#apologies for such a long post-

[downinthehull]

I love your fics sm, do you have any wipes or hcs you'd be willing to share?

aw, thank you friend! i'm very glad you like them! xx <3

and so sorry this took so long-but yes! i have a few things i'm willing to share!!! :>

here's a small snippet of a small stede fic i'm workin on!

->->-> Stede turns around quickly at the sound of his name, still holding onto the {trinket} tightly. At the sight of his friend, he quickly dons a smile that is only the tiniest bit exaggerated. 

“Edward!” he calls back, trying to keep his usual cheery tone but finding it becoming increasingly difficult. “Need something?”

Ed just shakes his head and brings his hand up to scratch at the back of his head where his hair is tied up. “No-no, just wanted to check in.” He chuckles, <-<-<-

i can't think of any particular trinket he might be holding, so excuse the {trinket} bit lmao. maybe someone has an idea? the trinket is sort of an important piece of the fic.

the working title is 'small stede and a very clueless ed' :> it's a canon era fic that i sorta imagine set between ep. 5 and 6? if i had to put it somewhere.

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here's another small bit of a fic that i honestly haven't worked on in a while-

->->-> Izzy is sitting on his bed, his back leaning against the wall while he plays with one of the ties that are usually wrapped above his elbow. That Lucius had been so kind to untie when Izzy had fussed about them. 

There hasn’t been much talking from Izzy yet. Just a few short sentences in the beginning, that turned into single words, and eventually evolved to babbles. 

Lucius didn’t mind really. He actually found it quite cute. 

“Look at you,” He finds himself cooing. “having fun?”

Izzy just makes a soft noise that sounds like an affirmation. Quickly returning to chewing on one of the ties. <-<-<-

this is from (what is supposed to be) the next fic in my MIHISHAA series-and i apparently haven't edited the doc since september-whoops

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here's a couple ideas i have!

stede pretending to be a doctor and taking care of ed (partially written)

the next part of my little izzy w/ cg lucius series (partially written)

the second chapter for Don't Cry, My Dear (partially written)

ed and little izzy wrapping up presents (which i posted on here as an unfinished fic, but i do plan on finishing it!) (halfway written)

mod au jack and little izzy (because jack is soft for izzy and no one can change my mind)

and i actually have an idea for a new series but i'm still not so sure about it- the working title for it is 'Baby Steps'. i'd love to talk about it more if anyone would like to hear more about it!!! there's still plenty of things i'm still trying to plan out for it :3

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i have so many WIPs but i have such a hard time finishing them 😔

i know there is literally no pressure to finish them by a certain time, but it stresses me out nonetheless. i honestly dunno why i've been having such a tough time trying to finish a fic-

but maybe writing for a few other fandoms would help? i had started to write about other fandoms but that quickly stopped lmao-but i think i'll be trying to do more of that!

still, how much i post about these pirates shall go unaffected!!! they're my lil guys <3

[skyartworkzzz]

Like The Other Ones

HI YES IM FINALLY DONE HOLY SHIT

OKAY SO this was based off on my own gameplay of COTL, I noticed that everytime Id put food orders in, Narinder would usually be the one to prepare them And honestly? We love a malewife in this house so I dig that for him, ma guy is a skilled cook <3

As I wrote down the dialogue, it just got deeper than I expected SO HERE YALL GO WITH A FULL ASS COMIC ABOUT THEIR RELATIONSHIP, ENJOY!!!!

This shit took me weeks Ill go recharge my soul now brb-

EDIT: I DECIDED TO PUT A UNDERCUT Tab so yall dont have to scroll too much in order to read and see other posts ure welcome 🤼‍♀️ <3

[delioncourtes]

He wasn't fine. I let go of him. It wasn't a misunderstanding, it wasn't an accident. I let go of him. I watched him clutch the air. I saw him swinging wild as he fell through the clouds. I did it to hurt him. And it did hurt him.

INTERVIEW WITH THE VAMPIRE - 2.07 I Could Not Prevent It

[eddiediaaz]

@summerofbuddie week four — canon appreciation ↳ firefighter buckley & firefighter diaz though the years

[nyxofdemons]

MAN have y'all stopped to look at all the shards in the "what if, what if, why, why, why" part bc GOD. a lot of this is frames from earlier episodes, but there's also a lot of it now from STOLAS' pov instead of ours! and there's so much here we've never seen before !!

these are from full moon and apology tour

but it goes further back in time as he continues to reminisce and try to put the pieces together

LOOK at that adorable frame, oh my god. when did he look at stolas like that

that's stolas' pov in the scene where he rescues blitz in truth seekers!!!

