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#episode 53 really was one of the episodes of all time
citadelspires · 6 months
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So I knew that Gillion was gonna lose his sword at some point cause I saw it in a tumblr post. So this whole time I've been wondering what big and dramatic moment would result in the loss of Gill's sword.
Never in a million years would I have guessed he would lose it in Jay's dad's tits
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codecicle · 6 months
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The QSMP is looking for smaller English-speaking streamers, so I figured I'd take the time to introduce qsmpblr to none other than Eric "Condi" Condifiction!!
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// this will contain (very minor) spoilers for jrwi riptide, apotheosis, bitb, some prime defenders, and the SCU //
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Condi is an English-speaking Canadian who's a part of Just Roll With It (JRWI), the absurdly powerful dnd podcast he runs with his friends Bizly, Grizzly, and Slimecicle!! He plays several characters across their multiple campaigns, along with DM'ing his own campaign of Apotheosis. He plays/played Jay Ferin for Riptide, Rolan Deep for Blood in the Bayou, Sylnan Vengolor for Fated, Flynn Gustwind for Convergence, and Vyncent Sol for Prime Defenders. (plus something im probably forgetting whoops anyway)
He is insanely talented at rp and improv, with some of the more infamous and my favorite examples being episodes 53, 100, and 101 in JRWI: Riptide. The way he plays Jay Ferin is emotionally devastating and incredible, and she's genuinely brought me to tears multiple times. Though he plays his absolute heart out with every character he makes, she's just a neat example of his range and talent. Looking at the differences between Jay, the Navy's daughter, and someone like Rolan Deep, a lawyer returning to his hometown of Galloway to experience The Horrors™ is just wild man. Not to even mention everything he does with Vyncent and his multiple different characters inside him; along with everything he made for his own campaign of Apotheosis.
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Something something charlie slimecicle calls him "God Gamer Condifiction." He's really good at video games dude I have no way to talk about this he just is its really scary honestly. On one of his more recent streams he went live playing Only Up! and he beat it in one go without any major setbacks, fast enough to refund the game and get all the money he spent on it back. Just for context.
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He also has a background in minecraft roleplay specifically!! He was part of the SCU (Slimecicle Cinematic Universe) where he roleplayed several different characters. God!Condi and 100Days!Condi being the more defined ones. Everything he did in the SCU was nearly pure unscripted improv and incredibly impressive, and I highly recommend you go through and watch it!! (I go into detail on how to get into it on this post)
He doesn't just have background in the roleplay aspects of minecraft though, he was also briefly on SMPEarth and is skilled at regular minecraft too. He mainly strives at the roleplay aspects, but again the whole God Gamer Condifiction thing so ^_^
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^ Here's a good example of his regular PVE skills in this video where his chat tortures him through a crowd control mod as he tries to build a cottage core lesbian house
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^ Along with a link to of one of my all time favorite videos of his, which I think shows his humor and style of jokes off in a cool way :]
Overall I just really need my dnd guy to be in my favorite minecraft server so he can make so many SCU references with Charlie Slimecicle, then emotionally devastate us through the roleplay aspect. I really hope he manages to get in so everyone gets a taste of his amazing roleplay and gaming (i guess thats how im phrasing it) abilities :DD
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Condifiction 👍
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cyber-corp · 5 months
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wow. WOW.
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This one was a nutter. Here are some of my favourite moments from the final Doctor Who special, The Giggle
SPOILERS AHEAD
First of all, I underestimated Neil Patrick Harris as the Toymaker. He is absolutely terrifying and absolutely hilarious all in the scenes he’s in.
The Toymaker was the perfect villain for this special. A unstoppable, petrifying entity that hasn’t been seen since William Hartnell is a very good choice for an anniversary special
The puppets of the past companions were a nice touch, and the Doctor correcting the Toymaker on what actually happened is funny
Furthermore, the Toymaker entering to Spice Up Your Life. RTD saw what Chibnall did with Rasputin and went “OH NO CHIBBIE. DON’T TRY AND OUT-CHEESE ME”
The less-than-subtle political and social allegory through the Toymaker “making everyone’s thoughts superior”, which kind of shook me a little bit with how accurate it was.
Mel!!!! Melmelmelmelmelmel!!!!! Never really knew her in the Classic Series, but she is absolutely wonderful in this episode 🥕
Donna utilising her typing skills as Best Temp in Chiswick
Fourteen’s last words were probably going to be “Allons-y” which is the complete opposite of “I don’t want to go”. Please ignore me while I go cry in a corner
Bi-regeneration? Okay???
NCUTIIIIIII GATWA IS HEEEERE EVERYBODY!!!! HIS SMILE COULD CURE SO MANY DISEASES!!!!!! AND HE DOESN’T HAVE ANY PANTS OOOOOOON
Three guys play with balls
Fifteen giving Fourteen/Ten a hug was my all-time favourite moment from these specials. Someone finally tells the Doctor “Hey man. Slow down.” and that the only person that could tell him is him
The Doctor finally talks about the planet where you communicate with your eyebrows, as mentioned 53 years ago in Spearhead in Space
The Fourteenth/Tenth Doctor finally settles down with people he loves. A satisfying ending to a once tortured character.
Meanwhile the Fifteenth Doctor goes off on his own adventure, ready for a new era of this show.
This was absolutely fantastic, and it also made me cry the most out of all the specials (unsurprisingly). Everything in this episode felt right, and it feels like RTD has been planning something like this for quite some time. A proper end to David Tennant as the Doctor.
Fifteen’s era is going to be amazing!!!!
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terapsina · 8 months
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Now that the writers and actors strike is about to begin being felt (and as we wait for those greedy billion dollar companies who are refusing to negotiate fair pay and conditions to give up) here's 10 of my favorite (all around best) fully finished older series you should definitely check out if you haven't watched.
I mean it, these are the shows with continuously great writing and a satisfying endings that manage to actually deliver on their promises.
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1. Leverage - (containing 5 seasons, or 77 episodes) - trailer here.
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Hitter, Hacker, Grifter, Thief and Mastermind. Heists and cons. Stealing from the rich and giving to their victims. They provide... leverage.
Meant for anyone who enjoys bad guys being the best good guys, who will burn down the lives of evil CEOs and then gloat in the background. Very satisfying.
Hands down the best example of a found family trope I've ever seen on screen. Barring none.
2. Killjoys - (containing 5 seasons, or 50 episodes) - trailer here.
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Space Bounty Hunters. Another case of found family trope. Bisexual space princess assassin. Quippy sentient ship. Green alien goo. Evil lesbians (but like... in a good way). The warrant is all.
More seriously though, it's a story about three killjoys and the bounties they go after. Initially. And then they have to save the entire Quad from some very terrifying... stuff.
Contains one of the best friendships I've ever seen on television.
3. Orphan Black - (containing 5 seasons, or 50 episodes) - trailer here.
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Found family trope but with clones.
Low level grifter sees a woman who looks exactly like her kill herself and plans to take over her identity long enough to cash out. Except then there's two other women who also look exactly like her. And apparently they're all clones and someone's killing them.
Enter a global conspiracy. Human experimentation. Lots of clone shenanigans. Some serial killings. And a few murders 💖.
4. Person of Interest - (containing 5 seasons, or 103 episodes) - trailer here.
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Okay I'm beginning to see how I might have a found family trope issue.
Former CIA agent gets recruited by a reclusive billionaire computer programmer who developed a... machine that can predict acts of terror before they happen. But it also predicts 'irrelevant' acts of violence that will result in someone's death.
Unless someone interferes.
I'd really like to spoil some stuff to get you all to watch this one. But I'm going to maintain self control and just mention that early on they get a dog named Bear. Bear is a very good boy. Watch it for Bear.
Also for excellent commentary on rights of privacy, government surveillance and what does 'greater good' even mean? But mostly Bear.
5. 12 Monkeys - (containing 4 seasons, or 47 episodes) - trailer here.
