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#as a survivor main this hurts me
Btw I started playing as killer in dead by daylight and the amount of times the last person gets hatch because they don't even try to save the 3rd hooked person is insane. Like I can run to the opposite site of the map and they still won't attempt to save them. WHY
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yardsards · 1 year
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a tactic of abusive parents that i don't see brought up very often: convincing their victims that child protective services are evil and that foster parents would certainly be even more abusive than their current circumstances
#eliot posts#csa mention#abuse mention#im watching an interview with a cult survivor#and she was talking about how her parents told her that child services would hurt her and put her with abusive foster parents#and i was like HOLY SHIT MY MOTHER DID THAT TOO#my mother always told me that if i got put in foster care i would get beaten and molested#and that if we told anyone about our home life they would ''misunderstand'' and ''incorrectly assume'' we were being abused#and then we'd get taken away by uncaring cps workers and given to evil foster parents#when in reality there would be no ''misunderstandings''. what was going on at home WAS abuse#but until my teen years i was convinced i was lucky#because i only got beaten sometimes and i got access to food and a roof over my head and i never got molested#this is not to say the foster system is perfect. there definitely are flaws in the system and occasional bad incidents#but it's nothing like my mother made it out to be#in fact the main issue with child services in my area that i knew of was that they rarely did much#like a classmate i knew called cps on her dad and they showed up and talked to him and he said she was lying#and when they left he punished her by burning her with a cigarette butt#when we were kids a few times our mother called the cops on our dad cuz they got into a violent fight#she'd tell the cops he was abusing her (though the violence was mutual) but when they showed up she refused to press charges#and a few times the cops SAW me and my sister there and DID NOTHING#like maybe if you get called to this same house multiple times you should investigate what's happening to the kids???#child abuse#abuse#abuse tw#anyway i'm still not 100% sure if that was deliberate manipulation on her part or if it was part of her weird paranoia about everything#but nonetheless it ultimately had the same effect as deliberate manipulation#she refused to get help for her mental illness even though a doctor told her she needed to
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theygender · 2 years
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Yeah sure growing up abused may have left me with permanent scars on my psychological state that I'm still working to unpack, but on the bright side it gave me the ability to give a thoughtful in depth analysis of Roald Dahl's Matilda and all of its adaptations
#rambling#i love matilda so much. its such an important story to me. its literally just an abused childs power fantasy#where she gets to get back at the people who hurt her and protect other kids and then get a new loving family and everything is alright#my gf and i just watched the movie adaptation of the musical and we have Opinions on it. some good and some bad#so weve been discussing it and analyzing different parts of it#and its kinda nice to get to use my history for something good#to be able to give thoughtful analysis on how the changes they made in this adaptation have changed the allegory for abuse in the story#from the perspective of someone who grew up with that#and to just. have that be normal. my gf knows my history and its not gonna stop the conversation if i say#'this change works well for trunchbull's character bc it makes her seem more like a real life abuser'#'this detail is very subtle but it really captures some tiny part of the experience of growing up with an abuser'#'i dont like this bc it detracts from the narrative of the main character feeling alone and makes it less relatable to abused kids'#'i dont like this because while it IS something that happens under abuse it detracts from the fantasy where the kids all win together'#idk. of course everything that happened to me as a kid was awful and should not have happened but like#for a long time i had this problem where i didnt know how i was ever supposed to be okay about that#like no matter how much therapy i go through it will never UN-happen. it will always still have happened and it will always have been awful#and i couldnt figure out how i was supposed to recover from that besides 'bury it and try your hardest to never ever think about it'#and. i think maybe this is it. yes the abuse i went through was awful. thats kind of the whole thing about abuse#but. its also just a fact of my life. im better NOW. but that will not change what happened then#the abuse was awful. but the fact that i am an abuse survivor is a neutral fact. the same as any other fact from my childhood#its just a fact. a part of my past. and maybe being able to talk about it that way is... good for me#i dont have to break down when i think about it bc im okay now. my partner doesnt need to stop me and express sorrow for me bc im okay now#i can talk about my past in a neutral way and use my life experience to analyze movies#the same way that i used my experience of growing up in arkansas to analyze hollywood hillbillies when we watched it together#theyre both just two facts of my life. and analyzing movies is fun#that woman has no power over me anymore and hasnt for many many years. im okay now#abuse mention#child abuse mention#request to tag
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eclipsecrowned · 1 year
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If you could change one thing about rp on tumblr, what would it be? Why? // @queencvbra
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The constant holier than thou 'the entire community should cater to me personally' schtick. It's been around forever, it's why this site got such a reputation for superfluous application of cancel culture, but I've noticed it seems to have risen from the dead lately.
People who think others should only write content that appeals to to their own lifestyle, people who think going into a collaborative hobby without regard for the limits or problems of their followers makes them a superior being, people who don't understand why some people might not be comfortable with all facets of a canon or even fanon, couching misogyny and biphobia in alleged support of other communities...
These are just examples I have seen more than once. Members of my community taking it for a personal attack if people write romantic/sexual dynamics or discuss their own personal lives on the dash. Those who believe that because they do not tag triggers or in any way 'cater' to the audience they expect to interact with they're somehow the ones victimized when people curate their experiences away from them. I've caught so much Hell just for saying I don't care for a major franchise and find the writing of canon stale at best and genuinely insulting at worst, and I am not the only one. People who believe all M/F is het and thus inferior, because like, why would an amazing awesome man ever want to stick his dick an inferior pussy?
I think too many people on this site have a stick up their ass about things that, and I say this with all due respect, do not matter outside of their own comfort. Unless the content is being written to actively harm, unless it is problematic content that out and out reflects the hateful or harmful beliefs of its author, unless people are genuinely at risk because the content exists, then block and move on. You should always block and move on if the content is anything less than that, and by the same card, stop acting so surprised if other people block and move on if you act like a self-righteous dickhead for forgetting this is a collaborative hobby that takes partners and their myriad views/experiences/comfort into account.
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nyancrimew · 7 months
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thanks for not posting my actual ask but vagueblogging about it to 5k people ignoring the context that im an incest survivor whos trans who was saying that a very small circle of white trans bloggers on here were being called out because of their incest and cnc fetishes, not because of their gender.
its so disingenuous and hurtful that you would misconstrue this situation like this when many black bloggers and or survivors have been open about the source of their upset.
ok i wasn't gonna answer to this ask but i think you need to realize that you are absolutely not the only person sending asks to me, i am a big blog, i didn't reply to your ask directly because i was replying to about 10 different asks at once (yours being one of them yes). the main point i was making just being that the kink discourse is really fucking irrelevant with the situation at hand anyways (do you genuinely not see how matt's behavior is absolutely unacceptable?) and you can stop sending me these asks. the other point i made was about how you can't just say there was no harrassment going on, just because you personally weren't a part of the well documented big harrassment campaign against various bloggers including avery and myself.
not going to engage with the kink discourse in this or your other ask, because that's not what this situation right now is about and is irrelevant.
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breadinanutshell · 1 year
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I made a list of Halsin facts for my own entertainment a while back but forgot to post it. Dunno if anyone would find this interesting but in case here it is, enjoy~ o/
ACT1
-He writes in tight scribbles, smokes the pipe and loves reading (likely non-fiction). He’s the studious sort, considering his unprompted interest in the parasites and his hunger for knowledge. This aspect of him was more defined in Early Access but sadly got lost during full release. It also briefly comes up during one of his banters in later chapters.
-He rarely drinks: he’s a lightweight and gets overly affectionate when drunk. He also sings when drunk. Badly, per his word.
-Is an actual Disney princess (he has birds scouting and reporting back to him).
-He has a strong sense of duty, so much so he will stop paying attention to other aspects of his life in the pursuit of it. At least in one instance, this has been depicted as a flaw (when he abandons the grove looking for the Nightsong).
-He enjoys spending time in his bear form, and appears to have been the main caretaker for the bears in the grove. Ormn in particular acts heartbroken that Halsin is missing.
-When given the chance, he’s eager to give up his position as archdruid, as he felt it was too draining and confining. Despite his insecurities in his ability as a leader, he’s more shrewd and wise than he lets on: he can play politics when necessary. And people around him have been more than happy to rely on him. He cares about those under his protection. A lot. “The grove is everything to me”.
-He doesn’t shy away from violence when provoked.
-He feels responsible for the shadow curse, and is compelled by the need to fix everything.
-This is a relic from Early Access but you’ll have to pry it from my cold dead hands: in the grove there used to be a fanfic titled “Shadow’s Kiss” written by the druid Roan that featured a certain “Balsin”. At the end of it a written entry by Halsin would threaten to feed Roan to Ormn if he ever saw the name “Balsin” again.
ACT2
-He likes open spaces, reading and whittling utensils and ornaments (ducks in particular). He’s got a sweet tooth and a fondness for honey. He finds it hurtful when he's made fun of for his interests: he admits people tend to underestimate his sensitivity.
-He’s a very religious man and invokes Silvanus any chance he gets. Even so he doesn’t believe in blind faith and chides Shadowheart for not questioning Shar’s teachings.
-He’s 350 years old.
-He has no mercy for goblins, to the point where he disapproves if you spare them in Moonrise. A bit funny, considering there’s a banter later on with Karlach where he insists that “mercy costs us nothing”.
