#deranged ships!!

[cult-of-the-eye]

we are both insane but that's ok cause it cancels each other out. i am dancing with no one in the kitchen while you're humming to an empty bird feeder in the garden. will you think of me when i'm gone? will my voice still echo through the ivy clustered windows of our house? will you slow dance to my tune, no longer alone, in the arms of someone else? you are someone i can never have. i am someone you can never have.

[cassqween]

Shadowzel nation rise

And this shot? Is so symbolic?? Especially showcasing shadows scar? They were both hurt by the ones who raised them and despite it all they found and chose each other.. only they could understand what the other is going through..

[crumb-crumblet-s-crumbington]

happy valentines day!!!

[voxmilia]

Too lazy to make a parallel photoset rn but truly love the intrepid heroes going from "we're trying to make this romance happen" to "cut his head off so we can't revivify him"

like they're all truly the adaine defense squad

[suntails]

a living bolt ⚡

[mfshipbracket]

[mr-president]

I think one of my favorite Funtermina things is how it uses characters as narrative foils, specifically in how those characters interact with each other and everyone else.

Karin and Daan’s is the most discussed as it’s probably the most apparent within the text: their volatile opposing viewpoints on life via their upbringings (despite being extremely similar otherwise). When Karin and Daan interact, it’s like a person arguing with themself. They clash like ammonia and bleach, unable to reconcile how similar they are (haha cleaning chemical analogy) yet toxic in their association.

Marina and Levi represent the different realities of Prehevil, what with Marina’s privileged upbringing versus Levi’s absolute shitshow of an existence. And yet, they get along incredibly well and form a cadence with one another because through each other, they can reconcile their upbringings in Prehevil. Levi is the Prehevil Marina tried to escape—Marina is the Prehevil Levi hoped to return to.

Marcoh and Olivia are interesting because—and I will argue this to the death—their relationship is wholly as siblings. And they’re also deeply connected by their relationships with their sisters, specifically how those sisters formulated and defined how they see themselves. Marcoh has done nothing but live to protect his sister, while Olivia has forever lived in her sister’s shadow. Their identities revolve completely around their sisters, and this also colors their relationship with each other as siblings.

I wish it was explored more, but I think there’s a level of disenfranchisement when Marcoh fervently tries to protect Olivia the same way he protected his younger sister (edit: rb for amendment). He clearly sees her in that role, and Olivia’s already got guilt written into her about her disability making her a “charity case.” I say this also because of their different opinions on guns, power, and death: Marcoh has no bloodlust and seems exhausted when he has to hurt others, while Olivia becomes almost jubilant when she receives a gun. And those reactions to enacting violence are directly informed by their relationships with their sisters: a begrudging responsibility vs empowerment.

My favorite is probably Abella and O’saa as foils. As characters they’re probably my favorites, and their foil makes it even better.

Abella easily connects with everyone around her, ensuring that they’re all getting along (or not killing each other) and she tries desperately to help everyone, even at her own detriment. She cares, so much, even too much.

O’saa on the other hand, is the exact opposite. He actively chooses to connect with everyone as little as possible, to the point where you can kill someone in front of him and he won’t give a shit. This is, obviously, to his detriment in terms of his goal towards enlightenment. He cares too little, even if at all.

They perfectly represent the dichotomy between altruism vs selfishness, the mundane vs the macro, democracy vs individualism. Fundamentally, both Abella and O’saa get shit done, and what makes them so compelling as foils is how similar the results of their different processes are.

Both of them are the only two that are capable of saving everyone. Abella does so by interacting with many of the other contestants, while O’saa does this by ignoring everyone and just occam’s razoring that shit. They both get shit done and to the greatest net success, but in both cases, because they operate on extremes, it’s to the detriment of themselves. The game shows this literally because, well, they sacrifice themselves to Logic for the greater good, but the game also implies this detriment via their moonscorches.

Chaugnaur represents how others have reduced Abella to a sexual object for their pleasure or a mindless brute for labor. It is a physical manifestation of how interacting and connecting with others can be to one’s detriment because Abella often cannot control how people see and define her. Mastermind, on the other hand, is O’saa’s brain swelling and overtaking everything else on his head to the point where he is blind (save for the eye) and mute, only able to speak in mumbles. Mastermind is how O’saa values logic, knowledge, comprehension over anything else, becoming blind to other viewpoints save for his own. Additionally, it’s unable to communicate or connect with anyone else, only able to ruminate get never share its thoughts.

Abella is one of the first to Moonscorch; O’saa is one of the last. I love them as foils because even though they’re the most different in terms of anything, they don’t hinder one another at much all. They’re just kinda chill. And this makes sense because their dichotomies aren’t volatile like Karin and Daan’s, nor complementary like the others. Rather, they operate in balance—you cannot be too altruistic without some selfishness. To help everyone and to achieve enlightenment, you must consider both the mundane and the greater picture. Society operates on a shared democracy and on empowering individuals.

Still, the fact that even operating on the extremes has the greatest positive effect (in terms of utilitarianism) really says smth abt whether these values even matter. But I’d argue that they do matter, cause it’s that question of whether it’s worth it to suffer or even sacrifice for the greater good.

As a whole, each foil represents a central theme/motif of Fear & Hunger: internal vs external locus of control (Karin and Daan), environment dictating identity (Marina and Levi), relationships and their impact (Marcoh and Olivia), and the thematic shitshow that is Abella and O’saa.

Tldr; the game is about some girls and their boy best friends.

