#discourse? maybe

[animatedapostasy]

Lisa's crush on Tatsuya works more than all the other Persona girls who are also hopelessly in love with the protagonist because P2 kind of operates on the assumption that it is unrequited and her character is built around that. Lisa's crush doesn't feel like self-insert wish fulfillment (cough cough Rise). it's actually something that deeply informs her character.

rejecting Lisa has her state that she hopes one day she'll be the girl of Tatsuya's dreams and that she'll still love him, just because. even a rejection feels like it hits the peak of her character development. every other girl when rejected pretty much just runs off and forgets about it the next day.

[stolenkissesdiaz]

i hope buck, eddie and shannon are haunting helena through chris rn. i hope when chris rolls his eyes and snarks back helena freezes reminding her damn well who his father is. i hope when chris bites the inside of cheek and is suddenly really interested in his hands when he’s nervous about something helena scrunches her eyebrows in confusion bc she swears she’s seen it before and her eyes widen as she recalls eddie’s friend, the same friend who was there when they picked up chris, having the same mannerisms when eddie and his team came to texas. i hope when chris asks for the ice cream from the store 45 minutes from their house near the park and he picks rocky road helena swallows roughly bc shannon would do the same when she missed eddie and/or was sad. i hope she’s violently reminded no matter how much she pretends, that child will never be hers in the way she’s so desperately been trying to make it be for years. i hope she’s reminded of her damn place in chris’ life.

[raging-ajris]

Can we talk about how the vast majority of any porn/sexually explicit/fantasy geared to, or even remotely involving transmascs must involve the transmasc being 'fucked', uses of the word 'cunt'/'pussy'boy*, rape fantasies, breaking/turning the transmasc into a 'doll', fantasies of abuse etc?

And yet i very rarely meet transmascs who actually want anywhere near the level of (consensual) violence that people fantasise about inflicting, and push? A great deal of transmascs experience bottom dysphoria or at leas dysphoria at the idea of PIV sex, which is what a lot of these fantasies are about? There's a huge centre of porn focusing on 'reminding' transmascs about their vagina (usually in far cruder terms) And like, I don't want to kinkshame, but general trends always are rooted in something. Like the fact that 'dykebreaking', is SOOOO much more common than the idea of 'fagbreaking?'. Or that vast majority of porn caters to having the male anatomy being 'satisfied', and promotes unrealistic ideas about what is usually pleasurable for the one being penetrated.

I just think its something that should be thought about, like why is the majority of transmasc sexually explicit stuff, centred around what would (mostly) not be pleasurable for the transmasculine person? *not even getting started on how its always 'BOY' and never 'MAN/GUY'

[watchingwisteria]

listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded mfer happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.

[idliketobeatree]

btw when you're being mean to aziraphale this is who you're being mean to. hope this helps

[supertaliart]

It’s loving mom!Shaak-ti hours.

[magicalgirlypop]

i'm so well fed with amazing female characters in magical girl anime that i forget there's people who only watch shonen and think that's a whole representation of female characters in anime. how sad. you need some sailor moon, precure, and cardcaptor sakura, in your life.

[glitter-stained]

"why does fanon love making Jason care about his goons when he kills them in canon" I'm sorry to tell you that Jason's Robin run is a significant work for his characterization. And that Willis Todd was in fact a goon. Like, that's a significant thing that happened.

(jaybin fans exist not every Jason fan is a hardcore UTH fan who thinks everything about Winick's writing is pure and just and the right way)

[that-satireguy]

after being in trans spaces for a while i've come to the conclusion that there genuinely is a small but vocal group of people who think trans women get all the 'negative' parts of being seen as a man and all the negative parts of being seen as woman while trans men get all the benefits of being seen as a man and all the 'benefits' of being seen as a woman.

Like there are some who straight up say that:

Trans men are men so don't experience misogyny

Trans men are not seen as men so don't get profiled as violent/perverted

Trans men are men so have rights

Trans men are not seen as men so have freedom to express their gender

Trans men have access to 'male privilege'

And trans men also have access to 'afab privilege'.

