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[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[cordeliawhohung]

(Soft Spot - Everything You Touch Unedited Peek)

i feel a little like a failure with my writing lately but i'm at 4.6k words for the next part of soft spot now. how angry would you guys be if it hit close to 8k words because i think that's what we're working towards...

anyway, to make up for my... idk shit with writing lately, here's a(n unedited) peek into the next part for anyone who's interested.

Bitterly cold sand stung the palm of your hands as you looked away from that infuriating man. The ocean’s waves still crashed on the shore next to you, and you listened as the seagulls conversed on the rocks. Everything around you was perfect except that you were on the ground, knees in the sand, and Simon was not there to pick you up.

there's so many other bits i want to post but i'm forcing myself to save it for the actual release so enjoy for now i suppose

[laviejaguardia]

Update!!!

[coffeeandcalligraphy]

almost at 3k for the day <3 how silly of me <3

[acesammy]

you know what? i am proud of myself.. i’ve been going through a bit of a depresh this week, but i’ve still dragged my ass to work, i’ve still run every day, i’ve still drawn every day AND i started reading an honest to god book for the first time in wayyyy too long

[guarshroom]

TLDR at the bottom

Hot take: The Scorch Shot is an interesting weapon that is more than a long range fire starter IF the user has good aim and an understanding of how to utilize its knockback effect

What I mean by this is if you observe how the knockback works with it, you will notice that more often than not if you directly hit an enemy with the scorch shot it will cause the target to pop up a few feet rather than knock the enemy backwards. Not to say the latter doesn't happen but more often than not the former is the case.

This has a few inherent benefits, the first and most important of which is that it severely messes with the aim of the victim ESPECIALLY SNIPERS. My theory is that the Scorch Shot is originally meant to be Pyro's answer to everyone's favorite infinite range point and click adventure hence the Darwin's Danger shield which does nothing but act as a hard counter to Pyro.

In fact, this mechanic can often be used to help Pyro deal with most classes that use hit scan/non-projectile weapons as those classes tend to require good tracking and meat shots to be effective. This allows Pyros to have a chance against something like Heavy, if not to kill the heavy but to buy time to run away as the Scorch shot will hold the enemy in place for a split second for pyro to either air blast them away or get around cover.

Going from that another, often less utilized, aspect of it is that it sets the target up to be finished off by another teammate which goes under utilized because in pub servers the person to person co-ordination is often hard to pull off for one reason or another. I've wittnessed this first hand by popping up an enemy soldier and my brother then deletes him with a donk.

In some niche cases it can even be used to flare jump. Yes it does have significantly less force than the detonator but it can be used to jump gaps that are slightly too long for Pyro to jump normally and even bypass some things that require multiple crouch jumls to clear.

Now, this isn't to say that most people out there don't use it as a means to be obnoxious and use it to build Mmmph on the Phlog (even I find that combo annoying and I Main Pyro). What I am saying is that the Scorch Shot is a weapon with a very low skill floor that has a decent skill cieling thst makes it even more obnoxious when properly utilized. It is a weapon that, with used well, gives Pyro the ability to approach from the front when they are a short range class with few good mobility options and generally most of the classes have better burst damage output than them.

Hell, I would say most classes have an obnoxious weapon that fit under the category of 'weapon that is used obnoxiously but can have some nuance to it'. Soldier's Beggar's Bazooka (Rockets go BRRRRRRR), Demoman's Stickies (sticky spamming), Engie's Sentries (especially the mini sentries!), and Spy's Deadringer (aka Spy's Get Out of Jail Free Card).

My point being I understand that the Scorch Shot can be an annoying POS when dealing with a Pyro that spams it all the time without even trying to aim and just lighting everyone on fire, but it can also be super cool weapon to use when you aren't soley aiming for Frags.

TLDR; Pyro TF2's Scorch Shot weapon is designed to be an anti-sniper/utility weapon that most people have reduced to being an obnxious fire starter that just used to annoy people

[kangaracha]

lyre lyre is so good i'm not even going to pretend i didn't pop off with this fic. i'm so. like idk what i'm doing but i'm seriously vibing with this silly little thing

[seospicybin]

THE FUCKBOY NEXT DOOR.

PART I

Bangchan x reader. (s,a)

Chapters: Part II

Synopsis: Having issues to break up with your boyfriend, you seek help from the boy next door and the number one fuckboy in the area, Chan. (10k words)

Author's note: I went through a nasty break up a few weeks ago and this is basically just me trying to cope by being delulu about having a fuckboy Chan as a neighbor. Enjoy x

It becomes a habit now that Chan doesn't know where he is when he wakes up in the morning.

The first thing that he'll do is retrace everything to last night. He was DJ-ing at a club, had a few drinks in between, met a girl who was eyeing him the whole night, had a few more drinks, there was a little touching and a quick makeout session in the dark alley and people can guess what happens after that

So this is where he is right now, the girl's bedroom and he can recall everything that happened last night except the girl's name.

"Fuck!" Chan mutters under his breath.

Judging from how bright the sun is outside, he knows he only has a little window to make his escape so he quickly gets off the bed as calmly as possible. He then tiptoes around to gather his clothes and put them on without making any noise.

However, he fails at it as the head from his belt hits the bed frame and the clanging of metal meets metal echoing in the room.

The girl steers on her sleep and rolls over to the side, she brushes her hair away from her face, catching Chan putting his belt on.

The plan to make a quick getaway has come to a failure but he keeps his cool, continuing to buckle his belt and then plants his hands on each side of his waist.

"Morning," He awkwardly says with a forced smile.

"Morning," the girl replies with a smile then props an elbow against the mattress, sending the duvet sliding down her body and exposing her bare chest to him.

Chan might have been a little drunk when he met her but damn, his fuckboy radar works well even under the influence of alcohol.

"You're leaving already?" She asks, flipping her hair to the back to expose more of those beautiful mounds to him.

Chan has to tell his pervy brain to focus actively, he looks away and picks up his jacket from the floor.

"I promised a friend to help him move out today," He lies, then pretends to check the time on his phone, "And I'm kind of late."

The girl nods then twirls her hair around her finger, "Well then... when can I see you again?"

"I hope soon," Chan says with his charming grin that disguises the insincerity in his answer.

The girl smiles at that which confirms that the grin works, "But seriously, I can't wait to see you again," she says.

"I'll call you," he says because that's what he can promise her at the moment but whether he'll do it or not is uncertain.

"But you don't have my numbers yet," she says with her eyebrows wrinkled in suspicion.

"No, I'm sure you already did," he says, convincing her by scrolling the contacts on his phone.

"Yup. I have your numbers already," he lies again, showing her a random contact on his phone for a quick second.

"But my name is Thalia," she says, cleverly catching the name on the contact.

"Yes, of course, you're Thalia," he says with utmost confidence and his ultimate weapon of a dimpled smile.

The girl seems alarmed though. She sits up on the bed and clutches the duvet close to her chest, "We're going to see each other again, right Chris?"

"Yes," he answers without a beat, and at this point, lying is as easy as breathing to him.

"Can I get a kiss before you leave?"

"Sure," he says, coming around the bed to give her a quick peck on the lips.

The girl smiles when he lets go and watches as he walks to the doorway, "I'll call you, Tanya."

"It's Thalia," she corrects him with an apparent displeasure on her face.

Chan shoves his phone into the pocket of his jeans and takes the time to properly bid her goodbye. Nothing a girl likes more than a sweet mouth and a little assurance, he'll give her exactly that.

"I'll see you soon, Thalia," Chan says with a smile.

"See you soon, Chris," and the girl naively believes him, if only she knew that this will be the last time they're seeing each other.

Yet again, Chan makes another successful getaway.

-

The warm weather of spring makes it a pleasant walk from the bus stop to his apartment building. He wants to stop somewhere for breakfast but his head feels heavy from the hangover, he just wants to go home as soon as possible, have a bowl of cereal then take an aspirin for the pounding headache.

In the lobby, he makes a quick stop to collect his mail and takes a quick check at it, sorting them out on the spot so he knows which ones he should bring upstairs.

From the corner of his eyes, Chan catches his neighbor, you with your boyfriend chatting by the elevator. He notices the gestures, the expression, and the whole interaction, it doesn't take a genius to know that something is going on there that the naked eyes can't see.

Chan throws the unnecessary mail into the trash bin nearby and walks to the elevator, hearing the little conversation going on between you and your boyfriend.

"...the waffles were delicious. We should have breakfast there again," the boyfriend says as he looks at you, "What do you think?"

"Yeah," you meekly answer while looking at the little screen that shows the floor the elevator is stopping in.

Chan tries to remain invisible but his eyes accidentally make contact with your boyfriend so he may as well make his presence known.

"Hi, neighbor," he greets, he knows your name but you seem to prefer to be called that way.

You do what you always do whenever you meet each other in the building, give him a quick judging look and a courteous smile.

"And hi neighbor's boyfriend," he greets your boyfriend next.

"Hi," your boyfriend greets back, "Chris, isn't it?"

"Yes and you are Lee," Chan responds.

"Right. So how was your Friday night?" Lee initiates a small talk.

"I believe it wasn't as good as yours," Chan playfully answers.

"Oh, we just stayed in and watched a movie, right baby?" Lee says, putting his arm around your shoulder.

All of a sudden, you take a step forward and say, "It's here."

The elevator doesn't chime until a moment later but you seem to be more than eager to get in. You turn around to give your boyfriend a quick hug.

"I'll try to leave early so we can have dinner together," Lee says with a quick kiss on the cheek.

"It's okay. Take your time," you say with a faint smile.

Chan quietly gets into the elevator and holds the door open for you, he tries not to look at what's happening in front of him not out of politeness but it's just painful to watch.

"I'll call you," Lee adds, catching your hand as you enter the elevator and kissing it.

"Okay," you say then wave your hand at him.

To help you get out of it, Chan releases his finger off the buttons and sends the doors sliding shut.

"Bye, baby," Lee says for the last time before the doors completely close.

It's just another awkward elevator ride with you and he'll usually try to endure it but after watching all that and trying not to say anything is hard, he can't help but impose.

He glances at you to check whether you're ready to hear about what he has to say but you always have the same stoic expression. Then it occurs to him that he has never seen you smile impolitely or out of joy, or even hear your laugh, but maybe after you hear what he's about to say, he'll get to see a different facial expression on you.

"Oh, man! That was painful to watch," he sighs as he keeps looking straight ahead at his reflection in the shiny furnace of the elevator.

There's no one else in the elevator so you're fully aware that he's talking to you but you don't respond until a while later.

There you go, with your judging look and stoic expression, looking at him as you say, "Excuse me?"

Chan doesn't want to sound rude but beating around the bush isn't his thing, he prefers to be straightforward. He knows it's all based on assumptions but he's pretty sure his judgements are pretty accurate.

He's going to just do it and lay out the facts, he turns to the side, then leans his back against the cold surface of the elevator.

"Your shoulder tightens when he called you baby and the fact you lied about the breakfast tells me that you didn't actually like his choice of restaurant," he pauses to let out a cynical chuckle, "the waffles weren't that good, I guess?"

When he wants to see a different facial expression on you, he doesn't mean seeing your angry one, but oh well, the damage has been done.

"Because I'm a good girlfriend that's why I let him choose the restaurant," you become defensive all of a sudden but that's an unconvincing answer.

"No, you let him choose out of pity," he simply remarks, "And just now, your nostrils flared when I pointed it out."

With all of these signs combined with his personal experiences, Chan narrows it out to one conclusion. He looks at you in the eyes and says, "You're about to break up with him, don't you?"

It looks like you've been slapped right on the face except that the slap doesn't come from someone, it's from the truth that comes out of Chan's unfiltered mouth and he instantly regrets it for meddling in in someone else's business.

"I'm sorry, but why are we having this conversation?" You ask, crossing your arms together in front of you.

"It's not like you're any better. You slept around, you're scared of commitment and now, sticking your nose at my business. You are the kind of person that I deeply despise!" You angrily say with your chest heaving.

It seems like you're saying all of those things about him out of anger because he sees right through you but now he knows why you always give him that judging look. He's the one who started it so yeah, okay, maybe he deserves that but that doesn't change the truth. The problem is what he said and your response, they're heading in the opposite direction.

"I think someone has her panties in a twist," Chan coyly responds.

"Look, there's nothing wrong with wanting to break up. That doesn't make you a bad person," he adds and decides to end the talk right there.

It gets quiet in this enclosed space and it's already suffocating as it is but how lucky that he has to patiently wait for the elevator to ride through three more floors to get out of here.

When the elevator finally dings open, Chan lets out a breath he doesn't know he's been holding but he's not the one in a hurry to exit both this space and the situation. He stays where he is and lets you out first.

When he thinks you don't have anything else to say, you stop right outside the elevator and look at him with a piercing gaze.

"Don't, for one second, think that you had any effect whatsoever on my panties!" You emphasize every word in anger, then storm off.

Know what? Maybe Chan should skip the bowl of cereal and take two aspirin instead. As for you, maybe you need to chill the fuck out.

-

Just because you've been neighbors with Chan for the past three years doesn't mean that you know each other on a personal level.

All you know about him is that he's a DJ which explains why there's always music playing in his apartment, he always wears a sleeveless top to showcase his muscles, and he always has a stupid grin on to show off the stupid dimples on his stupid face, an annoying Australian accent and from how many times you caught different girls taking a walk of shame out of his apartment, it's safe to say that he's the number one fuckboy in the area

So how dare he say all of that stuff in the elevator when he doesn't know anything about you at all? Moreover, what does a fuckboy like him know about relationships?

It shouldn't be hard to ignore because it's something you usually do but gosh, the memory of the conversation still vexed you a few days later.

Then it hits you that it bothers you so much because deep down, you know what he said is true. You've been wanting to break up with your boyfriend and hearing that comes from someone outside that relationship only solidified that thought.

There's nothing wrong with your boyfriend, Lee is nice, too nice even, and when you think about it, maybe that is the problem, he is too nice and that leads you to another problem, you don't know how to break up with him without hurting his feelings.

But you know who can help you with that? Someone who has a lot of experience in breaking up with people.

Oh, what a joy that you find the answer right across your door!

Before you get to ask for his help though, you're fully aware that there's another thing to do and there's no other way to do it but walk up to his apartment, knock on his door, and apologize.

As you're standing there in front of his apartment door, you're dreading it. All sorts of thoughts crossed your head like why did you have to be so riled up that time in the elevator? Why did you have to say that thing about the panties? Just why? Ugh!

Let's just get it over with, you mutter inside your head.

With hesitant hand, you knock on his door and then hold the urge to turn around and run back to your apartment. You let yourself take a step back as you wait for him to come for the door.

Do not open the door, do not open the door, you chant inside your head while tapping your foot against the floor. However, things are not always going the way you want.

The door swings inward and a second later, Chan appears with disheveled hair and he only has one arm in the sleeve of his t-shirt, then you spot a girl's shoes next to his feet.

Oh no, please don't say you're coming at the wrong time.

You reflexively take another step back but he grabs your forearm and then opens the door wider, showing you that there's a girl there.

"It's my neighbor, she's here to remind me about the tenant meeting," he says to her.

The girl looks at you rather suspiciously and crosses her arms together in front of her as she glares at Chan.

"No. Don't you dare try to get out of this, Chris!"

"But it's true. We have to leave now," Chan says, then gives you a look that tells you to lie along with him, "Right?"

Running a quick assessment of the situation, you're certain that Chan is trying to get himself out of it to avoid having a difficult conversation with the beautiful lady. You hate to be the accessory to his crime but if this means that it would help you earn his forgiveness...

"The pigeons!" You make up a lie on the spot.

"The pigeons are ruining our rooftop garden so we held this urgent tenant meeting," you add with what you hope is a convincing smile.

"Oh, those damn pigeons!" Chan heavily sighs with a phony expression.

The lie makes your throat dry and your cheeks hurt from forcing a smile, you have to keep it going as the lady considers whether to believe that the tenant meeting is true or not.

Chan grabs his jacket from the clothes hook and puts it on, "We'll continue this later, okay?" He says to her.

Without waiting for her answer, he gets out of the door and drags you with him to go to your apartment. Once both of you get inside, he immediately closes the door behind him and lets out a long sigh.

"Oh, wow!" He exclaims once he realizes that he's inside your apartment.

He allows himself further inside and leisurely walks around your apartment, checking your kitchen, trailing his fingers on your book collection on the shelf, and observing the potted plants lining up on the window sill.

He walks back to the middle of the room and takes another 360-degree look around the apartment, then nods in approval.

"So, this is what the inside of your apartment looks like," he says in a cryptic tone.

Not sure if he wants you to respond to that or if should respond at all. You choose to remain silent and only respond when his intentions are intelligible.

Chan then sits on the sofa, making himself comfortable, and looks at you, then at what you're holding in both hands.

"Is that for me?"

The jar of cookies you've been unknowingly holding in your hands is a token of apology and it is for him.

"Yes, it is for you," you say, handing it to him with both hands.

"I'm sorry about the other day," you sincerely apologize, but you know you have to let him know what you're apologizing for, "for what I've said to you. I'm terribly sorry."

"Well, since you're helping me with the uh... situation," he coyly says as he scratches his eyebrow, "consider us even."

See? That wasn't so hard. You feel bad for lying to the girl but at least, you've been forgiven.

"Thank you," you add with a smile.

Chan doesn't say anything else but opens the lid and takes a cookie out of the jar. He gets comfortable on the sofa, sitting slumped with his legs spreading wide, and then he takes a big bite of the cookie.

It doesn't take long for him to notice that you have something else to say to him other than an apology.

Before he gets to it, you force yourself to start speaking.

"So, Chris..." you call, then abruptly stop talking. You suddenly have a second thought about asking for his help.

"What's up?" He asks while chewing on his cookie.

It's at the tip of your tongue but your mouth feels like they're sewn shut. You clasp your hands together and muster up the courage to just blurt it out.

"Do you want something to have with the cookies?"

You swear you plan on asking for his help but somehow, your mouth saying a different thing.

"Milk would be nice," he answers.

"Milk. Yes, I have milk," you awkwardly say, slowly making your way to the kitchen like a walking dead.

You take a carton of milk from the fridge and while pouring it into a glass, you're scolding yourself for being so cowardly.

After taking a moment to take a deep breath and muster up the courage to ask, you walk back to the sofa with the glass of milk in hand. With a smile, you hand it to him.

"Thank you," he says, his eyes catching something in your eyes.

You immediately break the eye contact and take another step back, standing and watching him finish his third cookie then wash it down with a sip of milk.

"I hope you don't mind that I'm going to stay here until the girl leaves my apartment," he informs.

"Oh?" You meekly gasp.

"But I can leave if you're uncomfortable," he says as he sits straight on the sofa.

"No, it's fine," you shortly reply, "Take your time."

"Okay, thanks," he says, reclining back on the sofa and continues munching on the cookies.

You can't decide if he stays longer than you expected is a good thing or not. You use the opportunity to reconsider it and walk to the kitchen to get out of his sight.

"Do you need help or not?" You quietly ask yourself as you pour yourself a glass of water.

Why is it so hard? He's right there. All you need is to go and ask for his help.

The water sloshes out of the glass as you fill it too full and you reflexively back away to avoid getting water all over the front of your dress.

"Everything good there?" Chan asks in a slight panic.

That's it! Enough time has passed from overthinking it! You walk up to him and just do it.

"You're right," you blurt out, "I've been wanting to break up with my boyfriend."

Sensing that it turns serious, Chan slows down his chewing and puts away the cookie jar. You expect the I-told-you-so grin on his face but no, he looks saddened instead.

"Things aren't working out," you openly share with a sad sigh.

You take a seat on the ottoman facing the sofa and sadly sigh, "I've been wanting to break up with him for a week now but I just don't know how."

"How long you've been dating each other?"

"Three years," you answer.

"Wow," Chan lowly gasps in awe.

Three years is not a short time, he understands why you hesitate to break up and it isn't an easy decision either.

"I need your help," you hopelessly say, unintentionally becoming vulnerable in front of him.

"My help?"

"Help me how to break up with him," you further explain.

"Of all people, why me?" He asks in utter confusion.

It's hard to answer that without being rude, you decide to let him process the question until it leads him to the answer. After a while, he lets out a dry chuckle and nods, "Okay, yeah. Make sense."

