#because it really isnt the art or the writing its just what /is/. what it means and who the jsaers are

[zedif-y]

"wow the emotions in this feel so REAL" thanks i yanked that out from my ribcage for the world to see

[thedrotter]

Re:Kinder Fun Facts of the day☺️!!! Have you ever wondered who talks the most from the main cast in Re:Kinder?? Well, I did😊. Today I'll be answering this question with some graphs and as a bonus telling you what words each character uses the most! I will warn you, this will be a bit long and I don't know how to be less verbose so, yeah!!!

First, I've made some basic rules as to what I counted regarding how much the characters speak. Not all lines really count as speaking, after all.

Any of the incoherent screaming lines don't count. There's a lot of screaming since the characters die a lot (as expected for a horror RPG game), but I don't really count that as speaking unless they're saying proper words. In that same vein, I didn't really count any of the panting or sniffing and such that are conveyed through words. Again, I don't really see that as a character actively speaking their thoughts!

If I cannot tell who a line belongs to, I will not give it to anyone. This happens for certain lines, so I felt this rule was important.

I won't be counting repetitions of the same line if it's on a variation of the same scene. This may sound a bit strange, but when a character dies, the game goes on to the same next scene it would regardless (unless the scene that follows it is an ending), with variations and new lines here and there to account for the dead character, but a lot will be reused and placed in the exact same beats it normally would have been in originally. So, this rule is here for that. Oh, and also the scenes with bits of Yuuichi's backstory that appear in Shunsuke's head won't be counted twice, because some appear twice line by line.

Of course, the "..." lines won't count. I am so sorry Aya!!!!😞

Now that the ground rules have been set, there's just one thing I want to mention. Though I will count all the total lines for Takumi and Yuuichi like any other character, I just want to mention that first I will have two separate counts for them! Takumi | Takumiel and Yuuichi | Yuuichi's Heart respectively.

Takumiel is separate because I was curious about how much Takumi spoke as an archangel compared to when he was alive. Yuuichi's Heart is because he speaks so much he feels notable enough to be given his own division, even if he and Yuuichi at the end of the day are one person

(I count the silly mind telepathy where Shunsuke is being directly spoken to [and being told things normal Yuu would avoid saying at that point] and the comical theater as Yuuichi's Heart. I clarify in case one assumes he only starts being counted the moment he's directly labelled as Yuuichi's Heart. Any line that can't be distinguished between Yuuichi's Heart and Yuuichi will be given to Yuuichi by default.)

With nothing else to be clarified let's get to the numbers!!!😊😊

First, the line counts with Takumiel and Yuuichi's Heart counted individually!! Here are the rankings:

Shunsuke (With a lead of 535 lines over second place!!)

Yuuichi

Rei

Yuuichi's Heart

Hiroto

Ryou

Sayaka

Aya

Takumi

Takumiel

You may be thinking— woah, does Shunsuke really speak that much?! You could say that, for a good chunk of those lines are from how he describes interactable points around the map and his inner thoughts, so they aren't all exactly said out loud. The benefit of being the protagonist, I suppose ww

Funny enough, Yuuichi's Heart has almost as many lines as Yuuichi does for not having that much time in the game, being on the higher end between the characters that don't get the benefit of being a protagonist (lol)!

Admittedly I had expected for Rei and Hiroto to have a more similar amount of lines given their nearly equal amount of presence, but for what it is Rei surpassed Hiroto by 51 lines! I also had expected for Takumiel to speak a little bit more than Takumi but turns out the opposite is true.

While the lack of lines of Takumi and Takumiel are to be expected due to their short time on the game, what stands out is Aya not even reaching triple digits between her other peers who are in there for most of the game. This is because a good chunk of Aya's lines in game are silence!^^" And thus weren't counted. If ellipses were a word, she surely would have reached triple digits, but unfortunately they're not.

Now the line count with combined sums of Takumi | Takumiel and Yuuichi | Yuuichi's Heart!!!

In here, the ranking isn't affected, with Yuuichi remaining second place and Takumi being last place. But the disparity of everyone's numbers compared to Takumi's feels a bit more clear to see when Takumiel isn't individually counted.

With Yuuichi's line counts combined, Shunsuke remains 318 lines ahead of him, but it also means Yuuichi has a 59% the amount of Shunsuke's lines; and impressive feat for someone who doesn't get the benefit of being the point of view for everything you press... Although he does also have an upper hand over everyone by essentially being the plot of this game ww

But maybe line counts do not suffice to tell how much a character speaks. Yes, Shunsuke has a bunch of lines from everything he interacts with, but is it really reliable to say he speaks all that much in all those lines? A good chunk of those could easily have 3 words each! So with this in mind, let's do a word count.

Even in a word count, Shunsuke has the lead, having a lead of 2,247 words over second place. But we'll see about that when we combine Yuuichi's numbers. Anyway, here's the ranking!

Shunsuke

Yuuichi's Heart

Yuuichi

Rei

Hiroto

Ryou

Sayaka

Aya

Takumi

Takumiel

This time, Yuuichi's Heart is the one at second place!!! It's pretty funny that he speaks more than his physical counterpart ww. I genuinely didnt think he'd out yap himself that way when I chose to count for him individually 😭!!! He has a lead of 63 words over himself, but a lead nonetheless.

In here, Rei and Hiroto are more even than in the line counts, with the difference seeming more minimal when put into words. But it also showcases that despite Rei having more lines than Yuuichi's Heart in the line count, those only get to have a bit over half of the amount of words he talks (To be fair he does get to infodump a lot in his section of the game).

