#because you dont want it because youre actually sorry you want it because not having it makes you look bad

[shadowsingercassia]

Hiya, bb! 🫶

Vi here! Little fic request (no pressure ❤️)

So basically, it’s a Azriel x Y/N (because we all love Azzy, 🥰) Reader is Nesta’s friend and she asks if she can join the Valkyrie training and Nesta is like “ofc bb” but since they are so far in training, Nesta sets Reader up with Azriel for private training, and Az is like “ok”

But Nesta doesn’t inform our favourite bat-boy that Reader is actually really good at training and ends up kicking Azzy’s butt in their first lesson, and then Az becomes obsessed with her 😍

I’m not making much sense but I’d love to see if you could write it! If anyone can bring this story to life, it’s you 🥰

Love ya Xx ✨🤍

I absolutely love this request (always love my badass readers)!! 🤭❤️

Love you too, Vi!! Thank you for requesting this 💕

Also I'm really sorry for sometimes disappearing for a week or two 😭

So anywayssss

Training Gone... Right? | Azriel x reader

Summary: read message

Warnings: mentions of blood reader being a LITTLE violent while training with Azriel (its not too graphic dont worry!) 😌, cute little obsessed Azriel 😊💕 (also there is a curse word but ignore it) let me know if I missed anything!!

Words: 1.4k!

Little note: 3 povs, (Nesta, Azriel and reader) but mostly it's Az!

☆

Nesta:

Nesta looked up from her book as she saw you entering the library. A determined expression had found its way onto your face. She reached over for her bookmark, closing the book and placing it on the table beside her.

As you approached her, your steps firm and confident, she raised an eyebrow. You stopped in front of her, and your gaze met hers. She couldn't have helped it when her grey eyes softened.

"I want to learn how to fight," you state, your hands clasped behind your back. Nesta's face brike off into a smirk. Clearly, she had been waiting for you to ask her.

Knowing you, and your past, it was logical that you would want to learn how to fight, and honestly, she was eager to train you.

After that, you joined the Valkyries, training with them daily. Nesta, Gwyn, and Emerie all taught you how to fight. The different techniques and fighting styles. Nesta observed you throwing a punch at Emerie, catching her off-guard. She knew you would be almost - if not - better than the rest of the Valkyries in no time. When you were determined, nothing would get in your way.

And Nesta had gotten another thought, late at night, as she read the new novel she borrowed from the library. She would set you up to train with Azriel.

Of course, you had seen Azriel once or twice while visiting Nesta in the House of Wind, but he doesn't know you were training with the Valkyries. Nesta had made sure of that.

The next day in training, she approached you as you ran through the stretches. Sunlight hit your skin, making it look golden. Taking her place close to you, she began stretching as well. "Do you remember Azriel?" She asked, turning her head slightly to look into your face.

She saw you pause for a moment before you answered her. "The shadowsinger, right?" You asked her back, furrowing your eyebrows. Nodding, she answered, "yes, the shadowsinger."

"Right, what about him?" You asked her, confused about why she would bring him up like that. Nesta rarely spoke of the shadowsinger with you. "I was wondering if you would be alright with inviting him to train with us tomorrow," she said nonchalantly, shrugging her shoulders.

"I wouldn't mind it, no," you said, still partially confused, but the anticipation of tomorrow gnawed at you. The door opened, Gwyn striding in, giving both you and Nesta a wave. Smiling, you wave back at her.

Reader (Y/n):

Training was surprisingly light today, and while it usually lasted longer, Nesta had retired early, then Gwyn, and lastly Emerie, leaving you alone. Not that you minded it, Nesta told you she was going to spend the afternoon with her mate, Gwyn saying Clotho needed her help in the library, and then Emerie deciding to spend the rest of the day doing her own things.

However, you wanted to train a bit more, as you always did. Perhaps that was why you had gotten so good, because you stayed about another few hours and practice what you learned that day.

As the sun slowly set behind the Illyrian mountains, the last rays disappearing beneath the horizon, you took a break. Sitting down, you roll back your shoulders, watching the sky shift from the golden hues to a dark blue. A sense of calm washed over you when the stars started appearing like bright flecks against the darkness.

