#but also not just for Chris but also for himself

[phone4pills]

dad!Chris blurb

if you have daddy issues, this one may hurt a little but no other warnings

———————————————————————————————

Chris followed the trail of hushed giggles down the hallway into the living room where Nick and Matt were opening a package from Lego. You sat next to Nick, reading the back of the box that showed all of the pieces and told you more about the Lego characters. Your glance panned up to find your daughter toddling swiftly across the kitchen, Chris trailing behind her.

You turned to Matt, who was already grinning at the sight while Nick whipped out his phone to record, before your head spun back around to face the hilarious scene. Chris’ eyes caught your gaze, almost pleading for your assistance as your daughter stood at the far of the table with a vlog camera in her hands. A devious smirk settled on her lips, teasing Chris who waited at the other end of the table with heavy breaths.

He took off his hat for a second, wiping the sweat on his forehead before placing it back over his brown waves. “Daddy tired?” The little girl opposite him cooed, causing the laughter you tried so hard to force under the surface to boil angrily and bubble up your throat. Still you bit your lip, wanting to let it play out.

Chris’ lips however, pursed tightly as he exhaled a harsh breath from his nose. “C’mon baby girl, you know me and your uncles need that to film our video.” She nodded innocently, despite her grip only becoming more intense. “And if you give it back… you can get a sweet.” The second that last word left his mouth, he darted around the table, reaching out for the girl. But he missed as she quickly ran under the table, her minuscule figure making just the perfect size for her to fit underneath without hitting her head.

Chris huffed, gritting his teeth before he descended onto all four and crawled after her. By now, the whole room had erupted with laughter from you, Nick and Matt. All three of you struggled to catch your breath as you watch the scene unfold. You never imagine the father of your child crawling under a table behind her. You never imagined he’d struggle to keep up with her little legs that only took her a few metres a minute.

Her little chuckles echoed through the room as he snuck away from her Dad, running towards you, grabbing onto your shin with one hand, still holding the camera in the other. She laid her head on your knee, wheezing slightly from all the running.

Within a few seconds, Chris was up again, he snuck behind your daughter, tickling her waist to surprise her. She jerked about as giggled bubbled out of her throat before Chris picked her up by the armpits and carried her to the sofa. He placed her down on the end, next to Matt and kneeled down in front of her. “Okay, I got ya. Can I have the camera back?”

She pouted, her teensy fingers loosening up on the tripod little by little until she let go so it dropped on her lap. He took it gently, giving her hair a ruffle before kissing her face repeatedly so it scrunched up. And she couldn’t help but smile with each peck. Neither could you, he was so perfect.

Every day she got older, you only saw more and more of Chris in her, like they shared a soul. Maybe it was why you loved her so much. Because she was such a huge chunk of the man you were in love with. The man you were infatuated with. And you wondered if when he stared into her blue eyes, he saw himself for a second as though he were looking into a mirror.

By the time you had snapped out of your trance, the boys were already setting up at the kitchen table while your little girl sat on it, fiddling with Matt’s keychain. You pulled your phone out of your pocket, snapping a quick picture before sending it to Mary Lou. Then you turned off your phone and got up, ready to help the triplets film their video.

Thanks for reading, I hope your enjoyed. Also we reached 300 followers a day or so ago so thank you guys so much!

I hate to break the news that I’ll be changing my theme soon. Let me know if you guys think it’s a bad idea. Love you guys… not as much as I love dad!Chris. If you want more you can request or go comment on my masterlist.

-phone4pills

[ikilledyvette]

(Realized I was never gonna finish this long ass 9-1-1 fic before the premiere, so today I’m doing the seriously condensed version for Tumblr—which I still have to break into two parts, ffs.)

