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#echo neko
westanthewaterman · 3 months
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you spotted a wild westie. do you
> send a silly ask
> send them pictures of toes
Silly ask. Please for the love of everything, a silly ask.
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vandyrix · 1 month
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hehe cat batch
[neko atsume bases by @/micamone on DA]
[Feel free to use btw, just credit me :3]
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mothpawbs · 1 year
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more maggs! i wanted to try mimicking the styles of some games i like :3 my favorite is the nitw one, it came out really cute
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blueskittlesart · 1 year
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I need to know what wagahai means Right Now /lh
oh this is a fun little language lesson! so japanese doesn't have pronouns in the same way that english and romance languages do. In practice, the only commonly-used pronouns in japanese are personal pronouns, essentially the equivalent of "I" in english, which a person uses to refer to themself. if you consume a lot of japanese media you might recognize common pronouns like watashi, boku, ore, etc. in japanese media, a character's manner of speech is often a huge part of their characterization, and this includes their personal pronoun. bubbly female characters will often use atashi, a slang version of watashi that gives off a girlier vibe, young/inexperienced male characters will use boku, delinquents or teenage boys will often use ore, etc etc. wagahai is technically a personal pronoun, but it's VERY outdated and suggests self-importance/nobility, so it's NEVER used in modern japanese. it's sort of like talking to someone in pompous, accented old english. it instantly gives off a vibe of like, outdated pretentiousness yknow?
so the reason morgana, a talking cat character, uses wagahai despite it being so outdated is a reference to a novel by natsume soseki called "i am a cat" or "wagahai wa neko de aru" in japanese. the narrator of the book is a housecat who uses the pronoun wagahai and archaic phrasing in general as a sort of humorous juxtaposition to the fact that he's just a housecat living with his incredibly normal middle-class owner (the pronoun wagahai was already outdated when the book was written in the early 1900s.) "wagahai" as a pronoun nowadays is usually only used by self-important animal characters as a reference to the book. (i believe bowser also uses wagahai in the japanese mario games? correct me if im wrong.) anyways the reason i mentioned it was weird that morgana keeps using wagahai as a human is that the only phrase that wagahai evokes in my head is wagahai wa neko de aru, literally meaning I AM A CAT. almost anyone who knows modern japanese would think it's weird to hear a modern human using it lmao
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raylaui · 10 days
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A Masterpost? In this economy?!
You can call me ray!
Mostly posting turtles right now but I'm also a fan of Destiny 2, Treasure Planet, Jak & Daxter, & Star Wars
Please note! While the only things I post and engage with are wholesome family stuff and some action/angst, * I am an ADULT *
Proship/t-cest/other grossness DNI !! You're NOT welcome! Respect the boundary and see yourself out
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RoTTMNT inspired Playlists
Paint the City Green
Raph - Donnie - Leo - Mikey - April - Casey Jones - Casey Junior
- - -
RayLaui on AO3
Post ROTTMNT the Movie fics (All in the same AU)
The Echo or The Answer? (completed)
-> Playlist
-> Art : 1 - 2 - 3 - comic - 4 - 5 - 6 - 7 - 8 - 9 - 10
But Who Will Carry You? (in progress)
-> Playlist
New Strain on the Block (COMING SOON)
Colors in the Sky (Coming Soon-ish)
Constellations of the Colossus (Coming ... eventually)
Do Not Mourn the Butterfly Weed : An OC centered fic 17 years AFTER the movie idk maybe this will be something
- - -
Turtles & Co. refs (in my syle)
Raph - Donnie - Leo - Mikey - April
Splinter - Draxum
?? - ?? - ?? - ??
ROTTMNT oc's
Nike (Andonika) - Spike
Lyko - Aria - Arbu
- - -
Teenage Mutant Ninja Neko
- My own TMNT iteration - Basically TMNT what What If ... Cats
Prologue : 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10
Part 1 : Coming Soon
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peachysodafizz · 1 year
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I got a new apple pencil tip, so here’s a drawing of Neko and Echo together
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maryyyy8 · 1 year
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Need more transfem catgirl friends to meow at
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Hii! How are ryu? Just got home and I see bad status(
Maybe talk a little? And if ryu're ok and some writing can make ryu better → 🌸♠️✈️ (if not feel ok to ignore! Just worried)
- 🫧 sea star anon 🫧
🌸: TALK2ME by Mobiius (warning it's so fucking explicit, because I am the concept of the songs about sex itself. Yes this song is literally me, glad to be musisonar)
♠️: Did you know that there was an official comic series by Hasbro with crossover between Transformers and........ My Little Pony
✈️: I already said it but I feel so high right now, I can't control myself and yeah I was feeling so bad, now I'm feeling bad but also holy shit help. Also holy shit someone really looks at these statuses???? /silly
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moonswolfie · 8 months
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Thawing out an icy heart
An AU where our omi is an ice skater anyone?😭 (someone said that they like this format in my reblogs so here i am)
@melonnmiru just tagging you since i thought it would be the right thing to do
also suuuper random but I downloaded neko atsume again after YEARS, it feels weird to actually understand what the title means because I've known that game since I was like 6😭
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Ice skater!Sakusa who dutifully attends practice after school and even stays late sometimes to be extra sure he's practiced a jump well enough
Ice skater!Sakusa who often gets crushed on by fangirls only for the crush to fizzle out as soon as they attempt talking to him because they're put off by his personality
Ice skater!Sakusa who's preformance keeps getting reccomended to you on Youtube so you eventually give up and watch it
Ice skater!Sakusa who you're entranced by and suddenly want to know more about
Ice skater!Sakusa who you recognise as a boy in your class from the two moles on his forehead the next day
Ice skater!Sakusa who sighs when he sees you (yet another admirer) watching him from afar since he finds them to be bothersome
Ice skater!Sakusa who you keep wanting to approach in order to compliment his preformance but always get scared off by his scary looking scowl
Ice skater!Sakusa who ends up being paired with you for a class project, giving you a perfect segue to get to know him and giving him a (seemingly) annoying fan to deal with for a month
Ice skater!Sakusa who is very pleasantly surprised by the amount of knowledge you have on ice skating once you start talkingb(you totally did not do tons of research just so you can impress him)
Ice skater!Sakusa who gets wary of you because you're suspiciously fun to talk to, even if it's something that doesn't personally interest him
Ice skater!Sakusa who you cement your feelings for during the project and keep talking to even after the project is done
Ice skater!Sakusa who is oddly distracted by thoughts of you at practice, so much so that he misses a jump he usually always gets and his coach becomes worried for him
Ice skater!Sakusa who desperately wants to deny that he's falling for you since relationships are a hassle for him (and he's got routines to practice for his tournament, no time for dates😤)
Ice skater!Sakusa who freaks out internally (and blushes externally) when you show up to his practice unnanounced one day, which doesn't go unnoticed by his coach
Ice skater!Sakusa who gets handed the theme of "first love" for his free program with no negotiation allowed
Ice skater!Sakusa who mentions attending a tournament soon and is not surprised at all when you invite yourself to it with an annoyingly adorable smile
Ice skater!Sakusa who practices the free program vigorously as always but the coach laments that "he looks like he's supressing feelings of first love and not expressing them" and that makes him go red for just a second
Ice skater!Sakusa who sees you waving to him in the crowd as he skates onto the ice on the day of the tournament
Ice skater!Sakusa who didn't really plan on it, but his feelings for you started showing themselves through his preformance, the coach smiling to himself when he noticed
Ice skater!Sakusa who finally decides to admit to himself then and there that he's in love with you and finally understands what the coach meant with "you have to express love". He dedicates his heart, his soul, his every move in this preformance to you and only you
Ice skater!Sakusa who ends the preformance, booming applause echoing through the stadium and roses from fangirls falling onto the ice, but at this moment, your cheers were the only ones which mattered to him
Ice skater!Sakusa who acts like he usually does after, listening to you talk about how much you loved the preformance with a small smile under his mask as if he didn't just make a passionate confession through ice skating
Ice skater!Sakusa who can't help but wonder if his coach picked the theme "first love" on purpouse...
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dvzaiosamu · 3 months
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Neko Lyney.
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neko lyney x fem.reader. Topic: you basically rub Lyney's ears and play with his tail, whatever... You just treat him like a kitty.
hope you guys enjoy! I made this 'cause I saw some fanarts on pinterest about him as a catboy, and I couldn't help to make a short oneshot about him!
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Magic, applause, curtain closing, a show at the top! The perfect combination that every magician wants to have in their shows. Lyney, young and playful magician with some feline characteristics. Cat ears, a feline tail, and personality traits, like: he liked to sleep more in the mornings than at nights.