Chan takes another minute to accept the fact that his help is needed because he knows how to break up with someone without feeling awful about it afterward.

"I guess you want to let him down gently?"

"Yes," you answer.

"Well..." he inflates his cheeks then lets the air out through his pursed lips, "You can break up with him through a text."

Which part of 'let him down gently' did he not understand? How is it a good idea to break up through a text? But okay, it's just one suggestion, you give him the benefit of the doubt for now. Who knows he'll come up with better suggestions.

"I'm sorry. No, I can't do that," you kindly refuse his suggestion.

"You can send it when he's sleeping," he adds.

Oh, God! He gives you an even worse suggestion instead of better ones. You know what? This is a bad idea and you regret asking for his help.

"I don't—" You stop yourself from talking and get up from your seat.

"I'll just check if the lady is still..." Your words trail off as you walk towards the door and check through the peephole first, then you get out of the door to check his apartment next.

"Hello? Excuse me?" You shout from the doorway but no one is answering you.

You take it the lady has left and walk back to your apartment to deliver the news to the rightful owner of the apartment.

"She already left," you tell him.

Chan lets out a sigh and closes the cookie jar, he finishes the milk to its last drop and then gets up from the sofa.

"Thank you for the cookies and the milk," he says with his signature grin.

"No worries," you reply, trying so hard to hide the disappointment in your voice.

Chan holds the cookie jar in one arm and takes a step closer to you, "if you need help on how to write breakup texts, I'm just across the hall," he says.

You don't respond to that but keep a smile on for him as to seem polite.

"And good luck!" He says with gentle pats on your shoulder.

The second he walks out the door, you collapse onto the sofa and dread it even more than before. Turns out, asking for his help is not helping at all.

The next day, you meet him as you collect your mail in the lobby and it's hard to ignore him when his mailbox is next to yours.

"G'day!" Chan greets you as he leans the side of his body against the wall while sorting his mail.

"Good day!" You respond and hurriedly walk toward the elevator. You push the button to summon it to the lobby and hope it comes soon enough for you to avoid talking to Chan.

Of course, things don't go as you want it. He comes just in time for the elevator about to arrive, he crumples a few letters in his hand into a ball and then tosses it into the trash bin.

"How did it go?" He asks.

"Pardon?" You nonchalantly respond.

Good thing that the elevator chimes open and you can pretend to forget about what he asked you a while ago. You get inside while clutching your mails in hands in front of you but it's not safe yet as you have to share the elevator ride with him.

"So... the break-up texts? Did you do it?" He asks again, going to the corner of the elevator and leaning his back against it.

"Chris, I think you can't just end a three-year relationship with a text," you put it as nicely as you can.

"Yeah, I reckon," he innocently answers.

It seems like Chan can't tell the difference between what is easy and what is right. It isn't a good idea in the first place to ask for help from someone like him who doesn't consider other people's feelings except his own.

"What are you going to do then?" He asks, shifting his weight on one leg.

Since his help is not helping at all, you have no answer to that yet. This should be something you have to figure out on your own in the first place.

"I'll figure it out," you not-very-convincingly answer.

Chan crosses his arms in front of him, making the muscles and veins on his arms more evident under the fluorescent light of the elevator.

"Lee seems like a nice guy," he remarks with a deep inhale of air.

Well, if you have to compare your boyfriend to Chan, then yes, Lee is a really nice guy. Lee excels in a lot of things, including how to treat a person with feelings.

"Yes," you settle with a simple answer.

"A drawn-out break up is only going to end in a big scene," he says, "Just saying."

Chan has a point. It's worse to prolong the pain for both you and Lee, you can't keep pretending that the relationship works and it's unfair that you keep Lee oblivious about all this.

"We can practice, you know," he offers.

"Practice?"

"On how you're going to break up with him," he explains.

He comes up with a better suggestion this time and is almost endearing even but again, he wouldn't know how a person with real feelings reacts to a break-up which makes you unsure if the practice would be any help.

The elevator is about to arrive anyway so you decide to skip on responding to his offer. Once it chimes, the doors part open and you take the first turn to get out with Chan getting off after you. You turn to the left to your apartment while he turns right. You take the key out of your pocket to unlock the door and push your way in while clutching your mail close to your chest.

"You know where to find me if you need help," Chan says just before you close the door to your apartment.

Hard pass, you answer in your head but you put on a smile for his kind offer, then close the door

-

Okay, you admit it. You were too haste when you said that you didn't need his help. You were doing fine for these past few days, you've been avoiding meeting your boyfriend to give you some more time to think of the best way to break the news to him until he calls you.

The phone rings and you just stare at it, considering whether to pick it up or not. If you pick it up, that means you have to lie to him and if you don't, it'll alert him that things are, in fact, not okay.

The latter seems like a better idea so you pick it up after taking a long, deep breath.

"Hi, baby. Am I calling you at the wrong time?"

Not entirely wrong but it would be nice if he didn't call you, you answer in your head.

"Yeah, sorry, I was in the bathroom," you lie.

"Coconut shrimp for dinner. What do you think?" he asks out of the blue.

"That sounds nice," you easily respond.

"I know you'll like it but, babe, do you mind getting us a bottle of wine on the way?

"I'm sorry?" You ask in confusion.

"For our dinner, remember?" he answers, "I'll cook tonight we'll be having dinner at mine."

You hardly paid attention to him because your mind was always elsewhere, you couldn't remember saying yes to the dinner but you did and it must be out of pity.

"No, of course, I remember, I'm just..." you rake your brain to think of something to say.

"I thought it was next week," you lie again with an awkward chuckle.

"You silly!" Lee says, "Aren't you glad that I called, huh?"

"So glad," you lie, again and again.

"I should start prepping the ingredients so they'll be ready when you get here," he says, his voice exuding enthusiasm.

"Okay."

"Don't forget the wine!"

"I won't."

"I can't wait to see you, baby," he sweetly says.

The lies are piling up so may as well add another one to the pile, "Me too."

"I love you, bye."

Don't think you can lie your answer to that, you gulp air, "Bye," you say to the phone, then quickly hang up.

Desperate times call for desperate measures and you don't know your desperate measure means knocking on your neighbor's door. Probably because you hate to admit that you need his help.

Not long after, Chan opens the door and his head pops out from the gap, "What's up?"

"My boyfriend just called and tonight, we'll be having dinner in his place," you blabber in panic.

It takes a second for him to process it then his face turns a little surprised, "What are we going to do then?" He asks in confusion.

You may be in dread but you catch the error in his question, "We? Now, you got your panties in a twist," you tell him.

"Shame on you!" He responds with a sly grin then opens the door wider and shows himself dressed in nothing but a white towel hanging low around his hips.

He puts one arm against the doorframe and leans close to you as he says, "Cause I'm not wearing any panties right now."

You should have noticed it from his wet hair and the beads of water rolling down his neck, and now that you're seeing the whole of it, your eyes immediately following where the beads of water going, they're going down the outline of his abs and eventually, to where they're all gathered as his pelvic bones leading down to one way: down south.

However, your instinctive reaction goes against what you're actually feeling inside.

"Ugh!" You groan and turn to the side, "Put some clothes on and I'll see you at my place!"

Without waiting for his answer, you rush back to your apartment and close the door behind you as fast as possible, then you rest your back against it.

The images of his naked body flashing through your head, his glistening wet pale skin, and how some parts of his body are blotchy red around the neck and chest. You get flustered all of a sudden, you immediately press the back of your hand to your cheek and you can feel them heating.

"Get it together!" You scold yourself.

After waiting for almost fifteen minutes, Chan finally comes knocking on your door like it's a musical instrument.

"Are you dressed?" You ask with your hand on the doorknob.

"Hardly," he jokes.

You peek through the peephole and see that he's already dressed to what you can say is his usual attire of dark short pants with a matching sleeveless top, showing off his bulging biceps. You open the door to let him in and he coyly walks in, treating your place like it's his own, sitting on your sofa with his legs spreading wide.

"Okay, so, why am I here?"

You stand in front of him with your hands clasped in front of you, "I've been lying to him the whole phone call and honestly, I've been doing it since the moment I decided that I want to break up with him, and I... I don't think I can lie to him again."

It's easy to admit your mistakes to him because he barely knows you and his opinions about you won't matter that much to you.

"I need to do it tonight," you hopelessly say.

"I take it you need my help to practice your break-up speech?"

You hate that he guesses it right but it's also convenient that you don't have to beat around the bush to ask for it. But first, you try to explain the situation as much as possible so he has ideas on what you're facing here.

"Lee is a man of many emotions and I'm not exaggerating when I say he'll likely cry," you inform.

Chan's forehead wrinkles as he processes this piece of information then stifles a nod. It seems like he still has no idea what you want him to do about it.

"I think it's less painful if you acknowledge the dumpee feelings," you blatantly explain.

"Okay, I got you. Let's practice!' He says, sitting up straighter on the sofa and then putting his hands on his knees.

It's just a practice but your anxiety takes over you not just mentally but also physically as your palms get sweaty. You wipe them down your jeans and take a breath.

"Lee," you call him by your boyfriend's name, and even though it's weird that you're roleplaying, you continue, "I want to break up with you."

Chan looks at you and gets quiet for a moment, "Wow. I'm in utter shock and it makes me very sad to hear that," he says with a rather serious tone.

Not the kind of reaction Lee would likely pull off but that will do if you decide to continue with it.

"I'm fully aware that this is so sudden but I've been thinking hard about it for some time and I think this is a decision that I should take," you say and you know it's a practice but you feel something caught in your throat.

"I'm sad and I need time to process it, but I'll be okay," he calmly says.

Chan gets the tone right but you believe breaking up wouldn't be this easy in real life, especially when there are real feelings to protect. To be honest, you're not ready to face the truth that you may hurt those feelings tonight.

"I think that went very well," Chan says, returning to his default settings.

"Yeah, I think that's it," you meekly say.

The worries and sadness are drawn on your face that Chan can easily see through your veiled expression, "If Lee is as nice as you said he is, then you shouldn't worry much," he says.

He waits until your eyes meet his to continue, "He may get surprised or shocked even, but he'll come around and respect your decision."

You can't believe that those words are coming out of his mouth or that he even tries to comfort you, but you appreciate it. Maybe his heart is still there, he just doesn't let it control him most of the time.

He gets up from the sofa and walks up to you, he takes your hands, ignoring how cold and sweaty they feel in his, "You got this," he assures you.

"Thank you, Chris," you sincerely say with a sad smile.

It is time to stop torturing both you and Lee with lies and forcing yourself to believe that the love is still there. It's time to accept the truth that if you can fall in love, you can also fall out of love.

-

It's a surprise that Chan worries about things that aren't his business. He's been playing some music to distract him from his head but he keeps the volume low because he doesn't want to miss hearing the sound of the elevator that will tell him any signs that you're back from the dinner.

Eventually, he tires himself out from worrying and falls asleep on the sofa. He startles always close to midnight after hearing the knocking on his doors.

Half disoriented, he trudges his way to open the door and finds you there, surprisingly, looking nice in a white cotton dress and your eyes dry.

But from the way you let yourself into his apartment, forgetting your impeccable manners and walking with shoulders slumped and carrying your shoes in your hands, he takes it that you did it.

"So... how did it go?" He carefully asks, following you as you're making your way to the sofa and then sitting on it.

You let a heavy sigh and your shoulders slumped even more, "At least, there's no crying," you answer with a sad smile.

Chan is unsure of how to react to that, is that a good thing or a bad thing? He just stands there with his arms crossed on his chest, thinking out loud.

"And even though it was ending... it was incredibly meaningful to me and I'm going to miss him," you say with your lips trembling.

Oh, no, Chan knows when a girl is about to cry, he quickly finds a remedy to it, one that he knows always works wonders for him. He runs to the kitchen and brings a bottle out of his alcohol stash, then hands it to you.

"Let's have a drink!" He says, realizing that he forgot the glass.

"Wait another second, I'll get the glass," he says, sprinting to retrieve two glasses from his kitchen cabinet.

When he returns, he sees that you're chugging the alcohol straight from the bottle. You gasp and then wince from the bitter aftertaste of it.

"Okay, straight from the bottle it is," he says, popping onto the sofa next to you.

You wipe your mouth with the back of your hand and then hand the bottle to him in which he wastes not another second to take a sip of it.

"The thing is... I really care about him but he wanted to get married, and I'm just not ready for that," you share with your eyes blank and looking at the void.

You take a deep breath but it seems like it only sends your heart sinking deeper and deeper, and making it harder for you to breathe.

"And if I'm not ready with a guy as great as him then what if I'm never ready?" You say, turning your head his way with your eyes glassy, pooling with tears.

"What if that was it..." you lift your shoulders then drop them as you let out a low sigh, "my one chance at love?"

The tears start streaming down your face like a bursting dam and Chan knows he can't do anything about it but let them out.

Hearing your words makes him think about what his idea of love is. He used to think that it was something he could get whenever he wanted it but now he knows that he's wrong, because that's just a short-lived infatuation, just some sort of meaningless connection.

From you, he learns that love is a privilege that not everyone can experience.

"What if I never get a second chance?" You ask him the question that he doesn't know the answer to.

"I don't know. I'm just sad," your voice cracks, then you break into tears.

Chan is quick to catch you into his arms and offers you his embrace. He knows he can't do anything about this sadness but he can try to soothe the pain, he's placing gentle rubs on your back as you cry into his chest.

The cry is resounding in this space, echoing the sadness back to you and it makes him inexplicably sad too, and he gets the urge to make it stop.

"It's going to be alright," he murmurs at the top of your head.

You look up with your eyes wet and red with tears caught in your lashes, "Is it?" You croak.

He doesn't know when but he knows for sure that time heals everything.

"It will be," he answers with a gentle caress of his knuckle on your wet cheek, "eventually."

Your eyes tell some more assurance for him and he doesn't know what drives him to do it, but he leans in, then kisses you.

To his surprise, you kiss him back and he knows you're doing it because you seek his comfort and he wants to give you exactly that. He wraps his arms around you and pulls you close, giving you that closeness you seek. He kisses you ever so softly because he knows he's kissing a broken heart and he wants to mend it. He can taste your sadness and the bitterness of it, and also the relief underlying all of it. As he kisses you, he lets his heart open just enough to take some of that sadness away from yours.

As the kiss deepens, the sadness withers, and something else emerges. Chan loses in it for a bit until he realizes what you're trying to do with your hand that reaches for the front of his jeans.

He abruptly detaches his lips from yours and shakes his head, "No, we can't do this," he says.

As much as he fancies you enough to have sex with you, he knows better not to do it when you're not in your right mind and your judgments are clouded with sadness. The last thing he wants is you waking up in the morning full of regrets.

"I want this, Chris," you croak.

"No, we can't," he adamantly says and takes your hand away from him.

"You're sad. You do want this," he says in an effort to put some sense into you.

You roughly crumple the front of his t-shirt and pull him close, "I want– No, I need this, Chris," you say to him with your eyes dark like two bottomless pits.

"Please?" You plead as a tear rolls down from the corner of your eye.

This is the most hopeless he ever heard of you and it breaks his heart. You said it yourself, you need this and he knows what you mean by that. You need the distraction, you need him to take this pain away even just for a fleeting moment, moreover, he can't break what's already broken.

He takes your hand off of his clothes and puts it in his, he leans in until his forehead is pressed against yours.

"Are you sure you want to do this?" He asks once again.

"Yes," you answer without a beat.

That's all Chan needed to hear, he inhales air and puts an inch between your faces. He then tenderly holds your face with both hands and looks at you, unsure where to start but maybe, he can start by making those tears coming out of your eyes.

Chan dabs the tears pooling in the corner of your eyes with his knuckle and without the slightest of hesitancy, he places a gentle kiss on each of your closed eyelids and before you can open them, he captures your lips in a kiss.

Sex is not something new to him but Chan knows that this time is not about physical fulfillment, but a way to offer comfort and hopefully, to also mend your broken heart.

He takes his time to strip away every piece of clothing on you until you're bare, lying on the bed with nothing but sadness that fills your heart.

He touches you with utmost gentleness, using just his fingertips to feel the softness of your skin and you're so pliant, sensitive to his touch.

To make it fair, Chan takes his clothes off as well before joining you on the bed, caging you in between his arms and hovering only inches away above you.

"Touch me," he says to you, taking your hand and placing it on his shoulder.

He then glides your hand down his neck and chest, he makes you feel every inch of his pale skin with him. However, when he looks at you, your eyes remain on his.

"You feel so warm, Chris," you lowly mutter.

He brings your hand close to his mouth and kisses it, then crashes his lips on yours.

The gap between your bodies becomes non-existent as you keep pulling him close, he relents by lowering himself on top of you and props an elbow against the mattress to not put his whole weight on you.

Lips locked, hands around each other, bodies pressed together and the temperature keeps on rising in the room. Chan makes you feel every part of his lips brushing and gliding over yours. He skillfully parts your mouth open with his tongue so he can kiss you deep and hard, yet slow until you run out of breath.

At the same time, his hand makes its way down until his fingers land on your delicate flesh. He touches it tenderly, running his fingers between the folds, and drags them upward to rub on your bundle of nerves.

"Ah..." you moan against his lips as you curve your hand around his neck and pull him incredibly closer.

Judging from it, he knows he's doing it right and he should continue, he applies gentle pressures on your clit, making you drenched and that way, he can slowly put a digit inside of you.

You let go of his kiss to let out a moan and your head falls onto the pillow as he puts another digit into you, two fingers pumping in and out of you.

Chan intently watches as your face contorted along to the pleasure, how your jaws slack open and breathless moans keep spilling out of your parted mouth.

The way you clench around his fingers makes him impatient to feel you and how tight you feel around him, and the noises you make oh, they're his new favorite tune that he wants to keep listening to until his eardrums burst.

He glances down as he pulls his fingers out of you and finds them thickly coated with your essence, it doesn't stop him from shoving them into his mouth and lick them clean.

Chan holds you by the chin to keep you still as he kisses you, "Give me a second to get a condom, yeah?" He says to you and you nod in answer.

He makes his to the bathroom and pulls the drawer open to take a condom. To save time, he decides to put it on right away, he tears through the foil packet with his teeth and rolls the rubber down his hard length.

On the way out, he catches his reflection in the mirror and gets reminded that this is not about him. Tonight, it's all about you.

He returns to the bedroom, finding you still lying in bed naked and hugging yourself. He climbs onto the bed and lowers himself on you, letting you absorb his body heat to warm you.

Craving for another taste of it, he goes down and plants his mouth on your cunt next, tasting you right on his tongue.

You're squirming as his tongue laps over your wetness, drinking in on your essence and then using it to circle on your clit.

He's not the only one getting impatient and asking more of it, you both want it and there's no wasting time anymore. Just before he takes it to the next part, he places a long, tender kiss on your clit and immediately brings his mouth to yours again so you can taste yourself on him.

"I'm going in, mmh?" He says as he endearingly brushes your hair away from your face.

You hold on to his shoulder as he settles himself between your legs, aligning his cock with your entrance but before that, he rubs his length between your folds, lubricating it with your essence.

Your hands fly to your chest, hugging yourself again as you lowly moan to his hard length rubbing over your clit and then, pushing its way into you.

"Goodness fu—" he can't even finish his sentence without breaking into a satisfied groan.

It's just the tip but he can already feel how tight you are around him, he's scared yet excited to push more of him into you. He reorganizes his breathing and rests his hand on your abdomen to do it.

Chan looks down to check and he still has a little more of him that needs to be inside you, he sharply inhales air through his nostrils and pushes the remaining length in one quick push.

"Oh..." you breathlessly moan as you're squeezing on your breasts.

Chan allows himself to take a moment to adjust himself to being inside you and you seem to also need time to adjust to his size because you feel so incredibly tight around him. It makes him wonder how this little thing can take him so well.

He takes your hands away from your chest and puts them around his shoulders, that way he can put his body on top of you, lips locked with yours again in no time as you wrap your legs around his waist, sending him deeper inside you.

As he takes a breath in between kisses, you hold his face and look at him with a different kind of sadness in your eyes which only reminds him that his initial plan is to make it go away.

He starts thrusting into you, wanting to fuck this sadness out of you. He wants to make you think of nothing but how his cock fills you full and how good he is fucking you right now, and soon, he's going to make you feel nothing but immense pleasure.