-His scars were caused by a bear who didn’t appreciate being spurned during mating season.
-He’s a veteran who served in the battle against Ketheric Thorm in Reithwin, where eventually the druids and Harpers won. At the time he was likely second to the archdruid that led him into battle. When the shadow curse started spreading, said archdruid died, leaving Halsin in charge. He immediately evacuated the survivors. He still feels guilty for not being able to help more that day. From one of his party banters it’s clear Halsin suffers from survivor’s guilt. He’s lost many friends to the curse, so many in fact that “it would take a day and a night to recite the names of the fallen”.
-Considering how obsessed he’s been with the curse ravaging the land for the past 100 years, it’s unlikely he had any intimate connections during this period of time. He also claims that more good has been done since meeting Tav than in the 100 years before their meeting.
-His family is dead and buried at the foot of the Grandfather Tree in High Forest.
-He seems used to changing environments and affiliations. Once recruited, he’s quick to call Tav his new family.
-He remains polite in the face of scorn and ridicule. Right when he joins if you suggest all he’s good for is cleaning camp he responds with an awkward chuckle and a “wherever you need me”. Later in Act 3 his affections can be brusquely turned down by comparing him to a deep rothé, to which he calmly responds “a simple no would have sufficed”.
-As a child he befriended Thaniel, a spirit of nature, and ever since then he felt a higher calling. Thaniel appears to be as fond of Halsin as Halsin is of Thaniel, mentioning him often to Fist Art Cullagh during their imprisonment in the Shadowfell.
-He is the only expert of shadow curse alive, and if killed in Act 1 the curse cannot be lifted.
ACT3
-He believes himself, or at the very least aims to be, a protector. Any failure (or perceived failure) in fulfilling said role leads him to spirals of self doubt and insecurity. His self worth is heavily dependent on how useful he can be, and without a big purpose or mission to fulfill, he appears lost. In the same vein he seems incapable of staying still and relax, he always needs something to focus on.
-In true druid spirit, he considers cities to be intruding on nature’s realm. On his arrival to Baldur’s Gate, he's appalled and disgusted by the class inequality encountered in the city. He’s disturbed by the suffering of children, in particular.
-When called naive for his dream of a better future he mentions he gave up cynicism when he was 200 years old.
-He’s all for heckling Dribbles’ corny jokes.
-He sees his body as a vessel and his physical prowess as a tool. He takes no pride in it.
-He admits that he didn’t realize how much his responsibilities had been weighting on him until Tav showed up and took that burden away.
-He’s polyamorous, and pretty lax when it comes to sex and relationships: he has no qualms in taking pleasure where “desire finds purchase”. He mentions that he had many lovers in the past and that his heart doesn’t stir lightly. This might imply he’s laid with many, but cared for few. He also doesn’t appear thrilled by the prospect of marriage/tying yourself forever to someone. For a man so against putting a relationship into words, he acts incredibly smitten when romanced and showers his partner in all kinds of sweet praises.
-He’s so attuned to his wildshape that he tends to lose control of his transformations when overcome by strong emotions (i.e. anger, arousal). He appears embarrassed when this accidentally happens in an intimate situation. He does enjoy wildshape during intercourse though, as he even proposes it himself during an interaction with Shadowheart. Per his word, he doesn’t discriminate against any type: in an interaction with Lae'zel he implies he slept with a chimera.
-He considers lust to be the most essential of impulses and feels it’s only natural to be guided by it.
-He’s travelled far and wide. Where we do not know, unfortunately. He mentions he’s been to the Underdark many times and possibly the Nelanther Isles. In his youth he ventured into the Underdark to sate his own wanderlust, where he got captured, enslaved and sexually abused by drows for 3 years.
-He’s self aware of his obsession with nature. When Jaheira warns him not to fall into druid stereotypes, he comments that he does think about other topics such as high art and politics, but to him nothing compares to a tree.
-When speaking of his past, he comments that people seem to focus on the more “salacious chapters” and disregard his years of study. When confronted about it, he seems perfectly content with a life spent studying, meditating, counselling, fighting, training and fucking.
-He used to hibernate as a bear and mentions he spent at least 100 years of his life sleeping. It’s unclear if he’s still in the habit.
-At the end of the campaign he sets out to create a new community in Reithwin with the victims of war and refugees that were turned away from the city. The children of this soon-to-be-founded community refer to him as “daddy Halsin”.
-He considers himself an exceedingly patient man.
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untitledgoosegay · 2 months
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re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"
this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?
some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.
take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.
and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.
people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.
that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis
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agoodflyting · 3 months
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Good Omens Historical Trivia That's Haunting Me Today...
So we all know A.Z. Fell & Co is located on the fictitious Whickber Street in Soho and was established in 1800.
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Aziraphale has run the shop ever since then and was in contact with Crowley at least until the 1820's when they took their little jaunt to Edinburgh and Crowley got sucked down the tube slide to Hell. They meet up again no later than the 1860's, when Crowley asks for Holy Water.
Stands to reason that between the 1820's and 1860's Aziraphale was in Soho doing Aziraphale things. Running his bookshop. Eating tiny cakes
Yeah... you know what else was going on in Soho during that time?
The worst cholera epidemic in London history.
If you don't know, cholera is a deadly bacterial infection caused by drinking contaminated water. Prior to the 1850's humans weren't really sure what caused cholera, but they knew it was terrifying and also that it was absolutely epidemic in big cities.
TW: this is gross - The main symptoms of cholera are agonizing stomach pain and non-stop watery diarrhea, eventually leading to the skin turning blue due to the thickening of blood from severe dehydration. Patients can lose more than 20% of their body weight in hours as they quite literally evacuate every drop of water in their bodies until they die of heart failure. - OK gross part over
Cholera symptoms show up as short as 5 hours after infection and could kill within as little as 12 hours. Cholera was especially terrifying because of how quickly and painfully it killed you, and because the patient maintained mental clarity up until the point of death. More than half of the people who contracted cholera died within a few days after consuming the bacteria-contaminated water.
And guess what water had cholera bacteria in it?
The public water pump on Broad Street in Soho in August of 1854
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And this wasn't one of those epidemics that starts slowly and drags on. It hit like a bomb. It killed 600 Soho residents in ten days.
That's roughly 60 people a day in a 3-4 block area. Most of them died at home because the disease struck too quickly for them to to make it to a hospital. Survivors described hearses stacked with coffins 4-5 high going down the street nonstop all day long during the outbreak. Entire families were wiped out overnight.
What does that have to do with Good Omens?
Aziraphale's book shop was right in the epicenter of this outbreak.
Neil Gaiman has been pretty free about the fact that Whickber Street is a thinly veiled expy of the real Berwick Street in Soho.
This is a famous map showing the 1854 Soho Cholera epidemic. I highlighted Berwick Street and the public water pump that was the center of the contagion. The black bars (I circled a few in blue) on the map designate deaths. The thicker the black bar, the more people died in that particular house.
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51 people died the week of the cholera outbreak on Aziraphale's Street alone.
Cholera was one of those diseases that provoked a lot of panic, not just because of how fast and painful it was, but because of the way it didn't follow common conventions about class or age. Children died while the elderly survived (often because the elderly had no one to gather water for them). Lower class houses were spared while their middle class landlords died. Churches were packed that week, because people in Soho had no idea who would get sick next. The epidemic pretty much burned itself out in a week and a half, since by that point everyone who drank the water had already died. I have to wonder what our resident Angel was up to during that time. Obviously cholera can't hurt him, but that's his neighborhood. There's no way hundreds of people, including entire families with children, are dying painfully in his neighborhood and Aziraphale doesn't notice. That means that in between this scene:
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And this one:
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Aziraphale would have watched one of the worst disease outbreaks in London history play out right outside his front door. I feel like there's great potential for a good story there if anyone better than me wants to write it.
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slackerlifewhere · 4 months
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TCF is all about healing
- This is a review about the novel.
There's possible SPOILERS for readers who haven't finished reading the first volume.
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When I first picked up the novel, I didn't have high expectations. After reading a lot of stories that end up disappointing me because of how the author eventually adds romance or harems into the story because their main character apparently needs a romantic relationship to feel good about themselves, I thought that Trash of the Count's Family will be the same thing further down the line.
But damn, did the author prove me wrong.
In the first few chapters, the novel's entire vibe was almost unnoticeable. Sure, there were some small details like him not being used to extravagant clothes or finding a simple meal delicious, but it wasn't obvious. It made me raise my eyebrow but I simply thought that he's a simple salaryman or something.
The first lines about him not having anyone who would miss him if he's gone in his previous world can be excused as him having no lingering attachments. And honestly, some transmigration/isekai stories do have their main characters having no attachments in their previous world. So it makes sense and it didn't alert me of what could've possibly happened to Cale, former Kim Rok Soo, for him to be so aloof and calm at the forced transmigration.
And then...he thought about poverty and pity when interacting with On and Hong. That was the first sign that he may have left a few lines out of his introduction.
It steadily got worse when he was talking to Choi Han about him being used to the cruelty of people like Venion. And then, at the first meeting with Raon, he appeared as if he understood the hopelessness of a child under an abusive adult's hand.
That's when I finally thought that TCF is a story about healing. And I was pleasantly surprised.
