off is that they do less damage than other classes. Endwalker MCH did not get the memo and does insane damage anyway. My controversial opinion is that it has similar burst DPS to RPR. No i will not elaborate. I'm also bad at doing good damage on MCH which is impressive since it is easy.

Story Tier: B+. Some Ishgard noble's gay son wants to build machines instead of killing dragons the good old fashioned way and has to prove himself to get taken seriously. A tale as old as time. See I haven't done this quest in like years but I still remember it. He is a memorable character. It's just not like. knockout wowza compared to the A tier stories.

DANCER: Dancer is the second easiest DPS job in the game behind SMN. So if i am sleepy it's the one I like playing. You play simon says. you do a lot of damage when you play simon says then do almost no fucking damage otherwise. I think it's the lowest direct damage in the game? for a dps i mean. You have high stakes sexual tension with a DPS of your choice via Dance Partner. I wish other DNC players knew how Dance Partner works. YOU CAN DANCE PARTNER ANOTHER DANCER. THE BUFF STACKS. BUT YOU CANNOT DANCE PARTNER THE SAME PLAYER AS ANOTHER DANCER. THOSE BUFFS DO NOT STACK. ok i'm good. anyway

Story Tier: C. there's some shit about negative emotions and purging them? in theory i think this has some interesting implications with Endwalker lore considering Dynamis and its role in the story. Very similar mechanically to what's going on with the DNC story. but i really don't think the writers made the connection so it's like pure speculation and not the actual story. It's meh. fine i guess. i did like all the flashy dancing sequences.

MAGICAL RANGED DPS

BLACK MAGE: I am so so so so so so so bad at BLM. i pull up the guide. i read the guide. it all makes perfect sense. i go into a dungeon or trial or something. somehow i always get like Zeromus or some shit. and i drop Enochian or something and everything goes to shit and i'm yelling and i'm not even like slide casting or teleporting or anything i just run around crying. then i remember i have like 10 more buttons i haven't been pressing and oh god the dot fell off. people play this? for fun? i admire it. apparently they do a ton of damage if you can play it. could not be me.

Story Tier: B? There's some voidsent and Thirteenth lore. all the black mage characters are Lalafell because it's funny i guess. OH YEAH it has like the one named male Keeper of the Moon Miqo'te NPC in the entire game and he's fun. look at this twink:

sorry i don't have anything to say about BLM i am bad at it

SUMMONER: easiest DPS job in the entire game. they redesigned it for Endwalker so it is practically a new job. i have no idea how it played before. but it is super streamlined. maybe too streamlined? it's another one to play if you want to turn your brain off. i like that at 90 you summon The Actual Primals instead of little representations of them. and i like the way your burst phase switches between Bahamut and Phoenix. it all looks very cool. they should add Leviathan as a summon in Dawntrail.

Story Tier: C.. i don't remember a single thing about this questline except you interact with Y'shtola's half sister. i think you go to Cartenau at some point. idk

RED MAGE: RDM is one of those jobs that looks really complicated when you start then you actually play it and it is just super super easy. that being said i think it's really fun. I like balancing the white and black magic gauges. Dualcast is a great gimmick and it feels cool to lob two big spells in a row at something. Dualcast Verraising a chain of dead players is so fucking funny. it's a shame that the existence of Verraise means RDM does shit damage to compensate for its utility. It and DNC just sit at the bottom with BRD barely scratching ahead of them. i think? i don't remember LOL

Story Tier: A, I really like the story and characters. I like that you have a middle-age world weary catboy (catman) as your mentor. and i like that he canonically trained Alisaie too and you chat a little about that. it's a fun story!

BLUE MAGE: what the fuck is a blue mage

Story Tier: ???

[casey-wont-eat-paste]

I’m gonna be talking about the finale of season three so if you don’t want spoilers scroll on

They all cleared out? Good.

Honestly, I felt kind of disappointed with the finale, the battle was great, the buildup and the resolution of the characters that we have grown to know and love throughout the series was great, but.

And this is a really big but.

The actual finale of the show, the last few minutes we got with these characters, not Nine or Thorn or Dread or Rebel but the characters we started out with Sonic, Tails, Knuckles, Amy, and Rouge felt bland. it made the entire series feel inconsequential, the way that everything was just better now, Sonic and Shadow were the only ones who learned anything, and we have no resolution to any of the other storylines. What happened in New York now that the egg are taken down? What adventures does captain Rose lead her crew on? How does the boscage maze grown to live in Harmony? Is nine just living in isolation now? And how do each of these universes function without their respective prism shards?

Of course, none of these questions take in the theory that each of the shatter spaces was a part of Greenhill, that each of the characters are a part of the ones that Sonic knows them as, but I feel like that theory would be better illustrated if we got a little more time with the og characters, If they could talk about this weird shared dream, Or contemplate the validity of their memories. Or if the characters themselves didn’t want to address it they could have the visual image of the shatter spaces colliding into each other.

I appreciate the hug that sonic gave Eggman, I think that was cute and funny but the fact that the battle proceeded with basically no consequences felt bland.

Overall the finale felt incomplete for me, but feel free to debate me on this, I’m actually really interested to see other people’s opinions of this finale.

Anyway here’s my interpretation of how I think an extra few minutes in the show could’ve gone.

We open up on New Yolk in shambles, robots are destroyed, the buses and trains that were used for transportation are powered off and the people are celebrating. The oppressive rule of the egg is no more and they are finally free. They establish a democracy or other political system, and their entire worlds technology is set back due to the absence of the prism shard, people are hopeful, there is a future for New Yolk, one that is safe for everyone.

Captain Rose collaboratively, with her pirate crew, decides to hunt for a new treasure, discovering other people, the mainland, and the giant gemstone said to hold immense power.

The scavengers live at peace with the forest, taking what they need and learning to give back as well, protecting its life from the inside.

nine lives in isolation, but slowly realizes that if he looks far enough there are inhabitants in the grim (because I refuse to believe there’s just this incomplete universe) and he’s able to make friends, even if it’s difficult

And Sonic knows, he knows he made a huge mistake and that he was lucky to fix it. Shadow knows to. But sonic has his friends, he has his friends he knows he can rely on and that he needs to listen to. And together, nothing can stop them.