You lost track of time, too deep into your thoughts to come out. Though eventually, you winnowed to your bedroom, taking a quick bath, and laying off to rest.

Azriel:

Strapping his siphons in place, he was about to go train you. Nesta had asked if he could train Y/n, and Azriel couldn't refuse.

As he winnowed to the roof of the House of Wind, he found you alone, getting ready for training. The leather trousers you wore were rolled up to your knees, letting the chill morning breeze kiss the exposed skin.

Azriel had been told by Nesta that you were a new Valkyrie. She just hadn't told him that you had started training with them more than a year ago. Nesta wasn't lying though, you were the newest member of the Valkyries (and the best one in sparring).

His gaze locked with yours, and you gave him a brief smile, which he returned, much to his surprise.

"Quick spar before the others get here?" You suggest, and Azriel nods. Wait, the others? Azriel had been told this was a private training... that's when he noticed one of his shadows, wrapped around your wrist. As his gaze locked there, your own eyes followed, looking at the shadow. You hadn't realized, he noticed as he watched your expression.

Dismissing it, he took his fighting stance, and you quickly did the same. Azriel took in your stance, eyebrows raising as he looked at your near-perfect stance. Maybe you knew a few things about sparring.

He quickly knew that 'a few things' was a lot. You threw punches, most of them hitting their marks on various parts of his body. Azriel could feel the sore spots, knowing they would bruise sooner or later. A groan slipped past his lips as your knee drove itself to his stomach. Stumbling back, he clutched his abdomen, sharp pain shooting through his body.

You didn't falter and that one moment was all it took before you landed a hook to his jaw. His face snapped sideways and he really tried to get himself together. Not even his shadows could predict you.

Suddenly, he was swept off his feet, his back hitting the training mat. The breath was knocked off his lungs and he gasped, struggling to draw air into his lungs. Every coherent thought left his mind but he managed to roll over and scramble to his feet before he could receive another blow.

You dodged most of his jabs, although a few found their targeted spots. Exhausted, that was what Azrisl was. Seemingly, you were exhausted as well, although less than him.

It didn't make sense. Azriel had been training for more than five hundred years and yet you, that have been training for cauldron knows how long, are beating him. He would be having a talk with Nesta after today.

His footwork started to falter slightly, and of course you would notice that too. Taking full advantage of his state, you manage to knock him off his feet again.

"I yield! Cauldron, I yield." He panted, his eyes closing momentarily. Once he opened his eyes again, he was met with the sight of you, hand extended to him.

Azriel froze. Before, he hadn't fully taken you in, but now, you were right in from of him, and Cauldron, you looked ethereal. He had competely forgotten his bleeding nose and the bruises that had started to bloom on his skin as he stared at you.

A thin layer of sweat coated your body, your training leathers clinging to you like a second skin. Strands had fallen free from the simple hairstyle you wore, sticking to your forehead, and falling into your eyes and you pushed them back. His gaze flickered to your parted lips, almost unconsciously, as you drew in heavy breaths. Quickly, he averted his gaze, not wanting to be caught at you, and especially not wanting to be caught staring at your lips.

Realizing he had been dozing off for too long, he grasped your hand in his. Planting his feet onto the ground, you helped pull him up. Finally standing back on his feet, his thoughts replayed Nesta's words. She's the newest Valkyrie. Mhm, he's noticed that, he thought, slightly annoyed at Nesta. Who could have thought the newest Valkyrie would be that good?

Even Nesta couldn't beat him, neither Gwyn or Emerie, and yet this woman had handed his ass to him today.

And he found himself stunned.

And perhaps a little obsessed... but he wouldn't admit that to himself.

Nobody came and as you and Azriel waited, he finally spoke. "Do you think the others will come?"

"No," you reply. After a beat of silence, you speak again. "I'll go find Nesta," you say as you walk towards the door.

"You're a worthy opponent, shadowsinger." The door closed behind you and Azriel was at a loss of words, a flush tinging his cheeks. Get it together, Az, he thought, but the image of you refused to leave his mind.

Obsessed indeed.

-------------------------☆-------------------------

a/n: I had so much fun writing this, I was giggling the whole time! Again thank you so much @anarchiii for this request! I hope you like it, because I adjusted it slightly 💓

general taglist: @blessthepizzaman @amara-moonlight @homeslices @flourishandblotts-inc @anarchiii

comment '💕' to be added to my general taglist!