[boywifesammy]

whatever you do don’t think about stanford sam up at 3 am laying awake in his dorm bed wondering where dean is. if dean is safe or if he’s hurt or he needs help or he’s dead, and, oh god, he has to sleep because he has an exam tomorrow but oh my GOD what if dean’s dead and he doesn’t even know?—

[skitskatdacat63]

Fernando 2012 Chair Lore (source: me)

So I've been thinking a lot about Fernando sitting in this particular chair in the Ferrari garage in 2012 for [redacted] reasons:

Originally I just wanted to find more pictures of it for reference, and then went down a rabbit hole of 2012 pictures, trying to figure out when exactly the chair came to be. There's so many pictures of him in it, and it's so funny to me to imagine them hauling this super villain chair all around the world for him. And so now I'm obsessed with the evolution of it:

Pre-Chair - Australia to Bahrain:

He just had this little stool, well I should say big because it somehow still manages makes him look small. Clearly not comfortable; to paraphrase @sweatyflytrap, it's not conducive to his inner Shakespeare villain monologues

The Chair Appears - Spain

He suddenly now has this, aforementioned, super villain chair. Several things, why is it like this. It looks like a sim chair almost ngl. And then the weird plexiglass support is confusing me, like where did they get that. It furthers my narrative they just had this chair that they couldn't put in a car so they put that clear bottom on it. Anyways yes good, now he has somewhere to brood

The Chair Evolves - Silverstone

Look!! They gave him a booster seat!!!

The Chair is Now Here to Stay :)

I downloaded a truly horrible amount of pics him in this chair, so now you all must also look at them >:)

*he still had the chair in 2013, but I think they took it away from him in 2014 :( Is nothing sacred in this world??? I hope he got to take it home hahaha

[pepper-makes-art]

can you draw topher and abe- (gets shoe by the US military 50 times in the chest)

THEM!!!!

inspired by a fic on ao3 written by... FartMcgee

[shadow0-1]

Yours

[clouvu]

I like them a normal amount (lie)

[aq2003]

martha jones is kind of like if horatio and ophelia were one person tbh

this post by darkcomedies

s03e08 human nature // hamlet (2009), act 3 scene 2 // hamlet to horatio, act 3 scene 2 // martha about ten, s03e09 the family of blood // s03e03 gridlock // hamlet (2009), act 5 scene 1 // canary in a coal mine by the crane wives

s03e02 the shakespeare code // hamlet (2009), act 3 scene 1 // ophelia about hamlet, act 2 scene 1 // s03e07 42 // hamlet (2009), act 3 scene 2 // s03e05 evolution of the daleks // hoping on another life by madds buckley

hamlet's letter to ophelia, act 2 scene 2 // s03e13 last of the time lords // hamlet (2009), act 5 scene 2 // the shooting script for s03e07 42 // the tags on darkcomedies' post

[miyamiwu]

There was absolutely no reason for the author to insert that detective couple comment. Now, I can't get it out of my mind. Like, Ron, why were you thinking about such a thing when the two of you were at the risk of dying????

[saintsenara]

every time i think about ginny in CoS i get unbelievably sad, but also it's so fucking funny when you think about her yapping to Tom...they were #real haters since day 1

the idea that they were sincerely bffs can be pried from my cold, dead hands.

for the serious point that he must select as victims of the basilisk people she's been gabbing about, as a way of terrifying and gaslighting her about whether she's responsible for the attacks - you just know she had a lot to say about what a prick she thought colin was and he was sitting in the ether [or wherever a soul lives] kicking his little feet in the air and saying "so true, bestie. amateur photography is cringe. hopefully nothing terrible happens to him!"

and for the less serious points that:

a. only the sort of theatrical teen edgelord who spent months coming up with an anagram of his own name could have written that valentine's poem.

b. the plan to lure harry to the chamber of secrets is really giving the way you used to ask out your crush when you were in year eight.

either tmr ships hinny [the horcrux is the chest monster! dean, you're in danger, girl!] and said "ok, let's get him down here and i'll gas you up", to which ginny replied "sick, i'll play dead so if he says no i can pretend i didn't realise you asked" or ginny ships tomarry and she said "i'll just chill unobtrusively while you impress him with your giant snake" and he said "class, do you reckon i should imply he's talentless and mid* while i do it?" and she said "yeah, one hundo" [omg snake!].

* “Well,” said Riddle, smiling pleasantly, “how is it that you — a skinny boy with no extraordinary magical talent — managed to defeat the greatest wizard of all time?"

tom... hun...

[taxi-boi]

the vees are so funny because you know val would say some aphobic shit like "what do you MEAN someone can form meaningful bonds that transcend sex and even romance but especially sex. what do you MEAN not everyones lives revolve around fucking and sucking or atleast like loving if your into that shit"  (romance nuetral arospec allosexual)

meanwhile his on again off again boytoy fuckpartner vox has never truly been sexually attracted to anyone in his life (high libido sex positive ace demi-aro with a propensity for alterous attraction *cough one-sided radiostatic cough*)

and the both of them are in a commited platonic/business relationship with velvette who has absolutely no sexual or romantic interest in either of them (idk if shes a lesbian or aspec or bi and they're just not her type in that way; but its all the same result)

and yet none of them view their partnership as anything below or lesser than compared to the romantic and sexual relationships they do have. if not outright being more important than those (QPR-cule) 

and ofcourse vox and vel will be standing right alongside valentino as he says this, nodding along without a hint of sarcasm or self awareness because they also genuinely think they believe the same thing.

and if you try to point this out to any of them (and somehow convince them that what they have going on is queer platonic and aspec in nature) they'll just be like "yeah but we're The Vees, we're overlords, we can just do whatever the Fuck (or lack there of) we want" and you know what they're right