Like bitch read your own fucking dissertations you are literally painting trans men as the most privileged gender identity in the patriarchy and only impacted by transphobia.

[lapdogchase]

me personally if i was making fun of asexuals or aromantics or polyamorous people or pansexuals and i noticed my notes were full of terfs who thought it was the funniest thing ever i would probably reflect on that

[acquired-elfroot]

The annoying thing is that reducing Solas to a dislikable two dimensional caricature in Veilguard didn't even come close to fixing the problem they set out to fix in doing so, and it was never going to.

I can’t pull up the exact quote, but I believe one of the writing team said something along the lines that they needed to make Solas less sympathetic because at the end of Trespasser too many people agreed with him and wanted to end the world. Which is why they chose to have him kill Varric, among other things. 

While I will say that I agree with the choice to have him kill Varric(I like the idea of him making Rook hallucinate him too, that could have been sweet if it had been well executed rather than a bland set up for a M. Night Shyamalan level twist) to raise the stakes and set Solas up as a serious antagonist for a new audience, or an audience that hadn’t been paying particularly close attention to him - but there is no way it could have ever suddenly made his goal to tear down the veil unsympathetic for those who found it to be so.

The writers seem to have been under the impression that members of the audience sympathised with Solas’ plan to tear down the veil not on its own merits, but for the draw of his sparkling personality alone. Not for well established lore related reasons, or for extra-narrative reasons rooted in a desire for emotional catharsis and narrative satisfaction (which a fictional body count has even less bearing on besides) but because he’s a sad pretty elf boi and we want to kiss it all better.

I’m going to be real with you, if they had surgically transplanted Ogrehn’s personality onto Solas and had him stone cold murder every other beloved character in the series, I would still want the  Veil to come down, or at the very least a better solution than leaving it just as it is. How likeable he is or isn’t has fuck all to do with it? 

Making Solas more dislikable does nothing to change the effect the Veil has on spirits and mages, it does nothing to address the question of the value of mortal lives weighted against immortal ones. It does not change the narrative role of a trickster in bringing enlivening chaos and upheaval to a stagnating world, in this case one that’s been forced to stagnate in service of the illusion of player choice; nor does it quiet our desire to see the rotten roots of Thedas’ corrupt institutions torn up and put to the torch ect. ect.

Most annoyingly, attempting to use Varric's death to accomplish this betrays the writer's assumption that players that did sympathise with Solas’ goals did so out of a naive misapprehension that he’s some sweet uwu softboy that could never do anything truly ruthless or cruel in order to accomplish his goals, and that once we had been disabused of that belief we would clutch our pearls in horror(you mean he’s willing to kill people? In a video game series with protagonists that each have kill counts numbering in the thousands? Quick, summon my fainting couch!) and tidily dismiss the notion that he might have ever had any worthwhile motivations at all. 

Look all you silly little girlies that want to kiss the fictional man, I feel like you don’t understand that he’s the *bad guy* here, glad we’ve cleared that up for you sweetheart. And isn’t he just sooo condescending?

It does not seem to have occurred to the writers that, to his fans, his stone cold ruthlessness is both one of the most well understood and deeply compelling features of the character.

I would happily give that writer a pass on a wicked case of foot in mouth, but the way Anaris & Cyran are written seems to very much enforce their the stance that an overabundance of sympathy for Solas as a person, as well as a desire to see him vindicated are the primary reasons any of the audience would ever agree with his goals. 

So to fix this issue, it stands to reason that the writers needed to de-emphasise everything that humanised(for lack of a better term) Solas and made him sympathetic as a person. Because apparently the problem is that their attempts to do so in the previous game worked a little too well on some people, right? 

As @mythalism pointed out, we cannot see him comfort his friends through their panic or grief or their crisis of faith, or have hushed philosophical conversations with them. We cannot see him flirt awkwardly, or try to pretend he didn’t just set his own coattails on fire.

We never see the god of liberation free so much as a wisp bound to a teaspoon.

