Imo the best ending to Supernatural would have been to just stop with them alive on a random hunt or them finding jobs and living the life they just wanted or whatever.
And then the story just fucking STOP, because Chuck is not here anymore, so they are no longer part of a story they are finally free. And we could still write and read fanfic about how they live after they won.
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There's this way of doing female-ness in Christianity that I call "pastel flower journal Christianity." I've got nothing against pastel flower journals per se, but for some reason people believe it's the end all and be all of female spirituality, and I think it's a real disservice towards young Christian women.
One of these days I'd like to start a prayer-and-reading group or something for young women, but there would be no floral themes or over-focus on how "God thinks you're beautiful even if the world doesn't" (a true statement, but it's wayyyyy too often the focus in women's spiritual reading). Instead we would be reading:
Seneca's Letters from a Stoic
Frankl's Man's Search for Meaning
Sheed's A Map of Life
Portions of Pieper's book on leisure
Kreeft's Three Philosophies of Life
Guardini's The Lord (or something similar)
Therese's Story of a Soul
and some select portions of the Nicomachean Ethics.
(Also they're all getting the porn talk. I don't know why we give the porn talk to young men but not young women. There's this idea that women don't use porn and they only need the talk about "guarding their heart." Bullshit. There's porn on the YA shelves of Barnes and Nobles and before that there were bodice rippers. Young women need the porn talk too.)
Every young woman needs to be getting a basic grounding in virtue ethics, logic, natural law, scholastic philosophy and Biblical hermeneutics if they're going to get by in today's spiritual landscape. Enough faffery and emotionalism in young women's spiritual education! Give them real food to chew on, not pasty sentimentalism!
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Sunnie!! I am insane over this concept of Jason marveling over how sensitive his partner is... and now I'm thinking about Jason being feral when he returns from patrol and NEEDING to bury his face between their legs. All he wants is to make them feel good. Oh also, breastplay. I know in my heart he likes his mouth occupied <3
Yes! Yes! Like Jason loves fucking his partner, that’s a given. But as soon as he finds out just how sensitive they are? Well his new favourite place is with his head buried between their thighs seeing how many times he can make them come on his tongue, then his fingers, and only then his cock. (He’ll mix up the order sometimes but he’s pretty set in his routine). Also? When your thighs are wrapped around his ears and he can only taste you, when his fingers are occupied with curling just the way you like and pinning you down so you stop squirming too much, Jason can block out the whole world. It’s a particularly handy trick when patrol doesn’t go so well and all he wants is to block out the world by drowning himself in you. On those nights he likes to make it a competition to see just how many more times than last time he can make you come.
Jason has eating you out down to an exact science. He knows when to give you flat broad strokes of his tongue and exactly how much suction on your clit sends you over the edge. How many fingers to give you before the stretch gets overwhelming and he can feel you spasming. Knows exactly how to walk you right up to the edge of orgasm before pulling away and making you swear in frustration. He’ll push you over the cliff’s edge so many times your thighs will be soaked with it and he’ll still know exactly how to keep you begging for more. When your thighs are trembling and you’re riding that knife’s edge of overstimulation and pleasure, that’s when he knows you’re almost ready for his cock. He won’t give it to you yet though, wants to wait until he’s got you pliant and begging to be fucked even though you were squealing about it being all too much moments ago.
No, what he does next is become gentle. Moves up your body to mouth at your breasts. His chin is obscenely wet, smears of your slick making your breasts shine from where he devours them. Takes his time with biting and sucking at each breast, catching a nipple between his teeth before soothing the sting with a drag of his tongue. Kneading the other breast with a large scarred hand so it doesn’t feel lonely. All the while he’s sliding his cock through the mess you’ve made between your thighs, the tip just catching but not going in any further. Slow maddening strokes a background to the attention he’s paying your chest but driving you mad all the same.