(Or yk nine could be a interdimensional superhero who makes sure that other universes don’t break like his almost did, whatever you want)

[purplespacekitty]

just wanna formally apologize to anyone i've been INTENSE about Riverdale to. not because i love Riverdale. because Jughead Jones is canonically touch-averse and aroace and i will never, EVER, evereverevereverever forgive Riverdale for willfully ignoring that.

also, they barely showed our boy with any burgers or fries or milkshakes or gummy worms or any kind of food throughout the whole show. a travesty. dude held a PC controller maybe once. and uh, i don't think they ever had him playing his drum set. ...they tried to do the whole music thing, but The Archies never happened on Riverdale. could have been a great way to keep Josie and the Pussycats in the picture as crossovers between the two comic lines (and additionally, with Sabrina The Teenage Witch) have commonly been used to keep stories going, but it just dissolved before it could even start. anyway, Jughead Jones was born to eat burgers, dispense witty remarks on his friends’ social drama, wage prank wars and play drums, it's literally his destiny (and so is being Archie's best bud).

and like.

here's the thing.

i know, i know, i know that Riverdale isn't the Archie Comics. it's "edgy" or whatever. but like, have you ever read the Archie Comics?????? there are hundreds of storylines more edgy than Riverdale's and in (probably) every single one of them, Jughead eats more net burgers than he eats in all 7 seasons of Riverdale. he has his little angsty plots and crazy nonsensical adventures and is never as deprived of food and games as he is in Riverdale.

he's been this way since 1939, when the Archie Comics first came about. granted, video games didn't exist then, but his whole deal has always been eating burgers and being Archie's best pal. he's a breath of fresh air, a glass of cold water to the face for Archie and the gang to snap them out of their various problems (mostly love- and dating-related, but sometimes friendship- or science or general-good-time-adventure-related). he is often the voice of reason, which is why Riverdale!Jughead doesn't really work. original Jughead has a unique perspective, being primarily preoccupied with food and video games and avoiding all potentially romantic/sexual situations that might involve him: he can observe everything without getting (too) mixed up in all of it. and the more wisdom he imparts to his friends; the more jokes and witty comments he concocts during a given meet-up at Pop's; the more he goofs off and plays pranks on his friends and enemies, the more secure their collective friendship is. and he's perfectly happy with the state of things. he doesn't yearn for romance or sex, all he truly yearns for is a day spent eating burgers with his friends. as long as he has a snack readily available, he's happy to be alone or on an adventure. his natural state is in solitude, which is a state he sometimes has to seek out, but he never has to go far in any quest for company. it's exactly where he wants to be. he would rather eat his cake and eat it, too. Riverdale!Jughead inserts himself into the chaos, which original Jughead would rather play a game of football against Reggie than willfully do.

i think Riverdale tried to play into Jughead's comfortability with and preference for his general nonconformism with that whole "i’m a weirdo" speech, but ultimately failed because in the end, they still had him conforming to norms the original Jughead scoffs at. and Bughead, as the literal 85 years of Archie Comics and 7 seasons of Riverdale (in which Bughead basically become kinda-sorta-maybe-almost-pseudo step-siblings??? idk the whole thing between FP and Alice just makes it too weird for me) clearly demonstrate, added nothing to either Jughead’s or Betty’s characters and only contributed to the erasure of one of the longest running aroace characters there is. when the comics did try to give Jughead love interests, it was either extremely out of character, played for laughs as a way to shame him for not being interested in romance or just simply…didn’t work. usually some combination of all of the above. because Jughead is fundamentally aroace and has no desire to be with anyone in a romantic or sexual way. plus it kinda messes up the whole premise of the Archie Comics? teenage boy can’t choose between best friends Girl Next Door and Uptown Girl, who both care for him and each other equally, so he dates them both? it would have been way more refreshing to see them explore the complex open/polyamorous relationship that Archie, Betty and Veronica have been negotiating for 85 years through a more queer and empathetic lens than what Riverdale actually turned out to be. maybe they wouldn’t have erased Jughead’s queerness or sidelined other canonically queer characters (i.e. Kevin, Toni, Fangs, etc.) if they’d taken that route. it would be cool to see a plot within the Archie universe constructively centering queerness as a main element of its characters as storyline.

Riverdale refused to keep the most essential parts of the original Jughead's character: aversion to physical touch, romance and sex, an aggressive adoration for burgers, rhythm and musicality and his ability to separate himself from tense situations in order to problem-solve. what the other characters often sneer at or find frustrating about him are actually the things that solidify his importance in their lives. he balances them out. and there are moments when his friends recognize and celebrate that. and him being this essential, inextricable part of an iconic friend group in the comics is an extremely heartwarming thing to see as an arospec/acespec person, myself.

this was supposed to be an apology, wasn't it...oops? sorry?

Riverdale just kinda missed the whole point of Jughead Jones. and i WILL be salty about it forever.

[ewanmitchellcrumbs]

Bro if I don’t get to see Aemond throw it back with his hot witch gf I will cry. I know they wanna make him the only villain but pls. As a treat. In next seasons fifteen minutes of screen time

I am kinda feeling with the way things are going, Aemond is gonna peace out early doors next season. It’s looking like it’s headed that way. The nature of both his and Daemon’s deaths have both been revealed, and they have basically given the seer storyline to Helaena and the relationship with Alys to Daemon. I feel like at this point the writers don’t really know what else to do with Aemond besides kill him off, considering they’ve turned the entirety of the Greens against him.

Also, Ewan has carried the press for this season, but racked up a measly 22 minutes screen time in a season that spans more than ten hours. I can imagine by the time they get to season three, he is gonna be eager to move on to other things. He clearly loves Aemond, and it must be frustrating to play a character that the writers don’t care much about. He is nothing more than a marketing tool at this point.

Anyway, these are just my thoughts and feelings. Sorry to be negative. I am just bummed by the final episode!

[baifengxis]

i don't like being negative about things but this is really just constructive criticism (that no people who make the show will see so it might be useless but anyway ksdkfsdg) i love 23.5 very very much but they tried to fit too many storylines into only 12 (so far 10) episodes and some resolutions just feel so...underwhelming...and it'd be much better to just not do them, for example, this whole thing with aylin and ton was just...not it, it wasn't really addressed and it just left a bitter taste for everyone, plus aylin had trouble talking anyway, we could've had her opening up anyway and use the extra time for aylinluna scenes that for whatever reason went missing today (bcs there was basically nothing and they went to eat in luna's house but we never see that? okay plus no make up scene or anything), also don't get me wrong but there's kinda too much time focusing on supporting boys, it's fine for them to exist and have cute little stories (even tho at this point i really don't know why ton exists but anyway) but i felt like they had so much time and lines in this episode, time and lines that were taken from the MAIN girls but anyway that's gmmtv i guess, so anyway all of this plus how fast the ongsasun conflict escalated and i get it, they're teenagers they do dumb things, i guess the conflict is eventually ongsa being insecure anyway but...we could've spent more time on those things rather than extra storylines that went nowhere and i just felt this issue a lot in this episode

so anyway my love for the show remains and i still believe it's the best thai gl we have so far, but i wanted to share my thoughts that i guess other people share too

[witchywithwhiskey]

On the AO3 post for the alpha next door you wrote that you'd mostly read omegaverse novels om KU. Do you have any recs??? 😄 always looking to expand my TBR!

oh my god there is nothing i love more than giving book recs!!! ok here we go:

Baby & the Late Night Howlers by Kathryn Moon was my very first omegaverse book. it's reverse harem + bikers, and the premise is basically that the female main character thinks she's a beta but finds out she's an omega by very suddenly going into heat while in a biker bar. i think it's a pretty good entry point.

Lola & the Millionaires Part One and Two by Kathryn Moon are the second and third novels in this Sweet Omegaverse series (which are all reverse harem), and they're about a beta who matches with a pack of millionaires who've found a male omega. this is a neat non-omega-focused duology.