It’s Thursday afternoon, three days before Father’s Day, and the atmosphere at the 118 is grim. Gerrard is gone, at least, and everyone celebrated with cake—specifically, a Ding Dong, The Witch is Dead! cake, complete with a chocolate house crushing little black boots—but to everyone’s surprise, Buck isn’t exactly welcoming Bobby home with open arms anymore. He hasn’t forgiven Bobby for resigning in the first place. Making matters worse, Margaret and Philip Buckley are flying in for the weekend. Also, Eddie is depressed because Chris hasn’t called since he left for Texas six weeks ago, and Eddie doesn’t expect to hear from him on Sunday, or possibly ever again.

Hen tells Eddie Christopher will forgive him. “He’ll come home. He just needs a minute.” Eddie says that six weeks is a hell of a minute, but Hen persists. “You’re a good father,” she says, ignoring Eddie’s humorless laugh. “You messed up; I’m not saying you didn’t. But that doesn’t negate all the good you’ve done, too. Kids, they want you to hear them. They want you to show up, so when Christopher calls, pick up the phone and listen. You two love each other, Eddie. It’s going to work out.”

But Eddie’s gaze just drifts to the kitchen, where Bobby is quietly looking at the stack of uneaten fire-engine-shaped mini-waffles that Buck refused to eat, even though he’s the one who bought Bobby that ridiculous novelty waffle-maker in the first place

“You ever think maybe love just isn’t enough,” Eddie says, and Hen isn’t sure how to answer that.

*

Meanwhile, Chimney, thankfully, has the day off and is drinking a beer with Tommy. (Hen, left to deal with these weird morose vibes at the 118 by herself, quite rightly considers this a betrayal and has appropriately sworn revenge.) Chimney and Tommy talk a little about their own families: Tommy hasn’t spoken to his dad in years; meanwhile, Chimney finally gave up months ago after actually telling his dad how he really felt about being abandoned. He just needed to hear his father apologize once, just once—but he couldn’t do that, not even that, and Chimney decided enough was enough. 

Tommy, who’s only ever met the Buckley Parents one time (but has quickly clocked to Buck’s wildly shifting moods whenever discussing them), asks Chimney how much of a disaster this weekend is likely to be. Chimney tells Tommy that—apart from big family secrets and the general emotional trauma—every time the Buckleys visit, someone comes close to death: warehouse fire (Buck), lightning strike (Buck), viral encephalitis (Chimney). 

“Maybe don’t go up in a helicopter till they’re gone?” Chimney suggests, and Tommy says, “Jesus,” and gets another beer.

*

Back at the 118, things have gone from bad to worse. A call leads to Buck recklessly risking his own life to save someone. He walks away with only a few bruises, but Bobby yells at him for nearly getting himself killed. Buck snarks that he must still be that young, impulsive hothead after all. Bobby, a bit at a loss, tells Buck that he has come a long way, but he can’t put himself in danger just because he’s angry at Bobby. 

“What is this really about? You can talk to me, kid. I’m here.”

“Right,” Buck says, scornful. “You’re here. For ... how long again? Seven more, I think you said? No—no, you never actually said, did you? That one’s on me. Right, Cap?”

The bell goes off, ending the argument. Bobby tries to talk to Buck again after the shift, but Buck is already out the door. He barely gets any sleep that day before he and Tommy drive over for The Big Family Dinner. Tommy tries to talk Buck into staying home, suggesting they go tomorrow night instead, but Buck insists it will be a Thing if they don’t go.

Dinner goes badly. Margaret and Phillip aren’t intentionally rude or actively malicious, but there’s still a thread of casual biphobia in much of what they say: Evan’s always going through these phases. Well, if it’s not a phase, Evan, you must have known; how could you not? Please don’t misunderstand, Tommy, of course we like YOU. Very much! Yes, Tommy, thank you for your service. We’re just saying, Evan likes to throw us for a loop now and then. Really, Evan, you’ve had so many girlfriends you’re basically straight, aren’t you?

Buck finally loses it shortly after Maddie goes into the other room to check on Jee Yun. Margaret suggests that while she’s happy that Buck and Tommy are happy, of course—happy for now, at least—she’d just hoped Buck would’ve started to settle down by now, get serious about someone, rather than start experimenting. Phillip also jokes that he’d thought Buck had outgrown making bids for attention, and Buck just—snaps. 

