#dr kinsey

[terrortooth]

high fantasy dnd party but give them a flatbed pickup to get around

[lnhwebcomic]

#6 Enter The -- MASTER BLASTER!

Special Guest Hand: Dr. Alfred Kinsey!

[horsehorsecougar]

We’ve established that John only seems to recruit queercoded people to his evil engineering club (what a great guy! ❤️), but which one is closest to 6 on the Kinsey scale?

Propaganda:

- Dr Gordon is so hilariously blatantly closeted that they bring it up in the musical. EDIT: forgot to also mention his… EVERYTHING in Saw 3D.

- Hoffman is a confirmed bachelor who hangs around at bars and has a sexual demeanor…cmon man we all know

- Amanda: the entirety of Saw 3. Not to mention the way she talks and acts and dresses and cuts her hair

[genderoutlaws]

An article titled “The Bisexuals” written by Judy Klemesrud and featured in the April issue of New York Magazine in 1974, discussing the (perceived) rise of bisexual identification.

This very much reminds me of modern moral panics over “the rise of transgenderism” and I liked this quote from Dr. Wardell Pomeroy (co-author of the Kinsey Reports) in the article that succinctly describes the real reason for any rise in people coming out:

“There is probably no more bisexuality now than there ever was, but the atmosphere now is such that people will admit it freely and talk about it more. There is really not that much change in behavior, just much more openness in talking about sex, which we can credit in part to the women’s movement and the gay revolution.”

[thefencebeetle]

Its time to talk about Stargate SG1, which literally nobody cares about anymore.

The two episodes "Heroes" at the end of season 7 are incredible, a true tour de force. It plays with both expectations set after 7 prior seasons, and examines the SG:C in an new and incredible light.

The first episode starts like an archetypal "questioning the SG program from an outside perspective" as a TV crew is sent to film a documentary inside Cheyenne Mountain. The journalist, Bergman, is presented originally as a fool, bumbling and stumbling all the way. Nobody wants to talk to him, and it’s understandable because again and again episodes over prior seasons have reinforced the necessity of secrecy. Bergman is an outsider who questions too much, too fast, and endangers the program.

However even in this first episode, Bergman’s point are relatable. Yes, filming is important, people will eventually learn the truth and footage is needed. Over the episode he turns from a bumbling fool to an annoyance to the guy you hate but makes a good point. He compares the program to D-day and to the Apollo missions, all positive examples.

And at the beginning of the second episode his turn is complete. He gives a speech that in fact he HAS to film, to show, because the men and women of the SG:C are giving their lives for the whole of humanity. People are dying, a war is being fought, and it needs to be recorded. I think this is the first time the audience is truly asked to consider what would the SG program look like if it went public. Not from a geopolitical perspective, but a human one. And not as a threat, but an eventual necessity.

Now the second episode is in 3 simultaneous parts 1) an almost textbook war documentary of a battle where it is known early on a casualty happened, 2) Bergman trying to learn about this battle and casualty and trying to show these airmen as heroes, and 3) a investigation being led by an ally of bad politician senator Kinsey, shot as a parrallel to the first episode investigations, but with a much darker purpose - this is the archetypal interfering outsider we thought Bergman was in the first episode.

This breaks the two-sided approach of the conflict. Its not "against or with" the SG program, its about what to do about the sacrifice and the danger it faces : keep it in the dark and hope to keep operating, but risk it being killed in the dark by opposing factions of the US government, or show it, admit it, record for posterity and the truth.

Now the second episode is also quite controversial because it plays with the idea of having O’neill die in the fight, its implied several times, but by 3rd act its reveal the beloved Dr Frasier is the casualty. She actually never comes back after this episode, she was a staple of the show, the voice of reason in many episodes. The pain shown by the characters is very much felt by the audience as well, this is a gut wrenching reveal.

I’m personally very conflicted about the bait-and-switch aspect. It somewhat lessens the blow, as we’re relieved its not O’neill… I think I would have preferred the episode to be more straightforwardly about Frasier. But after rewatching it, I think its the point. The characters are all devastated, they suffer, they know, but we don’t and we’re left confused. In many ways, we have become Bergman and his documentary. This episode shows people deserve to know, not because the SG:C is somehow dangerous, but because of the sacrifices being made.

The two episodes Heroes are a true turning point in Stargate SG-1, in the way it approaches its own subject. It questions the fundamental nature of its story, and establishes or rather re-establishes both the humanity of its characters and the stakes involved. Its not just about a vague and fundamentally incomprehensible "all of humanity may die", but a very real "your friend may die".

Its an incredible launching point into the last few remaining episodes of Season 7, which end up launching into both Season 8 of SG:1, and starting Season 1 of Stargate Atlantis. To me, its one of the highest points reached by this show, the hype is at its maximum.

[macgyvermedical]

can you maybe tell us about the history of trans healthcare? I'm writing a trans character in an old west setting and don't know exactly what would be available to her

So this is a really cool question.

There have been (what we would today call) transgender and gender-non-conforming people as far back as we have records that can describe them. Depending on where in the world a person was and what culture they belonged to, being trans or gender-non-conforming may have been something lived openly, or it may have been something more hidden.

This makes it difficult to cover all of trans history in one tumblr post, so I'll focus on 2 things- trans history during the western expansion (the time between 1803 and 1893 across what is now the western USA, often referred to as the "old west" "wild west" or "frontier"), and trans healthcare access as it is recorded in the USA.

So first let's talk a little about trans people on the frontier.

[Trans Woman of the Frontier: Mrs. Nash]

Simply put, there were a lot of them. Or, at least, there were a lot more of them living on the frontier than there were on the east coast. Many accounts tend to be of what we today would call trans men. Earlier, historians often brushed their existence off as a practicality- If a woman wanted a decent-paying job on the range, of course they would change their name, wear men's clothing, and act as a man.

But this doesn't explain the fact that many of them lived their personal lives as men too, often taking wives and continuing to live lives as men even after being arrested multiple times for cross dressing, or after the conclusion of their career. Look up "Harry Allen" if you want a real man's man on the frontier.

In fact, today one of the reasons historians think there were more trans people out west was because news of these arrests often made it back to the east coast. Closeted trans people reading these (often sensationalized) stories were essentially promised a life and future on the frontier with people like them- a life and future they could move and restart easily if they happened to be, you know, arrested for transness.

It also doesn't explain the trans women. While there are fewer records of trans women on the frontier, they did exist. And since women could typically hide more easily assuming they had an understanding husband (or beard), that kind of makes sense. Look up "Mrs. Nash" who worked as a laundress and took 3 husbands over her lifetime. She was only outed as trans upon her death.

Long story short, it would be very historically accurate to have a trans person on the frontier, and while it might have been reasonable to assume they could make a life there, officially transness wasn't particularly well accepted by the establishment.

Trans healthcare on the frontier was unfortunately not really a thing beyond what today we would call social transition- the adoption of new clothing, a new name, and new speech patterns.

This was because the first medical transition care wouldn't occur until 1918 in Germany and wouldn't move to the US until the 1940s, half a century after the frontier was declared closed.

In 1922 the first successful gender-affirming surgery was performed. It was an orchiectomy (removal of the testes) on a woman named Dora Richter in Germany.

In 1931 Dora completed her transition with several more successful surgeries. This was also the year Lili Elbe (of The Danish Girl fame) passed away from infection related to a gender affirming surgery (why did they decide to tell her story instead of Dora's?? Dora literally worked in trans healthcare for most of her career??).

Anyway. In the 1940's Dr. Alfred Kinsey began his study of human sexuality and gender in Indiana, USA. He was the first person to use the term "transsexual", which gave a name to the experience of someone who's gender did not align with their sex assigned at birth.