THAT frame on the bottom where stolas is sitting in bed is one i don't think we've seen before, BUT i think it makes a whole scene with some other ones later in this little montage

that's two from the circus; their first time meeting AND the first time blitz seduced him

blitz looking smug and stolas looking excited with the new gag 😭

the fact that this moment of excitement and intimacy is surrounded by stolas looking heartbroken and angry, girl help

there with blitz walking away with the book, i think that fits with the other one i mentioned

IN THE TOP MIDDLE HOOOLY . look how happy stolas is im in shambles. we finally get to see them fucking but at what cost (emotional damage)

and that one in the middle bottom. it might even be the same night, though i admit that's a reach, but i think that one is the same scene as the other two i pointed out. stolas is probably trying to say something kind or ask him if he wants to stay but blitz just leaves with the book and stolas stays in bed alone

thank you for your time

all of this hurts me so bad

[its-your-mind]

ORV as textposts 39/???

[Photo ID - 10 images from the Omniscient Reader's Viewpoint manhwa with Tumblr posts pasted upon them.

The first image shows the backs of nine members of the main cast as they look toward the sun in the background. The text post is by Tumblr user daisies-on-a-cup and reads, "THEY DID IT THEY ESCAPED THE NARRATIVE!!! THERE IS A WAY OUT!!! THE STORY CAN BE ALTERED!!! YOU ARE NOT STUCK-THERE IS AN ESCAPE!!!! THERE IS A LIGHT AT THE END OF THE TUNNEL BUT YOU HAVE TO WALK TOWARDS IT!!!!"

The second image shows Kim Dokja in a suit with his hand on his hip. The text post is by Tumblr user yuridefender and reads, "i do love stories that start out with the protagonist going "hi! 👋😀 i am such a normal guy. the most average person ever. 😄 an average joe even. i have no friends or enemies. i spend my time reading books and sing to myself on occasions. nothing to see here! ^^" and it turns out that not only are they a liar but also the most fucked up person ever. and a cunt"

The third image shows Kim Dokja with a shocked face. Yoo Joonghyuk is clutching Kim Dokja's shoulder as he falls. Lee Hyungsung is behind Kim Dokja on the viewer's right, and Yoo Sangah and Shin Yoosung are running toward Kim Dokja and Yoo Joonghyuk from the viewer's left. The text post is by Tumblr user littlespoonsokka and reads "oh and btw the love was there and it changed everything. if u even care"

The fourth image shows Kim Dokja. The text post is by Tumblr user tomwambsgirl and reads, "being an unreliable narrator is inherently homoerotic". They reblogged with an addition that reads, "what do you have to hide? your sexuality?"

The fifth image shows Yoo Joonghyuk yelling dramatically. The text post is by Tumblr user fembutchboygirl and reads, "He's a cis man. He's transfem. He's nonbinary. He has 35 genders. He's a cis woman. He's a trans man. Gender, he barely knows her. He's transmasc. He's gnc. He doesn't know what a pronoun is. I didn t say his name but he popped into your head didn't he"

The sixth image shows Yoo Joonghyuk staring at Kim Dokja while he holds him by the throat. Kim Dokja is slightly beaten up and smirking back at him. The text post is by Tumblr user neilgayman69 and reads, "They have never canonically fucked. But also they have, and they should, and it would be a horrible idea."

The seventh image has Yoo Joonghyk hunched over in the foreground with Lee Hyungsung to his left and Shin Yoosung to his right. Kim Dokja is in the background with Yoo Sangah on his right and the viewer's left. He's facing Yoo Joonghyuk and the viewer slightly and is hunched over with a sword in his hand. The text post is by Tumblr user billypotts and reads, "stories about time travel are about two things. number one is inevitable tragedy. number two is seeing that inevitable tragedy and saying oh god I will make this right please even if I can't fix it I will try to make this right. also I lied they're about three things and third is obviously love"

The eighth image is a close-up of Kim Dokja with smile and dull eyes against a black background. The text post is by Tumblr user raylangivins and reads, "I love a character who's like "I know exactly who I am and I'm being very authentic about it" and then when you analyse his behaviour even a little bit you realise his self perception is completely selective and delusional."

