Today I learned that my favorite book series is getting a television adaptation with the titular character - Murderbot - being played by Alexander Skarsgård and let me tell you. Never mind, I can’t. I can’t tell you how excited I am.
Just gonna have to wait and see, right? Just wait and see! Just gotta wait and see! Who knows, we'll just have to wait and see! It's anybody's guess, we'll just have to wait and see! The future is exciting, we just gotta wait and see!
something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
you know those hand signals tyler does during the line "300 tracks in my Adidas track jacket"?
i, like probably everyone else, assumed that was him signing 3-0-0 with his hands.
but no. he's signing F-0-0.
consider the ASL signs for F vs 3:
yeah, he's definitely signing F there
so what does F-0-0 mean? well, funny thing about that--you know hexcodes? those 6 digit codes that indicate a specific colour? well, there are also three digit codes as well, where you basically double each number to get the full 6 digit code. wanna guess what #F00 is?
yup, that's pure red babey!!
and, better yet, wanna know what its complementary colour is?
why it's pure cyan of course!!! y'know, like the whole __cla_im00FFFF.jpg = CLAIM CYAN = I AM CLANCY thing.
Don't you hate it when your reflection tries to murder you.
Anyway here's an animation I spent the day doing, it's Millport Neil and his Guilt :)
Also thank you so much for all the replies for the animatic! It means so much!! Tbh I would draw and animate more but each time I do so I gotta catch on the school work and I'm getting behind already.. But yeah today I was like meh what's work anyway.
do people really just wanna be fans of the hunger games and not mention palestine at all? like honestly? do you really wanna just support fictional uprisings and fighting back against fictional oppression but don't actually give a shit about it in real life? did y'all genuinely learn and internalize nothing from this series????
Griffin seems to have a fundamental misunderstanding of his extremely punk and queer and cryptid audience, for whom “decay exists as an extant form of life” is a foundational statement of belief.