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atamascolily · 3 days

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Given how tightly plotted previously installments have been, I have to admit I was caught off guard by the seeming introduction of new characters in the Walpurgis no Kaiten trailer. However, on reflection (heh), it makes sense if one of the themes of the movie is indeed opposites/doubling/mirroring. After all, if Homura has a double for a narrative foil, why shouldn't the rest of the main cast have one, too? Prior to the second trailer, I had assumed this role would be filled by the "new girl" in the first trailer, who appears to be a Homura/Mami/Madoka hybrid, but it seems that's just the tip of the iceberg.

That said, it's also clear to me from the second trailer that this mirroring, if that's what's really going on here, isn't going to always literal as it is with Homura. The girl paired with Nagisa in the ball pit in the second trailer doesn't look exactly the same as Nagisa, but it's clear from the framing that the two of them are being deliberately juxtaposed, and will likely serve as narrative foils to each other. My guess is that this girl is the humanized form of Nagisa's witch Charlotte, just like I think that the most likely candidate for Homura's double is her witch Homulilly, (because the metaphorical almost always becomes literal in this series, even though the movie may or may not name them directly as such), but my point stands regardless of their exact relationship to each other.

If that's the case, then who in the Holy Quintet is the counterpart for the other new character--the green-haired girl in the trailer?

The obvious answer is "Mami"--partly because of the tea party and general vibes, and partly because of the color scheme (green and yellow go well together and the girl has golden eyes like Mami's). This is especially true if fan theories are right and this girl is the humanized form of Gertrud the Rose Witch, whom Mami faces off against in episode 1-2 of the original series, and who serves as a deliberate counterpoint to Mami there.

Having a more human Gertrud as foil to Mami would make sense because unlike Homura and Nagisa, Mami never becomes a witch in the original series; while she does have a witch form in the PSP game and other spinoff media, I think we are unlikely to see it in this installment and thus her most likely counterpoint would then be Gertrud. Gertrud's familiars are also visible in Homura's new world at the end of Rebellion, suggesting she might turn up in some fashion in Walpurgis no Kaiten.

(This also raises the interesting question of whether Mami's VA would voice this character or not. Considering that Kaori Mizuhashi also voiced Walpurgisnacht and Tatsuya in the original series, it's not impossible than she and/or other voice actors might play one or more roles in this new installment. As a bonus, this would also mean that SHAFT could get away with not announcing the minor roles before the release, as they would probably have to if they were adding completely new voice actors to the cast. Until we get more news, I'm assuming that Chiwa Saito is voicing both Homuras, though everything else is more speculative.)

However, it occurred to me that based on her ponytail and her position in this shot, she could also be Kyouko's foil (red and green being opposing colors); this is less likely, but I figured I'd mention it as a possibility anyway, since the second trailer appears to be leaning heavily into Rebellion parallels. TBD. Like Mami, Kyouko doesn't have a witch form in the original series, so her most likely parallel is another established witch character, although nobody from the original series immediately leaps to mind.

(By the way, this would mean there are more new characters--or new versions of established characters--we haven't seen yet, so, uh, hold that thought.)

After that, it gets a little more complex and murky. Sayaka's most likely foil should be her witch Oktavia, but it's unclear to me from what we've seen so far how much that particular conflict manifests internally or externally. I think Sayaka is going to be extremely conflicted in Walpurgis no Kaiten, and it will be interesting to see how her arc develops. Based on the original series, however, I would say that the other logical witch counterpart for her is Elsa Maria the Shadow Witch, whose labyrinth mirrors Sayaka's black and white thinking during a particularly dark period for her, though I suppose H.N. Elly the Box Witch who attacks Madoka in Episode 4 is also a possibility.

Madoka also has a witch form, Kriemhild Gretchen, who is absorbed into the Law of Cycles, though I think her foil is most likely the Law of Cycles itself. We'll have to see.

You may have noticed that I am limiting myself solely to witches from the original series rather than spinoff media. The first reason is that I'm skeptical that SHAFT would bring in a witch that general audiences who have only followed the main series have never seen before (except for maybe a brief cameo). The second reason is that the Law of Cycles' motif in Rebellion explicitly shows only those witches from the original series, and we see only a select group of these witches and/or their familiars during the battle against Homulilly's familiars.

All these witches are potentially fair game to appear in WnK, making nine in all, though I doubt more than a handful would have more than a few lines, let alone a major role. Also this diagram does not appear to incorporate Walpurgisnacht unless she turns out to be the Law of Cycles after all.

Somehow, I can't imagine SHAFT pivoting in mid-stream to bring up something completely new or even a more obscure witch from another spinoff, especially when so much of the main series focused on reliving and re-experiencing the same events over and over again. Sorry, fans of the Madoka PSP and slot machine games, I think you're destined to be disappointed in your wish to see any of those game-only witches on the big screen, but I suppose we'll see.

This is all just speculation for now, but I'm excited and intrigued to see where this goes!

#puella magi madoka magica #walpurgis no kaiten #pmmm analysis

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seaofreverie · 3 days

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Sparkstember Day 18: Balls (Bullet Train)

Sometimes (oftentimes) it's true that all you need are Balls. I personally absolutely love Balls. I'm a big fan! Ekhem. Today I'm using the help of (I mean, copying most of the passages from it) my earlier Balls rant that I have written down after my first listen of it back in January. I really love this album and I don't want to completely skip over saying a couple words on it at least but I really don't think I have the headspace to write anything very good for it today. I'll still try though!

So yeah, Balls. It's a great album, fun and chill (in my sense of what I call and consider chill anyway), consistent, as Sparks albums tend to be, and as I suspected / hoped it does fit this specific vibe of driving around at night somewhere city-like and illuminated. Or being on a train deep at night and looking at the world zooming by (if you'd even see much of it on a train at night anyway.....). And I do think that it's not so dissimilar to Gratsax (I'd say now that it's definitely darker and moodier than its predecessor...). So it's interesting to think about how it's considered to be one of the "weak" ones (by music reviewers at least) while Gratsax is so beloved in comparision.

I will admit, I don't really know what the big problem with this album could be. As I said, it's fun, it has the melodies, it has the energy, it has the theatricality (I like seeing how more and more orchestral instruments such as strings are being incorporated into the music, in a way the jump into Lil' Beethoven two years later doesn't come of as THAT much of a shock because of this. The evolution of sound here is fascinating!) I really like the intense beats, just as much as the more laid-back and moodier pieces. And there's lots of gold to be found in the lyrics department as always.

One more thing I wanna say is that at some point I wondered if this music sounds older than it is. Maybe it does? But then I remembered that this was 2000 and honestly when I think about it, there just IS something about this album that fits so well with the Y2K image and vibe and all. Sparks 2000 and all that.

Favourite songs (and other highlights):

Balls: I mean. It's Balls.

Scheherazade: absolutely LOVE this one and I had the strangest impression of it sounding very familiar when I first heard it. Months later I found out that it was just briefly featured in TSB so I think that explains it (I will talk more about my TSB viewings on TSB day. EVERYTHING has to be explained in excruciating detail, lmao)

The Calm Before The Storm: bugsonas 4ever. Song itself is amazing too

How To Get Your Ass Kicked: how can a song about getting your ass kicked be so pleasant and relaxing, it always keeps cracking me up, how perfect that is actually

Bullet Train: I love it how introducing the topic of the song with a "It's the [topic of the song]" is a reoccurring theme on this album. Thank you Sparks for this ode to technology and art (these lyrics always have me giggling). And also it just goes hard as heck

It's Educational: a perfect fusion of / sequel to I Thought I Told You To Wait In The Car and Progress (it's mostly the vocal delivery that reminds me of the latter)

The Angels: such an odd one here but I still like it a lot, I apparently said that it sounds "surprisingly mainstream for Sparks but somehow in a positive way". It's very sweet and I absolutely love how Russell sings here, it's so different from what we're used to but that only makes it hit you even more in the feels, lol. And I actually prefer the alternative version of this song that's featured as a bonus track, and I do think that's in big part because you can hear Russell better on it (or that was my first impression of it at least and it kind of stuck)