“Why did I have to work so hard to get your attention again? Right. Cause it was too hard to look at me. Cause I was the reminder of what you lost, the screwup you got left with. Maybe if Daniel had grown up and turned out bi, you’d—"

—and Margaret slaps Buck across the face. 

It shocks everyone, very much including Margaret, but when Buck finally blinks and glances at his dad, Phillip automatically moves to stand behind his wife, silently taking her side. Buck, a bit dazed, mutters he’s sorry and tells Chimney not to tell Maddie what happened, right before Tommy all but pushes Buck out the door and drives him home.

Buck, still a little shellshocked, mostly can’t believe he said what he said, insists he shouldn’t have gotten that upset, and tries to brush off Tommy’s efforts to comfort him. Tries to get him to leave. Tries to distract him with sex when Tommy refuses to leave. Tommy, not having any of it, sits Buck down and talks a little about his own childhood, how he’d run away from home after his father had found out Tommy was gay, how—broken and bleeding—Tommy had never called, never looked back. Buck protests it’s not the same because Margaret and Philip aren’t abusive, have never hit him before tonight, aren’t really homophobic—at least, not in the same way—and also, Buck deserved that slap. 

“Who throws a dead kid in their parents face?” Buck asks, miserable.

“Someone who lived under the shadow of a brother he never knew about for 30 years?” Tommy asks, then takes Buck’s hand and makes Buck look at him.

“Look, maybe it’s not the same. You’re never going to convince me you deserved it, Evan, not any of it—but what I’m saying is, when people repeatedly hurt you? You don’t have to look back. You don’t have to keep trying. You can, if that’s what you want—but you don’t have to forgive anyone just because they’re family. That’s not what being a family should be. And, for what it’s worth, that includes Bobby, too. Just ... maybe consider what you’re actually angry about—or if it’s even anger you’re really feeling here—before deciding to cut him off for good.” 

Slowly, Buck sinks into Tommy’s side. Tommy wraps an arm around him. Kisses him gently just above birthmark.

(Part II is finished, coming tomorrow or the next day)

[possessionisamyth]

Not to kick a dead horse, but there is a way to make Pier's death genuinely very loaded and tragic that fandom consensus just seems to continue to miss! I've never seen a take about Piers's death being about PIERS, but all about "ooohh chris lost a good one" and how the two are not able to fuck anymore. But I am going to free you from these shackles while I zero in on Chris' comment of

"I wanted him to replace me."

Surely Piers was being trained to take Chris' job ideally after a decent retirement party, but neither of them get that luxury because Edonia happens, and Chris is gone. The beloved captain has vanished, and the person who's supposed to take his job is right there, so they give it to him. It's Piers responsibility to not only be a face of what the BSAA represents, but also the heavy shackles of expectations are slapped onto him.

Everyone wants Chris, which means Piers can't be himself nor figure out how to run the same jobs his way. No, it has to be Chris' way. There's no time for anyone to adjust and shift gears either with the C-Virus outbreaks, the terrorist attacks from Ada*(Carla), and the search party he shambled together to locate the missing Redfield. So he tries his damnedest to fill Chris' shoes and suddenly realizes just how out of his depth he is. There were so many reasons people called Chris for certain tasks, even tasks Piers hadn't known about and definitely hadn't been trained on, that Piers never saw. There's no mentor to dial. No reference other than fellow soldiers saying things like, "We don't know how, he just got it done," which is the least helpful thing in the world. Hell, there's barely any notes to go through when he searches Chris' office for a semblance of a hint as to how he should do this job.

Maybe it turns out Chris was doing his best to gently ease that heavy mantle into Piers' hands. It's why his scheduled retirement seemed so far away at the time. Perhaps, after one comment too many where he'd been accidentally addressed by the name of his captain for the 50th time, Piers breaks. He can't do this. He's not ready for this. He needs the one person who did all this back by any means necessary, so he drops all the work and joins the search party. He verbally harasses an amnesiac Chris into coming back because maybe it isn't that bad. Maybe Chris just needs a reminder of what he's been doing everyday for literal years and things would be back to normal again.

