#dance india dance 2

[elijones94]

🎵 Shanti and Mowgli are dancing to the jungle rhythm! 🐾🌴🎵🎶

[pierce-the-heavens]

avoiding watching the videos to the fun Bollywood songs i find because i'm tired of all the clapped white women background dancers they insist on adding in every other scene. the psychic damage is too much. i'll learn the dance moves from instagram reels instead 🫥

[ladysharmaa]

Kate mini version

Sharma!sis x Queen Charlotte's son

Summary: After the ball, everyone knows what happened between Y/n and Prince Charles. With the attention of high society members and the Queen, they face new obstacles as they fall in love.

part 1 part 2 part 3

Dearest reader,

The tone is abuzz with the latest gossip, and so it's my honor to impart to you.

Miss Y/n Sharma came to England after Kate Sharma's marriage to Viscount Bridgerton. In such a short time she managed to do something that no one else has managed to do: capture the attention of Queen Charlotte's youngest son, Prince Charles.

Dearest reader, this author finds herself compelled to share the most curious of news. It seems the two seemed to be quite close during the last dance, having danced together until Y/n walked away. But Prince Charles didn't take his eyes off the young woman for the rest of the night. Is a new romance brewing? Let's not forget that at the beginning of the season, her Majesty made her intentions clear of joining her youngest son with the princess of Austria.

In addition, Miss Y/n is here at her mother's request, living with her older sister, Kate Bridgerton, and her husband, Lord Bridgerton. Is it permanent or will she return to India? There are many mysteries yet to be unraveled.

On the other hand, the diamond of the season did not dance with any suitor, which may have made her Majesty uneasy. This author is left to wonder what shall her next move be, now that everything seems to be connected to the Bridgerton family.

Yours truly, Lady Whistledown

───── ⋆⋅☆⋅⋆ ─────

"This is not good." Y/n muttered nervously, looking over Kate's shoulder to read the latest edition of Lady Whistledown. And to his greatest horror, she was the main topic. "How many people read this?"

"Too many." the older sister sighed, before placing the paper next to her and turning to Y/n who had her eyes increasingly wide. "Everything's fine. Most of the family has already suffered from Lady Whistledown's words and we support each other. And everything ended up being fine, the ton has short memory and will forget all about this by the next scandal."

"But what if they don't forget?"

"If they don't forget what?" a new voice intruded into the conversation.

Y/n let out a small scream, immediately recognizing Anthony's voice, and hurried to hide the paper behind her back. "Nothing. It's a beautiful day, I'm going to the gardens. Maybe hide there all day. Or all year."

"Y/n, no. You have to tell Anthony, he won't blame you for anything."

Bridgerton's eyebrows rose upon hearing that, turning to Y/n with a frown upon noticing her terrified expression. "What happened?"

"My apologies, Anthony. The last thing I wanted to do was associate the name Bridgerton with scandals. Lady Whistledown wrote about last night. About… About Prince Charles and I." She looked down, not wanting to see Anthony's disapproving look, and handed him the paper.

The minutes dragged on. To Y/n it felt like hours had passed. Long hours with just the silence in the room. Her heart was pounding against her chest and she tried to control the tears from reaching her eyes. Her head was running with different questions that only made her anxiety worse. Would they send her back to India so they wouldn't suffer any more from this scandal? She didn't know that dancing with someone could cause so many problems.

Just the thought of returning to her homeland, despite having loved growing up there, brought her great sadness. Her life was in England now. She adored her sister's family, having grown up close to many of them, especially Francesca and Hyacinth. And the truth is that she had enjoyed meeting Prince Charles. Y/n finally felt like she belonged somewhere.

She snapped out of these thoughts when she heard Anthony sigh. What was that? Disappointment? Anger? Sadness?

"Look at me." he said, but Y/n refused, knowing that as soon as she looked at the couple she would burst into tears. She shook her head, pursing her lips. "Y/n…"

"Please don't send me back to India."

"What?" the Viscount questioned in shock, almost not having noticed her from how quietly she spoke. He felt Kate hold his hand, looking sadly at her sister. "Y/n, look at us. We are not going to send you back to India."

"Really?" She raised her head shyly, her eyes red from holding back tears.

"Of course. You're part of the family. I haven't told you yet, but Mama sent a letter. Edwina had problems during the birth, so she's going to stay there until at least the rest of the year. You're going to stay with us. Here."

"Y/n, we would never send you away because of Lady Whistledown's news. You're a Bridgerton now." Anthony assured, placing a comforting hand on her shoulder. Her smile upon hearing those words, although still small, released some of the stress that Anthony and Kate were feeling.

"Hey, Anthony, I was wondering— Oh, sorry!" Hyacinth entered the room, stopping when she saw the three of them and the tense atmosphere it was in. Then he noticed the sad face and the paper his brother was holding. "Is that from Lady Whistledown? What does it say?"

"It doesn't matter what it says. What did you want to tell me, Hyacinth?"

"Oh, I was wondering if we could go horse riding. I am so bored, Gregory is training and Benedict isn't paying attention to me." she pouted, causing Y/n to giggle and rush over to Hyacinth, intertwining their arms.

"Fear no more, I shall give you attention."

"Thank you, kind lady." Hyacinth laughed. "Please, Anthony, take us horse riding."

When he offered to teach Y/n how to ride a horse, the rest of his sisters were also invited, since the men already knew how to do it. As expected, only Hyacinth accepted with great enthusiasm while Eloise preferred to read and spend her time with her new friend, Miss Cressida. For her part, Francesca was never much for outdoor sports and Daphne was obviously busy with her husband and son. Thus, Y/n and the youngest Bridgerton both formed a special friendship, and were now a feared duo in the Bridgerton house.

"What do you say?" he whispered in his wife's ear, looking at the two girls who were giving them the best puppy dog ​​eyes. "I'm afraid I can't say no to them."

"I think it's a great idea." Kate smiled.

───── ⋆⋅☆⋅⋆ ─────

The four then ventured into the forest. Anthony and Kate were ahead, lost in their own world while Hyacinth and Y/n followed a little behind. The younger girl curiously questioned Sharma about the night of the ball, upset that she was still too young to attend one.

"I wish I had gone yesterday. Did you dance with someone yesterday? I tried to ask Francesca the same thing, but she wouldn't leave her room."

"Unexpected things happened. Francesca is just a little discouraged. As diamond of the season, she has a lot of pressure on her. And I… Well, I danced with someone."

"Prince Charles?! I saw you both when we went for a picnic, I think it was love at first sight." Hyacinth giggled.

"Sometimes I forget how good an observer you are. Yes, I danced with him." Before her friend could get too excited, Y/n hurried to add. "And I was naive, because although I enjoyed being with him, he has an enormous responsibility. I doubt people would want him to spend his time with me."

"Please, I think you are in love."

"What? Of course not, I barely know him. We just had fun dancing, but that must be over by now. I doubt her Majesty will let him dance with me again. Lady Whistledown made sure of that."

"If you say so. I, on the other hand, do not agree. Prince Charles has shown that he is interested in you. Or he would have danced with other girls after you. But he didn't."

"Well, maybe he was tired." Y/n shrugged, while Hyacinth rolled her eyes. They continued the walk in silence, enjoying the forest landscape.

“Girls, let’s do a race!” Anthony shouted, looking over his shoulder with a smirk. Y/n chuckled, knowing he had never met a family as competitive as the Bridgertons. But she was one now too, and she loved winning.

“Very well. But make sure you don’t get too sad when I win.” Hyacinth teased, despite being the one with the least experience riding a horse.

“We’ll see.” Kate joined the teasing.

The four positioned themselves next to each other, letting the man count down. Y/n grabbed the reins tighter, and as soon as Anthony finished, she let her horse run. For a moment they were all balanced, but Hyacinth quickly fell behind. The couple competed a little ahead, trying to reach a certain narrower entrance. So, with their attention diverted from her, she took the opportunity to step over a fallen tree trunk, arriving earlier at that entrance, continuing at the same pace.

She felt free on a horse. The wind hit their face, the landscape blurred from how fast they were going. Y/n petted the animal, feeling like they could conquer the world.

When she realized that the others had already stopped, as no one had yet reached her, she also slowed down so she could wait for them to catch up. They probably had to go back to help Hyacinth control her horse.

“That was impressive.” she heard behind her.

Although she felt a second of fear, thinking that an unknown man had found her alone in the middle of the forest, she quickly associated it with the voice of the person she least wanted to see at that moment. As such, she just closed her eyes and hoped it was just her imagination. But when he cleared his throat, she knew she had to face him. Finally, she commanded the horse to turn around, finding herself face to face with Prince Charles, who was also on top of a beautiful black horse.

“Prince Charles, it’s a pleasure to see you again.” she smiled shyly.

“You as well, Miss Y/N. I didn’t know you were so talented at riding. Did Lady Bridgerton teach you?”

“She and Viscount Bridgerton. And since then I haven’t wanted anything else.” she shrugged uncomfortably, both not knowing what to say. In this way, Y/n focused on the horse that the prince was riding, being shocked by its size. “Beautiful.” She looked at Charles, noticing his look of surprise and a slight blush appearing on his cheeks. “I mean, the horse— The horse is beautiful.”

“Of course.” he looked away, clearing his throat. “It seems we both had the same idea after the paper published by Lady Whistledown. A nice walk was exactly what I needed to get away from my mother.”

“My apologies, I didn’t mean to interfere with your marriage with the Princess of Austria.”

“Her Majesty wants me to marry her. But I don't. You see, a beautiful, fierce, remarkable girl has already caught my attention. It may seem sudden, but she is constantly in my thoughts.” he looked intensely into her eyes. Out of nowhere, it seemed like it had become much hotter, her breathing coming in muffled.

“Oh… I—”

“Y/n! Where are you?” Kate's voice was heard through the forest, breaking the atmosphere that had formed between them.

“I’m here, Kate.” Y/n replied, closing her eyes in despair when she realized that she would have a lot to explain once they arrived.

She had already taken a risk with Lady Whistledown, and now they were alone in an isolated place… It's a good thing no one outside the family would see them, or the scandal would have become much more serious. A feeling of guilt coursed through her body again. She had promised Anthony that she didn't want to associate the Bridgerton name with scandals, and here she was doing exactly the opposite.

“Prince Charles, we can’t talk anymore. It’s not right.” she said before the others appeared.

“Why not? Because of Lady Whistledown? Ignore her, the ton will quickly forget about this.”

“You don’t know that!” Y/n exclaimed exasperated at how calm Charles seemed to be about this situation.

“I know that I want to be with you.”

“You are crazy!” she put her hand over her mouth when she realized that she had “insulted” a member of the royal family. “Apologies, Prince Charles. I didn’t mean that.”

“Call me Charles.”

“I take back my apologies.”

“Finally, we found you, Y/N. We had to go back because Hyacinth’s horse refused to move.” Kate appeared, followed by the others, stopping when she saw what was happening. She made a small bow, looking at them suspiciously. “Prince Charles, I didn’t expect to see you here. Especially with my sister.”