#balls dayyyyyyy #how weird that i went with a different drawing idea than the bugsonas considering that i'm such a big fan of them #(maybe the bugsonas COULD appear later. still don't have an idea for the final day so hm. thinking about this)#but yeah i couldn't pass up the opportunity to draw russell in this era of glasses & haircut combination #and i love sparks' tour photos too much to not give them some sort of tribute at least once #and honestly! i think this is my favourite drawing so far. might even beat out noisy boys #it turned out better than the vision i had of it in my mind!!! that NEVER happens. yet it did this time #(yet also i'm adding this to the series of me making my life harder for myself that it needs to be #because i insisted that the text has to be handwritten for WHATEVER reason. looks good tho so that's a win)#but also man. lil beethoven day tomorrow #i feel so sick about all three of the upcoming albums still and it brings me close to having an existential crisis #to think about how it's been almost a year already since i first heard LB. that's just soooo wrongggggg #i've already been thinking pretty hard abt these albums over the past couple of days (just like every day before that too tbh)#truly nothing else like them in this world. tune in tomorrow to see the madness unfold!!!#sparkstember 2024 #my art #goose monologues

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izzyspussy · 2 days

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anyway so seasons 1-early 3 mickey is a pessimist with a dash of nihilist (miserable), and because of that ian looks like an optimist verging on idealist to him.

the fact of the matter is that ian is not an optimist and he certainly is not an idealist. he's a little naive, sure, but less than what would be appropriate for his age. he's also not a pessimist or a nihilist (either kind). or a realist or a pragmatist or any of those.

no, ian is quite simply. unfathomably stubborn. and that is all.

he'll get into west point. he's absolutely certain of this. why? because he fucking said so.

he'll have a real relationship with mickey. they are in love and they are going to be together. this is true. how does he know? because. he. fucking. said so.

he doesn't have hope. he doesn't want things. that's pussy shit. there are precisely three types of things in this world: things ian isn't interested in, things ian already has, and things ian will have. that is simply that!

(which is obviously its own very specific mindset and is at least as extreme as pure optimism and pure pessimism, and is almost certainly just another fun little factor when the force of his will alone is not enough to change the reality of an ongoing traumatic event that contributes to the somewhat early onset of his bipolar disorder. but that's tangential.)

now. once again, disclaimer, these characters cease to exist past early season 5 for me, so there's every chance this next bit is exclusive to MY mickey and ian. there's just no way to know ❤️

that said. ian matures into a nihilist (carefree) - and i would say he's here-ish already in season 4, but in a maladaptive way at that stage - and then eventually matures further into a nihilistic (carefree)-leaning pragmatist.

mickey on the other hand - after a period of having no particular mindset of this type of thing at all which in effect amounts to a months-to-a-year long panic attack where his every action is fueled by emotional desperation and he has no solid concept of his own wants, needs, values, or future beyond the ever-present but totally incoherent certainty that he can't live without ian but ian can and will leave him with ease for even the slightest infraction or failure that terrorizes him like a weasel terrorizes a hen in his every waking moment - um. what was i saying.

oh right. mickey on the other hand, after All That, matures first into a sort of quiet idealism (kind of a pendulum swing maybe, but not quite not also progress, iygiygi), and then. into a less naive version of the old ian's way lmao.

there is no "that's how things are/go" or "that's how the world works" or "life is/isn't fair" or any fundamental human nature or any purpose or lack thereof to life or possible and impossible or likely and unlikely or anything else along any of those lines. there are only two types of things in the world: things that don't matter and mickey's next achievement. and that's that, baby!

and then eventually, mick finishes out at a relatively stable and sustainable realist-leaning optimism, heavily informed by romanticism of the Certain Things Are Meant To Be kind. like, he wouldn't necessarily express that or think of it in those terms. and he doesn't think it's a common thing, in fact it's rare and special and he's very lucky, and even if something is like that it still doesn't mean you don't have to put the work in for it to go well and end up Right. and he doesn't believe in a higher power or in Fate quite as such or in the will of the universe or a cosmic balance or anything like that really.

it's just, you know. sometimes. every now and then. there's just this one little thing that will continuously keep trying to happen without any heed to sense or logic or the incredible odds against it. just something in particular that will forever and always find a way to happen.

like say. for example. there's this gay kid, right? and he gets in this fight and he wins and he's about to bring down a tire iron and ruin this other idiot's pretty face and - for no discernible reason whatsoever - he just... doesn't. and maybe he'll think about it half a dozen years later and wonder why. that one tiny little thing that changed his whole fucking life, why did he do that? what was the reason? and there just. isn't one.

and that's not even all. see, these two dumbasses have no idea the other one is gay too, but some-fucking-how they don't have to say a word or even make any opening moves to just Know they want each other. it's like they read each other's fucking minds, even though he knows, he remembers, he didn't sense anything from ian. but for Some Fucking Reason he just never for a second considered ian wouldn't want him, and ian was in perfect time with him. and maybe he'll think back and try to find an explanation for this part too. was there some body language he read? was there some look in ian's eyes? but the answer is no every time.

and then after that, these two gay kids just can't be kept apart. they just can't. and it's not just that they inexplicably can't resist each other either. every time they're separated they find each other again, no matter what. even when they're the ones to separate themselves, situation after coincidence after happenstance after necessity keeps putting them in each other's orbits. secrecy and jealous exes and gun violence and imprisonment and infidelity and a fucking pathological fear of intimacy and conversion therapy and genuine threat to their lives and marriage to someone else and permanent life-altering illness can't break them up. at least not for long.

and then. somehow. SOME fucking how! after all that, and with the absolutely shit chances that they ever even hooked up in the first place, they actually fucking make it? they don't just get to be together, they get to be happy??

so no, he doesn't believe in god or destiny or soulmates or whatever the fuck. but at the same time, i mean. what other explanation is there?

#jack facts #damn this post really swerved huh #me thinking i'm going to just jot a lil thought down: 😊#me fuck knows how long later having done This instead: 🧍🏼‍♂️#shameless #mickey milkovich #ian gallagher #gallavich #hc

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willowcrowned · 1 year

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bonus points if you say in the tags why the fic is on anon

#REMAKING THIS BC I SET IT FOR 24 HRS BY ACCIDENT #SORRY #anyways. like i said in the first version #i have several anonymous twilight fics. most porn. all bad #also a 40k fmab one. it was written in six days and edited in two and BOY does that show #polls #ao3 #fic

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blue-mood-blue · 9 months

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I’ve grown to appreciate the aus where Shen Yuan enters the story as “Shen Yuan” - same name, probably similar face, generally able to interact with PIDW as himself and change the story through his added presence. I like the sense of “if only you’d been here, things might have been better the first time around” of it all.

And I was thinking, it’s a funny coincidence in that scenario that someone named Shen Yuan gets put into… another Shen Yuan. What are the chances? What a weird twist of fate that Airplane would pick out the name that his most dedicated critic could slip into seamlessly.

What about a version where it’s not coincidence at all?

Airplane goes to school with a kid named Shen Yuan. He’s prickly and hard to approach and a little intense, but Airplane is persistent. In fairness, Airplane is relentless - and maybe it’s a good thing that they end up being friends, because they’re a little too much for anyone else to handle. They balance each other out. They’re the “weird kids” in class and they’re okay with that, because even when they don’t have any words for it, they know they’re not like their classmates, not really. That’s okay; they don’t want to be.

Recesses and breaks are consumed with the elaborate stories that Airplane wants to tell, and all the holes Shen Yuan pokes into them. It’s not mean-spirited, though, even though Shen Yuan isn’t the kind to temper his words. It’s passionate. He cares about those stories the way Airplane cares about them, and it can’t be mistaken for anything else when they lean together conspiratorially across the lunchroom table. They’ve both got notebooks filled with details and characters and monsters. Shen Yuan’s practically got a whole bestiary sketched out in wobbly childhood attempts at art, entries fervently scrawled beside them. Airplane prattles out plots nonstop, always with the promise of shining eyes and being asked “what happens next?”

They come up with a whole world together. Airplane’s going to write about it someday. Shen Yuan is going to read every word.

Shen Yuan misses school. Shen Yuan starts missing school a lot.

Airplane goes to the hospital room instead. He doesn’t think to worry, because Shen Yuan is okay - that’s what he says. He looks okay, and he’s a kid, and it doesn’t feel real that anything bad should happen to a kid. He doesn’t think to worry. He doesn’t think to say goodbye.