It was not surprising that in Teyvat there were people with different feline characteristics, like his sister: Lynette.
After an arduous day full of quests and problems, your energy was depleted to the point that you couldn't last long without feeling exhausted. You walked home, to your warm home in Fontaine, where you suddenly remembered a very important detail,
"I forgot I left the spare keys of my house in a easy spot to find, shit... I hope no one finds them and breaks in," you though, with some uncertainty.
Suddenly you speed up your pace towards your house and go up a long ramp until you reach your door. You reach into your pocket for your keys and insert them into the sockets, twisting it to open it. You push the door and enter, slowly. You close the door behind you and feel a presence, but you weren't sure who it might belong to.
You decide to gently leave your adventurer's equipment on the furniture in the entryway. You went up the stairs with a silent and cunning step like that of a feline. As soon as you got up, you walked into your room with a yawn, and that was when you closed the door behind you and a familiar voice echoed,
"Hello again, spectator!" He joyfully utters what you turn around, startled and confused. “It's a joy to see you arrive! I thought the sun outside was enough to illuminate the room, but I see that now that another star has set foot here, I find myself captivated by how radiant you look today."
"Why did you sneak into my room out of nowhere, Lyney?" you ask him and his tail just wags to the sides in a relaxed and gentle manner, smiling.
"A good magician never reveals his tricks!" he pauses dramatically to take a step towards you. "I guess I can make an exception for you... Since it's not a big deal."
You remain silent, looking at him, waiting for his answer even if it was very obvious, but for some reason you wanted to hear it said, confessed and explained in depth. You cross your arms and generate a feeling of authority in yourself.
Lyney's ear flicks. "You see... Today I had gone to your house to visit you, but when I saw that you were gone, I remembered that you normally leave a spare key outside your house, and it seemed to be the case that you left them in a very bad place... To prevent intruders from entering, I kindly offered to take the keys and go inside to look for you, but not seeing you, I was too lazy to go out and stayed inside."
"You are definitely not an intruder..." you tell him sarcastically, rolling your eyes with a playful smile.
"But don't be mean, you won't throw me out of your house, right?"
"Be aware that you are breaking a law, more specifically, article 202: Whoever, without living there, enters another's house or remains there against the will of its resident, will be punished with a prison sentence of 6 months to 2 years," you tell him, your tone firm, but maintaining a playful tone.
"Well, well... You have decided to become interested in human rights, right?" A sly grin appears on his lips. "I don't think you're stone-hearted enough to shove away a poor abandoned kitten..."
"Now that you're here, no... I won't kick you out, nor report you. You're lucky to be close to me."
"Well... Thank goodness you're not as bad a person as they say." As if it were his home, he avoids you and walks, sitting on your bed crossing his legs. Seeing your annoyed expression, he raises his hands in defeat. "Just kidding."
"You better be," you snort.
Walking towards him, you take a place on your bed, and lie down on one side, your head resting on the pillow and the rays of sunlight coming from the sun pass through your window gracefully and prostrate themselves on your figure. Today was a hard morning, but it's the only thing you could do. Your priority now was to rest.
An unusual silence forms in the environment with the singing of birds muffled by the closed windows. You try to close your eyes, to have a proper rest even though Lyney is still doing his thing. In a flash, the young boy does not hesitate to play a joke and approaches you, hesitating for a few seconds whether to do what he intended to do. He sits next to you, his body in contact with yours. A light breath coming from him, but his heart racing slightly. His tail lands on your face, just to bother you and take away the feeling that you were going to rest.
"Lyney... What are you doing? Let me rest," you say as you sit on the spot, you lightly rub your eyes and look at him, he just responds with a smile.
"You already know that cats have healing effects. That's why I'm committed to helping you relax," Lyney explains to you, one of his ears flicking before, without even giving you time, he places his head on your chest, his weight making you lay down again. "You know what to do, right?"
"Are you saying you want me to pet you?" you ask, and Lyney nods, even though he knows he'll probably fall asleep before you.
One of your hands goes to his head and you gently begin to caress him. A small, silent but adorable feline sound is heard as a sign of having received the sensation. While you caress him, Lyney tries not to make the moment uncomfortable with the occasional pleasant sound, and only limits himself to purring and warming you with his body.
You had forgotten for a moment that cats usually have sensitive areas, and that is why you decide to change the area and start massaging behind the ears. His ears slowly lowering, giving you more access to pet him without having to move your hand much.
You hear how the purrs intensify and your body feels cushioned, you can't help but smile and let out a light giggle, but you don't realize that your partner had already fallen asleep.
Your eyelids feel heavy and you close them, your hand resting on his head. You weren't expecting to fall asleep so quickly, but when you added his purrs and the fact that he was already exhausted, it made more sense.
A smile curls on Lyney's lips.
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This one was quite rushed... Even so, I hope it was not too cringe to read ≽^•⩊•^≼
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zwolfgames · 5 months
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Yandere!various!That Time I Got Reincarnated As A Slime x gn!cat!reader
Requested: JosephCruz118
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(Warnings: Forced marrige, neko reader, reincarnation.)
(3rd person POV)
Welp, there it went. The end of your life.
Just like that.
A strange way to begin, but thats what happens in the tragidy that is your life.
You were graduating, finally, after years of being a student, you could walk out of this building and live.
Well... Your classmates would. But you just so happned to get the short end of the stick.
You were simply walking down a hall, when some... pshycothic man pushed you out of the open window.
Sending you pummeling down three stories.
The last things you heard were some disgusting cracks and screams... just screams.
Embracing the sudden coldness of the world, you felt life leaving you.
'Wish I'd have landed on my feet for once in my damm life... Maybe feel loved for once...' Your last toughts echo trough your head, a thumping pain in your cracked skull.
And then it all just fades. 
Thats it, the end of Y/N L/N.
Missed by many, but never got far in life.
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A fresh breath of air enters your lungs.
You shock awake, laying on a warm grassy field. The green blades carresing your skin as the wind moves them. 
The sun shines brilliantly above you, almost blinding you as you flutter your (e/c) eyes open.
'What in the fuck-knuckles is this bright nonsense?' You squeeze your eyes shut once more and groan in displeasure. This was not what you wanted to see in death.
You once again open your eyes, feeling a bit light sensetive at the moment. But you hold your hand to your forehead, blocking out the suns harsh rays.
After a moment of adjusting to the new lighting, you take your hand away and look around.
Big grass field... Surrounded by forest. Huh, what a strange afterlife.
You take another breath of fresh air, crisp... crisp air. No pollution noticable.
'Yea... Now hold up a minute.' You talk to yourself in your head, standing up and looking at your hands. No blood, no rocks or dirt.
Yea, somethings wrong here.
Especially that elongated feeling in your tailbone. Weird.... thats new-
Oh my god its a tail!?
You screech in confusion and grab the fuzzy thing. Slender but long, standing to make sure you keep balance. No no no! The afterlife turned you into a cat(girl/boy/YN)! A damm furry!
Some birds hiding in the grass fly away at your noise, some almost touching the top of your head.
If you had a tail then... oh no..
Your hands quickly reach for your head. And yep, two cat ears. Actually, biologically, on your head. You even felt them twitch in your hands.
After cringing for a good two minutes you calmed down and just accepted fate. It could have been worse, you could have been a worm.
So... what to do now? You couldn't just stay on this random grass field for the rest of your afterlife...
Or maybe thats what you've been sentenced to, grassfield duty.
Were they expecting you to chomp grass like a cow? Who knows... Where are the instructions? You would like to read them.
But no instructions came... reminds you of school projects...
You sigh and begin walking... towards... well, forwards. Where does this go? Into that forest? Yes.
But what else were you supposed to do. Wait around like a dumbass. No thanks.
So there you went, walking trough the thick grass towards the even thicker forest.
Birds greeted you with chirps as you entered the foliage. Forest greens filled your vision as you stepped trough a bush. Getting little unnoticable cuts on your exposed legs.
But.. It was peacefull. Birds, insects. The noises of nature really made this place feel real. was this even the afterlife?
A vision maybe?
Or... were you reborn?
How silly would that be-
"Watch out!" Some loud shrill voice alerts you of a quickly incoming troll or something on a.. on a wolf.
You jump aside and the wolf rider passes you.
He brings the wolf to a stop and hops off, walking back towards you. Ah, not a troll, this looks like a goblin, if you can trust those movies you've seen.
"Hey?" You wave awkardly. The shorter goblin smiles brightly with his two tusk like teeth.
"Hey! I haven't seen you before! Are you an adventurer?" The goblin asks exitdely. 
