#but there are these videos 'Danger In Fiction'

[mejomonster]

Shout out to all of us who find horror comforting

[istherewifiinhell]

The neurodivergence is stored in the turtle :'(

[evenlarksandkatydids]

i hate you romantically involved characters who talk to each other like they’re in a couples counseling session, i hate you watering down of the word toxic, i hate you plot twists where the male love interest is actually a villain because see, silly girl? in the REAL world guys like that are DANGEROUS, i hate you relationship therapist breaks down movie couple’s relationship videos, i hate you “romeo and juliet were just stupid horny teenagers” “belle had stockholm syndrome” “wuthering heights isn’t romantic” hot takes, i hate you sanitization of romance in fiction

[stupidphototricks]

The main thing that struck me about Thief of TIme is how it (more than any other Discworld book, I think, which is saying something) just casually tosses out clumps of the most fantastically unhinged worldbuilding physics*, and you're just supposed to accept them.

And you do! Because they make sense! More or less! Somehow they fit neatly into the parts of your brain that agree that this is how things should work, that even though officially you know better, on some level you still believe they could be true.

A lot of science fiction could take a lesson or two from the fantasy of Discworld in general and Thief of Time in particular. Don't overexplain, don't overcomplicate, just present your world as a given and make it easy to swallow. Harder than it sounds, of course, but Sir Terry was an expert at it.

Anyway, people have been messing around with time ever since they were people. Wasting it, killing it, sparing it, making it up. And they do it. People's heads were made to play with time.

-- Terry Pratchett, Thief of Time

*As evidenced by the title, most of the unhinged physics in this book has to do with time. Some of my favorites below the cut (spoilers):

Portable "spinners" allow you to carry time on your back, like a diver carrying an air tank, in case you're in a situation where time could stop (you never know!).

Once, a major time catastrophe unmoored the fastenings that connect the past to the present, and the History Monks had to stitch it back together however they could, so that's why history doesn't always make sense if you look closely. But generally people don't notice (we're pretty unobservant).

The Monks can move time around, pulling it from somewhere that it isn't being used efficiently and putting it somewhere that extra time is needed, or if there's a time leak they can dump surplus time over the ocean or somewhere that it won't make a big difference (not a lot happens in the ocean that people notice).

Yetis can save their own lives like a video game before going into a dangerous situation, and restart from the saved point if anything happens to them (useful!).

[winged-self-indulgence]

Why Do People Like Yanderes?

Hi everyone, my name is Diya, and this was going to be a YT video-essay-type-thing but I'm too poor to afford a mic and too busy with college to learn how to edit videos, so here's my vague exploration of the psychology behind why people like yanderes so much through the lens of my favourite Visual Novels.

TW for uh. yandere content. Mentions of sex, gore, and non-con, particularly in the last topic. This is more like the first draft of an academic paper so while it's not explicit, I do go into some detail.

Introduction

If you’re a fan of anime or visual novels, then you’re probably already aware of what a yandere is, or at the very least you’ve seen that one picture of Yuno Gasai. Still, for the sake of thoroughness, let’s take it from the tippy top. The term ‘yandere’ is a Japanese portmanteau of ‘yanderu’ – the progressive form of ‘yami’ – meaning ‘sick’, and ‘deredere’ which roughly translates to ‘loving’. Together, the word refers to someone who is – in short – extremely lovesick. Obsessive to the extreme, and with little morality to spare, the standard yandere is characterized by a dangerous fixation on a chosen target, often appearing shy and caring at first only to flip the script and become violently aggressive towards perceived threats (Kroon, 2010).

It should be noted that yanderes are not a strictly romantic or sexual trope. The Ancient Greeks classified at least six forms of love, from familial (storge) to guests (xenia). Modern psychologists may distinguish love as either Companionate or Passionate (Kim & Hatfield, 2004) or consisting of three dimensions of Intimacy, Passion, and Commitment (Sternberg & Sternberg, 2018). Realistically, possessiveness shows up in a variety of relationships. However, people are generally primed to view certain dynamics as inherently amorous. Societal norms tend to encourage the idea that romantic bonds ought to rank above all others, and therefore if Person A is bizarrely fixated on Person B, then clearly there must be an element of sexual interest involved regardless of the actual relationship between the individuals in question.

Regardless, yanderes remain quite popular in fiction. Many dismiss it as a fetish, which it can be, but that isn’t the case for everyone. While there is nothing wrong with indulging in kinky fiction, not all of us get horny at the thought of being chained up in someone’s basement, no matter how hot our captor may be. So why is it so pervasive? Why is this trope so appealing that most writers cannot help but include at least a single line of dialogue implying that – if circumstances had been ever so slightly different – my wholesome shoujo romcom might have turned into a psychological horror?

Hybristophilia

‘Hybristophilia’, also known as Bonnie and Clyde Syndrome after the titular criminal couple, is a word is derived from the Greek word ‘hybridzein’ meaning ‘to commit an outrage against someone’ and ‘philo’ which means ‘a strong preference for’. Sexologist John Money reportedly defined it as a paraphilia in which an individual is sexually aroused by a partner who has a predatory history of hurting other people (Money, 1986, as cited in Matuszak, 2017). In his book, Serial Killer Groupies, true crime and crime fiction author RJ Parker distinguished two forms of hybristophilia: passive and aggressive. The former is when an individual contacts a criminal with the intention of striking up a relationship with them, allowing themselves to be seduced and manipulated but having no interest in committing a crime themselves. The latter are far more dangerous, as the individual not only derives sexual pleasure from their partner’s atrocities but are active participants in carrying out or covering up the crime. To quote Griffiths (2013, as cited in Pettigrew, 2019):

“[They] help out their lovers with their criminal agenda by luring victims, hiding bodies, covering crimes, or even committing crimes. They are attracted to their lovers because of their violent actions and want to receive love yet are unable to understand that their lovers are psychopaths who are manipulating them.”

In some ways, hybristophilia is the nearest thing we have to a realistic understanding of why people love yanderes. I mean, much of the fantasy surrounding such characters and their media tend to be filled with posts begging to be spat on or calling the rightfully terrified main character ungrateful for being a teeny bit upset about finding surveillance cameras in their ceiling. However, enjoying fictitious immoral activity does not predict real perpetration, so what does? There exists little consensus amongst psychologists as to what sparks this particular predilection, and that was strange to me. You would think there would be more studies into this topic, in spite of or perhaps because of its controversial nature. Heck, that one dude wouldn’t shut up about white women’s obsession with Bundy and Dahmer, and I assumed he had gotten that information from somewhere, but it turns out that was just him using modifiers to justify sexism.

However, I believe that we can hedge a few guesses, and over the course of my research, I’ve organized the main rationalizations under four umbrellas which I will explore through the lens of my favourite yandere-themed Visual Novels. Please keep in mind that most of these games are rated as mature due to sexual scenes and/or gore. Additionally, in the spirit of transparency, this ramble will be focused exclusively on male or masculine yanderes. So, without further ado:

Call Me Bob the Builder Because I Can Fix Them

If you’re familiar with DC Comic’s Batman, or just happen to have attended any costume event held over the span of the last 20+ years, you may be familiar with the character of Dr. Harleen Quinzel, better known as Harley Quinn. Initially created as the Joker’s one-off sidekick in Batman The Animated Series, she was so well-received by audiences that she became a recurring character in the cartoon and was eventually given a proper origin story in the form of a one-shot titled Mad Love.

Harley’s origin story has seen some alterations over the past decades, but the core aspects remain largely untouched. In the beginning, Harleen Quinzel was a promising young woman who wanted was a degree from the university’s prestigious psychology department, which she gained through…less than scrupulous means.

(Listen, I’m not sure if the authors were leaning on the Dumb Blonde stereotype, or if they simply thought that casting her as a genuinely bad student would make her later actions more believable. Either way, the idea of Harley as someone with a legitimate PhD came later)

After landing an internship at Arkham Asylum – a half-hospital and half-prison straight out of the 1870s that might as well be built out of one-ply tissue-paper soaked with gasoline and left next to a crate of fireworks – Harleen set her sights on the then incarcerated Joker. At the start, her fixation on the criminal wasn’t remotely sympathetic. She didn’t want to help him, she wanted to use him. Harleen Quinzel wanted piggyback off his infamy and write a tell-all tale detailing what sort of messed up childhood resulted in Gotham’s Clown Prince of Crime. Yet the more she interacted with him, the more the Joker took advantage of her empathy. By the end of their sessions, Harley no longer saw him as a violent serial killer with a clown schtick, but as a “lost, injured child looking to make the world laugh at his antics.”

But Diya, you may be asking, what does this have to do with the video? The Joker never loved Harley, and it could even be argued – as Shehadeh did in a 2017 essay – that her obsession with the pasty-faced clown is more akin to Histrionic Personality Disorder. While that may be the case, I believe that Harley’s story provides one of the reasons yanderes are so popular: their backstory.

Whether they were abandoned by their family, bullied by their peers, experimented on by evil scientists, starved on the streets, died under mysterious circumstances and then trapped in a haunted VCR tape for decades, or are simply so impossibly inhuman that they frankly do not understand why it isn’t socially acceptable to imprison their crush in a pocket dimension made of meat and non-Euclidean geometry, yanderes often have fairly sympathetic or at least understandable explanations for why they are Like That. Your mileage may vary significantly depending on how much you sympathize with these motives, but the point is that yanderes always make sense to some degree. Their morality and priorities may be twisted or even completely incomprehensible, but the audience almost always knows the reason, and that can be comforting. In the real world, other people aren’t always straightforward, and we never really know what they’re thinking, but narrative coherence demands a semblance of internal consistency lest the audience end up frustrated and confused. So yanderes are not only easy to sympathize with, but also fairly predictable. In-universe they may be unhinged freaks with a blood fetish, but to you watching from behind the safety of the screen they’re just acting out the script written for them based on a prototype. And if you understand the why behind their loose gears, then you might just be able to put them back together again.

The concept of rescue romances or “I Can Fix Them” has been around in our stories for thousands of years. The Epic of Gilgamesh detailed how Shamhat essentially ‘civilized’ wild man Enkidu through ritual lovemaking, and a concerning number of religions push the idea that women are dutybound to save men from the follies of sin. Yet men are not exempt either, with one notable example being the German fairytale, King Thrushbeard. Call it what you will regardless: Knights in Shining Armour, the Florence Nightingale Effect, or a plain old case of Because You Were Nice to Me, studies have shown that human beings generally like helping [DA2] others, even when the reason doesn’t necessarily stem from pure altruism. I will delve deeper into this later, but care and compassion are deeply ingrained in human nature, and arising from those roots is the appeal of this mentality: You can save them. You can change them. You can make them better. You are special, and the way you treat this person carries a weight that has not and will never be matched by anyone else for the rest of their mortal or immortal existence.

The illusion is a delicious one, especially if the person you’ve helped turns out to be a billionaire CEO with cash to burn, a super powerful ghost king willing to raze continents to dust for you, a demon having fun on a Friday night, or just your average hot creep with a knife. Moreover, different people have different ideas of what ‘fixing’ even means. Maybe you want to single-handedly rehabilitate your yandere into a functional member of society. Maybe you’re cool with the incessant stalking but would like them to stop slaughtering your friends, family, and local service workers. Maybe you want to make them much, much worse.

Not only do yanderes provide immediate proof that your actions have a tangible impact on the lives of others, but the fantasy also includes the desire of being seen as special. Of being admired and adored by someone whose life you inexplicably made better by virtue of simply being yourself, or an idealized version of yourself. In this fictional world, in this imaginary setting, the person you are is so uniquely, impossibly irreplaceable to someone. And if that’s the case then they can’t risk losing you, can they?

The Allure of Obsession, or ‘Til Death Do Us Part (Literally)

It shouldn’t be necessary, but here is my obligatory disclaimer anyway. Ahem: obsession is not a good thing in real life. Fixating on another human to the detriment of your own wellbeing and that of those around you is dangerous, as is encouraging someone else to obsess over you. You might think you are being worshiped, but real life is not a visual novel. The outside world doesn’t come with an age rating, the author’s guiding pen, and a convenient fade to credits sequence once you’ve reached an ending. The consequences will still be there in the morning, so don’t do it. Just don’t.

PSA out of the way, it’s natural to want to be wanted. Maslow’s Hierarchy places it just above physical safety, but I’d argue that it could easily be compared to baser drives. According to many psychological and anthropological studies, much of humanity’s continued survival and environmental dominance is largely attributed to our ability to form groups, cooperate with one another, and maintain complex interpersonal networks. Social support, intimacy, and a sense of belonging are linked to emotional and physical benefits, such as more optimistic health perceptions, higher subjective well-being, increased creativity and innovation, and greater self-efficacy (DeWall & Bushman, 2011; Harandi et al., 2017; Wang & Sha, 2018). Therefore, it’s perfectly understandable that rejection of any sort would be construed as a threat.

But if someone is obsessed with you, then you have no reason to worry about that, right? No more nights spent agonizing over how they feel about you, asking yourself whether your last text made you sound too desperate, or if you’re boring them because you spent the past hour info-dumping about Stardew Valley farm layouts. With a yandere, there will never be any doubt that they care about you. Sure, they might go about it in weird, manipulative, and insidious ways that violate your physical and mental autonomy, but you can’t deny their loyalty. They do love you in their own bizarre way. You are the sun around which they orbit. When you’re in the room, no one else exists. Every single messy flaw is just another bullet point on the mile-long list of why they adore you.

In essence, yanderes are not only attentive, but their love can be virtually unconditional. A yandere might know everything about you, and still revere you. It’s unhealthy as hell and you might genuinely question their taste, but it can be tempting to pretend that all of you, right down to the ugliest parts of yourself – the traits and choices that you would never share with another living soul even at gunpoint – are worthy of understanding, if not open praise and affection.   