It’s one of the older Shen brothers who catches him on the way up to the room one day, in the hallway just outside - snaps at him to go the fuck home, and when Airplane hesitates, pushes him into the elevator and tells him not to come back. “Tells” is a generous way to describe the way the words come out - a growl, a hiss, the sound an animal would make when a hand got too close to a wound.

(It’s not fair to name a villain after him, even if the name never really comes up in the story. He wasn’t trying to be mean. He’d lost a brother minutes before, and he was getting his brother’s friend out of the way so he didn’t have to… see. It isn’t fair, but then, none of it is fair.)

Death feels very real after that.

The notebooks get shoved into a closet, and it’s not until Airplane’s moving out and one falls on him from a high shelf that he thinks about it again. He’s written things, lots of things, but nothing as ambitious as this - nothing as important. It could be good, he considers. He’d promised. Shen Yuan wanted to read it.

The problem was that no one else does, not for a long time, not until Airplane has whittled himself and his art into a corner and into such an unfamiliar shape that he has to wonder how it’s still his own face he sees in the mirror. He has to eat. He has to pay rent. Shen Yuan would yell at him, but Shen Yuan isn’t there to yell at him, and who cares. Who cares if it could have been better? The people who actually are here love it, and it’s paying his bills, and sometimes stories don’t go the way they’re supposed to and the world is fucking unfair. It doesn’t matter.

(It does. But he shoves that thought away along with styrofoam cups and soda bottles to the bottom of a garbage bag.)

Authors are not gods and their power is limited, but Airplane exercises just a sliver of what he’s been granted and gifts an inconsequential sort of immortality. He thinks about making him a rogue cultivator, maybe the kind that goes around documenting beasts and compiling his findings. He thinks about making him someone too powerful for death to touch, or too important to threaten, but when Airplane looks at the world he crafted and everything that’s become of it, it feels like the kindest thing he can do for Shen Yuan is a childhood where he’s loved, and a death that’s peaceful. What does it say about that world, that he’d kill off his best friend too early again instead of making him live there?

(The best writing he ever does is the only, shining moment of humanity that his scum villain ever displays: a lament about death that comes too early, about a brother gone too soon. The commenters praise him. The commenters flatter over how real the emotions feel. The commenters don’t get any response from Airplane on that chapter.)

Death is incredibly real when it comes for him too early, too, still hovering over his keyboard with the story technically finished and incredibly incomplete. Airplane could tell himself that’s because the written version can never be the version in the writer’s head, always shifting and with every possibility still on the table, but he knows better than that. The System knows better than that, with its condescending message about “improving” his writing and “closing plot holes” and “achieving his original vision”...

…and he’s a child again. He’s a child in his own story, he’s Shang Qinghua now without the benefit yet of a peak or cultivation or anything, and maybe he’s a little bitter, and a little scared, and…

And Shen Yuan - with longer hair, with robes, with a couple of older kids watching him from across the street, but undeniably the prickly little boy who used to sit down imperiously across from him and tell him everything that was wrong with the chuck of writing that had been handed to him last period, but with that smile that said he was only invested because he knew it could be better and they were going to make it better - marches up to him with a fire in his eyes and a frown that warns of a coming tirade.

“You told it wrong,” is the first thing he says.

Shang Qinghua wants to ask how him how he’s here, how this is possible, or maybe laugh because, yeah - yeah, Shen Yuan has no goddamn idea how wrong he got absolutely everything.

(Shang Qinghua wants to say “I missed you” and “why did you leave so soon” but he’s here now. He’s right here.)

“I know,” he says instead. “I’m sorry. It all kind of… spiraled out of control.”

Shen Yuan frowns, but then it dissipates the way it always does, and his eyes shine with ideas the way they always used to. “That’s okay,” he relents, grabbing for his hand. “We’ll fix it. We’ll make it what it was supposed to be.”

#scum villain self saving system #svsss #shang qinghua #shen yuan #airplane shooting towards the sky #this got more into the feelings than i thought it would #surprising no one #anyway just! childhood friends au! as a reason for a shen yuan insert!#obviously he is not going to die as a child in this version #shang qinghua would not have that nope not again #also pls consider poor shen jiu who looks at this child that shen yuan has picked out for a best friend like '...really? that one??'#(it's up to you if he's shen yuan's actual brother from his first life)#(put there's a part of me that likes the idea that shen jiu also gets a second chance to spend more time with his brother)#a second chance for them to grow up together!#THAT SAID #RIP TO SHANG QINGHUA #WHEN SHEN YUAN IS OLD ENOUGH TO LEARN ABOUT ALL THE PAPAPA #the LOOKS shang qinghua is going to get #anyway here have a thing because I CANNOT add another au to my drafts thank you and goodbyyyyye

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dangoulains-devotion · 5 months

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to catch a falling star

#final fantasy vii #final fantasy 7 #ffvii #ff7 #cid highwind #vincent valentine #valenwind #my art #genuinely!! kind of v proud of this one fellas!!!#the original version was the right hand one (falling/catching) but bc of the perspective you couldn't really tell vincent was falling #so i liked how the left side version looked too in a descending/catching kind of way. so u get both #my friend said he liked both versions bc it made him think of a tarot card and i will be chasing that high #anyway shout out to the tenebris ad astra project for existing bc it finally gave me the power of inspiration for the first time in months #i tried to mix vincent's hair between the dirge style and remake style. idk if it worked but fuck it we ball #i forgot a tag. i am moonlight elegy on twt #(its meant to be next to the my art tag)#swings back in here to mention its hard to see but it is v important that vincent has hip dips. thank u

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unganseylike · 6 months

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“Love Like Ghosts" // The Raven Cycle

When your true love is destined to die, is already dead, or will always be leaving. And other moments of ghostliness.

#finally this post that has been in the working for so long is up. Not perfect but its up #yes we have now escalated to full songs #a song about ghosts for which i have used no quotes about the canon ghosts #overall goal here was a section for each relationship #which made me realize blue has had a canonical thing with everyone but ronan lol #ignore the fact that i could only get good angsty pynch quotes from greywaren i was struggling to find what i wanted in trc #last part is intentional repetition of different versions of blue kiss me like we have the vision of the first hurt me baby and the actual #obviously huge bias here toward bluesey but thats bc. Well. its all for them <3 #overall happy with this because i feel like it actually encapsulates song and vice versa in terms of the love and ghost metaphor #anyway bluesey car scene said absent presence #lordhuroncycle #perhaps my last lordhuroncycle unless they release new song or i get inspired lol #long post #web weaving

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ohbo-ohno · 9 months

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happy new year's eve @luminousbeings-crudematter, here's another version of the purge au (4k) that i forgot i finished in the process of trying to get the first one done lol

(also when i said "it's essentially the same thing but with different smut" i meant... no smut. i didn't post this one bc i couldn't figure out what to do with the smut. but this has some kidnapping and overall rough creepiness!)

cw: noncon touching, kidnapping, graphic murder, blood & violence, unedited bc im lazy

The soles of your feet burn against the hot asphalt, even though the sun’s been set for hours. The flames roaring from the burning high school alongside you are enough to heat the ground, enough to leave you wincing with every step and trying your best to walk on your toes.

You’re not sure if the wetness on your cheeks is tears or blood, or some sick combination of both. You’d wipe it off to see, but your hands are covered in red, and you don’t want to smear it across your face.

It’s impossible not to flinch at the sudden sound of cackling laughter, some indeterminate distance away but clear as a bell. The laugh cuts off abruptly, followed by a high-pitched scream that makes you wince. You speed up as much as you can, breath shuddering in your chest. You feel a few tears slip down your cheeks, just adding to the tacky mixture already covering your face.

The street is crowded with Purgers, people wearing all sorts of different gear to make themselves seem as terrifying as possible. You’d feel lacking in your black pants and shirt, if you wanted any attention like them. Instead you pray that whoever’s looking for fun won’t focus on you, that you’ll disappear with so many other distractions out tonight.

The sound of a chainsaw revving makes you shudder, and you tuck your arms close to your chest.

You can’t believe you were stupid enough to come out on Purge night, but there’s no use dwelling on that now, not when you’re still blocks away from home with absolutely no way to defend yourself.

You should’ve known your friend - your now very dead friend - didn’t have good intentions. She’d invited you out with her to vandalize your most recent ex’s house, and like an idiot you’d agreed and walked yourself right into a trap. Your only defense is that you’d had a few drinks before leaving your perfectly safe apartment, in hopes of forgetting all the screams you’d hear outside. It’s the only reason you can think that you were so quick to agree when you’ve got absolutely no way of defending yourself.