"Not.. really. i'm a bit lost. Where is this?" You ask, it feels as if your voice has barely seen use. As if its all new. As if this body is new.
Maybe it is.
"You don't know where you are? Well, you're in the Jura forest right now. I'm from Rimuru City, I can take you there, maybe you'll be able to orient from there?" The little goblin offers you with a friendly smile.
You nod, not that cautious as you should have been were this your old life. YOLO, am i right?
The goblin helps you onto his giant wolf and you hold on, like asked. The big canine speeds off trough the forest and you feel alive for once, wind in your face, cutting against your face like sharp yet harmless blades.
After a bit of running around on the wolf, you reach a nice looking medival village, lots of fantasy looking monsters running around, building things and working.
Well damm... This looks better managed then soceity.
The goblin that lead you here looks behind him to check up on you, to see if youre still on the wolf before enetering the crowd and bringing you somewhere.
He brings you all the way to what seems to be the towns centre. Gesturing for you to hop off here.
You hesitantly nod, awkardly smiling at the goblin as a form of thanks.
Welp, now you were in a random city, full of magical looking monsters and whatnot.
You hear the magical residents go about their day, smells of foods, contruction and just random things fill your weirdly sensetive nose.
Just as you were about to enter the building in front of you, as it looked like a town hall, you felt a squishy thing bump against your leg.
You look down, eyes widening at this small, light blue slime. Tapping your leg for attention.
"Uh... Can I help you?" You ask it in confusion, not reallu expecting it to react.
"Yes! You're new, aren't you? I'm Rimuru! Welcome to my city!" The blue slime speaks. It speaks!
"I.. yes? My name's Y/N." You awkardly repsond to the talking slime- Rimuru. What wonders does this world have in store for you?
"Great! I'll show you around!" Rimuru speaks in an exited manner... but he doesn't have a mouth... Telepathy, maybe?
Whatever. That day, Rimuru showed you around his city full of fantasy folk. Introducing you to all kinds of people, some of his trusted compagnions and whatnot.
But thats... how you ended up like this...
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"Y/N. You can't go. Whats wrong with the village? We can give you everything!" Benimaru protests as he catches the arm holding your bag. The tall kijin holds onto you desparatly.
After three months of living in this village, you got to know pretty much everyone. And let's just say, they really like 'the cute demi-cat'.
Wich is why, when you planned to finally go explore some more of this weird world. You got met with a lot of complaints.
They've already set up guards by the city exits, you've been monitored for the past two days and now Benimaru was here to personally stop you.
"Let go, I just want to explore." You sigh, done with this weird protection you're receiving.
"No can do orders from the boss... that I absoluty agree with. You aren't ready for the rest of this world." The kijin repeats those lame words. He's grinning like always, just happy to be able to hold you.
Your ears flatten on your head and he 'awws'. How agitating.
"Come on, just stay and let me pet you!" The red kijin coees and sets you back down in your house. A babyproofed house.
Wich was annoying as hell! You didn't even get a knife sharp enough to cut the crust off your bread!
Benimaru takes the liberty of ruffling your hair. He's what you'd call... a big brother. Only diffrence, is that this one doesn't let you do stupid things.
But he wasn't the worst.... You'd say Rimuru was the most peacefull.. But Shuna was determined to get you to marry her.... And Gabiru had the idea that you were his bestest friend ever.
Wich is a reason to why you weren't allowed to leave. The people in the city got too attached to you. Maybe they found you friendly? 
But whatever the reason, you wanted out. They didn't let you do anything dangerous! Wich sounds stupid but you wnated to go explore too!
As if sensing your toughts, Benimaru grabbed yoy into a bear hug, his form engulfs you, you're barely visible. He loves it like this.
"Let go." You demand, voice muffled by his sleeves.
"No." He smiles down at you, nuzzeling his head into your hair.
You huff in annoyance. All this attention was nice... for a week. But it's as if they never, ever got bored of you.
It seemed impossible in your head. No-one takes intrest in you for this long.
Yet these fantasy people did. And it was weird. Like they had it all planned out.
Wich they did, but you didn't know of the plan. Wich Rimuru vowed to keep that way. He knew of the dangers of the world, and you weren't ready.
Better off with him and his friends.
You get snapped out of your toughts by the door of your house opening, speak of the devil. Rimuru. In his human form, today.
"Y/N! I see you've changed your mind yes?" He smiles at you, the... well... you still didn't figure out his gender... but since he said he used to be a man.. in his past life.. you just rolled with that because They/them takes longer to write.
"No, I'm just.... being blocked, at the moment." You speak from between Benimaru's arms as he doens't plan to let go any time soon.
"Well thats a shame. Don't you like it here?" Rimuru asks with a pout. Golden eyes looking straight at you.
"I do, i just want to see more." You asnwer what you always do. But ofcourse he just shakes his head.
"You're not going to." Rimuru answers back, a dark tone to his voice for the first time since you met him.
You try to protest but Benimaru clasps a hand over your mouth to stop it.
You lick his hand but he doesnt relent. Rimuru chuckles at your annoyed expression.
"Don't try. Y/N, if you don't stay willingly... You'd make a lot of my friends sad." Rimuru speaks in a belitteling tone. walking up to you and petting your head dismissivly.
You let out muffled sounds of protests, squirming against Benimarus limbs as hes holding you down.
"Fine then, we'll lock your house down from now on. Is this what you wanted?" Rimuru snarkily tilted his head. You didn't recognise him like this. He's always been so friendly. But now, with those scary dulled eyes on the cutesy face... he's just offputting.
You made your protests known by a harsh glare. But he just smiled. You were really getting pissed off! You were an adult for god sake! No matter these cat features! This was dehumanizing!
Rimuru left, taking Benimaru with him. You heard the lock click into place. The windows had never been able to open... so..
But what they didn't know, was that you were a great lockpicker. Being bored in middle school was bound to pay off at some point!
So when it got dark out, and all these annoyances went to bed. You took that little metal hairclip and got to work. These fantasy people didn't know how to make complicated locks. So it wasn't that hard.
And bam, door open, Y/N free!
So you just sneak out of your house, taking some food with you, along with the non cutesy clothes they've provided you with.
Atleast being half cat gave you great stealth. No-one would hear you.
So you left Rimuru city. Into Jura forest and just... Wherever you wanted to go.
Ofcourse, you had been thankfull for their hospitality for a while, You mean, modern soceity would have let you rot on the streets. But still, locking someone in a house? Crazy.
The leaves crunched under your feet and you were getting paranoid that you'd leave a trail for them to find.
You sped up your pace, hoping to find somewhere else to hide. A cave maybe? A difrent city?
But no, you ended up meeting monsters. Lots of them. They chased you down, tired you out. You felt like real prey for once.
You hid in a tree and stared at these savage beasts as they kept patrolling under the tree. You couldn't get out. Trapped once again. But not as comfrotable.
But not for long. As morning broke out, the warm rays hitting your cold face after a night out in the tree, you heard sniffing.
And it wasn't from the monsters.
Before you knew it, they were all torn to shred by Ranga, Rimuru's wolf compagnion. Shit! He tracked you down!
Rimuru was on his back, in slime form. He devoured the tree you were in and turned human just to catch you in a ridiculously tight grip.
He seemed mad, stressed. Not a word was exchanged as he set you on Ranga and rode back to the city. Harsh grip around your waist.
"Y/N. You. Don't. Get. To. Leave." Rimuru whispered to you as you arrived back at the village.
You expected him to throw you back into your house but he too kyou to his living quarters instead. 
Tugging you along to one of the many rooms. Opening a wooden door, the overpowered slime set you on the soft bed and clicked some magic restraints to your wrists.
"This is your own fault. Ok?" Rimuru spoke darkly.
"You'll marry Shuna and Souei. You'll stay put and let us ake care of you. You hear me? This world is dangerous, and you weren't granted powers like I was." Rimuru explains with a serious face. He wanted you to marry two kijins!? Two?! Whatn to tie you to this place?
"I'm not getting married-" You started but he shut your mouth.
"You are. They keep whining about it and why not? You deserve some love, don't you think so?" He grins. You were genuinly scared of the slime at this point. This sounded way too creepy.
"You wouldn't want Gabiru to miss his best friend, would you? Or Benimaru to miss his adorable little sibling? Don't you get how dear yo uare to everyone?" Rimuru carresses you cheek softly. What kind of manipulation is this bitch pulling on you?
But you were afraid of talking back. This boy could pulvorize you ten times over.
So you reluctantly nod. Maybe... Maybe you could get used to living here? Its not like they hurt you...