Love, Cassia ❤️

[dreemurr-skelememer]

Hello :D

I have been following you for the last year or so (a few days after I got my Tumblr lmao) and I absolutely love your art!

I have been wanting to study your art style for a while but don't really know where to start,,,

Could you please show me a small portion of your art process, if it isn't too much trouble of course. Thank you and have a nice day!

hello. oh my god. this took forever to find. im sorry it took 2 WHOLE FUCKING MONTHS for me to respond to this but i wanted to put it off until i felt happy with my art process again, so here it is

my fall 2024 rendering tutorial! (this will be very very long)

FLATS AND WHATEVER YOU WANNA DO WITH LINES GIRL. then make sure to recolor the lineart to better match your base. trust me it helps, bold dark lines are Not your best friend when rendering. wait for that post-rendering

i start off with a doodle or a sketch, and then filling it in with flats and other details such as blush

FIGURE OUT YOUR LIGHT SOURCE. FIGURE IT OUT GIRL YOU CAN DO IT you can make it as simple as possible, make it as big as possible, dont even THINK about the details.........just make it really fucking big so you at least know where the shadows and the light goes THEN add smaller shading details LISTEN TO ME. LISTEN TO ME OKAY!!!!!!!!

my key point with this is for you to learn lighting fundamentals. it's SOOO ANNOYING but alas......they are all correct. it helps a lot.

one thing i also really want to point out is that i like creating a big shadow shape first before fixing up the little details (such as folds and whatever) because it helps me focus on the way the lighting actually works instead of tunnel vision-ing into making the shading make sense on the clothing.

contact shadows (i dont remember if thats what theyre called okay) theyre fucking ugly because im not actually thinking sorry 💔

okay so basically: contact shadows (if that's what they're called) are the spots in shading and lighting where light will NEVER hit.

shadows are still influenced by the colors and lights around it (it's why a blue shadow and a yellow shadow feel completely different, despite both being shadows) so it's not always COMPLETELY dark. BUT! there are small points in shadows where light never hits, and they're almost always super dark or pitch black.

it's hard to explain shadow and light so briefly for a tutorial, but you'll notice it when watching fundamental studies and when trying it out for yourself

YES i unclipped the multiply layer YES its ugly and terrifying but it makes coloring the multiply layer easier okay the colors merged w multiply so now it looks cool and has depth overlaying colors that actually make sense

so basically what i did was color the multiply layer that i used to shade the overall drawing

adding a band of red/orange/yellow around where the light hits, and blue where the shadows get big and wide, gives it a fake ambient occlusion effect in the way that a person would get if they stood under the sun with a clear blue sky

the colors don't have to make sense, especially because i never draw backgrounds, but coloring the shadows really help it give a sense of depth and extra subtle detail and effect that just helps make the painting look nicer

around the end, i also put in colors (in an overlay layer with a low opacity brush) that actually make sense in context of the drawing, which is the lit cigarette and the yellow eyelights mostly because none of the colors were making sense and i needed to actually make use of the lighting that DOES exist in the drawing lol

adding a muddy golden yellow pin light layer (opacity turned down to like 40-50%) to make the light colors less ugly lol

i SWEAR by the fucking pin light layer style. it's so useful and so so underrated.

i used an almost brown-ish gold color on stop of all the layers, and with the pin light layer, it helped make the bright (almost blue-ish) white colors more warm and more yellow. it just helps make things more warm (something i prefer)

i could probably show what it looks like without adjusting the layer opacity to truly show off what i mean (like in the coming section) but i sadly forgot to do that lol

make a layer on top of your drawing with this color in these ranges YES the drawing is fully merged NO don't be afraid, the base was fucking ugly anyway 💔 make this layer into an exclude/exclusion layer style TRUST turn down your exclusion layer opacity from a range of 10% to 40% literally until you're happy with the contrast and the way the color over the drawing. use your eyeballs. i know you can do it im so proud of you

this is pretty self-explanatory instruction-wise, so i'll go into why i do this instead

i really like art that seems like it has low contrast, with almost mid-gray shading and lines. i don't personally use dark and bold lines and shading, unless i find it necessary for the tone of the piece, so using this method helps lower the contrast of the art and make it look "pleasantly muddy" in the way that it's easier and softer on the eyes.