And here's the combined word count!!! Suddenly Shunsuke's lead is only by a mere 55 words! So Yuuichi speaks about as much as he does with 318 less lines.

I must admit that I genuinely did not expect it to be that close. When I chose to count the lines for when you interact with things for Shunsuke, I thought he was granted to speak an absurd amount more than anyone else. But turns out that Yuuichi speaks about the same amount out loud when most of Shunsuke's are his own thoughts ww. But it does make sense! He is still the plot of this game.

So, after all those charts, here's the average/middle point of lines and words for characters to have, because why not, it's fun.

Average Line Count (YH and Takumiel counted individually): 197 lines

Average Line Count (When combined): 247 lines

Average Word Count (YH and Takumiel counted individually): 1,333 words

Average Word Count (When combined): 1,666 words

So there it is. That's how much the characters in Re:Kinder speak!

But wait!!! I am not done. I will share with you an additional fun fact... Did you ever want to know what word each of these characters said the most?! This one will be quicker, I do promise.

When it came to counting these words I did not count stop words, that being common words that are used all the time by everyone in English. "I, you, me, the, to, a, my, your, yes, no"... Words like that! Otherwise everyone would have one of those as their most said word and it'd be rather boring to look at. With that said, here are the words these characters say the most!

Shunsuke: Yuuichi - said 40 times! (this genuinely confused me so much im sorry he uses interjections so much I had expected it to be something like "huh" or "um" but no i dont know how this passed by me as i was rounding up all the lines he says or proofreading or writing all of those lines WHAT?!?! its been two days and it still takes me out)

Ryou: Shunsuke - Said 14 times

Sayaka: Murderer - Said 7 times (All in one sentence!)

Takumi | Takumiel (counted in one for how little he speaks.): Takumiel - Said 3 times (That name is so important, he said it thrice.)

Aya: Sorry - Said 5 times

Rei: Hell, gonna, look, Yuuchi - said 8 times (Most of the repeated words she says are stop words for she doesn't tend to speak about the same things repeatedly.)

Hiroto: Shunsuke - Said 17 times

Yuuichi (separate from YH): Problem - Said 17 times

Yuuichi's Heart: Mama - Said 24 times

Yuuichi (Overall): Mama - Said 31 times

So that is finally it. That is the fun fact of today.😊😊 Use this to woe your friends at parties!!!

I am aware Mami speaks about enough to be counted in, but this is pretty time consuming to do and I'm not sure anyone is invested on her enough to count her in. But if there's enough curiosity regarding that, I'll try counting her in. But for now this suffices.☺️ Thanks for reading!

[popping-greenbean]

there are so many things that i could do so well,,, if only i could like.actually do them

[gobstoppr]

and btw im in my hater arc rn. as time goes on the more i find a lot of 'fandom' stuff insufferable (i like art n stuff. just the way that fandom refits every media to fit a single mold and set of boring archetypes is exhausting.)

i just get really easily annoyed lately. and have been unfollowing people on a whim a lot. its not personal i promise

[poisonouspastels]

[glitchven]

Ok so i was just playing nexomon 1 and i finally got to grundas nightmare and look

Normal landscape, right? but look closer

Its literally a mural of Nara!!!!!!!

I cant really tell whats going on in the left side of the picture but on the right it clearly shows Nara running, so im just sayinggggggg, what if its supposed to depict Nara running away from Omnicron during the war between humans and nexomon???

[ufonaut]

To the true Justice Society aficionado, the post-1950 comics are diminishing shock waves of the thunderous earthquake which was the 1940s All-Star Comics. Some later entries may be debatably better than the Fox/Kanigher/Broome issues -- or they may be arguably worse -- but they can be never be as authentic as the originals, any more than Dino DeLaurentiis’ King Kong or the David Soul Casablanca TV series can be.

Roy Thomas’ introduction to All-Star Companion (2004) Vol. I.

[witchlenore]

I'm going to have to block the ai tag in every way I can, as a creative who has always dreamed about being able to actually work selling my art I just find it all heartbreaking and I've had at least two panic attacks about the way ai is being sent after our art, our writing, our narration, our very appearances, and I just can't do it ok? I am already barely making it from day to day.

[kasarasun]

what if I made a thing or it already was that while Airplane wrote the world, Peerless Cucumber illustrated it (only the animals. And Binghe, fighting the animals.) And then then then

He'd totally do it on an alt account, right?? Peerless Cucumber can't be seen making fanart!! (And he's good at it. Like, wiki is using his art in the monsters and beasts pages (that Peerless Cucumber volleyed for. He also separated it from the plant section.) Because 1 its good 2 the artstyle is consistent 3 there isn't a lot of monster official art, other than that one with the black moon rhinoceros python and those other ones and 4 it's really that good)

Haha incomprehensible parenthesis nesting aside, Airplane is watching the forums, right? Not sure about other stuff in canon but he looks at the forums and the fanart and the fiction and most of it is probably corn and binghe and just a little bit of mobei-jun and also the wives tm but!! There's also that guy!!! The monsters guy!! (People would probably suspect 'Drawing the Beast's Ire'- or some other sex euphemism I'm not good at making those- of being Peerless Cucumber because 1 the writing style is the same 2 Peerless Cucumber is the number 1 contributor to the PIDW wiki and a lot of it is the monsters and beasts section and it makes sense, yes??) Anyway, Airplane shooting towards the sky suspects but not too seriously suspects Mr ire of being cucumber's fanart alt but uh uh that ends pre-transmigration section