And all of those compelling character motivations you thought he had about free will and self determination? Don’t worry kitten, we’ve sanitised all of the conflicts those might be applicable to right out of the setting anyway. Yay <3

At the same time, it feels like they’re too scared to upset the very same audience that they imagine has this woobified rose tinted view of the character, lest they scare them away. They’re too afraid of the audience to let him be truly unwaveringly ruthless, prejudiced, bitchy, vindictive, and even genuinely sadistic towards his enemies, because that might upset our fragile sensibilities too much! 

He can’t ever say anything mean to Rook - that might hurt our feelings!

He doesn’t really do anything bad, and if he does he doesn’t really mean it. He committed war crimes, but only because Mythal asked him nicely. He killed Varric, but it was an accident. He makes Rook hallucinate Varric, but he doesn’t use that to manipulate them; Varric just hangs out and vibes. He uses blood magic on you, but he doesn’t do any of the truly fucked up violating things that we know full well blood magic is capable of. He misleads you when he says “the Veil will not fall by my hand”, but it’s so transparent that it’s laughable. He’s never allowed the conviction to really follow through on any of his misdeeds, while still he’s bizarrely framed as outright villainous for them. 

So what we’re left with is a character divested of most of his admirable qualities, but with most of the rough edges filed off as well. Toothless. Boring.

It feels so much like they’re talking down to their audience? Like they don’t trust us to see a character with BOTH vices and virtues in spades come to our own conclusions about them? 

So we get this bland mealy-mouthed version of the character that we apparently need watered down further with ‘our team’s’ insipid commentary, much of which is blatantly based on bad takes people were spewing online almost a decade ago, and many of which have no bearing whatsoever on the actual story we’re being told because ohh my godd apparently we need to have our hands held while we’re walked though every opinion the audience might theoretically  have about the character and gently reassured by proxy that it’s a hashtag #valid opinion and why does this game insist on speaking to us like we’re morons??

For all that they incessantly bring up how condescending Solas is, I’m not sure if I've ever felt more spoken down to by a story I had been so invested in.

So Solas is boring now and I still l wanna tear down the veil lol

[tea-cat-arts]

Sometimes I wonder what Jiang Cheng could've become if his parents didn't instill a mix of "crippling fear of failure" and "impossibly high standards" in him. Cuz like, his dad was holding him to the vague standard of being as good as wwx, his mom yelling at him whenever he goofed around like wwx, and then both of them expressed disappointment when he's less successful than wwx. The thing both of them seem to ignore though is that wwx got where he is entirely because he had the freedom to fuck around and find out- he trained tirelessly because he made training fun for himself, he was innovative as a cultivators because he experimented and persisted through failures, and he was able to act in line with the Jiang clan moto because his actions had less political pull than members of the main family. Jiang Cheng on the other hand- if he fucked around he got told to "stop stooping to the level of servants." If his achievements were lesser than wwx's, he got either dismissed by his dad or yelled at by his mom to try harder. And if he picked fights with the Wens, they'd have an excuse to destroy his clan. Like ya- no shit that'd create an adult who's terrified of failure.

The kite game serves as such a good metaphor/embodiment of this set back- with Jiang Cheng never being able to shoot as far as Wei Wuxian because he pulls back and shoots closer the second he misses.

And its sad too because he's shown to be pretty brilliant when he's in "fuck it, we ball" mode. Like, when he's not freezing up, he manages to pull off things like rebuilding his entire clan from the ground up, leading armies and taking back territories from the Wens, and I'm fairly sure he's the only character we see counter the Lan music cultivation techniques (feel free to correct me if I'm wrong on that last one. Also feel free to add any of the other cool shit he did that I'm blanking on at the moment, cuz I know I'm forgetting something).