Bad Alpha by Kathryn Moon (i swear not every book on this list will be by Kathryn Moon) is another book in this universe. its about a female alpha who forms a pack with a male omega and some male alphas. she's also an assassin who was sent to kill the male omega, but she mates with him instead. and she's very much a badass.

Faith & the Dead End Devils by Kathryn Moon is about the omega sister of the male omega from Bad Alpha. it has another biker pack but i think i liked it better than the first one. she's rescued by the bikers from like omega traders and it takes her some time to feel comfortable with the pack and i like stories like that. (also there's one scene where a beta uses his fist to replicate a knot and i....have never been the same 😳)

outside Kathryn Moon's Sweet Omegaverse series, i recently finished reading Devyn Sinclair's Slate City Omegaverse series and it's great—they're all reverse harem as well and take scent matching even further. Knot Your Damn Omega is about an omega whose twin sister is a famous actress and so she's struggled to meet alphas who truly want her for her, until she meets her scent matches in a pack of tattoo artists. Knot All That Glitters is about a politician's daughter who scent matches with her security guard and his pack. and Knot For A Moment is about a ballet dancer who scent matched with her best friend in college but left before he found out and then of course he joins her ballet company years later and learns she's his match. all of these are very very sweet but have a good amount of plot to balance the smut.

Dark City Omega by Elizabeth Stephens is the only non-reverse harem omegaverse book i'm rec'ing but it's just so so so so good—it has an enemies to lovers storyline that's chef's kiss. it's a bit on the darker side, and the world-building is more extensive than the other books, but it's fantastic.

i also devoured the first book of the Pack Darling duology by Lola Rock in like less than 24 hours, but it ends on a cliffhanger and i had to wait for the second book and it just didn't really live up to my expectations so that's a "maybe you could try it if you want" kind of rec.

anyway! those are the ones i'd rec. i've read others but they were only ok. if you've read any already, or if you do read any, let me know what you think!!

[princesssszzzz]

I liked your video and your right. I’m so disappointed!

So many annoying people in the fandom are claiming they want Rhaena to do more and having a dragon is a good change to the story. I’m going to be so pissed if they ruin Nettles.

They’re only saying that in defense of Rhaenyra. They don’t actually like or care about Rhaena or really any other character, I mean it’s pretty obvious how this fandom behaves. It’s very bizarre and I don’t understand why considering GRRM’s universe should be known for ensemble characters who will have their own moments and motivations. Like how does anyone watch GOT or read AGOT and then comes to the DOD expecting simple and juvenile type writing of literally everyone on team black just doing absolutely nothing expect supporting one person. It makes no sense. They definitely don’t care about anything close to a good show adaptation and don’t want characters to seem like people. Even the dragons are doing their own thing 😭 It’s basically impossible to end House of the Dragon without Nettles being exactly the way she is in Fire&Blood. Not only does that effect HOTD, but also dragon lore just throughout the universe because I do believe Nettles was supposed to be like the legitimate PROOF someone can ride a dragon without having Valyrian blood. It’s just very obvious, it’s almost impossible to misinterpret but they found a way to do it anyways.

Also the people saying they want Rhaena to “do more” *side eye* My definition of Rhaena doing more is not the same as them and I know why they claim that. Their definition is creating a team black robot. Rhaena is actually related to these people and kinda stuck no matter how horrible they act. Nettles is not related to these people and doesn’t HAVE to help them, and legit is able to walk away when they aren’t. This is clearly a threat to Rhaenyra extremist who want every other character to just be a cheerleader with nothing else going on and no other motivations. That really can’t be forced onto Nettles. So Nettles and Daemon having a relationship that’s NOT by blood is very impactful vs Daemon just not wanting his failing wife to execute his daughter which is like an obvious no shit situation. It’s not very impactful emotionally. Daemon defending a girl who everyone is claiming he shouldn’t give af about has way bigger implications. Nettles is one of the few dance characters that don’t have to be expanded on because we already have enough. There’s no reason to alter anything about her. Any bad writing Nettles gets is an intentional fuck up because F&B laid it out perfectly, someone would really have to go out of their way to ruin it. I’m now seeing these same weirdos d x r extremist shipper weirdos claiming Nettles shouldn’t be cut like stop the cap we all saw who was creating anti-nettles agendas. They were actually the ones who created the Rhaena claiming dragons “rumors” because it was them trying to manifest it. They wanted her to claim Sheepstealer and then started saying vermithor so rhaenyra won’t have to deal with people being traitors. They need to accept their favorite characters and their storylines for what it is. This is why people need to stop pretending like they can portray a character like rhaenyra as better than she is because now it effects other characters…..

GTFO, sorry but that trailer was such obvious fan service

If they want Daemon to work on his relationship with Rhaena then the way I would do it is getting it out the way before she even goes to the Vale in ep7. There’s too much going on after that for that to be an ongoing issue atp. Then his relationship with Nettles really has nothing to do with his daughters, or really anyone outside of Rhaenyra getting pissed.

[what-gs-watching]

“What good did love do, Doctor? When did it ever help?”

So I spent last week at my parent’s house finally pulling off the surprise birthday party I’d been planning for months for my mother and I was there for farrrrr too long and I ate waaaay too much and I only had six days from when I got home to get my head right and ready to start a new job after nine effing months of doing nothing. 

I’m starting on Monday and I’m super anxious about it, and everyone is posting about what’s going on with Doctor Who so obviously I decided to let Ruby and 15 turn my brain off for a bit, it’s the least they can do. Maybe that was a mistake, because woooooof y’all. I’m devastated that the season is already over. 

And as such, we def need to talk about both of these episodes at the same time. 

The Legend of Ruby Sunday / Empire of Death

Wherein, The Doctor and Ruby show up to UNIT to finally ask about the old woman they keep running into on their adventures, and immediately very purposefully fall into a trap. 

I have to say, as much as I love 15, baby boy has NOT been very observant this season. He’s caught up in having fun and showing his feelings and all of that is fantastic and beautiful but if this had been 10 or 11 they would have been mulling over this situation the entirety of the season and I probably wouldn’t feel so much like I just got whiplash. 

Like, the internet has been telling me to think about this random ass lady, instead of seeing the Doctor trying to puzzle her out in his downtime. And that’s the first time I’ve really thought to myself, ‘this is incredibly unlike the doctor.’ But we’re going to let it slide, because he’s otherwise charmed the pants off of me.

There was a lot I was definitely about in these episodes, in no particular order - 

OBVIOUSLY, the Rose / Ruby bonding. Absolutely adorable. They immediately gravitated to each other and I love that. It’s so sweet. And I’ll take ANY scrap of 14 I can get, but 15 asking ‘how’s your uncle?’ really made me greedy for more. Couldn’t my girl Rose given like, even the smallest cute little anecdote? Like ‘oh, he’s really into gardening right now…’ or something? Gimme like, even the littlest bit. I neeeed it. But fine. 

15’s outfits. I’ve loved all of the stuff they’ve put him in all season but HELLO that leather jacket and the cozy sweater he had on in the mish mash TARDIS? Gorgeous. Beautiful. I want to buy it right now.