“What do you think you are doing?” Anthony wasn't as friendly as his wife, narrowing his eyes and approaching Y/n to stand slightly in front of her.

“Lord Bridgerton, I guarantee nothing happened. I was simply, like you, taking a walk when I saw Miss Y/n. We only talk about what Lady Whistledown wrote.” Charles assured, sending a comforting smile to Y/n, who was watching the two nervously.

“It was mere chance that we found each other. We can go back to the house now.”

Anthony signaled to Kate, who nodded. They had mastered the art of speaking with just their eyes, it still left Y/n quite confused when they did that. But this time, she understood perfectly. Lowering her head slightly, she followed her sister and Hyacinth home, while Anthony and Charles remained behind. Over her shoulder, she mumbled a quick apology to the boy, hoping he would understand what she meant.

When the women were out of sight, Anthony turned to the Prince , who appeared unaffected. “I hope you’re not trying to ruin my wife’s sister’s reputation. You know very well what the ton would say if they found you in this situation. And I guarantee you, you don’t want to duel me.”

“I agree. That's the last thing I desire. Miss Y/n would certainly never speak to me again. And I don't want that. Lord Bridgerton, we were just talking, and on horses for more. But, for all the respect I have for Miss Y/n and the Bridgerton family, I assure you this will never happen again.”

"It better not."

───── ⋆⋅☆⋅⋆ ─────

After a tense conversation with Kate and Anthony, they believed Y/n when she said it was a coincidence to meet Prince Charles, but that she understood the gravity of being alone with a man.

So, she spent a few days locked up at home, hoping that the scandal had already been forgotten. However, this isolation couldn't last forever, so she was forced to join the Bridgerton family on a walk by the lake.

She had her arm linked with Benedict's, Eloise beside her, while they listened to Collin's travel stories. He had seen so much, experienced so many new cultures, that Y/n just wanted to know more. Eloise, in turn, seemed envious that only men could have the pleasure of traveling alone wherever they wanted, and Benedict asked about the art of each country, something that Y/n barely understood.

However, Collin ended up rushing the end of the story, seeing a group of girls walking, giggling when they saw him. Eloise groaned in disgust, while Benedict shook his head, changing direction so he wouldn't have to watch his brother flirt. Y/n also went with them, not wanting to see that scene.

But she noticed that they had been stopped by Lady Wilson, whose daughter was participating in the season along with Y/n, Francesca, and Eloise. "Good afternoon, Lady Wilson."

"Good afternoon." she said. "I noticed you didn't go to the ball yesterday. I haven't yet had a chance to talk with Lady Bridgerton to know if everything is alright."

"Thank you for your concern." Benedict said sarcastically, taking control since Anthony wasn't around. "We had other matters to attend, but I assure you that we will be present at the ball tomorrow."

"That's wonderful news." the woman said with a fake smile. "In that case you will be able to see my daughter dancing with Prince Charles, just like yesterday. They form a beautiful couple, don't you think?"

Y/n had to control herself not to roll her eyes. It was clear what Lady Wilson was trying to do, but there would be no reaction from her. Eloise and Benedict looked at her from the corner of their eyes, waiting to know if Y/n needed them to interrupt the conversation.

"I don't know. I didn't see them together nor did I have the opportunity to know about it since Lady Whistledown didn't write about them. And we all know that she writes about everything that happens, and it seems especially important if the prince is interested in someone to court. Looks like we'll have to wait and see."

"Yes, we shall wait." Lady Wilson clenched her jaw. "I'm certain that the prince loved to dance with my daughter."

"If you say so. Please excuse us, we shall return to the rest of our family." Y/n said dryly, hurrying to walk in the opposite direction with the two Bridgertons behind her.

"Jealous, dear sister?" Benedict asked with a sly smile once they were far enough away from the woman.

"No. Why would I be?" Y/n pretended not to be bothered, but in reality the thought of Charles dancing with someone else didn't sit very well with her. But what could she be expecting, she had said that they shouldn't talk anymore and he had to get married this season. "I'm just surprised that Lady Wilson is so confident in her daughter with the prince when the Queen wants him with the princess of Austria."

"Hmm." was the only response she received from Benedict. Eloise, already fed up with just hearing about the season, changed the subject and Y/n was also grateful for that. The last thing she wanted was to think about the next ball.

───── ⋆⋅☆⋅⋆ ─────

"What are you going to do?" Hyacinth asked as she helped Y/n and Francesca get ready for ball. The two had already put on their dresses and now all that was left was the jewelry. Kate had already come to say that they would have to leave soon, smiling calmly when she noticed the nervous state of her sister who had changed her dress about five times already.

“About what?”

“About the prince, obviously.”

“I don’t know. I am a little confused. This is all happening so quickly. And the fact that Lady Whistledown wrote about us didn't help. But the truth is that when I'm with him, I don't know, I feel different.” Y/n tried to explain, but realized she couldn't describe her feelings in words. It was something foreign to her, but not unwanted.

“I know what it is. You like him.” the Bridgerton dropped onto the bed dramatically.

“But liking may not be enough. Don't forget that the Queen has a lot of influence on these things. And I wouldn’t want to piss her off, it would only hurt all of you.”

"You are exaggerating. Francesca, what do you think of this?”

“What?” the girl snapped out of her thoughts when she heard her name. “Sorry, I wasn’t paying attention.”

“What are you thinking about?” Y/n sat next to her, taking her hand.

“I haven't had almost any suitors yet. And the ones I have seem incapable of having a conversation. What if I don’t find anyone?” Francesca revealed with a sigh, her voice tinged with sadness.

“Nonsense. Everyone would love to dance with you. In fact, I have a feeling you are going to meet someone today.” the Sharma said. “And for that to happen, we must leave and go to this ball. If you need to, we can stay together all night.”

“Thank you, but it won’t be necessary. I want you to have your chance with the prince.”

“After all, you were listening!” Hyacinth exclaimed, groaning as the two left the room and left her there. Now she had to wait until tomorrow to find out everything that was going to happen!

───── ⋆⋅☆⋅⋆ ─────

The ball was already full of people, from nervous mothers to innocent daughters who giggled when a suitor asked them to dance. Y/n and Francesca walked in together, both of them taking deep breaths and looking at each other in encouragement. They could do this.

While Francesca's nerves increased as she saw the Queen's eyes fall on her, Y/n's heart began to beat faster when she noticed Charles, who was standing next to his mother. However, he was not alone, finding himself in conversation with the princess of Austria. From what the Sharma could understand from the few moments in which she let herself focus on them, they seemed to be getting along well, sharing polite smiles.

"Maybe we shall get a refreshment first?" Y/n said, seeing that the family had already dispersed.

"A great idea." Francesca swallowed, nodding several times.

The two hurried to a corner of the room, sending a quick smile to the people passing by. Fortunately, no one engaged them in a long conversation, allowing them to mentally prepare themselves to face that night.

They stopped next to Penelope, who looked at the dancing couples with a sad look. "Are you alright, Penelope?"

"Yes, of course, Francesca." the redhead replied shyly, offering a small smile to the two girls. "You ought to take the floor."

"Ought we?" the Bridgerton chuckled humorlessly.

"Once one finds oneself on the wall, it is difficult to come off it. No matter what one does." Penelope looked down, pursing her lips.

"Better to be on the wall than to make fools of ourselves." Y/n she murmured, discreetly looking at the boy who had invaded her heart, still talking to the beautiful princess. Only this time, almost feeling her gaze on him, he glanced at her, showing what appeared to be a genuine smile. "This is so confusing."

"I agree. At least the wall doesn't ask me about what makes me tick." Francesca complained, still upset about the failed conversations from the last ball. The older girl looked at her understandingly, noticing that Francesca was more reserved. Maybe that was what made her rare, different from all the other girls.

"And why are you on the wall, Penelope? I'm sure there are lots of gentlemen here who would be more than willing to ask for your hand in a dance!"

"Oh no. Nobody wants to dance with me. Believe me." she replied with a slight blush, embarrassed that she didn't have any suitors when this wasn't her first season, unlike them.

"They must be blind, then. You are beautiful." Y/n confessed honestly, really confused that they let such an incredible person like Penelope escape. If she could, she would drag the redhead and Francesca to dance, but she knew it was against the rules.

The three fell into a silence, not uncomfortable, but as if they all had more to think about than trying to carry on a conversation. From the other side of the room, Charles watched Sharma as if in a trance, quickly leaving the conversation he was having to go to meet her.

However, he was interrupted by Charlotte who discreetly held his arm. "What are you doing? Must I remind you that you shall marry this season?"

"Why are you putting so much pressure on me with this. You have so many other children, but I'm the only one who has to suffer with this."

"Your siblings reproducing bastards for me to ignore. You are my last hope, son. I have made sure to give so many heirs to your father, and none of my children seem to be fornicating." she said. When she noticed that she was being too harsh with her youngest son, she sighed. "Bridgerton, Charles?"

"What seems to be the problem? You've already accepted many of their marriages, including naming two Bridgertons as diamonds of the season and ignoring the scandal between Lord Bridgerton and Lady Bridgerton." Charles controlled himself not to roll his eyes.

"Yes… But that was until my son was mentioned in the paper of Lady Whistledown because he was just interested in a girl. Especially when the princess of Austria traveled here just to meet you."

"And I enjoyed meeting her. But I enjoyed much more meeting Y/n Sharma." he admitted, his voice conveying the confidence he felt in those words. "She's the one I want. The one I'll follow to the end of the world if necessary. Don't make me marry someone else, mom, I want her. Just her."

"I believe the boy is in love." Lady Dandbury appeared beside them, looking at the boy with knowing eyes. Charlotte glanced at her from the corner of her eye. "The dance they shared was remarkable. The London Season is already terribly monotonous as it is. Therefore, these cases of passion make it more enjoyable. Don't you agree?"

"Indeed, Lady Danbury." Charles nodded, appreciating her help in convincing the Queen. "May I go now?"

Charlotte watched him for a few moments, noticing how he was restless, his body tilted towards Y/n. Almost as if he had no control over himself, unconsciously wanting to always be close to her. This wait was killing him.

The woman didn't respond verbally, just offered a small nod of permission, and her son was gone in the blink of an eye.

Almost running, the prince arrived next to Y/n, who continued to watch people dancing. She was now only with Penelope, as Francesca was taken by Violet to meet some suitors. Charles approached silently, placing himself in her line of sight and simply offering her a hand.

"What are you doing?" she whispered with wide eyes. Beside her, Penelope excused herself, giving the couple space. Not that they paid much attention, appearing not to have even heard her.

"Isn't it obvious? I'm asking you to dance with me."

"You don't give up, do you?" Y/n let a small smile appear, pretending to be upset by the boy's persistence. Inwardly, her heart was beating furiously fast. She didn't want to dance. She wanted to get away from there so she could be with Charles alone, the two of them talking all night.

But their moment was interrupted by Lady Wilson's daughter, who suddenly appeared and grabbed the prince's arm. "Prince Charles, you promised me a dance. Shall we?"