Hormone therapy in the US was introduced by Dr. Henry Benjamin sometime in the 1950s, along with the first US citizens travelling to Europe to complete gender affirming surgeries. Dr. Benjamin published the first papers on hormone therapy in 1967, prompting the openings of about 40 "gender clinics" throughout the US. Unfortunately, many of these clinics provided gender-affirming care in name only- the larger ones (like the Johns Hopkins Gender Identity Clinic) getting over 100 applications per year for surgical interventions, but providing only about 5-7 per year after a rigorous process of proving one's transgender status.

By the late 1960's and early 1970's, many US trans people were choosing to circumvent the larger medical centers and either going abroad or using smaller specialty clinics that could do surgeries more discreetly and were less interested in the research value of trans people.

In 1979, many of the larger gender clinics shut down after a paper (with very poor methodology) stated that trans people were no better off mentally after transition. This, though awful, sparked Dr. Benjamin to start the organization that would become the World Professional Association for Transgender Health, which publishes the standards by which gender affirming patients are treated today.

After this point, clinics slowly rebuilt. From a low of 2-3 in the mid 1990s to hundreds of clinics open today. The Johns Hopkins' clinic reopened in 2016.

R E F E R E N C E S

[homomenhommes]

THIS DAY IN GAY HISTORY

based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more … May 4

1497 – A revolt against religious leader Savanarola in Florence, who had been a leader against sodomy, leads one man to say, "Thank God, now we can sodomize again."

1889 – Francis, Cardinal Spellman, Roman Catholic Cardinal, born (d.1967); Francis Cardinal Spellman, the late Prince of the Church known as "Franny" to assorted Broadway chorus boys and others, was New York's archbishop from 1939 until his death in 1967.

He, in many ways, is almost single-handedly responsible for ushering in the American Catholic Church's more punitive, authoritarian stances and reactions to the sexual revolution, feminism and Gay rights.

Gore Vidal has long alluded to Spellman's, homosexuality, once commenting that, "the serious crimes of Spellman were not sexual", implying of course that the most serious crime was the arrogant and reckless hypocrisy.

The original bound galleys of former Wall Street Journal reporter John Cooney's Spellman biography, The American Pope - published in 1984 by Times Books, which was then owned by The New York Times Company - included four pages on Spellman's homosexuality. In a hideous example of the church's power and The New York Times' fears in those days, these pages were removed.

"In New York's clerical circles, Spellman's sex life was a source of profound embarrassment and shame to many priests," Cooney had written in the original manuscript of his book. The archdiocese exploded after it got wind of the information, and became determined to stop it from being published.

Cooney had included interviews with several notable individuals who knew Spellman as a closeted homosexual. Among Cooney's interview subjects was C.A. Tripp, the noted researcher affiliated with Dr. Alfred C. Kinsey of the Institute for Sex Research and author of the controversial book published recently, The Intimate World of Abraham Lincoln, which brought forth evidence of the former president's same sex relationships.

Tripp, who died in May of 2003 gave a telephone interview to Michelangelo Signorile a year before his death. Tripp told Signorile that his information about Spellman came from a Broadway dancer in the show One Touch of Venus who had a relationship with Spellman back in the 1940s; the prelate would have his limousine pick up the dancer several nights a week and bring him back to his place. Tripp related that when the dancer once asked Spellman how he could get away with this, Spellman answered, "Who would believe that?" The anecdote is also recounted in John Loughery's history of Gay life in the 20th century, The Other Side of Silence.

Signorile describes Spellman as "one of the most notorious, powerful and sexually voracious homosexuals in the American Catholic Church's history"

Biographer of J. Edgar Hoover, Curt Gentry, says that Hoover's files had "numerous allegations that Spellman was a very active homosexual".

1907 – Lincoln Kirstein (d.1996) was an American writer, impresario, art connoisseur, and cultural figure in New York City, famous less for his own artistic achievement than for his social influence. Born in Rochester, New York, to a very wealthy Bostonian family, he was educated at Harvard, from which he graduated in 1930.

His interest in ballet and George Balanchine started when he had seen Apollo with the Ballet Russes. He became determined to get Balanchine to America. Together with Edward M. M. Warburg (a classmate from Harvard), they started the School of American Ballet in Hartford, Connecticut, in October 1933. The studio moved to New York City in 1934. Warburg's father invited the group of students from the evening class to perform at a private party. The ballet they did was Serenade, the first major ballet choreographed by Balanchine in America. Just months later Kirstein and Warburg founded, together with Balanchine and Dimitriev, The American Ballet.

During World War 2 Kirstein joined the Army and served in Europe. He worked with the division of Monuments, Fine Arts, and Archives, helping to recover stolen artwork from the Nazis.

The American Ballet would become the resident company of the Metropolitan Opera, but this proved unsatisfactory because the Opera would not allow Balanchine and Kirstein artistic freedom. In 1946, Balanchine and Kirstein founded the Ballet Society, renamed the New York City Ballet in 1948. Together they made this one of the most innovative dance companies in the world.

His eclectic interests, ambition and keen interest in high culture, funded by independent means drew a large circle of friends which would stimulate creativity in many of the arts. These included: Glenway Wescott, Monroe Wheeler, George Platt Lynes, Pavel Tchelitchev, Katherine Anne Porter, Gertrude Stein, Cecil Beaton, Jean Cocteau, Jared French, George Tooker and far too many more to name.

Kirstein kept diaries beginning in summer camp in 1919 until the late 1930's, and Martin Duberman's 2007 biography The Worlds of Lincoln Kirstein makes use of them and numerous letters. Kirstein enjoyed sex with men—Harvard undergraduates, sailors, street boys, casual encounters in the showers at the 63rd St YMCA. Longer affairs are described with dancer Pete Martinez, artist Dan Maloney, and conservator Jensen Yow among others, as well as relationships that were physically unrealized. Casual sex frequently grew into long-term friendship.

He also slept with women and in 1941 married Fidelma Cadmus, the sister of the artist Paul Cadmus – some say because he was in love with her brother. He and his wife enjoyed an amicable if not stressful relationship until her death in 1991. Some of his boyfriends lived with them in their East 19th Street house; "Fidelma was enormously fond of most of them." The New York art world considered his bisexuality an "open secret," although he did not publicly acknowledge his sexual orientation until 1982.

He was the primary patron of Cadmus and purchased many of his paintings and subsidised his living expenses. Cadmus had difficulty selling his work through galleries because of the erotically charged depictions of working and middle class men, which provoked great controversy.

Kirstein commissioned and helped to fund the physical home of the New York City Ballet: the New York State Theater building at Lincoln Center, designed in 1964 by gay architect Philip Johnson. Despite its conservative modernist exterior, the glittery red and gold interior recalls the imaginative and lavish backdrops of the Ballets Russes. He would serve as the general director of the ballet company from 1948 to 1989.

Kirstein and Balachine's collaboration lasted until Balanchine's death in 1983.

1944 – Dave is the stage name of Wouter Otto Levenbach, a Francophone singer from the Netherlands who had a string of number one hits in France in the 1970s. Despite his great success, he is still virtually unknown in his country of origin.

Dave was born in England. At 16, he became a very spiritual person and even planned to study theology; however, he eventually chose to study law.

Among other things, he was inspired by Jack Kerouac's On the Road , a revolutionary novel which incited the young people of the world to leave to learn the life on the roads, and to communicate with others. Passionate about the sea and rivers (a love which he owes to his grandfather), he left the Netherlands by boat with 1,000 guilders in his pocket (about two months' living expenses).