Sure, there's action, drama, and comedy, but TCF is mainly about moving on or healing from past hurts. There are moments when it can be called "cliche" but TCF is unique in the way it portrays Cale and his relationships. There's the found family trope that I love but what I love the most about the story is how these characters who have lost something or were about to lose something if OG Cale didn't make the deal with God of Death to have KRS replace him, is slowly understanding that they're not alone and that they can improve as a person if given the chance.
It's heart-warming and completely unexpected. I didn't read the first chapter expecting this fantasy-themed action novel to be about this.
OG Cale, Choi Han, Raon, On and Hong, Lock, Taylor and Cage, Alberu, the Dark Elves, Mary, and so many characters paved the way for me to completely fall in love with this novel.
If I sound like I'm exaggerating, then I don't care because this novel is just beautiful.
What completely blew my mind is the final reveal of Cale's past as Kim Rok Soo.
Listen, I have a love-hate relationship with KR survival novels involving monsters and dungeons and the freaking apocalypse. I love some of them and I can't stand the others. But I did not expect that Kim Rok Soo was in a world trying to survive from the effects of the apocalypse.
My first reaction was "What the actual fuck" because I 100% did not expect for the story to go that way. And my second thought was "So that's why!" Because it finally explains why he hates "papercuts"! This guy is so good at making big things about himself sound so small that it left me stunned when the big reveal happened!
I wanna slap him and hug him at the same time.
It explains why he's so good at being a commander. It explains why he's used to getting hurt or why he hates the thought of his friends and family dying with him as the survivor (I believe he has a survivor's guilt?). It explains everything.
He may be in a new world but he's still stuck in his past no matter how much he says about not thinking about what-ifs and his past. The time he spends in this new world is him slowly realizing that he's not alone and he doesn't have to be so scared.
And when I finally thought that I'm done being surprised, OG Cale appears and flips everything I knew about the character. They talk about how content they are with their new identities. They smile. They're happy. And that proves why this novel is about healing and not the simple transmigration novel full of action and comedy. Instead of getting angry at Kim Rok Soo, former Cale Henituse, for the deal with God of Death, he's just happy for the man and for himself. I just love how the author doesn't forget about Kim Rok Soo's sacrifices and rewards him with a happy life with his mother.
It's so hard not to finish the novel within weeks because of how good it is. It can be fast in some parts for the action, which makes sense since everything is happening at once. But there are also slow emotional moments that keep reminding me why I love this novel.
So yeah, this is my review about TCF. It's not a perfect novel but it's a good novel about healing and family. And I'm waiting for the second volume to be done so I can finally read the rest.
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leahkentwriter · 24 days
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Backstories for girls and women in stories that *don't* involve sexual assault.
I beta read a lot, and am involved in writing communities of various kinds, and I briefly taught English way back in the day, and I consume storytelling media in general - and one of my biggest pet peeves is sexual assault backstories. While I think this is improving, it's still annoying to me that a lot of writers (of all genders, but particularly men) fall back on a sexual assault backstory whenever they need to make a girl or woman in a story complicated or haunted or fucked up in some way.
Unless your story is dealing with the topic of sexual assault in some way, please don't use it as a way to give a character depth or angst.
Here are some prompts, just to get you started with some ideas.
Why would a woman be trying to escape her past? Why would she be seeking a fresh start?
She hated her small town; the people there didn't understand her and she never felt like she fit in - she's queer, she has a weird birthmark, she's got unique interests, she has magical powers, etc.
She's a criminal - she robbed banks or stole cars and she wanted a fresh start
She was an addict and hurt people, and she wants a fresh start now that she's sober
Her parent is a criminal or an addict and she's trying to outrun the stigma of being related to them
She didn't get along with a stepparent and skipped town as soon as she turned 18
She had big dreams of being something else, and left to pursue them
Her childhood home was haunted, but no one believed her
She got married young then divorced, and wants to start over somewhere that no one knows her
Heartbreak of any variety - she's leaving a place that reminds her too much of someone she lost or couldn't have
She wants better; maybe more money, or a career, or simply a higher quality of life
Some other violent tragedy occurred - a school shooting, an explosion at the plant, police brutality, her best friend was killed, etc.
Her hometown no longer exists (climate change, the main factory shut down, it was overrun by rabid squirrels, etc.)
What would make a woman distrustful of others?
Heartbreak; being lied to, cheated on, left for her best friend, etc.
A big betrayal - her former best friend told everyone a secret about her, someone weaponized her trauma or her past or a major flaw she's sensitive about, etc.
She witnessed a traumatizing event as a child
Her mother was a grifter and used her as part of her scams
One parent cheated on the other and broke up the family
Her older brother isn't dead after all, he was disowned for being gay and now she's questioning everything her parents ever told her
She has problems with her memory, and is never quite sure what the truth is
She's bad at reading people and has been taken advantage of
She finds out a dark secret about someone she loves and is having trouble processing it
She gradually comes to see that someone she idealized as a child is not at all what they seem
Someone she thought was a good, kind, and genuine person is arrested for a terrible crime
Spiritual abuse - the worldview she was taught was right turns out to be exploitative, represses women, etc., so she leaves
What would cause a woman to have mental health issues?
Any form of abuse - doesn't have to be sexual
Her parents had really high expectations that she couldn't live up to
It simply runs in the family
Survivor's guilt - she survived something that someone else did not
She was bullied and no one protected her
Her parents were very controlling and destroyed her confidence
Her sibling was the golden child and she was the scapegoat
She's had issues since childhood but her parents refused to admit there was anything wrong with her, so she didn't get help
Being a part of any oppressed group of people who experience discrimination - she's a person of color, she's an immigrant, she's got a disability, she's queer, etc.
Any major trauma, either witnessed or being a part of - weather events and natural disasters, infrastructure collapse, crashes and accidents, fires, a shooting or a murder, etc.
You're a writer - get creative. There are lots of ways to traumatize and haunt a girl/woman character without having to resort to a sexual assault backstory. You can even make her the problem! Maybe she's the one who did something bad and is trying to outrun the guilt.
Let's also let go of the idea that it's meeting and falling in love with a man that saves her from her trauma. Let her have a healing arc that doesn't involve a man - a love story can still be there, but it can't be the magic healing balm that fixes her. Make her have to save herself. Give her autonomy to both make her own mistakes, and improve her own situation. Don't let your man go into savior mode - let him get frustrated with her. Let her push him away without him clinging to her in a desperate bid to show her what unconditional love is. Don't let him be a martyr to her trauma.
Women are complicated for many reasons. We have trauma for many reasons. We have mental health issues for many reasons. We may want to escape our past for many reasons. We're angsty and weird for many reasons.
Please pick literally anything other than sexual assault.
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cxrdycxps · 2 months
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Black Box Warning • Ellie Williams
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☢️ toxic reader • toxic Ellie • bad for each other • sad reader • mentions of suicide • alcohol abuse • reader and Ellie are kind of rough with each other • grief ☢️
Main Masterlist • Ellie Williams Masterlist
The more of me you see, the less of me you’ll like.
You fucking hated Jackson. You hated starvation more so obviously you didn’t leave. But Jackson was the worst fucking thing that ever happened to you. It was everything your sister would’ve loved but she was dead in a forest in Virginia and here you were. The lone fucking survivor.
Jackson was full of happy people who laughed and smiled and enjoyed the normal life. Jackson was full of fucking actors. There was still a ravaged earth outside their walls and no dance nights in a run down bar would change that.
You went to them though because it was easier to get over served at the bar when it was crowded. Sometimes you’d actually get drunk before Seth cut you off.
There wasn’t much coming or going from Jackson, not in the six months you had lived there. There was a bit of fanfare when some girl showed up with a baby. She had used to live there and her kid belonged to the dead son of the school teacher.
You hadn’t stuck around to hear much more. You didn’t care. People died every fucking day, no one cared, not really or the world would stop. The world should pause for grief but it doesn’t. Sometimes you take a deep breath and you keep running.
Besides working and drinking, Jackson didn’t offer much in a way that let your exorcise your demons. Not until Ellie Williams returned and a couple of smart comments turned into a busted lip. Then you could taste the blood on her lips. Taste the sweat on her skin, taste her orgasm.
It wasn’t love. It wasn’t even like, not really. You ended up living together for convenience, she needed a room and you liked having access to fuck her when you needed to feel something.
There wasn’t a surface in that house that hadn’t been christened with nail gouging, biting, cursing sex. It was rough and ready and it never really helped. Not really.
A lot of people thought you were a couple. Ellie’s not-uncle Tommy thought it, Ellie’s not-right-now-not aunt Maria thought it, and Ellie’s ex girlfriend thought it. Neither of you corrected anyone. There was no point explaining how you both hurt each other to make yourself feel better.
“You were probably really good at this before you lost those fingers.” You told Ellie offhand and then gasped when her teeth punctured the skin of you bicep. “You’re like a fucking rabid dog, Jesus Christ.”
“Oh fuck off.” Ellie abandoned you across the arm of the sofa and you looked over your shoulder at her.
“You’re seriously going to stop?” You asked her, aghast. She only did that when she was really moody.
“Fuck off.”
You muttered under your breath as you pulled your jeans up. Ellie slammed out the door and you stared at the brown hunters’ jacket she had left behind her. The snow had fallen heavily and she had patrol today.
