#definitely read it though

[ramen-writes]

"I pledge to you my life-"

"wh-what?"

"As your protector and knight"

"wait stop. No-"

"to serve you-"

"please stop. Not like this"

"and stand behind you"

"No- stand besides me n-not-"

"I pledge to you my loyalty and from this moment on. I shall honor and protect, put your liege before my own-"

"stop. I bid you to take it back!"

"From now my life is yours and I shall serve you with honor"

"This is no oath I ever desire from you!"

"I shall become the sword that will protect you"

"There must be another way-"

"I will aid you to the top"

"There's no height I will reside upon without you by my side!"

"I am your loyal servant"

"No- you're the only one who isn't. You're my companion, my love, the only one by my side. Don't do this, please"

"who will reside behind you until my bones turn to dust and my heart sets to a stop"

"N-no.....please"

[daily-odile]

heard it was valentines a few days back bonus:

[hearts-a-heavy-burden]

Am I the only one who feels spoiled by reading Tamora Pierce as a child and then never finding something that hit quite the same? She really had it all. One of the only authors I’ve seen do multiple generations well (because the previous generations aren’t just offed or all of their progress backtracked). Ambient vs scholarly magic systems is still one of the coolest magic systems to this day. The friendships are perfect and just the right amount of romance to make it fun. Redemption stories that fit the characters and don’t make them perfect angels even as they grow for the better. Tragic regression stories that haunt the characters (and me).

[stars-obsession-pit]

Bruce Wayne had at one point been working on a device to guarantee Gotham would always have a protector. In the event of his death, the machine could grow a clone of him and implant a copy of his memories into them, creating a new Batman to succeed him.

He eventually gave up on the idea before it ever came to full fruition.

But even in its incomplete state, he had created just enough for Clockwork to hijack it.

Phantom’s soul was in a perilous state, unlikely to survive without being attached to a new body. And luckily, the device provided an ideal way to facilitate that. Plus, the Waynes would undoubtedly support his recovery too. Well, at least once they got over the panic at his existence they would.

[ruporas]

in a mood (ID in alt)

[polite--cat]

heart-wrenching & beautiful excerpts from the article on esteban ocon

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[egophiliac]

OMG EGO HAVE YOU SEEN THE BOOK 7 CATER CARD YET

80s britpunk Cater is such an incredible direction to take. his Sid Vicious jacket! his little british police cap! I wouldn't have anticipated that going full-on Sex Pistols would be his alternate self but it is SO fitting actually. 😭

(also th-the crown symbol?! the gavel?! is housewarden Cater real because I will TRANSCEND --)

[luckyyyuusstuff]

Does anyone think that dating one of the demons or angels could be considered a "forbidden love" trope in some way?

With peace and power dynamics between the 3 realms being mentioned as fragile, exactly why Diavolo rejected the idea of marriage when asked in S3 by the brothers, wouldn’t it then be considered risky to, publicly at the very least, date the demon/ angel from the realm they reside in?

MC, the sorcerer that surpassed their master who is deemed the most powerful sorcerer himself, considered a powerful weapon, with an (unstable, without protection from the ring of light) immense amount of magic, in a relationship with demon/ angel could be considered they've sided with the realm their lover resides in.

The topic (and unused potential) of the tension between the 3 realms, how MC affected that during S2, and wether choosing a lover within a realm they don’t belong in would be a risky decision.

[synthaphone]

i like how i livened this guy up from the initial symmetrical sketch

teeny tiny

[robylovi]

Pretty boy Keith strikes again ♥️ Based on face card (no cash, no credit) by @the-fandom-phantom

[inchidentalmeowmeow]

Since people are talking about GP/Bryan…do you think they might accidentally bring their work home with them?

In the sense like how sometimes kindergarten teachers accidentally use their teacher voice on their partners or their friends?

Imagine:

-In the middle of sex-

Bryan: You’re doing a good job. Continue like this. Keep it up.

GP: ….

Bryan: ….

GP: If you call me Charles I’m going home.

[tagarilaghost]

Part 1 (You are here) | Part 2 (coming soon)

Covering yourself in ignorance is one way to avoid facing the truth.

[swagturtlethings]

No enough cuz i was sitting in the subway doing my commute and reading fanfics and i was like 3 stations away from my office and i, verbatim, thought "ugh i dont wanna leave i dont want to be a responsible adult. can i ride this back and forth all day can i just sit in this subway forever." and it took me a whole 5 seconds to realize what i said like i deadass got hit with the

[iizuumi]

Absolutely obsessed with this fic, had to draw it ♥

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.