"Ah... ah... ah..." you moan for every thrust going into you and the skin-slapping sounds echo along with it in the room.

Chan plants his mouth on your breasts to contain his grunts and groans while keeping the steady motion of his hips pulsating against you.

A hand reaches for his chin and forces him to look at you, instantly engaged in eye contact with you. He continues thrusting into you with eyes looking deep into you, they're no longer looking like bottomless pits, they look like deep oases that he wants to dive into.

The next thing he knows, Chan finds himself deep in you, not just physically but also connected with you in a way that he's never experienced with anyone else until now. He feels barer than he already is and instead of shutting himself off, he embraces it and lets you in.

Soon enough, he finds himself lost in it and fully connects himself to you in a way that lets him know how it feels to love without fears or insecurities holding him back, without worrying if it's being reciprocated or not, to love wholly and completely.

"Oh," you let out a broken moan and that's when he notices that you break into tears again.

Chan abruptly stops moving, afraid that something he does is hurting you without realizing it.

"No, keep going, keep going," you tell him with your voice hoarse.

He needs to make sure to continue, he cups your jaw and asks, "Are you okay?"

"Yes, please, keep going, please," You repeatedly nod and plead with your teary eyes.

He wants you to stop crying, he wants you to stop thinking about what hurts you and start to see him as he tries to take this pain away from you. His body picks up the pace, going impossibly fast and also taking himself close to his high.

Your eyes are screwed shut, your breath is ragged and your hands are gripping onto his shoulders, overwhelmed by the pleasure that he brought on you.

The moment he's sure that you already come to your climax, he allows himself to let go and uses all of his strength to give you a few more thrusts until there's nothing left in him but waves of pleasure that wash over him.

"Chris..." you softly call and then pull him for a chaste kiss on his lips, "Thank you."

Chan's face hovers only inches above you as he softly gazes into your eyes, you look so fragile and open like a wound and he's just glad that he can make your heartache gone even just for a while.

"Shh..." he stops you from talking by running his thumb over your lips and then kisses you with his heart wide open. He lets this beautiful feeling pour out of him and into you.

"No, thank you," he mutters his gratitude between kisses.

Thanks to you, he experiences something he's never felt before with someone else, something new, something pure and real, something that feels a lot like love.

When he wakes up in the morning and finds you're not there, it hits him that maybe it is love but Chan is not ready to admit it yet.

-

A week passes and Chan hasn't seen you ever since that night.

He can't tell if you're avoiding him or needing the space and time to piece yourself back from the break-up, he hopes it's the latter. Gosh! Let him be right.

Regardless of what happened, he can live with the fact that you despise him but it would be sad to know if you choose to go down the path of believing that you're not going to find love again.

Chan just needs to know if you're doing okay, that's what matters for now.

Fortunately, the two of you have been neighbors for quite a long time to learn your routine and knockabouts. He knows what you like to do on a Saturday morning, he goes to the lobby and chats with the concierge as he waits.

At the first sight of you entering the apartment building, his heart palpation, and in all honesty, he's just so happy to finally see you after a while.

Are you not seeing him there? Or you're just pretending which only confirms his initial thought that you've been, in fact, avoiding him.

You're walking through the lobby carrying a bag of groceries in your arm, you skip checking on the mailbox and go straight to the elevator. It just happens that the elevator is vacant and the doors slide open after you push the button.

Chan decides to take the risk, sprinting to get into the elevator before the doors close. You already despise him so a little more hate shouldn't be a problem to him.

"Morning, sunshine," He greets you with his dimpled grin.

"Good morning," you politely reply without looking at him.

Things are going back to normal and he should be glad, right? At least, you're back to your usual settings of looking stoic and acting polite, and the best thing about it is you're still talking to him.

"I should learn to avoid people from you. You're good at it," he pushes it a bit just to see if he can crack through this facade.

"Excuse me?" Your head turns his way and with your eyes widen, "I have not been avoiding anyone."

Chan holds the urge to smile for successfully getting your attention and rests his back against the cold, metal furnace of the elevator, "Are you sure?"

"Well, we're seeing each other now," you tell him.

"That's because I know you like to go to the farmer's market every Saturday morning," he says at the same time, admitting that he knows about your routine.

You slowly turn your body facing him and squint your eyes at him, "You've been keeping tabs on me?"

"It's my favorite pastime activity," he shamelessly answers then pokes his cheek with his tongue.

"It's better than watching porn," he playfully adds, something that he knows will annoy you the right way.

"Ugh!" You groan as you look straight ahead.

Oddly enough, that's what he misses the most about it, interacting with you and seeing your reaction to his antics, but you, especially.

"Don't be so uptight," he coyly says.

He takes a step closer to you and puts his hand on the handlebar, "it's not like we haven't slept together or anything."

You let out a scoff and hoist the strap of your grocery bag higher on your shoulder, "I'm shocked you even remember," you say.

You turn your head next and your eyes immediately lock in a gaze with him, "I figure I'm just a low notch on a very long bedpost," you add.

"Are you calling me a man whore?" Chan says, feeling offended.

You take a step closer to him and daringly stare back into his eyes, "I didn't call you a man," you answer with a sly smirk.

There's a few seconds of silence until Chan realizes what you just said to him but you know what? He's going to give it to you, for now.

He looks at you and smiles, "Touche!"

You both look at each other and at the same time, burst into laughter, and it keeps going until the hilarity subsides with each passing second.

Is this real? Did you just poke fun at him with a beautiful smile on your face? Did you really laugh and the sound of not only echoing in this enclosed space but also in the back of his mind? Did he just see a different facial expression on you? Either way, he likes it and he likes how it makes him feel.

The elevator chimes open and soon, the doors part open. He lets you get off first and then takes his turn after, he gets a little disappointed as you both are going in the opposite direction.

"Hey, Chris," you call as he's only a couple of steps away from the door of his apartment.

His heart palpation again but he keeps his calm and then slowly, turns on his feet to face you, "Yes?"

"I'm cooking curry for dinner and I know it'll be not as good as the one you always ordered but you can come and..." your hand is fiddling with the strap of your grocery bag as you speak but your eyes remain steady on him, "see if it suits your taste."

And did you just invite him for dinner? Him, the neighbor you despise so much?

Chan acts coy and scratches the back of his head, he holds the urge to answer right away. He has a reputation to uphold and he reckons, you have to at least wait a minute for his answer.

"Yeah, okay, let's see," he nonchalantly answers but his smile tells otherwise.

You crack a laugh and nod, walking to your door with the keys jangling as you're unlocking it.

Chan thinks that's the end of it until you call his name again, his heart leaps this time and he almost flies his way to you.

"Yeah?"

"Don't worry, I'm not going to ask you what are we," you say with a smile then get inside of your apartment.

That's funny because, after that night, he was hoping that you would ask him that as most girls do but that's where he is wrong, you're not most girls, you are his neighbor whom Chan is secretly in love with.

-

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[fakeuwus]

MANEATER | SIM JAEYUN (M) TEASER

FULL FIC HERE

PAIRING: virgin!jake x yn (femreader)

SYNOPSIS: in which jake is tired of being a virgin and you're asked to help him out.

WARNINGS: smut so MDNI! virginity loss, oral (m receiving), unprotected sex (be safe out there), creampie, riding, multiple orgasms, etc. words like slut/whore, more to be added

CURRENT WC: 1k, full fic will be less than 10k

TAGLIST: CLOSED.

MESSAGE FROM NIC: first smut kinda nervous... anyways this randomly came to me at like 1 AM and then i couldn't stop typing and here we are 🤠 hope it turns out alright and you guys enjoy it, this is the first piece of writing i've done that doesn't have me wanting to delete it after a couple of paragraphs so yippee!

“dude no way you fumbled sora. she’s a real slut. i was so sure she would let you hit,” sunghoon says as he’s unwrapping his sandwich then taking a bite. “bro i didn't fumble anything. it's the same shit everytime, once i tell them i'm a virgin they dip,” jake responds while he steals the sandwich and takes a bite for himself.

sunghoon doesn't even argue, his best friend is clearly in distress and is need of some food. “she started ranting about how she doesn't “do” virgins because they get attached and she thinks im gonna become obsessed with her or something.”

“why do you even tell them you’re a virgin in the first place? if that's the issue why even say anything at all?” heeseung questions with a mouth full of the same sandwich that somehow ended up in his hands.

“because if he cums in .2 seconds then the girls are gonna think he’s a bad fuck. theres no winning here.” jake nods in agreement with jay's statement as he watches jay snatch the sandwich from heeseung and finish it off. this is what is so beautiful about their friendship. they share everything with each other, the main things being girls and food. unfortunately for jake, bites of food is all he gets.

but little did jake know that jay was going to find a solution for him real soon.

© fakeuwus 2024 do not repost, translate, or plagiarize

[memoriesndew]

fall is here. It's time to lock in. weight loss edition.

intro:

after taking a miniature break I have finally decided to track my weight loss journey here, to keep me motivated and to track my progress.

there are approximately 3 months left in the year (without september) and in that time I want to focus on my weight loss and lock in. I will take a break from creating notion templates and focus on skills and hobbies.

why 3 months? simply because that's what's left in this year and also because most people start seeing results after 3 months.

details:

so I started this challenge last week and here are a few things I've achieved last week. I worked out for the whole week. I hit 10k steps daily from tuesday didn't do so well on monday. I also completed my daily workout cycle for the most part.

✿ my main goal is losing weight really just reaching my weight goal which is 42kg - p.s I'm short

✿ I will try my best to update daily and I also have a physical journal that I will update every night before bed

here are my current stats

𝑮𝒐𝒂𝒍𝒔

( 🍨 ) 63𝒌𝒈 Current weight: 59.1kg

( ) 57𝒌𝒈

( ) 52𝒌𝒈

( ) 49𝒌𝒈

( ) 46𝒌𝒈

( ) 42𝒌𝒈 gw

( ) 40𝒌𝒈 ugw

i do think the stakes are not in my favour and I might not reach my goal at the end of the year but at least I can try.

so I will be uploading my workouts weekly, at the beginning of every week as to keep myself motivated to do them and for as many that would like to go on this journey with me. at the end of those 3 months, I will update this blog post.

✿ This is the habits i want to achieve each day also I plan to have a set eating time between 12pm and 8pm everyday. i will write about what I eat I'm also not going to be really dieting or cutting out foods just minimizing my portions

habit tracking:

maintain calorie deficit of 1200 hit 10k steps 7+ hrs of sleep 2l of water 30mins+ of movement journal progress movement cycle [3/3] eat between 12 pm and 8 pm

✿ : my days will mainly be filled up with reading (adrinette fics), language learning, crocheting, organizing, blogging, Bible study, watching(might continue Gilmore Girls) and more

decided to add workouts to my daily updates instead

i will start updating tomorrow

post tags : dews wl lock-in

[nowoyas]

Trying to make sense of the Nanowrimo statement to the best of my abilities and fuck, man. It's hard.

It's hard because it seems to me that, first and foremost, the organization itself has forgotten the fucking point.

Nanowrimo was never about the words themselves. It was never about having fifty thousand marketable words to sell to publishing companies and then to the masses. It was a challenge, and it was hard, and it is hard, and it's supposed to be. The point is that it's hard. It's hard to sit down and carve out time and create a world and create characters and turn these things into a coherent plot with themes and emotional impact and an ending that's satisfying. It's hard to go back and make changes and edit those into something likable, something that feels worth reading. It's hard to find a beautifully-written scene in your document and have to make the decision that it's beautiful but it doesn't work in the broader context. It's fucking hard.

Writing and editing are skills. You build them and you hone them. Writing the way the challenge initially encouraged--don't listen to that voice in your head that's nitpicking every word on the page, put off the criticism for a later date, for now just let go and get your thoughts out--is even a different skill from writing in general. Some people don't particularly care about refining that skill to some end goal or another, and simply want to play. Some people sit down and try to improve and improve and improve because that is meaningful to them. Some are in a weird in-between where they don't really know what they want, and some have always liked the idea of writing and wanted a place to start. The challenge was a good place for this--sit down, put your butt in a chair, open a blank document, and by the end of the month, try to put fifty thousand words in that document.

How does it make you feel to try? Your wrists ache and you don't feel like any of the words were any good, but didn't you learn something about the process? Re-reading it, don't you think it sounds better if you swap these two sentences, if you replace this word, if you take out this comma? Maybe you didn't hit 50k words. Maybe you only wrote 10k. But isn't it cool, that you wrote ten thousand words? Doesn't it feel nice that you did something? We can try again. We can keep getting better, or just throwing ourselves into it for fun or whatever, and we can do it again and again.

I guess I don't completely know where I'm going with this post. If you've followed me or many tumblr users for any amount of time, you've probably already heard a thousand times about how generative AI hurts the environment so many of us have been so desperately trying to save, about how generative AI is again and again used to exploit big authors, little authors, up-and-coming authors, first time authors, people posting on Ao3 as a hobby, people self-publishing e-books on Amazon, traditionally published authors, and everyone in between. You've probably seen the statements from developers of these "tools", things like how being required to obtain permission for everything in the database used to train the language model would destroy the tool entirely. You've seen posts about new AI tools scraping Ao3 so they can make money off someone else's hobby and putting the legality of the site itself at risk. For an organization that used to dedicate itself to making writing more accessible for people and for creating a community of writers, Nanowrimo has spent the past several years systematically cracking that community to bits, and now, it's made an official statement claiming that the exploitation of writers in its community is okay, because otherwise, someone might find it too hard to complete a challenge that's meant to be hard to begin with.

I couldn't thank Nanowrimo enough for what it did for me when I started out. I don't know how to find community in the same way. But you can bet that I've deleted my account, and I'll be finding my own path forward without it. Thanks for the fucking memories, I guess.

[kikixreverie]

It's called: freefall

Bucky x Female reader

Summary - Things get heated between you and your closest friend Bucky, when you're made to play a married couple on an important mission. Neither of you can help yourselves when you end up stuck in a hotel room together, with sexual tension you could cut with a knife.

Word count - 10k

Warnings - (18+) smut, fingering, p in v, friends to lovers, fake marriage, gross misogynistic man (not Bucko), borderline sexual harassment (not too intense, just gross words, and also not Bucky ofc), fluff, kinda angst, more misogyny.

A/N - Hi, this took me weeks to edit for some reason, sorry, and apologies if it's too long/wordy, i got carried away again. I'm not a big fan of the first half ngl, maybe that's because it's bad, or maybe it's because I've read it about a hundred times. The smut is good though, and that's what really matters.

________________________

"It's just a quick job, I promise. It'll be easy."

Steve gave you a smile of encouragement, leaning against the wall with his arms crossed in front of him, before politely averting his gaze to the floor when you lifted your dress slightly to slide your usual dagger into the holster on your thigh.

"Then what's with the getup?" You asked, lifting your head to catch sight of yourself in the mirror opposite you, looking at the dress you had been made to wear.

It was a pretty dress, beautiful actually, the colour beautiful against your skin-tone, perfectly fitted in all the right places, and it flowed down to the floor, a slit travelling up the length of your left leg, ending at your upper thigh.

You felt confident in it, and it was certainly a boost to your ego when Natasha wolf-whistled at the sight of you and Steve turned an impressive shade of red, but it wasn't something you were used to, having spent the past few years of your life dodging and refusing Tony's party invites, sticking to the comfiest clothes you owned when walking about the compound. It was a beautiful dress, but you couldn't help but feel like an imposter wearing it.

Natasha strode over to you and slightly adjusted the placement of your knife, ensuring it wasn't visible through the dress. "Daniel Kozlov. He's been on Shield's hit list for years now, fucker keeps catching and killing our agents on the inside."

You scoffed amusedly and shook your head, "What, so you send me in to get killed too?"

"Don't underestimate yourself, I've seen you take down four armed men with a screwdriver; you'll be fine, plus, you'll have Bucky and he knows how to stay undetected." Steve reassured you and you smiled at him, nodding to his words.

You heard footsteps behind you only moments before another voice spoke up, and you turned to the door, your breath catching in your throat as you did.

"That I do," Bucky nodded to Steve as he entered the room, eyes focused on his hands, adjusting his cuff links with a furrowed brow, before he finally tilted his gaze up, meeting your wide eyes with his own.

You barely noticed him looking you up and down, as you were too busy doing the exact same thing to him, no doubt probably being incredibly obvious as you stared with your lips parted. He looked like pure fucking sin.

Unadulterated and unfiltered sin.

His suit was all black and his pale, blue eyes contrasted against the colour, somehow making them stand out even more than usual. His already incredibly muscular arms and legs were accentuated, the expensive fabric tight against his skin, without it looking strange and uncomfortable, it only drew your attention to how broad his shoulders were compared to his narrow waist, or how thick his thighs looked in the black dress pants.

Multiple silver rings graced his fingers, matching with the silver, designer watch on his left wrist and you did a double-take when you noticed that his watch was wrapped around skin, not vibranium.

"Your arm." You said, sounding more like a statement than a question and Bucky forced himself to tear his gaze from your exposed thigh and tried to hide his pink dusted cheeks and breathless intake of air as his eyes followed yours to his metal arm, now concealed by what looked to be skin.

"Yeah." His voice came out as a sigh. He didn't know why, most amputees like him he was sure would be over the moon with the impressive technology, but it just made him uncomfortable, seeing his arm how he did 70 years ago. I felt inherently wrong. "Tony."

You nodded, looking away from his hand. A part of you was annoyed Tony had given it to him, knowing that it took Bucky years to accept that part of himself, and this seemed like it would be a setback in that department, though you still understood why it was necessary, Bucky was the best for the job, and chances are a criminal as 'highbrow' as Kozlov, would recognise the arm.

You wanted to change the subject, and you could tell Bucky did too, so you huffed a laugh and met his eyes, jokingly poking his chest with your finger, "You look like a mobster."

He nodded and chuckled, "Thanks, I guess. You look like a mobster's wife."

"Wife huh? Is that what we're doing?" You ask, turning your head to look down at Nat questioningly as she finished with your dress.

"Did they not tell you?" Bucky asked and you shook your head.

"I missed the briefing but Steve here thought he'd sign me up anyway." You gave the blonde a jokey, reprimanding look and he sighed, picking up two folders from the table and handing them to you.

"Blue one is about Kozlov, and the black is about who you and Bucky are going to be playing."

You take the folders from Steve, handing the blue one to Natasha as you open the black one, "James and Lucille Walter. Hey, how come he gets to keep his name and I get Lucille?"

"That's just a coincidence and I'm sure Bucky isn't too happy about it either. You're pretending to be a real couple, James Walter is one of Kozlov's newest buyers, he doesn't know him very well though, that's why you two shouldn't be caught out by anyone."

Nodding to Steve's words, you quickly skim over the rest of the folder, memorising as much as you can, before swapping with Nat and reading the other one, "And where are the real James and Lucille Walter?"

"Dead."

You stop your reading and turn to Natasha at the sound of her voice, giving her a look when she tried to hide her smirk.

"Ah, yes. Courtesy of Natasha Romanoff herself, Mr and Mrs Walter are in fact, dead" Steve spoke dramatically, causing you to scoff and wink at the redhead beside you.

"We should leave now. I'll explain further in the car and give you a rundown of the plan. Should be an easy job." Bucky takes the folders from you and tucks them under his arm, signalling for you to walk out the door and you give Steve and Natasha a smirk before you leave.

"Wish me luck guys."

_______________________________________

You were picked up from the compound by one of Stark's trusted drivers and Bucky described the plan in detail to you on the way there, but as you arrived closer and closer to your destination, you felt the nerves come on.

Usually, you were behind a computer screen on missions, hacking security cameras and breaking into encrypted files, you had no doubt of your fighting skills, you've been training almost your whole life, and the few missions you've done where you've had to fight were smooth sailing, but you had never done undercover before.

You started nibbling on your lower lip as soon as the car pulled up, doubting yourself again despite the amount of times Natasha has given you a whole speech about why you had no reason to ever do that.

The door on Bucky's side opened and when he offered you his arm to help you out of the car, meeting your eyes and giving you a gentle smile, you felt the nerves calm slightly.