Her blood is still wet on your hands. You don’t feel bad about her death, and that makes you feel sick. You’d never thought you’d be the kind of person to actually partake in the Purge, let alone kill during it, but here you are - stumbling home covered in blood with two deaths on your hands. The fact that it was self-defense isn’t nearly as much of a comfort as you need to make your heart beat less erratically, to make the blood stop burning against your skin.

The quick flashes of their deaths won’t stop playing on repeat in your mind - you would’ve died if you’d been any less lucky, and you doubt your piece of shit ex would have made it quick.

If you hadn’t caught them together - your friend fucking him in the bed you used to sleep in, that fucking bitch - you might not have had the anger necessary to kill them. Might not have had the rage, the energy, to stab them both until they stopped screaming.

Your arms already ache from the force you’d used. You can’t stop seeing your friend’s face, torn to shreds beneath you, blood splattering up onto your own face and neck while your ex’s corpse cooled beside you. You’re not sure if you’re hearing her screams still, or if someone nearby is suffering just like she had.

The only thing you can bring yourself to regret is leaving behind the knife. It would come in handy now, as you walk alone down one of the poorest neighborhoods in your city.

It would come in especially handy as a hand grabs your shoulder, yanking you to the side and into an alleyway, shoving you against rough bricks and ignoring your yelp.

“Well, well, look’it you…” the man drawls, his face hidden by a bright red skull and a black hood covering the rest of his head. “Wha’s a bonnie lass like you doin’ out tonight, all alone?”

You can’t speak, heart thudding painfully at your ribcage as you blink up at him. He’s all you can see, just a bright red skull floating in place.

“Please,” you manage to gasp, hands shakily raised in front of your chest.

“Please? Please what?” His words are sharp, almost bitten off, and he leans closer. “Haven’t even threatened ye yet, pretty thing. What’re you beggin’ for?”

You whimper as he leans closer, hardly inches away from your face, and a loud boom from somewhere nearby shakes the wall at your back. You still can’t tell if it’s blood or tears dripping down your face. You jump at the sound, and your chest hits his. Before you can move back, his hands are on your shoulders, keeping you pressed to him.

“Oh, did that scare you?” He coos, patronizing and mean. “You a little scaredy cat, all alone and afraid?”

You sob, hands pushing at his chest, and he makes a sound somewhere between a hum and a laugh, pushes you against the wall without pulling even an inch away.

“No, no, you’re not goin’ anywhere. ‘S not safe out there for you, kitty. It was so easy to grab you, you want someone else to get a hold of you? They won’t be as nice as me, I can tell you that.”

“Get- get off!”

He laughs, loud and rough, right in your face. “Oh, I’ll be gettin’ off, kitty. Might take some teamwork, huh? A good way to get to know my new friend-”

He cuts himself off with a sharp Oh! as your knee jerks up into his crotch, the man doubling over in pain and groaning as his head comes to rest against the wall by your face. You barely have enough sense left in you to duck out of his way before his body goes limp against the wall, hand cupping your target.

“Fuckin’ bitch,” you hear him hiss, right before you stumble away, legs weak as you put all your energy into not tripping over your own feet. Your only thought is getting out of the alley, even though being more exposed is probably riskier than just taking your chances with the man in the red skull. Still, there’s some instinct at the back of your mind telling you go, run, and you’re not stupid enough to ignore it.

You hardly make it five steps away before you hit a wall - no, not a wall, a person.

It’s almost comical, the way you bounce off of him and stumble backwards, losing your balance on weak knees and sending yourself straight to the ground. He’s a monolith above you, a massive figure clothed in all black, the light from the flames behind him almost making him glow. He’s all black cloth and white mask, a skull hovering well past six feet in the air.

The sight of him makes your heart stutter, brings everything into acute focus around you, slowing the world down to a near stop. That same instinct at the back of your mind tells you this man is worse than the last, that you should’ve taken your chances with the red skull.

You’re jerked back and to the side, shoved roughly against the brick wall. Your face scrunches up at the rough texture against your cheek, your torso flush against the wall and the first man flush against your back. You manage to open one eye and track the new man, your other forced shut from the way your head is angled.

The white skull tilts, and its wearer steps closer. You can’t help the small cry you let out, the way you flinch back into the first man like he’ll do anything but expose you more. His hands are rough on you, one hand locked around the back of your neck and the other harsh on your hip.

The body behind you laughs, push further into the wall regardless of the stinging pain as the white skull steps closer. He stops hardly a foot away, when your vision is eclipsed by only him. You try to struggle against the hands holding you, whimpering when they dig in more harshly.

“You got her?” A voice asks, and it takes a minute for you to realize it’s the new man in front of you.

“Yeah,” the first man pants, holding you close and alleviating some of the pressure against your cheek. “Woulda caught her without you, y’know. She just caught me off guard.”

The white skull rumbles low in his chest, a rejection. You’re not sure if he’s got faith in your ability to escape, or doesn’t trust his partner’s ability to chase. He’s close enough that you can only see the black of his chest, close enough that you can watch him breathe.

“I’m sure. You got a good hold on her?”

The hands squeeze, you can’t help but make a sound disturbingly close to a squeal, and- “Yeah, course, got her tight to me, Ghost. She’s not goin’ anywhere.” There’s an air of desperation in Red’s voice, a strained tension underlying every word. He’s almost eager, but it’s all directed towards the man in front of you - Ghost - instead of towards the prospect of hurting you.

Ghost doesn’t respond, but he steps close enough to press his chest against your shoulder. The three of you are all less than a foot apart, and there’s absolutely nothing you can do to get away. Another tear slips down your cheek.

You can feel Red’s chest heaving behind you, and at first you can’t understand why - he hasn’t had to chase you, hasn’t had to fight, there’s no reason for him to be out of breath.

It hits you when you feel the hard plastic of his mask press into the top of your head. He’s eager, and it’s making him pant like a dog. You’d bet he’s drooling behind the mask and the thought makes you shiver.

You flinch when a gloved hand cups your chin, tugging your face up so you’re staring into the eye sockets of the mask.

His eyes are dark brown, so dark that you almost can’t see them past the shadows and the paint over his skin. The flames roar behind him, giving him a monstrous glow.

“Pretty thing,” he hums, chest rumbling against your side. You try to push away from him, but there’s nowhere to go. “You’re gonna be our little toy for the night. Things’ll get worse for you if you try to run. You hearin’ me?”

It’s pure instinct to nod, to give this man what he wants, but you know you’ll still try to run the second they look away.

“Alright then. Let’s get you home. Johnny,” the man steps away, jerking his head in clear instruction for Johnny to follow and turning away. “Come.”

“Right behind ye,” Red - Johnny - assures, that same eagerness in his tone as he tugs you away from the wall, trotting behind his partner. “It’s gonna be a great night, lass. You and I are gonna have fun.”

You can’t help but whimper at that, letting your body go nearly limp as the man drags you by the elbow. You can’t even fathom the horrors they’ve got in store for you, what fun is to two men hunting for lone girls on Purge night.

You try to let your feet drag, but they hurt too much for that to last long. You consider going limp, making them carry you, but you’re too scared that they’ll just drag you across the concrete and let you bleed.

You only manage to keep up with Johnny because he doesn’t give you another choice. You’re practically hobbling from the pain in your feet, forced to walk on the balls of your feet and lean your weight into his hand where it’s wrapped tight around your arm. He doesn’t give you any slack, doesn’t even seem to notice when you struggle to match his pace.

The three of you have walked several blocks - you can’t quite focus enough to count - keeping to the sides of buildings and dodging other people, when you’re tackled to the ground out of nowhere.

It’s impossible to stop the blood-curdling shriek from leaving your throat. Your bare arms feel torn to shreds as you slide across the ground, head bouncing off the ground and leaving you with black spots dancing across your vision.

You’re hardly able to blink, body alight with pain, and the heavy weight over you only serves to make your panic worse. You moan as you roll your neck, staring wide-eyed up at the dark sky and praying the ringing in your ears isn’t permanent.

Your vision is just starting to clear when the man on top of you - and he’s definitely a man, he’s not even wearing a mask and his expression is mean and you find yourself glad you can’t hear what he’s saying - jerks back, his head pulled back until all you can see is his bared throat.