The ninth image shows Han Sooyoung, Yoo Joonghyuk, and Kim Dokja. Yoo Joonghyuk is leaned over Han Sooyoung's back while Kim Dokja is slightly off to the viewer's right with a confused expression. The text post is by Tumblr user notsoni and reads, "Not soulmates but it always had to be them and they weren't destined to be together but they were doomed to be but also it took everything for them to get here and also it was never supposed to happen but also it always was and had to happen this way. Hope this helps"

The final image shows the members of Kimcom sitting around a garbage-can fire with drinks. The text post is by Tumblr user gothritsu and reads, "if theres no found family what is the God Damn Fucking Point". /End ID]

ID by @incorrect-web-novels tysm!!!

[evil-swedenish]

Texts from the group chat about coffee hangouts make for great cherik dialogue!

Pookie credits: @keylimeart @galileosbeast

[bamsara]

I dont know if it was intentional but I love that Narinder when he sees Lamb throwing up he turns gentle and pushes their wool and ears back so they dont get stained with vomit and for some reason it reminded me of how when Nari was throwing up too after the nightmare he had when they were on route to fight Leshy, Lambert helped him with camellias for the nausea.

Ahh, parallels. I think.

IM SO GLAD YOU POINTED THAT OUT allow me to ramble for just a moment.

Narinder was trapped in the Afterlife for over 1000 years, with little social skills and plagued by wishing for vengeance and his only company being two kittens who become disciples under his rule. He has terrible social skills, if not lacking them entirely.

(I would argue that Aym and Baal also have horrific nonexistent social skills, so those three cat's can't really help each other communicate properly to anyone else outside themselves.)

It can be argued that since The One Who Waits had other vessels to pass time and try to kill /annoy his siblings before the prophesized Lamb arrival, that he would have developed them a little bit more, but I would argue that the power balance would have been oodles more severe since the vessels weren't the promised one. He didn't need them, so if they no longer were of service or disobeyed him, he got rid of them. Whether just sending them out or killing them, any how.

Lamb, however, knows they are the last Lamb, the prophesized liberator of The One Who Waits, and therefore his only option. They knew that they were his only reasonable way out of there (whether they asked for it or not) so they were oodles more comfortable than how a professional relationship would have been.

So they asked questions, bothered him, played and ran around him. Complained and vented to him. Yapped and yapped. What is he gonna do? Kill them? Find a new vessel? He can't. "You're as trapped into this prophecy as much as I am, so let's be friends"

Example parts from Chapter 3:

The power balance equalizes because Lamb did not see his presence a God, but rather a fellow prisoner and victim of fate. Rude and demanding, but in the same chains as they were. 'My lord' was simply formalities at first.

This puts Narinder / The One Who Waits in social situations he hasn't been in (or hardly been in) in over a thousand years, and frankly, he had no idea how to navigate them:

Example from Chapter 5:

The God of Death has not needed to comfort or 'be there' for someone in a long, long time. The Lamb's presence is what forces him to try, even if his first attempt aren't perfect. So in that same chapter, he'll ask them a question to distract them. Conversation. Like how they do it.

While I won't post a screenshot of everytime this happens in written format (not including the dreams/memories/flashbacks that haven't been posted yet)-

The One Who Waits is pushed outside of his bubble when it comes to socializing in a way that isn't just 'God-to-Lowly-Vessal' format. He has to talk to them like a person, because he's being talked to like a person, not a god on a pedestal.

Obviously after the final battle and betrayal (to both of them, otherwise known as the Grand Miscommunication) this means nothing for a while as tempers are still high and feelings are hurt. But overtime, this returns, and can show in small ways (ways that may not seem like comfort but is certainly an attempt) like just in Chapter 18:

Trying to bring them an 'offering' (breakfast) mirroring other times the Lamb has done the same for him:

Crudely offering to replace something they are upset at losing/later offering reassurance abet in a curt way:

And what you mentioned: earlier when the Lamb is throwing up, narration shows they're having trouble with keeping their wool, cloak, bell, ect all back at the same time. He can see that. He has a mental boiling pot explosion over the fact that helping them is even a want that he has after the denial crisis he's experiencing where the only answer a minute ago seemed like he needed to kill them, and he chose comfort.

It is intentional. Narinder is learning how to show care, and allowing himself to show care. Slowly, and not perfect, but learning.