Also, the mish mash TARDIS itself, and the little kiss 15 gives it at one point. Love all the random throwbacks inside that little thing even if I don’t know most of them because no, I never went back and watched the original seasons, so sue me. I’m pretty sure I spotted 11’s little scanner tv thing though, and I love that. I miss Matt Smith. 

And the Doctor lashing out and punching the wall and huffing and puffing and screaming and then Mel giving him a kick in the ass. I’m going to keep talking about how I love that 15 is actually okay with showing his feelings, but I do think he got too lost in them. We all been there, boo. But like, you heard that sick TARDIS sound (that’s going to haunt my dreams) and you were just like ‘oh I’ve heard that before’? BOY you are so distracted. 

Anyway, I’m vaguely aware there’s background on Sutekh that I should probably google if I want to fully understand the situation, but I’m not gonna do it. I accept that it’s the god of death and the doctor fought it once and banished it to the time vortex, but I have to say, I find the rest of the storyline a little bit weird. It hitched a ride on the TARDIS and traveled with the Doctor for basically untold amounts of time and no one ever noticed? And it’s appearance is NOT related to 14 casting that salt at the end of the universe, even though it was pretty clear that the rest of the random god appearances were? 

I guess I’m willing to accept all of that, but gang. Here’s the thing. After all of that time traveling around and watching the Doctor do what he does (and admittedly trying to sabotage him by planting harbingers? I guess? Wherever they went?) you’re still not going to kill him right off when you finally hatch your plot? You KNOW he gets out of things. You know he literally gets out of everything. You’ve watched him wiggle his way out of shit because his adversaries have given him an inch but you’re like ‘it’s fine, that won’t be me, because I REALLY need to know who this random human’s mother is?’ 

Nah. Nah nah nah. Like, maybe if you had really tried to kill him and he got out of it, I’d be like, ‘okay fine’ but that death cloud was half-assed and they beat it on like, a moped. 

If we’re going with real scary gods that have literally the power of basically everything, I’m gonna want their actions to make sense. 

I also have to admit that when the Doctor was monologuing about how the whole thing was his fault, when he said about all of the things he’s done “I thought it was fun”, I found myself thinking about how he really has been playing a game of his own devising and maybe he…shouldn’t. And it felt like maybe he thought that, too. Like, when is it gonna be enough for him? 

The point is, It’s super sweet that Ruby got to figure her shit out, they got me I cried at all of that, but the whole thing did feel a little disjointed to me. Which is fine, because now I’m sitting here like, ‘yo I need more’ but there isn’t more, not for forever, and clearly that’s how they get you. The arch wasn’t a cliff hanger really but also it kind of was and I’m unsatisfied. Maybe that’s the point. 

And I do now agree with Tumblr that the most interesting thing in all of this is how 14 and Donna reacted to the death cloud, and their reconstitution, and the realization that Rose was at UNIT during the entire thing - that’s going to occupy my brain for a really long time.

At the end of the day, eight episodes was not enough. But I’m SO  endeared to 15 and I love the direction the show is going, haters can hate all they want but Doctor Who was always weird and it was always for outcasts and it’s beautiful and stupid and silly and wonderful. Wonderful and perfectly imperfect. 

Friends, this season came at a time I really needed it. I'm thankful it helped me through my forced work hiatus, it's part of the tapestry that kept me going. And that's the good that love does. Doctor Who, I love you.

[ananke-xiii]

Another dream, always mine (and yes it's still spn s13 related because i have a bone to pick with dabb over that season specifically)

So here it goes. (Part 1)

Spn s13 but kelly doesn't die, cas doesn't die, crowley doesn't die. Lucifer dies for *reasons* but mary, dean and sam are stuck in the AU.

It's still spn so we just have to have mirrors and parallels, okay? Like, this show doesn't care about continuity but damn! They will stick to mirrors and parallels like it's a religion and so we do too.

The thing is that the AU is not the lame-ass AU Dabb or whoever came up with, it's at least an attempt at being an interesting place. So basically the AU is as boring and dumb as our earth, nothing has really changed, people are still trapped in the rat race that capitalism is (see, we have a little bit of critique here too, there is no escape from the capitalist-fascist-heteronormative narrative or isn't it?), the frigging white picket fences are still everywhere like a fucking nightmare BUT! This is an earth without monsters, angels, demons, nothing goes bump in the night but depression, paranoia and suicidal thoughts (now these are the real monsters) and YET this is THE chance for our heroes, this is the promised land, no past, only freedom, the american dream is theirs to grab (but don't worry this place hides a secret, this is still spn everything must be queer, you'll see). Sam, dean and mary are kinda lost cause, surprise surprise! It turns out that's not the things you want that you can't have but that you didn't know what you wanted so how could you have it in the first place? Mary is restless, this was supposed to be her dream, she died for it and now she doesn't want it and she goes through another deep existential crisis (and, really, we all just get mary because seriously? any character named mary who's also a mother has too much fucking weight on her shoulder, just let the woman be). Sam is kinda okay with it, he once again refuses to get in touch with his emotions and flees from them like the plague: they're gonna make it work, they will find a way (i want to convey ross from friends vibes when he's like *in a squeaky voice* i'm fine! Here, that's sam in the AU). The guy lives in his delusion, this is his chance at being normal (and oh boy is he wrong, you'll see). Dean feels just bad, he's supposed to feel happy with his mother and his brother/son (the weird implications of this situation will be explored) but he keeps thinking about that little house by the sea (or was it a lake?) that cas bought as fucking jimmy novak and how the angel spent months there with kelly playing daddy and how the fucking angel played him and dean just went along and repaired his stupid truck as if to thank him for breaking his heart but also, also, dean will never admit it to anyone ever but deep down he knows, he knows, that that was his place, his angel, his chance (we will also have an explorations into the complex theme of mpreg with the due "Junior" references we all deserve and insights into dean's maternal insticts).

Now back to earth.