But it's not. It's messier. It's uglier. This isn't the Chris he worked so hard to fight alongside. There are glimpses of him in there, but most of the time in China, Piers feels like he's working with a stranger. People die, and Chris keeps pushing forward no matter how much he's shouted at, and Piers feels like this is all his fault. The deaths are his fault because he couldn't buckle down and do what Chris originally wanted him to do. Take Chris' place. Replace him. Be better than him.

So when they go to that underwater facility, and their backs are against the wall, there's the looming sense of failure and a terrifying amount of pressure. If they get out of this alive, who knows when Chris would be back in shape to work again if that ever happens. Piers would have to be responsible. He was already responsible for the squad he gathered to take up this job, and they were skewed into pieces around downtown Lanshiang. Take Chris' place. Replace him. Be better than him, and Piers failed on all accounts. He couldn't get Chris back the way he was supposed to be. His squad was dead. The responsibility he'd have to take up if they made it out alive would be nigh unbearable, and then he gets infected.

He gets infected and suddenly the decision is so easy. To let go. To hope for the best. To be the one left behind when he was supposed to be the one moving towards the future. Another glimpse of the Chris that Piers knew is seen, a more confident glimpse wherein Chris does everything he can to try and save him. And Piers smiles when Chris fails. When he saves Chris. When he seems to finally do one thing right after things never seemed to stop falling apart.

It's the last thing Chris sees. That smile and the ever encroaching weight of immeasurable responsibility that'll grasp him tight as soon as he breaks the surface. The weight Piers couldn't take from him, and maybe never wanted in the first place.

[submattenthusiast]

chris w/ a love watching you play with ur self kink

voyeurism? also this my first time writing for chris so bare with me please !

chris knew it was wrong but he couldn't help himself, you looked so fucking pretty right now. your legs were spread wide as you touched yourself.

he watched you intensely as you dipped a finger into your dripping pussy, watching your jaw go slack and your eyes shut as you inserted the finger. chris wished that it was his finger instead. his dick grew in his pants as you moaned about how good it felt.

you took your finger out and used it to spread your wetness around your clit, giving her a few flicks before plunging your finger back in, preparing to add a second one.

chris quietly unbuckled his belt and shimmed his pants down just enough to pull his dick out. he mumbled out a fuck at the slight friction he got from removing his boxers. he spit in his hand before wrapping it around his cock, groaning at the feeling.

chris jerked himself off at the same pace that you fingered yourself. you threw your head back at the added second finger, whining at the stretch. you were so lost in pleasure that you missed the squelching sounds the came from outside your room. chris was eagerly stroking his cock, cursing under his breath as he began getting close.

his pace was rushed and his dick was getting sore from the repeated movements from his hand. chris wanted to cum at the same time as you and you had a head start so he had to hurry.

your moans got higher in pitch and you moved your other hand down to rub at your clit. "fuck i'm gonna cum" you moaned to nobody in particular. that's all chris needed to hear to cum. he threw his head back and let out a loud groan as he painted his hand white.

his groan broke you out of the trance you were in. your brows furrowed and you turned to the door, you were sure you closed the door before you started, then you saw him. chris stood there with his cock in hand and head still thrown back, recovering from his orgasm.

"chris?"

[thatpersonwhosaidtheywouldnt]

Thinking about how the biggest reason I think the Young Justice show went with the origin they did for Wally and Barry (Wally doing the experiment Barry did, Barry doing the experiment Jay did) is because the creators of the show did not include the Speed Force. Greg Weisman does not like the idea, doesn't see the point of it (and in my opinion clearly misunderstands it) someone on Reddit did a write up on it if you wanna see all he's said here.