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The very best time travel show out there. What starts out as a confusing mess of causality basically exploding, by the end of the series all makes complete and total sense.
(when that final timey-whimey loop slid into place and revealed the entire pattern it was like a choir of angels started singing in the back of my head. It was freaking glorious).
Anyway, a man from a post apocalyptic future travels into the past to stop a plague from decimating nearly the entire world population.
He has the name of the man who released the virus and it's supposed to be a single trip. One trip. One bullet. Simple. Done.
Except then things keep escalating, and escalating until time begins eating its own tail and it might start looking like the end of the world might be a better ending than erasing all of time and space from reality.
Because when our guys screw it up, they screw it up GOOD.
And oh yeah... found family.
6. The Good Place - (containing 4 seasons, or 53 episodes) - trailer here.
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A self-proclaimed Arizona dirtbag opens her eyes and finds out that she's dead and got accepted in the Good Place. Except that as soon as she arrives the Good Place starts glitching, and she really, REALLY needs to become a better person before she can be found out and kicked out to the Bad Place.
Luckily her assigned soulmate was a professor of ethics and moral philosophy.
One of the funniest, most thoughtful and clever comedies I've ever watched. Ever. The characters are delightful and by the time the final minute rolled around I had sobbed my heart out multiple times (which, as we all know, is a sign of the very best comedies out there).
As for the question of whether or not this too contains Found Fami- Yes! Obviously, yes.
7. Avatar: the Last Airbender - (containing 3 seasons, or 61 episodes) - intro here (couldn't locate the trailer but it's basically the same thing in this case).
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The four nations lived in harmony. Until the Fire Nation attacked.
It's been a hundred years since the beginning of the war when two kids from the Southern Water Tribe find a boy frozen in ice and wake him up. A boy who's able to bend all four elements... though not very well.
Enter multi-nation flying road trip (thank you Appa, we love you most of all) as they try to find teachers for the Avatar and save the world.
Includes found family (shut up), amazing fight scenes, the most heartfelt and vivid characters ever, and the best example of a redemption arc actually done well.
8. Love Between Fairy and Devil - (containing 1 season, or 36 episodes) - trailer here.
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This one gutted me. I'm saying this as a compliment. But it had to be said. Completely destroyed me. I just haven't been the same.
A love story between an Orchid Fairy and the leader of the Moon Tribe that starts out with her accidentally releasing him from millennia long imprisonment and then takes you through the caleidoscope of all possible human emotions (it's a body-swap comedy through the first part, then a romcom, then a dramatic romantic tale, and finally a tragic love story).
But it's such a satisfying slow burn.
And it carries this... humanity through the whole thing that makes it so visceral.
If you're a romantic who's very tired of instalove and characters dropping all their morals because 'ooh, attractive person' then you've got to watch this. Because this story does NOT take the easy road there.
(my more extensive rec for this series can be found here)
9. Star Wars: The Clone Wars - (containing 7 seasons, or 133 episodes) - fanmade trailer here (it was better than any of the official ones).
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This series did so much. Introduced Ahsoka Tano, and made us love her. Gave names and faces and souls to the Clone Troopers (okay, it's the same face but you know what I mean), to a point where their endings during Order 66 destroyed me just as much as the ending of the Jedi Order. And somehow made me both love Anakin AND be a million times more angry with him.
There are some arcs in this series that might be a bit weaker. But there were some... god, there's a reason I love Clone Wars more than any other series or trilogy in this universe. And I'm not even a little ashamed to say it.
Must watch for Disaster Lineage shenanigans; for the vod'e; AND for the Jedi (who did their best okay? They always did their best 😭💔).
(and on the subject of found family... do I even need to comment)
10. Nikita - (containing 4 seasons, or 73 episodes) - trailer here.
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A rogue assassin that escaped Division - covert government agency that takes recruits out of prison, fakes their deaths and then forces them to become spies and assassins - has come back to take it down. Brick by brick if she has to. With guns and explosives too when that works better.
Contains soooo many cool fight scenes. Is full of incredible characters you'll fall in love with (and hate with) very quickly. And most of all has an incredibly complex relationship of mentorship and friendship between two women that holds both great admiration and betrayal, real care and love as well as rage and hatred, forgiveness, mutual respect and an unbreakable kind of bond that so very rarely involves even one female character on TV, let alone two.
(as usual, found family tropes up the wazzoo).
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In conclusion. We all know there's going to be a large space between seasons of our favorite shows now (and some shows that aren't going to survive it). Let's fill that space with some excellent TV we haven't had a chance to see yet.
And direct the blame for the wait towards the right place (i.e. the studios).
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epicbuddieficrecs · 1 month
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Weekly Recap | March 11th-17th 2024
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That premiere guys!!!!! Was so good!!!!! I'm so excited to be FINALLY be a part of the fandom while the show is actually airing! 😃 Can't wait to read all the amazing fics that are gonna be spawned from season 7!
Speaking of that, I would like to encourage everyone to use the relevant Ao3 tags when writing fics based on S7 content! Not everyone can watch the episodes as they air, so tags are really essential for people who don't want to get spoiled! (I could even make a separate post about it? a sort-of "how to tag" post?). In case you want to block some tumblr tags, my main tags for S7 are #911 season 7, #911 on abc, or #911 spoilers.
(Posting this one day early cause I don't feel like waiting until tomorrow! Enjoy! 😆)
Complete
i find peace in your smile by goforeddie/@iltrpls (A/B/O AU | 1K | General): They’ve been courting for a few months now. It’s agonizingly slow, but it’s still the best time they’ve ever had. You might think that after six years of walking on eggshells around each other, half a decade of “will-they-won’t-they” they wouldn’t be taking such a slow time with courting, but it's precisely everything that they’ve been through that makes them appreciate things a little better.
Birthday Flowers by Tizniz/ @tizniz (Pre-Buddie | 2K | General): OR: Buck gets Eddie flowers for his birthday. 
🔥 if i need to rearrange my particles — i will for you. by dylaesthetics (Post-S6, Identity Porn | 45K | Teen): OR Buck joins a support app for first responders and matches with a firefighter who has PTSD and a kid who likes giraffes, apparently.
Lime Jell-O by rainbow_nerds/ @rainbow-nerdss (S7E01: Abandon 'Ships | 3K | Teen): Eddie Diaz didn't panic. Or, well... Maybe he did. Sometimes. But he was working on it.
take the bed warmed by the body by lecornergirl/ @clusterbuck (Getting Together | 2K | Teen): It’s three parts bravado and one part reminder. He thinks about it, sometimes, his first shift at the 118—he doesn’t think either of them quite knew how much they’d meant it when they’d promised to have each other’s backs. He definitely hadn’t known, then, that he’d wake up one day and wonder why Buck isn’t in his bed. Because that’s what’s missing. He has a vague memory of falling asleep with his head resting against Buck’s shoulder, their legs tangled together.
Taken Space by Wildgirl93/ @wildlife4life (S7E01 Coda | 1K | General): Eddie and Marisol talk about the space that has already been taken.
Feel Like I Landed On The Moon by Tizniz/ @tizniz (Canon Divergent | 1K | General): OR: Eddie is pining for Buck while in Texas.
Fractals from the Lightning Bolt by letmetellyouaboutmyfeels/ @letmetellyouaboutmyfeels (One Shots Collection | 98K | Not Rated): A collection of oneshots, some originally posted on tumblr. Each chapter is individually rated.
53. A Dream You've Had Before (Explicit) 54. We're Definitely All Sluts Here (Explicit)
if you love someone by chronicallystendan (Pre-Buddie | 1K | General): Buck and Eddie both internally panic when a song comes on the radio that seems to be talking directly to them.
adventures of firehose and eightpack by brewrosemilk/ @gayhoediaz (Social Media fic | 1,5K | Mature): Or: Eddie stumbles upon Buck's old twitter account.