Y/n took a step back, trying to hide her sadness. Charles hadn't even removed her arm from his. This was a reminder that Charles was not yet hers, and with her indecision, that was becoming increasingly difficult. He had so many good options for marriage, why would he choose her? What made her special from all the others?

Trying to make sure no one saw the tears that threatened to appear, the Sharma decided it was best to leave for the rest of the night. Perhaps Anthony and Kate would believe she was feeling unwell and needed to go home.

But before he could move away completely, Charles snapped out of his shock, grabbing Y/n's hand to pull her closer while shaking the other woman's hold.

He clenched his jaw, upset at not being able to have a single moment of peace with Y/n. "My apologies, Miss." Y/n had to put her hand over her mouth to hide her amusement when Charles didn't remember the girl's name. "Right now, I would like to dance with Miss Y/n. So if you will excuse us."

"But—"

"What do you say, Miss Y/n. Shall you give me the pleasure of having this dance?" Charles asked quickly before the annoying girl spoke again. His attention was on Sharma, who was looking at him adoringly. Was this what people felt when they were in love? It felt like he couldn't breathe. In a good way.

"We shall… Charles." she laughed. Charles' mouth opened in shock, appearing to have frozen to the ground. In a playful way, she rolled her eyes, guiding him to the dance floor, which was now empty as people saw the two walk there.

Despite the nerves she felt, Y/n felt good with Charles, so she decided to ignore ton's opinions on this. The boy bowed as he offered her his hand, followed by a bow from Y/n, and immediately the music began.

"You called me Charles."

"A very good observation."

"You know, I thought Lord Bridgerton would kill me the moment I looked at you. It would be worth it." he twirled her around, loving it when he heard her little giggles. When she landed on the ground, her eyes found Kate and Anthony watching them, but instead of upset, they looked happy that Y/n was happy. "I must say that when you said we couldn't meet again, it hurt."

"My deepest apologies. How could I have said such absurd things?" Y/n said dramatically, noticing Charles' amusement.

"All is well now. As long as you promise to not run anymore. Even if Lady Whistledown or someone else writes about us. I promise I won't let anything hurt you or your family."

Y/n focused on his eyes. They were honest and had a glow of adoration about them. "What about the Princess of Austria?"

"As I also told her Majesty, I have no interest in her. My heart already belongs to you, Y/n. No one else can take your place."

The music was slowing down, indicating that it would end soon. The boy gripped Y/n's waist tighter, fearing that he would have to let go when he was enjoying savoring every moment of their closeness.

"My heart belongs to you too, Charles." she scrunched her eyebrows and Charles could feel his heart close to bursting. He wanted to marry her.

Instead, he controlled himself from saying it right away, knowing that he would have to talk to Anthony first and ask for Y/n's hand in marriage. Or he feared the Bridgerton wrath. For now, having Y/n in his arms was enough.

[jackoshadows]

It's so confusing and weird that Bridgerton introduced in world racism both with Lady D and Simon in season one of the show and in Queen Charlotte and at the same time they also want the audience to accept that somehow Marina Thompson or the dark skinned Indian Kate Sharma has more privilege and power than Penelope Featherington?

Kate Sharma was also poor, so much more than the Featheringtons. She depended on Lady D to host them. The Sharmas were looked down on by the ton because Mary Sheffield married an Indian. The Sharmas were disowned and ostracized by the Sheffields.

Kate was also an unmarried spinster. No one was asking Kate to dance. As much as Kate wanted love and romance and to dance at a ball wearing pretty dresses, she got none of that. She was also the woman on the sidelines watching as others danced and fell in love.

Racism and colorism is also very much a thing in eurocentric notions of beauty considering the setting and characters of Bridgerton is 99% white.

We got so little of Kate's backstory, of who her parents where - we didn't even get their names!! - of the trauma (explained for both Simon and Anthony using flashbacks) that had Kate overlooking her own happiness for that of her sister.

Despite bragging nonstop about the diversity of Bridgerton the showrunners thought that the white Featheringtons needed more screentime in season 2 rather than the South Asian family.

And Kate was planning on going back to India and work as a governess to pay for her livelihood. Because, you know, there's more honest ways of being a 'working woman' than running the equivalent of the regency 'Daily Mail' dragging other women down. The modiste Madame Delacroix, Kate planning to teach and Sienna in season one are all working to pay a living. Black, brown and lower class women looking to alleviate poverty.

And considering how much harder Kate already had it as an outsider in the ton, it wouldn't have been easy with Penelope using her gossip rag to describe the unmarried Indian woman as ' a Spinster of a beast'. What did Kate do to Penelope to warrant this? Nothing. Just a way for Penelope to make money at Kate's expense.

That's the thing I dislike the most about the way the character of Penelope is written on the show - her victims don't deserve her vitriol and are often in much worse circumstances than her. From Kate Sharma to the unnamed seamstress who apparently lost all her customers because Penelope wrote falsely about their work in the her tabloid as a bribe for Madam Delacroix.

And I think that's what I find problematic about the writing of the show and even the discourse surrounding it - when characters like Marina Thompson (the poor black cousin who would have ended up destitute on the streets because of Penelope) and Kate Sharma arguably have it far worse than Penelope Featherington as per the show's writing and yet we are supposed to have the most sympathy for Penelope because her crush Colin didn't love her back and she's a curvy white woman?

I guess that's the difference between how I perceive this world and these characters as a woc and the majority white female audience for this show and it's such a huge disconnect for me. I guess this is also partly because the show has this badly written and 'strangely toothless racism' as Ash Sarkar beautifully put it. As in the racism is treated in this world as a little problem solved by handing out a few titles to black people instead of being a white supremacist ideology which treated black and brown people as inferior, serfs and slaves.

From what little we got from season 2, Kate Sharma definitely did not have it easy navigating the ton as a poor outsider and that certainly contributed to her poor choices. She is also put through the wringer, treated like the other woman, is miserable for several episodes, had to apologize again and again and nearly die before Edwina forgives her!

In contrast Penelope's actions have hurt so many and yet she gets a pass by both the show and a fandom that wants Colin to grovel before her because of a single offhand remark and because he didn't return her affections.

Also making it clear here that I am not comparing Penelope to the male characters who always get the better writing, flaws and all. I am comparing Penelope to the female characters of colour - Kate Sharma and Marina Thompson.

I mean, Marina Thompson gets so much vitriolic and sexist hatred for not having told Colin Bridgerton the truth of her pregnancy. How dare Marina hurt this privileged white man Colin Bridgerton. When she was desperate to not end up destitute on the streets or get raped by old white men. And yet Penelope gets a pass for hurting women like Marina and Kate.

It continues a trend of white female characters never being held to the same standard as female characters of colour. Daphne sexually assaults Simon in season one and that was not even addressed on the show. Male rape is apparently no big deal because Daphne wanting children is what's important. It's Simon who has to apologize and within one episode resolve his trauma and accept being a father. This is despite both Daphne and Penelope having more screentime and more writing that builds their character unlike the stick thin writing given to Kate Sharma in season 2.

So yeah, I will be checking into season 3 to watch the ten minutes we get with Kate Sharma since we got so little of her in her own season and it's so singular to get dark skinned south Indian characters in a period drama romance like this. It's just the way the writing on the show, the production and even the fandom treats it's characters, especially characters of colour has been disappointing to say the least.

[iaure]

𝔦 𝔠𝔬𝔲𝔫𝔱 𝔪𝔶 𝔟𝔯𝔢𝔞𝔱𝔥𝔰 𝔬𝔫 𝔶𝔬𝔲𝔯 𝔫𝔢𝔠𝔨, 𝔴𝔥𝔦𝔩𝔢 𝔶𝔬𝔲 𝔰𝔩𝔢𝔢𝔭

𝖞𝖆𝖓𝖉𝖊𝖗𝖊 𝖒𝖎𝖌𝖚𝖊𝖑 𝖔❜𝖍𝖆𝖗𝖆 𝖝 𝖋𝖊𝖒!𝖗𝖊𝖆𝖉𝖊𝖗

𝔭𝔞𝔯𝔱 1: 𝔩𝔬𝔯𝔡 ℑ 𝔴𝔬𝔯𝔯𝔶; 𝔱𝔥𝔞𝔱 𝔩𝔬𝔳𝔢 𝔦𝔰 𝔳𝔦𝔬𝔩𝔢𝔫𝔠𝔢 𝔭𝔞𝔯𝔱 2: 𝔴𝔥𝔢𝔯𝔢 𝔦𝔫 𝔪𝔶 𝔞𝔯𝔪𝔰, 𝔶𝔬𝔲'𝔯𝔢 𝔪𝔦𝔫𝔢 𝔱𝔬 𝔨𝔢𝔢𝔭 𝔭𝔞𝔯𝔱 4: 𝔰𝔞𝔡𝔫𝔢𝔰𝔰 𝔰𝔴𝔢𝔢𝔱 𝔢𝔫𝔬𝔲𝔤𝔥 𝔱𝔬 𝔰𝔴𝔞𝔩𝔩𝔬𝔴

CW: delusion, attempted kissing, chase sequence, snitchery, thoughts of reader being a mother, vivid fears of dying, reader is temporarily locked away, reader gets hurt, SpanishDict translated Spanish.

This part switches between Miguel's POV and the Reader's. ♱ stands for the translation being at the bottom of the post. please let me know immediately if there are any errors!

Severe spoilers for Spider-Man: Across The Spider-Verse.

˚ʚ♡ɞ˚ we making it out of nueva york with this one !!!! maybe. there's a poll at the end to determine fundamental plot! please vote after you read and share your thoughts!! i had the she's homeless x spider-man india mashup on loop and reached a higher place of ascension.

wc: 3.8k

𝐌𝐢𝐠𝐮𝐞𝐥 𝐡𝐚𝐭𝐞𝐝 𝐬𝐞𝐥𝐟-𝐜𝐨𝐧𝐟𝐥𝐢𝐜𝐭𝐢𝐨𝐧.

Miles Morales had escaped, run amok to another world. Jess and Ben were trying to hunt him down, but with no back history on the Go Home Machine, they were stuck playing the waiting game. Margo was working on it, but Miguel had a hunch that her heart wasn't in on it. Traitors, everywhere. And the most painful traitor of all refused to meet his eye. Miguel sat on a chair in front the containment bubble, elbows on his knees with his hands laced together. Y/N had been sealed away, red filament twisting around her like a hamster ball, or a puffed up cocoon. The grapefruit glow bounced off her skin, casting an ominous light over the blooming bruises around her midsection, where her suit had torn from the glass, where Miguel had hurt her. He hated self-confliction. Y/N had betrayed him, the Spider-Society, the multiverse-willingly aided Miles in his escape. She probably was the reason he got away. Y/N had made the conscious choice to forsake the canon. She had known Miles for all of an hour, at most. Y/N threw away everything to help a teenager that (to Miguel, at least) had no idea the damage he was causing. She completely the deserved the situation she was in. It didn't matter what the reasoning was. And now she sat, curled up in a fetal position on the floor, trapped inside a containment bubble, her back to him. Y/N didn't meet his eye, but he knew it wasn't an act of shame or cowardice. It was the idea that he wasn't worthy of it; the idea that he didn't deserve to see her eyes. That she wouldn't even grace him with the idea that she was looking at him. She was being punished like a toddler with time out. Y/N had made a mistake.