You and Bucky were close in a way that no one had expected, considering he had the tendency to keep himself away from people and stay quiet when he was forced to socialise. You were slow-paced and gentle with him, a huge contrast to the way Sam would constantly be on Bucky about his lack of social skills, or Tony dragging him to parties he had no interest in. Sam always has the best intentions, but sometimes can be a little too enthusiastic for Bucky, and Tony, well sometimes Tony's just a dick with full knowledge of the fact that he's being one, and not a single care in the world about it.

You and Bucky both had an understanding, you had confided in him about your fears, your anxiety, and he had managed to do the same.

You just couldn't help but develop a teeny tiny crush on him over the past few months.

"Don't work yourself up, stay in character, stay alert, and remember the plan."

Nodding to him, you took a deep breath and put yourself into character, reminding yourself of yours and Bucky's new names, keeping your head up as you entered the party, an expensive diamond wrapped around your left ring finger with a similar pattern to the silver band Bucky had on his.

The hall was beautiful, gold detailing adorned the large doors and walls, reaching up to the ceiling to create beautiful patterns against the pristine white of the building. The party-goers were even more beautiful, hundreds of gowns and suits worth more than your life, probably bought and worn for a single night, before they're discarded and forgotten in the back of their walk-in closets.

You felt like you didn't fit in at all, but you watched as party guests eyed the two of you, and they seemed to be approving.

It didn't take you and Bucky long to get situated, stood in the corner of the extravagant hall with a glass of champagne now in your hand as you surveyed the exits and bodyguards, and Bucky looked for the target.

The mission was just a small lead in a huge investigation. You and Bucky were just here to buy something from Kozlov and then get out.

"Got him, 4 o-clock. He's surrounded but he should be expecting us so it shouldn't be an issue." Bucky had leant down to whisper in your ear, his breath tickling against your neck and causing a shiver to rake over your shoulders.

Fuck, he smelled like sin too.

It made you want to take a deeper breath, made you want to pull him even closer, close enough to close that small gap between your lips and kiss him till you run out of breath, and as much as that would be inconspicuous and normal for James and Lucille Walter, it would be completely inappropriate for Bucky and Y/n.

"We shouldn't go over yet. Let's just mingle a bit, get more of a feel of this place and blend into the background as much as we can." You add, and Bucky nods, surveying the room again before meeting your eyes.

"Good idea, but when we do go over, don't make eye contact with him and don't say anything," said Bucky. You couldn't help but roll your eyes, giving him a slightly annoyed, but understanding smile, and he smiled back apologetically, "I know, it's stupid, but that's what these guys are like. If he so much as thinks that you're either, on the table or threatening his masculinity, we're in trouble. Okay?"

You understood what Bucky was saying, men like Kozlov, they see women as property, or in some cases, currency. It's best to stay off their radar as best you can, which includes not threatening his masculinity by daring to look him in the eyes.

Women were to keep their heads down.

Which was bullshit.

"Okay."

He gives you a final nod and you think he's finally about to pull away and have mercy on your heart, but before he does, he pauses and presses his soft, warm lips to your cheek in a gentle kiss.

Air gets caught in your throat as it happens, but you try not to make an audible noise, quickly pulling yourself together and reminding yourself that you and Bucky are pretending to be a couple and he's just trying to sell it better. It makes sense.

It's just pretend.

You spend the whole evening with your hand wrapped around Bucky's bicep, neither of you breaking apart for anything as random people come up to you and try to start conversations. Usually, one of you will take one for the team and has to stand there talking about money and beach houses for five minutes, plus the occasional question about kids, which seemed to make Bucky blush every time, as the other keeps an eye on Kozlov.

"So how long have you two been married?" A seemingly kind lady asks, her red dress matching her lips as they stretch into an awkward smile.

"A year in June," You respond, well-rehearsed at this point as you smile up at your pretend husband, "Can't believe how quickly it's going."

Bucky is quick thinking with the act, and he smiles down at you, his arm wrapping gently around your waist and squeezing you to his side. Your heart probably stopped beating for a moment, and you wondered how he got so good at this, before brushing the thought away and looking back to the woman in the red dress, smiling warmly at her too.

"Ah, bet you two are still in the honeymoon phase. You look completely smitten with each other, it's adorable." She scrunched her nose up on the word 'adorable', her gaze flicking between the two of you before she glanced at her own husband, standing a few feet away as he laughed with a larger group of men, a big glass of whiskey in his hand. She sighed.

You tried to keep your face neutral, smiling and nodding along, but something about what she had said had caught in your chest, and you wished you could see just for a moment from someone else's eyes, just how 'smitten' you both look.

You felt bad for the woman, who stood in the middle of the huge ballroom completely alone and abandoned by her husband, but there wasn't anything you could do for her, and Bucky was subtly hinting to you that you were to go speak with Kozlov soon, so you kissed her cheek and bid her goodbye.

You spared Bucky a quick glance and he was focused on Kozlov, his face stoic as he glanced in his direction discreetly, scanning the exits too, checking for close-by security cameras and windows again, just in case.

"I think it's time, doll." He murmured.

You quickly lift your head to meet his eyes, the pet-name he usually only used when you were tipsy and would brush it off casually, slipping off his tongue, though it had the same effect sober or not, you blushed and nodded.

He smiled at you, almost looking fond, though you were pretty sure he was just offering you a break from the stoic, mission orientated Bucky, before he took a deep breath and reached for your hand on his bicep to hold it with his own, gently squeezing before guiding you towards the target.

As you walked Kozlov's way, who was surrounded by burly, most definitely armed bodyguards, you noticed the women surrounding him too, some with their husbands and all of them looking beyond uncomfortable, staring out at the party with bored, or even nervous expressions.

"James Walter," Bucky nodded to one of the bodyguards, who had stopped you both from passing, and the bodyguard shared a look with another, before nodding and letting you walk on.

Daniel Kozlov was sat comfortably in a velvet armchair as he swirled a glass of whiskey in his hand, seemingly stuck in a boring conversation as he stared at the wall before him, completely uninterested in what the man talking to him had to say.

"Mr Kozlov, I'm James Walter, It's a pleasure to finally meet you in person."

Kozlov perked up at the sound of a new voice and a wide, Cheshire cat grin formed on his lips as he regarded you and Bucky, though you kept your eyes to the floor, or seemingly 'admiring' the expensive decorations as the men spoke.

"Ah, my new friend! I was hoping you'd show up, had a few men flake out on me recently," The man spoke dramatically, his thick European accent prevalent and images of his file flashed in your head, remembering that Shield had been taking down his buyers one by one, either arresting them on other charges or putting a bullet between their eyes as Natasha had done with the real Mr and Mrs Walter.

They weren't particularly very nice people, so you didn't hold much guilt for their deaths, or stealing their identity after the fact.

"Wouldn't miss it for the world, sir. Heard you've got something I have my interests set on." Bucky's voice was smooth and charismatic, matching Kozlov's energy as best he could, and you couldn't lie, it made your blood run warmer, heat spreading to certain parts of your body you were ashamed to admit were reacting to the confidence he exuded tonight.

"Hm... I suppose I do. Do you always allow your wife to be a part of your deals?" Your looked up slightly at his mention of you, and Kozlov smirked wickedly at the expression on your face, "Women can be god-awful gossips sometimes."

This fucking guy-

Bucky squeezed your hand tightly, forcing the words from his tongue, "I assure you, sir. She is nothing to worry about."

He was just as pissed as you were.

"I don't know, she doesn't really seem like the quiet type, I reckon she's a loud-mouth once she's on her back, although I'm sure having her on her knees will shut her up nice and quiet." He chuckled darkly and Bucky's hand was holding yours so tight, his jaw clenching and unclenching, measured breaths exhaled through his nose, he still managed to keep his face blank though, as did you, quietly seething as you put on the frightened baby deer look that men seemed to love, staring down at the floor.

He needed to think you were in the same position as the other poor, frightened women here, that he'd get bored with you all the same.

You swallowed your tongue though, wanting nothing more than to speak up and put the bastard in his place, right before beating the absolute shit out of him, though you knew that would come in due time, for now all you could do was finish this fucking mission.

"She won't be a problem."

Kozlov laughed, knowing he was getting under James' skin. He stood from the armchair and nodded towards Bucky, the smile sinking, trying to look intimidating, despite the fact that he was practically less than half the size of Bucky, "Make your payment."

Bucky pulled a phone from his pocket, sending a single word in a text and waiting for the confirmation only seconds later, before tucking it away again, "Payment made."

Daniel looked over at a man sat in the corner with a laptop and when he nodded, he turned back to look at Bucky, his hand sneaking into his own pocket and pulling out a hard drive, handing it to Bucky before taking a step back and looking you up and down.

"What's your name, sweetheart?"

You swallowed your irritation, narrowly avoiding the urge to roll your eyes at the way he was eyeing you like a piece of meat, Bucky opened his mouth to speak but was quickly cut off by a glare.

"I asked the wife, not you. Name?" He spoke through gritted teeth, obviously quick to anger, and you fought back the urge to fucking bitch slap him, take the dagger from your thigh and press it to his neck, but you were sticking to the deer in headlights act.

"Lucille."

A smirk overtook his face, a healed scar on his cheek stretching as he did so, "Pretty name for a pretty thing."

At this point, Bucky was squeezing your hand so hard again, your fingers were starting to go numb, the rings he was wearing digging uncomfortably into your skin, but you didn't pull away, instead, you returned the tight grip to try to reassure him.

Taking a step closer to you, Daniel Kozlov lifted his hand to your cheek, making you flinch slightly and you clenched your jaw when the back of his hand caressed your cheek, his skin ice-cold against yours.

"I happen to collect pretty things."

Bucky felt sick to his stomach, knowing that he couldn't do anything besides stand there and watch, stepping out of line in any way would end in a fight, and he knew he couldn't risk lives, or the mission.

A part of you was expecting him to backhand you, but he never did Instead, he touched your cheek for a while longer, glancing over at Bucky with a smile before he took a step away from you and laughed at the murderous look Bucky was trying to hide, he knew that Bucky was in a position where there wasn't much he could do to stop him, and he openly mocked him for it, "I could take her off your hands for the night for you, teach her some manners. Maybe she'll learn to answer her superiors quickly, when they ask her a question."

"Not necessary." Bucky's voice was scarily even, but his jaw was aching from how hard he was grinding his teeth together and he started pulling you closer to him, shooting Kozlov a dangerous glare, "I think it's time we leave."

"Of course, of course. No doubt you need to get her to bed."

Bucky ignored his words and turned, pushing his way past the bodyguards and pulling you along by your hand, making you stumble in your heels.

"James." You called out as you tried to catch up with him. His grip on your hand was starting to hurt again but he kept walking with intent, pulling you out of the grand doors at the entrance to the hall and towards the expensive car you had arrived in.

He handed the driver a wad of cash and told him to leave, giving him a silent glare which obviously meant 'fuck off' when the guy hesitated.

As Bucky pulled open the passenger seat door and helped you into the car, you glared at him, though when he ducked his head into the car and leant over you to put your seatbelt on for you, the intensity behind the glare faded and you were left just staring wide eyed at him, and instead of yelling at him and telling him that you were perfectly capable of doing your own seatbelt, you were lost for words with how close his body was to yours, his breath fanning against your bare shoulder.

You could only breathe when he pulled away and slammed the door shut, rounding the car to get into the driver's seat, not sparing you another glance as he turned on the engine and put the car into gear, speeding off into the city.

his frustration and anger filled the space with tension.

"Bucky, you need to calm down," You tried but he continued to ignore you, one hand on the gear stick and the other gripping the steering wheel so tight that his knuckles turned white. You sighed, his frustration and anger filled the space with tension, and you concluded that he was a grown man who could calm himself down.

You dropped your head against the seat as you focused on the view outside your window, the lights of the city burning bright against the night sky.

You glanced at the side-view mirror, and rolled your eyes when you realised it was the same car that was behind you when you left the party, "We're being followed."

Bucky's hearing was obviously working. When he heard what you said, his eyes lifted to the rear-view mirror and he sighed heavily, "Fuck."

"Where are we gonna go? None of the safehouses are fancy enough for Mr and Mrs Walter."

"We'll have to go to a hotel, they shouldn't give us any trouble unless we seem suspicious. There's no way Kozlov would have us killed immediately after a sale, too risky," You nod at his words, knowing that Bucky was an expert at things like this due to his past with Hydra, he knew how men like Kozlov worked, how their brains ticked, and you trusted him completely. "Okay, I know where to go." He said as you kept an eye on the car, taking note of the plate number and trying to get a view of the person driving it, "Text Nat with the burner in my pocket, tell her we'll be at The Pierre, tell her to bring backup just in case but keep them minimally armed, it's just a precaution."

You sigh again, looking away from the car behind you and back to Bucky, "Which pocket?"

"Inside pocket, left side."

You nibbled on your lower lip as you reached over to him, and he tilted his body to you slightly in assistance. Bucky gulped, and you blushed as your hands brushed against his shirt when you reached into his suit jacket, searching for the pocket.

His body was incredibly warm and it only made you want to draw out the situation even longer as Bucky fought to keep his concentration on the road and the car behind, but eventually, your fingers brushed against the phone and you hesitantly pulled it out and sat back in your seat, a long exhale coming from him as you did so and he readjusted his grip on the steering wheel, shooting you a quick glance, his gaze falling to how exposed your thigh had become with the movement, though he tore his eyes away quickly.

You slipped the phone back into Bucky's pocket once you had received Natasha's quick response, and Bucky pulled up to the hotel. You watched in quiet amusement as the man following parked not-so-discreetly, a bit further down the street.

"Remember who your playing." Bucky shot you a final glance as he turned off the ignition and got out of the car, straightening out his suit jacket as he walked to the passenger side and pulled open the door, offering his arm to you and helping you out of the car.

You hated how real it all felt, him doting on you when you were trying desperately hard to convince yourself it was an act, but you still wrapped both your hands around his arm, draping yourself against his side as you walked towards the entrance, telling yourself that you did it only for the upkeep of the ruse.

The tension between you was undeniable as Bucky looked down at you, his expression serious, but not stern, only intense.

"James? Are we going in?" You asked, using his fake yet real name and it seemed to wake him from his daze, nodding as he reminded himself of his surroundings and the man now wandering closer to them, his phone to his ear, though he didn't speak into it.

"Course, doll. Just admiring my wife's beauty in the city lights."

Your mouth fell open slightly at his words but he didn't give you much time to react before he was walking you into the hotel, and you were thankful that he wasn't dragging you this time.

Bucky didn't waste any time, quickly moving to one of the people running the front desk and glaring down at him.

"Name?"

"James Walter," He spoke and the man nodded, typing something out on his computer before handing Bucky a black key-card, giving him a fearful smile.

Stepping away from the front desk, Bucky moved to your left as he discreetly put his hand into his pocket and slipped the burner phone into your hand, and you switched the phone into your right hand once you realised his plan, tossing the phone into the garbage bag on the back of a janitors cart before walking into the elevator.

You sighed heavily as you both finally entered the hotel room, trudging to the bed in the middle of the giant room and collapsing on it as Bucky started scoping out the room, quickly checking the bathroom and shutting all the curtains.

"We're going to have to stay here all night, aren't we? That guy isn't gonna go anywhere." You sighed, closing your eyes as you sunk into the mattress.

"One bed." Bucky said, and you peaked your eyes open one at a time, moving your gaze to the man now slouched in the armchair tucked into the corner of the large room, still looking beyond annoyed.

"Huh?"

His jaw ticked in annoyance as his head fell back against the chair, "There's only one bed."

Oh.

"Oh," You sat up on the bed, looking around the room awkwardly.

You didn't really want to think about what that could mean, it either formed butterflies in your stomach, or disappointment.

He didn't have to act so upset about it.

"Is it that bad?" You scoffed, half joking, half serious, and Bucky lifted his head, his eyes widening, lips parted.

"No, that's not what I-" He cut himself off, sighing and furrowing his eyebrows, looking guilty, "Sorry. I'm just so fucking annoyed."

You smiled and nodded, "I know, me too. We're one step closer to getting this guy though, Buck."

He nodded too, eyes closing again, his jaw unclenching, finding some kind of relief in your words.

"We don't have to share if you don't want, but I'm okay with it if you are. I trust you. Plus, we've fallen asleep on the couch together before, can't be that much different." You shrugged, acting nonchalant, although you felt extremely not, as you stood up, sick of the feeling of your knife's handle digging uncomfortably in your skin.

You pulled your skirt up to expose your other thigh, lifting your right foot to rest on the bed, while making sure not to flash Bucky in the process as you pull the dagger out, throwing it back on the bed, leaving the garter on for now.

His breath caught in his throat at the sight, watching as your dagger glided against the skin of your thigh as you removed it from yourself, tossing it onto the white bed sheets before dropping your foot back to the floor.

"No it's... I don't- uh." He trailed off, losing his train of thought, obviously distracted.

You looked at him, eyes dropping to follow the movement of his tongue wetting his lips, and you knew you'd never get the sight of him right now out of your mind. His legs were spread, sitting comfortably in the chair, one of his arms draped over the arm of the chair, while he rested his elbow with the other one, holding his head up with his thumb and index finger on the side of his tilted head.

He regarded you silently, his eyes dazed, and you wondered if it could possibly be because he was feeling the same exact way as you right now.

Bucky was struggling to think straight, scrunching his face up in frustration when he finally snapped out of his daze, the frustration completely different to what he was feeling before, now he just couldn't get the image of your thighs out of his mind, or the black thigh garter you still wore under your dress.

God, you drive him fucking crazy.

You chewed the inside of your cheek when he sighed again, "Buck, you need to chill out. I know Kozlov is a fucking asshole, but we expected that. We got the mission done with no big issues."

He stared up at the ceiling, feeling so guilty that he was looking at you that way, thinking about you in that way, especially after the reminder of Kozlov and how undoubtedly uncomfortable he must've made you feel.

"I know, I just hate feeling powerless. That prick was touching you and saying horrible shit and I just stood there-"

"Bucky."

He huffed a breath and opened his eyes, only to be met with the beautiful sight of you stood before him, only a few feet away, your dress clinging to all the right places and your eyes locked to his and he felt a familiar heat stirring up inside him again. He stared up at you as if you were a heaven-sent angel.

The tension in the room was so thick, and you both knew why, though neither of you had the guts to admit, nor say anything about it.

Your intentions were pure at first, and for some reason, on the way towards where he was sitting, you never thought about the very un-pure version of your actions until you were stood in front of him, barely thinking about it when you sunk to your knees before him, your hands resting just above his knees on his spread legs.

At first, you told yourself it was because you wanted to talk to him properly, make sure he was okay, and that included you being on his level physically, but now you realised it was mostly because you so desperately wanted to see him like this, his gaze heated, looking down at you between his thighs with parted lips.

It didn't matter that you were the one on your knees, you'd never felt more powerful.

His gaze was unwavering, the intense, lustful look in his eyes alone had you clenching your thighs together as you thought about your next move, and Bucky lifted one of his hands towards your face, brushing the back of his fingers down your cheek, just as Kozlov had done earlier, though this touch was completely different, and your eyes fluttered shut, a sigh escaping you as his fingers caressed your cheek, ridding the memory of Kozlov's cold skin against yours with his soft, warm touch, and you pulled your eyes open to meet his again, lifting your hand to take hold of his.

You looked down at the rings he was wearing, one on almost each finger, apparently it was a common style choice from James Walter, and it wasn't the first time tonight that you'd silently thanked the dead mobster for that fact.

They'd been catching your eye all night, and you lifted his knuckles to your lips, placing a kiss against the smooth metal of the first one on his index finger, and then the next one, and the next.

Bucky watched you kiss his rings, his eyes darkening with every touch of your soft lips to his knuckles, so entranced by you, slowly sinking further into the seat, melting with each touch.

He couldn't think of any repercussions right now, couldn't think of a single reason to stop you, all he could think about was what you were doing to him right now, and where these actions could lead you, and his pants were getting tighter by the second.

You met his eyes with your lips still on his knuckles, and you both immediately knew what this was, where this could be going, and that the thick tension between you, was sexual tension like no other.

Bucky's heart must've stopped when you opened his fist and slipped his index and middle finger past your lips, enveloping them in the hot, wetness of your mouth, your soft tongue circling over his digits, sucking on them, He couldn't help but groan, leaning his head back, though still keeping his half-lidded eyes on you.