That being said- even with his anxiety, he's still one of the top cultivators. Imagine what a force of nature he'd be if he could sustain "fuck it we ball" mode

[lilacpaperbird]

my take on the whole "dean was parentified" narrative and where that slippery slope usually takes people ("sam was spoiled as a kid and dean shielded him from all harm") is that many people can't comprehend that dean was in fact parentified, but that doesn't mean he was sam's father. sam had a father, and it was john.

nor does it mean sam was spoiled or babied by either of them. canon doesn't support this interpretation despite it being so popular in the fandom.

dean was parentified in the sense that he had responsibilies and stressors that weren't appropriate for his age and his role as a son... but that doesn't change the fact that his relationship with sam was that of a brother, not a parent.

at one point dean says "I had to be more than just a brother. I had to be a father, and I had to be a mother." and his feelings of overwhelm and resentment are valid—their childhoods were difficult, stressful, and abnormal.

however, this doesn't mean "john was absolutely useless and neglectful, so he was completely out of the picture. dean was indeed sam's father and mother. and he fulfilled those roles so well that sam had a happy, easy childhood and he was freed from any parent-related trauma, since dean was his parent, and he did a stellar job at it"... you know?

parentified siblings are siblings after all (and sam and dean only have a 4-year age gap). and dean did "fail" in his parentified role—sometimes he fucked up, sometimes he was the one hurting sam. in many ways, he didn't understand sam's needs or how to fulfill them. which is understandable. and he definitely couldn't shield sam from the difficulties they both had to face. that was well beyond his capability after all

on top of that, sam was taught self-reliance from a young age and he was exposed to the hardships of their lifestyle just like dean (hardships in general since he was born, and hunter-related ones since he was eight). and most of the glimpses we get of sam as a child/teen show a lonely, sad, troubled person. where's the pampered and unconcerned child!sam people keep hallucinating?

deep down, the issue is that people seem to put sam and dean on a seesaw and weight their problems and traumas against each other. if we say sam had a shitty childhood, then we're somehow denying dean's traumas and sacrifices. and if we believe dean suffered a lot in his youth, then that must mean sam had everything served on a silver platter. and that makes no sense.

[mid-knight-black]

Just thinking about Evan Buckley with a baby 🙃

[roro-the-sleepy-monster]

Not to paint a target on my back, but some of you all act like Lucanis is straight and it shows.

[casscainmainly]

So in Spirit World there's two separate panels that show Cass' family/loved ones. The first I think is more circulated:

The second is this one:

These line-ups are probably different due to space/convenience, but to overanalyse these panels for a bit, it's interesting who's present in which. Bruce, Steph, and Babs are present in both - makes sense, they're the most important figures in Cass' life. Steph is front and center in both, suggesting she really is Cass' favourite person ever.

Bruce is relatively big in the top panel, but much smaller in the bottom. The top panel explicitly is about "family," while the bottom is about people who "know and love you". Bruce becoming smaller suggests that Cass thinks of him as her dad, but the 'knowing' and 'loving' part isn't as secure for her. (This is probably not intentional but reflects their dynamic very well, particularly post-Cass being sent to HK and her unresolved feelings about that).

Babs is pretty big in both, and I love that she's Oracle here (the wheelchair in the bottom panel!!). This makes total sense - the time when Babs loved and cared for her most was when she was Oracle. Cass probably still sees and remembers her that way.

Onto the interesting stuff, which is Duke being missing for 'family' but present for 'know and love you'. I think he should be in the top panel, but maybe he's too new for Cass to consider him family? Everyone in the top panel is from the bg 2000 era, so Cass might think of that time as her true 'family'. Anyway, the fact he makes it into the bottom still shows they're close, and that Cass considers him someone who understands/'knows' her.

Dick and Tim being present for 'family' and missing for 'know and love you' is so fun. Tim maybe should be present in the bottom, but recent canon hasn't made them as close as they used to be (in BG 2000 and Red Robin). So they love each other, but not to the extent of anyone in the bottom panel; he's still definitively family though.

Dick is the same, but there's a lot more sibling rivalry and complicated feelings there. It makes total sense for Cass to see him as a brother, but to not think he 'knows' or 'loves' her all that much; they do get along, but I think they remember their mistakes with each other and think the other person still holds a grudge (they don't). Peak Dick-Cass dynamic to me!

So if I had to rank Cass' favourite people in the Batfam according to these panels, it'd be: 1. Steph 2. Babs 3. Bruce 4. Tim and/or Duke 5. Dick