But Miguel loved her.

He couldn't dance around the word anymore. There was a monster clutching his beating heart, and it haunted his immortal soul. It was love, as twisted and convoluted as it was. Love for a woman that had her back to him, pointedly refusing to speak. Miguel had seen her anger before. Being on the receiving end felt like a nightmare. Just silence, as thought the two of them were preschoolers and the silent treatment was the most lethal weapon in the schoolyard. He expected her vitriol to be loud, the kind that breeds screaming matches-not this.

"Y/N." Miguel was met with (shocker!) more silence. "Where did Miles go? This is important." Silence. "Why would you do this. You've potentially damned the multiverse." Y/N shuffled a bit, if only to wiggly further away. "You've helped disrupt the canon." Miguel sighs. "You're an adult. You should know better. Miles was a stupid kid-" "That you body-slammed into a train." Y/N finally spoke, biting like a viper and tilting her head a bit to look at Miguel out of the corner of her eye. "A 15-year-old that you saw fit to chase on all fours. His reaction was reasonable." Miguel's conflict swelled. Y/N was talking in that dulcet angel tone, so succulent despite her anger. But her insistence was irritating. She absolutely should've understood, better than any of the teenagers, her little acolytes. Miles was new. It was true that his reaction was...understandable, to a degree. Hobie always broke the rules anyway. Gwen was going through a rough time, and Pav was there to have a good time. But Y/N's brother died because of an anomaly. She of all people should know the threat they pose.

"We tried explaining it to him. It was his choice that he didn't listen. You, on the other hand, you knew the consequences." "I'd rather be a proper hero and fight for what's right, to help those that need help. That's a concept that's hard for you to understand, right?" "Oh, so trying to protect the multiverse is wrong. Okay, okay. Esto es ridículo.♱" Miguel rose from the chair, muttering under his breath and turning with his hands on his hips. His head was reeling. He knew Y/N was stubborn, but this was absurd. "I'm holding every Spider, every world, together!" "Says the guy who didn't even get bit!" Y/N counters, quick as lightning. "If your canon events are so true, then how is Nueva York standing? You answer me that!" "Canon events can differ-" "By so much that there's not even a spider? Get real, Miguel! The kid isn't doing the-the-the-!" Y/N tripped over her words, rising from her curl on the ground and talking with her hands, trying to get her thoughts in one row. "The devastation that you think he is! Canon isn't infallible!" Miguel whipped around, realising he'd come face to face with Y/N. She was panting like a dog, a scowl buried under a grimace buried under a glare. Her eyes were steely, finally meeting Miguel's eyes like rocks crashing with the sea. It was a clash of wills.

And Miguel hated how much he loved it.

What a woman, honestly. If she was this passionate about protecting a teenager she'd just met, what would she be like with her own kids? Miguel was sure that Y/N would be wonderful, always coming to the kid's defense, without question. That venomous tongue would be soft-spoken to a child, one that would have Y/N's eyes and Miguel's hair. Maybe a little girl, a Gabriella that would truly be Miguel's own. No switching places with the dead. No feigning love for a woman he didn't know. No technicolour nightmares. His own little girl, from his own wife. And god! Y/N as a wife! She'd be so sweet, waking Miguel up in the mornings with light kisses, whispering sweet nothings to him, letting his hands water as his slips out of groggy dreams. The rising sun on her skin would light her up like a holy statue, and the moment Miguel was conscious he'd be happy (honoured) to worship. From the second he woke up, to the second he fell asleep, he'd be worshipping, down to his dreams being dictated by Y/N. Holidays, weekends, family trips, saving the multiverse together...it would be-

"What, you going brain dead? Are you even listening?"

Y/N's biting words dragged Miguel back to reality, as hateful as the idea of reality was. His daydreams were so much kinder than this. She was still upset, still trapped behind that red barrier, and they were still enemies. But after the vision of what they could have, it was like a tease to just keep playing cat and mouse. It would be cruel and unusual punishment to torture himself like that. It'd take convincing. A lot of it. But Y/N wasn't unreasonable. She was noble at heart and maybe a bit naïve. But she was a Spider at the end of the day, always looking for the best solution to terrible problems. And that's where it's important. That's okay. Relationships were about compromise, after all. "Y/N." Miguel spoke softly. He really couldn't hide his affections for much longer. It was spilling out of him like a cup, pouring through the cracks and spilling over the sides. And he saw how Y/N shifted. He could tell that she was figuring it out. She could see how he moved. And she slowly backed to the other side of the containment bubble, moving further away until her back was against the wall. Did it break his heart? A little bit, but this was going to take time. All things would.

"Y/N," He repeated. "We...really shouldn't fight. We're-we're special, you and I." Miguel got close to the containment bubble, watching Y/N.

He didn't realise it, but sometime in the last fifteen minutes, the bubble's purpose had changed. It started out as capturing a prisoner, a traitor, someone who was dangerous and could be a threat to society as a whole. But it changed to a shield, protecting a prey animal from a predator. It was Y/N's last safeguard from Miguel doing anything unwise. The dynamic shifted. Y/N could tell it-every hair was on end, every sense was on fire. But Miguel was oblivious. "I'm gonna shut this off," He tapped on the filament, and Y/N swallowed. "Promise me you won't go running off. We can have an adult conversation. We can talk." And maybe Y/N should've protested. She could've asked to keep it on, but who'd admit they were scared in a situation like this? So she stayed silent. She kept in her corner, and irritation reared it's ugly head again. Miguel was trying to be cordial. Why wouldn't she just promise? He was offering her freedom.

(Somewhat. Details didn't matter, not here, not now.)

It's not like he was going to hurt her. It's two measly words. Two words in exchange for a lifetime and some of love, affection, devotion. Was that really too hard of a deal?

"Promise." Miguel growled.

Instantly, Y/N put her hands up in mock surrender. "Promise! I promise." Miguel's heart bloomed. She could be so charming when she wanted to be. So disciplined and playful, a good wife, a good lover. Listening was the first step, and she was listening. Miguel could only grin. "Okay." He put his hands to the barrier as his heart raced. He was so close. A step or two more, and he would have the love of his life in his arms. And Y/N was staying still. There was no tension that he could see. She didn't look like she was about to run. She was just nervous. The red barrier folded out of itself, and quiet suddenly, it was just Miguel and Y/N in a room. When was the last time they'd done this? Miguel couldn't remember the last time it was just them. It was always either in fleeting moments or with other Spiders around. It was impossible to get Y/N alone, no matter how hard he tried. But here she was, just him and her and them and an empty room where no one was going to stop them. She didn't move, watching him like he were a predator in the savannah. Miguel didn't like to say that he was excited, per se. But there wasn't really another word for it.

His eyes scanned over Y/N's pretty face, every inch memorised in Miguel's mind. Her sharp eyes. Her cute nose. Her pretty lips. Her pretty lips. What would they taste like? Did she use lip gloss? What would that taste like? How would it feel to have her lips linger on his? These were dire questions, and Miguel was done waiting. He walked up to Y/N, slow and purposeful. He had to seem as non-threatening as possible to pull this off. And quick, because chances were Y/N was going to do something harsh, like slap him. But it was a small price to pay. After all, he had his whole life with Y/N ahead of him. He just needed to get it started.

Y/N was by no means a stupid woman.

She grew up with the same precautions every other girl did. Don't talk to strangers, they don't have candy in their van, and know when men are about to jump your bones. And in this case, she could practically smell Miguel's thoughts, like the gears in his brain were making smoke from how hard they were churning. She trusted him as far as she could throw him, if she tried throwing him when she was 12 and before she got bitten. That is to say, she didn't trust Miguel at all. He was a stupid, stupid man, and she needed to bolt. So, that's exactly what she did. Promises, schromises. Y/N could say whatever it took for Miguel to let her go, but at the end of the day, she had a responsibility to herself. For all his talk about having an adult conversation, she knew what the look in his eyes was. And when he began reaching for her cheek, Y/N knew it was now or never. Miguel's body weight was enough that she could web him up and hurl him into the nearby wall. It was like watching a cannonball get launched a Mach speed, and his surprised yelp was far more satisfying than it should've been. But he'd done this to himself, and as Y/N booked it down the hallway, she knew she was on a divine clock. Either luck or skill was going to get her out alive, and luck was unreliable at best. She had her hands, her webs, and her brain. That was going to have to make do.

A vast majority of the Spider-People were out, either in their own worlds or helping hunt down Miles. Poor Miles. He just wanted to save his dad. Y/N did her best, did the most she could, but right now? Right now, she had to focus on getting out alive, preferably with her pride intact. And as she heard Miguel's thundering footsteps behind her, an anguished yell, she found it in herself to go impossibly faster. Maybe if she was an outside observer, it would've been funny-a woman booking it past someone standing, only to be followed by a massive, 6'9 blue and red bullet on all fours. Wow. Miguel really did like just running like a dog. Y/N dove down into the lobby of the Spider-Society, ducking and weaving under bridges and platforms. Miguel leapt like an animal, clawing his way onto a platform above and dropping down.

"Stop running!" He barked, getting up to two legs again and reaching out. Y/N could feel his claws miss by a hair, and she leapt off the edge, swinging around and swerving to a platform above, stumbling into the containment room. Rows and rows and rows of sunset orange, anomalies staring at her with wide-confused eyes. None of them were the ones she'd caught, and as she heard Miguel claw up the side of the wall, she knew running wouldn't work forever. She had to do what Miles did-hide, outlast, outplay. These kids were getting too damn smart. Y/N dove behind the anomalous Rhino, praying that it wouldn't elect to shuffle over. It was the biggest thing in the room, the most stationary-and now Y/N realised she was putting far too much stock in luck. If Miguel found her, she genuinely didn't know what he would do. Would he cage her again? Hurt her? Kill her? It all seemed to be a possibility, all at once.

Now, all she could was hope the anomalies didn't sell her out.

In all honesty, she wouldn't blame them. The Spiders didn't have the most ethical treatment of anomalies. She wasn't even sure if they got fed, or what. But maybe a shared hatred for one particular Spider-Man would get it across. Y/N shared a look with a Doc Ock, and he stared at her. She grit her teeth, praying that somehow, the silent prayer would get across. A twitch throbbed in her neck from sheer tension, before the Doc Ock gave a barely noticeable nod. He looked away. It's a cold day in hell when the villains understood Y/N better than the 'good guys' did. Miguel burst into the room, claws tearing up the metal floor. Y/N could see a handful of the anomalies jump, all eyes on him. She had her back to him, and part of her hated how she'd put herself in such a compromising position. Short of her spider-senses, she wouldn't have a clue if she needed to run, and right now, she was having a Spider-Woman check engine light with how much the sense was going off already. It was rendered useless, because thank you very much, she was aware she was in danger.