So, Shen Yuan starts running about, right? Things seem really... familiar, maybe thats the word?- for some reason. This is because every animal and plant he's ever drawn, sketched- maybe even thought about but that's a stretch?- is his design. The firefly parallels hold their forelimbs like butterflies. That is how far down it goes. Maybe it doesn't come up until later, but beasts and monsters from fanfiction get involved, oc species, too... anyway,

Airplane Shooting Towards the Sky transmigrates 30 years (iirc) before Peerless Cucumber. He was an avid enough follower of Drawing the Beast's Ire to recognize that these are their designs! Here's where it gets really crazy. Xiao-Mobei comes along, and while he's still pretty young, Airplane can tell that this is Drawing Ire's design! Some aspect, maybe his ears or teeth, (this isn't a well built theoretical tangent) of Mobei isnt canon. Its Drawing Ire's. From that one Northern Kingdom collection. Whatever stretched his world building into coherence, completion, didn't just pull from fanwork, official art, whatever it could find, it went for Drawing the Beast's Ire's designs specifically. Damn that's crazy Airplane ahahaha moving on,

This is getting really long so I'll be a bit more concise, (want to know more? Talk to me. Please talk to me. I want to interact with the fandom. Ask me questions. Poke your fingers into my cage.) This all comes to head at the Immortal alliance conference. The monsters and beasts really start pouring in! And Shen Qingqiu/Yuan remembers his creations. However, he assumes that this is because like 1 other person maybe was Drawing ghost head spiders.

Hey, Peerless Cucumber really liked the monsters, right? The deadlier, crazier, more intricate, the design the better! So maybe, when he was drawing, he... added some things, really believable, logical additions, really just small creative decisions...

Anyway, the monsters that Drawing the Beast's Ire made were where it came to a head.

Lets have another Canon divergence. Maybe, during or after Binghe gets pushed in, out of the rifts comes a species that Drawing Ire created. It's beautiful, poisonous, beloved, and really quite deadly. Shen Yuan/Qingqiu, Peerless Cucumber, Drawing the Beast's Ire... realizes, quite like airplane before him, that he's illustrated, practically sculpted with his own hands, monsters from the Endless Abyss with claws and teeth and poisons as deadly as Peerless Cucumber thought that the really cool monsters could deserve. It feels like he's the one cutting, biting, poisoning his sweet little sheep. It feels like he's digging out the marrow from his little white lotus disciple's bones.

Ok it is shut up time 👍

[athycore]

Hello!!! :3 I wish to make a request! I really love your writing style and the way you carry out your fics, theyre so awesome X3!!!☆

Could I make a req of Mob (/Shigeo Kageyama) with a gn!gyaru!reader :3c? Extra points if they do really good in school!

I see that you havent posted in a while on this blog, so you dont have to respond to my req! Please take care of yourself first out of anything else ^^<3

Thank youuuuuu!!!!! X3

-[Anonymous].

OMG HAIIII!!! Thank you so much, about me not posting in a while, i completely forget im a writer so i never end up checking requests, but now i did!!

Anyways heres ur food :3

Mob w a Gyaru!reader…(gn reader)

To say mob was obsessed is an understatement. He simply fawns over your fashion and loves the idea of going against the beauty standard. Although because of his fashionable s/o, he has a hard time blending in. At times he doesnt want the attention but his albsolute cutie of his lover being the center of attention, mob wouldnt mind just this once.

You both go to clothing shops together! Mob believes and trusts your fashion taste to be able to pick a few for him. He wants to hang out and uses the idea of shopping together to get you talking. He enjoys it. Afterall he somewhat helps with some of the clothes for you to pick out, while you help him look his best. He adores your keen eye on managing to find the good clothes that are usually hidden..(gatekeepers😒😒)

When you go on dates he swears he can pay, but his pay isnt enough..afterall regien isnt too reliable. Instead you pay, hope you dont mind. After you both end up going to the park or going to each others houses to hang out later. Mob gaslights(begs) reigen to let him off early for these dates too. He wants to show his respect by simply making time for you like any wonderful lover.

Mob and his family aprove of you so much! You are just the sweetest and the cutest girls to ever approach mob. Ritsu thinks its rad that his older brother managed to get a parnther in general, but thinks even more highly of you when he knows and sees your genuine care for his brother. Plus when you go to mobs house to hangout, ritsu joins whenever he feels lonely. You and mob welcome him with open arms, especially when watching a horror movie.

Mob uses his psychic powers to try to find out what you like in order for him to get the RIGHT gift. Hes just whipped and his friends and brother tease him for it. Simple middle schoolers am i right? He doesnt mind it though.

He introduces you to reigen and reigen approves. Reigen sees you as fit, and an adorable girl who would help mob by the long mile. Mob also introduced you to teru and sho, as well as the other psychics. They all like you and think you are so cool with your makeup and fashion. Heck, teru asked for some advice too.

Mob gets you both matching keychains..guaranteed. Like those cute sanrio ones or the cute little characters. He finds them absolutely adorable. The idea that his s/o has the other half, he ends up staring at his keychain on end till his club snaps him outta it.

In school you might as well be a prodigy! He finds the fact that you do so well extremely admirable. He wants to be tutored by you and you only. Only you can be patient with him. He thinks of you as top of his class, grade, school even!( next to ritsu ) He just gets so happy seeing you not having to worry about grades and what not.

There are times when you are doing makeup, he just watches. No conversation, nothing. Soly because he thinks its skillful, he feels as tho its art and that she shouldn’t interfere. But there are times he asks questions about the products your using. Hes just curious about all that stuff.

Hes your #1 supporter! He believes that you should and will do what YOU want. That no one should tell you anything about how to look, act, or present yourself!