[zuzu-draws]

Cranky post war 'bito :> his grump is truly when his Uchiha side shines!

[valgeristik]

This scene for Gale triggered for me in the funniest place possible

[corvidcall]

None Of You Know What Haiku Are

I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.

If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?

Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!

First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.

For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.

In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほととぎす" (hototogisu).

Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?

Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.

(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)

Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.

Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.

Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:

古池や　蛙飛び込む　水の音 (Furu ike ya　kawazu tobikomu　mizu no oto) (The old pond — A frog jumps in The sound of the water.)

You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.

English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.

Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.

Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)

The piercing chill I feel: my dead wife's comb, in our bedroom, under my heel

We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.

"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:

meteor shower . . . a gentle wave wets our sandals

When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.

"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?

I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards

a year at most . . . we pretend to watch the hummingbirds

Sources: (x) (x) (x) (x) (x) (x)

Further reading:

Forms in English Haiku by Keiko Imaoka Haiku: A Whole Lot More Than 5-7-5 by Jack How to Write a Bad Haiku by KrisL Haiku Are Not a Joke: A Plea from a Poet Who Has Had It Up to Here by Sandra Simpson Haiku Checklist by Katherine Raine

[vaxxman]

Do you like red oktoberfest (like romantically)?

Aha! Interesting and very valid thing to ask! Thanks for your question!

I shall not answer straightforwardly!

Doodle (1) and rambles you didn't ask for below the cut. The answer is in the last paragraph.

Clown language.

I admit I personally prefer showing characters interact with each other and allowing their interaction to be interpreted as either romantic, platonic, or even nothing at all.

I think this approach makes relationships less framed by "signpost cues" of friendship/attraction/love (not that I do not enjoy seeing these either). I think it leaves more room for interesting human interactions, independent of what expectations the reader has for the two characters. Some people seem to search for actions like kissing, hugging, confessions, in order to confirm whether something was supposed to be romantic or not. But then, the absence of such cues make them arrive at conclusions that ignore other forms of relationship-building interactions all together :(

(Fig.1: The unparalleled amount of different flavours of intimate feelings that are evoked from "getting shot and dying on your shoulder" - disease)

So for me, it's Schroedinger's character relationships, with a generous amount of "the true value of this relationship is the collection of interactions we have made along the way" and it doesn't need a name. So with that out of the way:

I am not averted to the idea of Medic and Heavy finally getting their hot steamy Tf2 Sex Update thanks for readin-

[qqueenofhades]

The 2025 project seems to reflect that the Republican Party is becoming more and more fascism, but it actually reflects the growing number of extreme nationalists, misogynists, and racists among ordinary Americans. US is a democracy, and politicians rely on votes to stay in power. The fact that the Republicans dare to draft such a project shows that they are confident it will gain significant public support. Politicians aren’t fools; they wouldn’t pursue something that only a small group agrees with while the majority opposes it. The global rightward shift is evident, and though I’m not American, my country is also deteriorating in many ways. Why is this happening? Because the economic base determines the superstructure?and in recent years, the global economy has been in decline?

Mmmm, I'm gonna have to challenge you here.

First of all, it's just flatly not true that there's a "growing number of extreme nationalists, misogynists, and racists among ordinary Americans." That movement has become more vocal and visible in post-2016 America, but there's absolutely no evidence -- and indeed, a lot of evidence to the contrary -- that their numbers are growing instead of shrinking. The Republicans got lucky with Trump's win in 2016 thanks to a combination of decades of anti-Hillary smears, extensive Russian interference/psyops, the anti-democratic Electoral College, and general misplaced complacence that he was never going to win and people didn't need to bother voting for two disliked candidates. They've flatly lost every competitive nationwide election since then -- 2018, 2020, 2022, and very probably 2024. In between, their hand-picked Supreme Court overturned Roe v. Wade (guaranteeing the right to an abortion in all 50 states) and set off a titanic tidal wave of voter support for abortion rights, even in very dark red states like Kansas and Kentucky (which are not liberal by any stretch of the word). In fact, the Republicans' (flatly false) excuse that they just wanted to "return [abortion rights to the states]" has been unveiled as another lie due to their desperate attempts in this election cycle to ratfuck voter-approved abortion questions off the ballot in Arkansas, Missouri, Florida, and elsewhere. This is a badly losing issue for them, even in deep red states, and they don't want people to vote on it, because they hate democracy. We'll get to that.