Attractiveness, or Okay but Have You Considered That They’re Hot Though?

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I mean what am I supposed to say here? They’re hot, what do you want from me?

No, but in all seriousness, fictional media paints an idealized version of the world, and most yanderes are hot because they have the freedom of existing purely behind that screen; artfully arranged and edited to forever appear compelling to anyone who happens to enjoy their particular style. And there are a lot of styles to choose from. Whether you want them pretty faced and disarmingly cute, or scarred up and big enough to pin you like a butterfly, yanderes come in a wide variety of shapes and sizes that are meant to pique your interest and draw you in like a naïve little fish being lured towards the mouth of an angler fish, unwilling to believe that anything bad might happen to us when the bait is this pretty.

This is often referred to as the Halo Effect, a form of cognitive bias referring to the tendency for people to assume that a single obvious positive trait must be associated with other positive traits. The go-to characteristic is typically physical attractiveness, but a nice voice, good humour, and cooking skills are also factors which serve to influence our perceptions.

So, conventional physical attractiveness is one thing, but that’s only skin deep. What about beyond that? After all, the yandere still has to talk to you before they enact their master plan of tying you up in their basement until Stockholm Syndrome kicks in.

When I showed my friend a picture of John Doe from the game John Doe, she told me that he looked like a creepy slob, and she’s far from the only person who’s ever thought so. Look at them. I feel like if I tried to comb that hair it would simply eat me, and some of the CGs really put the scopophobia in Scopophobia Studios. I love Doe, but he is not hot, and he doesn’t behave in a normally appealing way either. If the player chooses not to take a bath, Doe will immediately comment that you “smell good” before following you home, breaking into your house, and leaving a bloody organ on the floor for the player to trip over. Many yanderes can at least fake a veneer of normalcy, but from the get-go Doe doesn’t even bother to pretend he’s anything less than an otherworldly creature stuffed into a vaguely person-shaped meatsuit. In an effort to find out why so many people had latched on to Doe – including me – I shopped around social media and YouTube for answers, and what I found was a widely unanimous sentiment.

While some were drawn to his fun design and goofy personality, most simply thought that he wasn’t inherently malevolent, just very confused. In addition to being a supernatural being with a completely alien axis of morality, Doe’s meta-awareness and unbridled attempts at winning the player’s affection lends him quite a bit of support from the audience, especially if you yourself also happen to struggle with social cues and relate to his pure earnestness. In Ending 7 of the extended version, the player character has the option to tell Doe – who has altered himself to pass as more ‘normal’ – that they prefer who he truly is, at which point he grows visibly flustered and sports an adorable pair of literal heart-shaped pupils.

Whether they’re charismatic, seductive, cute, sweet, funny, nurturing, or generous, the best yanderes have engaging personalities. Even while they’re committing truly heinous crimes against God, man, and your guts, you still kinda want to hang out with them, and you want them to acknowledge you as being just as interesting. And this is all fine in fiction because you’re the one in charge, and if you ever get bored or uncomfortable or busy with something else, then you can simply close the tab or window with zero consequences, which brings us to the final and most important reason.     

Power Dynamics and Consent in Fantasy (I Couldn’t Think of a Joke Here Guys, This Is Kinda Serious)

Once again, I feel that I must preface this section just for the sake of my own peace of mind: sexual coercion and assault are vile and disgusting crimes that should never be emulated or tolerated in the real world. We are speaking purely of fictional media, specifically adult-oriented media in this case, so please be mindful.

In 2009, Bivoni and Critelli conducted a study on 355 undergraduate women with the goal of assessing the reasons behind fantasies of non-consent. At the time, there were two leading explanations of this phenomenon. One stated that women with high libidos but repressed views of sex used these imaginary scenarios to alleviate the guilt they had grown to associate with sex. Because the simulation was a purely mental exercise and they themselves were cast as helpless victims in the scenario, they were able to remain blameless while still finding sexual gratification. The second stated that these fantasies were an expression of liberation by women who were adventurous and comfortable enough with their own sexuality to engage with taboo ideas that they weren’t at all interested in performing in real life. Which do you think was more common?

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If you guessed the second option, you’d be right. The study found that of the 220 women who had experienced such fantasies, 45% found theirs erotic, 46% were mixed, and only 9% reported pure aversion. One justification for this outcome relies on psycho-biological theories, for example masochistic preferences or the unintended activation of the sympathetic nervous system and subsequent mis-attribution of arousal. Other reasons have to do with higher order thinking and are tied to the power dynamics within such fantasies. On the surface is the appeal of being so desirable to someone that they simply cannot control themselves, but then there is a deeper impulse, which the researchers referred to as Adversary Transformation. To quote the article: “[fantasies] involve a struggle between an assailant and a potential victim in which it is relevant to consider who is the winner and who is the loser. At one level, it is a struggle over sex, but the woman's non-consent may be feigned or token. At another level, the woman may be seeking a victory that is not about whether sex occurs, but about what happens emotionally between the protagonists.”

Basically, the imaginary perpetrator may have ‘won’, but the self-character need not have ‘lost’.

Media provides an extra layer to the illusion, one that you as the viewer have absolute control over. If you are choosing to engage with a piece of media that explicitly labels itself as including R18+ yandere content, then you clearly have some expectations, and that background awareness goes a long way in reducing long-term discomfort and allowing audiences to make informed decisions. If you don’t like the plot, you can simply turn it off it with the click of a button, and when the screen goes dark it’s not like the yandere is going to punish you for saying no. Strade isn’t going to break into your house with a drill, there are no homicidal clown ghosts hiding in your TV, and no suspicious pink-haired hackers watching your webcam. They aren’t real, and the consequences aren’t real either. You have all the power here.

Conclusion

In summary, Yanderes are appealing for a variety of reasons. Whether you want to save them, think they’re attractive, wish to indulge in a dream of being utterly coveted, or simply enjoy a bit of spice in your me-time, it’s obvious why the trope has persisted for so long and will likely continue to do so. If you enjoy yanderes but are worried that having a taste for the less wholesome side of things might imply something about who you are as a person, don’t be. The notion that fantasies and media preferences directly reflect subconscious desires is not only painfully out of date debunked nonsense but also indicative of restrictive ideologies wherein bad thoughts = sin. This isn’t 1984. You haven’t committed a thought-crime by having a weird kink. You aren't going to superhell for fantasizing. The human mind is hardly ever so mathematically rational, and the point of fiction is to allow us to safely engage with and explore various ideas, provided the everyone involved is mentally, chronologically, and emotionally mature enough to do so.

Thank you all for listening to me. If you learned something or were just a little bit entertained. If you're curious about knowing more, I've listed my sources below

REFERENCES

Bivona, J. M., & Critelli, J. W. (2009). The Nature of Women’s Rape Fantasies: An analysis of prevalence, frequency, and contents. Journal of Sex Research, 46(1), 33–45. https://doi.org/10.1080/00224490802624406

Critelli, J. W., & Bivona, J. M. (2008). Women’s Erotic Rape Fantasies: An Evaluation of Theory and research. Journal of Sex Research, 45(1), 57–70. https://doi.org/10.1080/00224490701808191

DeWall, C. N., & Bushman, B. J. (2011). Social acceptance and rejection. Current Directions in Psychological Science, 20(4), 256–260. https://doi.org/10.1177/0963721411417545

Flynn, F. J., Reagans, R., Amanatullah, E. T., & Ames, D. R. (2006). Helping one’s way to the top: Self-monitors achieve status by helping others and knowing who helps whom. Journal of Personality and Social Psychology, 91(6), 1123–1137. https://doi.org/10.1037/0022-3514.91.6.1123

Harandi, T. F., Taghinasab, M. M., & Nayeri, T. D. (2017). The correlation of social support with mental health: A meta-analysis. Electronic Physician, 9(9), 5212–5222. https://doi.org/10.19082/5212

Hazen, H. (1983). Endless rapture: rape, romance, and the female imagination. https://openlibrary.org/books/OL3161300M/Endless_rapture

Kroon, R. W. (2010). A/V A to z: An Encyclopedic Dictionary of Media, Entertainment and Other Audiovisual Terms. McFarland.

Matuszak, M. (2017). Hybristophilia White Paper. https://static1.squarespace.com/static/55dfd21ee4b0718764fb34cc/t/5cb7cabee5e5f00ab13be58b/1555548863275/Hybristophilia+White+Paper.pdf

Oarga, C., Stavrova, O., & Fetchenhauer, D. (2015). When and why is helping others good for well-being? The role of belief in reciprocity and conformity to society’s expectations. European Journal of Social Psychology, 45(2), 242–254. https://doi.org/10.1002/ejsp.2092

Parker, R. (2014). Serial killer groupies. RJ PARKER PUBLISHING, INC.

Wang, T., & Sha, H. (2018). The influence of social rejection on cognitive control. Psychology, 09(7), 1707–1719. https://doi.org/10.4236/psych.2018.97101

[glammiketrash]

Monty didn’t attack Bonnie. Freddy did.

This post is not a joke: Ruin gives us enough clues to know that Bonnie was attacked by Freddy the day he disappeared, and Monty saw the attack.

Word count: 2457 words.

Yup, I wrote an entire essay with pictures to take the blame from a fictional gator that became my comfort character. If someone from Steel Wool is reading this: Yes, I’m ok, thanks for asking. If you want to send a cute Monty picture to my inbox, it is open and I’ll be all over the place if you do it.

Now, let me take you with me on this wild ride, because this theory fits the narrative of both Security Breach and Ruin so well that I have to clap at Steel Wool if it is actually correct and not me playing with the puzzle pieces incorrectly. So, here we go!

Bonnie, judging by the golden eyes and his travel pattern, was protecting someone like Freddy did with Gregory. Important damage was directed to the stomach hatch, where a kid could hide.

He has claw marks there, but Monty didn’t got his until the first was decommissioned and was then modified to play his bass.

The scratches in his hatch are green, but also the cracks over it. It looks like it is his base color instead of paint left by the attacker. The next video is from FazFriends, where they look at every single detail in the Ruin animatronic models. Their analysis are totally worth your attention if you like SB!

Monty has black nails, even before he was modified to play Bonnie’s bass. They also are kinda blunt, and the marks the attacker left seem more clean and sharp in the ends.

Now, there aren’t lots of animatronics that have claws. We have Roxy (and I’m guessing Foxy, if he ever existed as an animatronic different to her), The mimic/Burntrap, who doesn’t really seem an option because he’s slow and in life support in SB and sealed in Ruin, and… there’s Freddy. But, and here’s the twist, not normal Freddy, who couldn’t get through gates like Monty until he got his claws.

I’m talking about this thing.

Not only do we have environmental clues that confirm this attack, but also a key clue that wouldn’t make any sense otherwise.

Let’s start with the Prototype itself!

Check those claws. They are sturdy enough to survive all the damage this model has received, and extremely sharp at the end. Now compare Bonnie and its hand together…

It’s a perfect fit. The metal is a bit bent in the left, but if you could lower it, the finger length, the palm, even the distance and shape between the thumb and index are the same than the hole in Bonnie’s chest.

If that detail is true, all pieces of the narrative fit together. Here’s what happened, which I will explain further adding sources:

Monty saw Freddy’s prototype attacking Bonnie (who was in safe mode) in Gator Golf’s catwalks. The hurricane hole-in-one was activated, causing them both to fall. He could see the prototype losing its head and taking damage to its leg, but Bonnie was nowhere: he was either able to go back to Bonnie Bowl by himself using the distraction or the fall knocked him out and was dragged there, where he was heavily damaged.

This next part is not so clear, so I’ll give you my version of what I think happened that night: Bonnie alerted police that a kid was in danger. They show up, but Vanessa sent them away, claiming she was the only person there and it was a prank call (False Alarm message in SB). Vanny uses Bonnie’s trust on Freddy against him: she sends the prototype to go after the kid and him. He makes it to Monty’s, where the hurricane causes damage to the prototype, and is then finally attacked and disassembled behind his attraction to silence him and bury any clue or what happened (his parts are all over the place, one of his arms has weel marks, and Ruin follows the PQ ending where Freddy is disassembled. In SB, endos come out from the lines to attack us, and in Ruin we see the zone where his vanity is infested with STAFF robots, both in its normal version and in VR, where a giant STAFF robot is seen being dragged to a door while it leaves scratch marks on the floor).

Fazbear Entertainment pretended they actually looked for Bonnie and found nothing at all. As a final punishment for his disobedience he was actively being erased from existence: most of his art was removed, and some ask for a re-theme of his attraction (Re-theme SB message). They make Monty the main bassist, giving him his green room too.

These changes are being quickly pushed after his decommission: Bonnie still has power when we find him, Monty falls from the catwalks “a month ago” and snaps in half, a place where he goes every time he skips a performance (Monty Mischief SB message), people constantly ask for Bonnie and there isn’t an approved answer to give, the bowling alley still wasn’t given a re-theme after taking out most of Bonnie’s images.

Despite FazEnt efforts, Bonnie is remembered, specially by a depressed Monty.

His body was modified, he was given his bass, his glasses, his room, his role. The higher ups clapped thinking about the possibility of him being even more popular than Bonnie, his disappearance becoming yet another opportunity to make money.

And it was Freddy’s prototype’s fault. His normal life, the person he admired the most, his own body, were taken from him because of him.

From that day, and after getting new claws, his attitude becomes obsessive, endlessly searching for what was left of Bonnie after the rest gave up: destroying fences to explore the undergrounds, constantly missing shows and always being found in the catwalks, even after being snapped in half by the hole-in-one bucket, trying to guess where his body was. His last known location was his attraction, so he should still be there somewhere, isn’t it?

Let me repeat this: he prefers looking for Bonnie in the catwalks even at risk of his own integrity than performing.