"Vamos. Prometo que seré gentil.♱" Miguel cooed, heavy steps reverberating throughout the room. Maybe he was muttering to himself, or he genuinely was trying to speak to Y/N, but she knew better than to just leap out and go 'I'm here! Come and get me!'. Spider-Man was funny, but he wasn't stupid. And the same went for his 7290 variant. The anomalies all went silent, and Y/N felt her mouth go dry. It'd been so long since she'd last felt this genuinely terrified. Last time, she was 14, sobbing in an alleyway as she watched her uncle die. This time, she was being hunted by an obsessed, genetically infused daddy longlegs. This was absolutely, totally, completely fine.

"Mi corazón es tuyo. ¿Qué más se puede pedir?♱" Miguel kept muttering to himself, low and quiet and enough that if Y/N didn't have superior hearing, she wouldn't have picked it up. "I need you, I need you, I need you...you need me."

Mm. Y/N wrinkled her nose at that. That just sounded stupid.

Y/N kept her breathing controlled, trying to tame the soreness in her lungs and the shuddering breaths. Bile pooled in her throat as she heard Miguel slowly walk past the rhino, a shake in her hands that she hated acknowledging. But Miguel was terrifying. He was the ultimate predator, trying to hunt Y/N down like prey. She was prey, for the first time in years. She figured that maybe, if they'd done a better job of convincing Miles, then it would make sense. But if this was what the boy was seeing, feeling, then no wonder. She would've jumped off the bullet highway, too. Abruptly, there was a sudden crash, and Y/N's head whipped around to see that Miguel had thrown one of the containment contraptions, hurling it to the wall opposite to her. She practically jumped out of her skin, the bile leaping to her tongue in a bitter, acidic taste. Miguel swore hard in Spanish, howling like an injured dog, damaging more equipment and clawing up anything that wasn't an anomaly. With every hit, every swipe, Y/N flinched, because holy shit that could be her. He could pop her head off with a single slightly hard hit, and it'd be over.

He stalked out of the room, leaping down to the Go Home Machine below. Y/N's sigh of relief felt like it was shared with the whole room, all the anomalies relaxing at once. It's like a thread had been pulled out of a fabric, letting it finally fall the way it was meant to. One anomaly, a fucked up Green Goblin, did a dramatic flop to the floor. Y/N shut her eyes, taking a deep breath. At this point, she'd just abandon ship-leap out the nearest window and web her way out of the city before Miguel could deactivate her watch. And even if he did, then she'd hide out. Nueva York was insane, a metal jungle. She could spend the rest of her life hiding out there, if she had to.

"Beep beep."

Y/N's eyes flew open, looking to her left. Her gut plummeted. Miguel's golden boy, his favourite, one of their best, stood next to her, exactly 4 centimetres high. LEGO Spider-Man, with his teeny little watch. Before, Y/N thought he was cute, like a dog or something. But as his watch flickered to life and the visage of Miguel appeared, she regretted every single instance of her almost stepping on him. "H-Hey, wait-!" She whispered, harsh. "Don't-!" "Miguel, I got eyes on Y/N!" LEGO Spider-Man moved in a way that only a LEGO minifigure could, his head rotating a little bit. The Miguel avatar slowly turned, locking eyes with Y/N, and her blood froze. "Thanks, Peter. You're one of our best for a reason." "Beep beep." LEGO Spider-Man shut off the watch, looking to Y/N. "Sorry. Nothing personal." There was silence for a second.

"Peter." Y/N said. "You fucking suck."

She picked up the LEGO and proceeded to chuck him as far as she possibly could, launching him into the lobby and watching him fall. Some of the anomalies groaned, and already Y/N could hear Miguel barreling his way back to the room. Why the hell could she not catch a break? She only had a handful of options, most of which weren't actually options she could do. There was turning herself in-a non-option. There was calling for help-another non-option. And then there was simply...jumping out the window. The same thing Miles did. Which...felt cliché. Would Miguel really fall for the same thing twice? Literally? Miguel ran into the room, sliding across the floor. There was a moment where he looked up to Y/N, eyes wide and wild. His grin was wide, panting hard with his fangs poking his bottom lip. A flush had bloomed on his face, his eyes blown out like he was on drugs. "There you are," He hissed.

Well. The window it was.

Y/N's sides still hurt from the last time she got tossed out a window. This time, she gave herself the courtesy of bracing herself with her arms, but the glass still hurt like hell. It cut into her arms as Miguel genuinely shrieked, running out after her. There was a moment where Y/N was just in a free-fall, taking a second to reflect on her situation. Did she wake up this morning expecting any of this? No. If she had, she would've texted her neighbour to keep an eye on her fish. But nooo. She just had to get herself mixed up in super-hero shenanigans. She crossed her arms, a petulant scowl on her face. Maybe she still could call to make sure her fish would be okay. Miguel hurtled out the window after her, a hand reaching out to catch the front of her suit. His claws were out, the extra inch and a half proving far more of a threat than Y/N liked. She spun down and webbed Miguel's foot, yanking him down and using him as velocity to shove herself up. He tried the same trick on her, but if there was one thing she had on the 'kilogram of steel vs kilogram of feathers' built Spider was that she was that much faster. She yanked her foot out of the way, webbing to the side of the Spider-Society and slamming into the glass of a floor she'd never even been on before. Miguel plummeted like a brick to the ground, webbing to a building that was that much lower. Y/N had a total of two minutes to decide what the hell she was going to do. So...what was she going to do?

♱ - This is ridiculous. - Come on out. I promise I'll be gentle. - My heart is yours. What more could you ask for?

╰･ 𝙜𝙤𝙩𝙝𝙞𝙘 ⸜❤︎⸝‍ 𝙢𝙞𝙜𝙪𝙚𝙡 𝙤'𝙝𝙖𝙧𝙖 ⨯・ ⨯・@ishqani ⸜❤︎⸝‍ @pix-stuff ⸜❤︎⸝‍ @localdepressedvampire ⸜❤︎⸝‍ @cantchoosejust1 ⸜❤︎⸝‍ @tired-writer04 ⸜❤︎⸝‍ @neteyamsbulletwound

[yuurei20]

Interview with Twst Music Composer Ozawa Takumi from the Soundtrack:

Q: Could you tell us about the themes for the dorms, and stories from production?

Ozawa: "The first dorm theme I composed was 'Heartslabyul Dorm' (Disc 2-06). Rather than being an exciting piece, it portrays the strict discipline and sternness of the Queen of Hearts, as well as a sense of having entered a mysterious world. Although the dorm becomes quite lively as the story progresses this theme's key point is that it begins and ends quietly.

The theme 'Savanaclaw Dorm' (Disc 2-11), was the one I struggled with the least. I wanted to express the dry atmosphere of the savanna and the feeling of distant horizons shimmering with heat, so I sampled a variety of chant-like voices.

On the other hand, 'Octavinelle Dorm' (Disc 2-18) was the most challenging theme.

While it has a jazz-like feel, I incorporated an unusual chord progression that is not typical of traditional jazz.

I wanted to create the sensation of floating underwater, so I included noise meant to represent bubbles. I like to think that the use of steel drums helped with capturing the atmosphere of the deep sea.

The theme 'Scarabia Dorm' (Disc 2-22) goes full throttle on producing the types of sounds heard in the Oriental Scale*, and incorporates instruments such as the sitar, a string instrument from India.

I love this kind of music, personally, so I had a lot of fun composing it.

*Translation note: The "Oriental Scale" is an octatonic (eight note) music scale inspired by Middle Eastern music, in which the the 2nd, 5th, and 7th notes of the Major scale are lowered. The word "Oriental" was left as-is in the translation, in order to accurately represent her comment, and because there appears to be no other commonly used name for that specific scale. (Thank you so much to @irafuwas (and friends!) for the music-terminology assistance!)

The theme 'Pomefiore Dorm' (Disc 3-01) gives off a noble and elegant impression. While it features a waltz rhythm, the point is not to evoke a glamorous ballroom dance but rather to emphasize its solid rhythm and a melody that exudes a sense of gallantry.

The theme 'Ignihyde Dorm' (Disc 3-07) is the most unique, I think. It has various sequences that gradually build up to combine into one at the end. Listening to it now, I wonder, 'How is it that I layered all those sounds?' It's a complex piece, and I'm quite fond of it.

The theme 'Diasomnia Dorm' (Disc 3-13) aims to craft a cold, beautiful, and—above all—majestic atmosphere. I wanted to create a piece of music that instills a sense of nervous tension just by listening to it, as if one might incur Malleus’ wrath for the slightest misstep."

[eatmangoesnekkid]

No matter what I always choose beauty. What comes with choosing beauty is more intention and alignment. Intentional living.

Thinking about how there is nothing more beautiful than cooking with a lover while dancing and kissing and sipping on a cocktail. If you are like me and don’t really drink, you sip when the mood feels rightfully beautiful.

No matter what I always choose beauty. Beauty is not a luxury. It is nutrition.

But beauty requires something more from us in exchange for its nutrients.

Beauty is not something this world gives to us and there is no guarantee that we will be ready, available, or present enough to really receive it.

Beauty is something that we have to be willing to claim, to pause and take notice of, to shut the fuck up and listen to, or to put in time and effort into feeling.

A beautiful sunset will just pass on by if you don't look up from your phone at the right time.

The effort it takes to put on a nice-fitting dress while home for no reason at all other than it feels beautiful on your skin or to take time to plate your home-cooked food in an artful way is something only you can give to yourself.

A beautiful bouquet of wildflowers brought home will be meaningless if you don't take time to contemplate and notice them.

I always choose beauty in the mess, in the ugly, in art, in meal prep, in lighting a candle, and in the shapes my female body makes.

I am on a partial road trip and packed two small ghee lamps. Even with a packed suitcase, I managed to squeeze in two brass ghee lamps, these little works of art and spirit. Ghee lighting symbolizes purity, peace and love and I light one every night in the kitchen and bedroom in lieu of artificial light and witness how the shadows dance prettily along the walls as I deepen into my night stretch.

I always choose beauty, glass jars tinctures I make by hand and take with me to spa. I could simply pack them into plastic bottles but then chemicals from the plastic would leech into the concoctions and change the molecular structure of the contents. I could just go to the store and buy whatever is available in plastic but it would lack quality. It would be easier to put the concoctions in plastic or just buy something similar instead of making them. I wouldn’t have to be extra careful to not break any bottles or have to take so much time getting ready for the spa, but I choose beauty.

Beauty is less about possession of it as conditioned and more about contemplation, awe, and wonder, witnessing natural light shine prisms through large bay windows.

One personal secret of the universe about me is that I quietly wear pink fuzzy kitten mule house shoes with a 1/2 inch maximum heel height indoors because they feel beautiful and sexy and work cutely with the shape of my body.

Beauty gives us feeling. It gives us height and it gifts us fire. It can turn us on and make us come fully alive.

Beauty can also set us free.

Because when we choose beauty, beauty naturally chooses us back.