He met Eddie Barclay, the executive for Barclay Records, in Saint-Tropez in 1968; Barclay was responsible for launching Dave's career in show business.

On February 26, 1969, he participated in the Nationaal Songfestival, the Dutch pre-selection contest for that year's Eurovision Song Contest with a song called Niets gaat zo snel, but did not win. In Summer 1969 he reached the Veronica Top 40 charts for the first time with Nathalie, peaking at #28.

From 1971 to 1974, he was one of the actors in the musical Godspell, making friends with actor Daniel Auteuil, who would become his best friend.In 1974, he released Trop Beau, a French adaptation of The Rubettes' hit Sugar Baby Love; later, he released Vanina, an adaptation of Del Shannon's Runaway, adapted into French by Patrick Loiseau. These were followed in 1975 by Mon cœur est malade, Dansez maintenant and Du côté de chez Swann. His self-titled first album was released at the end of 1975. His later hits included Lettre à Hélène (1978), Comment ne pas être amoureux de vous (1978), and his first number one single, Allo Elisa (1979).

In the 1980s, his popularity waned following the advent of FM radio in France. He still had an audience due to live performances and his classic hits. In 1994, he made a comeback following the release of a greatest hits album, which sold more than 200,000 copies. He later recorded a new album entitled Toujours le même bleu, which included a title single from which enabled him to hit the charts once again. It is also around this time that Dave revealed himself as a homosexual.

In 2003, he released another autobiographical book, Soit dit en passant... mes années paillettes, which dealt with his life as a showbiz celebrity in the 1970s. The book also revealed Dave's homosexual relationship with his lyricist and companion Patrick Loiseau for more than thirty years. Patrick also contributed to the book to share his version of the events.

In 2006, he released a new album under the name of "Dave Levenbach", Tout le plaisir a été pour moi.

1952 – Antony Hamilton (d.1995), English-Austrlain actor/model, born in Liverpool, England, but adopted by an Australian military man and his wife and raised in Adelaide, Australia, where he studied ballet and toured with the Australian Ballet Company before moving into modelling.

In 1972, during a dance tour in Europe with The Australian Ballet, he was "discovered" by a fashion photographer. This resulted in Hamilton soon after leaving the ballet and moving to the USA to pursue a career as a model. During the following 10 years, he worked extensively as a model in Europe, America, Asia and Africa, becoming a favorite subject of world-famous photographers as Richard Avedon and Bruce Weber, often working with famous fashion designers such as Gianni Versace, and frequently appearing in magazines such as Vogue and GQ.

After having worked for a while as a model, Hamilton also began taking acting classes, wanting to expand his career. He eventually got his big break as an actor (replacing Jon-Erik Hexum who died in an accident on the set) in the American TV-series Cover Up (1984). As Hexum was an acting school classmate of Hamilton's, the actor hesitated to profit by Hexum's death, but eventually agreed to take the role. As an actor, however, he is probably better known for the role of Impossible Missions Force agent Max Harte, a former ANZAC commando, in the 1988 revival of the American television series Mission: Impossible, as well as for playing Samson in the 1984 television film Samson and Delilah.

He was briefly considered by Cubby Broccoli as a successor to Roger Moore as James Bond. According to some reports, Broccoli decided against a blond Bond; in other reports, it was agreed by both Hamilton and Broccoli that Hamilton's known homosexuality would work against him in the role. He continued to work in film and TV, notably the revived Mission Impossible and The Howling IV, until his death in March, 1995 from an AIDS-related illness. His family requested that contributions be made in his name to AIDS Project Los Angeles.

1958 – Pop-artist, muralist and graffiti genius Keith Haring, born in Reading, Pennsylvania, Haring studied graphic art in Pittsburg (d.1990). After coming out, he moved to New York where he became influenced by graffiti art. With his distinctive style, he quickly moved from the streets to international art galleries. His work is part of the iconography of the 1980s.

Sexuality was a predominant theme throughout Haring's work. Through much of his art there are scenes of penetration, in a bodily and sexual sense. These scenes are often filled with monsters, skeletons and beasts, which almost always add a nightmarish feeling to the work. Rather than being something positive or affirming, sexuality is almost always presented as threatening or silence. "Rape, sexual compulsion and castration are the fundamental forms in which individual self-determination is forcibly prevented."

For Haring, sex was part of his work because it was part of his life. "It's inevitable that the subway drawings have it too because it's part of my life and part of the rest of the body of work," he said. Haring's perception of sex was later affected by constant fear as the threat of AIDS became apparent.

He was a tireless AIDS campaigner and, tragically, succumbed to the disease himself in 1990 at the age of 31. Shortly before he died, he established the Keith Haring Foundation to maintain and enhance his legacy of supporting children's and AIDS organizations.

As a celebration of his life, Madonna declared the first New York date of her Blond Ambition World Tour a benefit concert for Haring's memory, and donated all proceeds from her ticket sales to AIDS charities including AIDS Project Los Angeles and amfAR; the act was documented in her film Truth or Dare. Additionally, Haring's work was featured in several of Red Hot Organization's efforts to raise money for AIDS and AIDS awareness, specifically its first two albums, Red Hot + Blue and Red Hot + Dance, the latter of which used Haring's work on its cover.

1975 – Aleksandr Voinov is an emigrant German author living near London where he makes his living as an editor in the financial services sector. After many years working in the horror, science fiction, cyberpunk and fantasy genres, Voinov has set his sights now on contemporary and historical gay novels such as Dark Edge of Honour.

As a trained historian, Voinov is fascinated by wars, religion and the conflict between the individual and society. Voinov single-handedly sustains three bookshops in London.

Dark Edge of Honor, co-authored with Rhianon Etzweiler, won a 2011 Rainbow Award as Best Gay Sci-fi / Futuristic. Country Mouse, co-authored with Amy Lane, won a 2012 Rainbow Award as Best Bisexual Erotic Romance and Incursion won as Best Bisexual / Transgender Sci-fi/Fantasy and Best Bisexual / Transgender Novel. The two novellas If It Flies and If It Fornicates, co-authored with L.A. Witt, won a 2013 Rainbow Award as Best LGBT Erotica.

1979 – Lance Bass, American singer (N'Sync), born: American pop singer, actor, film and television producer, and author. He grew up in Mississippi and rose to fame as the bass singer for the American pop boy band 'N Sync. 'N Sync's success led Bass to experiment with film and television, primarily as an actor and a producer. Bass' acting career is most noted for his starring role in the 2001 film On The Line, which his company, Bacon & Eggs, also produced. Bass later formed a second production company, Lance Bass Productions, as well as a now-defunct music management company, Free.

In 2003, Bass began serving as World Space Week's Youth Spokesman. Bass has stated that he believes young people becoming more interested in space exploration "will help the future of our planet". From 2003 to 2005, Bass spent World Space Week traveling to American high schools speaking with students about space exploration and encouraging them to explore careers in the fields of science and mathematics. Bass is a member of the National Space Society, a non-profit educational space advocacy organization founded by Dr. Wernher Von Braun. Bass has served on the National Space Society's Board of Governors since October 2004, alongside other space advocates such as actor Tom Hanks and author and futurist Sir Arthur C. Clarke. In a 2007 interview with GQ magazine, Bass stated that he "absolutely" still intends on going to space, and that he hopes to work on a space documentary. Bass has also retained fluency in Russian, which he was required to learn during his training.