There are more details that show us he does care for him: there are four official images left of Glamrock Bonnie in the PizzaPlex, three of them in Monty’s ride, the last one at the entrance of his own attraction, where some animations can still be seen. These cutouts are in perfect shape, while Freddy’s is light off.

There is also a headless Freddy statue that once you go to FazerBlast screams “prototype”.

It looks like it’s been decapitated by a hurricane, some “cables” coming out of its head like the prototype, which has cables coming out of its neck.

This damage couldn’t have been caused by the earthquake: the head should had fallen to the ground instead of being pinned on the hurricane. Plus, it doesn’t match the theme of the ride, based on cutouts, and while the rest of the elements are placed in scenarios and their composition is clearly studied, this statue breaks the symmetry of the hurricane’s eye element, that is supposed to give you the illusion that you are entering its eye and being pushed out to the main attraction.

What’s more, in a story exclusively about Monty’s past and how he became a solo bassist in the PizzaPlex thanks to Bonnie, attracting the same amount of people than the Glamrocks themselves, a Freddy statue at the end doesn’t make any sense sense at all… Unless it was put there with a very particular purpose.

I like to think it’s part of an environmental story telling from Steel Wool, specially when you read the rest of clues together.

There’s more to say about this statue than the lack of a head: look at its leg damage, and how it matches the prototype’s heavily damaged one, and how the hand that is visible reflects the light making it look like it has long claws despite Freddy having short ones like the rest of the band.

It also has two blue long lines through his chest that resemble the ones in Bonnie’s.

If you still have doubt about how it is part of a scene representing the night of the attack, then you should know there is an easter egg here: if you follow the part of the tornado that goes up, you can see a Bonnie cutout at the very top of it. He’s far away from the rest of the scene and he looks like if he was being knocked by the tornado. If you zoom to look at his face, you can see he has a worried expression.

Monty didn’t destroy any of the images of Bonnie or his previous iterations, not the cutouts, not this poster, not the bass that belonged to him, even after causing damage to his room.

There is a detail in Gator Golf that is easy to miss: An intact poster of the original Bonnie near a log he uses as a hideout in Ruin (we see him quickly going out of it when we approach it).

He looks similar to the illustration at the entrance of Bonnie Bowl, but this image is not very charming. He looks half dead, yeah...? If you then go to Bonnie’s, some big screens are still on and advertising pizza. When you wear the mask, they change to a glitched version of the Bonnie animation, where his eyes go blank in a similar way to this poster.

This spot couldn’t have been used by Vanny: it is decorated exactly like the rest of Gator Golf in the base game, which ends with us saving Vanessa and exiting the PizzaPlex together.

The poster also has a drawing of Freddy stuck on it. In this chapter you can also find the Bonnie’s piñata collectible, the first time we can see his Glamrock design and the first clue of him having suffered an attack (it has a big gash in his chest).

He could have easily taken it down if he wanted, specially when it is so close to his hideout and he’s in such a volatile state, but he keeps it right beside it.

But the real Freddy (or, at least, things that resemble him) seems to cause some kind of reaction even in the base game, yes?

The most common example in Security Breach is the arcade version of Monty’s Gator Golf. There are two possible readings for it, depending on if you think it represents Monty’s mind or if you think it has been hacked to change his behavior.

Hole 1 depicts Freddy separated from the group, a big distance between them. Hole 9 shows him in a dumpster, and Chica, Roxy and Monty playing together. He’s never part of the group, so either Monty hates him or he was hacked so he would hate him, right?

But the main show were he looks happily at him while playing, the fact that he never attacks him even after being hacked, the presence of images of him on other holes all perfectly light and ok like this balloon, and the eye color difference between Hole 1 and 9, make me think Steel Wool is trying to tell us a way different story.

The Freddy in the dumpster is the only one with golden eyes. Hole 9 represents what is happening the night we play as Gregory, the AR part of the AR-cade, and of the main reasons the Monty taking down theory was so popular.

That night, Roxy, Chica and him are working on finding the kid to the point that their cases crack and get dirty, while Freddy not only glitched at the start of the show hours before, but is now also walking around the PizzaPlex doing NOTHING instead of helping (apparently).

It’s the animatronic equivalent of a group project were one of the members does nothing, so you have to do their part and then they show up and are praised. It makes sense he would be angry at the situation and think he’s trash, but even so, there are no real confrontations between them.

But what about Hole 1, then? The answer is the fireflies. There are some fireflies at the left part, but the right, where Freddy is looking, has other set of lights. If you calculate the distance from Chica to him, the center is almost where the hole is, the part of the arcade that is supposed to drag your attention. Having an empty space there feels uncomfortable and a very questionable decision from whomever designed the scene, but if this one is a reflection from reality or Monty’s current mind state, why aren’t Freddy’s eyes gold?

Well, I don’t think he is separated from his band.

I think someone is missing from the picture instead.

Bonnie was erased from the Arcade.

As it was said, these changes were quick and non-planned: they deleted his model from the arcade, but had no time to move and reprogram the positions of the rest of the characters so the space between them was filled. As a consequence, when you play this level, your attention is taken from the hole to the distance between them.

It is void, awkward, it makes you uncomfortable. You know something is missing, but you can’t quite tell what it is yet. It makes you wish there was one more character there even before you knew there actually was.

Once you learn what happened, how his story ties to the place this scenario represents, the void he left in Freddy and Monty specifically, Hole 1 gains a new meaning, and it hits you. When you go back to the PizzaPlex as Cassie and play the arcade, there’s no joy left there. No fireflies, no Glamrocks, just ruins. Two pairs of red eyes and a pile of Nightmare STAFF bots. That’s all that’s left.

But if you still need one more clue to convince you that the prototype was the one that attacked Bonnie, then let me tell you there is a final one that wouldn’t make sense otherwise:

The AR collectibles dialogue.

Cassie always makes a commentary about the things she finds: Monty’s AR plushie being very glitchy, how she wants to add Roxy’s one to her collection, how the her father wouldn’t tell her why they replaced Bonnie and how he was his dad’s favorite…

But she also asks him what happened to him, and gets an answer when she gets the last collectible.

The AR Golden Bonnie is hidden in Bonnie Bowl, next to a Wet Floor Sign bot.

She hasn’t been to Fazer Blast yet.

But the description answers the question that she asked him: a prototype.

Bonnie was decommissioned by Freddy’s prototype.

And the only ones that know are a kid lead to her death that can hear his agony through the Wet Floor Bots and unreal collectibles, and an animatronic blamed for his death and told he’ll never be him, obsessed with his loss and with finding whatever is left of the person that he admired the most and helped him become the star he once was.

[just-antithings]

Anti-ism is psuedoscience and a moral panic rolled into one

One of the most dangerous things about therapyspeak leaving the intended audience is that now antis feel fully qualified to tell survivors how they should and should not be coping, even to the point of attempting to override/contradict the advice of certified therapists.

I've had antis tell me the fiction I enjoy writing is retraumatizing myself, that I am doing harm by writing it; when I responded that actually, my therapist signed off on the stories I wrote (even when I mentioned the specific phrase "consensual nonconsent"), they said that my therapist doesn't know what she's talking about since she sanctioned my coping mechanism and explicitly labels her practice as kink-positive. Antis are attempting to make me, a survivor with mental illness that could ultimately be fatal if I leave a psychologist's care, disregard the advice of the medical professional supervising me when they have no certification at all. This could, if I were a more vulnerable person, be dangerous for not only my trust in my therapist, but it could sabotage my treatment as well.

They are using what amounts to little more than memes, based on misinformation, that use a few intelligent-sounding phrases that very rarely apply the way they think they do, as a wedge to attempt to assert themselves as authorities who can, with certainty, dictate the appropriate course of treatment for a total stranger, including telling them to disregard the therapies administered by a trained professional.

In other words? Antis are frighteningly similar to anti-vaxxers, who took medical terminology they didn't understand, applied it to shaky cause-effect logic models, started a moral panic, used statements generated by that moral panic as a citogenesis-fueled proof their initial starting of the moral panic was justified, damaged the doctor-patient relationship of millions of total strangers, jeopardized the healthcare of those strangers who now believed their doctor to be incompetent for following accepted medical best practice, and fomented dangerous fringe political ideologies that coupled themselves to other conspiracies based on rejecting commonly-acknowledged practices.

"Vaccines cause autism! Narrative therapy that implements any form of controversial kink causes retraumatization of the writer, reader, or both, and starts the writer on an inescapable slippery slope to becoming an abuser themself! It's better to be dead than autistic! It's better to suffer feelings of shame and/or isolation in silence than it is to use fiction to put a voice to your feelings! Your child is vaccine-damaged from thimerosal and is getting sick from virus-shedding! Your fiction caused me to groom myself and you're a porn-addicted monster for not facing your trauma the proper way! Your doctor doesn't know what's good for you, I do! Only I understand how your body/mind work and what treatment is appropriate for you! Your doctor has been manipulated by Big Pharma/kink supporters! The empirical-study-informed best practices for pediatrics/psychology are what's wrong, not me, whose research is carefully informed by TikTok videos and Twitter posts carefully formulated to cause amygdalar growth to keep me afraid so I will continue to engage with fear-mongering content that causes my politics to shift towards the alt-right, who coincidentally also push narratives based in fear, not in medicine! I am being perfectly logical here!"

Antis fundamentally reject empirical medicine just the way anti-vaxxers do. They just seem to get a free pass on it since it's "only" mental healthcare they are sabotaging, and few people acknowledge it as something as legitimate and lifesaving as other medical care.

[slitsfordan]

DanandPhilCrafts + Fucked Up Queer Devotion + Christian Homophobia: An Essay

We’ve all been talking about the willingness of Dan and Phil to perform the ritual, we’ve all been talking about the intimacy of carving out your lover’s heart, but I have not heard anyone talk about the fucked up side of Dan and Phil’s (fictional) relationship with each other, and with Him, so here goes.

On the craft channel, Dan and Phil act overwhelmingly positive, like satanic children’s show hosts, but this is clearly a farce. We see them drop their smiles quite a few times during the crafting- most notably in Glitter Faces when Dan’s craft turns out wrong, and when Phil cuts Dan’s hand. “Don’t cry, craft” is directed towards the audience, but it seems Dan and Phil are following their own advice. Cults, after all, prey on vulnerable people. While they do seem scared of doing the ritual, and their involvement with Him, they are, however, definitely willing. In

The blood on Dan after he kills Phil is interesting; The handprint on his shirt isn’t a sign of a struggle, but rather Phil just grabbing his shirt- that’s pretty intimate, honestly. The blood on his face could’ve been caused by a bunch of things: blood splatter he wiped at? wiping at his face (eyes?) with a bloody hand? or Phil holding his face? (I like the third option) The blood on his nose might totally have been accidental, and just a thing that happened, but it could also be an allusion to the cat whiskers, in the spirit of bringing things back to the beginning and whatnot.

After the ritual is complete, there’s the obvious tarot symbolism. @freckliedan has a great post about this, but I’ve got more to add, so bear with me. Yes, Dan and Phil are framed as the lovers, but that’s not all. While the sexual deviance associated with the devil card has clear connections to queerness, it’s main association is usually unhealthy relationships and dependence. From this, and the obvious devotion displayed in the video, the craft versions of Dan and Phil are implied to be unhealthily dependent on each other, and devoted to the point of obsession. While the relationship certainly isn’t abusive, this obsession just isn’t healthy.

Furthering the unhealthy relationship idea is when Phil calls Dan “Sampson”. In the Bible or whatever (I’m not Christian sue me) Sampson topples these pillars, killing both himself and his enemies, which has a clear parallel to Dan’s stacked ingredients falling over, but the use of “folly” is interesting, and suggests a further connection. Sampson had married a prostitute, and she sold him out, basically, leading to his enslavement and later death. In this story, this is the clearest and most obvious act of folly by Sampson: marrying someone who he shouldn’t have, someone who it was taboo for him to be with. Connected to Dan and Phil, it suggests that their relationship is dangerous due to the social taboo, but it’s also implied that Phil will betray Dan. Perhaps we’ll see that in a 5th crafts installment, or perhaps it’s simply a commentary on being in a relationship with someone considered unacceptable.

Speaking of unhealthy relationships, that’s sure what they’ve got with Him! Leading up to the ritual, Dan and Phil are shown to be scared of Him, even though they call Him their friend. Dan’s head shake when Phil says “crafting has improved my life in numerous ways” is very telling. At the end, Dan’s shoulders tense at His first footstep, however, when He actually touches Dan, he doesn’t seem scared at all- forgive me for this next point, but from the way he kinda leans into the touch and tilts his head back, it seems more like he’s going for “turned on” rather than “scared”.

“Okay, cool” you say, “but what does it mean?” Well, Dan and Phil’s relationship in this series is not just about homoerotic undertones- this is an allegory for toxic queer sexual relationships. Why would they make something about toxic relationships when they’re in a healthy relationship? With the toxicity, and the power imbalances, and the satanism, Dan and Phil’s (fictional) relationship is a representation of Christian fears of queerness, and the supposed immoral/corrupting/anti-Christian effects of being in a queer relationship. The fear Dan and Phil show throughout the series is representative of internalized homophobia. They’re scared to align themselves with Him because it means accepting their own queerness. Dan shows more fear than Phil throughout the series (like after his glitter face turns out to be a pentacle) which parallels his real world internalized homophobia that he’s experienced. By holding hands with the devil (or baphomet?) standing behind them, Dan and Phil have embodied every conservative fear about queerness, but have come out on top. Through their YouTube channel, we get to do the same.

[angels-fantasy]

Top-Secret Fiction Ch. 1

Date Scored

Katsuki Bakugou x Reader

Description: After meeting the one and only pro hero Dynamight on a dating app, you two begin to see each other. Because of the dangers that come with his hero work, you both promise to be completely honest with each other from the beginning; though you can't help but keep one big secret from him.