--India Ame'ye, Author, From The Melody of Love, Opening Pages to Natural Beauty Chapter (unedited)

[kutputli]

Louis the "Pimp": A Rebuke and Rebuttal

OK, IWTV fandom, I have been made aware that some (many) of you are genuinely not aware of some of the anti sex work implications of your statements around Louis and pimping, so -

First of all, some ground level assumptions: I am assuming we are all pro sex workers here. Which means that we all believe in the right for adults to consent to commercial sexualised labour, and to demand ethical working conditions just like any other worker. Sex work is work etc.

Now, that stance can and must coexist with the acknowledgement that sex work has both historically and currently been coerced from marginalised communities. In my part of the world, hereditary caste based sexual enslavement is an on-going atrocity, and similarly, in the United States Black enslaved people was disproportionatey victims of commercialised sexual abuse. (This is RELEVENT to Armand and Louis so it behoves everyone to inform themselves about these realities.)

What I'm saying now comes from the scholarship and testimonies of sex workers themselves, who have always been at the forefront of advocating for themselves as communities and unions. You can and should read through the publications of the Global Network of Sex Work Projects to ground yourself in these perspectives.

The idea that its ok to be a sex worker, but that a client or a pimp or a brothel owner deserves contempt, shaming or derison is an old one, associated with the dichotomy of pitable fallen women vs dispicable emasculated men (emasculated because of the patriarchal shame of a) paying for sex and b) living off of a woman's labour). This has manifested in what is known as the Nordic model (or, hypocritically, the Equality Model) of Prostitution, where sex workers themselves are deemed nominally free to practise their trade, but clients and third parties (pimps, managers, brothel owners) are criminalised. There is unambiguous peer-reviewed data showing the failure of this approach to protecting sex workers from harm, and almost every sex worker union has denounced it.

So now let's talk about this cultural and legal contempt and criminalisation of the third party, and specifically, the pimp figure. Unlike the brothel owner, the pimp is more often from a similar class and identity as the sex worker, often sharing the same living and working spaces. Pimps are often sex workers allies and collegeaues. They provide an interface between the client and the sex worker that can help screen them for safety and security, and the remove the additional burden of soliciting and marketing from the sex worker's labour.

And because it is important to talk about specifics, a pimp in marginalised communities of sex workers is often a brother, a father, or a lover to the sex worker who faces the same casteism, racism and classism that she does. He is often the father of the sex worker's child. In India, for example, even though prostitution itself is not criminal, any adult male living with a prostitute is assumed to be guilty of being a pimp unless he can prove otherwise, and can face imprisonment of up to 2 years with a fine. One of the demands of unionised sex workers, including those in India, has been to decriminalised pimping along with sex work, not just because pimps make it safer and easier for sex workers to get clients without having to actively solicit, but also because such criminalisation actively harms family units.

Of course, there are pimps who can be abusive and exploitative. This is true of any professional relationship, and this is also true of people in romantic and sexual relationships (like marriage). But to deem a pimp inherently as an abuser carries a lot of anti sex work and racist and classist baggage with it.

Why racist (and classist and casteist etc)? Because the men with capital were (and are) not often pimps. They are landlords and investors, who ran brothels and saloons and massage parlours and dance bars and other sites where sexual labour was commercialised. To denigrate a man for being a pimp as somehow worse than being the owner of a sweatshop or farm is a way of jeering at the men who have not been able to buy themselves the luxury of distance from the exploitation they profit from. And the men of capital were and are, overwhelmingly, those from the dominant identity (White. Savarna. etc.)

So NOW, with all that necessary context in mind, let's talk about Louis and what it means when fandom firstly calls him a pimp, and then second sneers at him for his perceived behavior as one.

You know who first calls Louis a pimp?

Daniel Molloy, a white man being the brash, confrontational journalist that he has the luxury of being.

Louis accurately describes his profession managing and operating a diversified portfolio of entireprises. This translates to investing his family's sizeable trust into real estate (he owns 8 out of 24 buildings on Liberty Street) and running establishments that make money from selling liquor, organised gambling and sex work. Just as not many Black men would have been in a position of power to make a profit from a sugar plantation as Louis' great grandfather did, not many Black men would have had the capital (and the business acumen) to own and operate a series of businesses that included sex work. Infact we see him collecting his profits from a white man who was closer to the pimp role - Finn.

Reducing this to calling him a pimp is the first of many racist microaggressions we will watch Daniel make. As someone who indulged in some kind of sex work himself, one might say some of Daniel's hostility is self-loathing. Nonetheless, there is a racialised element in his contempt towards both Louis and Armand that, I would theorise, comes from the distinction made between a white, educated man choosing to recreationally whore himself for drugs, and a Black man who earned a living from other people's sex work, or a Brown man who is perceived as a rent boy.

We then get to the idea of denigrating Louis' pimp-like behavior. First of all, let's look at Louis as the employer and manager of sex workers. Everything we have seen about him shows him to be courteous, considerate, and professional. His guilt at the entire situation of how sex work operates aside (and we can agree that it must have been exploitative and even abusive in general, and that he was complicit in such a system, as any capitalist is) - MOST importantly, we never see Louis doing the thing that patriarchy really resents a pimp for - sampling the goods for free. We never see him use his power over the sex workers he employs to get favours.

In fact he makes it clear that he visits Miss Lily precisely because she is part of a different establishment, and that both of them being Black in a majority white situation places them on a more equal footing. Watching Louis with Miss Lily, both is how he is with her sexually as well as socially, gives you the clearest evidence of how he behaves around sex workers he is having a relationship with. (Contrast that to Lestat, who buys her time and body as an act of one-upmanship with no concern for her preference, and then who kills her out of jealousy.)

So - Was Louis a pimp? No. Was Louis an abusive pimp? Also No.

Then why does the fandom continue to deploy this term in relationship to him?

It's racism, your honour. (The answer is almost always racism.)

To unpack this, lets jump forward from the 1910s where, again I remind you - very very few Black men in the United States were in any position to operate as fashionable brother owners with wealth to spare.

We now move to the 1980s, when one (but not the only!) sub-genre of rap was evolving - gangsta rap. In this sub-genre, Black musical artists like Too Short and Ice T were creating and more pertinently making accessible to white America, the signifier of the Black pimp figure. This drew from 1960s Black culture-making around West Coast pimps like Iceberg Slim, but also from an older storytelling tradition that linked the figure of the pimp with the archetype of the trickster. I'm not going to cite the wealth of literature you can find that theorises this, (nor defensively provide the mass of nuanced critique that Black feminists have offered) because the limited point I wish to make is -

When white America began enjoying (and appropriating) rap and hip-hop culture, one of the tropes it started perpetuating with the shallowest of understanding of its origins, was that of the specifically Black pimp. A figure who displayed wealth, but without (white-signifying) class, who was sexually active in a racialised hypermasculine way, but both a threat to women and contemptibly a leech off them.

THIS is the pimp archetype that is being evoked when fandom talks about Louis's 'pimp'ness.

It is racist. It is ahistorical and canonically unfactual.

It is also needlessly contemptuous of the sex workers (labourers and third parties alike) who are part of the community here on tumblr, so often praised as one of the spaces that is friendly to them.

Maybe think about all of that the next time you choose to use the word 'pimp'.

[greensagephase]

Miguel O'Hara (Spider-Verse)

AO3 | Spotify

Nonviolent Communication

Soft Spider-Man!Miguel x Spider-Woman!Reader | ongoing story; 272k words minus one-shots Slow burn; Colleagues to Friends to Lovers; Miguel heals from his losses; no physical touch until like chapter 13, so the slow burn is kinda real

After the events of BTSV, you're recruited into the Spider Society. Your boss is distant, works day and night. You can't help but feel intrigued by him despite his coldness. One day he shows up to your apartment after you fail to show up for duties. (Order of fic below!)

Part One | Part Two | Part Three | Part Four Part Five | Part Six | Part Seven | Part Eight Part Nine | Part Ten | Part Eleven | One-Shots ⬇️

Thanksgiving One-Shot for Nonviolent Communication Blanca Navidad One-Shot for Nonviolent Communication New Year's One-Shot for Nonviolent Communication

Part Twelve | One-Shot ⬇️

Valentine's Day One-Shot for Nonviolent Communication Part Thirteen | Part Fourteen | Part Fifteen |

Head Canons (Roommate version)

Part Sixteen | Part Seventeen |

When they Met - Short Thought on their First Interaction (not part of fic)

THANK YOU SO MUCH, IT MEANS SO, SO MUCH TO ME!! ❤️ 🥹

Part One "No Fever" "A Really Good Cook" Part Two "Two Random Coffee Cups" Part Five "So Serious" Part Six Miguel's Ofrenda Part Seven "Two Hot Drinks" "Merry Christmas" Miguel Receives Food Part Eight Seconds Tick By Miguel is Found

∘•···············•∘ʚ ♡ ɞ∘•················•∘ Part Nine Recovering Miguel Cleaning Miguel's Face at the Infirmary Grumpy Miguel Eating Hospital Food Scars n All - Reader's view of Miguel! A Helping Hand Miguel's Response to the Steamed Carrot (GIF) Part Ten Trying to Not Make a Sound Ternura - Miguel Observing Y/N Peaceful Sleeping Hand Feeding Miguel! Miguel Smelling Reader's Sweatshirt Miguel Peacefully Sleeping Dreamy Sleeping Part Eleven Late Night Kids Talk - Reader and Her Peter Late Night Kids Talk - Reader and Her Peter (Full Version) Caught Dancing "I Wondered if Maybe... I Wasn't Enough" "Mwah!" Pinky Squeeze The Pinky Squeeze, A Sleeping Miguel, and Peter Sketches Part Twelve Pinky Squeeze Thinking Part Thirteen Comforting Miguel after His Nightmare Holding Hands So Beautifully Strange Part Fifteen Miggy and VapoRub Part Sixteen "Have You Seen My Hair Tie?" (Animatic) "You Got Me Something?" Part Seventeen Miguel at the Flower Market Bedtime Story

∘•···············•∘ʚ ♡ ɞ∘•················•∘ Thanksgiving One-Shot Art Peter B., Mayday, Miguel, and Lyla Miguel and Reader - Various Scenes Miguel Caught Staring Blanca Navidad (Christmas) One-Shot Art "... heard, appreciated, and ... loved." - Various Sketches New Year's One-Shot Art Drying Tears New Year's Photo Valentine's One-Shot Art Various Sketches

Other Fan Art Inspired by NC Peter and his support for SpiderReader "I Bite" (Animatic) Miguel (Possibly) Dancing due to his Record Player (Animatic) Mayday's "Miggle" Nickname and Sweatshirts - Ask Thread Promise Me Miguel - AU by a lovely reader Record Player Peter's Photo "But I am leaving for India!" Bridgerton x Miguel (Animatic) In Love (future thinking)