You had to walk by the stables to get to the watch tower and you pulled on your own jacket before grabbing hers and muttering under your breath. At the last minute you tossed the jacket back on the hook. She had left you hanging. Let her get fucking hypothermia.
You were half way to the stables when you met her doubling back and you weren’t too mature to laugh at her when she rolled her eyes at you. “Could’ve brought it.”
“Could’ve let me cum. Go fuck yourself, Williams.” You pulled your own coat tighter against the frozen drifts. When you arrived at the East gate you found your watch partner and tilted your head back to stare at the sky with a groan. “Not my fucking day.”
“Suck it up. Don’t care about your lovers tiff.” Eli snapped at you and you pictured him with a busted lip and several missing teeth. It helped the annoyance. “First Ellie forgets her fucking jacket and then you’re late and complaining.”
“Cut Ellie some slack.” Dina chided Eli and you chuckled to yourself. Always in her corner even when Ellie had abandoned her and her child. “You know what today is.”
“Oh fuck. It’s Joel’s dead day.” You swore before wincing. You knew it had to be something bad for her to leave you hanging like that. “Shit.”
“You forgot her father’s anniversary.” Dina stared at you, a disgusted look on her face. You looked at her with a shrug and her jaw dropped. “The most traumatic experience of her life and you forgot? You’re her fucking girlfriend.”
“I mean, the most traumatic experience was probably her girlfriend being pregnant. That would fuck with me for sure.” You scoffed and made to climb the scaffolding that climbed the wall.
“God you’re so fucking useless to her.” Dina didn’t let it go, following you closely. You blocked her out, wondering what was the point of patrolling the wall when you could barely see the tree line with the snow. “She needs you to support her.”
“Dina, you’re confusing me with someone who gives a fuck.” You told her, watching as the gates opened and the trail patrol groups set out on horse back. “So some old dude got his head bashed in. I didn’t know him. I don’t care.”
“You’re her girlfriend.” Dina repeated and you shrugged. You wondered if you were her girlfriend. That seemed to be too big of a title for housemates that fucked each other to avoid their grief. Ellie hadn’t remembered your sister’s anniversary. Why should you remember Joel’s?
“Look, you fumbled your chance with her. You came back to Jackson to start again without her. If you want her that bad then have her.” You checked the rifle left in the patrol hut and checked the bullets left for you.
“You’d give her up that easy?” Dina asked, astounded in that very judgmental way she had. You looked up at her, bored with the conversation. “You’d just pass her off?”
“I would and yet you still don’t want her.” You laughed. “That’s kind of telling.”
Dina didn’t say anything and you settled in for a long eight hours, the rickety chair creaked when you took a seat on it, rifle in your lap. You wondered if you could argue the cold had earned you an extra drink or two to warm back up. Sometimes Seth felt bad for you. Most times he just told you to fuck off.
“I didn’t just give her up.” Dina spoke what felt like hours later. You didn’t look away from the snow because you didn’t care enough to let her know you were listening. “She left me and JJ. I didn’t expect her to come back.”
“Is it cause she’s down those two fingers? Because let me tell you, that hand? A complete write off. It does nothing of note.” Dina made a disgusted sound and you laughed, incredulous. “I mean you’ve got a kid, you’re not exactly in place to play the blushing virgin.”
“Do you understand what it’s like to love someone who sees themself as a sacrifice?” You would never tell Dina but you understood. Every time you closed your eyes you saw her face as she made the decision to sacrifice her life so that you’d survive.
She was stupid. Your sister. She had so much more to offer the world than you could’ve ever. You’d spent every day for the last five years torturing yourself for her decision. You, better than anyone, related to Dina. You knew what it was to be left behind.
“I do.” You shrugged turning to face Dina. You didn’t tell her you weren’t talking about Ellie. “But I didn’t abandon her, so I guess that makes me better than you.”
“Or it just makes you more stupid.” Dina argued and you knew she probably had a point. You would never tell her. “Ellie ruined everything we had because of a man who she didn’t even like when he died.”
“Stop talking. Or I’ll throw you off the fucking wall.” You pinched the bridge of you nose to fend off the coming headache. It seemed that you had only encouraged her.
“She hadn’t talked to him in months when he died. She felt bad because she hadn’t liked him.” Dina insisted.
“You’re so fucking stupid. He saved her life. I know you’ve seen her fucking arm. They were gonna cut it out of her brain to maybe try and make a vaccine. He killed the fucking doctor and his daughter killed Joel. That’s how it works. It’s a cycle!” You snapped at Dina who looked shocked, leaning away from you. “She loved Joel, she just couldn’t understand his reasoning for choosing her over the rest of the world. He loved her more than the world. You don’t turn into what we are over someone you don’t fucking love.”
“I don’t know-”
“It’s a twenty foot drop. I will make JJ an orphan.”
///
“You sort it out with Dina or you tell her to fuck off.” You didn’t give Ellie a second to even get in the door, finger digging into her chest. “I had to her spend eight hours with her stupid commentary on how I should treat you better.”
“Tell her yourself. I don’t fucking care.” Ellie kicked her converse off and dropped her bag, shrugging by you. “Anything to eat?”
“Do I look like a fucking house wife?” You asked her with a scoff and she rolled her eyes, muttering under her breath. “Head on over to Dina’s, I’m sure she’ll make you something.”
“Stop with the fucking Dina rhetoric, I’m here, ain’t I?” Ellie slammed her hand down on the table in the kitchen and you laughed coldly.
“Should I be glad? Am I winning by eating off a plate that Dina licked clean?” Ellie narrowed her eyes at you and then your head hit the wall. Her hand was around your neck and you let your eyes shut slowly. “Finish what you started.”
“Jesus, you’re such a needy fucking bitch. Picking a fight because I didn’t let you cum this morning. You got fingers, don’t ya?” She asked, her free hand unbuttoning your jeans. She didn’t pull them down, just slipped her hand inside and laughed cruelly. “You been this wet all day or does my hand around your neck really do it for you?”
“Like three fifths of a hand.” You gasped and she squeezed tighter around your neck and pinched your clit cruelly. You would’ve been embarrassed with how much this was working for you if you cared at all what Ellie thought of you. Instead you ground against her hand as she pumped two fingers into you. You shuddered against her when you came and let her push you to your knees.
There was no smart comments when she shucked her jeans and boxers, pushing you forward by a grip on your hair. You didn’t bother to tease, paying extra attention to her clit, just how she liked it. She held you in place while she came and you stayed without complaint while she spasmed around your tongue. “At least you’re good for something.”
“Oh fuck off, Ellie.” You sighed and pushed yourself to stand up. You didn’t give her any further attention and moved for the shower, knowing she would bang on the door as soon as she realized. She preferred showering when she got home.
She got her revenge on you later that night. Hoarse screams came from the next room. Shouts of Joel’s name along with pitiful cries had you shoving your blankets down and making your way into her room.
She sat on the edge of the bed, her head in her hands. She was shivering in the cold and you watched her for a second. “Get out.”
“You’ve woken me twice already.” You told her, leaning on the door frame. She still didn’t look up and you realized she wasn’t shivering. She was crying. “Can’t save them all.”
She had said that to you once, when your told her about your sister. You had punched her and then fucked her for it. She didn’t even react to the words and you stepped into the room. “Get back into bed.”
“Fuck off.” She did as she was told and you slipped in beside her. “I’m not in the mood.”
“Shut up and turn around.” She faced the wall, her back to you and you pressed up against her, an arm around her middle. “It’s too cold to sleep alone tonight.”
///
Ellie was always awkward the day after you shared a bed. It didn’t happen often, it was never planned, and you preferred to pretend it didn’t happen.
“Hey,” Ellie spoke quietly from the kitchen doorway. You didn’t look up, letting your tea steep. “I’m sorry about last night. Yesterday was-”
“Joel’s death day. I know.” She paused in place and you finally looked over to watch her consider your words. “Dina reminded me.”
“Oh. Okay. Well I’m sorry for waking you anyway.” She mumbled and you shrugged. “And thank you.”
“I had to get to sleep at some point.” You told her blandly, turning back to your tea and removing the leaves. “Was the only solution.”
“Jesus, do you have a fucking off button for that attitude. Every time we do anything that might show this is more than fucking you shut down.” You laughed and turned to face Ellie.
“More than fucking? I’m just a hole and a mouth that you use to get yourself off. You are no different for me. If you want emotions go somewhere else.” You told her and she rolled her eyes.
“Imagine your sister sacrificing her whole life for you to end up this bitter fucking shell of a person.” Ellie laughed bitterly. “What a fucking way to honor her.”
“Oh, so that’s how you’re feeling this morning?” You asked with raised eyebrows. “Atleast I didn’t walk out on my girlfriend and kid to trek across the country and avenge my father just to let his killer go at the last second.”
“Your obsession with Dina is bordering on a mental illness.” Ellie accused and you shrugged, sipping at your tea. “She’s into women, you might have a chance.”
“Yeah? So she can turn me into whatever the fuck sort of lap dog she made you? I’ll pass.” You kissed your teeth when Ellie stepped closer. “You act all high and mighty but I know you got down on your knees and begged her to take you back and she said no.”
Ellie clenched her fists and you braced yourself for impact but she only shook her head, turning on her heel and slamming out the door. You stared at the brown hunting jacket for the second day in a row.