You write fan fiction, mostly about him.

Chapter Details: This story is honestly mostly fluff, some crack fic elements lol, lowkey fast pacing but IM IMPATIENT LOL sorry

Word Count: 1.2k

It was a Tuesday night when you were on your computer, logged into HeroFiction.com and typing away at a new fan fiction you promised your readers.

You had been writing fan fiction as a hobby for about three years now and over time quickly began gaining followers. Now, you had almost four thousand readers that loved your work.

At first you wrote for a variety of heroes, until Dynamight started becoming really popular. You didn't see the hype in the beginning. He was so rude and destructive, why would you write about him?

Your mind didn't change for a while until you saw a video of him getting interviewed after taking down a villain. He was as rude as ever of course, but his face was covered in soot and his hero costume was ripped, showing his chest and arms. Watching that video made you realize how hot he actually was.

That was the moment you decided to start writing for him.

He quickly became a favorite among your readers, so you kept writing for him. It seemed as the more you wrote for him, the more you liked him. He was suddenly your favorite pro hero.

Now, you focused every piece of writing on him. It worked out perfectly for you. You and your readers loved it, it was a win-win.

So now as you were thinking of what to write next, your phone buzzed next to your thigh, breaking you out of your thoughts.

You grabbed your phone and looked at your new notification, seeing it was from the dating app you recently downloaded.

Now curious, you opened up the app to see what the notification was. It appeared to be a message from a recent match.

Hey sexy. Meet up 2night 👀?

Face curling up in disgust, you blocked the person and deleted the message. It seemed as if everyone on that app was just looking for a hookup, and not something long term.

Maybe it was foolish for you to think you'd find something serious on the app, but it didn't hurt to try right?

You closed your laptop, making sure to save your work, and began swiping through profiles on the app.

You continued swiping left for who knows how long, until you came across a profile claiming to be Dynamight.

Sitting up in bed quickly, you looked at the profile closely and read through it.

Katsuki Bakugou, 30

Pro hero. No, I'm not hooking up with you. Yes, I'm fucking real.

It was short and not so sweet, but it didn't seem fake. You swiped through his pictures. The first one was of him and other pro heroes dressed in their hero costumes. The second was a picture of him, flexing in the mirror, and the third was a selfie of him and a german shepherd outside.

Maybe you were being way too optimistic, but you really believed that this could be him. If it was, then you hoped that somehow he'd match with you. If it wasn't real, then it wouldn't be an issue, but you would be disappointed.

Feeling brave, you decided to swipe right.

It's a Match!

You never gasped so loud in your life. If it was already a match, then that meant he had to have swiped right on you before right? You bit your nails as your heart raced in excitement, wondering what you should even say to him now that you were matched.

But what if he wasn't even real? You'd just be embarrassing yourself by believing that Dynamight of all people, would be on a dating app and actually matching with you. This could be some horrible person messing with people, trying to humiliate them.

Now discouraged by your own thoughts, you just shook your head and closed the app.

Buzz.

Katsuki Bakugou: Hey

Your eyes widened and your eyebrows raised so high up they could probably touch your hairline.

"Oh my word!" You cried while gripping your phone. You opened the app once again and tapped on the new message, typing your own.

Me: Hello!

Me: I'm sorry but I just have to ask. Are you actually Dynamight?

You chewed on your fingers nervously as you watched the text bubble pop up, a message eventually following it.

Katsuki Bakugou: Yes I'm real. I can prove it to ya if you need me to. Idk how but I will.

You hummed out loud, thinking of what he could do to prove he's real.

Me: Uhh could you send a pic of yourself with a spoon on your nose?

Katsuki Bakugou: That's what you came up with?

Me: That's the only specific thing I could think of!

Katsuki Bakugou: Yeah yeah

Katsuki Bakugou: [image attachment]

Opening the picture, you saw exactly what you asked for. It was Dynamight with a damn spoon on his nose.

You threw your phone across your bedroom and shoved your face in your pillow, screaming in excitement.

"Holy shit." You said in disbelief, "I'm actually talking to Dynamight."

You got up out of bed and picked your phone up off the floor.

Me: Oh my word you're actually real

Me: Thanks for the pic lol sorry you had to do that

Katsuki Bakugou: It's fine. I get why you'd think otherwise so that's why I agreed to it.

Me: Well thanks again

Me: Anyways, can I ask why you're on here? Most people I've come across so far are only looking for one thing. If that's you then no judgement here.

Katsuki Bakugou: Someone I know recommended it to me. And nah that's not me. Being a pro hero and one night stands do not mix well.

Me: Understandable. I'm no pro hero, but I'm on here for something more serious you know? Even just finding friends would be nice.

You cringed at how pathetic you sounded and sent another text.

Me: Sorry, didn't mean to get sappy there lol.

Katsuki Bakugou: You're good. But I feel the same about wanting something more serious. Sucks that almost everyone on here is just a horny bastard.

Damn, who knew Dynamight was so relatable?

Right when you were typing a new message, another one from Dynamight came in.

Katsuki Bakugou: But anyways, when are you free? I wanna take you out.

Katsuki Bakugou: If you want me to, obviously.

You squealed at the message, kicking your feet in excitement. It was kind of surprising that he asked you out so early, but just from what you know about him and his personality, it wasn't out of character. Fast and straight to the point.

You bit your bottom lip as you typed up your response.

Me: Of course, I'd love to! I'm free this weekend.

Katsuki Bakugou: Alright, I'll pick you up Saturday at 5:30 pm.

Me: What do I wear?? Pls tell me where we're going.

Katsuki Bakugou: Can't. It's a surprise. I'll tell you what to wear the day of.

Me: Okay...

Katsuki Bakugou: Don't back out now.

You grinned and held your phone against your chest. You couldn't believe you scored a date with your favorite hero.

Suddenly, your cat jumped up onto your bed and in your lap. You gasped and picked him up, carrying him in front of your face.

"Hey Cheerios." You cooed, "I'm going on a date with Dynamight!"

"Meow"

...

next chapter

authors note

i hope you enjoyed the first chapter of Top Secret Fiction lol. this is my first multi-chapter fic so i'm a little nervous, but i think it's okay so far! pls let me know what you think 😊

also, if you noticed that bakugou seems to be a bit more mellow here, its bc he's older in this fic and i just imagine him as being a bit more calm as an adult.

btw sorry if the fast pace isn't something you like. i'm impatient lol

love ya!

taglist: @doumadono @lovra974 @54fangirl @andysdrafts @dagger-dragger @l4rsun1vrrse @emmab3mma @littlkittenfan @tatiquichi @cloudxluv @seonne @shonen-brainrot @the2ndl

those in pink cannot be tagged for some reason!

[rocketbirdie]

YOU. You are correct about Cloud Strife. Everything you say about him is CORRECT

Hi I'm going to use your ask as an opportunity to go on an unhinged tangent about him below the cut.

I believe that EVERYTHING about Cloud Strife as a character makes total sense once you realize: it's autism.

Here's a character whose entire arc revolves around the erosion of his identity and his desperate attempts to adhere to an ideal image, at the expense of his own wellbeing; and how self acceptance is the thing that brings him back from the edge of despair.

Youtube theorycrafters waste hours of their lives trying to piece together Cloud's psyche, when the answer is just... autism. It really is that simple. I will die on this goddamn hill.

In Trace of Two Pasts, we learn that even as a toddler, Cloud really was just... like that. Unemotive and awkward. And the entire lifestream sequence in the OG shows us a young Cloud who behaves in baffling ways. Tifa and her friends invited Cloud into their group, but he rejected their friendship while simultaneously harboring a seething jealousy. How the heck does that work, huh?

Viewing this through the Autism Lens™️, his approach make way more sense. Fearing his own inability to read and reciprocate their intentions, he pushes them away, and the resulting loneliness crushes him. He mistakes that loneliness for anger. He turns that anger outwards and gets into fights. Because the other kids don't understand him, Cloud sees them as stupid and immature. It's the perfect recipe for disastrous distrust. The tragic result is that, when Tifa gets into her accident, Cloud is immediately blamed by kids AND adults. He's seen as inherently dangerous and unpredictable, even though he did nothing wrong. It's like they were already looking for the perfect excuse to hate him.

The worst part is, because he struggles to articulate his own thoughts and feelings, he starts to just... accept what other people say about him. He's a pain in the ass. He's a selfish brat. He could try being a bit nicer. Any attempt that he makes to argue, backfires and proves their points even more. He's being childish. He needs to get his shit together. Nothing's ever good enough for him. He stops fighting it and lets people drag him around and violate his boundaries, because no matter how loud he yells or how intelligently he argues, nothing he says ever reaches their ears. He trims away more and more of himself to try and appease others and nurse the constant emotional pain. (And that's not even addressing the entire traumatic *waves hands* everything that he's gone through by the time he reaches Midgar! That would have to be its own tangent lol.)

It's hard to watch as a player; the secondhand embarrassment of Cloud's social blunders is immense. Some people don't like Cloud as a video game protagonist, which is perfectly valid. But a lot of times, they justify their opinion by perpetuating the same damaging language. He's an asshole, he's a weirdo, he hates people. The irony would be hilarious if it wasn't so frustrating. I know Cloud is just a fictional character, he doesn't need to be defended from harsh criticisms. But I can't help but wonder what these players think about the "weird people-hating assholes" that they meet in real life.

It also makes me wonder if they were even paying attention. I think the games make it pretty damn obvious what's going on. He's an asshole because other characters treat him like one before they even get to know him. He hates people because he doesn't understand them, and they don't even try to understand him. He's a weirdo because he has a strange way of showing how deeply he loves and cares, and he's afraid that his love will be misinterpreted like every other emotion he's ever dared to show.

The autism is everywhere. It permeates his entire being. It's in his silly responses when he takes things too literally. It's in his painfully practical way with words. It's in the stiff expressionless look and the flat tone of voice. It's in him constantly adjusting his gloves, shifting his weight, looking down at his feet. It's in his questionable idea of what you're supposed to do with your body at a yoga session. It's in the half a dozen flustered high fives, it's in the motion sickness. It's in the contagious eagerness with his special interests in SOLDIER and materia and chocobos.

It's in the moments where the facade crumbles and we get to see the real Cloud, the one that Aerith knew was in there— the one that Tifa finds in the lifestream— the one that Zack gave his life for— the Cloud that cherishes the whole world. He's got so much of everything inside of his heart, and he doesn't know how to get it out. You'd be a weird asshole about it, too.

[worldlxvlys]

my eyes only (part 4)

jealous! chris sturniolo x reader

warnings: cursing, reader is in a toxic relationship, smuttt, p in v, cream pie, choking, oral (fem receiving), squirting, masturbation, use of vibrator, cheating

** i’m not promoting cheating in the slightest, this is fiction. please do not cheat on anyone.

a/n: part 4 was highly requested sooo here it is <33

previous part

“it was an accident!” i yelled for what had to be the tenth time.

“how the hell do you accidentally send someone nudes ?” charlie yelled back.

i let a heavy sigh as i rolled my eyes, “hey, don’t roll your eyes at me”

my face scrunched up at that, “i can do whatever the hell i want with my own eyes, charlie. i don’t know why you think you can control my every move” he looked like he wanted to make a snarky comment at that, but i stopped him, “and why were you going through my phone?” i asked.

he looked take aback at the fact that i knew, “ i didn’t” he spoke defensively.

“so you weren’t going through me and chris’s texts?” i asked.

he sighed, giving up the act, “ok, fine. yes i went through your texts once. it was awhile ago, though”

“you are un-fucking-believable, charlie. how am i supposed to trust you when you don’t even trust me?” i asked.

“i know, it’s just-”i cut him off, “your past relationships, i know. but that doesn’t give you the right to go through my phone”

his eyebrows scrunched up at that, “are you trying to invalidate my feelings right now?” he asked.

my eyes widened at that, “i-no! what are you talking about?”

“i mean, you just basically told me that what i went through in the past means nothing to you”

“charlie, when did i say that?” i asked incredulously.

“whatever. i just can’t believe you’re pulling this shit while i’m going through such a hard time. i mean, you know how much stress i’ve been dealing with because of work, and now i have to worry about my girlfriend sending nudes to another guy”

my face softened at this, realizing that there was some truth to what he was saying.

although i would never admit it out loud, i did send chris those nudes on purpose. and on top of that, i gave him access to several of my explicit videos.

thank god charlie didn’t know about that part.

it was wrong of me to do, but when it came to chris, every logical thought of mine flew out the window.

my boyfriend was an asshole, but that didn’t give me the right to add onto his stress.

“i’m sorry, you’re right. it won’t happen again. what can i do to make it up to you?” i asked as i rubbed his shoulders.

i wasn’t an idiot. i knew that i was better off breaking things off with him, but i was scared. as fucked up as our relationship was, it was one of the only constant things in my life. and although it was dangerous for my mental health, it was safe.

change is inevitable, but it’s also uncontrollable in most situations. and this situation was one of the rare cases where i had full control.

“stop talking to him.” my heart dropped at this.

“what? you want me to just stop talking to someone who i’ve been friends with for years?” by the tone of my voice, he could probably tell that i wasn’t going to do it.

“ok, you’re right, that’s unreasonable. but, maybe just back off of him a little?” he asked.

“please? it would help ease my mind” he spoke as he squeezed my waist, his grip tighter than usual.

i had been with charlie long enough to read him pretty well. his mood could flip in a matter of seconds, and it was quite frightening to experience. sometimes, when he was seconds away from doing it, he would squeeze my hip or shoulder firmly. this was obviously one of those times where my answer would determine how the rest of the night went.

he had never hurt me before, but i was still always careful not to set him off.