Hope you liked it!!! Thanks so much for the request!!!

[idolomantises]

Favorite character to write and draw in both of your webcomics?

Bugtopia

Favorite Character to Draw: Sorrel. His design is one of my personal favorites and it's really fun drawing certain expressions, especially ones that contrast his cynical personality. he's also the only Bugtopia character who regularly cycles through outfits. He never wears the same thing per episode. I also love the way his big, black moth claws contrast with the softer design.

Favorite Character to Write: Sorrel, Milan and Jasper (though I cant say too much on jasper yet).

Alluded to above, Sorrel is a very cynical person, but he fronts it with a very ditzy and manufactured persona. He's very selfish and can't keep a relationship, but he also has a love for films and art in general. He's also an overly protective big brother. It's also just funny writing his over dramatic moments. If his acting isnt above 110%, he'd rather be dead.

Milan is like... i mean this in the most affectionate way possible, very autistic and anti social. If Sorrel fronts his behavior with pretend friendliness, Milan is straight up hostile. She doesn't have friends, doesn't go to parties and despises her co-workers. I'm a big fan of characters who are clearly internalizing an issue and its fun writing moments where you can see the gears tick in Milan's head where she tries to register certain interactions. She's definitely going to be my most controversial character (I'd say Cale and Spike will be, but people tend to be more forgiving to male characters than female), but it will be fun to see if people are willing to warm up to her. Girl is a hot mess, but she's MY hot mess.

Monsters and Girls

Favorite Character to Draw: Powers, drawing pissed off expressions are my favorite and powers has a resting "i dont wanna be here" look. I also enjoy drawing her armor.

Favorite Character to Write: I know I said on the other account that Sera is my favorite to write for, but it's really a toss up between Powers, Sera and Lili. They're all so weird and wonderful to me. but in terms of the shorter, gag comics, Sera is is my favorite to write for because she's a million years old and still doesn't know what to do with a hot wife who loves her.

Sera, unlike Powers and Lili, kind of shows her whole personality, so she's also easier to write for. Powers and Lili have a lot of barriers they put up, so you actually don't really see the full range of what they're like.

[foervraengd]

Transparent cube Breakdown thingy for art

Part two is here!!

The way light bends and behaves in a transparent cube always mess with my head and makes using photo references less helpful to me. So i bought one of those notes-holders that have a clear acrylic cube as a stand and took a bunch of photos!

Disclaimer (please oh my god read this disclaimer because i know you’re gonna skip this paragraph otherwise) - i dont remember anything about this from science class in high school. And googling “glass cube refraction/light” only gives me diagrams or stock photos that doesnt seem to explain the scenario i often see myself in with this. So be aware that what im writing in this post is mainly my own observations and me just trying to make sense of how the “insides” of a transparent cube behaves from an artists point of view, if you’re a physicist i apologise in advance for making up my own terms or use the wrong words etc. I will update this post if needed.

The “cube inside the cube” thing:

As shown in these three images, as i turn the cube sideways and then tilt it downwards, so we can see three sides of it, there is this smaller ‘cube’ inside that appears. Its not an actual cube, just an illusion of one due to how light bends inside it. I am pretty sure this mini cube is actually just the backside of each side.

Here is a similar set of photos of the cube in the same set of angles. But this time with a teal pen behind it. The pen is most visible through the ‘inner cube’ here. We can also see that the darker blue inner sides of the cube are more saturated in color.

Bright highlights

Notice how the opposite side inside of the cube is also lit up, as well as really saturated? It’s as if the highlight first hits the surface of the cube, and is then also lighting up the inside of it! But it doesnt seem to light up the whole “bottom” inner side.

Cube on a surface vs Suspended in the air

Now this here. This fucking thing here. Is why i struggle so much with using photo references of transparent cubes. If you look closely at the “mini cube” here, it changes when the cube is on a surface. The reason is because the underside is against the surface so it cannot be lit from below by the white paper. But isnt it interesting how this only seem to occur on the top of the cube and not on the sides? I don’t know why this is the case, i probably could find an answer if i had an actual prism cube of glass or better acrylic but those can be expensive.

In any case, i hope these photos will be of any use. The best thing you can do is to het an acrylic cube yourself and place it in the angle you plan to draw it in!

[mokkkki]

the way you write is so beautiful... tips for somebody new to writing who wants to write like you?

YOU are so beautiful, thank you so much! im not sure about any tips i have, but ill give it a shot. these are what i personally believe to have been the most important things:

find your wavelength my writing became a lot more stylized and personalized after i found an author that i resonated with, as well as a couple of themes. it just helps to know what you are actually interested in writing in, versus what you think other people would like to read. im personally interested in writing about relationships and dynamics, so my writing will always be more character than action driven. also, it helps, because youre always going to end up writing what you want to write, even in the smallest of ways, so why not embrace it fully? write what you want to read. otherwise, you wont have fun. and writing is SO MUCH FUN. knowing what youre into and what youre trying to channel gives you a really strong basis for all of your writing - not only will it take time for you to find your wavelength, meaning that youll have to expose yourself to many different genres and authors, which is a must, youll always be able to look back at that ONE creative piece and grab some motivation from it.

expose and explore creativity is everywhere - tv shows, movies, books, fanfics, comics, art, architecture, history (!!!), mythology, sports, reality - literally everywhere you can think of. dont wait for inspiration because its everywhere if you look hard enough. familiarize yourself with the seven basic plots, the thirty-six dramatic situations, basic foreshadowing elements, and other essentials. this isnt something to study or memorize, just to KNOW - its good to be aware of the foundations of literature.