Likewise, polls of "culture war" issues like LGBTQ+ rights, abortion rights, immigrants' rights, etc., consistently get much more support among ordinary Americans than not. The ordinary public is becoming more liberal, not less, even in the face of constant aggressive and reactionary attempts to undo the sum total of social and civil rights movements from the 20th century. Republicans' views are getting less popular, not more, and this is also driven by the ongoing demographic change in America. Within a generation or two, whites may be in the statistical minority, and that deeply terrifies people whose entire political and social identity is built on ethnostate white supremacism. The reason Republicans are getting so extreme and antidemocratic now is because the electorate is getting younger and younger, more diverse, more accepting, and less tolerant of their age-old bullshit. As such, there is a very visible window of time outside which the Republicans will not be able to win competitive nationwide elections, even despite all the advantages they're building into the system and have always had. That terrifies them. It is also why they have decided to destroy democracy.

Which leads us into your next assertion that "US is a democracy, and politicians rely on votes to stay in power. The fact that the Republicans dare to draft such a project shows that they are confident it will gain significant public support. Politicians aren’t fools; they wouldn’t pursue something that only a small group agrees with while the majority opposes it." Yes, maybe, in some exceedingly generic logic that doesn't take any account of the actual situation in the US and the fact that the Republicans have made their hatred for democratic free and fair elections very, very clear. This is why Trump pushed the "election fraud" Big Lie in 2020 and sent a mob to attack the Capitol in an attempt to prevent the certification of Biden's win. This is why states controlled by Republicans have frantically enacted as many voter suppression and voter-removal laws as possible and conducted constant purges to get voters (especially the mysteriously missing 1 million Democrats in Florida) off the rolls. This is why they talk approvingly about Trump being "a dictator on day one." This is why they have pursued a decades-long strategy to capture the federal judiciary (by installing extreme right-wing hacks to the bench and then funneling extreme-right legislation into their courts to get a favorable ruling and/or send it to the extreme-right Supreme Court). And on, and on, and on. The Republicans are explicitly aware that their ideas cannot win in a free and fair election, because their ideas are terrible, and as such have been taking massive, ongoing, and coordinated efforts to disenfranchise American voters, expose them to lakes of sordid Russian propaganda/psyops in favor of Trump, double down on the xenophobia and white nationalism to stoke Fear Of The Other, and everything else they possibly can to prevent voters from voting for their opponents. They hate democracy and they are not counting on democratic methods to implement Project 2025. They intend to do it by secretive oligarch methods funded by right-wing billionaire dark money and their Russian friends. That's the whole point.

Indeed, you can see that in the fact that as soon as Project 2025 became widely known and therefore widely hated, the Republicans were thrown into a panicked fluster of disavowing it and insisting that Trump didn't actually know about it (which is a lie, but that's all the day). Because it is electoral kryptonite, they are trying every single method they can to lie to voters long enough to get into power and do it anyway. Authoritarians can often come to power through democratic elections, but once there, they do their utmost to degrade, erode, or otherwise destroy the institutional safeguards that prevent them from keeping power forever. Trump is a literally textbook example of this and he has made his intentions very clear. He flat-out told a group of Republicans at an event earlier this year that "we'll fix it so you won't have to vote again." He already tried a coup and somehow the Republicans nominated him again, because of the deep corruption of the party on every level, but the Republicans are not doing Project 2025 because they think it will organically generate popular support (and they know it doesn't.) It's a blueprint for a tiny group of extreme right-wing theocrats and fascists to get their way regardless of what the broader public says about it, and represents the culmination of decades of far-right power-play strategies related to exploiting economic, racial, social, and cultural grievances. They're doing this now in order to lock in their power before long-term demographic changes make it impossible for them to win another democratic American election. So their solution is to get rid of democratic American elections, the end. This is explicitly a project for permanent minority rule. They know that and that's what's driving their strategic choices here.