"Fuck, doll. So fuckin' gorgeous."

You weren't thinking straight, you must not've been, because why the hell would you be doing this, why was it something you didn't even have to question, why did it feel so natural, and so fucking right.

The words that slipped past his lips were doing things to you, and the way that his fingers pressed down on your tongue slightly, but weren't nearly as heavy against it as something else you wanted on your tongue would be, you were a goner, and your underwear was already soaked.

You pulled his fingers from your mouth but kept hold of them as you crawled onto his lap, his arm immediately wrapped around your waist, holding you to him, his lips so close to yours you were sharing breath.

Slowly, you guided his fingers down, sliding them under the slit in your dress to bring them to your covered core, watching his facial expression intently, watching for any sign of discomfort.

There was none, and his breath caught in his throat when his fingers made contact, the heat of you radiating against his hand, he could already feel how wet you are.

"Fuck." He breathed, eyebrows furrowing, forehead resting on yours, "You sure about this sweetheart? You want me to touch you?"

You nodded immediately, biting your lower lip, pressing his hand against you harder, "Yes. Are you sure?"

He nodded back, "Never been more sure about anything in my fuckin' life."

You moaned when he finally started moving his fingers, circling your clit gently over your underwear, though with enough pressure to give some sort of relief, but it was when he pulled your panties aside, and dipped his fingers into your wetness, spreading your folds and gathering your slick, before pressing his fingers against your clit and rubbing you in tighter circles, that you were a mess in his lap.

"Bucky-" You whimpered, rolling your hips slightly, and he licked his lips again, nudging his nose against yours, wanting so desperately to kiss you, but also not wanting to miss a single expression you made, he wanted to watch you fall apart under his touch, again, and again, and again.

"You know something, sweetheart?" He asked, waiting for confirmation that you were paying attention to him before continuing.

You rolled your hips again, staring into his eyes, moaning out in pleasure, "What?"

"You drove me fucking crazy tonight, every time you touched me, every time you looked at me- God, whenever you said my name- I'd never heard you call me that before, my first name, fuck I don't ever want to stop hearin' you callin' me that."

His words made you dizzy, the confirmation that he'd felt the same as you all night, the confession that he loved it when you called him 'James' just as much as you loved calling him it, you were sinking deeper and deeper into this feeling, that this moment couldn't be more right, more necessary, like you'd both been needing this for months now.

By the time he had finished talking, he had slowed his touch to a complete stop, and dipped his fingers lower, pushing them inside you.

You gasped, he groaned, and when he curled them, finding that sweet spot inside you and pushing against it perfectly, you cried out, dropping your forehead to his shoulder and tucking your face in his neck.

He didn't let up with his gentle thrusting, and the insistent rubbing against that spongy spot inside of your cunt. He used his free hand to move your head from his shoulder, leaning himself forward slightly, holding you closer, and finally kissing you.

You whimpered and moaned against his lips, though returned the kiss passionately, both of your hands in his hair, your tongue gliding against his own.

This was unlike any experience you'd ever had, every touch dialled up to 100.

He used his thumb to rub your clit, still curling and rubbing his fingers against your walls, and when you started to clench down on him, he pulled back from the kiss.

"C'mon, kitten, cum on my fingers like a good girl." He purred, and your head tilted back, moaning as you came, your orgasm only spurred on quicker by his words.

"James-" You whimpered, his touch not letting up as he pleasured you through your orgasm, though when you were through most of it, you crashed your lips to his.

You kissed until you ran out of breath, doing exactly what you had wanted to do earlier, what you had wanted to do for months. Bucky gently eased his fingers out of you, and when you tucked your face in his neck again, catching your breath, you could tell he was sucking them clean, moaning at the taste of you.

It was quiet for a moment between you, only the gentle sound of your slightly laboured breath filling the space, Bucky held you close to him, his fingers gently tracing up and down your spine through the fabric of your dress, you gave a pleased hum and kissed his neck, just above his collar.

It didn't matter that you'd just barely come down from an orgasm, you needed more, you needed him.

"James." You whispered against his neck, just below his ear and he just about melted into the chair beneath you, humming to let you know he was listening, though you didn't say anything else, a part of you just wanted to say his name again, and to feel his pleased reaction to it.

His body was so warm under yours, but there were far too many layers of fabric between you and him and you desperately wanted to fix that, 'adjusting' yourself on his lap just so you could provide some friction between you, biting your lip and sighing into his ear when you felt how hard he was beneath you, he groaned and gripped your hips tightly.

"I wanna feel you inside me, James." Your voice was as sweet as sugar, breath warm against his skin, and your heated core was seated just above where his hard cock was pressing tightly against his pants, throbbing with every small movement you made.

"Fuck, sweetheart." He husked, no doubt sounding like a broken record, though he didn't care much about that, not when you were pressing yourself against him like that, slowly rocking in his lap, not when he could still faintly taste you in his mouth from where he had sucked his fingers clean, not with your mouth on his neck, whispering dirty things.

You kissed the hinge of his jaw, then ghosted your lips lower, pressing a kiss just below his ear, before making your way to the other side, leaving sweet kisses as you went.

You met his eye as you traced your hand up his black shirt, watching his expression as you slowly loosened his tie, and popped the top button open, and then the next, giving yourself better access to the skin there, kissing below his Adam's apple.

"C'mon, Buck. You wanna fuck me?" You asked, looking up at him through your lashes this time, teasing him with a smirk.

He bit his lip, holding your cheek in his palm, thumb swiping across your cheekbone, his eyes darting across your face, taking in every detail he could while he was so close to you.

So pretty.

"I do, of course I do, doll." He said back, his eyes following the movement of his thumb against soft skin. You could sense the 'but' coming, "But... I don't think we should-"

"Bucky." You interrupted, stopping what you know would've become this huge, self-doubting, self-sabotaging speech, and he met your eyes again, sighing slightly, his head tilted, "If we both want this, then why can't we have it?"

He didn't know what to say, he couldn't imagine a world were someone would really want him, as he was, much less a smart, loving and kind, beautiful girl like yourself. He believed you when you said you wanted this, but was still unsure if you would really want him, want him beyond this moment.

"If we go further, I'll never be able to get enough of you." He spoke quietly, this moment between you was so intimate, which was something he'd not experienced in decades. It was terrifying, but so perfect, so right. 

"You have all of me, Bucky. I want you, not just tonight. I've wanted you for months, honey, and if you want me too then what have we got to lose? You can have me whenever you need me, whenever you want me, I'm yours, yours now, yours tomorrow. If you need a hug," You wrapped your arms around his neck as you spoke and held him tighter, "If you need a kiss," You pressed your lips to his, "If you need a release; I'll be there, because you have me, always have."

By the time you were just halfway into your speech, Bucky was a puddle, his brain short-circuiting, his heart beating much faster than it should be with him just sitting, and his whole world view collapsing.

You were his.

You wanted to be his.

He was yours completely.

He surged forward to press his lips to yours, and kissed you for a long moment, using his tongue to memorise the feel of your mouth, the heat of your own tongue against his, and he stood as he kissed you, holding you in his arms as you wrapped your legs around his waist.

He carried you with such ease and sat down on the edge of the huge bed, not once breaking the kiss, or putting an ounce space between your bodies.

You helped him to shrug off his suit jacket, tossing it to the floor as if it didn't probably cost hundreds of dollars, and deft fingers quickly reached to undo his tie.

The tie was silky and smooth, and your imagination was bright with ideas, the image of Bucky fucking you, with your hands tied above your head, or maybe tying Bucky up just the same, kissing his cock teasingly, without letting him touch you.

You tabled the ideas for now, tossing the tie aside.

You could experiment with him in due time, for now you just wanted to be able to touch him as much as possible.

You were both still enraptured in the kiss when Bucky stood again, this time turning around, and laying you down on the mattress, pressing himself against you as he placed one last kiss on your lips, and pulled back to admire the sight of you, blushing with kiss-bitten lips as you lay beneath him.

He traced his hands down your body and stood at the end of the bed, his shirt almost halfway undone.

His fingers glided down your legs, and ended at your ankles as he eyed the strappy heals you wore, admiring how beautiful you looked in them. He imagined keeping them on you, stripping you down and bending you over the closest surface, whilst still wearing the heels, maybe keeping on the thigh-garter too, but he wanted you comfortable, and he wanted you naked.

Gently, he undid the strap on one of your heels, and slowly pulled it off, before doing the same to the other one.

He kept glancing up at you as he did so, watching you so intently, he didn't dare miss a single moment, a single change in your expression.

His hands traced back up your legs, this time, he kissed his way up too, kissing you ankle, your shin, just below the garter.

He stopped himself though, and looked you in the eyes, that serious look returning, "Are you sure you want this?"

"Yes. Please, James."

He smirked, he couldn't not, and his hand drifted to your hip, squeezing there, before using both his hands to flip you over, leaning over you and pressing his hand against your back.

You gasped in surprise, and then felt his fingers against the zip of the dress, his breath against the nape of your neck.

"Should we take this off?" He asked sweetly, and you nodded silently, your voice trapped in your throat, that cocky, dominant persona you had taken on earlier apparently about to be fucked out of you. You couldn't wait.

He flipped you back over to help ease the dress off, leaving you only in a lacy pair of underwear, your chest exposed to him, and once the dress was on the floor, and Bucky allowed himself the chance to finally look at you, he groaned roughly, draping his body over yours and reaching up to caress your breasts, watching as his thumb traced over the hardened peaks of your nipples, "So fucking gorgeous."

Your hands were in his hair, back arching into his touch when he took your nipple into his mouth, paying attention to the other one with his fingers, and as much as you were enjoying it, he was still wearing way too much, and you put your fingers under his chin, pulling his mouth away from you.

He kissed you as you unbuttoned the rest of his shirt and pulled it off, quickly followed by his pants and soon you were both left in your underwear.

You pushed at his shoulder, and he eventually got the memo, and rolled aside, letting you sit on top of him, carefully moving the dagger you had left on the bed onto the bedside table.

When you pulled back from the kiss, he continued to kiss down your chest, but your eyes drifted to the hand he had on your waist, the left one, that still looked like skin even though it wasn't.

You had almost completely forgotten about it, it felt just like skin, was warm like skin, and looked unbelievably life-like, but there was something about it that you really didn't like, it wasn't him, it might've been once, but as Bucky has told you before, he's not been the man he was back in the 40s in over seventy years, and he probably wouldn't ever be him again, which you reminded him was okay, that he didn't owe Steve the version of himself that Bucky thought he would need.

You knew about the struggles Bucky has had with his metal arm, the history that there is behind it, and the hatred he had for it when he was first rehabilitated. You didn't want this impressive Stark invention to become something he used to hide this part of himself, against the needs of his own healing.

You started at his left shoulder, and traced your fingers down the arm, stopping at the silver watch on his wrist, and Bucky stopped kissing you, watching you, waiting.

"Is it the watch?" You asked, and he hesitated, before nodding.

"You don't have to take it off."

You paused, looking down at him, he looked slightly uncomfortable, and you needed to change that.

"I'd like to take it off. Do you want to leave it on?"

He was quiet for a moment, thinking about your question. It made him uncomfortable, seeing the uncanny, flesh arm in place of the metal one he knew was there, and to see a human arm, yet not be able to really feel the touch of your skin against it, only pressure and heat. He didn't like it.

He shook his head, and you smiled, kissing him again as you carefully undid the watch with your mouth still on his, pulling back to see his metal arm visible again, and you intertwined your fingers with his, metal against skin.

You did the same with his other hand, intertwining your fingers, before lifting them both above his head, pressing them into the mattress. You knew he could very easily break out of your grasp, but that didn't make the sight any less pleasing.

You rocked your hips against his, just as you did before, and he groaned, lifting his own hips, seeking more friction.

Reluctantly, you released his hands, and quickly took off your underwear, leaving you naked above him, before you took his off too.

You couldn't possibly be any wetter, your inner thighs a mess of slick as you watched his cock slap against his stomach, painfully hard and leaking at the tip.

"Fuck, James. D'you know how beautiful you are?" You asked, slowly touching the underside of his cock, tracing an enticing vein, before gripping him in your hand and squeezing him.

A moan slipped past his lips, hips lifting from the bed again.

He shook his head in response to you, smiling, "Do you know how beautiful you are?"

He flipped you both over again, his hands tracing your body, lingering in certain areas, squeezing your breasts, caressing your stomach, lifting your thigh to rest on his hip, dipping between your legs to press down on your clit, "You're fuckin' breathtaking, doll, and so fucking wet."

He gathered some of your wetness on his fingers, and dipped them back into his mouth again for a taste, moaning around them.

"I wanna eat you so bad, kitten." He lowered himself to you, resting on his elbows on either side of your head, kissing your neck.

"Later. I need you inside me, James." You pressed your core against him, and he nodded, reaching between the two of you to line himself up, slowly easing inside.

You both moaned as he slid inside you, Bucky's eyes fluttering shut, savouring the sensation whilst trying desperately hard not to give in to the urge to immediately bury himself at the hilt, and fuck you without a moments hesitation.

His hips twitched, cock throbbing inside of you, both of you were so desperate for this, and when he finally pulled his hips back, and rolled them back to yours, it was relief like no other.

His first few thrusts were slower, so enraptured by how you felt around him, hot and wet, and fucking perfect. Eventually, he started to speed up, but favoured fucking you harder, rather than faster. He didn't want this to end too quickly.

You were sprawled beneath him, biting your lower lip and moaning with every stroke of his cock against your walls, his body completely draped over yours so with every roll of his hips, his pelvis stimulated your clit. When he started to fuck you harder, repeatedly hitting a spot deep inside you that made you see stars, you were crying out in pleasure, already feeling close to another orgasm.

"Fuck, sweetheart, you feel so good, y'know that? I'm never gonna get enough of this, gonna want to fuck you all the time, 'm never gonna think of anything else." His forehead was resting on your shoulder, one of his hands on your stomach as his other held him up on the bed, "I want you to be mine. Mine to fuck, mine to kiss, mine every minute of the day. God, I want everyone to know, sweetheart, want them to know you're James' girl."

You were moaning with every word, nodding along, whining when his hand drifted lower, his thumb hovering over your clit, but staying completely still, teasing you.

Your heart was so full, just like your cunt, and you hoped to god he'd follow through on his promises, you needed to be his, just as much as you needed him to be yours.

"James, please." You begged, arching your back into him, and he lifted his head from your shoulder to look at you, smiling with a shake of his head.

"You beg real pretty, doll, but you can do better than that. Tell me what you want, and I'll give it to you."

Your eyes practically rolled back, fuck, you loved hearing him talk like this, "I want to cum, please."

He nodded, leaning in close to you, "You want to cum? I'll let you cum, princess."

He began to rub your clit in steady circles, keeping up a steady rhythm that dragged you so close to release.

"C'mon, come for me, sweetheart."

Your eyes fluttered shut as your orgasm rushed over you, and you gripped Bucky's hair tighter, your cunt clenching around him sending him head first into his own orgasm, his hips stuttering against yours as he came inside you, filling you up with his seed.

His forehead was pressed to yours, both of you slowly coming down from your high, and Bucky waited till you'd caught your breath to lean down and kiss you, slower this time, savouring the taste of you as best he could.

You kissed him back eagerly, aftershocks of your orgasm washing over you and making you clench down on him, still inside of you. Bucky groaned into your mouth, before he hesitantly broke the kiss, and leaned back to slide out of you.

"Fuck, sweetheart, such a fucking mess we made." He breathed roughly, glancing down between your legs, watching his cum seep out of you, so turned on by the filthy sight, before looking up at you again, tracing his eyes up your body, completely bared to him. He took in every detail, and smiled at your flushed cheeks, "You're so fucking beautiful."

You smiled back at him, shaking your head as you wrapped your legs around him and reached out, pulling him back down to you to nudge your nose against his, watching the way his nose scrunched up when he smiled, "So are you."

He huffed a laugh and kissed you, before burying his face into the crook of your neck, wrapping his arms around you and holding you as close to him as possible, practically laying completely on top of you, though he held most of his own weight. As much as you would completely, happily welcome the weight of him on top of you, you also know that breathing is kind of a necessary thing to survive... sadly.

"We need to shower." He murmured against your skin, rubbing his stubbly jaw against your shoulder.

You hummed and nodded, raking your nails across the surface of his back.

"We should probably talk too." He followed, keeping his face hidden from your sight.

"We should, but I don't think there's much to talk about that we haven't already. We both want each other, and not just physically."

He lifted his head and gazed down at you, his expression vulnerable, more vulnerable than you'd ever seen him, even with him naked above you, "So... like lovers?"

You smiled at the old-fashioned term, much preferring it to boyfriend and girlfriend, and you nodded, gently brushing hair from his face, "I'd love that, Buck, if you want that too?"

"Yes, I want that, so much."

"Good, let's make it official then."

He nodded smiling down at you, before he stood from the bed, and he picked you up, wrapping your legs around his waist and carrying you to the hotel en-suite like he had carried you to the bed earlier.

"You're my girl now, sweetheart." He whispered to your ear, loving the way it sounded on his lips.

"And you're my guy." You replied, kissing his nose.

"Sure am." He smiled proudly, setting you down on the bathroom sink as he turned the shower on, before he turned back to you, leaning on his hands, which rested either side of you, "I will be taking you out on a date when we get back, just so you know."

"I can't wait, baby."

[vaspider]

Since I just turned off reblogs on another post that quickly went from "let's have fun" to "this is fucking awful, I'm taking away this toy," please read this BlueSky thread from rahaeli, who I don't think is on here.

Most of it I've c/p for ease of readability bc BSky's threading sucks.

Okay, it's time again to talk about what the experience of having a social media account with a bunch of followers (*) is like. (* "a bunch" of followers is platform dependent. I'm getting irritating shit at 2k on Bluesky I didn't get until 10k on Twitter.)

(Ugh, wait, nevermind, I hit 3k while I wasn't looking. Anyway.) Someone who has never had more than 100 followers literally cannot comprehend the sheer volume of the responses you get. Even if individual posts don't get a ton of replies, if you post with any frequency, it accumulates.

Once you hit the first degradation threshold, your experience gets a little bit shittier. It's overwhelming volume, but the people who are following you are mostly ideologically, socially, and culturally aligned to you. You have the same concept of social media manners.

You'll get a few duplicate comments, because nobody reads the comments before they reply, but they're mostly from cool people, so you just roll your eyes a little at the same joke five times. You still make friends. You still have fun and can wind up finding neat new people.

And then those neat new people retweet your stuff, and it starts reaching out to an audience of people who are less aligned with what you think of as social media manners. You start getting some replies you find obnoxious: they're in good faith, you can tell, but they just grate on you sometimes.

And then *those* people start reposting your more viral threads, and you get people following you who are three degrees of separation from the people you are most likely to vibe with. And three degrees of separation is the second degradation threshold.

The second degradation threshold is where you start getting the constant, low-grade sand-in-a-pearl annoyances. The person who wants to argue with everything. The 15 people making the identical shitty "joke" that's actually just doing the exact thing you're complaining about, "ironically".

The people who look at a post that contains no question marks and think "there is an implied question here and I will answer it!" and leap to offer the most basic advice that you already thought of because you have existed for more than three seconds and can, in fact, think of the obvious answers.

The people who are spoiling for a fight no matter what, because you used one word in the post that is their particular berserk button and they're going to scream at you for hating waffles because you said you like pancakes even though you never mentioned waffles.

It is constant. It is never-ending. You cannot escape it. Every time you post anything at all, opening the app means wading through twenty garbage replies for every reply from someone who is actually cool and you'd vibe with just fine if you chatted with them.

You want to bitch about a minor annoyance? There will be 40 people all giving you the same useless advice. You want to squee about something you're enjoying that's making you happy? There will be 40 people coming to scold you because that thing isn't morally pure enough.

Every post. Every day. About 75% of the time you compose a post, you will get halfway through writing it and think "I can't deal with the replies this will get today" and delete it. You stop talking about things you enjoy, because you're tired of people shitting on them.

You stop complaining about the tiny annoyances in your life that you want to bitch about, because weirdly enough you already HAVE tried the first fifteen obvious suggestions you're going to get, and you don't want to spend an hour explaining why they won't work to everyone who's "helping".