embrace the brainrot and maintain a balance become obsessed w your own ocs, your own plots, your own everything. be your own biggest fan. to enter an abusive relationship with your own work is extremely upsetting, because youre doing wrong by the wonderful world youve made, and doing wrong by that part of you that just wants to be creative, too - and if that happens, its probably because you arent writing what you want to write, or controlling what doesnt want to be controlled. let your characters be individuals, let them go where they want to go, just follow and note what theyre doing. sometimes writing is a passive activity rather than active creation, and thats okay! thats when you know youve built a solid world that can run by itself and you just contribute to. that being said, while theres nothing quite like the hours spent ravenously typing, you need to find a balance. you are as important as your work, because without you, the work wouldnt exist. i also reccomend forcing yourself NOT to write on specific days. some ideas need to marinate, and some people need to rest.

i hope this was helpful &lt;;3 if you ever need more help (and this also applies to those reading), feel free to reach out! im open to being a beta reader or just a brainstorming partner. lots of love!

[heliads]

Aaaaah so glad I made it in time x3 your writing is godsent and being able to request something fills my cold heart with joy!

Okay so I rewachted Descendants and just... imagine if Carlos has to live together/spend time with a villain kid that got adopted and raised by the big bad wolf (I checked and yes that is a Disney villain!).

For some plot... (my mind comes up with something funny so do not expect too much lol) maybe taking place during Descendants 2 (with Uma) and somehow the crew has taken Carlos and Little Bad Wolf has to keep an eye on him? Except that little bad wolf gets seasick "Dude this ship isnt even on open sea, how are you feeling sick?" "shut up!"

'get him back' - carlos de vil

masterlist

The pirates never should have taken Carlos.

It was a stupid move, really. Stupid to get Mal on their bad side, but even worse to kidnap Carlos. As if Mal wouldn’t do anything in this world or the next to get her friend back. As if anyone who dared to stand in her way would not find themselves lost to the salt of the sea if they didn’t immediately back down.

Uma didn’t learn that lesson soon enough, but she will. It doesn’t matter that she was a formidable foe, the moment she made the fight personal by kidnapping Carlos, it was all over. Mal’s got an unsettling edge to her voice, the sort of dark and twisted tone that makes you follow her orders without question. Villain kids don’t like doing what they’re told, but in this case, you’re all of the same mind. What matters the most is getting Carlos back. Your egos can wait until after your friend is back by your side.

Uma’s ship came by in the dead of night and took Carlos when he was walking around unawares. They must have all attacked at once, half a dozen pirates against one boy, because there’s no way Carlos would go down without a fight. There are clear signs of a scuffle on the roads where they took him away, obviously not the clean abduction Uma was hoping for, but the facts remain. Carlos is gone, and you need to get him back as soon as possible.

Mal has already drawn up a rescue plan. She’s enchanted a small boat to be silent and almost invisible in the dark waters; once night falls, you’ll sneak up to Uma’s ship and get your boy back. One of you will sneak on board and find Carlos, then dodge the pirates meant to be guarding him and bring him back to your ship. You’ll have to wait until the right time to make your escape, though, so you can immediately land at a local deck and make your getaway. Uma can beat you in water, but you’re faster on land, so everything has to be timed perfectly.

You’re the one who’s been assigned to the difficult task of slipping onto Uma’s ship. As the adoptive child of the Big Bad Wolf, you’re well trained in the art of sneaking around and blending in. You’re the perfect spy, so to speak, so you’re the best bet the VKs have at going unnoticed by the pirates on that ship.

Even though you know the official reason for your selection is simply that you’re the best among Mal’s VKs at staying under the radar, you can’t help a rush of pride at being the one selected for the task. When Carlos looks up to see his savior, you’re glad it’s going to be you. You want to be the one on his mind when he thinks of safety. You, not Evie or someone else. Just you.

The credit for this rescue, though, should rightly be shared among all members of your friend group. Right now, Mal, Ben, Jay, and Evie are on Mal’s cloaked boat, drawing close to Uma’s ship. It slides by before you, cresting the indigo waves, so close you could reach out and touch it with one hand. Right under it, you’re struck by the size of the ship. Carlos could be anywhere. This might take longer than you thought.

Mal nods at you. “It’s time.”

You nod back, standing up carefully and reaching for the rope ladder one of the pirates forgot to pull up on the side of the ship. Tugging it quietly to test its strength, you pull yourself up slowly hand over hand, pausing just before you reach the top so you can survey the deck and see how many pirates are there.

Not expecting an attack this late at night, Uma’s crew has left the deck mostly unmanned. Two pirates are idly chatting near the helm, keeping the ship on its course, and there’s a guy up in the crow’s nest, although he’s nodded off instead of keeping a good watch on any possible intruders. You crawl over the railing as quietly as you dare, sticking to the shadows to avoid notice. Oil lamps cast pools of sticky yellow light on the ground, and you skirt them as best you can, all the while making for the stairs leading to the lower parts of the ship. Your steps are silent, each taken with the fear of causing a loose board to creak and alert the crew to your presence.

Once belowdecks, you can breathe a little easier. Most of the sounds you hear are of snoring and sleeping pirates, although a few still remain awake even despite the late hour. Without the stars and moon bleeding white light overhead, the halls are darker, giving you more room to bleed into the shadows and avoid detection. A few times, someone pokes their head out of their door or shifts around a little, causing you to freeze in your tracks, heart hammering in your chest, but you still manage to come out of each close shave without getting caught.