Kelly gives birth to a baby jack, cas lives with them to protect them from the angels and demons that will sure come for a visit (but once again he will end up being a total agent of chaos, you'll see), the angel is a bit of a mess, though, and his obsession with saving dean winchester is finally making kelly feel quite concerned with her life choices, maybe trusting this guy was a little bit insane, was he always this deranged? (We'll soon see why she thinks that, she might have a point). Meanwhile crowley goes back to hell and we once again have a cheap game of thrones situation (because why not? i can't come up with infinite original ideas to fix this plot, okay? Also this is still spn, i can condone SOME cheap storylines on the side, and anyway mark sheppard makes anything work so we're good) where his varys-like smart brain cells will put him on the throne again (who's this asmodeus guy anyway, prince of hell or not, fuck him, he will not stick around here for a second season while dagon died like after 2 episodes she was in, not gonna happened in my narrative). But, you see, the demon has his own issues, and goes visiting kelly and the angel because why not? He likes kelly she seems interesting enough for a person who birthed satan's son, escaped from a fucking angel of the lord, was kidnapped by a goddamn prince of hell, managed to baby trap said angel of the lord, stole the frigging impala and escaped that menace that the winchesters are. She then proceeded to give birth knowing she might have died. She is something. Something a bit unhinged maybe but crowley digs her, okay? He still also has varys-like smart brain cells so he needs to visit to make sure that baby lucifer is, like, not plotting to take over hell or whatever newborn babies half-made from cosmic entities do these days. Also, also, watching castiel putting baby jack to sleep with those big strong angel gym-bro arms did something to him, his daddy fetish and his mommy issues raised their head and something else too, and he foolishly promises to keep jack safe from hellish attacks and indulges castiel in his winchester obsession. What? He misses the brothers too, those handsome, tall, cruel white boys (we are reminded that, visually, the whole cas/kelly/jack situation is quite similar to the weird crowley/dean/amara thing of s11, mirrors and parallels need to keep happening people, this is spn, we gott have 'em). Castiel is living his tragic destiny yet again, he's seen the AU, has been there, technically knows that dean, sam and mary are safe but he just has to see it for himself, right? Like he has to make sure, it's not like dean not being there is eating him from the inside, it's not like he starts feeling the pang of guilt over the huge betrayal he's forced onto dean,leaving him left behind again and again and playing him that way, no. He copes by sitting in his stupid truck that dean had repaired listening to that damn tape (every time he does that we have a close-up of kelly watching the pathetic scene from her window and sighing as if in "fuck, FUCK, my life"). And oh, yes he also starts researching about archangel resurrection because i may or may not bring back my girls, aka raphael and uriel but this is for part 2, you'll see.

[lizzie-queenofmeigas]

Caroline basically almost had every storyline at some point giving to her so I don't see how people can think she was more mistreated then bonnie

Yeah, they put Caroline everywhere even though her presence made no sense. Let me tell you a story, dear anon.

I started watching The Originals season 3 without having seen any of the previous seasons or TVD (I did know a little about Delena because of YouTube videos) and instantly Klaus became my favourite character. I was like 8/9, at the time.

And well, I stumbled with fanfiction and when I went to search Klamille fanfiction. There was nothing, specially given that at the time I could only read in spanish (and some Portuguese, but that's another story) so I clicked in one that had Klaus in it. It was a Klaroline fanfiction and when the character of Caroline appeared I had no idea who that was. Still, I kept reading because Klaus was/is my hyperfixation. I went like a year reading without knowing who the hell that was so I just sort of used Caroline as YN. I finally watched TVD when I was 11 thanks to the magic of the internet and my own obsession over Klaus. I had seen videos of Klaroline before in YouTube, but they didn't really illustrated Caroline as a character. So you can imagine my surprise when I find out who this character is and turns out she is the most annoying girl in the show. I was so confused as to why there was so many fics between them and none of Klamille. So, for a couple of years I read fics were Klaus was paired with anyone except Caroline (Klaulena/Klonnie/Klayley/Klefan and Klebekah were my saviours) until I ran out of them and had to read Klaroline fics. I kept doing the "Caroline as YN" thing because I hated the character but I needed content and some fics were very interesting. Then I learnt how to read in English and I was saved. Delena fics saved me from the never ending mountain of Klaroline fics.

In most of those fics every single character of TVD was somehow the villain in Caroline's story, in many it was Bonnie. In others Bonnie was Caroline's ride or die and hated Elena and was okay with Klaroline and was mad at Tyler for hurting Caroline, which is wildly out of character for Bonnie.

Anyway, now you know my issue with Klaroline and Caroline.

[quibbs126]

I’ve just been drawing this today because I’m bored

I don’t think I can have free days anymore, because I end up feeling brain dead during them and can’t work on the schoolwork I know I need to do, and by the end of the day I feel guilty about wasting the day despite literally not being able to do anything actually productive

But anyways, this. I mentioned Fantasy Life earlier today, and I have a save file where put Ceres from Evoland 2 in Fantasy Life. I actually originally made this save file some months ago, but I never really played it, leaving it once I found the first save point I could

I only realize now this is like that time I put Descole into Stardew Valley. Hm

I still haven’t gotten much of anywhere in the game, I only just started the Carpenter story. And to be honest, I’m not sure I want to continue because I kind of just want my own character in Fantasy Life, but also I don’t know how to make that. So maybe I’ll just continue with Ceres and see where it goes, or I’ll just delete it

But out of boredom, I wanted to draw her from the game regardless

So the design here is what she looks like in the game, or as close as I made it. For various reasons, including the fact that I can’t add horns or non-human skin tones to my character, or have bicolor hair, I made some changes. Her hair probably also isn’t the most accurate hair I could have given her to her original, but I think it looks good on her

Also as you may notice, I don’t entirely know how I should draw her, whether I should be closer to the game or my style

I’m debating whether in my drawings I should stick to the Fantasy Life skin tone or give her the blue she canonically has. I flip flop on which I prefer

I only realized when I was looking at my other Evoland 2 art how wildly different this color palette is, and it’s probably significantly brighter. I mean for this I was eyeballing the colors from my 3DS’s screen, while I color pick from the Evoland 2 sprites, so maybe that’s a factor

Edit: I am now seeing it on a computer screen, and it looks even more different. Like that hair straight up just looks blue, I can't see any purple

But yeah, I really didn’t know what Life to give her when I made her, I just picked Carpenter because I haven’t done that one in a while. Maybe Alchemist would have been best, but I really don’t know. It doesn’t help that Ceres doesn’t have much of a personality I can make a decision based on. Though in all fairness, I’m not entirely sure what I’d make the other characters either

I’d say Fina either Woodcutter or Hunter, Menos probably a Paladin? (Just not for Castele specifically) Kuro I’d say Mercenary or potentially Alchemist works (though in terms of weapons Menos and Kuro should probably switch), and for Velvet I don’t really know, maybe Miner, Alchemist or even Magician? I don’t know, as far as I can remember, nothing fits cleanly with “archaeologist”

But anyways, maybe if I continue with this, I can basically make up my own personality for Ceres, so I should continue, but I don’t know if I’m motivated enough to do so. We’ll see. Take this in the meantime I suppose. It isn’t much of anything, but it is a thing

Oh also one more thing I forgot but can’t fit elsewhere: I think the storyline idea for Ceres here is that she ended up here post-Evoland 2, but she doesn’t really remember getting here at all, thinking she’s just been in Castele her whole life, until she starts slowly realizing things don’t add up. She isn’t from this game though, especially since I don’t think demons exist to explain why she’s blue

[sad-drake-lyrics]

alright, i’m having a lot of feelings™ about giyushino & i have to talk about it because otherwise i will implode. i’ve liked the idea of them together from s1, like most people who ship them seem to; but then i stopped thinking about them much due to obsession with other ships, and also because after their initial altercation on Mount Natagumo they don’t really get much screentime together, so i just lost interest.

but in my modern day obamitsu AU (you can find my ao3 link on my page!), i’m featuring giyushino as a background ship, & i am starting to catch fucking feelings myself from writing them. (if you head off to read the fic, there’s only two chapters posted so far & Giyuu + Shinobu are not in it yet, but will be very soon.)

so, here we go. gimme a moment to ramble about what inspired these HCs / character analyses before i get to the meat & potatoes.

street lights by killedmyself is one of my favourite songs despite the fact it being really more of a piece of audio art than a song - it’s mainly a movie dialogue sample mixed with sad boi lo-fi beats, but i play it all the time because it somehow hurts so good. so i was listening to it when thinking of the aforementioned modern AU, & i had an epiphany like “holy fuck, this is exactly how a giyushino relationship would go down, whether in a canon AU or any other story.”

the sample in the song is from No Strings Attached, a typical romantic comedy/drama about two close friends who have a deep understanding of each other and casually have sex, but the guy catches feelings and the girl wants nothing to do with a relationship.

