#daily life activities

[breakingranksblog]

Website : https://www.breakingranksblog.com/

Address : Florida, USA

BreakingRanksblog, established in 2020, serves as a vibrant platform that delves into pivotal social justice topics, including voting, racial inequality, female rights, and political division. The blog, founded on the principle of bringing one's whole self to the table, has garnered a dedicated following by exploring and commenting on relevant social justice and democratic equality issues. It acts as a conduit for free expression and discussion on topics that stir human emotion and drive societal change, with a particular emphasis on voting as a catalyst for fostering a more inclusive and equitable society.

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[canidaezy]

how do transmascs not want to kill themselves all the time honestly

[moliathh]

hellsing organisation shenanigans

supernatural/barbie mugshot redraw: og pic

[lskamil27]

WEEPING ROSEMARY is an rpgmaker game, whose DEMO is now FREE and available to download! 

Follow the story of Ophelia as she returns back home, as something unsettling works in the back...

GENRE: Drama, Psychological, Daily Life, Elements of Horror & Creepy, and sliiight hint of Romance

CONTENT WARNING: CG depicting Gore & Upsetting Imagery, Hints of Emotional and Mental Abuse, Mentions of Suicide, Hints of Familial Abuse, Medical Settings ( for those who have fear of it ), Unhealthy Dynamics & Relationships, and Brief Mentions of Sexual Language

Have fun !! [ LINK HERE ]

[zero1qn2]

a piece that will most likely be unfinished + sketches (second one directly inspired by @indigo-constellation writing)

[skinnypaleangryperson]

Bojack Horseman is the last piece of media that I would have expected to have a consistently enduring fandom. It's pretty much non-existent on an average day on Tumblr, but it's obnoxiously popular on other forms of media daily, and it kind of feels like tumblr is dying out in most content anyway, and even on here there's still a decent amount of content that's posted daily that is decent enough for a piece of media that was canceled years ago and wasn't super popular or mainstream even when I was out. It impresses me daily, it's a good thing, since BoJack is the love of my life anyway and is boring as it is, really all that I need for the rest of my sad, lonely, pathetic life.

[dogstomp]

Dogstomp #3059 - May 17th

Patreon / Discord Server / Itaku / Bluesky

[chronicsymptomsyndrome]

Mentally preparing to physically prepare to shower wish me luck lol

[tbastard]

NINGNING MOODBOARD

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[chthonic-cassandra]

So striking how at once a) three days of work travel can render me so extremely incapable of meeting my basic needs and thus fuck up my body really badly really fast and then b) how much better a night in my own bed next to my partner and a few cups of good tea can make me feel.

[kitkat-the-muffin]

Remember that the townspeople could not give Jonathan a proper explanation of the horrors he would experience or a proper warning of why he shouldn't go because they all feared the religious repercussions of acknowledging the existence of unholy beings as well as a sense that mentioning the Count's name and misdeeds may summon his presence into their homes

[iamthemaestro]

ok how about we stop shaming people for not working out on that poll.

[vickyvicarious]

Mrs Westenra's tut-tuting days ago about Seward watching over Lucy because "she is better now, she can stop the antibiotics" feels like foreshadowing now, or at least that this isn't an uncharacteristic action from her.

Definitely!

On 6 September she gets worried about Lucy and consults Jack, who then is able to bring in van Helsing. But by the very next day, she already seemed less alarmed than expected and prompted Jack's musing about Nature creating a self-protective instinct towards protecting her from deadly shocks by not allowing them to reach her. And so he "laid down a rule that she should not be present with Lucy or think of her illness more than was absolutely required. She assented readily, so readily that I saw again the hand of Nature fighting for life." That's the day of Lucy's first transfusion, and we see already Mrs. Westenra denying how bad the situation is, and then consenting to keep her distance. The day after that, she thinks staying up with Lucy is unnecessary since she's doing better. And then we don't hear from her again till today.

I think part of it might be related to prejudice against van Helsing. Jack presents the 'stay up with Lucy' plan as recommended by vH. The maids try to intercede with Jack to say it's not needed for vH to stay up with Lucy. And Mrs. Westenra takes away the flowers which were his treatment plan. Perhaps there's an element of distrust towards this stranger of a foreign doctor.

However, I think even without considering any kind of xenophobic angle, Mrs. Westenra does tend towards self-superiority and denial. She gets anxious over something (Lucy's sleepwalking in Whitby, Lucy's health in London), deputizes someone else to take over (Mina in Whitby, Jack in London) and then doesn't seem to worry about it so much any more. At the least, she doesn't talk about her worries. It's almost as though she offloads them onto someone else, and then once she's gotten that out, she can switch to laughing them off as silly and unnecessary in the first place. After all, Lucy seems so much better, and she's not heard of anything getting worse. It must be fine, they must be overreacting and making unnecessary fuss, is all.

It's also possible that now, as her own illness is getting worse (in London Jack says stuff about her going off to lay down and such, while in Whitby she still seemed to be spending her days engaged in a fair bit of socializing based on Mina's comments), she's got some degree of brain fog going on. It might be harder for her to keep track of things. Also a factor could be her regretting/resenting the agreement to keep out of Lucy's health and not visit her. She agreed easily because she wants to avoid scary/negative thoughts (even on an unconscious level), but she also resents it a little bit because 'I'm her mother, I know how to take care of her. And anyway, she seems better now!' kind of thoughts. Once she gets an idea in her head she tends to trust it more than even the experts she is consulting for advice, convinced she knows what she is doing. But she doesn't, and she's making things worse.

[wholehear-ts]

[sugajimin]

hello! i am here and also not here!