The further you go into the ship, though, the worse you feel. Despite living on an island for most of your life, you never really had a chance to get on a boat before, and you can say decisively that you don’t enjoy the feeling. You like solid ground, a floor that doesn’t rock, and the stability of knowing there isn’t empty water under your feet at any moment. Uma’s ship lilts and turns every few seconds as it crosses the waves, and it leaves you feeling drained of all strength before you’ve even spent ten minutes inside.

You’re not here to complain, though, you’re here to rescue Carlos. You push past your growing nausea and keep peering in doors, searching for the room holding your friend. Before long, you spot it– a locked door at the end of the hall, a flash of white hair inside. It’s meant to be guarded by two pirates, but they’ve obviously grown bored of their post and settled in for a game of cards a few paces away. Perfect. You cause a small distraction by knocking a can to the ground down the hall, and hurriedly pick the lock while they go rushing off in the opposite direction. 

You swing yourself inside the cell and shut the door again just before they look back. Grinning, you allow yourself one moment of quiet victory before you’re engulfed in a rush of red and black and white.

Instantly, your body is on high alert, but you manage to calm down when you realize you’re not being attacked by a pirate but one of Carlos’ fierce hugs. He pulls back a second later, beaming ear to ear. “Y/N! What are you doing here? How did you find me?”

You laugh quietly. “You can thank Mal for that, she dropped everything to come rescue you once we found out you’d been kidnapped.”

Carlos punches the air triumphantly. “Perfect! Let’s get out of here. Pirates stink.”

You shake your head. “It’s not that simple, unfortunately. We have to wait an hour or so for Uma’s ship to pass by land. That way, we can escape onto the peninsula without trying to sail back or she’d catch us.”

Carlos’ face falls. “You’re telling me I have to stay in this rat��s nest even longer?”

You frown sympathetically. “I know, trust me, but we have no choice. She’d catch us if we tried to just sail away. And believe me, I’d like nothing more than to get out of here. I hate this ship.”

As if proving your point, the ship hits a sudden burst of waves and you nearly lose your balance and your dinner along with it. Carlos catches you before you fall, hurriedly bringing you over to a small, hard looking couch along the side of the cell. 

“Hey, easy there. Don’t go getting sick on my watch. You can lie down and try to regain your spirits while we wait for Mal, alright?” He says.

You close your eyes gratefully. “Thanks, Carlos.”

He giggles. “No problem. Although I can’t believe you feel this bad already, we’re not even out of the bay. This ship isn’t in the open ocean, how are you seasick? The water is practically dead still.”

“Shut up,” you mutter under your breath, fighting another bout of nausea.

Carlos laughs again, but thankfully remains silent. You have no doubt that he’ll be bringing it up again soon, though, probably to win an argument about which VK is the toughest.

You’d like to clear your good name, of course, but the rocking of the ship silences you again, keeping you absolutely still and silent on the tough couch. Carlos, sensing your obvious discomfort, tries to distract you by talking. He keeps his voice quiet so he doesn’t attract the attention of the guards outside, and the soft lull of his words spilling out into the darkness of your lidded eyes makes you wish for sleep. 

Carlos talks about how surprised he was when he was kidnapped, how glad he was to see you, what he plans on doing after you break him out of here, what he was supposed to be doing when Uma and her pirates took him in the first place. Carlos has always been a good talker, but you’re extra glad for it now.

When he pauses for breath, you laugh quietly and say, “I thought I was supposed to be the one saving you, but it looks like it might be the other way around.”

Eyes still closed, you can tell Carlos is smiling by the soft exhale he lets out. “I’d say freeing me from a pirate ship is a bigger deal than distracting you from seasickness. I’ll still give you this win.”

“That’s awfully generous of you,” you hum.

“Yeah, well, I’m a generous guy,” Carlos tells you. “It’s no problem when it’s you, though. I’d do anything for you.”

When you dare to crack open your eyelids, he looks more serious than you’ve ever seen him. All of a sudden, the breath is low and careful in your lungs not because of the churning waters beneath you, but because of him. Always because of him.

“Carlos,” you begin quietly.

“No,” he says, more determinedly, “I’m serious. I like you, Y/N. I really do. Seasick or not. I’ve liked you for a while, and if I was going to be stuck in a cell in a pirate ship with anyone, I’d want it to be you. You were the best part about the Isle of the Lost and the best part of Auradon. I can go anywhere if you’re with me. You don’t have to feel the same, I just– I thought you should know.”

You sit up carefully. “I do feel the same way.”

Carlos’ mouth drops. “Really?”

“Is that so much of a surprise?” You ask, laughing slightly. “I’ve followed you everywhere since we first met. We’re practically inseparable. The only reason I wasn’t kidnapped along with you is because I got distracted by Evie needing help finding a pair of matching shoes. You’re my home too, Carlos. You always have been.”

His smile is brilliant in the darkness. “I couldn’t be happier to hear it. Except maybe when we get off this ship.” He extends a hand to you. “How about we make our escape?”

You take it, letting Carlos pull you up. “I’d like nothing more.”