Making Tamales with Miguel Fluff Baking Halloween Cookies with Miguel Fluff A November Morning Fluff Double Trouble 18+ 2099 Miguel X Reader X Variant Miguel, adult themes, no plot | You find yourself with two Miguel's. Double Trouble 18+ - Part Two 2099 Miguel X Reader X Variant Miguel Waking Up with Miguel Fluff, short piece Miguel on Peeling an Orange for you Short Drabble, fluff Miguel and His Wife/Husband Short Drabble, fluff Miguel and Gabriella | Easter 🐇 Fluff, short drabble Nicknames I would give Miguel as his romantic partner Just nicknames for Miguel, drabble The Boop Thing but at The Spider Society Fluff A Romantic Concert Night Fluff What If...? Mother's Day, smut, fluff What If...? Father's Day Version Part 2, Father's Day, smut, fluff A Strong Man Chilling w/ Miguel on a couch, smut

Expectant Father! Miguel Fluff

For Better or Worse He's your sister's future brother-in-law. You dislike each other. Forced to pretend to be a couple for the dance lessons! ∘•···············•∘ʚ ♡ ɞ∘•················•∘ Fanart for "For Better or Worse" Dance Lessons

[hotvintagepoll]

Propaganda

Madhubala (Mughal-e-Azam, Barsaat Ki Raat, Mr. & Mrs. '55)—The Venus of India; heart-throb of all who saw her; responsible for the sexual awakening of every single desi lesbian I know (including me!) And my god, she is breathtakingly beautiful. Look at the subtle grace with which she moves, and that smile - the kind of radiant smile that can make you laugh with sheer delight, or cry because of its hidden pain. Those wild curls! That Cupid's bow! The way she tilts back her head and smiles at you with mischief dancing in her eyes! She has a way of looking at the camera that makes you feel she's sharing a private joke just with you; it's something about that quizzical twist of the lips and eyebrows. As an actress, she is inimitable; she seems to effortlessly inhabit roles ranging from a heart-broken courtesan to a laughter-loving socialite. Fun fact : she's had quite the fan following in Greece! Stelios Kazantidis even wrote a song as a tribute to her.

Olivia de Havilland (Adventures of Robin Hood, Gone With the Wind, The Heiress)— The woman who took on the Studio System at the height of their power and Won! A double Oscar winner! Is magnetic and beautiful in everything she's in and gave us all the juicy scandal with her sibling rivalry with Joan Fontaine! Before the Oscar Slap was the Oscar sister snub! Also everything she wears in Robin Hood she makes beautiful even a purple green and orange monstrosity how does she do it! Anyway this scene is one of my old Hollywood favourites

This is round 3 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Madhubala:

An icon of Bollywood, who was well known for her beauty and has continued to inspire performances and songs into the 21st century. She was at times described as "the number one beauty of the Indian screen" and "the biggest star in the world".

SHE IS EVERYTHING AHHH. JUST LOOK AT HER SMILE-

She's been nicknamed the Marilyn Monroe of India and was one of the highest paid actresses in the Hindi film industry (the term Bollywood did not exist yet) during the 1950s. Also an extremely talented dancer and singer

SHE'S JUST SO STUNNING, like seeing her eyes IMMEDIATELY CAPTIVATES YOU, THE DANCING, THE BEAUTY!!!!!!!!! She worked in Bollywood for over 20 years and passed away at a sad early age of 36, BUT THE IMPACT SHE HAD WAS UNMATCHED!!!!!

That sassy sideways glance she does always has me WEAK AT THE KNEES. And when she's making silly faces at the camera to mimic someone ahhhh my gay little heart <3

Olivia de Havilland:

She is just perfection. She has a smile that is looks like it is barely holding back, and yet so reserved as well.

Broke the contract system and won freedoms for actors (the de Havilland Law is still in effect I believe). 2 time Oscar winner. Beautiful and smart

She legally challenged the movie studios' unfair contracts and won, setting a precedent for other actors to be treated more fairly. This was at great cost to her financially and essentially getting her blacklisted for years but the resulting judicial opinion is still known as the De Havilland Law and has won her a great deal of praise and admiration.

Her performance in The Heiress is one of my all-time favorites, she’s so good at making melodrama feel real and grounded without sacrificing any of the passion/drama.

Serenely beautiful, she struck a balance between crowd-pleasing fluff and prestigious drama. Famously at odds with her equally successful sister Joan Fontaine, she was too much of a lady to ever say anything public. Successfully sued Ryan Murphy for portraying her as a saucy gossip in Feud.

the period costume + eye patch combo in That Lady is just an absolute serve

She has the most adorable and cherubic face and voice

[fandomcen]

Bridgerton Rewatch Observations:

Despite how she’s the main love interest of season 2, Kate doesn’t really get the attention she deserves, (which is the point of her character development) but there’s little moments that really deny her the Main Character Romance she deserves

No one ever fills out Kate’s dance card

Not even Antony

Or Lord Dorset

It’s not even clear if Dorset attends balls. He’s only around for the occasional promenade

If Dorset did attend balls and didn’t even talk to Kate

Kate is always watching everyone else be courted or dance with, but Kate is never asked to dance till the finale of the season (Edwina forcing Antony to dance with Kate doesn’t count)

No one even really converses with Kate at balls let alone flirts or even fetches her a lemonade

No one calls on Kate

Again, not even Dorset

Kate’s birth parents’ names are never said. We only know her father as a clerk but not even Lady Mary calls him by name.

We also don’t know how old Kate was when her father passed

There’s no flashbacks of Kate’s backstory, which may have been due to budgeting a landscape that looked like India but Antony got flashbacks for his character development in the same seaosn

When Dorset does pursue Kate, he actually says something inappropriate between the lines, “If friends can visit her in India” and that casualness and unchaperoned in that society was not allowed. It almost sounded like he was asking if he can hook up with her whenever he was in India

BUT in front of Antony (the viscount) and the ton Lord Dorset makes this sudden remark about trying to convince Kate to stay in England when he just flirted with her about visiting her in India

It’s easy to forget that Kate’s early life was in the midst of the “Working Class” which were labors such as house maids and staff. She grew up needing to know skills from a very early age

It’s never stated outright but implied why Kate took over her family’s finances after her father’s death. Kate’s father was a clerk, he had skills in order to survive, and he pushed Kate to learn as much as possible. For example how she can hunt. Whereas Lady Mary who grew up in the early 1800s in the palace never had to learn a trade, let alone how to manage finances. So Kate took over because there was literally no adult left in her life who could even remotely balance a checkbook but her and that must have been so scary at such a young age

Though Lady Mary must have thrived in India because she seemed very confined in the palace, and got to know a part of her heritage that seemed erased (this an assumption from context)

Lady Mary’s mother doesn’t seem to engage in Indian culture much (from the 3 scenes we saw of her) but Lady Mary practiced so many traditions with her daughters from language to wedding traditions, to even hair oiling

It’s crazy that Eloise never told any of her family that the queen accused her. She was a teenage girl who was accused with treason from the head of state and one of the most powerful people in her country, AND SHE DIDNT TELL ONE PERSON IN HER FAMILY. CRAZY

[bearlythere]

will not shut up about how bluey's 30 min episode gave us so much more lore and references to the real world

the writes really made so much literal and euphemistic use of the word "sign" in this episode

in chronological order! and spoilers below!!

do let me know if I missed anything out!

FRISKY AND RAD'S WEDDING!!!! in the iconic heeler house!!

bandit's bully bucky dunstan being the real estate agent selling his house

English sheepdog buying the bluey house (emigration - would be nicer if they got english voice actors to voice them though)

the bluey house was actually for sale on an Australian real estate website! and as per the time of writing this post, it's been "withdrawn from sale" - the bluey digital marketing team AMAZES ME.

I wonder which city bandit got a new job in - don't know if they'll explore that in future seasons

bluey's friend the brown dog (I'm sorry I don't know his name) having 2 mums!

winton talking about his divorced parents and the terriers' saying their mom likes winton's dad!!!

jack and his army interest! him and rusty playing army!!

the sitting in a tree, kissing thing that kids do

Jeremy the gnome

bobo being the car's name

frisky's licence plate being fr15k

the first time kids sit in the front seat of the car

police officers pulling people on the road over LMAO

rad's profile picture being him goofing around with his 2 brothers

how realistic it is trying not to lose someone you're following on the road

the butterfly from slide!! 🦋 it has a name! flappy!

everyone being afraid of the butterfly except bingo because we know she loves insects!

chilli reminiscing how she and frisky used to go to the lookout to "think" when we all knew she meant drink LOL

frisky's 3rd friend appears!

BRANDY IS PREGNANT???

the canon in d rendition as bgm

the busker being the priest??

also they got mort and maynard to come attend the wedding too!!

frisky's father is a typical surfer dude lmao

we see trixie standing amongst the girls during the bouquet toss. and then we see stripe come in to intercept the toss. does this mean that stripe and trixie are not married yet and have just been cohabitating? stripe grabs the bouquet and celebrates, but we see trixie face palm... what does this mean??

love the photo montage and the huge family photo, how it shows that you can't get everybody to be ready for the photo

AFTERPARTY

GRANDPA BOB WENT TO INDIA TO FIND HIMSELF 😭 man needed spiritual rediscovery

the busker is the music dj too!!

uh oh... stripe and trixie are fighting... perhaps it was about the bouquet toss? and we see socks playing with the cake toppers - possibly mimicking her parents actions

awww Radley quit his job so that frisky could stay in a city she loved ❤️

they brought back the music from dance mode!

NANA AND BOB FLOSSING!!!

chattermax randomly appearing 😭

bingo getting stuck in the railing again

bingo being sad because she has to move and lila won't be able to follow. which is also the moment I realised they won't be moving in the end, because of the montage at the end of daddy drop-off episode where bingo and lila grow up together and be friends "forever and ever and ever"!

the 2 English sheepdogs pushing their fluff away from their eyes to see haha

THEM SEEING WINTON'S DAD'S HOUSE WITH A POOL WHICH IS FOR SALE BECAUSE THEYRE MOVING IN WITH THE TERRIERS AND THEIR MOTHER!! THEY ALL FIT IN ONE CAR!!!

seeing the iconic bluey house empty, with spots where furniture used to be somehow makes me feel a little empty and nostalgic

the montage of them saying goodbye to their old neighbours, bandit having one last chat with pat, the girls and chilli saying goodbye to judo and her mum

Judo still has short hair!

chilli reminiscing the kitchen because bluey took her first steps there

WHO SANG THAT SONG IN THE END PLEASE RELEASE IT LUDO STUDIOS

THE SHEEPDOGS WENT BACK ON THEIR DECISION TO BUY BLUEYS HOUSE TO BUY WINTON'S DAD HOUSE

you can tell how much chilli didn't want to move as she was the first one out of the car running over to hug him when she realised bandit didn't want to sell the house anymore. and the shoulder shakes shows that she was fully sobbing too

iconic kiwi rug! loved the simplicity of the last scene, where even if there's nothing around you, as long as you're together with the people you love, eating the simplest meal, enjoying the moment, that's family.

[hwsasiaweek]

HWS Asia Week will be hosted from July 8th-17th of 2024!!

Three prompts per day:

1) nations from Asia

2) a general theme

3) a quote

You can choose which prompt or prompts you want to create content for; you can stick with one country (canon or OC) throughout the whole week or switch between multiple; it's all up to you!