As such, essentially saying that the Republicans aren't really fascist, and/or the real problem and/or are just giving an increasingly fascist American population what they want, removes any moral responsibility for their deliberate choices and legitimizes the populist claim to be acting "for the people" instead of a corrupt institutional system. Everyone knows the many, MANY problems with American politics and government; we don't need to go through them again. But even if they were "just giving the people what they want," which as noted above they're not, it still wouldn't make it okay or defensible. To use the obvious example, just because Hitler was popular and democratically elected in 1933 doesn't make what he did right, and the social forces that propelled him to power weren't just a passive "reflection" of The People's Will but were shaped by the larger fascist-curious interwar 1930s. In fact, America also had a burgeoning fascist movement in the 1930s, driven by WWI and Great Depression fallout, but Franklin D. Roosevelt's New Deal explicitly created extensive government mechanisms to support society, provide new jobs and welfare, and other integrative and restorative economic methods. This crucial difference in approaches -- the New Deal vs. the Nazis -- is why America remained democratic despite the challenges and Germany fell into autocratic genocidal fascism.

This is because populism and dissatisfaction with democracy rises when people feel that the government is not listening to them, is not responsive to their needs, is ignoring them, or otherwise not doing what they want. It is driven by multiple factors, primarily but not only economic, and it is stoked by powerful interest groups who have a vested interest in using the fissures to discredit democratic governments and movements. It is also by no means limited to America, as you note at the end. Think of the decades-long campaign by the British media against the EU, driven by British isolationism and exceptionalism and a sense that the petty bureaucrats in Brussels had no right to be telling the almighty British Empire what to do. This created and stoked existing social grievances which were often domestically caused (since as Margaret Thatcher destroying the British social-welfare state in the 1980s) and turned that grievance against an external opponent who was easier to blame. As such, as we know, it led to the country voting for Brexit in 2016 despite what a whopping, overwhelming, incredible own goal that was and continues to be for the UK, especially economically and socially. It was obviously dependent on many contextual factors from British history, politics, and culture, and there were certainly many people who actually thought it was the right thing to do (and not just about racism, which uh, hmmm), but it's very difficult to think that this organically or naturally came about without a direct and extensive popular-pressure campaign designed to do just that.

People often vote against their own interests because they have been convinced that democracy is corrupt or ineffective or "just as bad" as authoritarianism, which allows illiberal populists to rise to power. These populists often use racial, religious, or cultural grievances, especially against perceived "outsiders," to artificially stoke existing prejudice and justify crackdowns and/or consolidations of their own personal power and destruction of institutional systems and safeguards meant to stop them from doing that. That's how we got Erdogan in Turkey, Bolsonaro in Brazil, Orban in Hungary, and Trump in the US. Other authoritarian movements around the world are also driven implicitly or explicitly by the massive autocratic and antidemocratic global influence disinformation machine headed by Putin in Russia. As such, it's not accurate to insist that this just represents a simple passive "rightward shift" among the global population overall. It is happening because it has been designed and manipulated and pressed into happening. It can still be electorally resisted, which is also the most effective strategy for removing authoritarians, but if we fail to vote out Trump once and for all in 2024, it will be MUCH harder and much more deadly.

Overall, to simplistically claim that the Republican party is just giving the increasingly fascist Americans what they want and expect it to derive broad popular support is, as I have demonstrated above, a diametrically backward conception of the problem. The Republicans are deliberately and increasingly fascist because they realize that very soon, if allowed to continue operating in its accustomed fashion, the American democratic system and American public opinion is going to make them obsolete. They're racing the clock to cement permanent super-minority rule, and to change the rules overall, before America's shifting demographic composition and ideological mindset locks them out. That is why they are throwing so much misinformation, fearmongering, lies, Russian propaganda, and everything else that they can think of at this election, to get Trump and loyal Project 2025 footsoldier Vance into the door before the door slams shut for a long time. That is why this election is so fucking existentially important and why it is so crucial to accurately conceptualize and describe the problem, what it is, and how to respond to it. As such, while I otherwise don't do this much anymore because I no longer have the desire to argue with the people who are likewise brainwashed in the opposite direction and insist it's a Pure Leftist Moral Duty not to vote against fascist authoritarianism (as, uh, also happened with the fragmented and infighting German left-wing opposition in 1932 and good thing nothing bad happened next):

The end.

[drawnfamiliarfaces]

Heroes of Millennium (HoM) AU

Act 1: What was left behind. - Part 1 (page 1-5) -here- -> Part 2

[rudeguacamole]

Julie my girrlll omg!!

'Cause she's so high!

High above me

She's so lovely!

She's so high!

Like Cleopatra

Joan of Arc

Or Aphrodite!!

Close up!! ↴

Reboot! Julie was made by @/bloodrediscream :D

[moonsnqil]

part 2 of art i did for the aftg big bang

based on @valnillablonde 's tma au fic!