Two, Three Times in a Row by Leslie_Knope (PWP | 6K | Explicit): “We could’ve gone again.” Eddie snorts. “I’m old. You expect me to get it up twice?” “Yes,” Buck says, like it’s a given, like duh. “I could get you to do it right now.” The entire world pauses, and Eddie actually feels it, the bolt of arousal slinking down his spine all the way to his toes. He wets his lips. “Right now?”
WIP
🔥 miracles under your sighs and moans by napricot (Sex Pollen, PWP | 1/2 | 13K | Explicit): When Eddie gets exposed to an experimental aphrodisiac on a call, he realizes there’s only one person he trusts to help him get through it: Buck.
🔥 because we'll all arrive in heaven alive by callmenewbie/ @puppyboybuckley (Post-S6, Disaster Fic | 9/10 | 63K | Explicit): During a search and rescue, Eddie disappears without a trace, leaving Buck to grapple with the sudden possibility of a life without him.
~
if you know anyone that is not tagged, please tag them in the comments!
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sarucane · 5 months
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OFMD Spiral Parallels 53: Ed's Suicidal Spiral
Intro: What I love most about how season 2 builds on season 1 of OFMD is the spiral narrative structure. Ground is repeatedly and explicitly re-trod from s1 to s2, but in s2 everything goes deeper than s1. Meanings are shuffled, emotions are stronger and truer, and transformation is showcased above everything. The first season plucks certain notes, and the second season plucks the same ones--but louder, alongside some new notes, and then weaves them all together to create a symphony.
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"Shouldn't let go/ if I let go/ all will fall
Fingers bleeding/ down to the bone now...
hold on/ hold on/hold on"
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Ed says those lyrics to Lucius in S1E10. And in S2E3, he falls.
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In ep 10, Ed's song comes across as a fairly straightforward adolescent break-up song. But when Ed tells Lucius about the lyrics, he says the alternative to holding on is to "curl up into a ball and die." Ed's looking at living as a binary choice: one or the other, be strong or be dead. And in season 1, Ed thinks rather a lot about death.
But as Lucius points out: maybe letting go now won't be real death. Maybe being in pain isn't the only way to be. Maybe he can survive this pain that feels un-survivable. Maybe falling isn't death. Maybe this is all more complicated than he thinks.
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Ed embraces this as best he can. Tries to believe it. He adds lyrics asking himself to let go. He embraces vulnerability, embraces a purely metaphorical death that breaks down the life and death binary ("life's a hard sad death"), and tries to move through this towards life "beginning again"--but this time a life on his own terms, the rebirth he's been seeking all along.
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But then Izzy tells Ed what he really fears deep down: this is wrong. That actually, things do make sense, and there is a binary choice: he can be strong and hold on to Blackbeard--can hold onto Izzy, who will not change or accept change--or he can be worthless, and fall.
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But accepting Izzy's worldview there means, right from the beginning, embracing death. Because as long as Ed's holding on like that, fingers bloody to the bone, all alone, he is going to fall. Sooner or later. And that's going to be death.
Because he isn't the kind of person who gets to be reborn.
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For the next two episodes, Ed is torn between wanting to hold on to the pain that means strength...
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...wanting to let go of everything...
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...and wanting to believe there might, somehow, be another option than being a devil or a weak human. And yet, even then, all he can imagine is constant motion. Flying, forever, above everything that brings pain.
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Unable to let go himself--still too conflicted and fearful of the reality of death with no hope of rebirth--and unable to fly forever, he sets out to be forced to let go.
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And since he doesn't believe Lucius's advice about rebirth anymore, letting go means dying. He isolates himself until he's sure no one will try to make him hold on like Izzy did. He sets out to get himself into a situation where he isn't stronger. Where he can't hold on anymore.
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And then he ends up in the gravy basket, and he's stuck alone with a version of himself he hates--and which has the power of life and death over him. And Hornigold tells him the ugliest truth Ed himself believes about what it means to be a human man: that in the big picture, there are only two choices. Anything else is just delay.
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"Strength" or death. And Ed already knows he isn't strong enough to stop feeling, to just move on, to keep holding on. Worse than that, deep down he doesn't think someone like him is worthy of living.
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Ed doesn't want to die, but he also doesn't believe a life after letting go is possible for him. And in the gravy basket, where the impossible is inevitable, he can make himself let go.
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So, finally, Ed falls.
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and falls.
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But here's the thing: Ed was never as bad as he feared he was. He was never unworthy of rebirth. Holding onto strength was never in itself living, and falling was never in itself a death.
And not only is there someone waiting for him, there is in fact someone desperate to see him. Ed's core fear of worthlessness...
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...the rock that drags him down and makes him fall in still waters, is wrong. Because sometimes life isn't strength: it's weakness. And that's where help comes in.
Underlying this entire binary of "strength or death," and even the possibility of being reborn, is the idea that Ed is alone in this. He doesn't ask Lucius for help, he just accepts it when it's offered--and even that was enough for him to want to kill Lucius later. He doesn't ask the crew for help, even when he's being his most open right after the breakup. All the help he seeks is connected to being killed. All the help he thinks he's worthy of--or feels safe enough to dare seeking--ends with death.
But when he's underwater and he hears Stede, Ed opens his mouth as if he's shouting--and the first finger that moves is his ring finger, knocking against the wood.
And just like that, Ed isn't holding on. He's being held.
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By the person who first showed him that "hold onto this pain or die" was wrong.
And he isn't falling. He's floating.
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The only binary that matters is literal life and death. Rebirth and transformation are bigger than that--and they're always possible, as long as living goes on.
Ed's let go of what he was holding onto. And now life begins again.
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Found Family Tournament Round 2 Part 11 Group 53
Propaganda and further images under the cut
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MSR: Fox Mulder & Dana Scully
Leverage Crew: Nathan Ford, Sophie Devereaux, Eliot Spencer, Alec Hardison, Parker
MSR:
Sorry, I got no propaganda for them yet :(
Leverage Crew:
The development of crime team into crime family over the course of the show is beautiful.
They’re a bunch of thieves who are basically modern day Robin Hood and fuck over big corporations and give money back to people who have been hurt (fuck capitalism lets go) and at the beginning none of them trust each other, because they’re all thieves, but over 5 seasons they care for each other and get to know each other in a way that they haven’t been able to do with anyone else in a long time, they all start off as jaded loners and within the span of one episode say ‘fuck that’ and actively seek out the others to work together, even though each members MO is ‘I work alone’
They all looked at a white man and said “Hey, we are now gonna do crimes for the little people and your gonna help whether you like it or not”. They also have really interesting stories and take care of one another but not in a pushing I need to know way. They are just the best!
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lilyginnyblackv2 · 1 year
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I love these small details!
In Episode 4, we see Kazuki buy Miri a lot of fancy clothes for daycare, right. So she is wearing a lot of skirts and dresses:
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You can see in the bottom right image that there is another girl in the class wearing a skirt. So, it isn’t so much the skirt and dresses aspect of the outfits Miri is wearing, but the quality and expensive look of them that matters here.
That being said, on the official Kazuki Instagram account, “Kazuki” put up a poll in a Story that asked what everyone thought would be better clothes for him to purchase for his daughter to wear to daycare:
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The majority voted for pants (53%), so “Kazuki” responds, saying that he’ll buy lots of pants.
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From the end of Episode 5 onwards to Episode 7 (at least) we never see Miri wearing skirts or dresses to the daycare again (in the last picture - bottom row to the right, that outfit is the same one she was wearing the day before when Kazuki picked her up from daycare and it was raining). 
Instead, we see her wearing either pants, shorts + leggings, or just shorts on their own (which makes sense, since Episode 7 is taking place during the end of spring and beginning of summer). 
And while I didn’t include images here, all of Miri’s at home outfits from the end of Episode 4 - Episode 7 are either pants, leggings + shorts, or just shorts. And even in future episodes when it will still be in the summer time, it seems like Miri will be sticking with shorts, rather than dresses or skirts:
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The image of the left is from Trailer #3, and is from a future episode, while the image on the right is from Episode 7. Miri is wearing the same “at home” summertime top. So it is safe to assume that she is wearing the same pink shorts with that top in the trailer image as well.