Bass came out as gay in a cover story for People magazine on July 26, 2006. There had been considerable media speculation about his orientation due to numerous paparazzi snapshots of him at gay bars and nightclubs, most notably during the preceding Independence Day weekend in Provincetown, Massachusetts. Celebrity gossip blogger Perez Hilton had also been posting items on his website about Bass's orientation since September 2005, and New York gossip column Page Six ran a blurb on July 12, 2006, that reported a sighting of Bass at a gay bar with his then-boyfriend, Reichen Lehmkuhl. Bass's publicist, Ken Sunshine, chose to release the story exclusively to People magazine, who bumped actor Johnny Depp off of that week's cover in favor of Bass. In his coming out interview, Bass stated,

"The thing is, I'm not ashamed - that's the one thing I want to say. I don't think it's wrong, I'm not devastated going through this. I'm more liberated and happy than I've been my whole life. I'm just happy."

Bass's announcement received a large amount of media attention. The American public's reaction was generally positive, with Bass receiving "overwhelming support" from many teenagers and young adults who grew up listening to 'N Sync. However, Bass received criticism from the LGBT community when he referred to himself and his friends as "straight acting" in his People interview, stating, "I call them the SAGs — the straight-acting gays. We're just normal, typical guys. I love to watch football and drink beer." This comment angered some members of the LGBT community, who believed that Bass not only implied that effeminate gay men were not 'normal', but further enforced unneeded stereotypes. In a 2007 interview with The Advocate, Bass called his comment a "mistake" and noted that he was unaware of the negative implications surrounding the term. Bass stated,

"Every community is hard to please. Our community is very fickle. It's a touchy community because it's the last civil rights movement we have left here in America. So when someone new like myself comes along and says off-the-mark things, yeah, I can see how people would get pissed."

In his autobiography, Bass documents two gay relationships that predated media speculation; one with a Miami, Florida, native named Jesse, with whom Bass lived for two years, and another with an Idaho native named Joe.

Bass found himself in the midst of further controversy later that year when he, along with then-boyfriend Reichen Lehmkuhl, was awarded the 2006 Human Rights Campaign Visibility Award on October 7, 2006. The Washington Blade printed a guest editorial from a long-time HRC supporter who claimed that neither recipient had done enough to deserve the award and that The Human Rights Campaign was simply capitalizing on Bass's fame to sell tickets. The Human Rights Campaign stood by Bass and defended his award, responding to critics by saying,

"Bass is the biggest music star since Melissa Etheridge to come out, and maybe some people think HRC should just ignore these moments of cultural significance, but his declaration did initiate a positive, national conversation that continues today."

Bass began dating painter Michael Turchin in January 2011 and they became engaged in September 2013. They married on December 20, 2014 at the Park Plaza Hotel in Los Angeles. Former NSYNC bandmates Joey Fatone, Chris Kirkpatrick and JC Chasez were in attendance; Justin Timberlake, who was then headlining his The 20/20 Experience World Tour, was not present. The ceremonial event was filmed and televised in a special E! presentation: Lance Loves Michael: The Lance Bass Wedding that aired on February 5, 2015. Bass and Turchin were the first same-sex couple to exchange vows on cable television.

1993 – "Angels in America: Millennium Approaches" opened on Broadway.

[spectruminterests]

What other ideas did you also have for the Hollow Knight Modern AU?

I have… a lot. (For context: I originally posted about my Hollow Knight Modern AU here). I tried to type some things out and then tumblr erased it, so instead you get my unorganized ramblings that I have on my notes app. (Under the cut so not everyone has to read them). Essentially, Pale Royal (the Pale King) is the mayor of the oddball town of Hallownest and the somewhat negligent father of five chaotic children.

Character names:

Pale Royal (= The Pale King)

Blanca Royal (White Lady) 

Hollis Royal (The Hollow Knight/Pure Vessel)

Kinsey Royal (Broken Vessel/Lost Kin)

Hornet Weaver (Hornet- her mom insisted she should have the Weaver name)

Herrah Weaver (Herrah the Beast)

Greene Royal (Greenpath vessel)

Knight "Ghost" Royal (The Knight/Ghost/player character)

Grimm Nightmare Sr. (Troupe Master/Nightmare King Grimm)

Grimm Nightmare Jr. (Grimmchild)

Dr. Sophia Monomon (Monomon the Teacher, I chose the name Sophia because it means wisdom or knowledge)

Quirrel Monomon (Quirrel, Monomon's adopted son)

Morningstar Claw (Mantis Lord)

Lance Claw (Mantis Lord)

Arrow Claw (Mantis Lord)

Mace Claw (Traitor Lord) 

Bretta Scriber (Bretta)

Tiso Shieldsmith (Tiso)

Sybil Erebis (Seer)

Pale and Blanca have an open relationship - Blanca and Herrah get along fine and Pale having a child with Herrah wasn’t a problem for Blanca. Blanca is also bisexual and in a relationship with Dryya, the Hallownest Chief of Police. 

Tween Hornet: What are you talking about I have no interest in girly things I like ninjas and swords! *hides princess book under the bed* 

Ghost: second grade Force of Chaos

Grimmchild/Grimm Jr.: Second grade arsonist and Ghost's best friend/accomplice 

Pale King and White Lady: parenting is easy! Just let the kids figure it out for themselves! 

Teenage/Young adult Hollow Knight: the only responsible person in the household. Is slowly going insane taking care of four younger siblings. 

Troupe Master Grimm/Grimm Sr.: Similar parenting philosophy to PK and WL. Is *fabulous* Actively encourages his son to be a ball of chaos. 

Herrah: Like a crazy cat lady but with spiders. Her home is not a place for the faint of heart. 

Teenage Mantis Lords: Sisters Morningstar, Lance, and Arrow. Leaders of the student-run Fencing Club which is really just a veneer for a bunch of kids who want to be TOUGH WARRIORS! Members include Hornet and Cloth. 

Traitor Lord: Mantis sisters’ older brother Mace. A deadbeat high school dropout who makes a living as a drug dealer. The family doesn't talk about him. 

Lance: "Yes I'm a girl and anyone else who'd like to comment gets STABBED!" 

People know better than to mess with these kids. 

When Grimm gets a call from the school: "Oh? My son set a fire in the boys' bathroom, you say? Did he tell you why? Because toilet paper is very flammable, he said? Oh well, kids will be kids, it sounds very much like something I would have done at his age... Suspended? Surely that's a little harsh? With all due respect, I think this behavior is teaching him important life skills! Surely that should be more acceptable in a school?" 

I'm imagining Grimm Jr. asking Ghost to run away and join the circus with him 😆😆😆

"You'd be a great act, Ghost! I'm sure my dad wouldn't mind having another kid! You could be an acrobat or a clown or a mime... (at this point Ghost gives him a look).... okay, maybe not a mime."

The town of Hallownest is technically their "hometown," but the Nightmares travel. Grimm Sr. just drops his kid off at the local public school whenever he's too busy to take care of him, never mind whether or not he's actually enrolled. Cue a lot of teachers trying to figure out where the hell this kid came from. How much the kid is actually learning, missing school so often and being dropped in random classes is... questionable, but everything is fine! The Hallownest school system has already given up. Grimm Jr. really only goes to school because Dad is too busy to deal with him full time 😆

He's doing his best to just push his kid off on a stranger like in-game 😆

Ghost also often begs for Grimm to come sleep over, which of course causes more chaos than usual in the Royal household. Poor Hollis, trying to maintain some semblance of order. 

Bretta is already writing fanfic. Ghost once saves her from a bully by dropping onto him from a tree, at which point Bretta decides she’s in love. Then Bretta mentions this to Greene. Bretta: “Oh, is he your brother? He’s so hot! 😍😍” Greene: “… sibling. And they’re seven.” Bretta: “Oh… so that’s why he’s… they’re… so short….” *is mortified*

Bretta later develops a crush on Hollis and writes fan fiction about them.