Rimuru immeadiatly turned bubbly and cute again as you nod. Smiling brightly and patting your head before he leaves again.
The door clicks to a locked state and you slowly pann your gaze over to your cuffed wrists. They glow in the sunlight coming from the thick looking window.
'What the hell just happned?' You deadpann at the floor, needing a moment to register what just got decided for you.
You'd be stuck with these crazy sicko's forever!
A nightmare, really, being taken care off and loved. ew, who would like that-
Wait a minute.
Now hold up.
Well it may have been nice if you liked being stuck in a room. But nu uh. You were an adventurous cat!
The universe granted you a second life and you weren't going to waste it in the position of a docile house husband/wife!
But... You never got your adventure. Married off to two Kijin. 
Intertwined with all these people you had grown to know.
If only they had liked you... a normal amount.
Then you could have lived a seconds life.
This could barely be called that.
This was.... The life of a doll. It had to be. Put on display and loved by all, owned by all.
Thats what you'd always be.
A cute cat, to be cuddled and coddled.
Nothing else...
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_____☆_____
I think I went braindead while writing this twice.
Sorry for the late-ness! School has been killing me, last year isn't a damm joke.
I hope this was readable!
Have a nice day/night!
_____☆_____
Words: 2712
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westanthewaterman · 3 months
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would you still be friends with me if I were a worm?
Yes, although worms fall under the bug category for me so I'd get W or Nine to set you up in a little dirt box. But I'd make you a little worm sized pen and paper so you can still write.
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ecoamerica · 2 months
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youtube
Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared
The American Climate Leadership Awards 2024 broadcast recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by active climate leaders. Watch to find out which finalist received the $50,000 grand prize! Hosted by Vanessa Hauc and featuring Bill McKibben and Katharine Hayhoe!
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nahoney22 · 1 month
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❗️ CURRENTLY CLOSED
Thank you all so much for the support and the all the follows! So in celebration, I will be opening my requests up again!
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🫧 Prompt List links if you’d like to use (again not compulsory)
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Tag list:
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ineffable-opinions · 4 months
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Seme/uke - long response
A decolonial and subaltern take on three posts on seme/uke dynamics that aims to contextualize them while questioning ethnocentrism. I welcome alternative perspectives, corrections and criticisms.
Post #1: Seme/uke dynamics in Be Loved in House...  
@absolutebl responding to @echos-of-ivy
Seme – Uke
About two or more characters in a ship/pairing:
seme 攻め: top (the pitcher) (from origin - attack) also referred to as 左 (left)、タチ (tachi)、トップ (top)
uke 受け: bottom (the catcher) (from origin – receive / accept) also referred to as 右 (right)、ネコ(neko/cat)、ボトム (bottom)
riba リバ: verse (doesn't mind being either a top or a bottom) (from origin - reversible)
seme and uke are sourced from martial arts lingo: seme (martial arts), uke (martial arts) & is related to nanshoku tradition (depictied in ukiyo-e style painting below) of androphilia rather than western norms of queerness. Such differences in culture in queerness is seldom appreciated.
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Spring Pastimes. Miyagawa Isshō, c. 1750
Sometimes, androphilic men use seme/uke/riba instead of the following terms which are popular in their queer community:
tachi タチ 凸 - top
neko ネコ 凹 - bottom
riba リバ 回 – verse
Other BL producing countries also have similar terms for seme/uke/riba. And those countries also have terms for top/bottom/verse/side in their queer communities.
For example,
In Chinese BL (danmei), seme/uke/riba -> gong (攻)/shou (受)/hu gong (互攻)[1]
In Chinese tongzhi community -
top: gong (攻) or 1 or 上 or 凸
bottom: shou (受) or  0 or 下 or 凹
verse:  bu fen (不分)or 0.5 or 10
side: 不10 or 纯爱[2]
四爱 (fourth love) is the Chinese term for heterosexual relationship wherein the woman tops. When fictionalized, such romances are referred to as GB (girl boy) romance as opposed to BG (boy girl) and the heroine is referred to as female gong 女攻め.
In Thai BL, seme/uke/riba -> me (เมะ)/ ke (เคะ)/ se (เซะ) & their queer community have these terms.
Evolution
When the work does not involve sexual acts, seme/uke/riba is assigned based on speculation (‘what if’) in line with audiences’ preference. There are a bunch of stuff that are employed to determine the dynamics but owing to variation in taste, audience don’t always agree with each other. Since seme/uke/riba archetypes rose to that status with the yaoi (doujin) boom with development of comiket, etc. tanbi, June, original shonen ai and other such types of BL don’t follow these archetypes. Live action which follows, to an extent, the latter tradition, such as Boys Love (2006), also don’t have uke/seme/riba archetypes, instead follows the archetypes that was popularized by tanbi literary movement. Tanbi literary movement was queer in more ways than one. It preceded/birthed BL (Mori Mari) and influenced it.
As no culture is passive recipient [pun intended], different glocalizations of seme/uke/riba dynamics exhibit different features, both within and outside Asia (eg. original English-language BL publication).
IRL
While being top/bottom/verse/side pertains to sexual preference/choices and acts or lack thereof, it is not devoid of other implications. Here are some interplay between these preferences/choices and the implications to consider:
Are these preference/choices innate or socially formed? Or both? Or neither?
What does it mean to be top/bottom/verse/side – within and outside the queer community?
Performance of masculinity, femininity, neither. Which masculinity/femininity? Is that masculinity/femininity performance – marginalized, soft, protest, hegemonic or amalgamated?
How local and global queer cultures influence it?
Is it some kind of conformation/attempt to fit in? If yes, what kind and why?
How are those choices impacted by history (including that of colonialism), legal/political implication (e.g.: pink certificate in Türkiye), local forms of patriarchy & heterosexism, class, nationality, race, skin color, caste, age, employment (including sex work) or lack thereof, physical location & avenues of exploration, abilities and disabilities, access to internet & other infrastructure, education (including sex education), health conditions and access to medical care, etc.
How do they form expectations regarding oneself and others?
While it can be argued that there shouldn’t be any other implication associated with such preference/choices, one can not simply wish them away as it is more often than not linked to certain social realities.
BL as well as gei comi are genres of fiction, telling tales of male androphilia – these are reproductions of imagination entwined with realities, reflecting desires, fantasies and biases plenty.
Conflation
I disagree that uke/seme/riba archetypes are conflated “casually” with bottom/top/verse in narratives and discussions around them. There is a difference that P’AbsoluteBL probably isn’t aware of:
Uke is the bottom in a ship. A character could be uke in a ship, seme or riba in another. For a character to be a ‘bottom’, he has to be sou uke or total/complete uke. It means no matter who he is paired with he will always be the uke.
Alternatively, a sou uke is a character that makes all other characters become seme for him and go after him.
Similarly, a character could be called ‘top’ when that character is a sou seme or total/complete seme. Unless a character is established as a sou seme or sou uke in the narrative, there is always a possibility that those characters are verse. While most BL involves set ships, it is not rare to find characters who are uke in one relationship becoming seme or riba in another. Sometimes, after a time skip, transmigration, reincarnation, etc. BL characters end up switching within a ship.
In Live Action
While there is plenty of riba ships in other BL media, live action has had very few.
These couples were riba in the novel:
Bai Luoyin and Gu Hai – Addicted – The censorship struck right after the couple had their first coitus interfemoris (based on the chronology in the novel).
Lu Feng and Cheng Yichen - A Round Trip to Love
Lan Yu and Chen Handong - Lan Yu
Dom/sub
While the P’AbsoluteBL is allowed to do whatever, I don’t think correlating dom/sub with seme/uke is a good idea in the context of BL because:
BL has a separate speculative fiction subgenre called dom-sub-verse (Dom/Subユニバース) which have its own conventions. It is one of the many subgenres that took inspiration from omegaverse and has grown parallel to it. It takes dominance and submission from the kink community and explores them as innate/biological traits.
It involves characters who are identified as Dom(ドム), Sub(サブ), Switch(スウィッチ), and Usual/Normal/Neutral(ユージュアル/ノーマル/ニュートラル). Along with the standard elements of BDSM in fiction such as safeword, sub space, sub drop and aftercare, it also involves additional elements such as kneel(ニール), glare(グレア) and collar (カラー). There are commands コマンド (命令) that Dom gives to Sub. Sometimes elements borrowed from omegaverse such as heats/ruts, suppressants and professional Dom also appear in this sub-genre.
Dom×Sub ship: Dom is the seme & Sub is the uke.
eg. Hizamazuite Ai Wo Tou 『跪いて愛を問う』 & Rhetoric 『レトリック』 by 山田ノノノ Mijuku Na Boku Ha Shihai Wo Kou 『未熟な僕は支配を乞う 1』 by音海ちさ
Sub×Dom ship: Sub is the seme & Dom is the uke.