(honestly, most people would probably find this movie boring - it’s a basic white het ship storyline; i only watched it because of the song, & the conversation in the song is literally the best part - otherwise the movie is hella bland & i wouldn't care if i never saw it again LOL so i’m def. not saying “go watch this” here.)

anyway, i’m listening to this song, and i’m like “omg, i can hear Giyuu & Shinobu saying every fucking line.”

basically, in my mind, Giyuu & Shinobu would start hooking up just for the sake of it - probably as a result of a quiet development of closeness born essentially out of convenience (they are always at the Ubuyashiki Estate together or working together), and then one night boning goes down. they’re attracted to each other; they like each other as people; and then the sex is good, so it keeps happening.

& very quickly, sad boi Giyuu, who is typically self-isolated and depressed, starts crushing hard. he’s alone and he’s desperate for human interaction and affection, even though he doesn’t realize it - and Shinobu is beautiful, and he admires her. plus they’re starting to have a lot of sex; & it’s pretty common for that to bloom some sense of love, ranging from base level attachment to infatuation to real feels - and it gets to the point where Giyuu wants to be with her.

but Shinobu doesn’t want the same thing. she cares about him (more than she can admit), but she’s fiercely independent and immensely dedicated to her work (with all her research and crafting of medicines & poisons). she puts this work above absolutely everything else with self-denying devotion - her happiness doesn’t matter; like she tells Tanjirou, she’s angry, and all that matters is success. a relationship for her would be a distraction, & she doesn’t need it - doesn’t want to deal with it; too many emotional ups & downs; too much drama; too much risk; too much intimacy with someone else, which actually terrifies her. so when Giyuu tells her he wants a relationship, she rejects him.

now let’s take the samples that slap me in the face with giyushino feels from street lights, which i can literally hear coming out of their fucking mouths.

Shinobu: You know me, this stuff freaks me out. It's fake. What’s wrong with what we’re doing? It’s working, we don’t have to fight -

Giyuu: Maybe I wanna fight.

Shinobu: Yeah, well I don’t.

Giyuu: What are you gonna do - you’re just never gonna feel anything? How are you gonna do that?

Shinobu: I don’t know. I’ll figure it out.

^ this exchange already starts murdering me because i feel like once Giyuu realizes he has legitimate feelings for Shinobu, and is wrestling with his own self-denial and inability to accept love from others because of how much he hates himself - he sees that Shinobu does the same thing - she doesn’t want to feel anything too deeply because she’s traumatized from Kanae’s death. she doesn’t want to love anyone else in a way that makes them more important than anything else (though, yes, we have to also acknowledge her love for Kanao here, but i imagine that's it for her - no more), so that she can’t experience loss again. she’s scared; she protects herself by being self-sufficient and dedicating herself to her work.

she's also stubborn asf, and sincerely believes in herself and what she's capable of, and so "I don't know. I'll figure it out." is literally what she would respond to this challenge.

Shinobu: I don’t need you to take care of me. I take care of myself. That’s what I do.

^ destroying me because this is exactly what Shinobu does. this is her MO; her armor.

Shinobu: Why don’t you go find some other girl who’s not gonna hurt you?

Giyuu: Because I love you.

^ help. why are they like this. it’s because Giyuu’s so alone, but when he feels, he feels deeply (seen even in his initially inexplicable sentimentality for Tanjirou & Nezuko from the beginning, all the way to when we finally hear his backstory with Sabito). he’s smart and intuitive, he can see right through Shinobu - right through everything she does to protect herself. he also doesn’t give up on people he cares about, and his sad boi meter is off the charts - he probably thinks he deserves rejection. plus we have Shinobu pushing everyone away so hard because she can’t handle it.

also going off the HC here that they’re casually hooking up throughout this: oh boy is this a mess of confusing emotions for both of them, both struggling to keep it bottled up, and Giyuu is clearly the weaker link. he just would be. he’s too sensitive.

Giyuu: It’s obvious, I completely love you - there. You’re such a wimp.

Shinobu: I am not!

Giyuu: Well then be with me.

^ why is this dialogue like, canon. it’s their personalities to a T - the way they push at each other in a way of making fun of each other; the way Giyuu is honest despite his problems with feelings; the way strong, independent Shinobu would be so offended at him calling her a wimp (which he totally would fucking say) - calling her out on how she blocks out feelings for others to stay focused on her mission so she can protect them, but so she also can’t get heartbroken, because she can’t go through that again.

*cough*

anyway. there’s my roughly 1k word count essay on how i envision a romantic giyushino dynamic. i’ll be trying to work this into my modern AU - but considering Giyuu and Shinobu are secondary characters, i don’t know how much i can explore this; still, i don’t have the full fic planned out, so nothing’s off the table.

but seriously, this shit hits me in my gut so hard i could probably write an entire fic about them just on this premise lol.

anyway, yeah. woke up at 7:30, made a cup of coffee, sat down on the computer and just wrote this essay out of nowhere in an hour because suddenly giyushino is also ruining my life.

[battle-subway-aftershow]

Inconspicuous mustache and glasses on, soooo you wanna talk about how galar could be good huh?

Points at you this is all your fucking fault (/j)

Anyways you’ve poked me so I’m going to talk about it now. Sorry not sorry.

Before I say anything: “Moth, Tinker, don’t like, all your characters live in galar?” Yes! Because when you’re making an au for Pokémon why make a region out of scratch, when Game Freak’s left a perfectly good blank slate for you right there?

Anyways with that out of the way, I’m putting this under a cut because this is going to be long.

Sword and shield are such disappointing games. You could say a million things about it— the graphics, the routes, the nat dex cut, so on and so forth, but that’s a long dead horse and im not going to start beating it.

I like Sw/Sh’s story. Or, more accurately I like the idea of the story that the games tried and failed to give us. I really want to say there’s something there to grasp at, but honestly? There’s not. Nothing burger ass game.

The plot up until the climax of the story is “The darkest day was a thing and there was a hero that stopped it. Bede’s mean and wants wishing stars. Wait, what?! There’s two heroes? And badass dogs? No way!”

It genuinely feels like they had a full story arc with plot beats written out, but had to scratch everything besides the climax and try to fill in the gaping plot holes as quickly as they could before they hit the deadline for release. It’s so jarring and bizarre when you reach the climax of the story, because it’s just… out of nowhere? You and Hop try to break into the Macro Cosmos tower to interrupt Leon’s meeting because he was… late for dinner? And Oleana hears this and starts acting like an unhinged evil antagonist out of nowhere, even though at the moment not letting you in is just, perfectly logical?