You can hardly even register what’s happening in the next few seconds. Some distant, detached part of you can recognize that someone slits the man’s throat, that his blood comes gushing out and covers your face.

The first sound you can hear again is your own screaming - it’s an ear splitting sound that melts from the ringing in your ears. When you gasp underneath the man, the corpse, you can feel his blood falling into your mouth. Every breath tastes like iron, and the world is tinted pink from the drops of it falling from your brows.

You can do nothing but pant and shake when the corpse is thrown off of you, replaced immediately by Johnny. You can hardly focus on him, are only really aware enough to know he’s there.

“Hush, bonnie, yer fine,” he scolds, one big hand coming up to cover your mouth, pinky and ring finger holding your jaw shut. “Wanna draw people over? Ye wanna see me and Ghost kill someone else for you, ‘s that it?”

You shake your head on instinct, tears running down your temples, dampening your hair. Your chest aches with the force of your breaths, nose congested from all the crying.

“Then hush,” he hisses, face so close that you can feel the breaths from his nostrils. You flinch at the loud sound of gunshots disturbingly nearby, desperately pushing against his body to try and see what’s going on. You can hear grunts and moans, the sound of something heavy hitting the ground, and your heart races.

Then, the sounds stop. It doesn’t go silent - not with other Purgers still out, still killing - but the area you’re trapped in is quiet again. Johnny drops a little more of his weight onto you, making it even harder to breathe.

You have to focus on every breath, deliberately making sure you get enough air so that your lungs stop aching. You only notice the movement on top of you after nearly a minute of slow breathing.

Johnny’s hips grind slow and steady against your stomach, and it makes you sick to realize you can feel his erection through his pants. His chest rises and falls with harsh breaths, and his movements are just harsh enough to force your body to move with his.

There’s absolutely nothing you can do about it. Not with shock settling in, his weight holding you pinned to the ground, and the pain in your head shifting to something closer to a migraine. All you can do is focus on your breathing and stare up at the stars.

“Johnny,” Ghost eventually calls, and you can hear him kick what you can only assume to be a corpse out of the way. You can’t help but whimper when he crouches nearby, his boots splattered with blood. “What do you think you’re doing?”

“Need-” Johnny gasps, hips stuttering against you before working even more quickly. “Needed to feel her, fuck, Ghost, she’s so fuckin’ soft. Can’t wait to be inside, to fuck her full, feel her squeeze-”

You whine against the hand over your mouth, trying to pull your face away from his grip and only succeeding in dragging your sensitive head across the harsh concrete.

“You’re gonna fuck her out here, where anyone can see? Doubt you’ll be able to keep her safe when you’re pussydrunk.”

Johnny moans above you, dropping more of his weight on each thrust. “Tha’s why you’re here, yeah? To keep me and the lass safe?”

Ghost grunts, fisting a hand in the strip of hair left revealed by Johnny’s mask. “Don’t be a fuckin’ brat, Johnny. You know I don’t have to do shit for you - either of you. Maybe I want to see my mutt get all defensive, growlin’ over his girl. You ever think about that?”

The whine that slips from Johnny’s throat is nothing less than pathetic, his pace becoming uneven as his eyes screw shut behind the mask. “C’mon, Ghost, I’m close, just let me… just watch for another minute, yeah?”

The scoff from Ghost is mean, and even you feel the absurd desire to try and placate the man. He stands abruptly, stepping away from where you’re pinned and leaving you staring at the cooling corpse of a man you don’t recognize.

“You do whatever you want, puppy. Stay here and get yourself off or behave and heel. You know what you’ll get either way.”

You can’t help but furrow your eyebrows as Johnny hisses out shit above you, hips working desperately against you for a few long moments before he drops his entire body weight onto you, knocking the air out of you.

“Okay,” he whispers, seemingly to himself. “Okay, alright, it’s fine. It’s fine.”

He pulls himself away from you with a long oan, pushing up until there’s no place the two of you are touching but you’re still entirely caged in by him. He takes his hand off your mouth to hold himself up and you wince at the string of blood between his hand and your lips.

“Not gonna fuck ye yet, kitty,” he tells you, staring into your eyes with an intensity you don’t quite know what to do with. “Ghost’ll make the both of us regret it, and ye don’t deserve that on your first night home.”

You hardly manage to bite back a whimper. “Please…”

His eyes crease, like he’s smiling beneath the mask. “God, yer so scared, aren’t ye? I can fucking taste it in the air, kitty. It’s delicious. Cannae fuckin’ wait to have you on my tongue.” You shudder, eyes dropping to his neck when his gaze becomes too heavy.

He forces you to stand before you’re ready, leaving you to lean on him if only to avoid crumbling to the ground like a ragdoll. You ite your tongue against a sob at the sight of three corpses around you, a twisted sense of appreciation and disgust warring in your mind.

Johnny herds you like a dog, pushing you by the small of your back and your shoulders as he tries to catch back up with his partner. You’re left stumbling in front of him, unsure and terrified, not quite strong enough to think running away would be a good idea. It doesn’t take long for you to spot Ghost’s large back on the street in front of you, and a part of you resents the fact that he’s already so recognizable.

He’s an overeager shadow, unable to decide if he wants to tug you forward or chase you from behind. He ends up almost circling you, shifting from your back to your side to your front and back again, always moving, always rushing. It leaves you unstable and nervous, unable to predict what he'll do next.

Chills run down your spine at the thought of this man… taking you. If you’re this terrified of him fully clothed, you’re loath to think of how you’ll react when he gets you where he wants you.

The two of you only manage to catch up to Ghost because he stops for a cigarette. His pale jaw is exposed when he tugs the mask up enough, and you try your best to memorize the scars covering his face, telling yourself that you’ll remember him, that you’ll never let him near you again once this night is over.

The look he sends Johnny is approving, the look he sends you is distinctly smug. It makes your teeth grind, makes you really wish you still had that knife so you could lurch forward, thrust the blade into the solid center of him and twist, pull out again and aim a little higher, then again, then again, then again-

“Made your choice, then?”

“Yes, sir. Wanna be good.”

Ghost hums, flicking the butt of his cig then dropping it to the ground, the cherry still glowing. “Settin’ a good example for your girl, huh? That’s my boy.”

The sound Johnny makes is animalistic, and despite the harsh grip he’s got on your arm you try to lean as far away as possible. There’s a building energy under his skin, a twitch in his fingers, that unnerves the animal part of your brain in ways Ghost doesn’t.

“‘Course. Gonna teach her how to be good, too, gonna keep her perfect for us.”

Ghost is completely stoic with the mask tugged back over his face, nothing but his heavy gaze as he stares you down. It’s hard not to jerk away from Johnny and run, no matter how futile you know the effort would be.

He reaches out a big, gloved hand towards your face, moving quickly enough that you can’t fully flinch away and hide your face in your shoulder or chest. His thumb strokes across your cheekbone, smearing the sticky mess of liquid across your face and huffing a sound just loud enough for you to hear.

“Cat got your tongue, girl?” He rumbles, a faint note of something in his voice lost in the sounds of anarchy behind you.

You try to shake your head, unable to manage anything more than a, “Please.”

Johnny scoffs beside you, wrapping both of his massive arms around your shoulders and holding you close. “Broken record, this one. Hasn’t said much else since we nicked her.”

“That’s alright,” Ghost rumbles, give Johnny one firm stroke over his mohawk. “I’m sure you’ll drag all sorts of pretty sounds out of her tonight. Now, let’s get goin’. Don’t want your little toy gettin’ her nerve up and earnin’ herself a punishment so early in the night. Come, now.”

Johnny laughs, loud and harsh as he tugs you to follow him and Ghost. You know you should be upset about what he’s said, know he should be doing exactly what he warns against and try to get away.

But you’ve got no energy left to fight. Everything hurts, your system is overrun by fear and just the tiniest drop of adrenaline, and your best chance of making it through this night is passing out and forgetting any of it ever happened.

A few tears, stragglers, drip down your cheeks when Johnny tugs you beside him. The places his fingertips squeeze against your arm have gone numb, and your feet feel like they’re on fire. Your arms are sluggishly bleeding and you’re not convinced you don’t have a concussion.