Jouzu Ni Dekita Ne Watasesan 『上手にできたね、渡瀬さん』 by 野萩あき Shoshinsha Dom Ha Hameraretai 『初心者Domはハメられたい』 by やんちゃ Gohoubi Ni Kubiwa Wo Kudasai (ご褒美に首輪をください) by Naruse Kano
Dom×Switch ship: Dom is the seme & Switch is the uke.
Sono Meirei De Ore Wo Abaite 『その命令で俺を暴いて』 by 小夏うみ れ愛の声で暴いて by 泉門くき いでおすわりしてみせて by 由元千子
Switch×Switch ship: One of the switches is the seme and the other the uke. 
強情なSwitchの躾け方 by ことぶき
Dom×Dom ship: One of the dom is the seme and the other the uke.
コマンドミー、プリーズ by 町田とまと サディスティックに暴かれたい by 星崎レオ (uke is a Dom, seme’s identity is not made clear) Kyousei Switch 『強制Switch』 by 彩田あまた
Like most BL genres, it is yet to make its way into live-action BL.
There are plenty of BDSM themed BL as well as training (調教) style BL where seme/riba/uke can be switch or sub or dom.
Problematizing the Problem
Hence, the argument that conflation of seme/uke with top/bottom is “a PROBLEM” is ironic. The main reason given for that argument is that “het consumers [would] conflate (egregiously & incorrectly) top with male/masculine and bottom with female/feminine.” Here are some things that I think is relevant to think about that:
Why would ‘het people’ or any people for that matter think in terms of male-female / masculine-feminine binaries? Do they think in those binaries only and not other binaries such as wen(文)-wu(武)? Why think in binaries and dichotomies at all? Don’t they not think in terms of multiplicity of genders/gender expressions such as various kinds of masculinities and femininities) based off on their local contexts? 
Do queer people not make such/similar conflations? (Hint: they do.)
Is it a problem? While this seems to be the popular notion, plenty of scholars from across the globe has dismantled it.
What exactly do P’AbsoluteBL think ‘het people’ conflate riba characters with? Feminine-feminine? Masculine-masculine? Neither? Both? Something else?
There are different conceptions of masculinities within a culture which get reflected in cultural goods, including BL, from there. Here are some really old depictions:
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Qing dynasty Chinese Water and Land Ritual painting depicting a divine civil official and thunder god in military regalia. [Wen - wu]
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Paintings of Padmapani and Vajrapani on either side of the Buddha, from cave 1 of the Ajanta Caves.
Moreover, if the problem is hinging on a particular understanding of seme/uke: the one in which seme is not feminine or uke is not masculine enough. If latter is the issue, it can be fixed by sticking to BL media with otokomae uke or macho uke. If former is the issue, there’s more than enough works with maiden seme and josou seme. If one is yet to encounter any such works, one is not looking far enough.
Masculinities in BL
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Here are three central characters from Finder series embodies different types of masculinities – a lot of it is presentation, physical attributes, age, power and social standing. Akihito is a young and vivacious uke who happens to be short and sinewy. Asami Ryuichi is a supadari seme: a guy who is tall, well educated, high earning, with good looks. In addition, he cooks and cleans and cares when he wants to. Fei Long is tall, beautiful and cunning and can be regarded as a riba character. But can any of these characters considered not masculine by regular standards?  Isn’t Akihito masculine enough for his age? And if we are to compare Asami, we are sure to find him lacking but then give him time to grow. They have a dozen years between them. Moreover, can average men stand comparison with a super darling? But then in the grand setup of patriarchy, isn’t power concentrated in the hands of the older men who dominates even the super darlings, both in real world and fictional ones.
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Ayase Yukiya & Kanou Somuku from No Money
Consider the case of Ayase, would you call him a “feminine” uke? Probably yes. He is small in stature - petite and cute. He is definitely very small in comparison to his seme Kanou. They probably have one of the most exaggerated size differences and an extreme case of the traditional pairing.
The traditional pairing comes from the customary practice of androphilia in pre-modern Japan. It involves relationship between a wakashu and a nenja or from the tradition of nanshoku. The former is not considered a man by the period’s standards and is considered a third gender by some scholars. The latter is considered as a mentor and lover for the former. While the traditional faded with ‘modernization’, tanbi literary movement (among others) kept alive remnants of it through the writings of the likes of Yukio Mishima.
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Note that the youth on the left is wearing a kimono whose style (furisode) and color was considered appropriate for adolescents of both sexes but not adult men, which along with the partially shaved pate denotes the boy's wakashū age status while the exposed bare feet indicates the purely sexual demeanor.
The traditional pairing has clearly inspired Japanese mangaka both BL artists and others. Look at the wakashu in customary androgynous clothing, younger, fairer and even smaller than the nenja, with relatively less experience being embraced by nenja who is in customary male clothing.
Check out more shunga about nanshoku to see visual ancestor of “yaoi”. The visual legacy continued with the likes of Go Mishima. The queers did it first.
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From the series "Mishima Go Book of Young Man" - Japan - 1972 (Showa 47)
Ayase in No Money fits into the wakashu ideal. Moreover, the creators of this manga explicitly differentiated between feminine uke with wakashu uke by juxtaposing Ayase with Someya who embodies traditional femininity.
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Someya and Honda from Henshin Dekinai
Putting it into perspective, it is noticeable that many a BL involves similar pairing. A lot of criticism BL faces is when it sticks to nanshoku dynamics. Interestingly, critics who can’t imagine genders beyond masculine and feminine, fail to tell apart “feminine” characteristics from wakashu characteristics. But there is no dearth of such dynamics getting subverted in numerous ways in BL:
ship with younger, lower class, petite, androgynous or any combination of customary wakashu characteristics in seme/riba.
ship with all parties being of similar age, class, physical attributes, experience, etc.
Emancipation
Shouldn’t typical uke archetype be seen as an example of subversion of the main character masculinity that dominates media landscape? Shouldn’t they be exalted for being what they are? Uke archetype that allows all genders to project onto and gain pleasure from, is that any less than a marvel in itself?
Pursuer & Pursued
In order to analyses if there is a shift in seme-uke dynamic, the P’AbsoluteBL employs the following to categories who is active:
who is pursuing whom
who makes the first call in terms of declarations and physical touch
who seems to be more in charge of the relationship
In BL, these are never reserved for seme/uke/riba. Who takes on which role depends on the narrative. BL rarely have fixed pursuer-pursued. All parties involved in a ship take on active role in different circumstances.
Take, for example, the original edition of Ossan’s Love, Hasegawa Yukiya employs certain indirect tactics to pursuing Soichi Haruta such as cooking, cleaning and caring for him. (These are tasks that seme/riba/uke usually engage in lighter BLs to gain and retain the attention/affection of the one they are pursuing.) Hasegawa also engages in activities they do together as a means to grow closer. Once he learns of his love rival, he switches up the tactic. He pursues more directly and aggressively. Soichi rejects him. He withdraws and returns to the original tactic but without attempts to grow closer. Soichi feels the loss and tries to get close to Hasegawa but is brushed off. He does not back down. Instead, he takes on a more aggressive route of pursuit - making amends and chasing after Hasegawa.
What P’AbsoluteBL implies with “I think BLIHID’s main couple has a REALLY weak seme/uke dynamic from the get go” is made abundantly clear in with “ShiLei does a lot of active pursuit, also he’s very self actualized.” Here, using pursuer/pursued would have sufficed. Instead, P’AbsoluteBL chose to disappropriate established terms ‘seme/uke’ and imbibed them with implications of “active pursuit” as well as “self-actualization” [regarding queer identity] that seme/uke/riba doesn’t carry originally. Most of it based on biases built on equating all BL to one type of BL: the one with traditional pairing that follows royal road progression.
What P’AbsoluteBL actively avoids discussing is that Beloved in House is basically following the super popular ‘domineering president’ plot based on a BG romance.
Live Action Struggles
P’AbsoluteBL mentions an imagined ‘struggles around seme/uke’ in live-action BL. I think the actual issue plaguing live action BL is the struggle to balance business and other interests while being able to do justice to the diversity within BL as a media genre.