So what's this gotta do with the Flash origins in YJA vs comics? Well, first off, the Speed Force was something Mark Waid created to unify the Flash's powers and bring a bit of sense to them:

"It really was just a matter of trying to unify the powers. Barry and Wally's origins were identical, but Jay ostensibly got his speed by inhaling 'hard water,' a.k.a. 'ice.' I never really thought of it as 'mystical' in any real sense, just scientific --- or as scientific as you can get when you're talking about what happens on the other side of lightspeed (which was my original pitch, an idea that to this day I can remember its exact moment of birth)" (Waid from Ask Chris #317 here )

So without the Speed Force, YJA had to solve a problem Waid had solved with the Speed Force a different way. Waid chose not to or didn't have the option to change Wally's origin from being the exact same as Barry's so he made it make sense through the Speed Force, in essence, choosing Wally (and Barry and Jay and every other speedster). YJA had the option so they went a different way.

Barry was always inspired by Jay Garrick. In comics he was a lucky fanboy who got the powers of his favorite comic character and took his name. In YJA, he's not lucky, he, instead, performs the same experiment that gave Jay speed on himself (YJA Barry is simply more unhinged because what).

Wally, similarly, was also a lucky fanboy who got the powers of his favorite superhero (who happened to be the guy his aunt was dating... Very lucky). In YJA... Well it's the same as Barry again expect he's a literal child performing an experiment on himself which puts him in the hospital (comics Wally is notably fine, just wet from the chemicals).

I think it's a pretty significant change to make Barry and Wally want and grab for the superpowers of their heroes (and beg to be a hero before having those powers in Wally's case) instead of them being super fans that have powers thrust upon them. Powers they choose to use for good but not powers they chose.

And then we have Bart... See, with Bart, things are very different. They have to be. Bart's first appearance is in the exact same comic as the first appearance of the Speed Force. Getting rid of it... Basically gets rid of Bart.

Of course, he's in YJA, so that's not quite true. And, admittedly, I think there were ways to do Bart more accurately without the Speed Force... But it's hard. And YJA essentially avoided making a proper attempt at all and made a fully new character. Instead of him being raised in virtual reality while his body was speed aging due to his biological connection to the Speed Force, he is raised in a post-apocalyptic dystopia. He pretends to be chaotic, impulsive, and sorta dumb but is actually very calculating, a bit cynical, and jaded. He is an interesting character for sure... but he's definitely an original character in all but name, and you can see the character type they took inspiration from - the likes of Cable, Future Trunks (Dragon Ball), and Silver the Hedgehog, instead of his original characterization (a characterization I think is much more original and lacks a character that's similar). A final, more minor point, is that the lack of the Speed Force seems to be why he had to build his own time machine, unable to run through time as in comics.

Bart, in comics, is chaotic, whimsical, and impulsive. He was born in the far future because of some chaotic time travel-related reasons, and his father and aunt (the Tornado Twins) were killed soon after his birth. He was taken by the Earth government (in a roundabout way), run by his grandfather (who happens to be a descendant of the Thawne family... making Bart related to Professor Zoom), and instead of trying to stop his speed aging, merely observed him while raising him in a virtual reality. Iris breaks him out and they time travel to the past to get help from Wally. Through a series of events, Wally ends up handing Bart over to Max Mercury (basically the Speed Force expert) to raise cause Iris dipped and Wally is not capable of raising a teenager. Max, Bart's main parental figure, is not and cannot be in YJA because the Speed Force not existing or being known of, makes that impossible. It is the most intrinsic to his character out of all speedsters.

Much of Bart's character arc has him have to learn that life is not a video game and he does not get a do-over. There is a very powerful arc where Bart (who has this speed force power of essentially making clones of himself) loses one of his speed force clones and feels the death of his clone as if he died as well. It terrifies him. But without the Speed Force, without the powers that create that arc, this is not something that can be explored in the cartoon. YJA Bart is, in some ways, the opposite of his comic counterpart. He clearly understands death well; it's all he knows, a dying world. He likely expects to die himself traveling to the past like he does. Bart in the cartoon has to learn different lessons.