“ok, yeah” i nodded my head at him.

“i need to hear you say it” he said, refusing to let go of me.

“i’ll back off of him” i said.

he let go of me, a grin taking over his features, “thank you, baby. i really appreciate it”

i nodded at him, smiling weakly.

1 WEEK LATER

CHRIS’S POV

“it was a mistake”, those were the words she said a week ago. those words led me to believe that she would change her my eyes only password.

wrong.

because when i opened her my eyes only the day after she sent that text, the password worked.

she added more videos to the collection, in fact, she didn’t delete my own video.

and when i clicked onto the most recent video, the first thing i heard her moan was my name.

so that’s the game she wants to play? she won’t answer my texts, but she’ll scream my name when she plays with herself?

fine, let’s play.

throughout the week, we added more and more videos to the collection. we teased each other, moaned each other’s names, and spoke the dirtiest words to our phones.

we never addressed the videos in our text messages, as our conversations never got past a “hi, how are you” and a dry response.

it was an odd situation, but she seemed hellbent on avoiding any conversation.

finally, after a week of playing the game, i decided to go over to her house and talk to her like an adult.

i didn’t bother texting her, knowing i wouldn’t get a response.

READER’S POV

“fuck, chris” i moaned out as my head flew back onto my bed.

my body was bare and covered in a layer of sweat as i held my vibrator against my clit with one hand, the other fingering my wet hole.

my phone was propped up against a chair, capturing my pleasure perfectly.

i was so close to my orgasm, i didn’t hear my front door open.

“chris! i’m gonna-!” i cut myself off as my door flew open.

in a panic, i moved my hands and turned my head towards the door.

my eyes widened in horror, as chris stood by my door with hooded eyes.

chris and i stared at each other as we both waited for someone to say something.

“chris-” i started, but paused when he pulled his shirt off.

he quick strides in my direction, before leaning down and capturing my lips in a desperate kiss.

i moaned into the kiss, as our lips moved against each others quickly.

he detached our lips, pressing his forehead to mine. “do you want this or not?” he asked, his eyes still closed. “cause one second you say it’s a mistake, then the next you’re moaning my name. if you’re just gonna play with my feelings, i-” i stopped him by pressing my lips to his in a sweet kiss.

“i want this, chris. i want you. i was scared and confused, and i shouldn’t have played with you like that. i need you to know this isn’t a game to me” i spoke as my gaze shifted between his eyes.

“i’ve wanted you for so fucking long, i just didn’t know how to tell you” i cupped his jaw with my hand, running my thumb along the skin right under his bottom lip.

“thank fuck” he whispered before pushing his lips onto mine again.

my hands found their way to the back of his neck as his soft lips caressed mine.

his hands went to my boobs, squeezing and pinching my nipples, eliciting a small moan from me.

“fuck, you sound even better in person” he groaned.

he continued to play with my tits as our lips slid against each other’s perfectly.

his hips ground down into my body, his clothed erection pressing into my inner thigh.

i bit down onto my lip, suppressing my moans.

“don’t be shy now, baby. you’re so vocal when i’m not in front of you. do i need to play one of the videos?” he asked, making me narrow my eyes at him.

in one swift motion, i hooked my leg around his waist, pushing him down into me and flipping us over.

his eyes widened as i wrapped my hand around his throat, making him let out a choked moan.

“yeah? you like it when i choke you like this?” i asked as i moved my hand down to his sweatpants.

“mmm, fuck yea” he groaned out.

i hooked my finger into his sweatpants, tugging them down.

my fingers gently caressed his thighs as i moved my mouth to the top of his boxers.

i looked up at him through my lashes as i took the waistband between my teeth, pulling it up and letting it snap back against his skin, making his hips jerk slightly.

“i want these off” i spoke.

he quickly pulled them down, letting his dick spring free.

“remember that pink dildo?” i asked as i let my spit travel down to his cock, beginning to spread it around his length.

“y-yeah, i do” he groaned in response.

i lined him up with my entrance and sank down onto him, pulling long strings of curses from both of our lips.

“i always imagine that it’s your cock buried inside of me” i moaned out as i began to move on top of him.

“o-oh my fuck” he whispered as his eyes rolled into the back of his head.

he seemed to almost be shocked at the amount of pleasure coursing through his body, as his arms stayed frozen at his side.

“touch me, chris” i spoke, snapping him out of his trance.

his hands shot out to my sides, sliding down to grab my ass.

i grabbed his shoulders to stablilize myself as i rolled my hips into his.

“god, you feel even better than i ever imagined” i spoke as i pressed my forehead to his, staring into his eyes.

“you look so fucking good on top of me like this. love watching you fuck yourself on my cock” he whispered to me.

“you like the way i squeeze you?” i asked as i clenched around him.

he whimpered at the feeling, before replying, “not gonna last if you do that”

“good, i’m on the pill. i need you to fuck your cum into me, chris. need it so bad” i moaned as his dick plunged in and out of my tight hole.

the dirty words sent chris over the edge.

his fingers dug into my ass, holding me down against him as he shot his cum deep inside of my walls.

i lifted my hips off of him and swung my leg over his, moving from on top of him.

“wait, you didn’t finish” he pointed out.

“it’s fine” i shrugged it off.

chris wasn’t having this as he pulled me back towards his body.

“ride my face” he spoke as he pulled me back on top of him.

“what?” i asked, my eyes widening at his statement.

“i don’t know what you’re used to, but we’re not done until you cum. so, ride my face.” he spoke, throwing slight shade towards charlie, as he laid down.

following his instructions, i positioned myself right above his face. i hovered for a second before chris pulled me down onto him, pulling all of my weight onto his face.

“oh my god, chris” my jaw fell slack as my hands laced into his hair, tugging gently.

he groaned against my heat as his tongue licked up and down my folds.

i began to rock my hips against his mouth. with every upward movement, chris’ nose pressed against my clit.

“chris! i’m cumming!” i spoke as my body tensed up.

my toes curled and my fingers scratched his scalp as i felt an intense wave of pleasure run through my body.

i lifted myself off of his face as my juices shot out of my trembling body, saturating the pillow and chris’s face.

“fuck! sorry, sorry” i spoke quickly as i got off of him.

“don’t ever apologize for something like that, ma. that was hot as fuck” he spoke before licking his lips.

i got up to grab something to clean his face up, when he stopped me.

“wait, take a picture of my face!” he grinned.

“what, why?” i asked.

“we can save it to your my eyes only” he winked.

🌀🌀🌀🌀

masterlist

tag list: @lustfulslxt @gwenlore @flowerxbunnie @sturnssx @mattslolita @its-jennarose @sophssturn @bernardsleftbootycheek @queen161718 @cupidsword @imwetforyourmom @nickmillersn1gf @stramboli4life @mattsneezing @chrisstankyleg @sturniolobltch @ciarasturn1 @bethsturn @bernardenjoyer @mbbsgf @rac00ns-are-c00l4 @ssturniolo @blueeyedbesson @mxqdii @sturniolowhore @annelisseakayourname @defnotayonna @urmom2bitch @abbie13sworld @starsturniolo @hearts4chriss @theyluv-meee @carolinalikesthings @itzdarling @chrisstopherfilmed @judespoision @sstvrnioloo @littlebookworm803 @nicksdrpepper @chrisloyalgf @robins-scoop @fandomhopped @chr1sgirl4life @bbglmfao @55sturn @sturniolololover @meg-sturniolo @mattsnymphette

[hairmetal666]

Read Part One here

cw: implied child abuse

Eddie's coming over for coffee. Not Eddie with Nancy and Robin or Eddie with the kids. Just Eddie.

They haven't been alone in 9 years and now Eddie is coming over for coffee.

They're friends, of course. After Vecna they didn't have much of a choice, but they've never talked about it--that they used to be something.

After Steve kissed Eddie goodbye for what turned out to be the last time, they didn't see each other again for months and months, except for a devastatingly fleeting moment in the Family Video parking lot. And the next time after that, Eddie's pinning him to the wall of a rickety boathouse, a broken bottle to his throat.

What's going through his mind, his body, at that moment is relief. For days, weeks, months, he ached for Eddie's touch again, and even though he was in danger, he relished in the push of their bodies together. Thought, if this is how he dies, he won't mind going.

But they don't talk about it, about them, because Eddie is on the run and Max is going to die, and they have to save the world, so there's no time. In the aftermath, it's the least of their worries, and now it's been almost a decade and Eddie is coming over for coffee.

The thing is, it's not like Steve has been pining away for a love long lost in the intervening years, and neither has Eddie. They've both had longterm, serious relationships; Steve almost got married. But for Steve...Eddie is the one that's lingered, the one that knocks around his ribcage on late sleepless nights, the one that makes him dream of what might have been. Because Steve truly loved his other partners, but Eddie--nobody will ever compare.

Someone is knocking a rhythm at his front door, and he can't stifle his smile even as his heart runs riot in his chest.

"Hey, man," he says, remarkably nonchalant as he takes Eddie in. Still beautiful, still brimming with energy; his smile wide and dimpled, bouncing on his toes.

"Harrington!" Eddie grabs him into a quick side hug, slapping his back. "Since when do you wear glasses?"

Steve chuckles, touching the horn-rimmed frames. "Oh, god, Robin forced me to get them back in '87? Too many concussions." He touches his forehead. "I usually just wear contacts."

"It's a good look," Eddie says. He's very much not looking at Steve, eyes roaming around the Chicago apartment he's been to many times before.

He watches as Eddie spots the display of his own books, index finger slowly slipping across the spines in a way that makes Steve remember when those same fingers would slide down his spine. He stifles a shiver, turns towards the kitchen.

"So, how's New York? How's the book coming?"

"Livin' the dream." It's not flippant, not like how most people mean it. Eddie leaks genuineness, always has. "The book though...it's a little rough."

Steve sets the coffee maker going, brings fresh pastries and a couple plates over to the table. "I can imagine. It doesn't--it doesn't have to be the same, you know?"

"Yeah, if only I hadn't written three other books leading up to the evil mind wizard," Eddie chuckles. He grabs a croissant and tears it in half. "It'll be alright, Harrington. I'll figure it out. I lived through it the first time, after all."

Steve doesn't remind him that he almost didn't, that they almost didn't. Instead, he pours coffee, listens as Eddie talks about how to fictionalize the worst month of their collective lives.

He splashes milk into Eddie's coffee, taps in three scoops of sugar. He carries it to where Eddie waits, still talking about the logistics of Vecna-slash-Henry-slash-One in his novel, but his words abruptly stop as his hands wrap around the porcelain.

"Steve?"

It's only then that Steve realizes what he's done--made Eddie's coffee like he took it back then, made it without thinking, totally on muscle memory, when the best of his mornings were spent in Eddie's arms.

His cheeks glow crimson and he grips at the back of his neck. "S-sorry." He says. "It--is this still how you take it?"

"Yeah." Eddie's eyes fall from Steve's face, his own cheeks pink. "It's--yeah. Still the same."

"I'm sorry--"

"--Steve, I--"

They don't laugh. They both stop speaking and look at each other, faces still red. Steve thinks there's nothing for it but to get it all out now.

"I'm sorry, Eddie." He takes a deep breath. "I'm sorry I never came back. I'm sorry I didn't explain why. I'm just--really, really sorry."

Eddie's eyes are hooked on the table top, fingers twisting and twisting his coffee mug. "Can I--why? I waited and you--why?"

Steve swallows, but it gets stuck in his throat, and now he's the one who can't look up from his hands.

"My parents got home early," he manages. "My dad, he was waiting for me. I guess one of the neighbors thought it best to tell them who I'd been spending my time with."

Silence falls over the table, and he chances a look up at the man across from him, the one whose knuckles bite into his lips, whose eyes shine with unshed tears.

"You should've called me. You should've--you could've stayed with us. We would've kept you safe."

"Eddie, I couldn't. I physically couldn't," the admission costs him so much.

"Steve," Eddie chokes on his name, voice nothing but anguish. "Did anyone--You could've--you were all alone."

He shakes his head. "Robin knew. She snuck through my window to take care of me, but my parents--I couldn't--" This time the words really won't come. "We made a plan. We started that job at Family Video, and we saved up our money."

Now, Eddie's face is creased with grief. "Sweetheart, I'm so sorry."

Steve shakes his head, smiles despite the wreckage around his heart. "You have nothing to be sorry for, baby. I left you with no explanation. I broke your heart. And--and--" He thinks, what does it hurt to say it at this point. "I love you. I love you so much. I convinced myself you were better off without me, that we could have a clean break and you could get over me."

Eddie's hands cover his face, muffle the sob that slips out. "Get over you?" He whispers. "There's never been one like you, sweetheart."

He slides around the table to kneel at Eddie's side. "Hey." Deep brown eyes stare back at him, Eddie's face wet with tears. "It's always you, Ed. Always. I didn't want to say anything, if you had moved on, but--"

There's not really any transition from them talking to them kissing; Steve slips into it like he did all those years ago, when he first asked for Eddie's kiss. Their mouths slot together, their bodies fit like they always used to, perfect puzzle pieces. Steve's knees give out at the first brush of Eddie's tongue, and they collapse into a heap on the kitchen floor. Even then, they don't part.

Eventually, Steve does break the embrace, face flushed and hair a disaster, glasses hanging off one ear. "Okay, trying to be responsible here. Should we take a pause, go on a date first? Slow down?"

"Nine years isn't slow enough?" Eddie's pupils are blown, hair frizzed around his head.

"When you put it that way," Steve can't help but laugh. "I just want to do right by you, Eddie. Make up for--everything."

Eddie grins down at him, that sunshine beam smile where his dimples pop. "Tell you what, how bout you take me to bed now, and I'll let you take me on a date tomorrow?"