It’s hard to hold back sobs when you think of how much worse it’s going to get. Staring at the broad back of Ghost, feeling the feral energy of Johnny hardly contained by your side, all you can hope is that they let you survive the night.

You close your eyes as Johnny guides you, take a deep, steadying breath, and pray for your own strength. You tell yourself that maybe next year you can seek them out, find them at the very start of the Purge and get your revenge.

It’s a comforting enough daydream to lessen the aches of your body, to shine a spot of light after the hurricane of your future.

#this might very well be incomprehensible #when i say unedited i mean i haven't read this since i originally gave up on it #i just remember liking the way i wrote johnny and being said i wouldnt get to post it LMAO #anyways. no one say anything mean about it to me if it sucks #remember that this is not the first version i posted lmao #ghoap x reader #bo writes #dark fic #also sorry for the random tag lumi lmk if you want me to untag you lol

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good-beansdraws · 9 months

Text

Mutual left this tag on one of my Fuuta analyses and yeah...

Part two of "Fuuta’s central theme is invasion of privacy and he has extreme anxiety over being watched, so it's interesting that we get to pick him apart and see all his worst, most private thoughts" :(

#milgram #fuuta kajiyama #i didnt want to be annoying with a tag but thank you trinipopkt for the original tag :3 #ive never posted something like this so let me know if i need to tag anything #my writing brain may be struggling rn but you can bet im still over here drawing fuuta 😅👍#part one was the lil moodboard on main #this also had slight oc connections (my brain was going brrr having a scientist oc) but once again its general to the audience overall #plus i was really proud of the composition/posing/colors i switched to -- i was excited to share!!#it took me like 80 years to pick a composition/pose that worked asdfsadsg #and i had to redo all my coloring and shading because i wanted a more neutral sterile science look than what i originally had #anyway it wasnt my usual type of drawing so it was a lot of fun to see it come together!#i did the first version and my partner said it was mean (and against procedure) to keep him awake #but then the second version felt equally mean :(((( so in conclusion rip fuuta #he is my little bug and i am going to figure out what makes him tick

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inkluvs · 1 year

Text

could you come in

a/n: originally posted in november 2022? i think? god it's been a while. anyways !! my writing style has changed since then so this is a bit different then anything i'm writing currently <3 i think an anon requested this ? not sure. oh yeah @velvetcloxds helped me choose which one to post tonight <3

warnings: insecurity. petnames. i did not proofread this.

sirius black x fem! reader

ivy's cafe // masterlist // taglist

“Doll? Did something happen?” Sirius’s voice called out. You let out a small sigh before dragging your palm over your face in an attempt to focus

“’s nothing, just got distracted,” you replied. Technically, you weren’t lying, you had gotten distracted you just hadn’t specified by what. Sirius knew better than to press on and that you’d tell him later when you felt up to it, but something felt off about you today, more so than usual

You turned on the water and he could hear the splash of the water against the sink basin as you flick the water droplets towards your face, screwing your eyes shut in an attempt to keep the liquid out of your eyes. You turned off the faucet, your previous worries returning to you as soon as you return back to your spot earlier staring at the mirror.

“Sirius?” He jumped when he heard his name, assuming the worst.

“Are you alright? d'you want me to come in?”

“’m alright but could you come in?” you said, voice lacking in its usual confidence. Sirius tilts his head slightly as if wondering what you needed him for. He’d be there anyways but that didn’t stop him from being curious.

Sirius got up, the mattress groaning at the loss of his weight, and twisted the doorknob before pulling it open. The corner of his lips, which turned up at the sight of you, turned into a frown at the slightly distressed look on your face.

“Is everything alright?” he asked, voice soft as if trying not to startle you. You look at him and try to smile, your eyes the only thing that keeps him from believing you.

“Do I look alright?” you say, and you turn yourself to the side, looking over your shoulder to look into the mirror. And suddenly Sirius knew exactly what this was about.

“Angel, you know that you’re perfect right? no matter what anybody says, you’re beautiful.” You nod hesitantly in a way that has him questioning whether you’ve heard him fully. He repeats his statement and you look at him before nodding.

“You're stunning” he whispered and with that, he pulled you to his chest and pressed his lips against your forehead while rocking you back and forth.

#tbh i don't want to think about this blurb #like i keep procrastinating reupploading them bcos my style has changed so much since i first started writing and it's like.#girl why would i write that #but !! i hope u like this anyways bcos as sanne said like a week ago #every thing you write has an audience no matter how bad you think it is #ivy is writing !#sirius black (ivy's version)#sirius black #sirius black x reader #sirius black fluff #sirius black hurt/comfort #sirius black fic #marauders #marauders fanfiction #marauderluvs

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youngpettyqueen · 6 months

Note

for prompts, might I suggest a number 14 with Julian takin care of Kira, and a ‘it feels worse than it looks—no wait-‘ with Julian being a bad patient?

oh my god I finally fucking finished it.

I am SO SORRY this took so long I got hit with. the most violent writer's block ive had in a HOT minute and this had me fighting for my life. I dont even know how many times I wrote and rewrote this. I went through so many different ideas it was actually ridiculous. at one point I had something finished but it Was Not Good and I dont believe in posting writing I dont like so I scrapped it and started again

I keep waffling on whether or not I like this, but thats entirely because ive spent way too long staring at it. im sure in a few days ill actually really like it, cause I really like the dialogue, which was what I wrote out first. pulling myself out of my perfectionism, I do think I like this, and at the very least im proud of getting it down when it gave me so much trouble

again, im so sorry it took so long, but writer's block is a bitch and ive had a lot going on lately, so I hope you understand <3

for the readers- 14 on the list is "Stop pretending that any of this is ok. It's not." I did adjust that one a bit cause I was having trouble making it flow. but, without further ado, here's what I've got!

Kira slides down with her back against the wall, grinding her teeth as she clutches at her wounded shoulder. The pain is still hot, the hole burned into her skin practically still smoking. She hisses as her palm makes contact with the sticky, raw flesh, but she still clamps down.

“Anytime you wanna get over here, Julian!” She calls, her voice strained.

“Doing my best, Major!” Julian calls from where he is, hunkered down behind some debris as a makeshift shield against the barrage of disruptor fire.

This is, in eloquent terms, a right fucking mess. Getting into a fight with a bunch of Jem’Hadar soldiers is never a good thing, even when they’re prepared. When they’re not prepared, it’s even worse. And this time, they weren’t prepared. Because there weren’t supposed to be any Jem’Hadar on this planet. This was supposed to be a quick pit stop for the Defiant, replacing some whatsit that O’Brien said was damaged in their last firefight, but then there were Jem’Hadar soldiers and they’ve managed to land themselves in a whole different firefight.

It really just hasn’t been a great week.

Kira inches closer to the wall’s edge. Her grip on her phaser isn’t stable, but it’ll have to do. She takes a deep, steadying breath, and then she twists over so that she’s peering out from behind the corner. She spots the Jem’Hadar pinning them down, quick count tells here there’s 3 of them, and she snaps her phaser up to hit them with some fire of her own. The motion pulls at her injured shoulder in a way that makes her want to scream, but she bites down on it.

Julian, bless him, takes the opportunity to lunge out from behind the debris. He scrambles across the gap, barely dodging the returning fire from the Jem’Hadar, and manages to throw himself down behind the security of the wall. He plasters himself up against the wall beside Kira, right as she ducks back behind cover as the Jem’Hadar’s fire intensifies.

Kira looks at him. He looks at her. He’s breathing hard and heavy, his hair a mess and dirt and blood staining his face. She musters up a grin to tell him, “You’re late.”

Julian gives her a flat look as he turns to her. “Forgive me, it’s a bit difficult to make house calls in the middle of a battlefield,” He replies, sounding very, very tired. But then his eyes flick to her bloody hand, still clamped over her wounded shoulder, and she watches his expression shift as he clicks back into what’s affectionately referred to as doctor mode, “Let’s see that shoulder, then.”

Kira moves her hand, letting Julian get a look at the wound. She winces as he pulls aside the burnt fabric, taking a deep breath in through her nose and resisting the reflex to jerk away. “How’s it look?” She asks, mostly just to distract herself.

“Like it needs more than what I’ve got,” Julian replies, frowning, “The dermal regenerator I have will do for now, but this is deep. I’ll need to immobilize your arm,” He tells her, giving her an apologetic look, “If you move it too much, you’ll risk tearing it open again.”