Grimm just drops off his kid at the Royal house with no notice and no indication of how long he'll be gone 😆

The whole Royal family is autistic in some fashion, because look at them. Pale is an inventor in his spare time and is always thinking about how to optimize infrastructure in the town of Hallownest. He also works late and forgets to eat or sleep when he's hyperfocused. Blanca (White Lady) spends more time with her garden and her large variety of houseplants than with her children, and everything has to be clean and Just So or she'll make a fuss. She always adjusts her children's and stepdaughter's clothing before they leave the house, much to Ghost's and Hornet's chagrin.

Hollis couldn't break a rule to save their life and comes off as stiff and robotic when trying to interact with people. Their parents are proud of the former and entirely oblivious to the latter. 

Kinsey is sensory-sensitive and awkward. Loud noises, bright lights, and busy rooms drive them crazy. This does not stop them from being kind of an extrovert or from getting into trouble with Hornet. 

Hornet, for her part, has some sensory issues with clothing (and hates the fancy things her stepmother tries to shove her into with a passion) and speaks in a very blunt but also overly archaic/wordy manner (if you've seen her dialogue in game you'll know what I'm talking about). She has little interest in socializing with people unless a) they're her mom or siblings, b) she's causing trouble, and/ or c) it's something violence-related. 

Greene takes after their mom with their love of plants. They also love animals and are better with animals than people. They're super shy and awkward lol

Ghost is well, Ghost. They often struggle to speak/experience speech loss and have a raging case of ADHD in addition to the autism, making them constantly chasing after new and interesting things, unwilling and unable to pay attention unless they're interested, and entirely oblivious to social norms. In other words, they're hell to deal with 😆

Quirrel is Miss Monomon's adopted son and a giant nerd. He's 14 and a sophomore in high school because he skipped a grade as a kid. He has an I ❤️ isopods (group including pill bugs) pin on his backpack and is really into "bugs" and other invertebrates. 

Hollis, nicknamed "Holly" by their siblings, is Very Tall (like 6 foot 5 or something), rather gangly and skinny, and AMAB (in part to make their height more plausible lol). At first they look kinda intimidating but they wouldn't hurt a fly, and are just about the quietest, shyest person ever, with one exception: if you hurt their siblings, you incur their wrath. Other than that they will take anything that's thrown at them - bullying, name-calling, way too many home responsibilities for a teenager, etc. - with a stoic front. They have just about no self-esteem and have a bad case of "awkward tall person syndrome," always hunching over and trying not to stand out despite the fact that they are literally head and shoulders above their classmates. Like all their siblings they have white hair (which they keep long), pale skin and very dark eyes. 

Blanca (the White Lady) is an albino, thus the white skin, white hair, and very light blue eyes. She's also something of a Karen and acts like being an albino makes her an oppressed minority or something.

She also never leaves the house without makeup.

Tiso Shieldsmith is Hollis's classmate and maybe-friend who moved to Hallownest last year. He's kind of an idiot teenage boy and he calls Hollis "Stick Bug" thanks to their stick-bug-esque physique. He's, obviously, in the martial arts and fencing club, and he's kind of trying to be a tough jock but not always succeeding. I love the way he interacts with Hollis: 

"Yo, Stick Bug, my man!  I mean, my non-binary guy... I mean, uh...whatever. How are you doing, pal?" 

*Hollis stares at him in an expressionless way as Tiso rambles.* 

Hollis always refers to their parents as Mother and Father instead of just saying "Mom" or "Dad." It's out of respect mainly, and also because Blanca tends to like everything fancy. The outfit I drew Hollis in is what they normally wear to school, at their mother's request XD

Radiance is a local celebrity with a cult-like fan base. Miss Sybil (Seer) is the school's history teacher and the students are shocked when they discover she's an intense Radiance fan. “Radiance” is a stage name and she's Grimm's cousin (a relationship neither of them particularly care to mention most of the time). Pale hates her for reasons unknown, to the point where Pale has tried to pass all kinds of town restrictions on shows and circuses specifically because of Grimm and Radiance. Grimm either ignores the anti-circus ordinances or finds loopholes, and protesters stormed the town hall at the restrictions affecting the Radiance, enough that Pale had to undo them. 

Grimm has some level of ability to break the law in Hallownest in part because the police in Hallownest don't want to deal with him either (lol) and in part because Blanca has used her influence and her relationship with the Chief of Police, Dryya, to discourage the Hallownest Police Department from prosecuting him. “Oh, Mr. Nightmare can’t be in jail, his son is my youngest’s best friend, and the poor man is a single father. I can’t imagine what that would do to poor Grimm Junior. Not to mention I’ve heard that Radiance is actually a relative of his… do you want her fans storming the police department?” (This is, of course, behind her husband’s back.) 

Grimm is also very good at finding loopholes, twisting people's words, and generally being a pain in the arse to anyone who has issues with him. 

Herrah has dark skin and a fat but very muscular figure. Usually around Hornet and the Royal kids she's all motherly and sweet, but when dealing with people she doesn't like she's intimidating AF. 

Obviously the Royal family is white af because... a) they're entitled jerks, at least to a degree and b) look at them. 

Hornet has brown/light brown skin but still has the white-blond hair and almost-black irises that run in Dad's side of the family. She gets strangers trying not to stare occasionally, but at least she isn't so pale she could be mistaken for a corpse XD

In fact I imagine that several of the characters often get strangers trying not to stare- Hollis and Grimm Jr. come to mind.

Grimm has dressed his son in red and black since he was a baby; it’s not every day you see an 8-year old dressed in a fancy black and red suit with a cape and makeup that looks like a cross between "vampire," "emo," and "circus." 

Tiso: Yo, Stick Bug! What's with the dress? You look like you're going to prom or something! 

[Hollis is wearing a white frilly dress that's too long to be anything other than one their mom ordered specially made, along with a fancy necklace and earrings]

Hollis: Mother has tea with her gardeners' club this afternoon and would like to show me off to all her gardening friends (said in a completely calm tone, even with a slight smile) 

Tiso: "Show you off?!?” You say it like you're her favorite doll instead of her kid! Are you expected to do anything at her event? That sure doesn't look like gardening clothes. Your mom is definitely being weird, you sure you're okay with this? 

Hollis: Of course. It means Mother is proud of me. 

Hollis has issues.

They're shy and desperate for approval and their parents are (somewhat unintentionally) walking all over them. They need love and support that's not tying their value to being "perfect." Luckily, their siblings don't want Perfect Obedient Hollis, they want the real, happy them. 