(But you can't just ignore the "helpful" posts and not engage with them, because then you start getting accusations of being "elitist" and "standoffish" and jesus, lady, we're just trying to help here, why do you have to be so fucking rude and stuck-up, you full of yourself bitch.)

If you are any less gracious to the 40th person than that person thinks they deserve, there is a very good chance they're going to call you a cunt and drag allot their friends in to dogpile you and make the site unusable for at least three days.

The third degradation threshold is when you start needing to regularly call your local police department and politely remind them there are people who get very mad at you online and will try very hard to have you murdered by armed agents of the state and you'd appreciate it if they didn't do that.

I first had that conversation with my local police department in 2003. It's gotten faster now, at least? You usually don't have to start by explaining what social media even is.

Bluesky has tighter thresholds than Twitter did. On Twitter it was nicely exponential: the breakpoints were around 1k, 10k, 100k. Bluesky is running faster. I'm getting Twitter 10k annoyances at a Bluesky 3k. I am trying very, very hard not to switch over into Twitter 10k defensive posting.

I want to leave the defensive posting back on Twitter. I really do. I want to be able to bitch about a thing without having to wade through 20 "go try [extremely obvious thing]". I want to post about a thing I enjoy without 20 people yelling at me I'm bad for enjoyjng it.

There's a difference between arguing about an idea (which I love) and the onslaught of constantly infuriating replies plucking at your last goddamn nerve. And the more "last goddamn nerve" replies you get, the crankier you are, and then people lose their shit at you because you snapped at them.

So maybe let's all start keeping a few principles in mind: 1) if there's more than one reply, check to see if your point has already been covered. If it has, you don't need to repeat it.

2) Even the funniest joke gets old after the 20th time you hear it in 3 hours.

3) "I'm going to jokingly do the exact thing you just were complaining about because ha ha the real joke is I would never do that asshole thing" is never funny, and it is indistinguishable from you actually doing the asshole thing.

4) If there is no question mark in the tweet, think twice about offering "helpful" advice unless you and the poster know each other *mutually*, not just parasocially, you know it's likely to be new info for them, and you ask "do you want to hear how I handle this?" first and get an affirmative.

5) If you are going to ignore 4, ask yourself "is this a suggestion that someone with a reasonable level of generalized adult knowledge would think of trying within the first 15 minutes of approaching the problem?" If so, do not suggest it.

6) Do you really need to nitpick that grammar, spelling, or word choice? Did you understand what they were trying to say before autocorrect mangled it or they blanked on the exact word they wanted and found a close one? If you understood the meaning, don't be their volunteer copyeditor.

7) Is someone excited about a thing you hate? Are they having fun with the thing? Is the thing a front for white supremacist recruiting or organizing the overthrow of the US government? If the answers are yes, yes, and no, respectively, shut the fuck up and let people enjoy things.

8) We are all occasionally That Commenter. If someone you have a pre-existing relationship with replies to you and lets you know you're being That Commenter, it's because they have a positive enough impression of you they don't want to go straight to block. Treat this like the warning sign it is.

9) It deserves repeating: remember the Law of Large Numbers. Even if you only commented once, you may be the hundredth irritating comment that person got that day. Bluesky's terrible threading makes this worse: people don't keep a single thread of mounting crankiness the way they did on Twitter.

9a) If someone's top tweet sounds really annoyed at something, maybe check their timeline or follow back their nested self-QTs to see what level of irritable they're at and over what so you don't step straight on the same rakes they've been dodging all day.

10) However, remember that BSky also doesn't show replies made by people the OP has blocked in a thread. If they post about a pattern that's making them cranky and you look and don't see anything, they probably already blocked the worst of it. They still saw it in their mentions in order to block.

I really cannot overstate how absolutely exhausting and soul-destroying the experience of having a large account can be. It's also somehow still rewarding, or we wouldn't do it. But especially if you're a woman or a person of color or a female POC, that balance is really, really close most days.

And of course, the ones who stay are the ones who do find it still rewarding enough to keep doing it despite the constant irritations.

From here, the thread moves into a conversation about stuff specific to BlueSky, but the majority of the thread is truly applicable to Tumblr as well.

You may be the first person to comment "op lives on a planet without music," or "op has never heard of [thing OP didn't mention for whatever reason]," but you're probably not, and at a certain point, it becomes like someone tapping a sunburn.

So yeah.

[theemporium]

Omg I have two drinks in mind for the 10k special (aka I'm indecisive and would like you to pick the one you'd like to write)

So, I'd like a Smut-Berry Daiquiri to share with Lando Norris, and prompt 4: "why don’t we film it?”

OR a Violet Fluff with, maybe, Oscar Piastri? with prompt 53: "Please, never apologise for wanting to be loved." (but really it can be said by either)

whichever you'd like to do, I'd really appreciate it🫶,

-the 🍝 anon

thank you for requesting!🫶🏽

53. "Please, never apologise for wanting to be loved."

series masterlist

.

It felt stupid to cry and yet, you couldn’t stop yourself. 

It hit you so suddenly, out of nowhere with no real signs of an overwhelming wave of negative emotions that left your eyes watering, your lungs constricting and the strongest urge to run away to somewhere nobody could find you. However, that was a little difficult to achieve at the prestigious gala event where countless eyes and cameras were on you and your family. 

Instead, a half-assed excuse about needing to powder your nose in the bathroom left your lips, letting you quickly turn on your heel and speed walk out of the ballroom before either your brother or father could notice the tears welling in your lash line. 

A choked noise left your lips before you made it to the bathroom, your back pressed against the wall of some random corridor as you tried to fight the sobs. But it was useless and soon you could barely see your hands in front of you, your body sliding down against the wall until your legs gave in and you sat in a crumpled mess on the floor, letting yourself cry your heart out. 

You hadn’t even heard the approaching footsteps, nor did you even realise you were close enough to the ballroom where the event was being held for anyone to find you. 

But he found you. 

He always fucking found you.

Because for reasons beyond your understanding, the universe seemed to draw you and Oscar Piastri together like magnets. So, of-fucking-course he was the one to find you sobbing on the carpeted floor of whatever fancy hotel you were in. 

“Hey, woah,” his voice hit you, a mess of blurred, coloured blobs kneeling in front of you but you knew it was him. By the voice, by the gentle touch on your knee, by the fucking smell of his cologne. You knew it was him. “Hey, what’s happened?” 

“I—” You tried to speak but your words got caught in the back of your throat and the noise that followed didn’t really sound human. And you just….couldn't fucking get your words out. 

“Can I touch you?” He questioned, his voice soft and sweet and something inside you broke a little more because this was Oscar. This was the same boy your brother despised, that you should have despised in return. And now he was here, being considerate and caring and you fucking hated it.

You didn’t want him to stop. 

The second you nodded, his arms were already wrapped around you and lifting you off the hard, uncomfortable floor and onto his lap instead. Your face was tucked against the crook of his neck, his hands running along your back in a soothing manner, and hushed whispers from the boy right beside your ear until your body stopped racking with sobs.

“Wanna talk about it?” He whispered, making no move to take you off his lap. 

You shook your head. “It’s stupid, anyways.”

Oscar frowned. “Nothing that upsets you is stupid.”

“ I don’t even know what happened,” you confessed, keeping your eyes closed as you enjoyed the feeling of him wrapped around you. “Carlos was talking away to some sponsors and there was just this one comment and it just felt so—” 

But you cut yourself off. Because this was Oscar. This was not someone close to you or someone who even remotely liked you. The last thing you needed was to spill your heart, to confess how much of a burden you felt on your own family.

“Sorry,” you eventually whispered, moving to pull away but his arms tightened around you. 

“Please, never apologise for wanting to be loved,” he whispered, his voice heavy with an emotion you couldn’t quite put your finger on. “They are stupid for not appreciating you more.”

You swallowed harshly. “Can we stay like this for a little longer?” 

His lips brushed your hairline as he pressed a soft kiss there. “Always, wildflower, always.”

.

[dukeofankh]

Trying to find progressive masculine community is so exhausting.

I've flipped through local men's groups, trying to find places to explore masculinity in a chill, progressive setting. First of all, they mostly seem to be modelled after AA, and like, my gender isn't a debilitating addiction, it's part of my identity actually, but also, the invite and description of the event have maybe a short paragraph tops actually waving vaguely in the direction of what the purpose of the group is, and then ten to twenty paragraphs breaking down the rules. One spent longer talking about the hand signals he would use to direct conversation than he did describing what the conversation would be about. Another had a full paragraph explaining that if the group thought you were evading what they thought your "real" problem was, they'd probably "call you to take accountability". Like...I don't even know who these people are yet and they're already letting me know that they view it as their right, no, their duty, to bully me into seeing things their way. Like, this is in the invite.

...and this warning is there instead of any sort of breakdown of like, I dunno. Whether you should be a feminist to show up. Whether it was a safe space for queer men. What the hell they wanted to talk about. Joining a men's space is on some level inherently submitting yourself to the authority of the leaders of that group, and you don't usually get a particularly clear breakdown of what the values and goals of those leaders are, because on some level the answer is always going to be "whatever I want"

And like, unfortunately you do need to filter men to build a men's space. You do need to remove or chastise men who act in ways that are toxic or disruptive or misogynistic. If you don't things turn into an MRA chapter pretty quick. But the sort of emergency powers that leadership takes on as a result of that...just kind of naturally end up reproducing masculine heirarchies.

MensLib, the only online community of progressive dudes talking about masculinity that I'm aware of, is...on Reddit. So there is a moderator system. In theory, a moderator is there to...moderate. This is a space where people are going to be talking, and mods are there to make sure things don't get too toxic or off topic.

The issue is that, on some level, that is technically a leadership position. In a sub trying to rehabilitate masculinity. So you've got a bunch of folks who view themselves as the leaders of this bastion of goodness standing against the depredations of the misogynistic internet, guiding the hapless smooth-brain neophytes towards The True Way.

In practice, this looks like 95 percent of the posts submitted for the subreddit being rejected. That isn't hyperbole. On average, the sub has about one new post per day. Almost all posts directly relating a personal experience are deleted immediately, in favour of articles written about masculinity in traditional media publications, which are considered more trustworthy than the sus lived experiences of the guys in the sub. The post I wrote here about the effect of purity culture on male sexual shame that's sitting at about 15K notes was based on a 10K word post I wrote for Reddit that was deleted because "I didn't cite any sources to prove that there is a link between purity culture and male sexual shame, or that my experience was anything more than anecdotal". I get comments deleted on a regular basis, and after paragraphs of protesting in modmail that my comments are both fully in line with feminism and not against the rules, the mods have just finally told me that the rules don't actually drive their actions as a team. They delete anything they feel leads the conversation in a direction they personally feel is unproductive. The rule cited at the time of deletion is really just the broad category of why they decided to hit the button that says nobody is allowed to read what I wrote.

The issue is kind of twofold. First of all, progressive men do not trust other men. A good dude knows that he, individually, is a good person, but literally any other man external to him is on thin ice. Do you really want to tie your wagon to that guy? Do you trust him, really? How do you tell the difference between a guy criticizing an article because it's factually incorrect and criticising it because a woman wrote it? Probably best to play it safe and delete it. Weight of the odds, he's probably a misogynist, right? This is the internet.

And thats the other half of it. If you view yourself as part of the leadership of The Good Guys, and you're getting hatemail from incels and facists all day, you get to the point where most of the time people challenge your authority it's because they're a terrible person. It is very, very easy to get to the point where someone challenging you is seen as evidence that they are a bad person. And now someone is challenging you (and therefore bad), in an environment where you are in charge, and you have a "make your opponent disappear" button.

I know. A Reddit mod was rude to me and now I'm butthurt. It's petty and stupid. I'm just feeling like there's nowhere else to really go, and I'm pretty despondent that literally every space I've seen that even looks like it might be for progressive men has the same deeply hierarchical structure and constant status-oriented squabbling as patriarchal spaces.

[marvel-redemption-omega]

Adam x Bratty!fem!reader

Reader is afab/female, explicitly used

Established relationship; you're Adam's wife

Summary: Y/n has started popping off to everyone lately, but mostly to Lute and Adam, which has caused a few scenes. Sera warned them to get their act together before she has to intervene. Adam thinks he knows just the thing to reel Y/n back in.

Minors DO NOT INTERACT! 18+ ONLY

Explicit content under the cut!

Warnings: Adam, lots of cursing, brief Dom!Lute, mentions of guitarspear if you squint, vague mentions of Lute x reader if you squint, Dom!Adam, Brat!reader, soft!Adam, BDSM/bondage, wing kink, thigh riding, edging, orgasm denial, slight praise kink?, you get used, idk what else you want me to say, there's some fluff in the midst; Adam fucks you senselessly into submission for being a brat, idk if there's more warnings. It's over 10k, I've lost track now.

Word count: 10,792

Make Me

(Not my gif, pulled from Google. If it's yours please lmk and I'll edit to credit!)

“The fuck you looking at, Saint Peter? Do I need to get Adam? Move,” you growl, shoving past the poor angel as you head towards the training grounds for the exterminators. Saint Peter looks after you, rubbing his wing where your own clipped his, sending a worried look after you before flying off to who knows where.

You slam open the doors, spreading your wings and launching yourself at the first exorcist you see. She is coming up to greet you, hand out for a handshake, when you grab it and fly up. Ignoring the startled scream from her, you try to keep steady as you twist, somersaulting a couple of times, and sling her towards a group of other exorcists headed right for you. They try to stop the one you sent flying at them, their wings tangling. You watch as they all plummet, hitting the ground with a harsh thud.

“Y/n!” Lute's voice has you turning to face your lieutenant. You smirk and bow your head slightly, wings twitching just the slightest as you hover and land before her.

“Lieutenant,” you grin, walking around her, wings partially folding behind you as you circle her. “To what do I owe the pleasure of your attention?” Sarcasm drips from your words. You rest your hands on your hips and watch as she turns with you, her eyes never leaving you.

“This isn't your normal behavior. What's gotten into you? Have you forgotten that we're all a team? We work together as one, and when you break that uniformity, it creates chaos,” Lute glares, voice cold as she approaches, her own wings stretching out. You know you're her subordinate, but you can't help taking the bait she's dropping. Her wings fully spread and you take the opportunity to taunt her.

“What's the matter? Don't like the fact I'm more brazen? I thought you said I needed to be more like you,” you snip, fully extending your wings as a show of defiance to her dominant display. Her eyes narrow and you both move quickly, flying towards each other. However, in your senseless agitation, you forget that Lute is your superior, in both ability and technicality. She easily gets the upper hand and wrestles you onto the ground, pinning your wings to your sides and you to the ground.

“You seem to be forgetting your place,” Lute warns, her tone sharp and hinting at something else you don't quite catch. The group of angels you sent in a heap arrive, all talking over one another to try and tell Lute what happened. She silences them with a look, not moving from atop her perch on you. “Hush! I saw what she did. Don't worry, Adam and I will be dealing with her,” she dismisses the group with a wave of her hand. Only once they're gone does she let you up, one hand gripping the base of one of your wings tightly, forcing you to back up to the side of the building as she extends her wings, making herself look bigger. You bite your tongue at the feel of her hand in your feathers, walking back until she has you pinned, your own wings shrinking and folding as best they can with a hand in the way.

“What now? You've got me alone? Why don't you just beat me and be done?” You snap, glaring at her boots. She steps into your space, forcing you to look at her. You press yourself back to the wall, irritation written on your face.

“You've got some nerve! You're lucky that you're one of the best I've trained. And you're even more lucky that Adam has a soft spot for you, otherwise I'd leave you broken on this fucking ground,” the lieutenant growls, twisting the hand she's got on your wing ever so slightly. Something crossed between a yelp and a moan escapes you as she pushes against you. “Since you think you can just barrel over anyone, you're going to be waking up extra early with me to do drills. We start tomorrow.” With that, she releases the hold on your wing, keeping hers flared behind her, before taking off. You hear her call for the ones training today. With a mocking snort, you take flight and leave the training grounds, deciding to be anywhere else but near Lute.

“Stupid Lute yelling at me. I didn't do anything. Why's she gotta take her anger out on me,” you grumble, landing back on the promenade. You know that's a lie, you're being a brat, but it's not your fault, you reason. You fold your wings, tucking them under your arms as a habit you adopted from Adam. “Fucking tell me I've gotta do early morning shit. Fuck her, she's not the boss of me,” you continue to rant to yourself, completely missing the golden winged angel. His eyes widen as he watches you storm by, none the wiser to his presence. He glowers before white wings cover his face, momentarily confusing him and turning him around.

“Whoa! Sera! I thought we agreed you wouldn't fucking sneak up on me again!” Adam says, looking up at the seraphim. She crosses her arms as she meets his eye.

“Adam, get your subordinate back in line. She is being rude to the other angels and if this behavior of hers continues, I will be forced to intervene. Saint Peter is not the first to have a complaint with Y/n and her behavior,” Sera warns, watching as Adam turns to watch you. Sure enough, you're shoving others aside, using your wings to try and create more space around you as you walk.

“Yeah yeah! I'll go get her! No need to jump down my throat, that's my job!” Adam dismisses Sera, crouching lightly as he spreads his wings. Sera grabs his wrist, stopping him.

“I'm serious, Adam. Reign Y/n back in or I will have to pull her from the extermination team and move her elsewhere. And if she doesn't calm down there, well, let's not let it get that far,” Sera releases him, turning to greet Emily who is flying up with two ice cream cones. Adam, unfortunately, loses sight of you in the time Sera is talking to him. He groans and heads to find Lute.

Lute is sparring with five exorcists at once, pointing out their flaws as she takes each one down. Adam, not particularly keen on getting a sprained wing again, waits out of the way until she notices him and dismisses them to work without her.

“Sir?” his lieutenant questions, wings folding behind her as she walks up to him.

“Have you seen Y/n? Sera's bitching ‘bout her. Something ‘bout she's being mean or some fucking shit. I wasn't really paying attention,” he admits, shrugging as they walk back out the training facility. Lute smirks at his typical behavior.

“Yeah. She came here earlier and assaulted some of the others. Sera is right though. Y/n was deliberately being disobedient,” she reluctantly agrees with the seraphim about you. To be fair, normally you'd go straight to Lute for a good, challenging spar, so to go after some of the younger and less experienced exorcists was a dick move on your part. Adam sighs and groans, glancing down at his lieutenant.

“Hey, Lute~”

“No.”

“What the hell, you don't even know what I was gonna fucking ask!”

“I know you. I don't need to know what you were going to ask.” Adam just stares at her for a moment, his mask switching to a deadpan expression. It quickly switches back to his usual, cocky smirk.

“Oh yeah? If you're so smart, what was it along the lines of then, Dangertits?”

“You were thinking of having me deal with Y/n instead of you, Sir.”

“Don't say it with such confidence. Bitch,” he throws in the last word as an afterthought, realizing she pegged him pretty well. She stopped and turned to face him, brow raised in question.

“So am I wrong?”

“Shut up. No. Let's just fucking go,” he grumbles, spreading his wings and flapping twice to get into the air. Lute smirks and follows silently. She might be his subordinate, but they both know she's right more often than not.

They finally find you at the local barbecue pit, in the reserved section. Reserved for him, Lute, and you. Lute looks up at Adam, wings folding behind her as she waits for his orders. “C'mon, Dangertits,” he mutters, making his way to you. You don't bother looking up when you're sandwiched between two bodies. The familiar touching of wings against yours immediately tells you it's Adam and Lute. You flip them off and continue eating your plate of ribs.

“Umm excuse the fuck outta you, Sugartits. You have some damn nerve acting like you're so fucking high and mighty all of a sudden. The fuck's got your panties in a twist?” Adam reaches over you and takes a rib, expertly dodging the fork you try to stab him with. Lute remains quiet, eyeing you as you glare at Adam, dropping the fork.

“None of your fucking business. And get your own damn plate of ribs, asshole,” you bite out, wings shifting in annoyance. Adam grins and reaches for another rib, holding your gaze while he does so.

“Fucking make me,” he retorts, grabbing the rib you start to reach for. Your eyes narrow, wings fluffing up fully behind you.