It feels like your entire life has opened up before you. If it takes a kidnapping, a pirate ship, and terrible storms for the two of you to finally confess your feelings, it might just be worth it after all. You’ve got Carlos, and that’s worth more than all the treasure in the world.

requested by @reinekes-fox, i hope you enjoy!

disney tag list: @blondsauduun, @lovesanimals0000, @mayfieldss, @eclliipsed, @faerieroyal, @goldfish4403

all tags list: @wordsarelife

[astralnymphh]

patterned palmistry ⋆ | ellie williams headcanons

༺ ellie x witch!reader headcanons/scenarios ༻ ☽𖤐☾

✧˖ ° 🕯 bright blessings!

an: being the witchy little gremlin i am i just had to throw some hcs together for myself but ofc i'd share them here🙄ive been practicing witchcraft since i was 15 so it felt fitting to incorporate it whenever i brace my delusions at the bootycrack of midnight that r all abt ellie 💀 regardless this def isnt gonna be my only witchy hcs post i just didnt wanna spoil all my ideas right away <3 tags: MDNI, slight nsfw (no detailed smut), boob jokes, witchcraft (obv), tarot, palm reading, mostly convos, flirting, not mentioned in the writing but u 2 r alrdy dating, playful bickering, more natural casual writing with some bigger words, no specific religion tied to the practice, generally a fluff piece, lowk cute moments. °________________________⋆༺𓆩☠︎︎𓆪༻⋆__________________________°

I. ☆ ellie definitely had a peak in curiosity the first time you mentioned you immerse yourself in the world of the craft, her ears perked figuratively and were tuned in to learn what that entails. she may not forfeit a nip of skepticism right away but she's more than happy to engross herself in the idea of it. you'd stay up till first light rambling on about the 'rituals', 'divination', the history tied to it and why you practice it. you'd be lying in bed adjacent to her, heavenward to the ceiling, but interwoven in a warm and loving cuddle with her palm residing on your lap whilst you chatted.

"mmmmh-" ellie's hum churns 'round your bedroom, "so that's why you collect rocks."

"crystals."

"same thing," she drones an inwardly giggle, "which crystal will give me superpowers?" a witty remark springs from her tongue.

"babe.." you pout, acting offended yet none is taken.

"didn't mean it like that, y'know I believe you, it's all just new to me." ellie tapes an assuring kiss to your temple, "tell me about your favorite crystals, hmm?" 

⋆༺𓆩☠︎︎𓆪༻⋆

II. ☆ now because of this, anytime you're out on patrol and delight the opportunity of scavenging, she always keeps in mind to find you flowers, rocks, unused candles and other oddities of nature.

"hey babe! I found a black candle for'ya." ellie bolstered a long glass cylinder filled with an opaque charcoal wax, wick still intact, "and- ..some wild lavender." her other arm swings from behind her back, twines of dusty purple lavender upheld in a pinch.

"fuck yeah, needed this stuff.." you graciously tweak the lavender from her, whiffing up its poignant scent.

"always on the lookout.." her voice resembles her proud countenance outwards, essentially, a dorky smirk.

⋆༺𓆩☠︎︎𓆪༻⋆

III. ☆ obviously, the second you mentioned the art of tarot to her, she begged for a reading. whenever a card flew from your shuffling motions, she'd patiently wait for you to place it before her and then she'd swipe it up and admire the art piece detailing the cardstock.

"whew! look at the boobs on this one!" 

"oh- my god, of course you'd point that out." you snatch the card from her, shamelessly ogling the nude depiction that had her attention.

"you're looking at them too!"

"cuz' you said something 'bout it!" you flick the card towards her face, noting, "those are some nice boobs though." 

"why thank you~" 

"wasn't talking about you, idiot!" 

"eh, but.. urs' are the best." her hoarse tone binds a nonchalant flirtiness in its rumble.

"oh really? should we compare the.. four?"

that really stole her attention.

⋆༺𓆩☠︎︎𓆪༻⋆

IV. ☆ the first time you entertained her with a palm reading, it had her all dappy and touched to the essence at the paltry contact you made with her hand. your fingerprints drafting her calloused palms with such a gentle focus on every river lining her hand. she just wanted to smother you with kisses.

"and… this is your heart line." your finger hovers the crevice of her palm-pads stretching from index to pinkie, "ah.. it's a broken one.."

"is that.. bad?" her juniper eyes study your expression meticulously.

"it just means u're closed off, stubborn, have some emotional trauma.. stuff like that." you mindlessly fiddle with her fingers, "lines can change though, so.."

she nods, taking in the insight. she licks her slightly chapped lips clean, "am I stubborn?" her voice rises partially an octave, bending playfulness in her question.

"mm.. no."

"why'd you hesitate?"

"well- the only times ur' stubborn is refusing to let go whenever you hug me- ur' a life-size sloth!" 

"I like huggin' you though." a puppy pout frowns on her lips, "you're like a pillow!"

and oh, how your heart capers a beat, "is that all I am, williams?"

her swift speech conjuncts, "whaddid' I say about that name?!"

"I don't know, I think you like it." 

"nuh-uh I don't!"

you pepper a haste kiss to her knuckles still forcepped in your clasp, totally deterring the crime you've just committed when a half impish half taken aback smile creaks her lips.

"c'mere." vaults from her tongue before she lunges her body forward and tackles you in a saucy position riddled with love bites. guess you'll be reading her palms in a different way tonight.

⋆༺𓆩☠︎︎𓆪༻⋆ V. ☆ an bonus hc, you'd totally mention out of the void about her tattoo n the mystic meanings surrounding moths, like, its for sure one of the topics you'll ramble about one night cause you just feel so wise for knowing. "y'know, moths play a pretty large role in the metaphysical world." "really? i mean, i knew they had some kind of.. 'symbolism' to them-" ellie's hand rolls over the knoll of her forearm, reading the bumps glamoured in that beautiful inking. "yeah, like- luna moths represent transformation, renewal.. oh! and death-head moths are an omen of death.. an- and black witch moths mean either good luck, or bad-" ellie is amused at your prattle shown by her raspy giggles, legitimately having to conceal her scrunched face. "what?" "nothin' you- you're just so cute." "stop.." the embarrassment catches up to you, now having to hide your face to the shadows beneath your hands. her finger cranes out to hook and uncover your nerdy grin, assuring, "never stop tellin' me bout this stuff, ok babe?" a wide delighted beam syncs on her cheeks. goddess above, her dimples and nasal lines are to die for. ⋆༺𓆩☠︎︎𓆪༻⋆

𖤐

in general; she's a curious dork n will ask you oh so many questions, i mean, she loves space and a futuristic sci-fi comic for crying out loud, she's alrdy so imaginative so ofc she'd be open to a realistic amount. she'd also be so respectful and helpful n defend ur practice with so much love. maybe she'd pick up some little traditions and customs like folding letters a specific amount of times, drawing little pentacles, mixing liquid in specific directions, just the simple things that grow on her.