[olderthannetfic]

as someone who doesn’t use the SAM, here are my two cents:

i think the SAM is just like any other type of labeling system applied to humans. helpful, descriptive, accurate, and even relieving to some, and then not That At All to others. the human condition is that our experiences and preferences when describing our experiences are incredibly varied. if you find the SAM useful, great! if you don’t, also great! i don’t think it’s reasonable to blame it for the phenomenon of internalized homophobia as a whole. like if you do that imo you could start applying it to bisexuality and pansexuality, since myself and a lot of other strictly gay ppl identified as bi or pan before realizing we were strictly gay. you could start applying it to asexuality and aromantism in general, since there are people who identify as one or both of those before realizing they’re strictly gay. you could even apply it to heterosexuality for the same reason, although i do understand that wouldn’t happen due to how hetero is seen as the default.

i hope i don’t need to point out why any of those things would be fucking terrible. i know there are bi and pan people reading this that have experienced their identity being invalidated as nothing more than a stepping stone to coming out as gay.

basically: you (general you, not olderthannetfic specifically) are not the main character of the universe. i don’t think strictly gay or bi or pan people or whoever else for whom the SAM confused them a bit are more important than the people who have found community and understanding in using the SAM. i also don’t truly believe the SAM is inherently harmful, even to the people it confuses.

this is the nature of humans trying to label themselves, the way i see it. like yeah, having more labels and labeling systems might confuse some people for a bit as they try on and try out different words for themselves, trying to see what fits, but it’s ultimately necessary in order for the human experience to be described. especially when it comes to something as personal-yet-needing-to-be-communicated as sexuality and romance. and that’s not even getting into how people prefer to be unlabeled (which is totally cool too!) feel.

i could pick apart the kinsey scale and how it moreso applies to behavior rather than attraction and how those are not the same thing by any means and how it doesn’t account for the full spectrum of ace/aro identities etc etc but i also know it’s helped people understand and describe themselves. and ultimately it’s not harmful in and of itself. it’s literally just a tool people use to communicate their desires, feelings, and preferences in this specific area.

tl;dr: i don’t think the SAM is that deep. or it is, but no more than any other labeling system out there. if you use it for yourself, cool. if you don’t, cool. it’s a simple tool of communication, and you don’t have to use it but it’s also not at fault for the ways people misuse it bc on its own it’s neutral. don’t use it for people who don’t like it or don’t use it for themselves. don’t deny it to people who like and use it. just don’t be an asshole and let people live.

--

[mariana-oconnor]

The Dying Detective pt 1

Mrs. Hudson, the landlady of Sherlock Holmes, was a long-suffering woman.

Yes! Mrs Hudson content. The recognition she deserves.

His incredible untidiness, his addiction to music at strange hours, his occasional revolver practice within doors, his weird and often malodorous scientific experiments, and the atmosphere of violence and danger which hung around him made him the very worst tenant in London.

Yep, long-suffering. Let's be honest, the woman should have thrown him out long ago. But at least he's paying her good money.

She was fond of him, too, for he had a remarkable gentleness and courtesy in his dealings with women. He disliked and distrusted the sex, but he was always a chivalrous opponent.

Have we seen any examples of him actually disliking women? We've seen him frustrated by them, certainly, or rather by his lack of ability to read them clearly. We've seen misogyny, yes, in line with some of the thinking of the time 'can't tell Mary Sutherland she's being financially abused because it wouldn't do any good'. But Holmes has on multiple occasions, only in the few stories we've read so far, championed women in many ways. I haven't reread A Study in Scarlet or The Sign of Four before reading these, so I can't say about them, but this insistence on Watson's part that he doesn't like women is just weird.

Is that just Watson not understanding that Holmes isn't attracted to women? Like, Watson just can't comprehend how anyone wouldn't see a pretty woman and be overcome, so the fact that Holmes is apathetic to that just Does Not Compute and therefore must mean he dislikes them? Like an on/off switch?

Hoo boy, Watson, I'd love to introduce you to the Kinsey scale.

"He's dying, Dr. Watson," said she. "For three days he has been sinking, and I doubt if he will last the day."

Mrs Hudson is not a trained physician... although I'm not sure how accurate actual doctors were during this period of time. Had germ theory made the big time yet?

Wikipedia says that the in-story date (1890s) is about the time when germ theory was taking over from miasma theory, so by the time this story was published (1913) it would have been pretty well established.

That's not really relevant, I just find the history of medicine and disease fascinating in a lot of ways. For so much of history we just made shit up and hoped it would work. Some of it really did and some of it really didn't, but we didn't know why, so we made up reasons. And given that this was set at a major transitional period in that history, honestly Watson's medical expertise is probably half guess work and wishful thinking... sorry Doctor. I mean, hysteria is still a diagnosis at this point.

"He took to his bed on Wednesday afternoon and has never moved since. For these three days neither food nor drink has passed his lips."

I think I know why he's not looking too good.

"Stand back! Stand right back!" said he with the sharp imperiousness which I had associated only with moments of crisis. "If you approach me, Watson, I shall order you out of the house."

We've already had at least one story in which 'don't look at me too closely' was a massive red flag. It's sort of a nice symmetry to have Holmes using it here. Why can't he come any closer, Sherlock? Huh? Why?

"But why?" "Because it is my desire. Is that not enough?"

Oh look, that's another red flag right there. Honestly, Holmes, you could have at least made some effort at 'you might catch this illness' or something like that. Although I guess maybe Holmes doesn't believe in germ theory? Is he a miasma kind of guy? Or is this one of the areas in which he's just nonsensical and believes in the humours or something like that?

But 'you can't come closer to me because I don't want you to' to your friend the doctor who was summoned specifically to try to help you is just... No, obviously, Watson isn't entitled to an explanation or a reason. Holmes doesn't owe him anything. But on the other hand, Holmes specified that he would allow Mrs Hudson to get Watson. What did he think was going to happen?

I don't remember this story at all, but based on context clues and knowledge that there are more stories to come, I'm going to guess that he's faking it.

"I know what is the matter with me. It is a coolie disease from Sumatra--a thing that the Dutch know more about than we, though they have made little of it up to date. One thing only is certain. It is infallibly deadly, and it is horribly contagious."

Ah, there we are. You couldn't have led with that?

Did you get it from a giant rat?

Sorry, I should be more serious, Holmes is dying. He's dying.

(He actually is if he's not drunk anything in 3 days. Holmes, you moron.)

"Good heavens, Holmes! Do you suppose that such a consideration weighs with me of an instant? It would not affect me in the case of a stranger. Do you imagine it would prevent me from doing my duty to so old a friend?"

I mean obviously Watson wasn't going to listen to him, but whatever.

"Holmes," said I, "you are not yourself. A sick man is but a child, and so I will treat you."

Watson, you're being creepy again. Like, people do need to consent to treatment, my man. I guess, probably not in this time period? You could just say 'they're hysterical' and have done with it, but still. Consent is important. Agency is important. Let's be ethical about this, huh?

Do I think this is all fake and Holmes is only saying this so you won't see through his ingenious ruse? Yes. Do I think you should still respect his wishes and not touch him? Also yes.

✨Consent✨

"If I am to have a doctor whether I will or not, let me at least have someone in whom I have confidence," said he.

Dude, you literally asked for him. Literally. Asked. For. Him.

You are gaslighting him so bad right now. Holmes! Stop abusing your friend. Stop it! Bad detective! No biscuit!

No one in this scene is coming across well, rn, by modern standards.

"In your friendship, certainly. But facts are facts, Watson, and, after all, you are only a general practitioner with very limited experience and mediocre qualifications. It is painful to have to say these things, but you leave me no choice." I was bitterly hurt.

Holmes is being a bitch here, and I will absolutely say it. Watson, your ethics are shaky, but your feelings are valid.

"Possibly not. But I happen to know that Dr. Ainstree, the greatest living authority upon tropical disease, is now in London. All remonstrance is useless, Holmes, I am going this instant to fetch him."

Uno reverso, Holmes!

Honestly, Holmes's worst misjudgement here is thinking Watson would let him get away with dying without doing anything. Did you really think he was just going to say 'oh well, that's a pity; I'd best go home and start writing your eulogy.'

His misreading of the person he is literally closest to in the world is just such a massive blind spot here.

"You won't take the key from me by force, Watson, I've got you, my friend. Here you are, and here you will stay until I will otherwise. But I'll humour you." (All this in little gasps, with terrible struggles for breath between.) "You've only my own good at heart. Of course I know that very well. You shall have your way, but give me time to get my strength. Not now, Watson, not now. It's four o'clock. At six you can go."