You would’ve brought it this time but that wasn’t very ‘bitter shell of a person’ of you.
///
Seth was distracted this evening. He had served you nearly double what he usually did. You let the music drown out your thoughts and sipped at your whiskey. You were bordering on what could be considered tipsy. Your toe was tapping along to the music and it could actually be described as a pleasant evening.
Of course, you never got that kind of peace for long. You weren’t overly polite when a grating voice started somewhere to your left. You ran a hand down your face and tried to ignore it. Everyone else was able to go on with their day and you needed just one good one.
You could have a few more drinks, if Seth was amenable, wait for Ellie to finish her night with Tommy and then get throughly fucked when you got home with Ellie’s hand around your neck and her filthy words in your ears.
“I’m beginning to think you two don’t even like each other.” Nope. There it went. Your pleasant buzz, your nice evening. With just two seconds and a handful of words, Dina had ruined it all.
You ignored her, sipping from your drink again. She didn’t like that and pushed in on your side and took the stool next to yours. You let your head tip back and huffed out a breath. “You never sit near each other in public. Any interaction the pair of you have is openly hostile.”
“Dina, I have worked by your side for four days this week, that’s thirty two whole hours I had to listen to your opinions. I don’t care. Now fuck off.” You told her, tracing your index finger around the rim of your glass. Your pleasant buzz was long gone and now the drink was fueling your anger, riling you up quickly.
“Why bother pretending?” Dina asked and you looked up. Your eyes caught Ellie’s first. She was watching you, half out of her seat. You turned away from her to look at Dina.
“Pretending what?” You asked her with a laugh. “We live together. We fuck. That’s all there is to it.”
“Except every time you looked at her tonight you got this serene little smile on your lips. Why are you pretending you don’t feel anything for her?” Dina asked and you blinked at her.
“Why are you pretending you aren’t mad at her for getting Jesse killed and then passing up the opportunity to kill the one who killed him?” You asked and stood from your stool, downing the last of your whiskey.
You were almost two steps away when a hand gripped your arm. Ellie almost barreled into you in her rush to get Dina’s grip off you. “Don’t fucking touch her.”
Ellie stood in your way to get to Dina and you shook your hands out, keeping your mouth shut now that people were watching. “She doesn’t like that.”
“Time you get on out of here.” Seth spoke from behind the bar.
“Time you stopped over serving her.” Ellie snapped at him, still staring at Dina. Seth only sighed and shook his head.
“It’s her sisters anniversary.” Seth spoke quietly and Ellie laughed bitterly.
“That’s in June. Stop fucking enabling her.” Ellie turned away from Dina and Seth and grabbed your hand in hers and dragged you from the bar. “Is it too much to ask for one nice night?”
You pulled your hand free and crossed your arms. You shouldn’t have to explain yourself to her. You always felt like a child when you did. “It wasn’t-”
“I’m not blaming you. That was all her.” Ellie assured you and you nodded. You stumbled a little, more than tipsy now the air hit you. Ellie’s hand shot out to catch you and you fell against her. “Let’s get you home.”
“Birthday. It’s her birthday.” Ellie paused in place and let you lean against her. She wrapped an arm around you and pulled you against her. “I was trying to have a nice day. Was just enjoying my evening.”
“I know. I was watching you.” Ellie didn’t say anything else but she did urge you to start moving again. You leaned against her and she kept an arm wrapped around you. When you got home she let you go and you wrapped your arms around yourself and made your way to the sofa. “You want a glass of water?”
You didn’t answer Ellie, tipping yourself to the side and pressing your face into the sofa cushions.
///
You woke on the sofa, your head tilted to the side and a blanket tossed over you. Ellie had put a bucket on the ground too. You weren’t the kind of person to puke while drinking but she was so you could understand it.
It was still dark and you were fucking freezing. Your teeth chattered and you shuffled up to your room, changing your clothes quickly and staring at your empty bed. Ellie’s would be warm. Ellie would be warm.
She blinked at you from under her blanket when you cracked her door open. She had left her lamp on and you wondered if it was just in case you came in. She didn’t say anything but she shuffled over and lifted her blanket. You took the offered place, pressing your face into her neck when she wrapped her arms and the blanket around you.
“Thank you.” She only hummed, her hand sliding under your top to softly stroke the skin of your back. It didn’t take her long to drift back off to sleep and you watched her in the low light from the lamp.
You wondered if you could ever be what Ellie needed. You knew she needed to heal, she needed to be forgiven for her imagined sins. You weren’t sure you had that in you. You still hadn’t forgiven your sixteen year old self for letting your sister die.
You had spent every single day since punishing yourself for her death. She was your age now when she died and you wondered if you would ever make that decision?
If you would’ve sacrificed yourself to save her?
You weren’t sure you’d ever done anything that didn’t serve yourself first.
///
“I should’ve fucking known that pairing you up would’ve resulted in this.” Eli sighed when you arrived to the stables without Ellie. “Where is she?”
“Fucked if I know.” You told him honestly. Ellie had been off with you since that night in the bar over a month ago. She disappeared for hours at a time and you hadn’t bothered to ask where she was going to escape you.
“I’m here.” She left the stables with Shimmer and Henry in tow, both of your preferred horses. Ellie shared a look with you but you had nothing to add so you just took Henry’s reins and boosted yourself up onto the horse.
You and Ellie had patrolled together a number of times. It was how you had both first met, back when she had just arrived back in Jackson. It had resulted in some of the best sex of your life.
There wasn’t much discussion between you both, mutters about directions and when to stop and take a break. You usually let Ellie make the decisions because she was outside the wall more often than you were.
She was distracted today though. She had missed two turns and an outpost that needed to be signed. You called her attention quietly the first two times and by the outpost your very limited patience was gone.
“Jesus fucking Christ. Will you pay attention before you get me killed!” You snapped at her, hopping down off Henry to sign the log book stashed inside the dilapidated farmhouse.
“Why do you hate Dina?” Ellie asked when you looked up from your signature. She was standing in the doorway, blocking your exit. “Like you really hate her.”
“I don’t hate her.” You sighed, wondering why Ellie chose now of all moments to bring it up. Maybe that’s where she had been the last month. With Dina. Maybe she was leaving you. Did you have her enough for her to leave?
“You really hate her. Like I thought you were going to punch her that night in the bar.” Ellie sighed and you shrugged. “I need to know why.”
“Why?” You asked her quietly. She wasn’t going to let you leave so you took a seat on a rickety arm chair, dust puffing up when you took a seat. “Why do you need to know all of a sudden?”
“It’s important to me.” She told you earnestly and you shrugged again. You didn’t hate Dina. You disliked her, sure, but you disliked everyone. “I need to know.”
“I guess it would make it easier, huh?” You asked Ellie with a cold laugh. “I tell you why I hate the woman you love and you can go back to her without guilt, right?”
“No. The part of my life spent with Dina is over. I’m not the person I was and it wouldn’t work any longer.” Ellie sighed. “I’m with you now. That’s not going to change because you hate Dina.”
“I don’t fucking hate Dina!” You snapped and Ellie raised her eyebrows at you. You ran a hand over your face and sighed. “I don’t.”
“You feel something very strongly for her.” Ellie moved closer, taking a seat on the sofa. The same plume of dust came up when she sat and she coughed. “I need you to explain it for me.”
“She thinks we’re the same. She thinks because she loved you that she knows what we are.” You told Ellie and she nodded. “She asked me once if I know what it’s like to love someone who sees themselves as a sacrifice.”
“And you do.” Ellie sighed softly. You nodded, your hands clasped tightly. “I don’t think I’ve ever told you that I’m sorry, about your sisters death and how it affected you.”
“I’m sorry about Joel.” You sighed, your head tipping forward so your expression was hidden. “Dina was wrong though.”
“About what?” Ellie asked. You didn’t look up at her this time, the conversation more real that anything either of you had shared before.
“She’s never loved a sacrifice.” You explained, clearing your throat didn’t help, the lump stuck. “You’re not a sacrifice. You’ve never been a sacrifice. Joel knew that, that’s why he stepped in that time. I can see it. You don’t throw yourself into fights you can’t win. You throw yourself into fights you will win.”
“I don’t thin- I don’t know if that’s-”
“You fight for the ones you love. You fight for those who fought for you. Joel risked everything to keep you alive. He was a fighter too. Both of you lost a fight the day he died. But with even ten minutes more of a chance he would’ve lived. The people fighting you both knew that. It took years to be able to beat you.” You explained to her. “That’s not a sacrifice, Ellie. That’s the unfortunate reality of the life we live.”
“I couldn’t save him.” She whispered and you nodded. “I won’t ever forgive myself.”
“I know. I couldn’t save her. She wanted to go. She had always wanted to go. She didn’t sacrifice herself for me. She wanted out and she took it in a way that looked meaningful.” You explained and Ellie blinked at you. “She was always sad. She always had been. She welcomed death. I’ll never forgive her.”
“I didn’t know that.” Ellie whispered and you looked up at last to face her. You didn’t say anything, wiping under your eyes. “You never told me.”
“I don’t discuss my feelings Ellie.” You sighed, exhausted. “So no, I don’t hate Dina. I’m jealous that she got this version of you, one that was full of life and she let you go over some misguided theory.”
“You wish I wasn’t like this.” Ellie wasn’t asking. “You want who I was.”