“Just do what you have to,” Kira tells him, “Won’t be the first time I’ve had to shoot myself out with only one arm.”

Julian nods, and returns his attention to her wound. “Right,” He pulls his kit up and rifles through it for a second. The first thing he pulls out is a hypospray, which he quickly sticks into her neck. Kira relaxes fractionally as the painkillers immediately start to work, dulling some of the burning in her shoulder. Then he’s pulling out the dermal regenerator, and bracing his hand against her shoulder again, “Try to hold still.” He advises.

Kira just gives a tight nod, already gritting her teeth and bracing herself. She feels the dermal regenerator start to work. The hypo helps, but it doesn’t take away that burning, itchy sort of feeling of muscle and nerves and skin stitching itself back together inch by inch. She clenches her fists tight, breathing hard through her nose as Julian works.

“Sorry, I know this stings,” Julian says, “I’m doing the best I can. This regenerator wasn’t meant for a wound like this.”

Kira grunts a wordless acknowledgement. If she says anything, it’s just going to be a string of curses. Instead, she focuses on keeping her ear on the sound of disruptor fire, making sure it isn’t getting closer. If the Jem’Hadar decide to come after them, she wants to be ready.

“Done,” Julian pipes up. She looks over as he puts the regenerator back in his kit, taking the worst of the pain with it and leaving her with a dull ache, “That’s the hard part done. I’m going to move your arm now,” His hands are gentle, taking her arm and carefully easing it away from her side, “There we go. Alright, hold it there, please.”

Kira does. Julian sits back, and unzips his jacket to get at his undershirt. “This will have to do,” He tells her, tearing a couple of strips from his undershirt, “These won’t be the most comfortable, but they’ll have to do. I’m out of bandages.” He leans back in, starting to bind her arm with the torn fabric.

“Sorry about your shirt.” She cracks weakly.

“I’ll get a new one.” He replies, without so much as a smile.

She hates how flat his voice is. Hates how… unlike him, it is. Quiet, with no bite. “C’mon, Julian, where’s that boyish optimism of yours?” She asks, “I could really use a hit of it right about now.”

Julian secures the bandage around her arm. “I must’ve dropped it when they started shooting at us,” He says, not meeting her eyes, “Do me a favour, Major. Don’t pretend any of this is ok,” He sits back again, still not meeting her eyes, all caught up in taking in his work, “Cause it’s really not.” He does look her in the eye, then. And he looks so… tired.

But then, he’s looked like that for a while, hasn’t he?

Kira gives him a smile. A sad, quiet little smile. “I never said any of this was ok,” She corrects, “I’m just… used to it, at this point.” Very, very used to it. Used to it in a way she hopes he never is.

Julian considers that for a moment. His expression is hard to read- sad, maybe. Sympathetic. Then he sighs, and breaks eye contact. “Well, I suppose I’m getting used to it, too,” He scrubs a bloody hand through his hair, “We should get going. Can you walk?” He asks.

No time for sentiment, then. Kira nods. “It’s just the arm,” She assures him, “I can do a hell of a lot more than walk.”

“Good,” Julian starts to push himself up to stand, “Let’s-“ He doesn’t get far. He wobbles suddenly, his eyes widening slightly as he nearly topples right over. He barely manages to catch himself, bracing a hand against the wall before he can fall against it.

Kira quickly reaches out to steady him. “Julian?” She sits up, frowning, “What’s wrong?”

Julian frowns, confused. “I… don’t know,” He says, looking down, “I can’t feel my-“ He cuts off, suddenly, his eyes fixing on something, “Ah.”

Kira’s brow furrows. “Ah? What’s-“ She follows his gaze, and comes to the same abrupt halt as she sees just what he’s found, “Ah.”

Julian has a substantial wound in his thigh. A chunk of his pant leg has been burned away, revealing a raw, painful-looking burn that’s steadily oozing blood down his leg. Kira’s eyes widen at the sight of it. That doesn’t look good. That really doesn’t look good.

“Well,” Julian says, “That’s not ideal.” And then he sways alarmingly, nearly crumpling right to the ground.

“Julian!” Kira lurches forward, manages to catch him by the arms. He grimaces as he eases himself down, taking his weight off his injured leg, “Damnit, Julian, what were you thinking ignoring this? Gimme that tricorder-“ She reaches for his medkit, not waiting for him as she rummages through it herself.

“I wasn’t ignoring it!” He exclaims, “I couldn’t feel it! Honest!”

Kira finds the tricorder and pulls it out. “Don’t tell me they augmented the ability to feel pain out of you,” He shifts again, adjusting his position to give her a better angle to scan him, and it draws a painful hiss out of him, “Guess not.” She hums.

Julian manages a weak chuckle, the first one she’s gotten out of him all day. “Not as such,” He confirms, “I’ve just been- gah!” He grinds his molars as she pulls the burnt fabric away from the wound, “Preoccupied.” He growls.

Kira huffs softly as she reads the results on the tricorder. It’s not a fun wound. “So busy trying not to get shot that you didn’t realize you got shot?” She asks, arching a brow at him, “I’m almost impressed.”

“Only almost?” Julian asks, all mock indignation, “I’d hate to see what I’d have to do to actually impress you,” He mutters. His eyes drift down, then back up at her. He looks worried, “How bad is it?”

Kira puts the tricorder down. “How bad does it feel?” She dodges.

“Pfft, this little thing?” He scoffs, gives a weak little wave that’s probably went to ‘wave off’ the pain, “It’s nothing. Just a scratch. It feels worse than it… no. No, wait, that’s not right,” He blinks, and she can almost see the gears in his head turning as he tries to figure out the order of the words, “I don’t mean to alarm you, Major, but I think the shock might be setting in.” He tells her.

Kira can’t help but roll her eyes. “No kidding,” She says, “This isn’t my first time, Julian. Hand me the regenerator, I’ll do what I can with it.” She holds her hand out expectantly.

Julian hands it over. “Now who’s being serious?” He asks.

Kira adjusts how she’s holding him, making sure she’s holding the burnt edges of his uniform away from his skin so that she doesn’t accidentally fuse any fabric to him. “Oh, so you can make jokes,” She takes the dermal regenerator and adjusts her hold on it, making sure it won’t slide out of her hand, which is slick with blood, “I thought you dropped that along with your optimism.” She gets the regenerator going, doing what she can with the wound.

Julian chuckles again, grins at her. “I told you, the shock’s setting in,” He replies, all charm, “I’ll say anything just to say anything. Apologies, but I’m going to be talking your ear off until we get out of here.” He warns.

Kira keeps her eyes on her work, keeps her hand braced on his thigh to hold him still. “As opposed to when you don’t talk my ear off.” She counters. After a few seconds, she can see that the burn’s healed as much as it’s going to. She switches the regenerator off and hands it back to him.

“Rude,” Julian huffs, taking the regenerator and putting it back in his medkit, “How’d the regenerator do? I don’t want to look.” He’s looking even as he says it, like he can’t help himself.

“It’ll hold,” She tells him, not seeing any point in sugar-coating it. He would see right through her in a second, “For now. I’m gonna bandage it, just in case,” She adds. Now it’s her turn to get at her undershirt, tear it up for strips of fabric, “I liked this shirt, you know.” She informs him as she does.

“I suppose we’re even, then,” Julian cracks weakly, “Have I ever told you you’d make a great medic?” He asks.

There’s the Julian she knows. “Flattery will get you nowhere,” She tells him. Satisfied with her bandages, she gets them ready, “I do have one question for you, Doctor.”

Julian frowns, confused. Yeah, the shock really has set in if he can’t see what she’s doing. “Go ahead.” He invites.

Kira starts wrapping his leg. “What are your plans for the rest of the day?” She asks.

He looks even more confused. “What are my-“ She yanks the bandages tight before he can finish, and he cuts off with a pitched yelp, “Fuck!”

Maybe it’s a bit mean to chuckle, but Kira can’t help it. She doesn’t often get to hear him curse. “Oh, language,” She tuts as she finishes tying the bandages off, “There. Nice and tight. That oughta hold you together till we get out of here.” She gives his knee a pat.

Julian pouts at her. “You enjoyed that.” He accuses.

“I did no such thing,” Kira replies smoothly as she pulls his medkit closer to her and starts rifling through it, not bothering to ask him, “Want a hypo?” She offers.