Buddy Daddies does such a great job with small detail consistencies like this, and the transmedia marketing is so on-point with connecting the content they create and put up on the official Kazuki Instagram account with the actual events that take place in the series. Just adds another layer of believability to it all, really.
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Succession Laws vs Traditions
Going to preface this with saying this is just my own opinion and thoughts but I want to talk about the green side's whole rhetoric about how the realm will never support Rhaenyra's claim because she is a woman. This seems to be their main justification for putting Aegon on the throne but the thing is it turns out to be false. Like throughout the first season we keep getting told this, that Rhaenys wasn't chosen as heir because she was a woman and that this is sort of proof that Rhaenyra wouldn't be either.
But, and I am going to put a book/season 2 spoiler here just in case as it hasn't happened yet but I did a quick google search out of curiosity and actually when it comes to the houses 53 support Rhaenyra's claim to the throne and only 28 support Aegon. So actually the majority did support Rhaenyra's claim.
What I think it boils down to is Succession Laws vs Succession Traditions because ultimately the two are different. The Law states that the King (or Lord when it comes to seats of houses) can name their heir and whoever they name is the rightful and lawful heir to the throne/seat. We see this throughout the first season with Viserys very publicly naming Rhaenyra his heir and having a big ceremony where all the houses came to swear oaths to Rhaenyra. Later, after Aegon is born, we have that scene between Viserys and Jason Lannister where Lannister assumes Viserys is going to name Aegon his heir. This scene (and the episode as whole really) shows us that in order for Aegon to legally be the heir then Viserys has to officially name him his heir, irregardless of tradition, being the firstborn son doesn't automatically make him heir. We also see it when the Seasnake is injured and Vaemond petitions the crown and Viserys asks Rhaenys who Corlys wanted to be heir as legally that was the most important factor.
However you then do have the succession traditions which are that the eldest son should inherit, if there is no son then it should pass to the eldest male relative eg brother, cousin, uncle etc. It is obvious that the traditions are very important to a lot of the houses, it was the real reason why when put to a vote instead of King Jaehaerys choosing by himself, it was the male heir the houses chose as oppose to Rhaenys. It's why it was a big deal when Rhaenyra was named heir and why the houses assumed Aegon would be named heir when he passed his infancy.
I think the mistake the Greens made was thinking that the houses held the traditions of succession higher than the laws of succession. They assumed that because Aegon was the first born son and traditionally would have inherited, the houses would support his claim over Rhaenyra's. They tell people that Viserys named Aegon heir on his death bed but lets be real, they have to know that isn't very believable considering he held to his guns for 20 years with Rhaenyra as heir and the only witness is Alicent, Aegon's mother. So they have to rely on the houses caring more about Aegon being the firstborn (tradition) than Rhaenyra being the named heir (law).
But in actuality I think the houses actually care more about the law and keeping oaths than they do tradition. As important as tradition is and as upset as they may have been that Rhaenyra, a girl, was named heir, breaking an oath is a much bigger no no to a lot of houses and Westerosi society as a whole. Now that isn't to say that some houses won't break an oath if it means furthering their own houses standing or gaining them more power, but it is very much seen as dishonourable and treasonous. It carries with it a death sentence if your side doesn't win most of the time. Throughout Game of Thrones we see people breaking oaths and that having bloody and violent consequences.
I feel like there are three things that you really don't want to be seen as in the Westorsi world, one is an oathbreaker, another is a kinslayer and the third is breaker of guest right. All of these are severely taboo in Westeros and are said to anger even the gods. Kinslaying is even said to bring a curse upon the one that commits it.
To me it makes alot of sense that more houses support Rhaenyra, firstly because she was named the legal heir and in supporting Aegon most of the lords would be making themselves oathbreakers. On top of that, after the events of 1x10 of hotd, they would be breaking their oaths in order to support a side that has both a kinslayer and arguably someone who broke guest right. Aemond became a kinslayer when he killed Lucerys, the fact that he did it when Lucerys was acting as an envoy could be seen as kind of breaking guest rights, although that one is up for interpretation as technically they had left Storm's End when Lucerys was killed, but I could still see the Lords looking down on the action and considering it as breaking guest right as Lucerys was acting as a envoy and they were both guests at Storm's End. Let's say it's breaking guest right adjacent.
In the end I think tradition was more important to the greens because it was more advantageous to them, they needed the fact that traditionally Aegon would be heir to be more important than Rhaenyra legally being heir, in order for their blood to sit the Iron Throne. But for the majority of the houses what's tradition compared to breaking an oath, one of the three biggest taboo's in their society? And for a side who has already committed at least one other taboo of Kinslaying. Also another contributing factor is that after 20 years I think the houses just got used to the idea of Rhaenyra being heir, it was what they expected when Viserys refused to waver on that choice. I did find that in the trailers for season 2 Alicent was being very contradictory because one minute she is saying that Viserys knew that no one would support Rhaenyra's claim and in the next she's saying Rhaenyra's supporters will believe what they will, but if Alicent truly believes that no one would support Rhaenyra as heir then how does she have supporters. Alicent is kind of telling on herself there but I do genuinely think she is in denial and is driven by the fear she has for her children. I honestly think that the greens will be surprised in season 2 by how much support the Blacks do actually get from the noble houses and its going to be a bit of a rude awakening.
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heartdrift · 8 months
Text
Every Caryl Scene (S1-11) (1080p/Logoless)
PART 1
PART 2
PART 3
PART 4
PART 5
PART 6
PART 7
Whew. I'm not gonna lie to y'all, this took forever. My goal with this was to recreate my previous Caryl compilation with 1.) all scenes intact, not missing anything and 2.) much better quality. I ran into many issues that I won't bore you with, but in summary - almost everything here is completely lossless from the original files, aside from S10, which I unfortunately had to reencode to fix a few issues I could not solve no matter how much I fiddled with it. However, it is still much better quality than the previous file I had up! These also have 6CH audio, which means that if you make fan videos and use something like Vegas Pro, you will be able to isolate the spoken audio from the music/random background noises and have better, cleaner voiceovers!
All of the seasons add up to about 123 GB, so I'm sorry that these will take up quite a bit more space than before, but the improved quality hopefully makes up for that! These are not perfect, so please forgive any little framerate bugs or very slight (hopefully) issues with video/audio syncing. I'm aware that the audio for S10 is a bit behind, but hopefully not to an extent that ruins anything - that season gave me quite a hard time, and I'm not really sure how to get it just right. It bothers the hell out of me, so I'm sorry, but I did my best. Otherwise, any issues should be pretty minor, but let me know if you run into anything major.
As always -
Credit is not necessary.
You are free to - and encouraged to - use these for anything creative that your heart desires. Just don't claim that you put these together yourself and I'm happy.
If you want me to see something you made with the scenes, tag me! I love seeing new creations in the tag, so don't be shy.
This is my love letter to y'all. It's not much, but I hope it sparks joy!
(Pssttt, psstt. If you would like episode timestamps for each season, click the link below. It's pretty lengthy and they're not precise, I just did my best.)