I think at the end of the day, this choice to ignore the Speed Force (and therefore the center of Flash lore since the mid 90's), is a bit disrespectful. I don't think Weisman saw it that way, of course. To him it seems he was adapting the Flash lore prior to that. Which does make some sense, seeing as Wally was Kid Flash and the Speed Force is very much tied to Wally's time as the Flash (something he never gets to be in YJA). And I am not saying I dislike Wally in this show, in fact that show is why he's one of my favorite characters. But I think it's all interesting to think about... And I do think the Flashes are much better handled in their comics, no matter the love I have for Wally in the show (except maybe the letting Barry be a dad part). But it's the nature of adaptations I suppose. Thanks for coming to my Ted Talk. 🫡

[noelle151]

Was scrolling through FB and came across the bounty hunter scene from Ghosted (2023)

So no one told me Chris Evans, Sebastian Stan, Anthony Mackie and Ryan Reynolds was in one movie together back in 2023?

Also I went to watch the movie and when Ryan showed up I was like "Patch? Is that you?"

Also if I'm interpret that one interview right then they came up with their own characters? so how much you wanna bet they just try and put as much Easter eggs in these characters as possible

And Anthony's character in this movie is called Grandson of Sam. Tho the character himself said it's like Son of Sam, but since his character in MCU is also Sam, I just can't help but think it's an Easter egg

[deadnatura11]

What if Eddie’s 'refresh' and 'restart' comes about because Chris moves in with Buck, forcing Eddie to define himself outside of being a father and he has to come to terms with what he wants vs. what he thinks is good for Chris in s8.

Meanwhile it's also isolating himself because he feels like he doesn't deserve to see Chris after hurting him like that, because Chris is still angry at him and HURT, and because Chris is at Buck's and Chris is watching Buck Eddie distances himself from Buck, too, because he feels unwelcome?

[total-drama-brainrot]

TD World Tour AU, where Noah doesn't tell Owen that Alejandro is an eel in London... In Area 51, Noah is accidentally splashed with an alien truth potion (which wears off after a few days) and he talks to Owen... Owen asks Noah what he truly thinks about Alejandro, and Truth-Potion Affected Noah says this: "I have mixed feelings for Alejandro. He's a brilliant, interesting guy and I like him, but I don't trust him. He's like a slippery eel dipped in grease, swimming in motor oil. Basically, Heather with social skills. Wait a minute, why am I telling you this?!"... What if Alejandro secretly heard Noah call him all those conflicting things + Alejandro also learns that Noah is affected with an alien truth potion? 👽

Alright, you got me. I'm an absolute sucker for truth potion plots, especially when the character(s) effected by them are usually either pathological liars or incredibly secretive- of which Noah absolutely falls into the second category, given he shares so little personal information.

I'll gloss over why Noah declined to shit-talk Alejandro in London (though there's so many ways this change in behaviour could be justified) since the focal point of this hypothetical centred around their time in Nevada, so let's start from the beginning of the Area 51 challenge.

Area 51:

Before we start, it'll have to be established that no one was eliminated in London. Let's say that the majority vote went towards Duncan (team CIRRRRH voted him out immediately because they found his re-admission to the competition unfair, I guess. I imagine he'd also vote himself, if not as a plan to escape the competition he'd been actively skiving from, then just as an act of spite) but Chris instead claimed it was a rewards challenge- much like he does in Greece- because he doesn't want to let Duncan slip away again so soon.

I see no reason to alter the first part of the challenge- the sneaking into Area 51 portion- since team CIRRRRH's course of entry is fairly straightforward. Noah's presence doesn't make much of a difference to how it would play out; the majority of them throw their rocks and run, Owen gets lasered over the fence and Owen-napped, ect ect.

When both teams have managed to make their way into the Black Box Warehouse, Noah immediately suggests they should prioritise rescuing Owen. Tyler's quick to agree, since he's a firm believer in the "no man left behind" mentality (and he probably makes a not-so-subtle jab towards Noah for his chance of tune compared to London, where both he and Owen did leave Tyler behind) leaving Duncan and Alejandro to split from the group- Duncan in search of Gwen, and Alejandro just takes the opportunity to finally be free from his 'incompetent teammates' and prioritises finding an artifact.