Finally, finally when you’re coming apart at the seams pleading with him to finally make you full, does he relent. Sucking hickies into the soft flesh of your breast he’ll slide in. And because he knows you so well, he’ll have you right where he wants you. Uncertain of if you want to pull him closer or push him away. The scrape of teeth and the pleasure pain of being stretched full almost too much to process. Punched out breaths turning to high pitched whines as you cling to him, cradle his head to your chest and let him take control of you pleasure until there’s stars behind your eyelids and you can’t feel anything beyond Jason.
Jason takes a lot of pleasure in just how sensitive you are after you’ve come for him too. He enjoys how even the gentlest featherlight stroke of your thigh sets you twitching. How the aloe gel he rubs into your sore breasts makes you murmur and squirm at the sensation. Even when the main event is over, there’s a thousand ways for Jason to play with your sensitivity and he’s not in the habit of denying himself your pleasure.
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I'm sure this has been talked about plenty but I'm still awestruck at how well Frieren handles Himmel and Frieren's relationship. I have never seen the 'character haunts the narrative' story beat done to such effectiveness.
Frieren's regret is that she didn't know Himmel before he was gone- but he exists in everything Frieren does without her fully realizing it. Frieren is a fundamentally different person and we *know* it is mostly thanks to Himmel's influence. The constant flashbacks, the way in which Frieren's logic and everyday routines have been altered by his memory. She collect spells because he and the others complimented the mundane, random spells she had found. The way that instead of her master, Himmel is the person who the monsters choose to immitate.
The flashbacks too, are so so potent in characterizing who Himmel was- not only in regards to Frieren, but in regards to Himmel as the hero. The person who lead his group to kill the demon king. The person who did everything in his power to help those around him. The person who was so clearly in love with Frieren but understood intimately that Frieren would not love him in the same regard and even worse, would be walking a very long and lonely path.
Hell, it's at the start of every chapter, in which time is only kept by the years before and after Himmel's death.
It all comes back to him, in the end
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do you think airplane might have intended to draw a parallel between shen qingqiu and the old palace master in the original outline?
present shen qingqiu as a monster, a lecher, a horrible, evil man, and slowly unspool the threads of his history. the readers learn of what, exactly, made him the way he is, and what his crimes are. which are true, which are not. his intentions, his failures, his hopes, how they got crushed, how he’d been misunderstood. from an incomprehensible vile man to a pitiful, cruel one.
after being thrown into hell and clawing his way back out, luo binghe is taken in by a proper, protective shizun, who treats him with the respect he deserves. who wants him under his wing, who is proud to be his shizun, who wants to become his family, via marriage with his daughter. then, he is discovered to be exactly what luo binghe thought his former shizun to have been, perhaps worse, and to have been the very reason luo binghe never had his biological parents in his life and all that resulted from that.
when exactly does luo binghe see the palace master’s true colours? after shen qingqiu dies at his hands? before? does it make him see shen qingqiu as he is, if he’s yet to get his revenge, and does it make it worthless, to kill him? does it drive him further towards insanity? does it leave him hopeless, jaded, despondent? with no one to trust, with nothing to hang his hopes on, no one to comfort him, what, exactly, does he do?
original outline luo binghe. speak to me my boy. tell me your secrets
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oh okay heres one:
"sleepaway camp"= you go there for at least a few days, a week, sometimes several weeks, and sleep there, as opposed to a """camp""" where you go for the day and your parents or whoever picks you up afterward (those arent really camps, but like. idk when i went to "space camp" it was a weeklong but not sleepaway). in the U.S. at least, the typical image of a sleepaway camp involves staying in cabins, dunno how common it is/what it looks like in other countries.
for the first few i just mean like. not necessarily a stealth church camp, just like. idk, a camp where theres also an Assumption Of Christianity and just general vibes without being actually church camp. So, there might not be daily services and jesusy dedicatwd activities, but maybe theres still a prayer said over meals and shit. Which i assume might exist...
(oh and @reblogforsamplesize if u wanna)
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
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