“I want who we were.” You explained. “If we had both met at eighteen we’d have been unstoppable. I would’ve had the love you needed.”
“You don’t love me now?” This time Ellie was asking and you blinked at her.
“Of course I love you. I think you might be the only person in this world that I love. But I don’t love you how you need.” You told her with a sigh. “We ruin each other every night and then kiss the cracks we’ve left on each other’s hearts like that will fix it. This ain’t healthy.”
“So you want to break up?” Ellie asked and you shook your head. You wanted her to understand so bad.
“I should want to. I should leave so that we can both heal but Ellie, I can’t live without you. So we’ll never get better.”
///
You thought Ellie would come home more after your conversation. You had never felt as exposed as you had returning from the patrol. She had walked back to the house with you, arms just barely brushing when you walked.
You hadn’t even made it in the door when she was pinning you against the wall, her face pressed into your neck. She had kissed her way down your body, undressing you tenderly. You hadn’t ever experienced this gentleness from her and you had to choke back the tears that welled in your eyes.
It had been so long since someone had been gentle with you that you had almost forgotten what it felt like.
She made you cum with her mouth and when you tried to return the favor she had only pulled you close and in a move she had never made before, she hugged you close and kissed your forehead.
She left you soon after, claiming she had something she needed to do. You let her leave, your own mind on what you had to do.
You pushed into the kitchen, pulling the bottle of whiskey out from the drinks cabinet and emptied the whole thing down the drain. You winced, watching the last of it leave the bottle.
You left then and headed straight for the Tipsy Bison. Seth met you at the counter looking stern. “Three is your cut off point tonight.”
“No, I’m not- would you, could you cut me off? Altogether?” You asked him, hesitating. “Even if I ask?”
“If you’re sure?” He asked you and you nodded. He shook his head with a smile and you gave him a weak offer of a smile back. “I’ll let the others know. This is a good thing, kid.”
“Yeah, I’m not sure if I believe it.” You told him and he laughed. “It’s an important thing though.”
“She’s worth every bit of it.” Seth promised and this time you laughed, amazed at how transparent you were being. “It’s time the two of you realized that.”
///
When you got home Ellie hadn’t returned. You wondered again where it was that she had been disappearing off to. You didn’t want to push her, waiting to see if she’d come to you. If things really had changed.
It wasn’t until you went to bed that you found the note on your pillow.
I need you to know that I know how this looks. I know it looks like I set everything up today just to let you down again. I didn’t know that you felt the way you did. I didn’t know that you could ever love me. I’ve been planning this for a while and I hate that we got so close to being normal and I’m going to ruin it. Maybe you’re right, maybe in another life or another timeline we would’ve been happy. I’m sorry that it isn’t this one.
I need to do this.
Love always,
Ellie.
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dee-writes-smut · 3 months
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CLEMATISES (Chapter Seven)
FEATURING Eris Vanserra x pregnant!reader
SUMMARY Eris processes new revelations while in a secluded cabin, when he finally makes his choice he ends up running into his father and learning the truth about what happened after he left.
CONTENT WARNINGS murder, death, angst, betrayal, Beron being a douche as per usual, Lucien being fucking oblivious, sad Eris, mentions of labor, just some more depressing shit as always.
AUTHORS NOTE sorry for the shorter chapter, this is just bringing everything together and setting up for the main event! That's right, I'm making you wait to know if they're going to be okay, sue me. :)
SERIES MASTERLIST
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The cold wind of the Autumn Court’s forests bit at Eris’s skin, his cloak barely providing warmth against the relentless chill. He had left the palace in a whirlwind of anger and hurt, unable to face the reality of your betrayal. Each step he took away from the life he had begun to build with you was like a knife twisting deeper into his heart.
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He found refuge in a secluded cabin, a place he had discovered years ago during one of his countless escapes from his father's tyranny. The cabin was nestled deep within the forest, surrounded by ancient trees whose branches intertwined above, creating a canopy that seemed to shield him from the rest of the world. It was here that he sought solace, attempting to mend the fractures in his heart.
Eris spent his days hunting and foraging, his skills as a warrior and a survivor keeping him alive. The physical exertion was a welcome distraction, a way to channel his rage and despair into something tangible. Yet, no matter how hard he tried, he couldn’t escape the memories of you. The way your eyes sparkled with life, the warmth of your touch, the sound of your laughter—it all haunted him relentlessly.
Nights were the worst. In the stillness, his mind would wander back to the moments you had shared. He remembered the first time you had laughed at one of his jokes, the soft sound of your breathing as you slept beside him, the way you looked at him with such trust and affection. Those memories were a torment, a reminder of what he had lost and the betrayal that had shattered his heart.
One night, as he sat by the fire, the flames casting flickering shadows on the wooden walls, Eris allowed himself to think about his father. The slap, the humiliation in front of the council—it was all too familiar. His father had always known how to break him, to strip him of his dignity and humanity. It was a cruelty Eris had endured for years, but it had never hurt as much as the pain you had caused.
The revelation that Lucien was the father of your child had hit him harder than any blow his father had ever dealt. Eris tried to process it, his mind a whirlwind of emotions. He had always been closest to Lucien, had raised him and protected him as best he could. The memory of being forced to hold Lucien down while their father slaughtered Jesminda still haunted him. It was a betrayal that had cut deep, one that Eris had never forgiven himself for.
Now, to learn that Lucien was the father of your child—it was almost too much to bear. Eris felt a bitter, acrid taste in his mouth every time he thought of it. How could you not have told him? The betrayal was a poison, seeping into his veins and clouding his thoughts.
Yet, in his isolation, Eris began to see things differently. He started to realize that pushing you away had been a mistake. You had been his refuge, his hope for a better future, and he had let his pride and fear drive him away from you. The thought of you struggling alone, possibly in danger, gnawed at him day and night.
The image of Lucien, his brother, raising his child was a painful one. But Eris knew that Lucien would never intentionally hurt him. Their bond, though strained, was still one of family. And you—he had seen the way you looked at him, the way you cared for him. The love he felt for you was too powerful to deny, too vital to ignore.
On the twelfth night of his solitude, as he stared into the fire, something shifted within him. The anger and betrayal that had consumed him began to wane, replaced by a deep, aching regret. He knew he had to find you, to apologize and make things right. The realization hit him like a tidal wave—he couldn’t live without you. The love he felt for you and your child was too strong to let go.
With newfound determination, Eris packed his belongings and set out from the cabin. The journey back to the palace was arduous, the terrain unforgiving, but he pressed on with relentless resolve. He couldn’t shake the feeling that something was wrong, that you needed him now more than ever.
As he approached the outskirts of the palace grounds, the familiar sense of dread crept over him. He had no idea what he would find, or if you would even take him back. But he knew he had to try. For you, for your child, and for the future he desperately wanted to build with you.
His heart pounded with a mixture of fear and hope as he crossed the threshold of the palace, his mind racing with possibilities. He would find you, he would make amends, and he would fight for the life he wanted with you, no matter the cost.
Eris's steps echoed through the halls of the palace, the familiar corridors now seeming alien and hostile. His heart pounded with each stride, a mix of fear and determination driving him forward. He had to find you, to make things right.
As he turned a corner, he found himself face-to-face with Beron. The High Lord of the Autumn Court stood there, his eyes cold and calculating, a sneer curling his lips. The sight of his father, the man who had inflicted so much pain and suffering upon him, only fueled the fire of Eris's anger and urgency.
"Well, well, well," Beron drawled, his voice dripping with disdain. "Look who decided to return. The prodigal son. Have you come back to grovel, Eris?"
Eris clenched his fists, forcing himself to remain calm. "I'm not here for you, Father. I'm here for her."
Beron's eyes narrowed. "Her? Ah, you mean the pregnant woman Lucien tried to hide away in the palace. Pathetic, really. He always was soft-hearted, trying to protect those who don't deserve it."
Eris felt a chill run down his spine. "What do you mean, hide away?"
Beron chuckled, a dark, menacing sound. "Didn't Lucien tell you? He brought some woman here, claiming she needed protection. A waste of our resources, if you ask me. So, I threw her out. We don't need any more useless mouths to feed."
Rage boiled within Eris. "You did what?" he hissed, stepping closer to his father.
"I threw her out," Beron repeated, his tone mocking. "If she's foolish enough to get herself in trouble, she doesn't deserve our help. And as for you, meddling in affairs that don't concern you, it's high time you learned your place."
Eris's vision blurred with fury. The thought of you, vulnerable and in need, being cast out into the streets because of his father's cruelty was too much to bear. He felt a surge of power, raw and untamed, rise within him.
"You've gone too far, Father," Eris growled, his voice trembling with anger. "This ends now."
Beron laughed, a harsh, grating sound. "And what do you plan to do about it, boy? You think you can challenge me? You are nothing but a disappointment."
Years of abuse, torment, and humiliation flashed before Eris's eyes. The countless times he had been belittled, the pain inflicted upon him and his brothers, the loss of Jesminda, and now the suffering you had endured—all because of this man.
Eris's anger reached its breaking point. With a roar of fury, he summoned his fire, the flames dancing around his hands. Beron's eyes widened in surprise, but he quickly masked it with a sneer.
"You think your fire can harm me?" Beron taunted. "You're weak, Eris. Always have been."