Season 1
00:00 to 02:52 - Episode 5, Wildfire
02:52 to 04:17 - Episode 6, TS-19
Season 2
00:00 to 14:21 - Episode 1, What Lies Ahead
14:22 to 20:05 - Episode 2, Bloodletting
20:06 to 21:38 - Episode 3, Save the Last One
21:39 to 26:16 - Episode 4, Cherokee Rose
26:17 to 27:18 - Episode 5, Chupacabra
27:19 to 42:17 - Episode 7, Pretty Much Dead Already
42:18 to 45:16 - Episode 8, Nebraska
45:17 to 51:00 - Episode 9, Triggerfinger
51:01 to 55:03 - Episode 11, Judge, Jury, Executioner
55:04 to 57:49 - Episode 12, Better Angels
57:50 to 01:12:48 - Episode 13, Beside the Dying Fire
Season 3
00:00 to 11:34 - Episode 1, Seed
11:35 to 20:08 - Episode 4, Killer Within
20:09 to 26:13 - Episode 5, Say the Word
26:14 to 31:12 - Episode 6, Hounded
31:13 to 33:14 - Episode 7, When the Dead Come Knocking
33:15 to 39:58 - Episode 9, The Suicide King
39:59 to 43:41 - Episode 10, Home
43:42 to 44:45 - Episode 11, I Ain't a Judas
44:46 to 46:18 - Episode 15, This Sorrowful Life
46:19 to 46:37 - Episode 16 - Welcome to the Tombs
Season 4
00:00 to 02:11 - Episode 1, 30 Days Without an Accident
02:12 to 06:11 - Episode 2, Infected
06:12 to 10:03 - Episode 3, Isolation
10:04 to 13:49 - Episode 4, Indifference
13:50 to 14:53 - Episode 5, Internment
14:54 to 16:18 - Episode 8, Too Far Gone
Season 5
00:00 to 20:07 - Episode 1, No Sanctuary
20:08 to 33:23 - Episode 2, Strangers
(^tw for emetophobia at 22:27 to 22:42, I know it might seem silly since this show is full of blood and gore, but I don't want to catch y'all off guard with something unexpected that might really bother you to see.)
33:24 to 34:19 - Episode 3, Four Walls and a Roof
34:20 to 34:52 - Episode 4, Slabtown
34:53 to 01:16:24 - Episode 6, Consumed
(^yes, I included this entire ep, y'all ain't missing a second of it.)
01:16:25 to 01:23:28 - Episode 8, Coda
01:23:29 to 01:27:29 - Episode 10, Them
01:27:30 to 01:28:14 - Episode 11, The Distance
01:28:15 to 01:30:58 - Episode 12, Remember
01:30:59 to 01:33:56 - Episode 13, Forget
Season 6
00:00 to 01:31 - Episode 1, First Time Again
01:32 to 09:26 - Episode 3, Thank You
09:27 to 12:59 - Episode 6, Always Accountable
13:00 to 14:59 - Episode 9, No Way Out
15:00 to 17:18 - Episode 11, Knots Untie
17:19 to 19:40 - Episode 13, The Same Boat
19:41 to 25:28 - Episode 14, Twice as Far
25:29 to 28:38 - Episode 16, Last Day on Earth
Season 7
00:00 to 02:55 - Episode 1, The Day Will Come When You Won't Be
02:56 to 03:55 - Episode 9, Rock in the Road
03:56 to 20:43 - Episode 10, New Best Friends
20:44 to 28:13 - Episode 13, Bury Me Here
Season 8
00:00 to 08:46 - Episode 1, Mercy
08:47 to 13:22 - Episode 4, Some Guy
13:23 to 15:22 - Episode 5, The Big Scary U
15:23 to 17:45 - Episode 11, Dead or Alive Or
17:46 to 20:02 - Episode 13, Do Not Send Us Astray
20:03 to 27:51 - Episode 16, Wrath
Season 9
00:00 to 02:33 - Episode 1, A New Beginning
02:34 to 07:27 - Episode 2, The Bridge
07:28 to 08:28 - Episode 6, Who Are You Now?
08:29 to 23:25 - Episode 7, Stradivarius
23:26 to 28:00 - Episode 10, Omega
28:01 to 29:41 - Episode 13, Chokepoint
29:42 to 31:01 - Episode 14, Scars
31:02 to 58:58 - Episode 15, The Calm Before
58:59 to 01:22:21 - Episode 16, The Storm
Season 10 (Part 1)
00:00 to 09:24 - Episode 1, Lines We Cross
09:25 to 35:48 - Episode 3, Ghosts
35:49 to 38:34 - Episode 4, Silence the Whisperers
38:35 to 39:46 - Episode 5, What It Always Is
39:47 to 53:52 - Episode 6, Bonds
53:53 to 01:06:48 - Episode 7, Open Your Eyes
01:06:49 to 01:19:18 - Episode 8, The World Before
01:19:19 to 01:44:24 - Episode 9, Squeeze
Season 10 (Part 2)
00:00 to 08:41 - Episode 9, Squeeze (continued from the previous part)
08:42 to 16:35 - Episode 11, Morning Star
16:36 to 20:04 - Episode 12, Walk with Us
20:05 to 31:45 - Episode 14, Look at the Flowers
31:46 to 40:01 - Episode 15, The Tower
40:02 to 01:02:20 - Episode 16, A Certain Doom
01:02:21 to 01:07:40 - Episode 17, Home Sweet Home
01:07:41 to 01:33:05 - Episode 18, Find Me
01:33:06 to 02:05:42 - Episode 21, Diverged
02:05:43 to 02:08:40 - Episode 24, Here's Ne/gan
^I don't want this post to show up in that character's tag on mobile, it would just be annoying for those fans since this doesn't have anything to do with him.
Season 11
00:00 to 09:55 - Episode 1, Acheron: Part I
09:56 to 15:29 - Episode 9, No Other Way
15:30 to 18:51 - Episode 10, New Haunts
18:52 to 24:27 - Episode 14, The Rotten Core
24:28 to 27:26 - Episode 17, Lockdown
27:27 to 37:24 - Episode 18, A New Deal
37:25 to 57:18 - Episode 20, What's Been Lost
57:19 to 01:19:32 - Episode 21, Outpost 22
1:19:33 to 01:20:56 - Episode 22, Faith
01:20:57 to 01:32:27 - Episode 23, Family
01:32:28 to 02:00:35 - Episode 24, Rest in Peace
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beautifulpersonpeach · 9 months
Note
BPP, sorry if you've answered this question before but what is your best song from Face?
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Hi @tabbypuppykitty
I’ve had a rethink. I think Face-off is now my favourite song on the album.
Set Me Free Pt 2 is still top 3, but Jimin’s enunciation on Face-off brings a smile to my face every time I hear it because that man is too damn sassy for his own good lool.
In the latest Suchwita episode, Hobi revealed that Jimin practiced live singing six hours everyday before and during FACE promotions.
Six hours. Every day.
That made me pause. I started thinking about everything that happened during FACE. I don't talk about this at all here because I won't ever share personal pictures and I know I was incredibly lucky and many other people here likely deserved to see him before I did, but I saw Jimin live during his very first shows for FACE.
He was so happy. The joy on his face and the way he worked the crowd... like a fish in water. He gave some of the best performances of the year during FACE promotions. The whole project and the thoughtful way he went about promoting the album, is noteworthy.
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(You should watch this if you haven't already)
*
But then I remembered the BS, the way k-pop stans reacted to the album, to the MVs, to the encore stage, the way BTS akgaes indulged in their sociopathy on his account, how BigHit failed (the anger Jimin biases feel is justified but some of y'all are wallowing in it). I remembered a few of Jimin's Wlives, how so much has been going on for him this year, and then tried to fit 6 hours daily practicing into it...
I have to stop myself when I think about Jimin. He has such latent intensity, like a glamour, a force field around him... it's like a black hole that sucks everything, including you, into him and his world. It scares me.
I know I whine about Jimin biases but y'all amaze me ngl. It takes a special fortitude of heart to bias Jimin. This post already sounds incredibly effusive, but I don't believe I'm exaggerating when I say he's a truly beautiful person. It's almost as though the world does not deserve him. It's impossible to not love him, desire him, care for him... want more sooner for him. I see all that, but I also see that man is stubborn as fuck.
He took his time to start work on his solo album. The middle of the Vegas concerts is when he said he suddenly came to his senses, shook himself out of that trance, and earnestly started putting together the FACE project. He'd written songs before, but FACE was its own thing. The personal stories he chose to communicate, the care in lyricism and production, the quality... Jimin created art in FACE and trusted that those who care for nothing but the best, will love it.
That's sexy, but the way he went about it also betrays a conservatism in him. It's a shadow of the edge in him, that thing about him that causes a tinge of anxiety when you watch him too closely.