Such a dramatic bitch right now. OMG. 😂😂😂

"You will seek help, not from the man you mention, but from the one that I choose."

I get that there's a time issue here, clearly, because Holmes is so insistent on 'six o'clock', but I feel like he could have handled this better.

"By all means." "The first three sensible words that you have uttered since you entered this room, Watson."

Wow.

All modern adaptations are based entirely on this scene, huh?

With fairness to Sherlock, it does seem like Mrs Hudson is at least correct about the starvation and dehydration and we all know being hungry makes people irritable. And being dehydrated makes you kind of loopy and gives you a killer headache. So he's not making the best decisions right now, if that's the case.

We all know what he really needs right now:

Then, unable to settle down to reading, I walked slowly round the room, examining the pictures of celebrated criminals with which every wall was adorned.

I love this description. Imagine sitting in this room with just the worst criminals of all time staring down at you from every wall. True crime chic. Serial killers watching you from every angle. It's absolute nightmare fuel and more what I'd expect from, like, a themed bar that was set up in an old prison.

I' can't imagine it. I'm glad he keeps this to his bedroom and out of the public areas. I can't imagine it would put his clients at ease.

To tell the truth, my desire to fetch a doctor had somewhat weakened, for poor Holmes was so obviously delirious that it seemed dangerous to leave him.

To be fair to Watson here, while often in the stories he seems unnecessarily dense about things, in this case his thoughts are entirely justified.

How much money in his pockets, only half the gas to the fire, pick the box up with sugar tongs. (Poison one assumes)

It may surprise you to know that the man upon earth who is best versed in this disease is not a medical man, but a planter. Mr. Culverton Smith is a well-known resident of Sumatra, now visiting London. An outbreak of the disease upon his plantation, which was distant from medical aid, caused him to study it himself, with some rather far-reaching consequences. He is a very methodical person, and I did not desire you to start before six, because I was well aware that you would not find him in his study.

So this guy poisoned a lot of people with this, huh? That's what I'm getting. And you couldn't have provided this information earlier in such a way that Watson would have stayed with you until then? You had to go the mad route of locking you both in a room together, while not letting him touch anything or talk to you?

"You will tell him exactly how you have left me," said he. "You will convey the very impression which is in your own mind--a dying man--a dying and delirious man. Indeed, I cannot think why the whole bed of the ocean is not one solid mass of oysters, so prolific the creatures seem."

I like to think that Holmes always has at least one little tangent like that going on in his brain, and he's just decided that he'll say it out loud right now to increase the impression of delusion and madness. But actually this is just a glimpse into his head on a normal day.

I do something similar, but I actually do ask the random questions out loud. My immediate family take them seriously, but other people tend to look at me like they are worried there is something wrong with me.

But the answer I have to Holmes' question is predation. Lots of things nomming on oysters. Humans, for one.

His nephew, Watson--I had suspicions of foul play and I allowed him to see it. The boy died horribly. He has a grudge against me.

So, he already poisoned his nephew. Good to know. Good to know

Make any excuse so as not to come with him. Don't forget, Watson. You won't fail me. You never did fail me. No doubt there are natural enemies which limit the increase of the creatures. You and I, Watson, we have done our part. Shall the world, then, be overrun by oysters? No, no; horrible! You'll convey all that is in your mind.

That's what I was saying, Holmes. Predation. I'm glad to know you've done your part to prevent the Oysterpocalypse. Good man.

I have never eaten an oyster, I am falling down in my duties.

I left him full of the image of this magnificent intellect babbling like a foolish child. He had handed me the key, and with a happy thought I took it with me lest he should lock himself in. Mrs. Hudson was waiting, trembling and weeping, in the passage.

Clearly everything is going according to plan, but Holmes you owe these two so much for putting up with you this time.

I still don't remember this story. I am feeling very Gandalf in Moria right now, but my nose says there's something very fishy about Holmes' illness, and it's not the oysters I'm smelling.

[jadelotusflower]

Stargate rewatch: 1x20 Politics

We pick up right where the last episode left off, Daniel getting his shoulder wound treated and trying to explain the alternate reality to his sceptical team.

It’s funny to see the team not really believing Daniel because it’s still early in the run, whereas later on any of them could say the weirdest shit happened and the rest of them would just roll with it no questions asked.

Jack: “And you were there, and you were there, and there’s no place like home.” Daniel: “As a matter of fact, you were there.” Heh. Is Daniel just frustrated or did he not get the Wizard of Oz reference? Works either way.

I’m curious how the team thinks Daniel got shot by a staff weapon if it was all a dream though.

“Yes but the defining event, the death of Ra, took place in both worlds.” A bit of a logic leap by Daniel but hey, it’s what he does.

This is a clip show. I give SG-1 a lot of credit for actually making an effort with their clip shows, always building them around an in-universe plot to give context and cause. They’re still annoying to watch in these days of binging, but they’re as successful as they can be.

Written by Brad Wright (not including excerpts) and directed by Martin Wood.

“How’s our boy?” I find this very cute? Hammond really is the mama duck to SG-1’s ducklings, the epitome of restrained affection.

His absolute and obvious disdain for Samuels is also a real treat. He rolls his eyes!

Samuels is played by Robert Wisden, who was also briefly in Smallville as Chloe's father Gabe. Both shows were based in Vancouver, and both ran for ten seasons, so there's quite the guest star crossover.

In a private meeting with Jack, Hammond goes from “this is what I look like when I’m not laughing, Colonel” to almost laughing when Jack cracks another joke. I love Hammond so much.

I think Ronny Cox as Kinsey is actually the longest running villain in the entire show? Apophis finally bites it in season 5, but Kinsey makes it all the way to season 8.

“And this must be the drain through which the money flows” is such a great line for a pontificating blowhard politician, as is his hypocritical speech. You immediately know who Kinsey is, and you hate him even though he’s actually right about a lot of stuff.

“Oh you’re right, we’ll just upload a computer virus into the mothership.” lol, the shade at Devlin/Emmerich here.

We get a date for the Chulak mission - 10 February (presumably) 1997. The computer in the previous episode indicated it was December 1997 so assuming time was the same in the alternate universe, it's been approximately 11 months since the pilot which seems about right.

The purpose of the mission is described as “to rescue both Dr Jackson’s wife and her brother, and determine the Goa’uld threat” which is the first mention we’ve had of Sha’re and Skaara in a while.

lol, Jack looking to Sam to give the correct pronunciation of Goa’uld because he doesn’t want to.

Lt Colonel “secondary objective” Samuels being the one to read from Jack’s report about Skaara being chosen really twists the knife.

“Because what is right cannot be measured by strength.” Great Teal’c line.

Argos gets discussed and it’s mentioned that SG-2 made recent contact with them - a nice little background aspect of the show that they do check in on the worlds they’ve visited from time to time.

Much is made of the lack of benefit to the Stargate program - guess that wonder drug from Emancipation didn’t pan out? Or maybe everyone just wants to forget that episode happened.

Sidebar - with all the clips it’s obvious that Daniel’s hair has been getting longer throughout the season - irl because Michael Shanks’ hair was shorter and was growing it out as filming progressed to get that Daniel look, but my headcanon in universe is that Sha’re used to trim it for him on Abydos, and since her abduction he can’t bring himself to get it cut

There’s an ongoing metaphor by Kinsey for the Stargate being a Pandora’s Box that’s kind of apt, the box (jar) being a gift from the gods intended to punish mankind after Prometheus gifted them fire, with humanity as Pandora, eternally curious and unable to resist peeking inside.