Noah and Tyler come across the contraption Owen's trapped in, Tyler punches it in a futile effort to break it open, and the face hugger cube drops into Noah's hands. This is where the point of divergence comes into play; Tyler has his E.T. moment with one of the face huggers, but Noah- who's a tad bit more observant than Alejandro, and used to dodging surprise attacks from his various older siblings (and Izzy)- anticipates his own face hugger attack and promptly starts a game of cat-and-mouse with a taser alien hot on his heels.

The commotion of which attracts the rest of his team. Alejandro and Duncan arrive on the scene to see Tyler being electrocuted by an alien and Noah running in circles evading another.

Duncan attempts to rip the face hugger from Tyler's face, finding success at the cost of sending Tyler trampling into Owen's captive contraption (essentially taking Alejandro's canonical place in this scene) and inadvertently freeing Owen.

Meanwhile, Alejandro swipes up the nearest box he can find and snags the alien chasing Noah, who's still very loudly panicking as he flees, and succeeds! The alien is swiftly captured into the box, netting team CIRRRRH their artifact, and Noah promptly goes careening into the nearest tower of junk in his face hugger-fuelled hysteria. This causes another box to topple from the peak of the tower, landing directly on Noah's head and spilling its contents onto the bookworm- glass vials filled with a mysterious, luminescent cobalt blue liquid shatter into pieces drenching Noah in whatever they contained. (i.e. truth potion.)

Owen has his false-amnesia moment, characterised by his Joker makeover, and Alejandro enacts his revenge post-hypnotic suggestion after being addressed as "Al" one too many times.

Noah, understandably, swiftly objects to Owen's treatment and demands that Alejandro snap him out of it. Alejandro concedes, and Owen's brought back to himself. At least, for a moment, before the fatigue of having his mind messed with sends Owen into near-catatonia (the same as canon), meaning he has to be ferried through the Warehouse and back to the Jet by Alejandro and Duncan.

Things carry on canonically from there; Noah's just sort of there for the most part, though there'd be a minor hint to his newfound proclivity for honesty. Something along the lines of him giving an uncharacteristically honest answer to Owen as to who he's voting- Tyler, of course, since he was the one who ultimately threw the challenge for them... and also because Tyler still holds some resentment towards Noah for what happened in London, and Noah feels guilty about it every time he looks at the jock. Wait, why did he say that?

Sometime between this and the elimination scene, Noah wipes the truth-goop off of himself, but not before the effects have already started.

Tyler's voted out, yada yada yada.

The Jet:

Thus begins the start of "Picnic at Hanging Dork". Team CIRRRRH, consisting of just Alejandro, Duncan, Owen and Noah, are slumming it up in the Economy Cabin. Alejandro tries to rally his team by asking how to break apart Courtney and Heather's tentative co-operation. Owen suggests having Alejandro seduce Heather, since it worked for both Bridgette and Leshawna. Duncan makes his "Babe Olympics" comment. Noah pipes up that playing with someone's feelings is pretty scummy, even for someone competing for a million dollars.

Alejandro takes Noah's reluctance towards his methodology poorly; he hadn't spoken up before, when Alejandro had utilized the same strategy against other girls- and even Owen noticed that, so surely Noah did too- so why was he to outwardly against him using the same tricks? Duncan agrees, and offers ''his'' idea of having Alejandro flirt with Courtney to throw both her and Heather off their games (since Heather has an obvious crush on Alejandro), and things follow canon.

Then, the scene between Alejandro and Courtney happens. Noah scoffs at the display from the side lines, prompting Owen to ask him why he's so against Alejandro's plan.

"I mean, you never said anything before, when he flirted with Bridgette and Leshawna." Owen comments, light-hearted in nature but with an underlying questioning tone.

Noah's eyes flicker with a cobalt glow, easily mistaken for a trick of the light, and he speaks without even thinking.