the inverted blue color also helps makes things warmer! the exclusion layer style is still a bit of a mystery to me but i really like the effect it gives, even if i don't completely get how it works lol

if you want an alternative method to this, and if you have access to it (because i primarily use sai and sai only), i absolutely encourage you to play around and experiment with gradient maps. there are so many out there you can make yourself or even get from others that just give the painting an extra amount of depth and color variation. they're SO fun.

personally, if sai2 gets a gradient map update, it's over for y'all it will literally be so over no one will be able to stop me

then i merged everything and actually adjusted the contrast back up because it was looking too muddy for me 💔 but the color adjustments are still there so all hope is not lost here's a comparison of the adjusted contrast in black and white (adjusted on the left) (newly merged layer without adjusting the contrast on the right)

as you can see, i actually turned the contrast back up (despite talking all about how i liked things with less contrast lol)

i wanted to demonstrate that doing adjustments should be done in moderation, and is why i adjust layer opacity often when making color effects you are free to play around with colors to help your style, but don't lose your initial idea and colors along the way. you still need to trust your own colors and intuition!

along with that, i just want to say that it's completely okay to change your mind mid-painting, and it's okay to make somewhat drastic changes. don't be afraid to change things you don't like or change your mind about certain aspects way later on that's basically the whole thing of this!!! don't be scared!!!

now im gonna hold your hand when i say this..........but you need to learn how to render by yourself. it seems like i can teach you but i literally can't, because rendering is different on every piece and depending on how clean your base is. i have to render A LOT because of how fucking ugly my sketches are LMAO to simplify it, think of it as obsessively cleaning up every detail you can see, but with a color picker and a clean, hard edged brush. if you have shit lineart, you don't have to redraw it cleanly over and over, just paint over it. that's basically what rendering is

THIS especially is where you need to be brave and stop being scared. like i said, i can't teach you how to render, and it's something you have to discover yourself because rendering is something that will always be personal to every single piece you make. the way you render on every piece is different. on one piece, you will barely need to render, and on another, rendering is more than half of your ENTIRE process.

don't be afraid to paint over your old art. rendering is a process that's both very perfectionist yet also very careless. find your balance and just go for it.

and then that's it……..u did it………..now yuo know how to paint and render. it's literally just layering shading and lighting knowledge until you think it makes sense and looks okay lol additional note: since i render in only one layer (you don't HAVE to do this, but it'll be harder for you…), i also made slight adjustments with the transform (and liquify, if you have it) tool to make things more proportionate. (i drew the head too big lol)

if you compare the finished piece to the final unrendered base, you can see that a LOT changed, including a bit of subtle proportion adjustment. particularly, the sleeves changed A LOT (because i really didn't like them) but it's also over all cleaner and more coherent, instead of having haphazard colors and shading just thrown about.

rendering is when you finally use all 100% of your brain to finalize and figure out where the shading should go, where to clean up your lines, where to ERASE or ADD BACK in lines, and make sure all your colors look coherent.

it's not as intimidating as it seems, i only use a hard edged brush with a little bit of color mixing and my color picker. it's like dragging and dropping colors to cover up mistakes, it's really quite fun when you get used to it i wish i could explain it clearer but it's hard to describe without visuals!

i hope this helped, and i hope all my yapping isn't annoying (art as a special interest beloved)

have fun studying and trying to render in my art style!

[moniquill]

Saving this because the thread is probably going to be deleted. Mild rearranging done to show the actual flow of conversation rather than tumblr's befuckened threading

The players are @balearicbitch , @ollieoneill, and myself - @moniquill

On the question of 'Should I donate to ao3'

balearicbitch: no also stop reading fanfics and grow up

moniquill: I'm sorry that your life is so lacking in joy.

balearicbitch: it isnt tho i just read normal books instead

moniquill: "other people are reading and enjoying independently published fiction and I have very strong opinions about that, driving me to declare those people immature" is some seriously joyless behavior. Are you ok?

ollieoneill: People can do both. You’re really gross and the one who needs to grow up.