“No,” Julian shakes his head, making her stop short and give him an incredulous look, “I’ve only got the one left. Save it for someone who needs it.” He reasons.

Her look quickly flattens. “Don’t start with the heroics, Julian,” She advises, “You’re not gonna be treating any patients until after you’ve been treated. On the Defiant.” She doubts he can even stand on his own, let alone treat people.

“I can hold out till then,” He insists, “Someone else might-“

“Julian,” Kira cuts in, not giving him any room to argue, “Take the fucking hypo.”

Julian’s brows shoot up and he looks a little stunned. Just for a moment, though, before he huffs a bit of a laugh. “Now who needs to watch their language,” He says, his tone light and teasing, “Alright, go ahead.” He nods.

Kira takes the hypo out of his kit. “Oh, thank you,” She replies, making sure her own tone savours strongly of sarcasm, “You’re a terrible patient, you know that?”

There’s that grin again. All charm. “So Nurse Jabara keeps telling me.” He replies, like the pain in the ass he is.

“You should listen to her. She’s always right,” Kira sticks the hypo in his neck, and watches his shoulders instantly sink down a notch. She didn’t even realize how tense he was, “Better?” She asks.

Julian takes a deep breath. Probably the first one he’s taken all day. “…Much,” He admits, with the decency to look a little sheepish, “Thank you, Major.” His smile’s a bit less charm now, a bit more sincere.

Kira finds herself smiling back. “Anytime,” She says. She shoots a quick look around, regaining her bearings a bit now that they’re both taken care of. She can still hear blasters firing, but not as close. They might’ve moved off somewhere else. Or they could be waiting, “We should probably get moving.” She suggests.

“Probably,” Julian agrees, “Just one problem, though. I don’t think I can walk.” He tells her.

Kira figured. “Can you limp?” She asks, “I’ve still got two good shoulders, both perfectly good for leaning on.” She offers, patting her shoulder for emphasis.

There’s that glint in his eye. First time she’s seen it today- stubborn determination, or, in another word, cocky. “I think I can manage that.” He says.

Kira grins. “Great,” She ducks in and gets her arm around his waist, pulling him in snug against her as he wraps his arm around her shoulders, “Alright, lean on me. Steady. And…” She pushes herself up, and brings him with her. He leans heavy into her side, and she tightens her hold on him to keep him steady, “Up we go. Ready?” She asks.

Julian takes a moment to find his balance, shifting most of his weight off of his injured leg and compensating on Kira’s shoulder. “As I can be,” He tells her with a nod, “Let’s go.”

And they’re off. Making quite the sight as they hobble back into the action, pressed hip to hip and clinging tight to each other. But, hey, they’re still kicking, and they’ve still got their phasers, so they’ll make do. They always do.

#fic bitching #star trek: ds9 #kira nerys #julian bashir #like I said I really like the diaogue #I had fun writing the dialogue #and it came to me pretty easily once I settled on what I wanted with the scene #this was originally. a bunch of things #my first idea was two separate scenes #and I drafted several versions of those #but they just wouldnt flow #even the one I had literally finished just. I did not like it #it was not good #and I dont say that to be hard on myself I know im a good writer and what I wrote wasn't good and thats fine!#they cant all be bangers #but I wasn't gonna post something i knew wasn't good #hopefully the wait was worth it cause like I said while I keep scowling at this #I know its cause im grumpy it took so long #and its cause ive stared at it for way too long so it was never gonna look right #until I posted it #anyways! thats enough tag rambling #I hope you enjoy!#I love Julian and Kira theyre besties in my brain

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neolxzr · 1 year

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you do see my point though, I was saying that yes a piece of media can have a character imply they are queer, but it’s frustrating when they won’t explicitly confirm such, because of (in the case of… checks app store purchase statistics…. A multi million dollar game franchise!) the need to market to as many people as possible. Shumika will never be “canon” because some people just don’t like shumika and won’t spend money on the game if shu and mika are in a relationship, whether or not that’s because they like the ship or the characters or are genuinely homophobic or whatnot. If the writing team cared about telling a love story, they would tell a love story, not go “well maybe they’re in love, it’s up to viewer interpretation!” like this works, sometimes it adds to the meaning of the work, but enstars really doesn’t have an excuse for their constant “this character might have feelings for this other character, but we’ll never have them say it out loud!” except the fact it makes them a lot of money, since they can market to people who like a character being the way they want that character to be, whether that’s with that character being in love with another in game character or self-shipping or whatever else. Outside of shipping, this is why some characters like Shinobu haven’t changed despite wanting to change (he continuously talks about how he wants to be more mature and taken seriously but his cards continue to make him look small and cute because his fans like that about him and god forbid we change anything!) I just think enstars should not be your first thought when someone asks you about a good piece of queer media because they’re doing just about the same job as large cast games with characters of the same gender (minus Arashi) who continue to have characters go “we’ll do all these things to imply we could be in love, but we’ll never have our characters actually date! teehee!”

i can understand being frustrated about your ships not being "confirmed", but the obsession with what is "canon" and "not canon" is just straight up not a very interesting discussion to have. what happyele's or the writers' agenda is is not of particular importance to me. one of the first things they teach you in classes about media analysis is that once a work is out there, the intentions of the creator no longer matter. the only thing that matters in your analysis is your own thoughts and the way you interpret a text.

if we were having a conversation about how much the creator of something sucks, then sure, talk about that all you want, but i am specifically referring to discussions about the piece of media and these characters and their relationships and their growth and the themes of the work etc. those things are removed from whether or not the company writes the way they do because of profit motives or whatever. companies make money, that's just what to expect. if you want art that is free of profit motives, read something by an independent creator.

even so, it feels strange to place enstars into the bucket of "stuff that should be gayer but the bad company that makes it wont let it be" because the characters ARE so very openly queer. there are so many instances in it where characters pour their heart out to each other or offer themselves to another character in beautiful and poetic ways, and i think it's wrong to claim it doesn't count because they didn't confirm their relationship status at the end of it. if you ask me, there is absolutely no way to interpret enstars in a way completely free of queerness. there is so much explicitly queer text that ignoring it is just plain incorrect. but, if homophobic people like this game and choose to look the other way at all of the gay shit, again, that is not my problem.

why is canonization the only thing that matters? is a shitty BL with awful writing better and more worthwhile than enstars as a queer narrative because the characters had explicit gay sex on screen? are poorly written gay characters in the background of other media with nothing going on more worth talking about than shumika or wataei or rinniki or whoever else just because they say the words 'i'm gay' out loud?

queerness is so much more than all of that. it is so much more than labels and it is so much more than relationships that are easy to understand. it is so much more than the extremely narrow view of it that the internet has concocted about it over the last few years, where you’re only allowed to talk about queerness if you yourself are openly queer and out of the closet, and even then you’re only allowed to make art that makes for “good representation.” that is just so incredibly limiting. i would rather tons of companies who are trying to profit off fujoshis make vaguely gay media with unconfirmed romances and relationships that aren't easily defined by labels than have less queer art in the world.

more queer art means more queer people who will find something to really connect to. more queer art means telling more queer stories. why should who is allowed to write lgbtq media be limited? why should the kind of media people are allowed to make be limited?

its fine to criticize happyelements if youre unsatisfied with the way they do things, im not always 100% in love with everything they do either. i wouldn't even consider enstars to be the worlds' best example of a queer piece of media. but no one is forcing you to like or engage with it or give the company money if you're unhappy with how they write and market their game. they don't owe anyone explicit confirmation that any of their characters are dating, and it doesn't even matter if they do provide that confirmation or not.

regardless of who made it or for what reason, queer stories are worth talking about, "canon" or not.

#cryn answers #anon #enstars #listen i dont want to be mean to you anon but this is very much just an extended version of the first ask you sent me #i will leave anon on but im not going to make another post like this ive more than said my piece already #also sorry i guess for not getting into the shinobu character growth part of this ask?#it was just. so far off from the topic of conversation #this isnt even getting into the cultural differences between the west and japan and how that affects the way companies make things #but again thats a different conversation #anyway #fun fact me and my girlfriend started talking more partially because of shumika #so if that doesnt make them a good queer narrative idk what does man!!#they certainly resonate with lesbians somehow!!!#if anyone actually read this far hi!! you are so strong #media analysis

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