“You fucking absolute prick. What the hell is wrong with you?! I said to leave me the fuck alone. I was eating alone just fine until you two showed up,” you yell, drawing unwanted attention and eyes towards the three of you. You let your wings lift you from between your superiors, glaring down at them. “Stop fucking following me!” You leave the duo with your half eaten plate as well as the bill, hands clenched at your sides as you fly out the doors.

Emily finds you on a cloud, well away from everyone. She flies into your vision, giving you a warm smile. You can't help but return it. No matter how mad you were, Emily always seemed to make you want to smile and try to be happy for her sake. She was like a little sister to you after all. You gesture to another cloud beside the one you're on, letting your wings fluff out in contentment. Emily accepts your silent invitation. Heaven's sun warms your wings as you sit in peaceful silence with the young seraphim. It doesn't last long though. You feel Emily's eyes on you and you know she has something she wants to say.

“Everyone's worried about you, you know. Sera's worried that you're going to fall. Adam and Lute….they're worried something is wrong. Something like you don't want to be here, in Heaven, anymore. Saint Peter also said to let you know he wants to see you when you get the chance,” the seraphim rambles, one of her hands finding yours. You allow her to link your fingers, listening to her. Yeah, you have been a little shit lately, you know that. There was only one person who could help and he was still as clueless as ever. Adam. Well, that's not true. Lute could most definitely help too, you just preferred if it were Adam.

“I promise I'm fine, Em. You can tell Sera that I'll be okay. I'm just….going through something,” you grin, swinging your joined hands. “But, for you, I'll try and not cause any more trouble.” You mean every word. You don't want to give Sera a reason to cast you out. You actually like it here in Heaven. Hell, you even like your misogynistic, egotistical, dumbass husband. Why, you don't know, but there's just something about him that draws you in and keeps you coming back for more. He'd definitely say it was because he's the Original Dick.

“Eee! I know she'll be happy to hear that! I'm gonna go tell her you're okay! Okay? Bye!” Emily lurches forward to give you a hug before racing off to find her older sister. You let out a chuckle at the young seraphim's antics. For someone at least a millennia old, she still had a childish air about her. It was refreshing, a nice change of pace from her older sister, Sera.

Your peaceful mood doesn't last too long. You remember Lute telling you that you have to be up early for extra training due to your outburst earlier. Honestly, you know you can't blame anyone but yourself, but that doesn't mean that you like it. With a defeated sigh, you make your way back to your house.

You slam the door to your home, grumbling and cursing Lute and several other angels. In your anger, you completely miss two angels in your kitchen. Adam and Lute watch you pace in your living room, wings fluttering about. They have a silent conversation before Adam's smiling and Lute is trying her best not to, shaking her head. Finally, the light from your kitchen catches your eye.

“What the hell? I can't go out without running into you and now I can't even be in my own fucking place?!” You groan, feathers floating around you as your wings puff up in your annoyance. Adam smirks, lacing his fingers and folding his hands, resting his chin on them as he watches you.

“Babes, this is our house, not just yours,” he corrects you without hesitation, watching as you shake your feathers and fold your wings. Lute watches you both, only here to act as the middleman if needed to separate a fight. You turn your back to them and head back to the couch, falling face first onto it.

“Fuck off. I'm so sick of seeing your ugly mug,” you snarl, head turned to the side so they can hear you. Adam turns to Lute, nodding to the door. She gives him a look, but he shoos her as he gets up, making his way to you.

“Adam, I don't think-”

“Lute, just go. I can fucking handle this. I think I know just the fucking thing to correct her attitude,” a grin appears on Adam's mask, a ripple running through his wings as he pushes his chair back. You fluff your wings, letting them sprawl, one hanging off the back of the couch and the other dangling on the floor. Lute doesn't offer any further complaints, just opens the door and gives him a look before shutting it behind her.

“Go away, Adam,” you huff, feeling his presence hovering over you. You crack an eye open to see his face inches from your own, mask discarded somewhere. You yelp in surprise at the proximity, your wings flapping frantically to help you pull back and away from him. His grin widens as he slowly stalks towards you, his golden wings unfurling and shaking out behind him.

“You've been rather busy the last couple weeks huh? Been fucking with me and Lute and raising hell up here. Care to enlighten me as to why?” His gold eyes narrow as you search for a way around Adam or out of reach of him and his wings. You know he will use his wings to pull you close if you get too close.

“N-no. I haven't,” you lie poorly, slowly crawling backwards on the couch, and off the far side over the arm. You both stare at each other as your feet land on the cool hardwood flooring. A subtle flutter of his wings has you turning and darting down the hall, wings helping as you try to keep out of Adam's reach, hoping to get to the bedroom before he reaches you.

“You're such a shit liar,” he snorts at you, catching up to you quickly. You don't stop to see how close he is, you don't need to. You can feel his feathers brush against yours just before they fully envelope you.

“Adam!” You squeak out as his arms wrap you in a tight hug, face burying in the crook of your neck. Trying to steel your resolve and not break from such a small interaction, you use your wings to push against his, earning a chuckle from him.

“S'matter, Babe~? Need something?” His sharp teeth nip at your neck and it takes all of your willpower to not cave and moan at the sensation. The feel of his chin stubble combined with his teeth make your knees weak. Thankfully you have wings that help keep you balanced.

“Not from you,” you manage to scoff, still trying to get out of his grip, though your attempts are more feeble with each bite to your shoulders. In the small power scuffle, Adam has managed to walk you to your bedroom, nudging the door open fully with his wing.

“Mm, don't fucking be like that. I came all the way here from work just to help you,” he growls in your ear, voice dropping as he talks. You pause in your escape attempts, a chill running up your spine and through your wings. Adam doesn't miss the shaking of your feathers at his words, gold eyes glinting in the setting light filtering in through the window. He quickly takes advantage of your lack of fight, easily hefting you into his arms bridal style, letting your wings free of his hold. You blink up at him, arms instinctively going around his neck.

“Bullshit. Your head is too far up your own ass to care about me,” you sneer at him, grabbing his collar and pulling it tight so it comes close to choking him. He grins and leans his face closer to you, nuzzling his forehead against yours.

“I'm gonna make you eat your fucking words, Babe,” he mutters. He tosses you onto the bed after breaking your hold on his collar. His wings stay spread, displaying his dominance to and over you.

You turn to him, on your knees, and spread your own wings in defiance. You grin smugly at him, crossing your arms as he makes no moves to change your mind. When he does move, you don't see him. He turns you around faster than you expect. It's easy to pin you, and when he moves to grab something from under the bed, he keeps you down with his wings. You struggle under him until you feel cold metal on your wings. A gasp escapes you as Adam moves to secure your wings so they stay flared out, the metal frame locking as he puts the spines of your wings into each arm. You try to pull away, only for the metal brace to force them to stay.

“A-Adam!” You whine, realizing what kind of hole you dug for yourself. He ignores you, making sure your wings are secure before rolling you onto your back.

“You want to show disrespect to your superiors? Don't worry, I'm going to remind you of your place,” he chuckles, moving to grab something from the nightstand.

You whimper. You know you're fucked. You pushed your luck, especially with Adam, and went overboard with your bratty attitude. But fuck if this isn't what you wanted. Adam had been ignoring you after all. He was always ‘too busy’ with work. Maybe you were jealous of the time he spent with Lute, not like you should be, you knew their relationship, but it did bug you sometimes. Especially when you're his wife. You're aware and more than ok with the swing style relationship you both share with Lute. It was something you accepted readily when you met her after a date with Adam. There was hardly ever one without the other, no matter which way you looked at it.

“You're going to be begging me to stop before I'm through with you. I'm going to make sure you don't forget where you belong for a long time,” Adam's voice brings you back to the present. You look up at him, not daring to move from where he rolled you. He's sitting beside you, hand on one of your knees, hiding something in his other hand. You prop yourself up on your elbows, meeting his gaze.

“Big talk coming from someone who's locked up my wings. What's the matter, Dickmaster? Can't put me in my place with my wings in the way?” You taunt, though there's no real bite to your words anymore. You know you're at his mercy now, but you still can't help yourself since he hasn't touched you aside from the love bites he gave you on the way to the bedroom. You watch as his hand freezes the small thumb circling on your knee. His head tilts and he pulls out a massage wand, twirling it a couple of times.

“Sounds like you need more than just this. On my knee, now!” He orders, setting the massager on the floor for now. You raise a brow at him and bat your lashes at him.

“Make. Me.”

A feral noise escapes your husband. You're dragged into his lap and stripped of your boots and pants with a snap of his fingers. His robe is also discarded from his snap, leaving him in dark jeans and a band tee shirt. Your wings try to move, but the bar keeps them locked in place. The most you're able to do is shift the feathers slightly.

Smack! Smack! Smack!

The sting from Adam's hand connecting with your ass pulls a startled yelp from you. Your body shivers and goosebumps appear on your arms and legs. You try to kick and get out of his lap, but his hold on you tightens.

“Want to try that again, Bitch?”

“Y-yes… Make me, Dickmaster.”

Smack! Smack! Smack! Smack! Smack!

You try to stifle your moan by biting your fist, not wanting to give him the satisfaction just yet. You hear him tsk and see his shadow shaking his head at you.

“Nu-uh, that's not a good little bitch. What do we say?” He teases, grabbing your free hand and clicking something around it. You recognize the feel of the metal cuffs, even if it's been a few months since they've been used. He grabs the hand you're biting, and you willingly let him pull it above your head. He holds your hand there, your other being held in place by the chain connecting the cuffs.

“Fuck.”

“Getting warmer,” he chuckles, shifting so you're sitting on his lap. “You're going to ride my thigh until you tell me, but if you cum before I say so, I'll make sure you don't get to cum for the rest of the night. Understand, Bitch?” Your heartbeat feels like it's in your ears as you nod your head, wiggling your free hand to grab his shoulder. He lets you readjust yourself, the hand holding the empty cuff taps your free hand. “Gimme.” You immediately move your hand to his, letting him fix the cuff and click it around your wrist. He moves your hands so your arms are locked around his neck, hands resting on his shoulders with the lengthy chain. His own hands roam your body, pausing at your chest to grope your breasts through your top, one continuing south to rest on your hip after he gropes your ass. “Move,” he commands.

You tense slightly before realizing what he means. You lean forward, burying your face in his neck as you begin slowly grinding on his thigh. Still feeling a bit bratty, not having your fire extinguished just yet, you gently nip at Adam's neck before biting down hard at the junction between his collarbone and neck.

“Fuck!”

You smile as best you can with your teeth clamped against his neck, sucking on the skin until you're sure it's bruising. You feel Adam's wings curl around you, radiating warmth. Your wings block his from fully enveloping you, but you feel the warmth in your wings where they touch his own. Feeling proud about your mission to mark your husband, you let go of his neck with a loud pop. Adam's hands grip your hips tightly, fingers digging into your skin as he forces you to move faster on his thigh.

“You have some damn nerve being such a brat, yanno that?” He doesn't give you time to answer. He's sucking and biting a trail of hickeys along both sides of your neck, to hell with what anyone says. Once satisfied with the number he's left on you, he lets your hips go, hands trailing up your back to your wings. Your breath hitches as his hands curl tightly into the small feathers closest to your back. “Gonna have to show you where you belong. Make you understand just what happens to a brat who doesn't behave.”

“Sounds fun,” you breathe, leaning your head on your arm to look up at him, grin on your face as your halo shifts to right itself. He tilts his head down at you, gold eyes alight with something you can't quite pinpoint.

“Always gotta have the last damn word, don't cha?” He grunts, grabbing the chain connecting the cuffs and yanking it over the back of his head, holding it above him to pull you close. He drops the chain as his hand moves to grip the back of your neck, tangling in the hair there. You open your mouth to say something else smart, but he quickly covers your mouth with his own, silencing you before you can get anything out. You try to refuse when he licks your lips in an attempt to get you to open your mouth to him. He growls and tugs the hand in your hair, earning a moan from you and giving him access. He massages your wings as you kiss, only pulling away when you gently tap his shoulder, your signal you need air.

You can't process anything. From Adam's hand in your feathers, you riding his thigh, and that kiss? You feel a bit tipsy. Wanting to keep riding the high that is Adam, you lean back in for another kiss, your hands finding their way into his hair. Sensing your keen interest, he obliges you as you pull him down for another sloppy kiss, teeth clacking and tongues dancing.

“Adam, please… Don't want to ride your thigh,” you manage to squeak out, head resting on his shoulders, hands gripping his hair tightly as you grind down on his thigh.

“What's that? You don't want to?” He repeats, letting his hand untangle from your hair and trail up and down your back. He grins, and you swear his face matches his mask. “Too bad. Brats don't get what they want,” he answers, gripping your hip to keep you moving. He rocks his leg, shifting it with you so it hits just right, causing you to squirm. You whine and try to pull away with no fire in your heart, stopped by his grip, wings, and the handcuff chain. You can feel how excited he is, but you know he'd hold off just to prove a point. With another whine, you push your forehead into his collarbone. He doesn't want me to cum but wants me to ride his thigh? Fine, I'll at least follow one rule, you think, gripping his shoulders to pick up your pace on his thigh. If he wants you to ride his thigh, fine, you can do that, but you're doing it on your terms, not his. “Whoa. Ok, Sugartits, now we're talking,” Adam murmurs above you. You try to ignore him, ignore the feel of his hands on you. You don't care about him right now. He's been so mean to you! He's been too busy for you. Fuck him! You're gonna use him. Yes, you love him, but fuck him, literally and figuratively.

So focused on your own pleasure, you don't hear Adam calling for you. You're shaking your head, ears filled with the sound of your own panting. You feel the way Adam moves his leg under you, the way your wings tug against the warming metal brace, the warmth of Adam and his wings, the way you're moving in and out of sync with Adam's leg, it makes your brain fuzzy. A whine is pulled from your lips as you feel that familiar spring coiling tightly in your stomach. When did it coil like that? Surely you're not already about to come undone? Your fingers dig into his shoulders and you bite on his shoulder as your body shakes slightly uncontrollably as you reach your orgasm. You feel a rumble from Adam's chest, his hands tightening harshly on your hips as he works you through your bliss, slowing you down as your body settles from the aftershocks of your release.

“Still disobedient, I see,” you hear his voice and give a faint nod as you release his neck. You smirk at the mark before leaning back to meet his eye, eyes half lidded in ecstasy.

“Fuck you,” you manage to grumble, using the chain against the back of his neck to pull him closer. He chuckles, denying you the kiss you desperately want, he holds you still on his lap, wings unfurling from around you both and folding to his sides. The cool air sends a shiver up your spine, the chill creeping over your bare lower half. You glare then pout at him as he laughs at your expression, hands running over your legs to bring some heat back.

“I told you already, brats don't get what they want,” he reiterates, bringing one hand down hard on your rear end, making you jump. He smiles mischievously and snaps, eyeing your now nude body on display for him, your wings still held firm in their restraint, giving him a complete view of you. You whine and rock against his leg, your first orgasm barely scratching the surface of your need. “Ah ah ah,” he chides, lifting you just enough to prevent you from achieving the friction you just tried to make. He holds you like it's effortless, and honestly, for him it probably is. Man's like eight feet tall, if not more. You whimper, leaning your forehead into his neck at the loss of all contact except where he's holding your thighs. Your hands pull together and you realize Adam is pulling the chain over his head so you aren't locking him in place.

“On your hands and knees.” You're deposited on the bed, the remaining warmth leaving you as Adam shuffles off the bed and waits for you, gold eyes glowing in the dark. You shift your weight, grumbling, until you're on your hands and knees as ordered. “You know better. Arch your back.”

The sound of buzzing piques your interest enough to listen, turning your head so your left ear is pressed to the soft sheets on the mattress. You feel your feathers ripple and a few smaller ones fall as they poof up against your will. Heat creeps up your face and you quickly bury it against the sheets with a groan. Adam's chuckle is faint, but you hear it as he shuffles around behind you. The bed dips under his weight, forcing you to shift and recover your position for any sliver of hope that he won't keep his word of denying you more orgasms.

“Aww s'matter, Babes? Embarrassed your wings are giving away how aroused you really are? Afraid I'm going to do exactly as I said?” His voice drops lower as he leans over you. You feel his scruff on the back of your neck, his breath hot as he places a few sloppy kisses there. You can't help the moan that slips, and he doesn't miss that you ball your hands into the sheets either. He shifts again and you yelp, the vibration setting not what you were expecting as he holds the massage wand to your inner thigh.

“Fuck,” you bite the sheets to try and mute yourself, still not wanting to give Adam the satisfaction of hearing your voice. He tuts, moving the massage wand closer where you want it.

“Hold this,” he mutters. He smacks your hand away and gives you a knowing look. “Not with your hands.” You roll your head to the side, pulling your shoulders closer as you shift to bring your arms back under you.

“You can't be serious, Adam!” You whine, glancing over your shoulder where he's patiently waiting for you to take the wand. His grin never wavers as you lock eyes, gold piercing through you. “Fuck, Adam, please!” You attempt to bargain, hands clawing at the bed when he shakes his head no. Your resolve is slowly breaking at his slow torture. You'd prefer his break-neck pace instead at this point. When he doesn't budge, you curse him out, eyes never leaving his own as you move your thighs together to hold the wand where he wants you to.

“Good girl,” he praises as he moves from the bed, humming to himself. You try to watch him to the best of your ability, but lose sight of him when he moves to your shared closet. You can hear him pushing clothes aside until he lets out an excited ‘aha’. You can only imagine what he found, considering that's where you kept the more sinful sex toys and equipment. The familiar feeling of leather being wrapped about your ankle startles you from your momentary bliss of the wand. You hum as you feel Adam's fingers easily pulling the restraint tight. He slips a finger between your ankle and the leather. “Too tight?” The question makes you shake your head. “Can't hear you, Angel,” he teases, looking over the curve of your ass, down your lovely arched back.

“No, not too tight,” you bite out, legs slightly numb from the high intensity of the toy he demanded you hold. You jump and let out a small yelp as his hand makes contact with your rear. You quickly squeeze your thighs back together to keep the massager from falling, knowing that would earn you more discipline. Without another word, he's moving to get the second leather brace around your other ankle. Now knowing what he's doing, you quickly answer when he asks if the second is too tight. Once you agree that you're ok and the leather is really not too tight, he nudges your knees apart, clicking a small metal rod onto both ankle braces. The wand lands on the bed with a soft thump.

“On your knees,” he orders. He grabs the wand and turns it off for the moment, setting it on the side of the bed. You push up onto your forearms before using them to propel yourself fully upright to your knees. A soft gasp escapes you as Adam wraps his hand around the front of your throat. You never felt him crawl onto the bed behind you, but you feel his warm chest and stomach pressing against your back, feel his breath against your neck. You try to swallow and calm yourself of the anticipation. He trails kisses from behind your ear down to your shoulders, his hand staying firmly around your neck, holding you against him. The cold clasp of metal doesn't startle you this time, but it does send a warmth spreading through your chest and to your core like wildfire. You feel Adam loop the leather band through the clasp, pulling the collar to rest snug against your throat. He checks once, twice, three times with his finger that the collar isn't choking you before turning you in his arms, maneuvering you so you can see him.

“Safeword?”

“Oh, uhh…kumquat!” You snicker as his grin falters at your words before returning as he throws his head back, howling with laughter. He nods, wiping a nonexistent tear away from his eye.

“Perfect. If I cross a line, you say cumquat, and I'll stop, understand?” You giggle a bit at his words, but nod along so he knows you understand. He fingers the d-ring on the collar before using it to pull you close to him. “I couldn't hear you, Pet, what was that?”

“Yessir!” You squeak, a bit baffled by the new nickname. He licks his lips, nodding and muttering something you don't quite catch. He doesn't give you an opportunity to ask what he plans to do before he kisses you roughly, forcing his tongue into your mouth. Not like you're complaining. You try to move with him, but he has you stuck with your collar, his fingers still tangled in the ring on the front. You groan against him as he presses his lips harshly to your own. He nips at your bottom lip as he pulls away, panting slightly. You notice his hair is tousled more than usual.

While you're busy staring, you don't notice him undoing your handcuffs. He rubs the indents on your wrists before bringing them to his lips, leaving small kisses. Your heartbeat quickens slightly at the sight, loving Adam's sweet tendencies, you don't even know if he's aware of them. He drops your hands and meets your gaze, his eyes narrowing at you. You shy away slightly and drop your eyes to anywhere but his face, choosing the bed by his knee to be particularly interesting as heat floods your face.