I'm not sure if I'm making sense, but what I mean to say is you need a special kind of courage to bias and love Jimin. I recognize that. When I write what I do here, I always remember that. I also have very little respect for solos. And those two sentiments aren't mutually exclusive.
But taking it back to Face-off, my favourite thing about it is Jimin's sense of humour and skill coming through in the song, as well as how he enunciates his words. To really hear the switch in his tone, you need to stream in this order:
Like Crazy > Alone > Set Me Free Pt 2 > Face-off
By the time you get to Face-off, Jimin's voice has already gone through every variation possible, but then he brings out a tone I've heard only one other artist do well (Rihanna), and that tone is disgust.
Pure, refined sass. And he's already got the sauciest voice in k-pop.
youtube
The melodic and tonal choices Jimin makes at these timestamps fucks with my head:
1:53 - 2:08;
2:16 - 2:25;
2:41 - 2:56....
(lol, at this rate you might as well just listen to the whole song again.) Jimin is fantastic in the whole thing.
Europe is where Jimin belongs, but America would eat Jimin up too. The country already does if we're being real, America already loves Jimin. But given the right concept, Jimin would devour because he always does, and the world should get to see it. I hope I get to see more of it. As I've said before, if you feel inclined to communicate that to BigHit, I strongly suggest you do.
During Suchwita, Hobi showed how he's planned content for fans almost years in advance. It's possible Jimin does this too, planning music and content for fans to see months later... (So we might not learn why he went to London, for months...)
Yeah... I don't have the strength of heart to bias Jimin. Good luck to y'all.
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...that was kind of a lot lool. So to calm down, Jimin:
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Anyway, sorry I rambled. Face-off is a really good song and Jimin did an excellent job on it. The whole project is very good so I can't wait for the next songs we get from him. Shit can't get worse than BB deleting D2C sales so on the bright side, we can only go up from here, and for Jimin who already owns the record as the first soloist in history to debut #1 on the Billboard Hot 100, up will be a good spot to be.
Stream Like Crazy, Seven, All Day, and HUH?!
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livcarns · 7 months
Text
Fall of the House of Usher: Jumpscares
SPOILERS AHEAD! (duh)
i love all things mike flanagan, but i’m a big chicken, so jumpscares really freak me out. so for everyone else out there who is equally as freaked out by them as me, here is a list with timestamps of all of the jumpscares in the show! some timestamps might be a few seconds off, but i did my best. enjoy!
i’ll update as i finish episodes!
Episode 1: A Midnight Dreary
0:29 Creepy, not necessarily too jumpy
0:53 Creepy again, could jumpscare you if your volume is up
17:04 After debating whether to call a doctor, their mother appears behind young Roderick in the lightning flashes
20:18 Not a jumpscare, but so so creepy. After older Roderick tells Dupin that his mother is right behind him, the detective goes on a rant about interrogation techniques. When the camera jumps back to show the room behind him, the mother is standing there, perfectly still. At 20:50, she leaves. 
51:00 Not a jumpscare, but creepy. All of the dead children stand on the balcony where the woman in the mask just was. They’re all visibly bloody and dead. 
51:59 First real jumpscare of the season. A clown in the backseat of the taxi? Scary af
Episode 2: The Masque of the Red Death
4:02 Not a jumpscare, but really creepy. Roderick falters before he can finish his sentence, and then the ghost of Prospero appears behind Dupin. He’s gone a moment later. 
19:43 He’s back. He approaches this time.
20:33 Real jumpscare this time. Thunder crashes and we cut to a closeup of Prospero’s deformed face. Dupin doesn’t even notice anything. 
56:00 Not a jumpscare, just really gross
Episode 3: Murder in the Rue Morgue
2:00 Immediately very nasty. Lots of shots of the dead bodies from the party, all decayed and gross. 
3:16 Minor jumpscare, one of the bodies isn’t quite dead and grabs Pym’s ankle. There’s a music cue with it. Kind of expected to be honest. 
24:33 Roderick freezes. A pair of blackened hands appear on his shoulders, and we cut to a shot that reveals a dead Camille is standing over him.
25:35 Real jumpscare. As Roderick is going on his little rant, he pours himself another drink. When he turns back to Dupin, Camille is in front of him, along with a music cue. He throws his glass. 
36:59 The cat is dead!! Oh no!! Napoleon follows the trail of blood to find Pluto has been stabbed. Fortunately for all animal lovers, it’s a very fake looking cat.
50:47 Jumpscare. A monkey slams against the bars of its cage behind Camille. 
Chimps pretty much are just slamming against the bars repeatedly through this scene. Beware!
Episode 4: The Black Cat
This is a very gory episode! Beware!
24:50 Leo lifts his pillow to reveal a dead rat(?) with a big musical cue
26:30 Big jumpscare! As Roderick is saying “pour your energy into kickbox-“ Leo’s body falls from the ceiling and hits the floor. It’s accompanied by a loud musical cue.
Majority of this episode is just this cat terrorizing Leo, so there’s a lot of small dead animals. Beware!
47:50 Shit gets crazy. Leo hurts the cat after it attacks him, and then the scary lady (Veena) looks super gory. 
53:53 After Roderick unties Juno’s robe, a burnt Perry appears behind her, then leans into Roderick’s face. 
57:23 When Leo breaks down the final section of the wall, the cat and Veena are there, both with an eye hanging out and pretty gross.
Episode 5: The Tell Tale Heart
5:19 The camera pans in front of Roderick to see Perry’s burnt ghost in front of him. A moment later, Roderick looks up into the balcony to see the clown. 
6:40 Roderick turns around to look back at the coffins and sees the ghosts of all three of the “bastards” standing in front of their respective coffins. 
24:12 After Dupin starts bleeding, he looks up at the ceiling, and when he looks back down, he is instead Vic. She starts screaming, but at a crack of thunder, it returns to normal. 
53:30 After this point, it gets pretty gory as we see Ali dying. 
55:09 This part is pretty horrific. Roderick opens the door to reveal Ali’s dead body. The room is covered with blood and we get some close ups of the machine in her heart. It’s very gross. 
57:05 Vic turns the scissors on herself and stabs herself. 
Episode 6: Goldbug
2:04 Not a jumpscare, but we see someone in the doorway in Tamerlane’s hallway. 
4:06 When Tamerlane opens the Goldbug box, it’s filled with maggots(?) and bloody stuff. She jumps away, accompanied by a musical cue. 
7:07 After Roderick says “Don’t all answer at once” the camera cuts to show the four dead children watching him. 
16:04 After Roderick asks “Can you see them too?” Lenore turns around and the four dead kids are behind her. 
25:21 As Roderick says “Isn’t it all just water under the-“ the window behind him is shattered and he flies forward. While laying on the ground, Tammy steps towards him, then stands over him all creepy like. It’s done when Dupin says “Roderick?”
50:53 From this point forward, it gets mildly bloody, with Tammy cutting herself on some glass. 
52:54 After “Before the inevitable” a hand reaches out and grabs Tammy around her ankle. 
Episode 7: The Pit and the Pendulum
18:00 Not a jumpscare or even scary, but the implications of what is about to happen are fucking brutal. My stomach dropped. We don’t watch what happens (thank fuck) but we do see the aftermath, and it is gory. 
23:26 The clock chimes. Scared the poop out of me because it was unexpected. 
25:28 Freddy gets all terrifying? Honestly the only way to explain it. After Annabel talks for a moment, young Freddy’s body splits in half. 
Episode 8: The Raven
2:34 Holy shit jumpscare. It’s the fucking clown again. There’s a metallic clinking sound, and when Roderick turns, the clown jumps out and grabs him. 
10:48 Not a jumpscare, but when Annabel turns and walks away, there’s a bloody hole in the back of her head. 
12:50 Repeat of the clown jumpscare from the first episode. 
51:56 Not a major jumpscare, but a crash of thunder is accompanied by a musical cue that’s a little startling. 