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source: (chil-chil.net)
In the chart:
ほのぼの – heartwarming – Example: Restart After Come Back Home
コメディ – comedy – Cherry Magic
ダーク – dark – Sing in Love
シリアス – serious – Cornered Mouse Dream of Cheese
キュン – exciting (kyun) – Mr. Unlucky Has No Choice but to Kiss
Japan has trouble in diversifying its live-action in terms of sub-genres and treatment/mood. Even Thailand, despite the amount it produces have trouble offering variety. Riba couple, maiden seme, yarachin characters, yandere X yandere ship, etc. are either very rare or non-existent in live action BL. Moreover, live action BL is seldom explicit and are mostly in the speculative territory with seme/uke/riba dynamics, making it all the harder to diversify.
Tbh, what fascinated me the most is the “I kind of automatically cringed” part of the question. I would love to know what brought about that reaction. I am sure that it would help shed some light on discourse surrounding BL in general.
Post #2: Blushing Maiden Trope & Seme/Uke
Discussion (intended and in italics) between an anon, @heretherebedork & P’AbsoluteBL on actions and reactions during physical relationships.
The discussion centers around “the character placed into the stereotypically feminine role” being repulsed/reluctant/hesitant when it comes to physical relationships. It is directly attributed to “purity culture in BLs”.
BL have a complicated relationship with “purity” or being “clean”. Tanbi roots of BL hinged on sexuality and obsession with beauty to the point of decadence. Shonen ai (original meaning) works also had characters who are usually promiscuous for one reason or the other, never forming very deep relationship (at least not enough to stick to monogamous unions for long) yet endlessly entangled with other characters, often baffling non-queer characters in those works.
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from Song of the Wind and Trees
*
[Inviting readers to hazard a guess: who is the seme and who is the uke. Answer at the end of this post.]
*
But how explicit the depiction of physical relationships has varied in BL with time and space. Japanese BL with the self-published BL (aniparo / yaoi – original meaning) boom saw very explicit depictions side by side with the commercial BL which have barely any explicit content or those which take a closed-door approach. Now Japanese BL have a wide range in terms of explicit content and have grown to incorporate elements from other genres including gei comi. Korean BL is similarly doing well. It is not uncommon to have chapters or parts of chapter in manhwa and novels dedicated to the celebration of physical relationships. Thai BL also have no dearth of explicit content, especially in web publishing. Chinese BL in its early days had lots of explicit content, especially in self-publishing. But as censors started taking notice and cracking down, authors and platforms clamped down. Most BL were purged of any & all explicit content. Some of it migrated to Taiwanese platforms, AO3 & other foreign hosts. Now all danmei published is “pure love” devoid of even allusion to depiction of any physical relationship beyond above neck action.
When it comes to BL live action, things are a little different. In Japan and to an extend abroad, there has always been overlap between audience of BL and audience of Japanese GVs and pink eiga. Moreover, early live-action Japanese BL was probably aimed exclusively at hardcore BL fans. They were way more explicit on average and did not always involve physical relationship between the main ship. Same seems true about early live-action Chinese BL. A Round Trip to Love Part 2 (2016) even had bondage and SM scenes which wasn’t there in the novel; but then it didn’t have the hard-earned happy ending the novel had either. But now, even dangai with “socialist brotherhood” (社会主义兄弟情) can’t be aired. Meanwhile, Japan’s average BL today lacks much explicit content. This isn’t to say that it doesn’t drop an occasional Sei no Gekiyaku (2020) once in a blue moon. Here are my speculations to why more of those doesn’t get made.
There is another reason for “purity culture” in BL.
Sathaporn Panichraksapong, an MD of GMMTV, a major producer of BL series, claimed that audience members who are mainly heterosexual women look for romantic relationships among the characters rather than sexual relationships.
We know that our audience are [sic] women. Women want to see only two boys having romantic moments together. They don't want to see sex. Sexual relationships in BL are for a gay audience. That's why in SOTUS the Series we have only two kissing scenes. With only these, audiences were already screaming. This is enough for them. (Interview with Sathaporn, GMMTV, 10 Aug. 2017)
Jirattikorn, Amporn. "Heterosexual Reading vs. Queering Thai Boys' Love Dramas among Chinese and Filipino Audiences." (2023).
As Jirattikorn goes on to highlight, this [wrong] perception about the audience (“women”) have changed ever since.
While early BL series tend to portray pure love without showing many sexual relationships, later BL series started to show more sex scenes between the two male lead characters.
Jirattikorn (2023)
“It’s always the character being pursued, who is typically in his first relationship, who Never Thinks Of Sex. They’re often very sweet and innocent and wide-eyed.”
While heretherebedork attributes it to “purity culture”, it can be argued that this has to do with what audience wanted:
I like the way they portray love in Thai BL. It is a kind of puppy love. BL of other nations, like Chinese BL, are darker. In Thai BL, two male characters often start off friends, then develop feelings for each other. It is very light, very sweet. (Krissy, f, 27, Philippines)
Jirattikorn (2023)
and what media houses thought they wanted, as evidenced by Jirattikorn’s interviews with BL fans. This is not to dismiss struggles with purity culture which is often a very slow part of decolonialization.
P’AbsoluteBL goes further to the argument that “purity” is associated with seme/uke dynamics in BL and maps it to typical het pairing (BG):
The stronger the seme/uke dynamic (the more heterosexually dysmorphic and less actually gay) the more likely this trope will manifest. Simply put: the man (because he is hooah a MANLY MAN DUDE) wants sex but the woman (delicate pure flower of cleanliness and joy) does not. And if she does want it she is a DIRTY, worthless, whore - so she MUST protest sex (GASP) at every single turn. (Seme is acting the male and uke the female in these kinds of narratives.) *please sense my sarcasm dumb interwebs, mm’kay?*  
It’s true that the argument seems persuasive but is it right? Probably not. Seme, uke and riba characters can be divided into strong/weak categories based on their characterization - with the strong ones being those who pursue, take initiative, most likely to initiate intimacy at least for their first time, etc. and weak ones being those at the receiving end of pursuits and initiatives. Pairing a strong one with a weak one is probably more traditional –
strong riba x weak riba like in Addicted (at least before time skip)
strong seme x weak uke like in Old Fashioned Cupcake
weak seme x strong uke like in Saezurutori Wa Habatakanai (at least before time skip; pavam Doumeki)
compared to those with both parties being strong (which leads to delectable friction and sparks flying when done right) or both being weak (which leads to audience wondering: will either of them do something? No? Very well!).
BL’s sex negativity
Seme gets overwhelmed by his lust for uke, acts aggressively and has to be shut down or warned off. 
Not only seme, uke and riba characters does this too. P’AbsoluteBL attributes “getting overwhelmed by lust” and “acting aggressively” to seme when it can be attributed to both uke (襲い受け) and riba as well. Other than acting aggressively, characters may employ seduction (eg. Xia Shang Zhou in You Are Mine (2023) - tried and failed & Charlie in Pit Babe (2023) - successful) and/or manipulation (Color Recipe by Harada).
Seme won’t take no for an answer because his needs are too great and his needs take precedence (he’s “the man” after all) and the uke is just TOO CUTE how could anyone resist? (After all the seme is only gay for this one guy because he is so cute. Everything, therefor, is the uke and his cutenesses’ fault.) 
Moreover, P’AbsoluteBL is probably not aware of kawai seme who employ their cuteness to get uke to lower the guard and to seduce. Cuteness is clearly not a uke prerogative.
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Like the sailor-costume wearing seme on the cover, cuteness is sometimes invoked through conventionally women’s clothing, cosplaying (maid, sailor, nurse), etc.
If the seme makes the choice to have sex for the uke, then the uke is not at fault and is still technically innocent. Only if an uke wants it, is he actually impure (or actually gay). In H4 when they both comfort and sex shame the bottom after the rape sequence, this is the narrative’s mentality. (A man who does not want sex is assumed to be able to fight another man off.)   Oh and ALSO, the seme must read the uke’s mind and know what the uke really wants.
I don’t even know what went into this argument. There is an entire subgenre: 調教 BL (training / conditioning) that is focused on pleasure training. If a character (seme/uke/riba) wants sex in a narrative, it usually only means that their partner is on the right track. Moreover, when a character wants, actively seeks and are denied intimacy for manipulation reasons, then their partner is made out to be cruel (either 鬼畜 or ゲス・クズ).
In other words, if the uke is interested in sex, he’s made impure by this interest.  Sex of any kind is an act of desperation and indicates lack of control and therefor diminishes both parties but particularly the uke, therefor the uke shouldn’t have to take responsibility of wanting sex, so the decision must be made by the seme for both of them. He is being a “good seme” by doing this. The uke, therefore MUST appear reluctant to have sex, or he is not a good/pure/virtuous person.