"Oh, you'll let me?" Steve rakes a hand through Eddie's mane of hair. "I don't think you'll have any choice."

"You sure about that, Stevie?" Their lips are so close, the brush with every word.

"Uh-huh," Steve's having trouble keeping his eyes focused, overwhelmed by the sheer force of Eddie Munson. "Never letting you go again, Ed."

Surprise! Part 2! I genuinely had no intention on doing a follow-up, but so many of you asked so nicely that it gave me this idea. Sorry if I miss anyone in the tag list and thank you for reading! @everywherenothere @tiny-enthusiast @emma-elsa-0000 @fuzzyduxk @moonythepluviophile @anaibis @rhapsodyinalto @bunk12bear @tillystealeaves @velocitytimes2 @s-trawberryv-eins @marklee-blackmore @ignoremyworld @its-a-me-a-morgan @goodolefashionedloverboi @starman-jpg @djohawke @adaydreamaway08

[mostlysignssomeportents]

You were promised a jetpack by liars

TONIGHT (May 17), I'm at the INTERNET ARCHIVE in SAN FRANCISCO to keynote the 10th anniversary of the AUTHORS ALLIANCE.

As a science fiction writer, I find it weird that some sf tropes – like space colonization – have become culture-war touchstones. You know, that whole "we were promised jetpacks" thing.

I confess, I never looked too hard at the practicalities of jetpacks, because they are so obviously either used as a visual shorthand (as in the Jetsons) or as a metaphor. Even a brief moment's serious consideration should make it clear why we wouldn't want the distracted, stoned, drunk, suicidal, homicidal maniacs who pilot their two-ton killbots through our residential streets at 75mph to be flying over our heads with a reservoir of high explosives strapped to their backs.

Jetpacks can make for interesting sf eyeball kicks or literary symbols, but I don't actually want to live in a world of jetpacks. I just want to read about them, and, of course, write about them:

https://reactormag.com/chicken-little/

I had blithely assumed that this was the principle reason we never got the jetpacks we were "promised." I mean, there kind of was a promise, right? I grew up seeing videos of rocketeers flying their jetpacks high above the heads of amazed crowds, at World's Fairs and Disneyland and big public spectacles. There was that scene in Thunderball where James Bond (the canonical Connery Bond, no less) makes an escape by jetpack. There was even a Gilligan's Island episode where the castaways find a jetpack and scheme to fly it all the way back to Hawai'i:

https://www.imdb.com/title/tt0588084/

Clearly, jetpacks were possible, but they didn't make any sense, so we decided not to use them, right?

Well, I was wrong. In a terrific new 99 Percent Invisible episode, Chris Berube tracks the history of all those jetpacks we saw on TV for decades, and reveals that they were all the same jetpack, flown by just one guy, who risked his life every time he went up in it:

https://99percentinvisible.org/episode/rocket-man/

The jetpack in question – technically a "rocket belt" – was built in the 1960s by Wendell Moore at the Bell Aircraft Corporation, with funding from the DoD. The Bell rocket belt used concentrated hydrogen peroxide as fuel, which burned at temperatures in excess of 1,000'. The rocket belt had a maximum flight time of just 21 seconds.

It was these limitations that disqualified the rocket belt from being used by anyone except stunt pilots with extremely high tolerances for danger. Any tactical advantage conferred on infantrymen by the power to soar over a battlefield for a whopping 21 seconds was totally obliterated by the fact that this infantryman would be encumbered by an extremely heavy, unwieldy and extremely explosive backpack, to say nothing of the high likelihood that rocketeers would plummet out of the sky after failing to track the split-second capacity of a jetpack.

And of course, the rocket belt wasn't going to be a civilian commuting option. If your commute can be accomplished in just 21 seconds of flight time, you should probably just walk, rather than strapping an inferno to your back and risking a lethal fall if you exceed a margin of error measured in just seconds.

Once you know about the jetpack's technical limitations, it's obvious why we never got jetpacks. So why did we expect them? Because we were promised them, and the promise was a lie.

Moore was a consummate showman, which is to say, a bullshitter. He was forever telling the press that his jetpacks would be on everyone's back in one to two years, and he got an impressionable young man, Bill Suitor, to stage showy public demonstrations of the rocket belt. If you ever saw a video of a brave rocketeer piloting a jetpack, it was almost certainly Suitor. Suitor was Connery's stunt-double in Thunderball, and it was he who flew the rocket belt around Sleeping Beauty castle.

Suitor's interview with Berube for the podcast is delightful. Suitor is a hilarious, profane old airman who led an extraordinary life and tells stories with expert timing, busting out great phrases like "a surprise is a fart with a lump in it."

But what's most striking about the tale of the Bell rocket belt is the shape of the deception that Moore and Bell pulled off. By conspicuously failing to mention the rocket belt's limitations, and by callously risking Suitor's life over and over again, they were able to create the impression that jetpacks were everywhere, and that they were trembling on the verge of widespread, popular adoption.

What's more, they played a double game: all the public enthusiasm they manufactured with their carefully stage-managed, canned demos was designed to help them win more defense contracts to keep their dream alive. Ultimately, Uncle Sucker declined to continue funding their boondoggle, and the demos petered out, and the "promise" of a jetpack was broken.

As I listened to the 99 Percent Invisible episode, I was struck by the familiarity of this shuck: this is exactly what the self-driving car bros did over the past decade to convince us all that the human driver was already obsolete. The playbook was nearly identical, right down to the shameless huckster insisting that "full self-driving is one to two years away" every year for a decade:

https://www.theverge.com/2023/8/23/23837598/tesla-elon-musk-self-driving-false-promises-land-of-the-giants

The Potemkin rocket belt was a calculated misdirection, as are the "full self-driving" demos that turn out to be routine, pre-programmed runs on carefully manicured closed tracks:

https://www.cbsnews.com/news/tesla-autopilot-staged-engineer-says-company-faked-full-autopilot/

Practical rocketeering wasn't ever "just around the corner," because a flying, 21 second blast-furnace couldn't be refined into a practical transport. Making the tank bigger would not make this thing safer or easier to transport.

The jetpack showman hoped to cash out by tricking Uncle Sucker into handing him a fat military contract. Robo-car scammers used their conjurer's tricks to cash out to the public markets, taking Uber public on the promise of robo-taxis, even as Uber's self-driving program burned through $2.5b and produced a car with a half-mile mean time between fatal collisions, which the company had to pay someone else $400m to take the business off their hands:

https://pluralistic.net/2022/10/09/herbies-revenge/#100-billion-here-100-billion-there-pretty-soon-youre-talking-real-money

It's not just self-driving cars. Time and again, the incredibly impressive AI demos that the press credulously promotes turn out to be scams. The dancing robot on stage at the splashy event is literally a guy in a robot-suit:

https://www.businessinsider.com/elon-musks-ai-day-tesla-bot-is-just-a-guy-in-a-bodysuit-2021-8

The Hollywood-killing, AI-produced video prompting system is so cumbersome to use, and so severely limited, that it's arguably worse than useless:

https://www.wheresyoured.at/expectations-versus-reality/

The centuries' worth of progress the AI made in discovering new materials actually "discovered" a bunch of trivial variations on existing materials, as well as a huge swathe of materials that only exist at absolute zero:

https://pluralistic.net/2024/04/23/maximal-plausibility/#reverse-centaurs

The AI grocery store where you just pick things up and put them in your shopping basket without using the checkout turns out to be a call-center full of low-waged Indian workers desperately squinting at videos of you, trying to figure out what you put in your bag:

https://pluralistic.net/2024/01/31/neural-interface-beta-tester/#tailfins

The discovery of these frauds somehow never precipitates disillusionment. Rather than getting angry with marketers for tricking them, reporters are ventriloquized into repeating the marketing claim that these aren't lies, they're premature truths. Sure, today these are faked, but once the product is refined, the fakery will no longer be required.

This must be the kinds of Magic Underpants Gnomery the credulous press engaged in during the jetpack days: "Sure, a 21-second rocket belt is totally useless for anything except wowing county fair yokels – but once they figure out how to fit an order of magnitude more high-explosive onto that guy's back, this thing will really take off!"

The AI version of this is that if we just keep throwing orders of magnitude more training data and compute at the stochastic parrot, it will eventually come to life and become our superintelligent, omnipotent techno-genie. In other words, if we just keep breeding these horses to run faster and faster, eventually one of our prize mares will give birth to a locomotive:

https://locusmag.com/2020/07/cory-doctorow-full-employment/

As a society, we have vested an alarming amount of power in the hands of tech billionaires who profess to be embittered science fiction fans who merely want to realize the "promises" of our Golden Age stfnal dreams. These bros insist that they can overcome both the technical hurdles and the absolutely insurmountable privation involved in space colonization:

https://pluralistic.net/2024/01/09/astrobezzle/#send-robots-instead

They have somehow mistaken Neal Stephenson's dystopian satirical "metaverse" for a roadmap:

https://pluralistic.net/2022/12/18/metaverse-means-pivot-to-video/

As Charlie Stross writes, it's not just that these weirdos can't tell the difference between imaginative parables about the future and predictions about the future – it's also that they keep mistaking dystopias for business plans:

https://www.scientificamerican.com/article/tech-billionaires-need-to-stop-trying-to-make-the-science-fiction-they-grew-up-on-real/

Cyberpunk was a warning, not a suggestion. Please, I beg you, stop building the fucking torment nexus:

https://knowyourmeme.com/memes/torment-nexus

These techno-billionaires profess to be fulfilling a broken promise, but surely they know that the promises were made by liars – showmen using parlor tricks to sell the impossible. You were "promised a jetpack" in the same sense that table-rapping "spiritualists" promised you a conduit to talk with the dead, or that carny barkers promised you a girl that could turn into a gorilla:

https://milwaukeerecord.com/film/ape-girl-shes-alive-documentary-november-11-sugar-maple/

That's quite a supervillain origin story: "I was promised a jetpack, but then I grew up discovered that it was just a special effect. In revenge, I am promising you superintelligent AIs and self-driving cars, and these, too, are SFX."

In other words: "Die a disillusioned jetpack fan or live long enough to become the fraudster who cooked up the jetpack lie you despise."

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/05/17/fake-it-until-you-dont-make-it/#twenty-one-seconds

[olderthannetfic]

I just got the weirdest hate comment. Basically, this woman who has loved all my stories and commented on them for months found out I'm a cis man. And now she hates my F/F stories. She's now decided they're "fetish fuel" for "your lesbian kink" and "you probably write with one hand down your pants".

None of these stories have steamy scenes. One, I suck at writing those. A lot. A lot a lot. Two, the women are busy saving the world. That's stressful and stress makes some people's horniness go way down, so I always assumed they wouldn't be in the mood until the villain is defeated, you know? Three, some of these stories have middle school aged characters and I find people older than me hot, so I have literally, truly not thought once against their sex lives. I assumed they were going on dates like I was at 13 - movies, hang out at the mall, playing video games, that stuff. Nobody I knew was getting laid at 13. (I didn't get laid until I was 20, personally, but idk what the statistics on that are.)

So it's really weird that she's suddenly angry at me. I know most of the fans of the show are women. I get why she assumed I was one. Totally valid. Statistically that makes sense. It's the jump from "you are male" to "you're getting off to this" that I don't get. Don't get me wrong, I know some guys like F/F and some women like M/M. But liking writing/reading something doesn't mean you get off to it.

(Also utter side tangent but I don't like her using lesbian to refer to bi characters. That's... not how that works. Bi people don't become straight or lesbian or gay depending on who they date.)

Can someone explain to me? I think my neurodivergent ass is missing a lot here and I'm lost.

--

Radfem nonsense.

Look up lesbian separatism as a political thing to find the sorts of women who think all men are inherently suspect, dangerous, predatory, etc. Some of them are also TERFs and think trans women are men and predators, but this general attitude on gender happens even without the transphobia.

Basically, she thinks you snuck into her exclusive clubhouse and got your cooties on it.

Some femslash fans do view this type of fandom as an expression of their identity, not just a thing they enjoy, and being confronted with the reality that it can also just be a fiction taste and the space isn't all people like them making a space for people like them can be upsetting. She's being a jerk and not responding to your actual work or your actual self, but if you want to know why, that's why.

[candycandy00]

The Doll House - A Nanami x Reader Fanfic Part 1

 Despite your crippling fear of men, your family sells you to the Doll House. Luckily, you end up with the handsome, gentlemanly Nanami as your trainer, and he’s about to show you how great a man can be. 

Part 1 | Part 2 | Part 3 | Part 4

Read Geto’s Part Here!

Read Toji’s Part Here!

Read Sukuna’s Part Here!

Read Gojo’s Part Here!

Read Choso’s Part Here!

Note: Please remember that these stories don’t take place at the same time, or even one after the other! Consider each one its own timeline. So if you see Geto and Toji with other dolls, don’t be alarmed lol. I had to do it this way because if I don’t, by the time I get to the last trainer, there won’t be any other trainers left to interact with!

On the outskirts of town, there stands a particular shop called the “Doll House”. Inside its walls you can find a “doll” to match any taste you might have. All your desires will be fulfilled, no matter how depraved. Satisfaction is guaranteed! The dolls are exceptionally high quality, thanks to the skillful trainers who work with them twenty-four hours a day, molding them into perfect toys for your enjoyment.

Each trainer has a specialty that they focus on, and they all take great pride in their work. Their methods differ greatly, their approaches vary, but they all follow one rule: never get attached to a doll. After the training is complete, they hand the dolls over to their new owners, and never see them again. However, just once over the course of their careers, trainers are allowed to pick a doll they’ve personally trained and keep her as their own.

AU! Each trainer will get their own story! This is Nanami’s. If you’d like to be tagged in future parts, let me know! You must be an adult to be tagged! Any feedback whatsoever is adored! I’m keeping the same tag list as Geto’s part. If you’d like to be removed, please let me know!