52:36 During a flash of lightning, Lenore’s ghost appears behind Roderick. It continues to move closer as he turns. 
53:05 The raven squawks loudly as it flies by Roderick. 
54:34 After Roderick says “Haven’t we?” there’s a crash of thunder and when he turns around, all of his dead family members are sitting around the conference table. 
1:06:36 After Roderick says “I bet I still could’ve sold it” Madeline bursts out of the basement all bloody and gross.
And that’s it!! Hope this helps!
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ouatsqincorrect · 7 months
Text
ok so I’ve gone through 1x02 and there definitely aren’t as many hidden details as there were in 1x01 but here are the ones I was able to find
1. Gas prices are only 95¢ because Storybrooke is still stuck in 1983
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2. these things don’t really mean anything but Henry has a couple model planes and a record player so it’s some nice insight into his character
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3. there’s apparently tennis news in Storybrooke? also the newspaper is only 75¢ and somehow the damage Emma did to the sign is worth $1,200. the paper also tells us Emma crashed the bug at 3am and the road that the town line is on is called Route 1 (we see the paper in the scene before with Sidney and I wanna know what’s in the “Storybrooke Fun Facts” section)
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4. there are A LOT of umbrellas in Archie’s office (like this picture isn’t all of them) and he has a display of pipes on the wall which is a nod to the original Pinocchio
also, you can’t really see it in this photo but at the top of the room, there’s forest wallpaper, kind of like the ones at granny’s and in Regina’s office and got to hand it to the set designers, they did a good job making Storybrooke feel like a fairytale realm trapped in our world
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5. there’s a heart box on Regina’s desk
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6. also in Regina’s office, of course, we have her horse statue and the bowl of apples
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7. there are SO many clocks in this season as a whole, but this episode was just insane
we start the episode with the clock tower moving from 8:16 to 7:53 and then pretty much every scene (in present time) then on has a clock or multiple clocks in it
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like here in Regina’s room (I counted 6 in Henry’s room)
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and in these two Emma and Henry scenes, there’s these shots in front of Standard Clocks (in the first one, Henry’s telling Emma about her role in the storybook and in the second one, they’re walking away from Archie’s office after Emma burned the pages)
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j2spntranscripts · 23 days
Text
☆ 2006 Paley Television Fest
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Official name: 23rd William S. Paley Television Festival Location: The Museum of Television & Radio (The Paley Media Center), John H. Mitchell Theatre, Los Angeles, California Time: Saturday, March 4, 2006, 7:00pm (GMT-7) Panelists: David Bushman, Peter Johnson, Kim Manners, John Shiban, Jensen Ackles, Jared Padalecki, Robert Singer, Eric Kripke Last episode: 1x16 “Shadow”- 2/28/2006 Next episode: 1x17 “Hell House”- 3/30/2006
Question Index: 1- (10:30) SPN Origins (Kripke) 2- (12:20) Sam and Dean Motivation (Kripke) 3- (14:10) Firsts Impressions "J2," Auditioning Sam and Dean (Kripke) 4A- (16:03) Auditioning for Sam and Dean (Jared) 4Aa- (16:53) SPN Appeal (Jared) 4B- (19:22) Auditioning for Sam and Dean (Jensen) 5A- (22:09) SPN Start (Manners) 5B- (26:04) SPN Start (Shiban) 5C- (27:34) SPN Start (Singer) 6- (31:04) SPN Mythology/Formula (Shiban, Kripke) 7- (34:18) Pre-Finale Thoughts (Kripke) 8A- (35:38) Location Significance- John in Sacramento (Shiban) 8B- (36:12) Location Significance- Lawrence Kansas (Kripke) 9- (36:58) Fear "Paranormal"- (Manners, Shiban, J2, Kripke) 10- (38:54) Continuity Mistake "4 years vs 2 years at Standford" (Kripke) 11- (40:39) Network Censorship "Gore"- (J2, Kripke, Singer) 12- (43:56) Paranormal on Set (J2) 13- (46:09) Network Censorship “Sex” (Kripke) 14- (47:19) Pre-series Sam and Dean (Kripke) 15- (49:06) Samulet (Jensen, Kripke) 16- (49:54) Special effects, Gag Reels (Jensen, Jared, Manners) 17- (53:15) Religion “Jensen,” Dean Winchester cellphone # (Jared, Jensen) 18- (55:39) Impala 67 (Jensen, Manners) 19- (56:15) SPN Music (Kripke, Singer) 20A- (58:41) Acting Advice “Start” (Jared) 20B- (1:00:08) Acting Advice “Start” (Jensen) 21- (1:01:02) Props "Alcohol" (Jared, Jensen) 22A- (1:02:14) Favorite Scene (Manners) 22Aa- (1:04:12) Acting Challenges “Shadow” (Jensen) 22B- (1:05:00) Favorite Scene (Shiban) 22C- (1:06:14) Favorite Scene (Jensen) 22D- (1:07:34) Favorite Scene (Jared) 22E- (1:09:18) Favorite Scene (Singer) 22F- (1:10:18) Favorite Scene (Kripke)
(transcript below the cut)
(*if you notice any mistakes in the video transcripts please point them out thanks*👍)
(0:00)
David Bushman is standing alone on stage in front of a mic reading off a script.
Bushman: Um, hi, everyone. My name is David Bushman. I'm television curator at the Museum of Television and Radio. And I want to welcome all of you to the museum's 23rd am-annual William Paley television festival. (thumbs to his right)
That clip that you just saw is from “Route 66,” which is one of the shows that, um, the creator Eric Kripke of, um, of “Supernatural,” um, often cites is one of his influences and that explains why we picked it. (thumbs to his right) That's part of our collection. We have 120,000 television and radio, uh, programs in our collection. And I would encourage all of you to visit the Museum in Beverly Hills, and in New York w-when you're there.
Um, tonight we're really excited to be honoring “Supernatural” which was named one of the top five new series of 2005 by Entertainment Weekly. “Supernatural” is aaa- a vibrant fresh exciting show that combines all sorts of genre elements: family drama, comedy, suspense, and on top of that it just scares the hell out of you. (audience laughs) I really want to thank Warner Brothers for all they did in helping make this night happen, particularly the PR department Holly Ollis and Winson Seto. Thank- thank you very much.
Um, what we're gonna do tonight is we're gonna, um, introduce right up front the cast and the creative team, our panels for the evening. Introduce them very briefly. Um, Eric is going to say a few words about what you're going to see. Then we're gonna.. watch an episode of the program, which Eric will talk about. Then we'll bring the panelists back up. I'll ask some questions and then you guys are on. So, start thinking of questions now. Okay?
(1:35)- first introductions
Bushman: Um, so, let me start with the panelists’ intros. First, uh, one of the producers of “Supernatural,” please welcome Peter Johnson.
Audience claps and cheers. Bushman looks to his left. Johnson walks on to the stage. Bushman meets him and shakes his hand. Johnson waves then goes down the stages stairs to sit in the front row. Bushman returns to the mic.
Bushman: Uh, next we have co-executive producer and director Kim Manners.
Audience claps and cheers. Bushman walks away from the mic. Manners enters on stage with his hands fiddling with his pants’ pockets and walks off the stages stairs to sit in the front row.
Bushman: Next we have co-executive producer and writer John Shiban.
Audience claps. Shiban walks out on stage waves to the audience and goes down the stairs to sit on the front row.
Bushman: Next, he plays Dean Winchester. Please welcome Jensen Ackles.
Audience screams and claps. Jensen walks out on stage and waves. He then jogs down the stage stairs to sit in the front row.
Bushman: Next, Sam Winchester. Please welcome Jared Padalecki.
Audience screams and claps. Jared speed walks out on stage, but walks passed the stairs a bit. He grimaces then bends down to look for the stairs while laughing a little, and then jogs down the stairs to sit in the front row.
Bushman: Next, the executive producer and director, Robert Singer.
Audience claps. Singer comes out on stage and waves to Bushman. Then he walks down the stairs to sit in the front row.