[kvothe-kingkiller]

I'm not the best writer when it comes to writing convincing essays or whatever, but I'm going to give this a go because it's something that I've thought for a long time that I've never seen anyone really acknowledge unless I bring it up first. (also I am sick and don't really want to do much editing here, just rambles, so good luck)

I think that when most (not all, but most) people get salty about 'modern art', they are not salty about the things people think they are salty about. When they say "this isn't art", theres an important bit that they're not articulating. What I think most of them mean is "this isn't art that should be in a museum." "this isn't art that should cost this much" "this isn't art that should be getting this kind of recognition". And there is a huge difference between that and just saying "this isn't art"

Firstly, all of the arguments about why modern art is in fact art straight up....don't apply. They don't address the problem, they don't answer the question. This isn't really anyone's fault per se, given that it is addressing the literal statement, it's just I think most people aren't actually thinking that literal statement.

So then what do they really mean? Like I said, I think they're trying to articulate why they're frustrated that this art is in a museum when "they could do it". So when you say "okay then, you do it" that doesn't address the core issue, which is "but why is this getting recognition for it, and I would get none" because yes, unless they are famous, they would get Zero recognition for it. Nobody would be lining up to buy their art, no one would ask to put it in a museum. Best place they can hope to have this displayed is a fridge door.

When you look at a piece of fine art, most can see the amount of effort put into it. They see how much training it took to get there, they see how much time it took to put those strokes on that canvas and they can go "yeah, that took skill, that took effort, not everyone can do that. it deserves recognition". And a lot of modern art does take skill, it's just skill that isn't easily noticeable to the average viewer, such as rothko's color fields, they do take a lot of skill and effort, you just can't see it if you don't know. But a lot of modern art that people complain about isn't something that has skill that's not recognized, it just requires very little technical skill at all (not a condemnation, btw).

When you're talking about something 'anyone can do' that piece's value is often not a recognition of skill, or even of the message, it's a recognition of a name. It's similar to having a gucci bag because it's a gucci bag, not because you care remotely about the bag. Yes, art isn't displayed because of how much effort went into it, but it's a huge industry that many many people are making money through from sheer name recognition alone.

Like that one painting of that one artist's (I forget which artist and my cursory google isnt finding it, but also its just an example) where it got replicated and sold to a bunch of people for a large amount of money so they could all have something that had a small chance of being a genuine painting by the artist, that's an excellent example of the fact that a lot of the gallery-level art world is Entirely about the name, not about the piece itself. If someone just made that painting but didn't say it could be from the artist, then who cares?

If you go to ringo starr's art website (https://www.ringostarrart.com/) then you can see that some of his work, especially his older work, is of that category of stuff that many people would say "I could do that" to. For instance, these two? 1,400 and 6,000 pounds respectively for a PRINT of these from his website

....okay this one I kinda enjoy.

but still. 2,000 pounds for a print.

All of this is possible because he's ringo fucking starr, he can sell his paintings for whatever he wants. If I tried to sell those for that much, I'd be laughed out of the room. All of it is just clout, it's just how big your name is and how much you can use that as leverage.

This is not to say that other forms of art don't also have this issue, they do, especially with people devaluing creative works so much today. But you could probably get a few commissions if you sell realistic art or do commissions of people's characters, while you Cannot get any money trying to sell stuff like ringos art unless you already have an audience who will buy it.

This does somewhat lead into a discussion of how art curators pick which artists are 'good' somewhat arbitrarily, but that's a whole other post.

Doing art for 'yourself' vs for other people or money is also a whole other post, one which I've actually seen quite a lot on here. But suffice to say if your response to all of this is 'just make art for yourself! Why do you need recognition?' then maybe go find some of those posts. It's not bad to want recognition, and it's not bad to question why that guy is getting much more recognition for the exact same thing you're doing just because he has a bunch of rich friends who are able to host fancy parties and go 'hmm. yes this is good art.' (not that all modern artists had rich friends, but they did almost all get Extremely lucky in some shape or another that led to them now being widely accepted as good artists).

You cannot make a living off modern art unless you're well known, and if you happen to be well known already, you could likely make a living off modern art without having any experience, and that's what a lot of people hate about modern art, even if they don't articulate it. While some would, most wouldn't say "my five year old could do that" to someone's personal piece that they made themselves and hung up in their home, or that their friend made and gave to them. They say that about the pieces bought for thousands of dollars or millions of dollars.

And I don't want people to think that I do hate modern art, I don't (though this is tumblr, so I'm pissing on the poor just by writing this). I don't hate any of the famous modern artists, I don't think modern art isn't art. I do hate the industry that says their art is suddenly worth something just because some rich fuckers somewhere decided they should be, and anything I tried to do in a similar vein, original or not, would be better suited to sit in a coffee shop and continuously marked down and never sold.

So next time you say "so why don't you make it", maybe ask yourself if you would buy it.