"Yeah, because I was trying to give him the benefit of the doubt. Bridgette was happenstance, and Leshawna's whole deal could've been a coincidence, or some massive misunderstanding. But this?" Noah extends an accusing hand out towards a smug looking Alejandro, then pans it over to a flattered Courtney, "He's outright toying with Courtney's feelings after she was cheated on in front of an international audience. It's scummy."

Owen nods in understanding, momentary contemplation evident in the pouted curve of his lips, and he chimes in.

"Does that mean you don't like Al?"

"I never said that."

"Well, how do you feel about him, then?"

Again, a flash of blue light against the hickory backdrop of Noah's eyes, and he responds thoughtlessly.

"I guess I have mixed feelings about him. On the one hand, he's slippery, like an eel dipped in grease, swimming in motor oil. He's like if you took all of the worst aspects of Heather, wrapped them up in a pretty package, and gave them social skills..." He holds his hands out before him in a scale-like manner, with the left tipped downwards and tie right raised by his chin. Then, the two hands swap positions.

"And on the other hand, he's brilliant. I've never met anyone as talented as Alejandro; he's smart, he's athletic, he's funny. It's almost unfair just how perfect everything about him is- even his face is perfect. It's ridiculous! Infuriating, even. It's so hard to dislike him, even when I know he's bad news, but that doesn't mean I trust him."

Owen stands slack jawed beside his best friend, both impressed and stunned at the raw honesty of Noah's tirade. Noah, now a little more aware of himself, realises that he's said more than he intended to- more than he thinks he's ever spoken in one go throughout the entirety of Total Drama. He's not usually one for speeches, after all, let alone honest ones.

He's always been the type to play his cards close to his chest, so why...?

"I, uh, didn't mean to go off like that."

And he also didn't mean to admit it, either. What was going on?

The look Owen gives him is, in a word, vivid. The blonde has a shit-eating grin stretching across his face, a sort of elated smugness practically glowing from his features.

"Sounds like someone has a cruuuush!~"

What? No? No! Not at all, where would Owen even get that idea?!

Noah splutters to correct Owen's assumption (to disastrous results, because he does sort-of has a crush on Alejandro, so the truth potion doesn't allow him to outright deny it), and in his preoccupied state he misses how a calculating pair of sage green eyes never seems to stray from him.

Alejandro has a lot to think about in regards to a certain cynic, it seems.

[thankstothe]

[becausebuckley]

anyway i know we’ve discussed the parallels between tommy and buck’s other exes but have we considered the parallels between tommy and ana

[wellcollapse]

Headcanon that when Eddie watches telenovelas, Buck joins him mostly so he can put his head on Eddie's chest so that he can run his fingers through his curls. It makes Buck feel warm and tingly inside.

if the 911 hair department doesn’t get it together and allow oliver to wear his natural curls onscreen by the time buck and eddie get together i’m going to have to do something drastic

[silverfoxlou]

The thing is,

Fans do not comprehend that being private means that he can have a whole relationship, doing things that people in relationships do, and no one would have a clue. Fans keep implying that while it’d be private, somehow they’d have some insight into knowing he’s not single. Which is extra hilarious to me. Fans also don’t know that a select few people can witness things in real life and never say a word. Being a huge fan of an artist for so many years does tear down rational thinking. They really can’t seem to accept that unless we see Louis with our eyes, we have /no/ clue what he’s doing. The ones who run into him naturally in his private life and keep it a secret know quite well that we don’t know this man outside of being a celebrity.

Mhhmmm

[free-n-wild]

hi hi I really liked that scene in Green Lament au :3c

KAZZY????????

LOOK AT THIS I WASN'T EXPECTING IT AT ALL I'M???????

[chanstopher]

🐺🫧230308

context: on community Hyunjin asked who was worse and had no empathy the guy who wrote ex (a) or chill (b) and chris wrote ex

[the-kipsabian]

[keshimasu]

I know anime tends to be somewhat less expressive due to translating needs, such rushed deadlines n all that

but mmmmm animators kinda went off here