ollieoneill: Lol they are definitely not okay. I want to feel bad for people like @balearicbitch but they’re so hateful and pathetic all I can do is shake my head

balearicbitch: i dont know what to tell you but if youre older than 16 and still play pretend with fictional characters try to have experiences in the real world?!

ollieoneill: Babe I’m a married 36yo and travel the world pretty much constantly and have a wonderful, full life. I also read fan fiction. You seriously need to grow up and get a life and stop telling other people how to enjoy theirs you utterly pathetic gremlin.

moniquill: I'm 41, I play pretend with fictional characters, and I've won a Nebula and a Hugo about it. Who do you think authors the 'normal books'?

balearicbitch: "other people are reading and enjoying independently published fiction" when the fiction in question is just creating scenarios based on other people work to fulfill your need of Media Consumer

balearicbitch: looks like anyone is getting awarded these days ¯\_(ツ)_/¯

moniquill: You're the one who wanted to make a delineation between fanfiction and Normal Books.

balearicbitch: and i still stand by it. fanfiction isn't literature nor should be treated like it.

moniquill: Ok. I hear you. You're objectively incorrect, and welcome to be wrong in your wrongness. I'd say 'have fun with that' but it's clear that you're not having fun and that you don't want anyone else to have fun either. It must be a miserable way to exist, and I sincerely hope that you're able to move past it someday.

balearicbitch: have fun with your little blorbos, im sure what the literary world needs right now is another ali hazelwood

[moeblob]

Impulsively shoving a guy's hand in your mouth after having the thought "oh just like when my little sister used to prick herself on a rose thorn" and then immediately being treated like a pet who ate something they shouldn't have? Wonderful. Thank you, Thane.

(also not pictured is Thane apparently trying to scrape your tongue with his hand BEFORE pouring the holy water down your throat because NO. BAD.)

[aroaceleovaldez]

they cast a 28 year old for Tyson 💀

[relevant rants: here and here]

yeah, i saw - i wasn't holding onto hope of them casting a disabled actor for Tyson (still disappointed, just not surprised) but casting a 28 year old for a middle schooler is really out of left field. It's just an odd choice? Particularly given how much they've been emphasizing age-accurate casting so far.

It makes me really wonder what major rewrites they have planned for Tyson's character. Because as things stand currently there's no way to make Tyson's existing character work with this casting. Tyson is supposed to be in Percy's grade, but Daniel Diemer sticks out like a sore thumb against the child actors. Tyson being in Percy's grade is pretty important for the entire arc of Sea of Monsters with the main character arc being Percy combating internalized ableism and establishing him as a character who stands up for other marginalized kids. If they remove that, what's Percy's arc going to be for that entire season? At what point are they going to establish that about his character? Or are they just going to exposition it at us like usual with nothing backing it up and no actual character progression? And in later seasons the age gap is only going to be more prominent - like how is Tyson going to work in BoTL or TLO? Are they planning on removing his character entirely for those scenes? Are they going to remove him as a recurring character in general? It'd be really weird if they killed him off or something.

I'm also afraid for if they do try to keep Tyson's disability coding in some form - cause there's kind of no good way it can go at this point. Either they completely erase Tyson's coding because they cast an abled actor for him and that messes up the entire arc of the book and his character particularly in relation to Percy, or they have an abled actor attempt to portray a character heavily coded as having down syndrome (and i believe they're already doing similar with iirc Chiron's actor is abled but they're doubling-down in the show on Chiron being disabled) and given how they've written the neurodivergence themes (or absence there of) in the show so far there's just no way that'd end well. Like, Tyson's characterization is a little questionable to begin with in the books, but given the show's writing so far it just feels like we're very rapidly ramping up for an extremely ableist characterization of Tyson. Like i'm sure Daniel Diemer is a great actor, but... i'm just getting real tired of the show erasing the entire premise of the series :T

anyways as per my initial post about pjo tv tyson casting theories i guess it's time for me to start tearing stuff apart with my teeth ¯\_(ツ)_/¯

[plulp]

hey guys. remy design

[valtsv]

okay fine i'll read homestuck. whatever. i've cracked i can't take it anymore i need to fuck around and find out.

[arom-antix]

So.