And then the whole hide and seek game she does for the keys— Team Yell joining in, none of this feels deserved at all, probably because there was, I don’t know, supposed to be things happening before this that properly built up to it?

It’s so frustrating, because if they had even executed the story at all, it would’ve been so cool. The guy who practically MADE galar is re-awakening what is basically an eldritch god in a misguided attempt to save the region from future disaster (trauma? Paranoia? All of the above?) but his plan backfires and nearly destroys everything instead??? It’s such a cool idea! And it’s just. Barely even executed at all.

Oleana and Rose both could’ve been such interesting characters. Their Pokémon teams are symbolic of themselves as people, for crying out loud! Imagine how cool those fights, especially Oleana’s, could’ve been if there had been a proper fucking storyline??

(I won’t go too in-depth, but Oleana using beautiful and feminine Pokémon up until her g-max garbador ace— a literal heaping pile of trash? And how that represents the her horrible personality hidden behind her appearance?

And how Rose’s team is made up of thorn and thorn-like Pokémon, as well as industrial Pokémon and his childhood starter? Without a rose in sight? He’s lost who he was to the pursuit of innovation or something. There’s no Rose anymore, only the thorns. Too bad there’s nothing before these moments.)

It ends up just feeling like a barely even executed dollar store version of Sun and Moon. You’ve got the punk evil team who isn’t actually evil, the altruistic company/foundation that turns out to be far worse than the evil team, extraterrestrial pokemon who are very debatably Pokémon being brought into the world and causing problems? Yeah everything screams “we tried to recreate the s/m formula,” down to Hop using Hau’s animations. Insane.

(Also team yell feels like another dead horse that I don’t want to beat— but they don’t work like Team Skull did. Team skull worked! Really well in my opinion! Meanwhile Team Yell is just… kind of a vague nuisance. I get that was the point, but if Macro Cosmos was going to be the villains— why not give any buildup beforehand? Oh well. I said I wouldn’t beat the dead horse.)

Tl;dr: Sword and shield is barely even trash, it’s an empty dumpster with some unopened cans in it and I am sitting in there playing with the cans trying to create a coherent story out of it. Man galar’s good if only it was good. Go watch Twilight wings it’s Galar if it was good

And also sw/sh feels uncannily like bootleg sun and moon, bri’ish edition.

[driflew]

hello hello i have another au cherri and i came up with! this one’s called blindsided and this is the backstory that sets up the rest of the storyline. ive posted two bits about it for six sentence sunday, but that’s basically all. so uh. woe no context one shot be upon ye 

Martyn’s out late.

That’s not necessarily unusual—Most nights, Ren wouldn’t even care. Martyn has a tendency to lose track of time, and he loves to wander almost as much as he loves Ren. It’s not uncommon for him to take an extra hour or so to get home after going out on this or that errand, usually with an interesting story or something extra tucked under his arm. Really, Ren hadn’t been worried at all… at least, not for the first hour.

It’s gotten dark now. Martyn was supposed to be home a few hours ago, and Ren is really starting to worry. He’s being unreasonable, he’s sure, but he flags down a member of his staff all the same.

“Could you run into town and find Martyn? He must’ve lost track of the time. Tell him he doesn’t have to come home, but I’d at least like to know what’s keeping him.” Ren bites his lip, wringing his hands. “I’d prefer it if he came home, though.”

The man nods. He turns and heads out the door without another word, leaving Ren to sit by himself. Town isn’t far, but Martyn likes to roam…

Ren picks up a book off the table and sits down. He’ll be here a while.

—

“My lord?” Ren starts awake at the sound of his title, book falling out of his lap. He doesn’t remember dozing off, but he scoops the book off the ground anyway.

“Oh, I’m so sorry,” the man says, but Ren smiles, waving him off.

“It’s fine,” Ren says, then looks past him. The hall is empty. “Martyn was busy, then?”

The man looks away.

“Your grace, uh,” the man stumbles. He glances over Ren, still seated at the fire, and then says, “He’s dead, sire.”

“…What?”

“He— there was a fight. I asked around for— for a while. A pirate engaged Martyn in the street and stabbed him in the back. The fight moved to an alley and, while I couldn’t find anyone who saw it, uh, he was heard, uh… people heard the scuffle. From the main street and from the buildings around it. When it stopped, he was carried away, and he was… they said he, um, didn’t look to be breathing, and there was a lot of, um— To confirm it, I visited the alley, still bearing proof of the fight, and it was. Bad. Even if he survived the fight, by now, with the pirates that took him, he’s certainly bled too much. I-I’m sorry.”

Ren says nothing, not for a long while. His mouth hangs open, his body still a mockery of the relaxed way he’d been leaning back in his chair.

That… can’t be true, can it? Martyn is strong. Surely he wouldn’t…

“Gather— gather as much of the staff as you can. We’re going to— we have to look for—” Ren stammers, climbing out of the chair. “The pirates, the ones who— what did they look like? If they have Martyn, I want him back.”

The man looks at him sadly, but nods. “I’ll gather the staff and meet you by the gate, and I’ll tell everyone what I heard.”

—

The search turns up nothing, but not for lack of trying. Martyn had been popular among the staff, and many of the men and women on the streets would call themselves his friends.

It is for precisely this reason no one will let Ren see the alleyway. He knows even without asking that he’s found the right one—all he has to do is follow the overpowering smell of copper and iron.

“It might have clues as to who did this!” Ren insists.

“We can review the clues,” says one of the posted guards.

“I would like to help,” Ren insists, “We don’t have time to be arguing about this. Martyn could still be alive.”

The two guards at the mouth of the alley share a glance, all pity. Ren bites his tongue to keep from snapping.

“Your grace, if I may,” the second guard says, “We’re trying to look out for you. It will only upset you to see the site of the crime.“

Ren considers saying that he’s already quite upset, thank you, but he doesn’t want to antagonize them into keeping him entirely out.

“I can handle myself,” Ren says, entirely without basis. “Let me through.”

They do, though not without another long, pitying glance.

Ren steps past.

For a moment, Ren thinks the alley may be paved with brick. The realization that it’s simply blood, splattered across half the alley, nearly knocks him over, but shock keeps him upright.

Well, that and the smell. Ren doesn’t think he could handle getting any closer to it by falling to his knees.

There’s plenty of proof here that the victim was… wasn’t mistaken. Martyn’s sword lies forgotten on the tiles, leather hilt stained a deeper brown.

There’s something lying in the thickest part of the puddle. Ren steps closer without a word, lifting his sleeve to his nose.

Martyn’s braid lies in the middle of the alley. He knows it intimately—he’d been the one to tie it just this morning, had placed the ribbon at the end himself. The cut is jagged and uneven, and it’s come loose on the end that would have… would have been attached to Martyn’s head. This, too, is covered in blood, just like everything else, and flakes off into Ren’s hand as he picks it up.

Ren holds it close to his chest, turning and leaving the alleyway without another word.