The show never had a Goa’uld character who took on the persona of Prometheus, Epimetheus, or even Pandora, which was kind of a missed opportunity.

Samuels the slimeball is “sorry it had to end like this” and Hammond rightly tells him to gtfo.

Nice crossfade, Mr Wood.

The Stargate shut down, the threat of an imminent attack - all in all, a good setup going into the season finale!

[rlmfanfic]

I burst out laughing from this.

Source: https://www.google.com/amp/s/thebiography.org/jay-baumans-wife-net-worth-hair-where-is-he-today-gay/%3famp

I actually disagree whole-heartedly. Lets get rid of that binary thinking.

Science shows us that sexuality is an ever-evolving spectrum. If we look at the pioneering work of Dr. Alfred Kinsey, we see that an individual may find themselves anywhere from "Single and Focused on Career" all the way to exclusively "Gay for Mike Stoklasa" and everything in between.

Also, that URL is hilarious. It's all the info everyone is hounding for: "Jay Bauman's wife net worth where is he today gay."

Thanks for this. 😄

[henrysglock]

What what who and who do you ship now...I'm so confused

Okay, Nonnie. Here's the rundown. Get ready, because it's a bit complex.

What I ship in canon is very different from what I ship in fanon!!

I don't ship Patty and Henry as a canon/endgame couple. This is mainly because a) I don't want Patty to be reduced to "Henry's girlfriend" rather than having her be her own stand-alone character with a proper arc that Henry happens to fit into, b) I think Henry's gay, and c) I don't think there's a whole lot of canon basis/there are more signs that they won't end up together than anything else.

However.

I think it would be very entertaining to have a version where the three of them (Henry, Scott, Patty) were all school friends, and Henry ends up married to Patty because he genuinely loves/trusts her, even if they're not romantically into each other (i.e. married for the benefits type deal). However, he's 100% into Scott/they've got a romantic thing going on. Meanwhile, Patty and Scott are sitting there together like: Screwing Henry?

Y'know, classic qpr/throuple shit.

More of a...

Patty and Henry aren't in love with each other, but they do love each other dearly, and they could absolutely keep each other happy, iykwim, even if the attraction isn't there (it's a nuanced approach to attraction vs "i'll bite, we can make it work"). Patty's not opposed to sharing Henry with Scott, especially since they're clearly over the moon for each other/she grew up being good friends with Scott and likes him well enough anyway.

...type deal.

She's not in love with Henry, she got over her puppy crush on him a long time ago, but she also knows they have a mutual respect/deep bond (they were in the Hawkins High trenches together) that means she's going to have a happy, loving home. Henry's still serving Kinsey 7 when it comes to attraction, absolutely, but what's he going to do? Turn down a really good situation that comes with tax benefits, a qpr/fwb housemate, and a break from the gay allegations? And honestly, what other lady could possibly be a better fit for this than Patty, who already knows everything off-putting that there is to know about him and loves him anyway? (Also. Henry's absolutely the "wife" here. Patty's holding the reins in this household. Mark my words: that man is not dominant)

Thus: "I'm Patty, and this is my quasi-wife Henry, and his all-but-legal husband Scott, who's a good friend of mine".

I'm also not one to slip into gold-star mindsets, because once you start getting into "what makes someone a real homosexual/what are real homosexuals 'allowed' to do in the bedroom" debates, you start down a slippery slope into bioessentialism/trying to define what it means to be a "real" man or a "real" woman in regard to who's "allowed" to sleep with whom while still being a "real" homosexual. That ends up with us trying to force people into neat little boxes, which is coincidentally something that Henry as a character is entirely opposed to (but that's a tangential conversation).

tl;dr: Do I ship Creelby as a canon endgame couple? No.

Do I think it's fun to make up stories with Creelby-Creelarke like weird Barbie and her two Kens from the Barbie movie? Yes.

Telling my non-ST friends this was the Creelby-Creelarke household:

[kirbybot]

here’s how two kinsey scale 5s can make it work!!!! day 2 of @dr-rarepair-week-blog

[employee645-gay]

Dr. Sharpe and Lt. Kelly having a grown-up girl bonding time. Wink-wink, nudge-nudge. Here's my book cover slash fan-art of "Beyond the Blue" by TJ O'Shea. Mei & Morgan currently own my WHOLE body and soul.

Spice level: 🌶 🌶 🌶 .🌶

My song inspo: "You Can Sleep While I Drive" (Live) duet by Melissa Etheridge & Amy Grant. 🔥

Synopsis, babes:

Numbers rule Dr. Mei Sharpe's life. She has no husband, one friend, two daughters, and three random meetings with the same woman within four weeks. Once is chance, twice is coincidence, but upon the third meeting, even Mei in all her empirical rigidness must admit that perhaps the universe is giving her a nudge. A nudge that lands her directly in the path of Lieutenant Morgan Kelly—an affable, charming detective for the Sheriff Department's brand-new cold case team working down the hall from Mei's morgue.

More Golden Retriever than hard-boiled detective, Morgan is determined to pull the asocial widow out of her shell. As the icy scientist warms to her cheerful new friend, an irrepressible chemistry develops, and Mei begins to realize she's perhaps a different number on the Kinsey scale than previously considered.

As Mei and Morgan struggle with guilt and grief, drama and desires, Mei finds her scientific austerity is no match for the universe and its nudges toward the startling revelation of what her heart really wants.

[gatheringbones]

[“I’ve heard that “women aren’t visual” line countless times over the decade. It’s an idea that originated with Dr. Alfred Kinsey’s 1950s research and has become embedded in our culture as a biological truth. More current research has shown just how wrong Kinsey was on this point.

Dr. Michael Bailey’s oft-quoted study performed at Northwestern University in 2001 found that women were aroused by a wide variety of erotic images, as opposed to men who were more focused on erotic imagery aligned with their particular sexual orientation. In 2004, researchers from the Stanford University School of Medicine found that women became fully aroused within two minutes of watching a sexually explicit film—faster than the average man. Similarly, in 2006, researchers at McGill University used thermal imaging to measure the arousal rates of both men and women when watching adult films. They concluded that there was no difference between men and women in the time it took to become aroused.

I knew women were turned on by porn and I had the statistics to prove it. Critics asked me what porn for women looked like. I argued repeatedly that facial cum shots didn’t appeal to women; women wanted more romance, kissing, intimacy, and realism. I must admit I became prescriptive at times about what kind of content constituted women’s porn. It seemed easier to just talk about naked men and sensual couples than to get into philosophical discussions about “what women want.” Even so, I often did my best to explain that porn for women was about the audience and the perspective, not the sex acts involved. In 2003, I wrote, “My definition of good porn for women involves depictions of sex where the woman’s pleasure is paramount. It has to be about HER experience of sex, HER pleasure, and HER orgasm. Everything else is really just window dressing.”

The research conducted in 1994 by Ellen Laan at the University of Amsterdam was especially useful in summing up why I was making porn for women. Laan studied whether women’s subjective responses to porn were different to their physical reactions, by showing her subjects different types of porn, including the female-friendly film Urban Heat by Candida Royalle. She found that while their physical arousal was constant, “subjective experience of sexual arousal was significantly higher during the woman-made film. The man-made film evoked more feelings of shame, guilt, and aversion.” I wanted to offer the good stuff without all the shame, guilt, and aversion.”]

Ms. Naughty, from My Decadent Decade: Ten Years of Making and Debating Porn for Women, from the feminist porn book: the politics of producing pleasure, edited by tristan taormino, constance henley, and celine perreñas shimizu, 2013