Honestly, I haven’t come across BL which gives off this kind of message. However, two-faced scummy characters (seme/uke/riba) get to employ hypocrisy, which includes slut-shaming, to humiliate characters they are shipped with but then such narratives are built to illicit hatred (for scummy characters) and angst and often punished with:
(a) unhappy ending for the couple
(b) breaking up of the ship
(c) groveling which may or may not end in redemption of the scum
(d) switching within ship – uke turns into riba/seme or seme turns into riba/uke – or shift in power dynamics (rich character becomes relatively poorer, junior from school becomes senior/superior in workplace).
A lot of readers find such dramatic plots satisfying and hence it is a successful subgenre.
*
Can you guess the seme in these 20 BL manga? Try this quiz on renta.
*
Post #3: How do they determine who will be archetype seme/uke?
Discussion regarding seme/uke determination in BL: @elynn0723 & P'AbsoluteBL (intended and in italics).
I think your confusion is partly nested in the fact that seme/uke is not about who fucks who, not really. Certainly not anymore. Seme/uke are narrative archetypes not physical acts.
Disappropritation. Discussed above.
I should say for the record that personality is NOT sexual preference. 
P’AbsoluteBL goes onto give examples (all of which are fictionalized in different genres – GB, BL, etc.) but probably due to being limited by lack of exposure, goes onto ask, “How weird that anyone would think queers do this.” Queers do this. If one is willing to look beyond LGBTQIA+ form of queerness (which is born and brought up in America), one can see queer possibilities. For example, Kothi-Panthi queerness in India/South Asia. It is probably a good idea to pay attention to it when generalizing queerness given how big India/South Asia’s (queer) population is. There are very many similar forms of queerness in other parts of Global South. In many cultures, sexuality doesn’t inform identity but sexual preference does.
[ Aside: Kothi-Panthi model of queerness
This model doesn’t work for whole of India – region (India is so big and heavily populated - different sexual cultures and practices); linguistics (different terms in different region, same terms different meanings in different region, decline of Farsi (used in queer spaces in Delhi) and other queer argot/cant and their replacement with American English internet slang); class & caste (LGBTQIA+ being self-identification of mostly urban/rurban, upper class, English educated v/self- identification common among the sex workers, working class and other lower classes in rural as well as urban spaces who are excluded from consumerist queerness);
NGOfication of queer movement & action; global queering and neoliberal take over leading to americanization –– intermixing & “gay” (and other terms) being used differently by different classes.]
How do they determine who will be archetype seme/uke?
P’AbsoluteBL points to narrative roles - who is “after” the relationship more, and then goes onto claim “the heroine is the main character, the love interest is her love interest. It’s decided for them because it’s a romance novel.” I don’t know if this helps explaining either seme/uke/riba archetypes in BL or pursued/pursuer. Aren’t there romances where hero pursues heroine and the other way around? Aren’t there romances where both party pursue each other?
Even if we assume that androphilic female audience is projecting the sexual mores & expectations imposed on them onto male characters, then by the very act aren’t they subverting those expectations.
How do they determine who tops?
P’AbsoluteBL provides the following schema:
seme = active pursuer
since active pursuer is “the male role”
he should do the penetrating
which has to be done
P’AbsoluteBL also gives a term for this association: heterosexual dysmorphia - "the idea that any couple must fit into predetermined binary gender roles". This is probably coming from a place of ignorance since the example given is confined to musings about sexism concerning the upper class in Global North. Also, at least in the ambit of Kothi-Panthi sexuality, fitting into masculine top-feminine bottom dynamic doesn’t place them into any predetermined binary gender roles. Instead, it only places them in the fluid space of multi-genders: can/are seamlessly float(ing) between being kinnar/hijra/ali and being “cis-men”.
If one is to ask the question: “Which one of you is The Girl?” to a kothi-panthi couple, the kothi would tell you without hesitation: “I am The Girl.” Might even asked you in turn, “Couldn’t you tell?”
Kothi [is the word used by] effeminate men who desire to be penetrated by "real" men whom they call ‘panthi’.
Queer Movements by Paromita Chakravarti & Aniruddha Dutta
Seme/uke/riba archetypes are imbibed with different traits and different spin on personalities that a seasoned BL sommelier might be able to spot easily but would confuse those who are less familiar with all that the genre has to offer. The following excerpt from an analysis by @ranchthoughts reflects the most popular idea about seme/uke dynamics.
Most BL shows can be read through a lens of seme/uke dynamics, which originated in yaoi. The seme is the “pursuer” character and the uke is the “pursued”. There are certain physical (height, skin colour, etc.), social (age, wealth, social capital, etc.), and personality (active vs. passive, extroverted vs. introverted, flirtier vs. shyer) markers which are typically associated with either the seme or the uke. For example, semes tend to be taller, wealthier, older, flirtier, tanner, more active, and have a higher social status, while ukes tend to be shorter, poorer, younger, shyer, paler, and have a lower social status. “Seme” and “uke” roles are also sometimes conflated with masculinity and femininity (semes are “masculine” and ukes are “feminine”) and sexual preferences (semes are dominant and tops and ukes are submissive and bottoms). There are also tropes associated with either the seme or the uke, like ukes typically give cheek kisses and semes forehead kisses. Thus, things like height, age, wealth, personality, presumed sexual preference, and the role they take in tropes can index the character’s status as a seme or a uke, and in turn the character’s identity as a seme or uke in the narrative (pursuer vs. pursued) indexes a character’s personality, sexual preferences, etc., however unrealistic and simplistic that is in real life. In a BL, we would expect the seme (pursuer) and uke (pursued) characters to exhibit most, if not all, of the associated seme or uke traits and roles in tropes, though this is not always true (and some BLs have little to no seme/uke dynamics at all).
There are two interesting things about such an understanding of seme/uke dynamics:
It closely resembles nenja/wakashu dynamics (and its cousins) in the customary and mostly age-stratified androphilia in pre-modern Japan.
Live action BL, at least the ones that were current and popular, stuck mainly to a single type of dynamic: pairing of one seme of a particular kind (スパダリ – super darling) with one uke of a particular kind (ヘタレ – milquetoast). There are barely any riba couple. It is painting picture of BL in monochromes. So much so that Bad Buddy and My School President were seen as some path breaking feat and a break away from “yaoi” tropes by live action audience, rather than seeing them having just another (or less familiar) set of yaoi / BL tropes.
What P’AbsoluteBL identifies as “heterosexual dysmorphia” in “yaoi” is basically what BL inherited from Japan’s pre-modern androphilia including “femininity” in uke from chiago, wakashu and androgynous Kabuki actors and (hyper)masculinity in seme from nenja and others who enacted “the male role”. BL did not passively receive any of these. And for moe, artists and audience alike, subverted it all.
This is true for all tropes that are attributed to seme/uke.
Height difference – Earliest BLs had petite bishonen pairings. Yaoi introduced height differences – all of them: tall seme x short uke short seme x tall uke (this is probably the most sexualized height difference) tall seme x tall uke (with little to no difference) both/all short riba CP/ship both/all tall riba CP/ship tall riba x short riba short riba x tall riba
Cuteness – Used to establish how irresistible a character (seme/uke/riba) is irrespective of their attitudes and behavior are. Oft part of seme’s seduction tactic, especially when uke has a weakness for cute things. Even when cuteness is not one of the seme’s attributes, it is invoked either actively by serving kawai in speech or through actions including cosplay; or passively like in the following example where a typical super darling seme, Asami Ryuichi from Finder unintentionally triggers moe in Takaba Akihito (his uke) by cuddling a baby.
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Uke’s cuteness is exploited to establish a sou uke (an uke every other character turns seme for) or subvert the same like in No Money where one of the epitomes of bishonen cuteness, Ayase (uke), who manages to enthrall others however isn’t a sou uke as one might expect and thus subverts the wakashu trope. Moreover, Kanou (seme) wasn’t initially drawn to Ayase due to his cuteness but due to Ayase’s kindness that lifted him out of the abyss of despair, when Kanou was at his weakest.
3. Bulk – BL have main characters (seme/uke/riba) with varying bulk and body types. There is far less diversity when it comes to Live Action BL.
4. Blushing maiden/virginal innocent trope – applies to all sorts of BL characters.
Edit: Conclusion
1. Surprisingly, ethnocentrism and loud echo of colonial masculinity in particular seem to permeate the discourse surrounding BL.
2. I really wish live action BL would have as much diversity as other BL media. Why is it so slow to diversify? Is it because of business interests? Is sticking to super darling X milquetoast pairing with royal road progression a sensible business decision? Or is sexism promoting wrong impressions of what audience want?
3. How come the Japanese terms "seme" & "uke" are used a lot but not "riba"? Where did live action BL audience learn these terms?