Any form of content is accepted, including but not limited to: fanfiction, fanart, AUs,headcanons, aesthetics, etc.

Prompts:

Day 1 (Jul 8): Mongolia || Culture/Traditions || "Look how we bleed from all this wanting"

Day 2 (Jul 9): Taiwan, Indonesia, Uzbekistan|| Food || "A smooth sea never made a skillful sailor"

Day 3 (Jul 10): India + China || History || "Come, dance with me"

Day 4 (Jul 11): South Korea, Laos, Bahrain || Fantasy || "I ache in a language so old that even the earth no longer remembers"

Day 5 (Jul 12): Persia/Iran || Folklore/Legends/Myths || "Having the same enemy does not make us friends"

Day 6 (Jul 13): Hong Kong || Daily Life || "No one wearing a crown comes in the name of peace"

Day 7 (Jul 14): Malaysia + Indonesia || Flowers/Garden || “War is sweet to those who have never fought”

Day 8 (Jul 15): Macau, Philippines, Japan || Story/Storytelling || "The relief of giving into destruction"

Day 9 (Jul 16): Kazakhstan, Lebanon, Singapore|| Tea/Coffee || "I promise spring is coming / and with it, brand new leaves"

Day 10 (Jul 17): Free Day

Rules:

Rule Post

Follow this account

No NS//FW

Tag your content with #hwsasiaweek2024 and @ this account please!

Ships and content with other non-Asian nations are allowed, but please try to give equal weight to the Asian character in the ship,since this is an event celebrating the Hetalia Asians.

Gore/blood/dark topics allowed; they will be tagged with #tw _

Don't be a clown and make racist content

Use common sense and nuance when touching upon sensitive political subjects.

FAQ

Have Fun!

@hetaliahappenings @heta-on-the-books @hetaliacalendar

[literaryvein-reblogs]

Writing Notes: Ethnocentrism & Cultural Relativism

ETHNOCENTRISM

The tendency to look at the world primarily from the perspective of one’s own culture.

Part of ethnocentrism is the belief that one’s own race, ethnic or cultural group is the most important or that some or all aspects of its culture are superior to those of other groups. Some people will simply call it cultural ignorance.

Often leads to incorrect assumptions about others’ behavior based on your own norms, values, and beliefs.

Example: In extreme cases, a group of individuals may see another culture as wrong or immoral and because of this may try to convert, sometimes forcibly, the group to their own ways of living.

War and genocide could be the devastating result if a group is unwilling to change their ways of living or cultural practices.

Ethnocentrism may not, in some circumstances, be avoidable.

We often have involuntary reactions toward another person or culture’s practices or beliefs but these reactions do not have to result in horrible events such as genocide or war.

In order to avoid conflict over culture practices and beliefs, we must all try to be more culturally relative.

CULTURAL RELATIVISM

The principle of regarding and valuing the practices of a culture from the point of view of that culture and to avoid making hasty judgments.

Cultural relativism tries to counter ethnocentrism by promoting the understanding of cultural practices that are unfamiliar to other cultures such as eating insects, genocides or genital cutting.

Example: Consider the common practice of same-sex friends in India walking in public while holding hands. This is a common behavior and a sign of connectedness between two people. In England, by contrast, holding hands is largely limited to romantically involved couples, and often suggests a sexual relationship. These are simply two different ways of understanding the meaning of holding hands.

Someone who does not take a relativistic view might be tempted to see their own understanding of this behavior as superior and, perhaps, the foreign practice as being immoral.

CULTURAL RELATIVISM: Problems

Despite the fact that cultural relativism promotes the appreciation for cultural differences, it can also be problematic.

At its most extreme, cultural relativism leaves no room for criticism of other cultures, even if certain cultural practices are horrific or harmful.

Many practices have drawn criticism over the years.

Example 1: In Madagascar, the famahidana funeral tradition includes bringing bodies out from tombs once every seven years, wrapping them in cloth, and dancing with them. Some people view this practice disrespectful to the body of the deceased person.

Example 2: Today, a debate rages about the ritual cutting of genitals of girls in several Middle Eastern and African cultures. To a lesser extent, this same debate arises around the circumcision of baby boys in Western hospitals.

When considering harmful cultural traditions, it can be patronizing to use cultural relativism as an excuse for avoiding debate.

To assume that people from other cultures are neither mature enough nor responsible enough to consider criticism from the outside is demeaning.

CROSS-CULTURAL RELATIONSHIP

The idea that people from different cultures can have relationships that acknowledge, respect and begin to understand each other’s diverse lives.

People with different backgrounds can help each other see possibilities that they never thought were there because of limitations, or cultural proscriptions, posed by their own traditions.

Becoming aware of these new possibilities will ultimately change the people who are exposed to the new ideas.

This cross-cultural relationship provides hope that new opportunities will be discovered, but at the same time it is threatening. The threat is that once the relationship occurs, one can no longer claim that any single culture is the absolute truth.

Source

[gwydpolls]

Time Travel Question 47: Early Modernish and Earlier 2 (Reposted. First Version Had Issues

These Questions are the result of suggestions a the previous iteration.

This category may include suggestions made too late to fall into the correct earlier time grouping. Basically, I'd already moved on to human history, but I'd periodically get a pre-homin suggestion, hence the occasional random item waaay out of it's time period, rather than reopen the category.

In some cases a culture lasted a really long time and I grouped them by whether it was likely the later or earlier grouping made the most sense with the information I had. (Invention ofs tend to fall in an earlier grouping if it's still open. Ones that imply height of or just before something tend to get grouped later, but not always. Sometimes I'll split two different things from the same culture into different polls because they involve separate research goals or the like).

Please add new suggestions below if you have them for future consideration. All cultures and time periods welcome.

[the-monkey-ruler]

Journey to the West: The Demons Strike Back (2017) 西游伏妖篇

Director: Tsui Hark Screenwriter: Stephen Chow / Li Sizhen / Tsu Hark Starring: Wu Yifan / Lin Gengxin / Yao Chen / Lin Yun / Bao Beier / Battle / Yang Yiwei / Dapeng / Wang Likun / Wang Duo / Zhang Mei'e Genre: Comedy / Action / Fantasy / Costume Country/Region of Production: Mainland China / Hong Kong, China Language: Mandarin Chinese Date: 2017-01-28 (Mainland China) Duration: 108 minutes Also known as: Journey to the West: Demon Chapter 2 / Journey to the West: Demon Chapter / 伏妖篇 / 西游降魔篇2 / 西游·降魔篇2 / 西游·降魔2 IMDb: tt5273624 Type: Reimanging

Summary:

The monk Tang Sanzang finds himself as a giant in a city in India. His master congratulates him on reaching India and retrieving the Sutras, and gives him a halo as a reward. The halo, however, malfunctions and Tang awakes from his dream to find himself in an alley in a village of circus performers with his three disciples: Sun Wukong; Zhu Bajie; and Sha Wujing. Tang encourages Sun Wukong to perform for the villagers, but the disciple refuses. Angered by this stubbornness, Tang provokes Sun Wukong by calling him a "bad monkey", which causes Sun Wukong to smash the village and damage the villagers' homes in his temper. The terrified villagers present the group with money and food for their travels, but Sun Wukong continues wreaking havoc, sending Zhu Bajie and Tang flying through the air. That night, Tang whips Sun Wukong for his disobedience.

The next morning, Tang goes to find water for their breakfast congee and comes across a house. Its host, a beautiful woman in a splendid outfit, welcomes them all in for breakfast with her companions. Sun Wukong, however, sees through their disguises as spider demons; he purposely provokes them until she and the others show their true form. During the subsequent battle, the demons come together to form one huge spider. After being poisoned by the spider, Sha Wujing falls ill and slowly bloats into a fish-like creature. Sun Wukong defeats the spider and Tang attempts to exorcise her, but Sun Wukong smashes in the demon's head with one blow. Once more, Tang is annoyed at Sun Wukong's disobedience and whips him again that evening. Later that night, the enraged Sun Wukong discusses with the other disciples his plans to kill Tang, but the others fear Tang's mighty Buddha Palm powers. Tang overhears this conversation and prays to Buddha to help him and also confesses that he actually does not know, or have, Buddha Palm powers. Zhu Bajie overhears this admission and tells Sun Wukong, who challenges Tang to a fight. Just as Sun Wukong is about to strike, a blinding ray of light shines from the heavens and he retreats.

The next day, the group pass into the capital city of the Biqiu Kingdom and a minister comes out to greet them and bring them to see the king: an immature and childlike man who likes to play games. The king orders Tang to perform for him but the monk does not have anything to showcase. Sun Wukong therefore pastes an "obedience sticker" on Tang allowing Tang to copy his actions and perform stunts for the king. Sun Wukong, however, goes too far and makes Tang slap the king continuously, who throws them all out. Tang orders Sun Wukong to return and apologize, but it is revealed that Sun Wukong purposely provoked the king to make him reveal his form as the demon Red Boy. They fight and Sun Wukong defeats Red Boy, also freeing the true king of Biqiu from his cage under the throne. As a reward for helping him, the king presents them with a beautiful girl, Felicity, to accompany them on their travels. As Felicity dances for them, Tang is reminded of his deceased lover, Duan.

The group set off and on the way, Sun Wukong realizes that Felicity is actually a demon. In the meantime, Felicity takes out the nose plugs on Sha Wujing, allowing him to sneeze out the poison and turn him back into his human form. Tang, however, does not believe him, so they set off to visit Felicity's home village. Sun Wukong becomes enraged with Tang's lack of trust in him and that night he destroys the whole village, killing everyone. Tang stops him from killing Felicity, further angering Sun Wukong, who attacks Tang, but Felicity finally confesses that she is actually the demon White Bone Spirit and that the whole village was an illusion conjured by her. Sun Wukong flares up and turns into a giant Monkey King demon and swallows Tang. At that moment, the minister and Red Boy arrive and see Sun Wukong has fallen for their trick.

They had deliberately sent Felicity with the group to cause strife between Tang and Sun Wukong, so Sun Wukong would kill his master. Sun Wukong spits Tang out, however, as they had known this all the while; they only played along so that the minister would reveal her true form. They battle and the minister creates an illusion of Buddhas surrounding Sun Wukong, using them to fight him. The real Buddha, however, uses his giant palm to destroy the false Buddhas and reveals the minister's real identity as the Immortal Golden Vulture.

After the battle, Tang heads back to find a dying Felicity. He has no choice but to free her soul as there is too much demon in her. Before she dies, Felicity asks Tang if he loves her. Tang replies that he has only one person in his heart. The animosity between Tang and Sun Wukong has finally dissolved; together with Sha Wujing and Zhu Bajie, they continue their journey to the West through a desert.

In a post-credits scene, breaking of the fourth wall is invoked with the appearance of a modern movie theater, where theater employees tell both the viewer and the in-story audience that it’s time to leave and there is no post-credits scene

Source: https://en.wikipedia.org/wiki/Journey_to_the_West:_The_Demons_Strike_Back

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