Note: Consider these parts AU’s within an AU. So you might see Geto with a different doll from the reader in his part, but just consider this an alternate timeline lol.

Smut. 18+. Fem Reader. Daddy kink. Hair pulling. Oral sex. Fingering. Divider by @benkeibear!

Ever since you can remember, you’ve had a crippling fear of men. Your father died when you were so small, you have no memories of him. You have no brothers, no uncles you’ve ever met, and you don’t even remember playing with any boy cousins as a child. Throughout your education, you only went to all girl schools. Otherwise, you’ve avoided going out in public as much as possible. 

As a child, your older sister told you scary stories about men being brutish monsters who only wanted to hurt girls. Looking back, you understand now that she was only teasing you. But those stories combined with the fact that you’ve never even had a full conversation with a man before has left you with quite the phobia. 

Even though you’ve watched movies and tv shows and seen men in that context, you’re still afraid of them. The fact that you find lots of fictional men attractive only confuses your emotions even more. You’ve spent years watching animated shows with men way too handsome to ever be real, developing crushes on them because they felt safe.

And your favorite, the one you’ve always been in love with despite him being made of ink and paper, is Prince Sebastian. In the cartoon, he’s a tall, muscular, blonde prince who is always a perfect gentleman to the women around him, always there to protect them from danger. Despite being an adult now, you still have a poster hanging on your bedroom wall featuring him. 

Now, you find yourself standing in the welcome room of the Doll House, waiting to meet your trainer. How did it come to this? Just yesterday you were cooped up in your room, playing video games. Then this morning, your aunt who raised you and your sister stormed into your room and announced that she was selling you to the Doll House. You thought she was joking at first. What she was saying was unthinkable! She was rich! She didn’t need the money! Sure, she’s been complaining a lot lately about you staying in your room all day, but you didn’t think she was this angry! 

You screamed, you cried, you made quite the scene. But then she told you that if you refused to sign the contract, she was kicking you out of her house and completely cutting you off. So you could live in a nice house with a rich man, or you could live under a bridge. To you, both options were terrifying. But one was slightly worse. 

If you live under a bridge, how would you watch your favorite shows or play your games? And who knows how many unsavory men would approach you? Dealing with one man would be much better. Or so you’ve been telling yourself since you got here. But… now that you’re here, and there’s a strange man on his way to get you and do unspeakable things to you… you can’t do it! 

You make a run for it, even though you’ve already signed the contract and met the owner, even though your aunt dropped you off and told you not to come back, you run out of the welcome room and into the front lobby, toward the exit. But just before you reach the door, you hear footsteps and voices behind you. One of them sounds like the owner, calling out your name. You’re so startled that you trip and crash to the floor, pulling off a perfectly humiliating face plant. 

For a moment, you just lie there, feeling stunned and defeated, the adrenaline that fueled your brief escape attempt all gone. Tears sting your eyes as you begin to cry, hiccuping pathetically as your shoulders shake. 

“Are you alright, miss?”

At the sound of a male voice, your body freezes up in terror. You turn your head to the side so you can look up. A man is squatting down beside you, holding out his hand. 

“Let me help you up,” he says in a soft voice. 

You blink away your tears as you stare at his face, and you realize something that momentarily shocks the fear right out of you. He looks exactly like Prince Sebastian! That blonde hair, those kind eyes, that muscular shape! It’s like the character just walked out of the tv! You never thought a real flesh and blood man could ever be as beautiful as Prince Sebastian, yet here he was! 

Still stunned, you take his offered hand and allow him to gently pull you up. It’s the first time you remember actually touching a man. 

He hands you a white handkerchief, spotlessly clean, and you use it to wipe your eyes. “Thanks,” you mumble, reaching the handkerchief back to him. 

“My name is Nanami Kento. I’m your trainer,” he says, and you can’t help staring at him. He’s your trainer? Prince Sebastian? Maybe this won’t be so bad after all. But no, you can’t let your guard down! He might be ridiculously handsome, but he’s still a man! 

You introduce yourself in a small, quivering voice. He nods and then calls over the lady working behind the front counter. “Can you take her to my room, please? And make sure she has whatever she needs.”

The lady smiles and nods, then heads back toward the welcome room. “Follow me. We’ll grab your suitcase on the way!”

Numbly, you follow after her. 

************************

Nanami waits until his new doll has left the room, then turns to the owner. “When you said she has a fear of men, I didn’t realize it was this bad,” he says, sighing. “So what’s going on? You normally don’t accept dolls who were clearly forced or coerced into signing the contract. She obviously doesn’t want to be a doll.”

The owner gives a sigh of her own. “Her aunt came and spoke to me yesterday. Apparently she threatened to throw the girl out if she didn’t sign.”

“Coercion,” Nanami says. “Despicable. So why did you accept?”

The owner looks him in the eye. “The aunt said that if I didn’t take the girl, they were going to sell her on the direct market. You know how things work there. It would be like tossing that girl into a lion’s den blindfolded and with her hands tied behind her back.” The owner pauses and sighs again. “I thought that if she’s trained by someone like you, at least it would be like tossing her in there with a sword and a shield. At least she’d have a fighting chance.”

She has a point. The whole situation leavrs a bad taste in Nanami’s mouth though. “So why is she afraid of men? Any past trauma I should be aware of?”

“None,” the owner says. “She’s just never been around men in her whole life. No male relatives. Went to all girl schools.”

“Hmm.”

“And Nanami,” the owner adds, her voice dropping a bit lower, “I know you’re not going to like this, but you’ll have to deflower her. Ordinarily I’d keep her a virgin and charge a premium for her, but in this case I think sending her out so unprepared would be exceedingly cruel.”

He looks toward the door the poor doll had disappeared through. “Only if she agrees to it.”

The owner nods. “Of course. Oh, and stay sharp. There’s something off about this whole thing. Her aunt is wealthy, and she even took half what I would usually offer. She seemed really determined to have the girl trained here. There might be something else going on.”

Nanami looks at the owner. “A punishment perhaps?”

“That’s what I’m thinking. But the contract was signed so we’ll see where this goes.”

*********************

Inside your trainer’s room, you find the place impeccably neat and orderly. There’s a large bookshelf filled with difficult-looking tomes, though you do spot a few fantasy novels you’ve read yourself. The bed is so smoothly made that you wonder if he even sleeps in it. The dresser has several bottles of expensive-looking cologne, and a peek in the closet reveals a wardrobe of stylish, fancy clothes in brands even you, who grew up in a wealthy family, haven’t heard of. They’re probably brands that focus on menswear, something you would be clueless about. 

The lady from the front desk sits your suitcase on the floor beside the closet and smiles at you. “You hit the jackpot, miss. Nanami is an excellent trainer.”

“He is?” you ask, standing awkwardly in the middle of the room. 

The lady laughs. “Let’s just say that if I had to pick one of the trainers to be mine, I’d pick him in a heartbeat. He’s respectful and kind, and not to mention handsome. The dolls he trains are always sad to leave!”

That made you feel a little better, and you were grateful to her for trying to put you at ease. “Thanks for telling me,” you say. “That’s really good to know.”

She smiles and nods and leaves the room, and it only takes a few moments for your anxiety to return. Your trainer will be coming in here any minute. He’ll probably make you strip! He’ll make you touch him! He’ll touch you! Even if he’s gorgeous, you can’t handle that! 

You hurry over to the lone window in his room. It overlooks the back parking lot. You push the window up, opening it, and lean out to look down. The Doll House’s structure is elevated a several feet off the ground, but it’s still only one story. The drop doesn’t look too bad. You sling one leg out over the ledge, leaving you straddling the window. Just then, the door opens, and your trainer walks in. 

It only takes him a moment to assess the situation and realize what you’re doing. He rushes toward you, and in a panic you try to jump out, but your other foot catches on the window sill. You fall at a strange angle, reflexively reaching out with one hand to grab the ledge, screaming as you do. Your trainer is quick to action, lunging forward and grabbing your arm. 

Nanami pulls you back in through the window, and the two of you fall to the carpeted floor, you on top of him. Did he purposely turn so that his body would shield you from the fall? His strong arms are wrapped around you, holding you firmly but gently. You look up at him, and he seems upset. You let out a squeak of terror and scurry away from him, backing into the wall, still sitting on the floor. 

He stands up and dusts himself off. Oh no! Did his fancy clothes get dirty? Is he mad now? He looks at you with a strange expression. Something between exasperation and concern. “Before you hurt yourself trying to escape,” he begins, walking over to a polished shelf and pouring what looks like water into a glass, “why don’t we talk?” He steps over and hands you the glass. You take it, then sip the water. 

“Okay,” you say, feeling stupid now as you tuck your knees under yourself. 

“Let’s go over a few things,” he says. “First of all, I’m not going to hurt you. If there’s any pain involved in what we do, it will be thoroughly discussed and agreed upon beforehand. I’ll respect your boundaries. I won’t do anything that you don’t consent to.”

That doesn’t sound so bad. You start to relax just a little. 

“That being said, the more training you receive while you’re here, the easier things will be for you when you’re purchased,” he says. “I’m not here to make you miserable. I’m here to prepare you for the next ten years. It would be to your benefit to experience as many things as possible here, with me, in an environment where your wishes are respected, before you end up with an owner who might not be so patient.”

You know what he’s saying. “You mean, I should have s-sex with you.”

He nods. “That would be my recommendation, yes. But I won’t force you to do anything. It has to be your decision, and you don’t have to decide right away. For now, why don’t we start with something simple, like letting me help you up?”

He extends his hand to you, for the second time today. Earlier, you were so stunned by his resemblance to Prince Sebastian that you took his hand easily. Now, you hesitate, staring at him for a moment before reaching up and letting his large, warm hand envelope yours. He pulls you to your feet, and you end up standing so close you can see his face more clearly than ever. Ahhh, he really is incredibly handsome! 

“Now, is there anything else you’d like to try?”

You blink. “Right now?”

“If you want. Or we can wait until you’ve had more time to adjust.”

You think for a while. His muscular frame looks so inviting. You’re not sure how much you can handle, but you want to try. 

“Would a hug be okay?” 

He seems a little surprised, but he smiles softly at you. “Sure,” he says, before slowly putting his arms around you and pulling you into his embrace. It actually feels really nice! And he smells so good! For a brief time, you almost want him to make love to you right then and there. Your brain is filled with thoughts of him picking you up and carrying you to his bed, of him taking charge, pulling off your clothes, having his way with you. The thoughts leave you blushing, and you pull away. 

“That wasn’t so bad,” you tell him as he gestures for you to sit in a plush chair beside a table. 

“When the training begins, there will be some rules,” he says, sitting down in a matching chair on the other side of the table. “You are to refer to me as ‘Daddy’ at all times. If you misbehave, I’ll punish you. But, as I said, that’s something we can discuss and ease you into.”

You feel your heart pounding rapidly. Calling him Daddy? Punishment? It sounds terrifying, but also strangely hot. You’ve watched porn before, so you know a little about daddy kinks. You’ve always been kinda turned on when the man calls the woman “good girl”. You just never imagined, in your wildest dreams or nightmares, that you would end up in a situation like that. When you watched porn, it always felt distant, like something happening in another world. You’ve even masturbated to it, still never once imagining yourself in those positions. Men in “real life” were far too scary. 

“I’m going to leave the ball in your court,” he says. “You can tell me when you’re ready to officially start the training. Until then, I’ll keep a respectable distance and let you get accustomed to being here.”

His words are very reassuring. You can feel your anxiety beginning to melt away. Maybe, just maybe, you can get over your fear with a gentleman like him. 

That night, Nanami sleeps on a borrowed futon on the floor, giving you the bed. You feel terrible about that, but also relieved. While a small part of you was excited by the prospect of sharing a bed with him, a much bigger part was scared out of your mind to be in such close proximity to a man all night long. 

For three days, nothing really happens between you and your trainer. You do feel slightly more comfortable with him, sharing a room and a bathroom will do that, but aside from a couple more hugs and some accidental brushing of elbows, he hasn’t touched you. Deep down, you’re a little disappointed by that. 

You accompany him to the dining hall for meals, and you’ve met the other trainers. Most of them stay away from you, even as Nanami introduces them. You figure he’s informed them of your phobia. Just one of them occasionally comes a little closer than you’re comfortable with: the one named Gojo. He’s friendly and not at all threatening, but he’s still a man. So when he stops by the table you’re sitting at with Nanami, you can’t help sliding away from him a little, which results in you sliding closer to your trainer. 

On your fourth day at the Doll House, you come to a decision. It’s time to face your fears and begin the training! 

You wait until after dinner to tell Nanami. He’s standing at his dresser, loosening his tie in a way that makes you extremely weak. He occasionally makes polite conversation with you, but oftentimes he simply reads for a while before showering and going to sleep on the futon. Tonight, you approach him at the dresser. 

“Um, I think I’m ready to start now,” you say, your voice a bit shaky despite your best efforts to stay calm. 

He turns and looks at you. “Are you certain?”

You nod. “As certain as I’ll ever be.”

“Alright, then we need to discuss a few things.”

You feel yourself droop. You’ve hyped yourself up for some wild sexy times, but now you have to talk first? You really hope this conversation doesn’t get too awkward. 

“First of all, you should choose a safe word. Are you familiar with that term?” he asks. 

You are, or rather you’ve heard it used in porn or the smutty stories you read online, but you’re too embarrassed to admit that. “Not really,” you say. 

“You choose a word or short phrase that wouldn’t normally be used in the bedroom, and whenever you say it, I’ll stop whatever I’m doing. If you’re genuinely afraid or something hurts or just makes you uncomfortable, say the safe word. We’ll stop immediately and only resume once you’re comfortable again.”