“C'mere. Lay on your back and hang your head over the edge of the bed here. You're going to be a good little bitch and suck Daddy's cock,” he croons to you, one hand cradling your cheek. Your eyes widen a bit at his bold claim, but you nod along, nipping at his hand when he pulls it away. He quirks a brow but you just shrug and do as he told you, doing your best with both your legs and wings restrained. Once situated as comfortably as you can, you tip your head back to look at the shadow looming over you. He's got the wand in his hand again and you hum, hands reaching for Adam's clothed length. He's still in his shirt and jeans, so you tug at the belt loops, looking up at him expectantly. He rolls his eyes playfully and snaps, leaving himself bare to you. You, maybe a bit too eagerly, reach out for him, grabbing the back of his thighs and tugging him towards you. You hear his laughter, but you try to tune him out, desperate to start on him in hopes that he'd return the favor with his hands or the magic wand he has.

“Can I touch you?” You ask as he stands above you. The low glow from his wings and halo give you a small glimpse of his expression, a hesitant pause as he thinks over his words.

“Yes, I'll allow you to touch me. But, if you take your hands off me, there'll be consequences,” he grants you permission. You hum with a small smile, one hand going to the back of one of his thighs while the other grips his length. You give him a couple of strokes before opening your mouth and gently tugging his thigh to urge him forward. He doesn't need you to tell him twice, and moves so his shins hit the bed while you move to make sure you can take as much of his cock as possible.

The angle is a bit awkward for you, but you make the best of your situation as you feel Adam move and hear curses ring out. You hollow your cheeks, allowing him to fit farther down your throat as he pumps his hips. You hum, swirling your tongue around him, the metal barbell on your tongue adding a cooling sensation to Adam's heat. He groans at the feeling of it, dropping above you so he's leaning on his elbows on either side of you. You reach up to mess with his feathers, your other hand moving to fondle his balls. He curses and moans as you bob your head in sync with his movements. You let your hand fall from his sack, moving it to join in his wings. You bring your knees up and dig your heels into the bed, shifting yourself closer to the edge. Your gag reflex reacts at the sudden change, your throat constricting around Adam's cock, but you force yourself to choke through it, keeping yourself from gagging again.

“Ahh-fuck!” He curses, hips stuttering before he pushes himself up, pulling out of your mouth. “Up, on your front.” You whine as you're forced to let his wings go, but quickly do as he says, mimicking your first position with your back arched. He fists your hair, pulling you back to him. You lick your lips as he watches you take him back into your mouth. He grunts at the feel of your tongue running over him before he sets a brutish pace, hand so tightly wound in your hair you feel the subtle oncoming of a headache. You reach up and rest a hand on his hip for stability, the other going back to the base of his wings. You relax your throat and jaw as best you can, tears pricking your eyes and drool dripping down your face.

You squeeze your eyes shut tight when you feel a gentle vibration at your core. Adam has the wand pressed to you on a low setting, his other hand firmly locked in your hair. He runs the toy along your folds, resting it on your clit before circling it a few times. You moan around him when you feel him up the setting, circling the toy again. You try to lean back into it, but a tug on your hair makes you stop and turn your gaze up to look at Adam. He's got his head tipped back, mouth slightly open as he pistons his hips, roughly slamming his cock down your throat. You whine as you feel the wand turn off, before hearing it hit the floor. Adam's nowhere near close, but the way you're whining around him does make his dick twitch. You lurch forward, choking slightly, as he inserts a finger into you. You try to rock back into his hand in time with his hips, earning a hum of approval from your husband. He slips in a second finger, twisting and curling them as you rock between his hand and his own rhythm. The coil from earlier winds faster now, having already had one orgasm spurs on a second more quickly. As you start to move out of sync with him, hellbent on chasing your own release again, he withdraws his hand from you. He smirks at your pathetic whine against him, sticking his fingers in his mouth, sucking on them, never letting pausing or slowing in fucking your face.

“Fuck. Taste so good, Sugartits,” he praises, watching you squirm under his gaze. You narrow your eyes at him, tugging on his feathers. His body jerks and he groans as his hips falter in their pace, before stopping. You feel his release hit the back of your throat and you swallow, running your tongue along the underside of his shaft, pulling off of him with a grin.

“Mm, right back at ya, Dickmaster,” you antagonize, sitting up on your knees to get closer to him. He growls, his smile twisting into a sneer.

“You just don't fucking learn, do you, Brat?” He yanks you to your feet by your hair, preening at the yelp he pulls from you. “That's ok. We have all fucking night and you're going to be fucking wrecked by the time I'm done with you.” You instinctively let go of his wing and hip as he pulls you into his chest, eyes holding you in place. You give him a lopsided grin as you pull your hands up to his chest, pressing your fingers into his skin.

“Of course not. It's gonna take more than a little bit to make up for ignoring me all month,” you snip back at him. He lets go of your hair and grips your cheeks between his fingers, squeezing lightly. You just smile as he holds your face close to his, his other snaking between you two to stroke his already half hard cock.

“Hmm. I'll have you in tears in a matter of minutes,” he finally replies, releasing your cheeks, and pressing a kiss to the side of your mouth. You pout slightly but quickly try to hide it from him. You might have gotten lucky for back talking so far, but you knew you were going to eventually run out of luck if you hadn't already. Adam snaps, pointing to the bed. “On your back, now.” You scrunch your nose at his odd request, unable to read his expression. It takes some maneuvering as your ankles are still in the spreader bar and your wings are still in their own spreader arms, that Adam notices how difficult of a time you're having. He taps your hip, motioning for you to stop. You do so, watching him intently as he removes the bar holding your legs apart. He steps back once he's got it undone, allowing you to move freely. You murmur a soft thank you to him, a hand on his shoulder as you lower yourself onto your back much easier now. He pulls you closer to the edge of the bed once you're settled, making you lift your head at him. He doesn't acknowledge you, simply replaces the bar and uses it to lift your legs over his head as he kneels at the foot of the bed.

Your face flushes as you realize Adam is about to eat you out, a rarity from him for sure. He flashes you a grin before kissing up your legs to your thighs. He nips and kisses your inner thigh before biting harshly. You let out a small whine, reacting to the pain by trying to yank your leg back. Of course the bar and Adam stop you from getting anywhere, and your leg twitches while you whimper, balling the sheet into your fists at your sides. Your muscle shakes, pain and ecstasy flooding you, quickly turning you into a panting mess. Adam presses a kiss to the bruise he's left, moving to your other thigh to leave a matching mark there. Your toes curl as his teeth sink into your flesh, a long whine pulled from you as your muscle tenses before relaxing under Adam's tongue.

“Adam, please! Don't tease,” you cry, reaching down to bury your fingers in his messy hair. He hums as he nips at your thigh, sucking another, smaller hickey.

“Don't tell me what to do,” he rumbles, breath tickling your leg. You can't help the small laugh that finds its way out as he hovers over your mound, staring at you intently. How can he be so calm right now, you think.

You lift your head, breath hitching as you watch as your husband slowly licks straight up your folds, never breaking eye contact. You feel your face heat up, and you drop your head back onto the bed, tugging gently on his hair. He lets out a chuckle, nuzzling your thighs before pulling you closer, arms wrapped under your thighs and on your back. He laps at you slowly, humming in contentment as you squirm under him, trying to grind down on his face. He dips his tongue inside, finally, and you arch your back, chancing a glance down at him again. His eyes are closed as he draws random patterns with his tongue. After a few minutes, he pulls back, sucking your clit into his mouth. You suck in a deep breath, letting it out slowly as he hums against you, the vibrations sending a shiver up your spine.

He wiggles one hand out from under you, snapping his fingers. The spreader bar, keeping your legs apart, disappears, and you feel his wings gently move your legs out to rest over his shoulders. You stretch one leg out, hooking the other around his neck. He presses a kiss to one of your hickeys, looking up at you. He covers your clit again, sucking harshly as he slips a finger in you, moving it slowly. A gasp leaves you, feeling your stomach tighten at the sudden intrusion. He wastes no time in adding a second finger, pumping and twisting them at just the right angle to make you squeak out his name. He slows his ministrations as he feels your pussy clench around his fingers. He picks up speed again before slowing down, repeating the cycle each time you squeeze his fingers.

“Adam, please, I'm so close,” you pant, hands loose in his hair. You gently stroke through the messy brown strands, eyes shut tight as you try to hold onto the edge of bliss.

His eyes glint with mirth and mischief. He pulls away fully, smiling softly at your cry of protest. “I know I said earlier that if you came before I told you, you wouldn't get to the rest of the night…but now, I'm thinking that was a bit harsh.” There's something in the way he says it that makes you not believe him. You don't know why, and you quirk your brow up at him in silent question, moving your stretched leg to cross the other so you lock Adam in place. He definitely just edged you, you've been on the receiving end of that trick one too many times, but something is different. He's up to something. “So, how about I let you cum,” he starts and you nod quickly, squirming to try and grind on him. He laughs and holds your hips down with practiced ease. His wings lightly trail on either side of your face, down your neck, to your hips softly. “You want to cum for me, Babe?” He asks, dipping his head to lick you teasingly. You don't answer, your brain fuzzy at what he's just offered you. When he nips at your stomach do you snap your eyes to his, nodding in response. “Can't hear you, Sweets.”

“Fuck me… God, yes! Adam, please, please, let me cum,” you beg, using your legs to pull your husband closer to where you want him. His eyes narrow, tongue delving back into your folds. He swirls his tongue, constantly changing his rhythm, licking, nipping, sucking, and lapping at you fervently. You squeeze your thighs, pulling Adam closer as a result. “Adam, please, please, please!” You beg, tears threatening to spill as you feel your stomach contract as you're brought closer and closer to your second orgasm of the night.

“That's right, Sugartits. Cum for me. Cum on Dickmaster's tongue,” Adam praises, watching you as he turns his focus back to sucking on your clit, slipping two fingers in and curling them. With a shout of his name, you feel a wave of bliss wash over you. Adam hums as he works you through your release, your legs squeezing his head with the aftershocks. Your gaze snaps down to his, eyes wide in realization. He's not had a change of heart, he's just twisting what he said before. You feel your stomach drop as he pulls back a little, giving your slightly over-stimulated clit a break. His tongue darts out, licking his chin. His smug grin tells you he's about to say something smart, like usual. “Damn, Babe, if I'd known all it would take to rile you up and make you this wet for me is to ignore you, I'd have done it sooner.” You want to hate him and his stupidly perfect face, but dammit if he isn't your idiot. You try to glare at him, but your heartbeat and panting leaves little room for anything other than flustered to show.

“Fuck you, Adam,” you manage to grumble, leaning your head back into the sheets, massaging his scalp. Honestly, you don't know which is the worse of two evils; being edged all night or being over-stimulated to the point of tears.

“In a bit, Babes,” he replies, scissoring his fingers in an attempt to bring you back to the edge. “Be a good girl and keep cuming for me.” He snaps with his free hand, watching as a sash ties your wrists together with a bow knot. You roll your eyes at him, shaking your head at his silly antics.

You've lost count how many orgasms Adam has pulled from you now. All you know is if he keeps the wand on you, you're not going to last much longer. You tug at the satin sashes holding your wrists together above your head, whining as you feel another orgasm wash over you. Your nose burns as the threat of tears forms behind your closed eyelids. “Adam,” your voice is hoarse as you call out to your husband, eyes opening to find him hovering above you, wand nowhere in sight. As a matter of fact, you don't even hear it anymore.

“Shh,” Adam cooes to you, pulling one of the loose ends of the sash, untying the bow and releasing your wrists from their binds. “Think you can do something for me? I know you've already done so much, been such a good girl,” he praises, pressing light kisses along your jaw. You whimper, not trusting yourself to speak just yet. You feel him shift above you, his wings curling around you both as he fists his cock. “Think you can take one more orgasm, Sweets?” He murmurs against your neck, rubbing the head of himself against your folds. You whine, tilting your head to give him more access.

“I-I don't know. ‘M sore,” you whisper back, letting one hand rest on his shoulder. Instinctively you intertwine your fingers with his as he moves his free hand to your own.

“Come on, just one more, Pretty Girl? One more for me?” He urges, gently squeezing your hand. When you squeeze his hand in reply, he quickly sinks down until your hips meet. You shift your hips, nearly purring with the stretch of him.

“Fuck, feel so full, so good, Dickmaster,” you return the praise, turning your head to look at your husband. His face flushes lightly and he glances away, a quiet ‘shut up’ coming from him. You smile at his reaction, moving your hand from his shoulder to his cheek, cradling it gently. He turns his head to press a soft kiss to your wrist, nuzzling your hand. “I love you, Adam, but for fuck's sake, please fucking move,” you groan, bucking your hips up into him. He chuckles at your renewed enthusiasm and pushes your intertwined hands into the mattress as he shifts his weight so he's evenly over you.

He obliges your demand, slowly pulling out before sinking fully back into you, finding a slow, methodical rhythm. You sigh in contentment as you roll your hips in time to meet his, a shudder running down your spine as he fills you over and over again. It's such a drastic change from the intensity of the last couple of hours. Adam's shift from Dominant to soft-Dominant is so fast that you swear you should have whiplash. His wings brush against your shoulders, your wings, your sides, and they're so warm! You shiver in pleasure under Adam, throwing yourself off rhythm. You feel his chest rumble with laughter as you try to match his pace again, eyes closed, brows knit in focus. You gasp when he angles just right, hitting deeper in you. You grip his hand tightly, moving the other to his shoulder again in an attempt to pull him closer.

“Shh. There's my good girl. Do you feel good? Like when I hit right there,” he emphasizes his words with a particular hard thrust, hitting your g-spot. You yelp, bucking against him as a result. “Yeah? There?” He slips his wings under you, leaning back and pulling you with him as he sits up. He takes care not to shift too much, keeping himself buried in you as he adjusts you in his lap. He gently pulls his hand out of your grasp, moving to hold your hips as he helps support you, helping rock you back and forth on him. You wrap your arms around him, burying your face in the crook of his neck while you bounce on him. You feel his hands under your thighs, lightly cupping your ass as he helps hold your weight when your legs start to give out. “Can my baby girl give me one more? Think you got one more for me?” He whispers into your hair, leaning his head against yours, bucking up into you as you still, leg muscles too abused to continue your movements. You nod against him, panting as you try to focus on the feeling of him; his smell, his warmth, his familiarity, it all invades your senses and fills you with peace.

Adam holds you steady in his lap as he starts to quicken his pace, losing his rhythm from before. He slips one hand between you both, thumb quickly finding your clit again. You shudder and cry at how sensitive you are, shaking your head against his neck, babbling nonsense. He mumbles soft reassurances in your ear, pulling you down as he thrusts up.

“C'mon, Sugar, cum for Dickmaster. Cum on the Original Dick,” he mutters, pressing a kiss to your temple, fingers digging into your skin. You whimper as Adam hits your g-spot as he talks, giving you that final push over the edge. You cling to him, legs shaking as your body tries to calm while he's still pistoning into you. You feel his other hand move back to under you, helping support you. You dig your hands into the base of his wings, gently tugging and nipping at his ear. He lets out a strangled gasp as his pace falters, getting sloppy. “Gonna fill you up, Babe. Gonna fill you so fucking full,” he growls, biting down on a bruise from earlier, eliciting a mixed cry of pain and pleasure from you. You clench around him as he pulls you down hard, hips stuttering as he groans.

It's quiet, save for the panting coming from you both as you slowly come down from your highs. Adam rubs your hips, kissing the bruises on your neck as you slump on him, hand gently brushing his feathers from where you were gripping them. His wings unfurl from around you, taking their warmth, and causing goosebumps to once again overtake your skin.

“Such a good girl,” he whispers, pressing a kiss to your lips as he lays you down, pulling out with a grunt of dismay. You chuckle softly, eyes closing when he lays your head on your pillow. You feel him messing with the collar, can hear the clasp as he undoes it, but you can't be bothered to make a move to assist him. You hear him laugh as he pulls the clasp end, the leather warming your neck as it pulls across your bare skin. You feel the bed dip as he shifts down towards the foot, repeating the motions for both ankle braces that once held the spreader bar.

When he looks back at you, he notices the gentle rise and fall of your chest, signaling you're asleep. He sighs, heading to the bathroom to clean himself and get you a warm washcloth. He steps into the bathroom and grabs the gold washcloth, turning on the tap, waiting for it to warm up. Once he's satisfied with the temperature, he lets the cloth fully soak before wringing it out and returning to you after shutting off the tap. He tries to ask you if you'd be ok with him gently cleaning you. When you don't answer, he snorts out a laugh and gently nudges your legs apart, trying to be as gentle as possible. He tosses the rag into the hamper against the wall, climbing into bed beside you. He tugs you close, slightly surprised when you roll onto his chest. He hums and cradles your head, pressing a kiss to your crown and snapping a blanket over you both.

“Goodnight, sleep well, my Angel,” he says, wings spreading wide and curling them around you.

___________________________________________

(Oh, did you think it was done? Oh no, Sweetheart, there's more. 😘)

The sound of knocking rouses you from your slumber. You groan and nuzzle into the warmth below you, trying to ignore the sound, hoping if you don't answer, whoever it is will go away. The door opening has your eyes snapping open. You move to push yourself up, but two arms wrap around you, keeping you in place. You feel the hair on the back of your neck stand on end. With your back to the door and being trapped under Adam's arms, you won't be able to fight back. A familiar shadow pushes open the cracked door, letting out a sigh at the sight of you. Lute pinches the bridge of her nose as she steps over to the bed, prying Adam's arms off you. She glances at you without a word, eyes trailing from your neck to your back. She crawls onto the bed, fingers quickly unlocking the brace holding your wings.

A gasp escapes you, eyes squeezing shut as you are finally able to move your wings. They're stiff as can be and they kind of hurt from being forced straight for the night. Lute sighs, holding out a hand for you. You take it hesitantly, but curiosity gets the better of you. You trust her, even if you're at your most vulnerable, and nude, in front of your lieutenant. She pulls you off the bed, towards the bathroom where she quickly starts a bath, getting the water set to the perfect temperature.

“Get in,” she orders quietly, sitting on the side of the tub. You blink, tilting your head as you obey her without question, the fire of the last month extinguished with last night's much needed treatment.

“Join me?” you ask, stepping over the side and sitting in the water with her help, wings folding close to your sides. She stares at you before nodding subtly. You watch as she strips and sets her clothes on the counter, grabbing two towels, resting them on the side of the tub.

“Turn around, I'll help you preen,” she offers, stepping into the large tub, sitting behind you. You turn your back to her, head slumping forward as she deftly runs her fingers through your feathers, straightening those that are crooked or twisted. You shudder as her hands work your feathers, and you can't help the whimper that you let out as she continues preening your wings for you. If she heard you, she doesn't say, so you don't mention it, trying to focus on anything else besides the feeling of your feathers being messed with. You grip the side of the tub when you feel her hands massaging the spines of your wings. The warmth from the water and the massage help make them feel a bit better.

“Thank you.” You know you don't have to say it, but you also know it's appreciated. “And, I'm sorry. For being a brat and for taking out my frustration on the other exorcists,” you start to ramble, eyes blurry as tears threatening to fall. Lute spins you around, gently cradling your chin in her hand, forcing you to look her in the eye.

“You're good now? Not going to be trying to harm our exorcists?” When you nod in agreement, she gives you a small smile, a rare gesture she keeps reserved for those close to her. “Good. Once you're done here, meet me at the compound,” she continues, stepping out and wrapping one of the towels around herself. You deadpan.

“You mean I still gotta meet you for those morning trainings?” You whine, eyes following your superior. She sends you a wink, leaning over the side of the tub so she's at eye level.

“Absolutely. Just because you got off the hook easily with Adam, doesn't mean I'm not going to punish you too,” she chides playfully, pressing a swift peck to your lips as she slips her clothes back on. “I'll see you at the compound in twenty minutes.”

She's gone before you can protest. You drop your hands into the water, groaning as you realize just how much of a mess you've made with being a brat.

Fuck! I still have to go apologize to Saint Peter too, you sink into the water, not looking forward to your day.

Taglist: @miss-menhera @fizzy-fuzz @atttwoood