That new Gearous Yuuri birthday art, huh?

[beybuniki]

one thing i noticed (form personal experience and by observing other artists) is that the longer you draw and create, the more boring it gets to simply replicate references, especially when it comes to characers' fashion choices.

with bnha, i keep mine pretty simple and basic because teens ARE very trend-loyal, but mainly im just lazy lol, but when i AM motivated, i love to think about characters' personal style, what could influence them, but also more trivial things such as budget into account, which is why i love to draw Deku in basic tees or clothes provided by his school (while bakugo gets to wear ed hardy and shoto wears arcteryx). i also love to limit the items like its just more realistic to me when someone as ordinary as deku wears the same 5 crewnecks all the time

which brings me to my actual point, namely that the more frequently you draw, the more you learn to do research andto combine your findings into sth new rather than staying faithful to one reference, and i think that's what makes good art so good, being able to draw inspiratioin from all kinds of niches and creating something that feels very authentic and suspends the spectator's disbelief. sometimes i see art and i know exactly which fashion editorial or which kpop idol was referenced, and I'm not insinuating these are bad things i do that too (less frequently now but i sure did!), my point is it's kind of nice to see how ALL artist start out with rather derivative art but eventually move on to create more authentic art that is less about drawing beautiful and perfect people and more about trying to individualize them and that ALSO means giving them weird clothes, scars, asymmetric eyes, a receding hairline etc. like drawing the same beautiful character 200 times gets so boring and it's just more fun to try and make them a bit more human

[lollytea]

I'm never shutting up about this

[ashmp3]

i was hanging out with friends/acquaintances and we were talking about jobs and being in the spotlight because of it etc and i said how i would love to teach and one of the guys said "oh if you did your students would 100% make ai porn of you" and everyone was just silent for few seconds like how was that the FIRST thing that came to your mind what the actual fuck

[conanssummerchild]

me and my dad are like abed and jeff in the way that jeff always gets abeds references, theyre two characters that mirror eachother, they understand and relate to eachother in a way thats different from other characters relationships, but also in the way jeff fantasises about strangling abed, "you try to get him to do something normal without abusing him!", "youre a robot, abed". and still jeff goes in for two hugs before abed leaves.

[faaun]

procrastination is starting to have its consequences finally

[solei-eclipse]

okay. hello guys. my bad for not responding to stuff or being as active recently, had a lot of work to be done and other stuff to focus on that took a lot of my time. I wanted to make more art, but I unfortunately had to put that energy into other things (which got to the point where I could not put them off any longer and had to stay working on it). I know I missed a lot of stuff and I'm sorry for it

[autisticlee]

"good people are out there you just need to get out and find them"

cool thanks. but i'm too tired to keep ~going out and looking for them~ i'm too tired to keep trying, using up all my energy, getting super overwhelmed and burnt out after just a couple weeks of trying as hard as I can, met with other people barely trying back or not being very responsive, and needing to recover from it for a year or more each time because it overwhelms and burns me out so bad. I get nowhere no matter how hard I try, all i get is uselesss advice from people i try to befriend who dont want the responsibility of friending me. i'm tired of trying beyond my limits and causing more issues for myself. or dealing with issues I get from meeting the "wrong" people. if the "right" people exist, why can't they find me? why does it have to be only my job? i'm too tired and overwhelmed and burnt out to do it!!!!! the right people will just easily help and be there for me right? so I guess i just have to keep waiting for them for all eternity????? i'm tired of waiting. give me more than "just wait/keep trying/don't give up" because those instructions unclear and my useless attempts are very discouraging and exhausting and i'm so overwhelmed that i'm losing the ability to even socialize at a minimum at all now!!!!

if humans are meant to be social creatures and we require positive interactions with each other to stay healthy, then why do humans ostracize their own? why do some of us struggle so much and are denied any help and instead blamed? why can't I be given advice on how to live a lonely life without anyone else by my side instead of being told "one day! keep trying! you need people because it's essential to being human!" even though i've been waiting for "one day" for 25 years and could wait 25 more, or even longer? I don't know what i'm doing wrong or how to improve it so waiting is all I have. what if I wait forever?

[hayaku14]

kuroba toichi you need to stay dead or im going to fucking kill you myself