Eris lunged at his father, his flames blazing with an intensity he had never felt before. Beron tried to counter with his own power, but Eris was driven by a force beyond mere magic—a deep, primal need to protect, to avenge, to end the cycle of cruelty once and for all.
The fight was brutal, a clash of wills and powers that shook the very foundations of the palace. Beron fought back fiercely, but Eris was relentless, his determination unyielding. For every blow Beron landed, Eris struck back harder, his flames scorching through his father's defenses.
In the end, it was not just Eris's power that won the battle, but his resolve. With a final, devastating blast of fire, Eris overwhelmed Beron, the flames consuming him completely. Beron's screams echoed through the halls, but Eris did not relent until his father was nothing but ashes.
Breathing heavily, Eris stood over the remnants of his father, the reality of what he had done sinking in. He had killed Beron, ended the reign of terror that had plagued his family for so long. But there was no time to dwell on it. He had to find you.
Ignoring the stares of the palace staff and the whispers that followed him, Eris continued his search, his heart heavy with the weight of his actions. He had to find you, to make sure you were safe. Nothing else mattered.
As he raced through the palace, his mind was filled with thoughts of you—your smile, your touch, the love he had realized too late. He prayed he wasn't too late to make things right, to save you and your child from the fate his father had so callously decreed.
And then, as he turned a corner, he saw a familiar figure running towards him. Lucien, his face pale with worry, his eyes wide with fear. Eris's heart clenched at the sight of his brother, but there was no time for reconciliation now.
"Eris!" Lucien shouted, skidding to a halt in front of him. "You have to come quickly! She's in danger!"
Eris's blood ran cold. "Where is she?" he demanded, his voice hoarse with urgency.
"She's in the alley, near the east gate," Lucien panted. "She needs help, Eris. She needs you."
Without another word, Eris took off, his heart pounding with fear and determination. He would find you. He would save you. And nothing, not even the memory of his father's cruelty, would stand in his way.
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Eris and Lucien raced through the palace halls, their footsteps echoing off the stone walls. The urgency in Lucien's voice had ignited a fire within Eris, and his only thought was to reach you as quickly as possible.
As they sprinted, Lucien glanced sideways at Eris, his brow furrowed with confusion and worry. "Eris, why didn’t you respond when I called out to you earlier? I saw you in the streets, but you just kept walking. I thought something was wrong."
Eris's mind raced, trying to recall the moment Lucien was referring to, but it was a blur. The past weeks had been a haze of anger, regret, and self-imposed isolation. "I didn’t hear you, Lucien," he said, breathless, his tone tinged with frustration. "I’ve been… dealing with things."
Lucien's eyes flashed with a mix of concern and exasperation. "You didn’t hear me? Eris, I shouted your name. You looked right at me, and then just walked away."
Eris shook his head, the weight of the situation pressing down on him. "I was lost in my thoughts. I had to get away, to think. Everything with her, with you… it was too much."
Lucien’s expression softened slightly, but the urgency in his voice remained. "I understand, brother, but right now she needs us. She’s in labor, Eris, and we need to get to her before it’s too late."
The words hit Eris like a physical blow. Labor. The baby was coming, and he wasn’t there for you. His heart pounded harder, and his pace quickened. "I won't let her down," he vowed, more to himself than to Lucien.
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TAGLIST
@purple-writer8 @defnotlucienvanserra @cherry-cin @julesofvolterra @mirandasidefics @mandziaaa @lilah-asteria @littlestw01f @skylarkalchemist @babypeapoddd @daardyrnitta @talesofadragon @thecraziestcrayon @asaucecoveredsomething @starryhiraeth @darling006 @rosewood-cafe @saltedcoffeescotch @dumblani @paleidiot @rcarbo1 @yourmomsushi
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deancasbigbang · 7 days
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Title: Song of the Loon
Author: Desirae
Artist: eggchef
Rating: Explicit
Pairings: mentions of past Dean/Lisa
Length: 24438
Warnings: n/a
Tags: Narrator Castiel/Campground owner Dean, strangers to friends to lovers, past family trauma, survivors guilt, substance abuse(not Dean or Cas), Nurturer Dean, Hurt/Comfort, canon typical violence, angst with a happy ending, cabin by the lake fic
Posting Date: October 24, 2024
Summary: Dean Winchester is expecting a quiet, if not awkward, summer. His estranged brother Sammy was coming to visit from California, and all the chores around his lakeside cabin were not enough to distract him from his nerves. That is until an unexpected phone call from Sam’s sponsor, Gabriel, called with a favor: Could Dean put Gabriel’s brother Castiel up for the summer, no questions asked? Audiobook narrator Castiel Novak is exhausted and travel-weary. Fresh off of a book tour, Castiel arrived home to find his longtime online stalker has been to his apartment. At the urging of his brother, Castiel finds himself on a road trip to Angel’s Peak, Maine, where his host, Dean, is as stunning as the mountain view. Although Castiel and Dean feel an immediate connection, Cas is guarded, with emotional baggage he doesn’t want to inflict on his new friend. Will a summer in the wilds of Maine be enough for Dean break through Castiel’s walls and prove that he is worthy of love and protection? 
Excerpt: Castiel or C.J. Krushnic as he was known in the literary world, had spent the last few months doing the convention circuit promoting the latest book in the paranormal series. Very much an introvert, these events pushed Castiel far beyond his comfort zone, but the book series' popularity had made conventions a part of the job. This latest had been his third and he was getting better at sitting up on stage with fellow panelists. Castiel’s heart beat a fast staccato, as he answered questions about what it was like to give voice to characters like The Wesson brothers; his face a stoic mask as Castiel adhered to the requests to read book passages aloud in his distinctive gravelly voice.  He’d gotten through it, but now Castiel was drained and all he wanted was quiet and space.  Peering over the railing, Castiel heard the belligerent bellowing of a taxi driver and the jarring blare of a horn being pressed. Castiel sighed again. He needed to get away. Somewhere quiet, where he could just exist in peace and solitude. Castiel left the balcony, closing the doors behind him. With a jaw-cracking yawn, he dragged his boned tired body across the living room, back through to the bedroom, and into the ensuite bathroom. He set his now empty whiskey glass on the counter with an audible click. Tired blue eyes stared back at him from the mirror above the sink. Frowning, Castiel tore his gaze away from himself and turned on the water, cupping it in his palms before scrubbing it briskly over his stubbled face. His dark hair stood in tufts and he could use a shave, but Castiel just didn't have the energy. Wandering back out into the living room, Castiel absent-mindedly clicked on the television, noting that an old season of Tournament of Champions was playing. He left the cooking show on and grabbed the mail from on top of the suitcase. Slouching back onto his couch, Castiel rifled through the thick stack. It was mostly junk mail plus what looked like a belated birthday card from his older brother Gabriel that said I wish you love, laughter, and ha! Penis. Castiel snorted, fingering the last envelope in his hand. Furrowing his brow, he realized it was blank, save his pen name in a loopy scrawl. That was strange. Nobody had mentioned anyone dropping anything off for him when he picked up his mail at the front desk. Castiel opened the envelope and pulled out a slip of paper. His stomach plummeted unpleasantly as he read the words on the page. The sound of your voice, the way our eyes met, it is inevitable. You belong to me. -HeartsAflame With shaking fingers, Castiel pulled out his phone and quickly tapped on his brother's icon. Gabriel picked up on the first ring.  “Hey, broseph! How was your tour?” Castiel ignored the question. “Gabriel, they found my apartment,” he said, voice audibly shaken. “Sit tight, Cassie. I’m on my way.”
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arimiaromage · 5 months
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I do not trust wisely.
throwing out my thoughts before chapter 251 of d.gray-man releases. spoilers for up to chapter 250 below!!
disclaimer: I don't hate wisely. I really like him. but I don't trust him right now.
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I don't trust his actions right now. before chapter 250, I was sure wisely was going to be the new "leader" of the noah now that the earl is somewhat out of commission, either outright or by pulling the strings/giving suggestions to other members. road wasn't really the leader of them but they looked to her for answers about the things they didn't because she was the one that had stuck around the longest (such as when tyki's scars are aching) and was clearly the closest to the earl.
wisely is already suspicious of nea before this...
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and when he approached the earl, wisely made a few comments about it, urging the earl to leave.
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but he has an extra thought in chapter 224 about how he specifically won't let him cross paths with nea ever again. not really sus, I mean nea did kill the noah and try to kill the earl and the earl is clearly Not Over It, so makes sense.
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but as they leave, wisely and tyki have a very specific exchange.
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not only did wisely apparently let bookman go before they could find out more info, but wisely seems to know full well about nea- possibly being the reason he let bookman go, before bookman could tell the others who the earl and nea actually are.
specifically, wisely says "even if you don't find it out from me, you'll find it out eventually" and thinks to himself how this information will hurt tyki. that, to me, sounds like he knows most of the secrets of mana/nea. otherwise, how would he know that it will be so damning to tyki?
that brings us back to chapter 250, where they're interrogating apocryphos. I suspect the main goal of this was to find the heart rather than information on nea.