—

They don’t find him. Ren looks the entire night, braid clutched in one white-knuckle grip. He’s careful not to let it go, fearing that it may unravel if he isn’t. This is, he tells himself, a quality unique to the braid, and mirrors nothing and no one.

—

Ren is still holding it when he goes to sleep that night. It doesn’t smell like Martyn— at least, not exclusively. Hints of him are left when Ren pushes his nose into it, but they’re lost quickly to the smell of blood.

This smells like Martyn, too, of course, but is not a scent Ren ever thought he’d become familiar with.

He doesn’t change. Martyn is often the one who helps him, and he doesn’t think to ask anyone else. Not that it matters what he wears to bed tonight. Ren thinks sleep will be impossible, all alone in that bed for two.  

The truth is, Ren is so exhausted after searching for Martyn, he sleeps like the dead. As far as Ren knows, it’s the last moment of connection he and Martyn will ever have.

—

The braid’s come untangled when he wakes up, loose hair lying beside his pillow, held together only by a red bow.

Ren has no bow to hold him together, and for the first and last time after losing Martyn, he shoves his face into the fistful of hair and sobs.

—

It seems, for a while, like a random act of bad luck. Martyn was simply in the wrong place at the wrong time. It’s heartbreaking, and Ren doesn’t understand it, but at least it’s over.

He finds the box on his bed. It’s labeled with Ren’s name, signed by Martyn’s, but the handwriting isn’t his. It’s too nice, too neat.

One of his staff must have put it here, but why? They might be trying to cheer him up, but… Why does Ren feel so uneasy?

There’s something about the box that makes Ren want to turn and run. He no longer has anyone to hide behind, though, so he lifts the box.

It’s light. When he shakes it, he hears glass. When he opens it, he—

When he opens it—

When he—

Ren… doesn’t remember much about opening the box. He hears about it second hand, only when his staff thinks he’s out of earshot.

He was screaming for hours afterward, says one, and though Ren doesn’t remember, his throat is still sore.

He wouldn’t let go. It had to be pried out of his hands, says another. Ren looks down. There are bruises on his wrist he doesn’t remember getting.  

I heard his grace passed out after. Is that true? Ren’s head is still sore where the back of his head allegedly collided with the bed frame.

I haven’t seen him since. He hasn’t let anyone into his chambers and he doesn’t come out anymore. How is he supposed to let anyone in? Someone in this house left this on his bed. His bed, where he and Martyn used to sleep, and he has no idea who. It could be any of them. It could be all of them.

That’s so scary. Is it safe to stay? I’m thinking about leaving… Leave, then. Ren doesn’t want or need a single one of them.

Did you see what it looked like? Ren doesn’t need to eavesdrop for that. Martyn’s eye is something he’d known intimately before, had been able to speak to and understand without even a word. He’d recognize it immediately, even severed, even blank.

He doesn’t think he’ll ever be able to forget opening it. The box had been a flimsy cardboard, and had opened easily. There had been writing on the inside flap, more elegant than the text outside.

BACK DOWN, it had read, OR SLEEP WITH ONE EYE OPEN.

And then he’d looked down.

When he thinks of Martyn now, it’s hard to remember anything except the glazed blue eye that had stared back.

If there’s a god out there, Ren hopes He’ll tell Martyn how sorry he is.

—

The thing is, it almost works. Ren hardly leaves his room, and when he does, he stays within the manor. Much of his staff leaves in that time, and of those left, he fires almost all.

The criteria is simple. Anyone whose whereabouts the night the box appeared he can’t ascertain beyond reasonable doubt, he sends away.

The staff consists of a few cooks, a few gardeners, a few maids, a few aides. Most of his attendants leave on their own—no one wants to be seen near Ren.

Despite the small staff, the manor workload gets lighter. Ren’s life ends the same day Martyn’s does.

It’s fear that drives him. They took his body, after all—there is nothing Ren fears more than receiving another piece.

It keeps him in bed. It keeps him awake. He won’t risk anything, not a toe out of line. He cows entirely, and it doesn’t save him. Every night, he sees it—a box on his bed, his hands reaching without his input, something staring back.

—

It takes a few months for sympathy to dry up. Ren’s back to doing only the bare minimum, running his estate and only his estate—staying exactly in his own lane. He hears his little staff whispering about it, though. About how it was bad, sure, but really, he’s supposed to be a duke. He can’t lie in bed moping forever. At this rate, they may as well give the title to someone else, someone less… fragile.

That would mean losing the manor, though. Losing their home, losing the place Martyn spent all his life. Losing the dream he and Martyn made together.

So Ren climbs out of bed. He gets dressed all on his own, dries his face, and vows not to let Martyn’s life have been wasted on him.

He has no choice.

—

It’s fear that drives him. Ren is afraid all the time. Afraid he’ll lose his home. Afraid he’ll waste Martyn’s life by not doing enough. Afraid he’ll receive another box by doing too much.

But Ren can’t be afraid. Not where anyone can see him.

So Ren is angry all the time.

They call him ruthless, volatile, cold as ice. He doesn’t think that’s fair—he’s never sent anyone a severed limb. But if they think he’s ruthless, maybe they’ll think twice before crossing him. Maybe if he’d been cold then…

He burns, constantly, fire seering at his heels to keep him running ever forward. There’s no safe place to rest, and so he won’t.

His dreams make sure of that.

Ren wakes up gasping, hands curled tight around something that isn’t real. Sometimes it’s an eye, sometimes it’s not. A finger, a hand, a tongue. A head, one socket empty, the other bright and intelligent and looking right at him—

He doesn’t think he’s dreamed of anything but that box for a year after he opens it. They die down a bit, but return every time Ren is stressed.

Ren is stressed all the time.

Tired, too, absolutely exhausted, not that it helps him get any sleep. He works in his office to avoid it, staying up late into the night managing this or that until he sees deeds and bills behind his eyelids instead.

—

He wants to move beds, but how could he? This was Martyn’s, too, was once the place he felt safest. He can’t leave it, even if it features so prominently in the worst moment of his life.

Hiding under their blankets like it’ll protect him, Ren has to wonder. What would Martyn think of him now?

He’ll never know, but the eye changes. He dreams of pity, an eye floating in a bottle of sympathetic tears. He dreams of accusation, bloody fingerprints staining the glass. He dreams of scorn, an eye that won’t even look at him. He dreams of love, rarely.

—

Theirs is not the bed he’s taken from, at the least.

No, King Ren is stolen from the castle, so as to be sure he never feels safe in any place he could conceivably consider home.

—

Ren sits on the deck of the ship, kneels at the feet of the Captain. When he looks up at the man who has stolen him from his new home, he finds himself eye level with a coat he knows very well.

The Captain speaks of assassination, then of ransom. Promises not to hurt the King, so long as he can get money for his life.

Ren wants to scoff, but he doesn’t. The only man who would have paid for his life is long dead, and the Captain wears a trophy of his murder tied around his waist.

Ren knows fear. He knows how to bury it, too, how to smother it in so much anger it boils him alive in his own bubbling, frothing blood.

He is so beyond the point of being afraid for his worthless, meaningless life. If he can make the Captain bleed, then it will all have been worth it.