“Okay. How about… snowcone?” you ask. 

“Snowcone? That’s fine. Don’t forget it,” he says. 

“I won’t.”

“Now, part of my training involves light punishment for bad behavior. Mostly spankings, hair pulling, and things of that nature. Nothing that’s going to seriously hurt. Is that something you can handle?”

You suspected as much, but hearing him say it out loud, in that smooth voice of his, makes you feel dizzy. The thought of being spanked by this man as he calls you a bad girl turns you on way more than you expected. It also scares you. A man! Touching you! But you beat back down the panic that’s threatening to undermine your decision and nod. “I think so. I want to try at least.”

He walks over to his bed and sits down. His legs are spread apart as he undoes the first few buttons of his shirt and then runs a hand through his perfectly styled hair, leaving it a little bit messy with a few strands hanging over one eye. He gives you a look that nearly makes you buckle, and says, “Come over here and show daddy what a good girl you can be.”

Your jaw nearly drops, your breath gets caught in your throat, and your only response is to say, “I’ll be right back!” and flee to the bathroom. 

Slamming the door shut behind you, you grab a fluffy towel from a shelf and press it to your face, using it to muffle a scream. Is it a scream of terror? Of excitement? Even you don’t know. You pant for a few moments, trying to pull yourself together. 

He’s hot! He’s soooo hot! 

But he’s a man! 

He looks just like Prince Sebastian! 

But he’s a man! 

After several more deep breaths, you feel the panic subsiding. You can do this! You step out of the bathroom as if you’d simply powdered your nose and walk back over to Nanami. “Sorry, I just needed a moment,” you say, hoping he didn’t hear your garbled scream. 

He gives you a small, amused smile. He definitely heard it! But he only says, “That’s fine. Take your time.”

Ahhh! He’s such a gentleman! You want him to do unspeakable things to you! 

“C-can we start over?” 

“Of course. I believe I told you to show me what a good girl you can be,” he said. 

“Okay,” you say, feeling even more awkward than usual standing there in front of him. “How should I do that?”

He gives you another one of those sultry looks. “You can start by coming closer and getting on your knees.”

Oh shit. He wants you to suck him off! Can you do it? You’ve seen it done in porn countless times. Yes, you can do it! And after you’re done, maybe he’ll pat your head and call you a good girl! Ahhh! Just imagining it has your heart pounding! 

You take the few steps needed to be directly in front of him, so close he could hug you if he wanted to. Then you get on your knees, right between his thighs. You glance up at him, unsure of what you should do next. Do you open his pants? Wait for him to do it? This is a daddy kink scenario, so maybe you can just mimic what you’ve seen and read online. You look up at him with wide eyes. “What do you want me to do, Daddy?”

There’s a flicker of surprise on his face, but then he leans back slightly on his hands and says, “I’ll let you decide. What do you think would make Daddy happiest right now?”

You hesitate for just a moment more, then reach up and unbuckle his belt. Your hands are trembling as you unbutton and unzip his pants. This is it! You’re going to see and touch a real man’s cock! You see his boxers when you open his pants, black and classy. With your heart hammering wildly in your chest, you grip the waistband and pull it down, under a dick that seems way bigger than it should be. But what would you know? 

With one hand, you lightly wrap your fingers around the hard, hot organ. Feeling unsure, you gently move your hand up and down the length. It’s too dry! Isn’t it supposed to be slippery? Wait… maybe that’s why women in porn often lick or drool on it. You glance up at his face, and there’s no change in his expression. Should you just spit on it? But that doesn’t seem like a very “good girl” thing to do. 

“Can I lick it, Daddy?”

“If you want to,” he answers. 

Slowly, you lean forward and touch your tongue to the tip. You thought it would taste bad, but really there’s no taste at all. The only thing you detect is the pleasant scent of bodywash. Of course someone like him would keep himself immaculately clean. You move your tongue all around the tip, licking it the way you would a popsicle, then you move your tongue down the shaft, toward the base, trying to get it as wet as possible. You hear him exhale a breath, and your eyes dart up to his face. He looks like he’s enjoying this! 

You feel his hand in your hair, and then all at once he’s got most of it gathered in his grip, holding it firmly. It doesn’t hurt, but it does make you feel like he’s completely in control of this situation, and that in itself makes you wet. 

“Take it in your mouth,” he says, his grip on your hair getting just a little tighter. 

Eager to please him, you do as you’re told, letting him fill your mouth with his cock. It’s a scary feeling at first, as you adjust to breathing only through your nose and occasionally gagging around him when he slips a little too far down your throat. But somehow his hand pulling your hair is comforting. You realize you like being led. 

He pushes your head up and down his length, slowly at first, gently. It’s more like he’s guiding you than forcing you. Gradually he ups the pace, going a bit deeper into your throat, which automatically constricts around him. By now your lips are covered in drool and the sticky fluid leaking from his tip, making them glide along the shaft easily. 

After several minutes, you hear his voice again. “I’m going to cum,” he says, a very slight strain to his tone. “Don’t spill a drop.”

Before you can do anything to react to his words, his grip on your hair tightens as he pushes your head down, his cock going halfway down your throat. You feel the warm cum shooting out, sliding directly down to your stomach. You swallowed it all without even getting the chance to taste it.  

After he pulls out of your mouth, he gives you a few moments to catch your breath, then his hand releases your hair and rubs your head. “Good girl,” he says, and you think you might just faint. 

The hand rubbing your head slides down your neck, your shoulder, and then grips your wrist. He pulls you to your feet, and then into his lap. You’re sitting on one of his muscular thighs as he deftly tucks his dick back into his pants with one hand. His other hand is holding you in place, the arm wrapped around you from behind. 

“Are you alright?” he asks, a kind look in his eyes. 

“Yeah, I’m fine,” you say, surprised by how true that is. 

“Then, since you’re being so good for Daddy, why don’t I reward you?” he says, his free hand slipping under your skirt, between your legs. 

Your body jerks in surprise, and if he wasn’t holding you firmly in place, you probably would have tumbled out of his lap. His eyes are on your face, watching carefully, as his hand slowly slides down, inside the front of your panties. He’s taking his time, giving you ample opportunity to use the safe word. But you don’t, because despite the fear you’re currently feeling, you don’t want him to stop. 

His fingers softly rub your most private place, gently parting the slick flesh, one finger quickly finding your clit. You gasp and clutch his arm, the sensations nearly overwhelming you. 

“Does that feel good?” he asks, his voice close to your ear. 

You nod your head, murmuring, “Mmhm.”

His fingers traces circles around your sensitive nub, then strokes it, making you release little mewling cries. 

“Tell me how it feels,” he says, almost in a whisper. “Use your words.”

“It feels… so good, Daddy! S-so so good! Nothing has ever felt so good!”

You suddenly wrap both arms around his neck and bury your face in his shoulder. The pleasure is too intense! He’s way too good at this! His fingers never stop, even as you quiver in his grip, even when you cry out “Daddy!” as you cum, your whole body shaking. 

While you’re still trembling through your orgasm, with his hand still in your panties, he says, “There’s another rule you need to be aware of. In my training, you have to earn pleasure by being a good girl. You’re not allowed to pleasure yourself. Do you understand?”

You nod against his shoulder, feeling too dazed to speak. 

The hand that was holding you in place moves up to grip your hair and pull your head back so he can see your face. It’s not a harsh action, but a firm one. “Do you understand?”

“Y-yes, Daddy,” you say, and he releases your hair, then smoothes it down gently.

“That’s my good girl.”

**********************

Nanami sits in a chair in his room, thumbing through a book he bought recently and sipping wine. His doll is fast asleep in his bed, exhausted from the intense training session. 

He had made sure she was okay, physically and emotionally, before drawing a hot bath for her in his private bathroom and then later helping her into bed. They will be sharing the bed now that the training has begun, and she seemed okay with that before she fell asleep. 

Nanami is actually quite surprised by her. He had guessed it would be at least a week before she would be willing to try any sort of training, but here she is on the fourth day, practically swallowing his cock. She’s facing her fears, and that’s admirable. 

Though her escape attempts and nervous, terrified energy are exasperating, he also has to admit that he finds her amusing. Earlier, when she ran to the bathroom to scream, it was all he could do to hold back his laughter when she returned and acted as if nothing happened. She was definitely a strange one. 

He closes the book and stands up to stretch. His mind is already full of plans for tomorrow, for the various training exercises he can try with her. He doesn’t want to push her too far and make her fear of men worse, but he also wants to make sure she’s fully prepared for her life as a doll. He’ll do all he can to help her, that much is certain. 

Tag List:

@suguguro @kaedear @onyxsphynx @poopoobuttsy @butterskyy @collectionofdolls @akaotv @witchbybirth @bloofinntoona @wasurenagusaa @tclbts @tojirin @lucyrocks86 @badbyeyoongi @97britt @aydene @lzaj19 @lyn-lotte @missthatgirl @peachedtv @ladytamayolover @nanam1nx 

[annabelle--cane]

I guess the thing that makes me not so fond of Jon's addiction allegory is that it's only coherent to a certain extent? Like I think people sometimes forget that he's actively violating these people

anon, through no fault of your own you have accidentally hit upon my sleeper agent trigger phrase. I have layers of answers to this.

so first off, yeah, it's not a 1:1 direct metaphor, it's a soupy dream logic fantasy plot device with flavors of a lot of different things. there's quite a lot of addiction in there, there's some abuse of power, there's some cyclical nature of trauma, there's a dash of disability, there's a few notes of gendered violence, there's a good bit of just. violence violence and being kind of a motherfucker because goddammit it feels good to be an active agent about something in your life, even if it's just choosing to be a worse version of yourself than you strictly need to be. a lot of tma's worldbuilding is very allegorical, but apart from aspects of individual statements nothing really matches up quite 1:1 with a real world counterpart, and if more things did then it probably wouldn't be a fantasy show anymore.

secondly. okay to contextualize this answer a little bit I have a kind of hypothetical video essay project about vampirism and addiction that I like to spend a few hours thinking about every so often but am almost certainly never going to make because the full research burden required is a lot higher than I actually have the time to properly do. but because of that I've spent a lot of time sorting through why framing vampires as addicts really works for me in a way that it doesn't seem to for everyone, and I think a lot of my thoughts on that also apply to jon. there's going to be a bit of a detour here before we get back to talking about tma, but we'll get there, I prommy.

I've seen a lot of people take issue with various paranormal addiction allegories because, a lot of the time, the act that is meant to metaphorically represent the act of use itself is something that is directly and inherently harmful to others, e.g. drinking human blood, handing over power to your hedonistic Evil alter ego, holding the cursed amulet and going crazy going stupid, slurping trauma out of the head of some guy you ran into on a boat to norway, etc., and yeah, I do get that. substance use is not inherently harmful like that to anyone except sometimes the user themself, and addicts are not inherently fucked up and destructive people; those are dangerous stereotypes that often lead to the demonizing of a whole group of sick people.

here's the thing for me, though: those are definitely truths I want explored and represented when it comes to portrayals of non-allegorical actual addicts, but fantasy fiction isn't for showing the world as it is, it's for showing a subjective fun house mirror version of reality where certain aspects are minimized and magnified depending on how it feels to live through it. and yes, absolutely in real life drug use is not an inherently evil act and it does not make you an inherently evil person, but... doesn't it kind of feel like that? sort of? absolutely no one is living their best life nor on their best behavior while experiencing any kind of major mental illness episode, and when it comes to addiction you've got a very clear tangible symbol of when The Episode is happening that it feels like you have much more control over than when it comes to other illnesses. it's also a thing where people are a lot more likely to be openly angry and distrustful of you if they find out it's happening. so you mix together the ideas of "I know I get worse as a result of doing this one specific thing" + "I act less like myself when I'm using, it rearranges my priorities and I care less about hurting people because that's what happens when you're experiencing The Horrors" + "society at large/people directly around me are pretty quick to say that doing this is evil," and you get the subjective emotional result of "I hurt people by using and it makes me monstrous." I tend to respond to those kinds of paranormal allegories like they're just cutting out the middle man of those subjective fears. "using makes me monstrous" -> "using is monstrous."

anyway. jon archivist.

don't get me wrong, I totally understand if this aspect of metaphor doesn't gel for some people and they only like taking it exactly as far as the text explicitly makes them, but I really get a lot out of reading jon's connection to the fears as addiction precisely because he does genuinely awful things to people as a result of it. he's a person in a very bad physical and mental place with little to no support who is constantly being told by both allies and enemies that he's already a monster just by being alive, and he copes with that by secretly falling further and further into an compulsive act of consumption that skews his priorities and makes him care less about hurting people because at least sometimes getting to be the cause of pain makes him feel a little bit less powerless when he has to be the subject of pain the rest of the time. then he's found out and is made to stop, and he has to grapple not just with the physical toll of withdrawal but with knowing there is a not insignificant part of him that will excuse any act of malice if he knows he'll feel better afterwards.

the end of tma is very explicit in the fact that the rules of its world are shaped by the subjective worst fears of those who live in it, it's "an exercise in unreliably reality" as jonny sims put it once, and I think that principle extends backwards in some ways to apply to the rest of the show. I don't think the fact that there are only entities of fear and not hope or love is meant to be a full commentary on the total nature of the real world, it's a reflection of what fear and suffering can make the world feel like. eric and melanie both go to really harsh extremes to extricate themselves from the fears and live peaceful lives, and in both cases something happens that foils their plans (getting murdered + the apocalypse, respectively), but I don't think the intended message is to say that is definitively how real life works, they are metaphors for the limits of individual agency in larger systems and represent two types of worst-case-scenarios. similarly, I don't think reading jon as an addict implies that addiction inherently involves violence or that the reactions of those around him were completely unjustified, it's just a subjective exploration of the kinds of fears that can come with addiction dialed up to 100.