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however, apocryphos can't help but jab at the ignorant noah who are in way over their heads, letting it slip that tyki has some deep connection to nea. wisely of course responds naturally by—
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—destroying apocryphos' head, preventing him from talking until he heals. he claims it's because there's no use in interrogating him any further, that they've already got as much info as they can. that marks the 2nd interrogation victim he's let loose before the rest are ready.
with nea and the mention of 35 years ago being brought up, there's still tension in the air and sherril isn't about to let it go. remember, he's still pissed about road being hurt so badly trying to protect allen (because she wouldn't protect nea, right?)
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and here it's finally brought up that, despite road being the only true survivor (aside from the earl), wisely has more knowledge about the events due to his demonic eye. he's finally being called out for possibly withholding the truth from them.
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and what does he do? deflect it immediately. "it's not my fault, it's the fault of the previous wisely!"
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okay, let's really dissect this page.
he starts off with apologizing, saying that the reason the other noah can't remember the tragedy is because the knowledge was so devastating the previous wisely locked it away (I guess before he died?? how does that work).
specifically, "to know nea is to know 'mana'". wisely knows who mana is, whereas the other noah only know that nea called the earl mana which made him cry.
the part I think most important is this- how conflicted he looks when thinking about the earl. he's not thinking about the noah here, he's thinking about the earl's safety. about mana.
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why is he so conflicted?
let's go over some more stuff real quick.
wisely knows tyki looks suspiciously just like nea
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2. nea isn't just a noah, he's the earl
3. SOMETHING happened to adam to make him disappear/split into mana/nea and is most likely connected to the noah & innocence
with all of these things in mind, this leads me to believe this...
wisely is keeping the info about mana secret to get the earl to destroy the world
not really a big shocker, but let me explain. the goal of the noah is to see the end of the world and aid the earl in that, but we've learned that the earl acts somewhat as a ticking time bomb, as he is the one that brings about the end days.
that is the goal of all of the noah, but road has been apprehensive about it because the current earl is mana. she wants him to be safe, and when cross urged her to help him save mana, instead of scoffing at the idea she starts crying and saying she can't because she's a noah. she wants to save him but being a noah cancels that out.
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but our wisely didn't grow up with mana & nea. wisely didn't witness nea kill their entire family, mana kill him in return, and quickly descend into madness. wisely has secondhand memories so he doesn't have that emotional attachment.
this is why I felt wisely would be the new "leader". he has the insight to know that the earl = mana and that nea is part of the earl but doesn't have the emotional baggage road has. this gives him the best opportunity to see the noah's goal to the end, to push the earl over the edge and make him destroy it.
how would the rest of the noah feel if they found out the earl they've known their entire life isn't 7000 years old? that he was raised as a human just 50~ years ago? that the earl can die?
and worse-
how would the noah feel if they found out a personality of the earl was the one what slaughtered them all?
it would absolutely fracture them, possibly worse so than the exorcists finding out about apocryphos. the man they trust as their leader, who they feel in their souls a deep connection to, isn't even actually him and the man that killed them was supposed to be their leader.
that's why I feel like wisely is still keeping secrets. if he does actually know who mana/nea are, then it doesn't make sense for him to reveal this info so easily. I don't know what he's going to do next as the scene cuts there with him supposedly revealing the secrets, but I have a fear he's either only revealed a small part of it or worse, created a new lie about mana/nea to show them.
maybe he's telling the truth??
there's always a chance I'm grasping at straws, but from what I've seen it just doesn't make sense to me for him to reveal "everything" about mana/nea to the other noah, ESPECIALLY TYKI, so quickly. sherril snaps at him and he immediately folds. we've seen such careful character motivations thusfar from everyone else and I doubt hoshino would stumble here, on such a pivotal plot point.
so yeah, I don't believe wisely when he says he's going to reveal everything. he has the best shot out of all the noah to bring about the apocalypse and it doesn't make sense for him to fumble that now.
thanks for being a lil shit wisely, love you
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Feeling bold today, so I shall be unanonymous with this one
I feel like Clay could be interesting. We wouldn't know this as after the first book, we don't see his pov but...
Imagine all of your life. You're told that you're a monster. Someone destined to kill as that's you supposedly did when you were born and your guardians hit and scream at you both to vent stress and under the belief that you'll become the killing machine they thought you were meant to be, you eventually assume that eventually you'll become this killing machine, Afterall that's how you were when you first came out of the egg, but after time and time again you find that the monster in you never comes out, even in times you believe it will, after a while you realize that you never were a monster, kindness was in your heart the moment you've hatched, you can rest easy now! Or can you?
That brings me to my main point. It could be possible that Clay suffers from survivors guilt. He doesn't want to kill Fjord, but he dies anyway, and in the hidden kingdom, you can see him wincing when Glory mimics Fjord's color pallet. He finds out Asha died trying to bring his egg to the talons of peace, Crane despite having no way of preventing it was killed recently, and while he saves Starflight, Starflight is still badly injured in the process. Clay's personality traits after his pov are probably because in these fleeting moments of peace, he feels relieved, for a little while, he doesn't have to think about innocent dragons dying, despite this death and destruction still manage to come charging in to his life and finds himself failing everytime, afterall what's the point of not being a monster when he still can't protect the dragons in the war or even the dragons close to him and I think those thoughts culminate to what he did in the brightest night
After seeing all these dragons get hurt because of what he believes to be him, he sees what might be Starflight, Sunny and/or Fatespeaker about to be killed by the dragon bite viper, and he saves them sacrificing himself, he knows he's going to die but it's okay because he was able to save his family after all these thoughts of failing to save other dragons he was finally able to save someone, even if it meant he died in the process....
But hey, this is just a theory, a wof theory!
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the-badger-mole · 8 months
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Aang was a kid who was the sole survivor of a genocide. Why doesn't that factor in your opinion of him?
I've talked about this before, but his age and tragic backstory are irrelevant. ALL of the main characters are children with tragic backstories, and they are more empathetic, have more growth, and their tragic backstories...actually matter.
Listen, for all people whine about how often Katara talks about her mom (which isn't really that often), it's clear how her mother's death shaped her as a character. It's clear how witnessing her mother's death formed her worldview, and Kya sacrificing herself for Katara made a mark (she never turns her back on people who need her? COME ON! That is obviously her trying to save people the way she couldn't save her mother). Even her wanting to learn how to fight and not heal (which is an insane battle advantage, btw) speaks to her trauma around not being able to defend her mom.
Even Sokka's trauma around the loss of his father and not being deemed old enough (big enough/ strong enough/ smart enough) to go with Hakoda and the other warriors come through in his recurring need to prove himself (coming up with the big battle plan for DoBS, breaking his father out of prison, learning swordplay, etc.). It's woven so neatly into the narrative. His trauma matters to his story.
Toph is the least developed of the Gaang, and her issues with her parents have more impact on character than the destruction of the Air Nomads have on Aang. Heck, Zuko's entire arc hinges on compound traumas.
Meanwhile, Aang's trauma....? What trauma? Yes, the loss of the Air Nomads is a tragedy, but we, the audience, only know it's a tragedy because we have real world knowledge telling us so. Personally, I was in 3rd or 4th grade when I began learning about the Trail of Tears, and in kindergarten when I began learning about slavery (I was born in Harlem. The kindergarten I went to taught us accordingly). When I saw ATLA, I had a frame of reference for the genocide of the Air Nomads. But it didn't really seem to bother Aang all that much. Oh, sure, it did come up when it was convenient to the plot, but it mostly seemed to be a way for Aang to expound on the superiority of Air Nomad philosophy and society to whoever he's talking to. Aside from that, and his first rush of feeling when he found out what happened to them, the loss of the Air Nomads doesn't seem to effect Aang all that much. If he doesn't care about his tragic loss, why should I?
Aang is a fictional character. I don't have to extend the same pathos to him that I would to a real life person. It is the writers' duty to make me feel for him, and they did not. The way he's framed is the issue. And here is where I really start retreading things I've said before, but I think it needs to be repeated (again and again and again). Aang is not framed as someone who has a lot of growing up and learning to do. I could give him a pass on his worst traits because he's a child and still growing, but the show doesn't frame him that way. The show wants me to see him as a precocious imp who's wise-beyond-his-years but still has a cheeky lil' mischievous streak. It's not trying to frame his lying to the quarreling tribes in The Great Divide as a bump in his journey to becoming an effective leader bridging different people together. It wants the audience to laugh at him getting one over on the foolish tribes who absolutely went back to fighting as soon as Appa was out of sight. The show isn't framing his desperation to get the village in Avatar Day to like him as a foolish pursuit he needs to get over if he wants to be strong in the face of adversity. It wants us, the audience, to feel bad for him because his charm isn't immediately bringing the people over to his side. It wants us to be indignant that the villagers don't see how important Aang is and wont' support him. The show isn't framing Aang's non-con kisses with Katara as bad because it hurt her. It isn't making a point to that Aang needs to care about her feelings. It wants the audience to feel bad for Aang and hope for Katara to come around because he's A Nice Guy™️©️®️. Aang is never shown to be a particularly good friend to any of the Gaang, let alone him being kind to strangers just because that's his heart. All of that I would allow to be just him being a dumb kid with growing to do if the show hadn't made it clear that Aang was perfect and didn't have to change, and in fact the world should change for him.
Aang's age and tragic backstory are irrelevant because the show made them irrelevant. All they left us with was a Gary Stu character who hides his selfishness under a thin veneer of cheerfulness. It's not good enough.
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