***
Yaoi = [how P'AbsoluteBL uses it] synonym for ボーイズ ラブ (boys love) manga.
            = [popular use in anglophone BL manga fandom] BL manga with explicit content; as opposed to shonen ai.
            = [original meaning] derivative works, which were mostly plot-what-plot type, that are self-published (doujinshi)
Answer to a question posted above: Gilbert Cocteau – uke in Song of the Wind and Trees
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Below is the seme: Serge Battour
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from Song of the Wind and Trees
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Earliest BL manga had very pretty seme/uke/riba characters (if we are to call them so) and were not too preoccupied with "manliness" or a single type of "masculinity". But, they were surely obsessed with bishonen.
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[1] 互攻 is also used to indicate POV switching between gong and shou in fiction.
[2] 纯爱 is also used to indicates asexual androphilia.
CP/pairing - involves 2 characters. Ship - involves 2 or more characters.
Inviting @waitmyturtles and @lurkingshan to share your thoughts if any (since I have noticed you guys use the terms "seme" & "uke" as well). Hope you guys don't mind the mention.
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dira333 · 6 months
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Pretty Woman Sneak Peak - Izuku x Reader
It’s Friday night and Silence echoes through his apartment. 
Pictures flash soundlessly over his TV screen but he stopped caring after the News portion had wrapped up.
Izuku slowly pushes his empty plate away from him and pulls out his phone.
He checks his messages, ignores the masses of fanmail on his social media apps, and taps the unassuming blue square, chewing on his lips as the app loads.
Everything about HeroEsc looks professional and sophisticated. It eases his nerves a little bit as he swipes through the app. He answers a few questions, makes sure that his profile is set up correctly, dodges the premium payment plan, and suddenly finds himself face-to-face with hundreds of options.
His heart beats painfully in his chest as he scrolls down, trying not to look too closely at all those people. People that would happily accompany him to an event, pretend to be his friend. All of that for a little money.
Izuku swallows harshly against his growing unease and closes the app, putting his phone on the table.
He’d gone alone before. Had brought his mother to events when his friends and coworkers had brought their partners and spouses. No one would bat an eye if he came alone again.
And come to think of it, his mother wouldn’t mind pulling out her best dress to walk a red carpet again. 
But there’s something… Izuku shakes his head and picks up his phone again, clicking on the app before he can overthink this again.
This time he notices the filter. He taps it and snorts. He can sort possible Escorts by hair color, skin color, and even by type of Quirk.
He taps the last option, his usual interest in the subject tickled. If anyone asked, Izuku could claim he’d gotten to know them because of their quirk. Everyone and their mother knows he’s a bit of a Nerd when it comes to Quirks.
Another window pops up, and his heart squeezes uncomfortable when he reads the question: “Do you want to include (1) Quirkless Escort? Yes. No.”
His finger punches the Yes before he can think about it and a face card is added to the roster. Izuku taps it, an almost electric current running through him as he waits for the picture to load.
I will start posting when the fic is finished, which will take me a few weeks from now if I don't get sick again.
Feel free to send in an ask to request another sneak peak...
@misfit-megumi @shoulmate @pixiesavvy @the2ndl @neko-my-cat @chelseaquake @tiredslepz @frozen-phoenix17 @spltbtch @touyasprettydoll @dream-girl-stuff @fuzztacular
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thevelria · 9 months
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Promise me something, Kitten Part2(NSFW/younger!Gojo x neko!fem!reader)
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Author's note: I'm sorry. I blame it on my hormones lol but I couldn't let the opportunity go. This story screamed for a smutty sequel.
Warnings: smut. Not heavy smut, though. Gojo is rather makes loves to reader <3
WordCount:1K
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His lips felt soft and sweet. He was eager to explore your mouth and the moment you let his tongue meet yours, he smiled into the kiss. 
Gojo sat up, pressed his back against the headboard and positioned you on his lap. Your tail automatically hugged his waist as you kissed him once again. You lost counting how many times he kissed you before he pulled a bit back. Resting his neck on the headboard, admiring your true self. You didn’t bother to let him see you naked, because you were already sure he was going to be your mate anyway.
“Promise me something, Kitten.” his husky voice sent shivers down your spine.
“Anything.”
“Don’t leave me like everyone else does.” he caressed your cheek.
“I’m yours for eternity.” you rested your head in his palm.
Your tail hugged him tighter as he grabbed the back of your head and crashed his lips against yours once again. “I can’t stop myself.” he broke the kiss a few moments later, breathing heavily. 
“I don’t want you to stop.” you whispered. “I want to make love to you.”
Hearing these words made him twitch in his boxers. In a blink of an eye he flipped you over, his arms resting aside your head, biceps flexing. You bit your lower lip, while your tail started lightly rubbing his back lower and lower, playing with the rubber band of his boxers. 
“Fuck.” he shivered from your touch. Placing featherlight kisses on your cheek, on your jaw, taking his time on your neck. One of his hands gently touched one of your boobs, massaging it. You clenched your legs around his waist after he freed himself from the unwanted cloth. A desperate growl left his mouth the second your pelvis pressed against his. 
“I want to feel you, ‘Toru.” your words sounded rather like a desperate beg. Gojo looked you in the eyes as he positioned his already hard shaft to your entrance. 
“Already wet for me, huh?” a cocky smirk appeared on his face. 
“I can’t control myself.” you blushed which he found adorable. 
He slid himself in, inch by inch, slowly, carefully. His name rolled from your lips as a loud moan. 
“Tell me when I can move.” his raspy voice turned you on even more. “I don’t want to hurt you.”
You relaxed your body and your hands cupped his face. “You can move now.” 
His hips gently rolling into you caused you to moan once again. Him being inside of you was the most wonderful feeling ever. Satoru put up a pace which sent you to another universe. Everything was so gentle, so careful, so delicate. It was perfect, he was perfect. 
Your ears slightly twitched every time his shaft hit your special spot. Your walls clenched around him more and more. 
“You feel so good, darling.” he took a desperate breath. He tried so hard not to lose control. Even if he wanted nothing else but to pound you hard and press you into the mattress. Still he kept being gentle. On the other hand his intention was not to fuck you, no. He wanted to make love to you as you asked before. 
“Go faster, please!” you begged. Gojo’s eyes widened, you had no idea how you triggered the beast inside of him. A loud moan left you as he started thrusting into you faster and faster. Your legs were grabbed by his huge palms, his fingers dug into your flesh, probably leaving marks behind. He threw your legs on his shoulders as he kept holding your thighs. Him sliding in and out of you at such a speed, you couldn’t really handle, made your eyes roll back in your skull. 
The sound of the skin to skin connection echoed through the room. The second he let your legs down his thumb found your clit almost immediately. Slightly drawing circles round and round.
“Satoru!” was the only thing you could say. The pressure in your lower tummy got stronger and stronger. “I’m going to…” your sentence ended in a desperately lustful scream as you reached your high. Your walls clenched around him more and more as you rode out your orgasm.
“Baby, I’m not gonna last long, if you keep squeezing me like that.” he panted unevenly.
“I’m sorry. I can’t…I can’t control it.”
“Fuck…” he growled as he pulled out himself, shooting his cream on your tummy. 
A few minutes passed in complete silence. Gojo kept kneeling between your legs and you stayed still, trying to catch your breath and actually process everything that just happened. 
“Wait here.” he finally broke the comfortable quiet and rushed to the bathroom. After cleaning you up he smiled and laid next to you on the bed. 
You rested your head on his chest as he faced the ceiling, one of his hands hugged you tight, while the other one laid under his head. Your tail kept rubbing his perfect abs up and down. 
“So…” he clicked his tongue “Why didn’t you tell me…”
“I was scared you wouldn’t want me here anymore.” you cut him in mid sentence. “You were so lovely with me when you thought I was just a kitty cat. And I didn’t want to lose it.” you nuzzled your face into the crook of his neck. 
“Silly, Kitten. Silly, silly, Kitten.” he chuckled. “Let me tell you something.” he took a deep breath “I might sound crazy but I don’t want you to leave. Never.” 
You turned his face to make him look into your eyes. “I told you, I’m yours for eternity.” 
The second his lips touched yours you smiled into the kiss, because you knew the night was not about to end at all. 
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ecoamerica · 1 month
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Watch the 2024 American Climate Leadership Awards for High School Students now: https://youtu.be/5C-bb9PoRLc
The recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by student climate leaders! Join Aishah-Nyeta Brown & Jerome Foster II and be inspired by student climate leaders as we recognize the High School Student finalists. Watch now to find out which student received the $25,000 grand prize and top recognition!
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