Bushman: Finally, the man whose vision, uh, created “Supernatural,” is the creator, executive producer, and writer. Please welcome Eric Kripke.
Audience cheers and claps. Kripke walks out on stage. He waves to the audience then walks to Bushman and shakes his hand. Bushman walks off stage and Kripke takes over the mic.
Kripke: Hey everybody. (audience responds back) Thank you so much, uh, for coming. Uhhh, it's a little, uh, overwhelming and- and amazing, uh, quite frankly.
This is to my knowledge, I mean, the first gathering of any “Supernatural” fans anywhere. So, thank you to you and give yourself (audience cheers and claps) a round of applause.
Uhm, just quick story from the set of “Supernatural” ‘cause it just happened last night. Uh, which is they were, uh, they shoot up in Vancouver. And, uh, they were shooting up at Stanley Park or about to begin production which is a-a public park up in Vancouver. Um, and, uh- uh, we're about to start filming when they got a call that, uh, there was a man about 100-200 yards from the film company, uh, with a handgun and, uh, they called, you know, Jared and Jensen. Said, you know, “Don't come to set. There's a man with a handgun.” And- and they shut down the whole production for two hours. They called in the police. They called in the SWAT team. Uh, they stormed-
This is all true. (laughs) (audience laughs) Very true. This all just happened last night. Uh, they all stormed Stanley- you know, SWAT teams storm Stanley Park, uh, looking for this man with a gun. Uh, and it turned out to be a, uh, member of our special-effects crew. (audience laughs) (laughs) So, good times from the set of “Supernatural.”
Ehahm, anyway. So, uh, I'm supposed to introduce the episode. So, let me- let me do that. Uh, the episode we're showing tonight is, uh, “Scarecrow.” Uum. (audience claps) (nods) All right, “Scarecrow” fans in the house. Uh, “Scarecrow,” uh, was written by the, uh, very brilliant, uh, John Shiban. Uh, (audience claps) so, round of applause for John. And it was directed by the very brilliant Kim Manners. (audience claps) (clears throat) Um, and so the reason, uh, we chose “Scarecrow” is we sort of felt it was, uh, just a good mix of sort of everything that the show is about.
Um, you know we think there's really some good drama between the brothers. We think there's some good comedy. Uh, we think there's, you know, good mythology about Dad and this is the char- is the episode that introduces Meg which people online had problems with (audience laughs) I seem to remember.
Um.. and, uh- And it's, you know, just, we think a-a scary, uh, damn good episode and- and- and based on a-a good series of, uh, you know, very fun urban legends about scarecrows. And so, I'll stop rattling on. Enjoy “Scarecrow.” We'll talk after. Thank you (audience claps)
Kripke goes off stage. Video fads to black.
(5:57)- second introductions
Visual comes back. Audience is clapping while Bushman walks on a lit stage with seven empty chairs and three round coffee tables each with bottle waters on top.
Bushman: Um, are there any “X-File”fans out there in the audience right now? (audience cheers and claps) It’s, uh- Every time I see this episode I feel like shaking Dean and saying, “What are you doing trusting the cigarette-smoking manager.” (audience laughs) (looks down to read his script)
Um, I'm going to bring our panelists back up on stage. Um, our first panelist is co-executive producer and director on “Supernatural.” He's directed nearly 300 hours of television, including 53 episodes of the “X-Files” which he also produced. Please welcome Kim Manners. (audience claps and cheers)
Manners walks on stage from the front row. Bushman shakes his hand and directs him to “move all the way down, please.” Manners follows the direction and sits on the farthest chair from the stairs.
Bushman: Our next panelist is a co-executive producer and writer on “Supernatural.” He began his career as a staff writer on the “X-files,” writing or co-writing over 20 episodes, and eventually serving as executive producer. He was also co-creator and executive producer of the “Lone Gunman” and supervising producer of “Harsh Realm” and is written for and produced “Star Trek Enterprise,” “Threat Matrix,” and “USA Network's Frankenstein.” Please welcome John Shiban. (audience claps)
Shiban walks on stage from the front row. He nods at Bushman and briefly holds a hand out to the audience and then walks to sit beside Manners. A stage assistant stands behind his chair to help Shiban with his clip-on mic. The footage then switches goes back to Bushman reading his script.
Bushman: Our next panelist portrays Dean, (audience squeals and claps) (laughs) wisecracking older Winchester brother. Before “Supernatural” (laughs at audience still chuckling) (one audience member briefly screams) Before- (laughs) Before “Supernatural” he was familiar to WB viewers is Jason Teague on “Smallville.” (audience squeals and claps) I don't know if I'm going to get through these intros. (audience laughs) He had a recurring role on “Dawson's Creek” and was a regular on “Dark Angel.” He- (audience claps and cheers) (smiles and laughs) He received three Daytime Emmy nominations for his role on Days- (audience cheer) (briefly laughs, lowers his script and then looks audience) Pl-please welcome Jensen Ackles. (Audience screams, cheers, and claps.)
Jensen waves at the audience as he walks on stage. He shakes Bushman’s hand and then goes to sit beside Shiban. He shrugs at Shiban and Manners. Before he sits down he takes off his leather jacket and says, “For you Jared.” The audience laughs. Bushman laughs and then looks back down at his script.
Bushman: Um, our next panelist portrays Sam, the rebellious- (audience screams) (Bushman and the audience laugh) rebellious younger Winchester brother. Before “Supernatural” he was best known as Rory's boyfriend Dean on Gilmore Girls. (audience screams) His- (laughs) His- (laughs) (audience laughs) His film credits include-
Audience member: I love you! (audience laughs and Bushman smiles)
Jared: (from his seat) I love you!
Bushman: (increases dialogue speed) His film credits include: “House of Wax,” “Cheaper by the Dozen,” “Flight of the Phoenix.” Please welcome Jared Padalecki.
Jared walks on stage and shakes Bushman’s hand. And goes to sit beside Jensen. Jensen holds out his hand to Jared, which claps it before he sits down. The audience laughs. Jensen shakes his head and then thumbs at Jared, who’s scratching his head. The camera goes back to Bushman.
Bushman: Our next panelist executive produces “Supernatural” and directs episodes of this series. Formerly- (audience laughs) (glances at the panelists) Uh, formerly vice president of NBC drama development. He later teamed with Daniel Blatt to produce films and TV series including “V the final battle” (audience woo’s) and Stephen King's “Cujo”. On his own, he has executive produced “Midnight Caller,” Lois Clark- “Lois & Clark the new Adventures of Superman” (audience claps and cheers) and “Reasonable Doubts” which he also created. Please welcome Robert Singer.
Audience (or possibly J2 screaming) screams, claps, and cheers. Singer walks up the stairs and shakes Bushman’s hand while walking to his seat beside Jared. Singer mimics a repetitive smacking motion with both hands towards Jared and Jensen. The audience laughs. Singer and Jared shakes hands before he sits down. The stage assistant gets Singer’s attention. J2 are smirking. The camera goes back to Bushman.
Bushman: Um, our final panelist today is the creator of “Supernatural,” in addition to executive producing and writing for the series. His previous TV credits include the WB series “Tarzan.” He also wrote and co- (Jared? woo’s) -produced (audience and Bushman laugh. The audience claps and cheers.) He also wrote and co-produced the feature film “Boogeyman.” (audience starts cheering) Please welcome Eric Kripke.
Kripke walks up stage and shakes Bushman’s hand. Then he walks to his seat beside Singer. Bushman then goes to the last seat at the end and waits for Kripke’s mic to be clipped on his jacket by the stage assistant.
Bushman: Okay. I'll start with a few questions before (gestures at audience) we open it to you guys. Eric the first one would be for you.
•(10:30)- PaleyFest06;Q1 – SPN Origins (Kripke)
Bushman: I'm just kind of curious how- how this the idea for this series, um, the genesis of it. And-and how it evolved from concept to, uh, what we see on the screen.
Kripke: Um, I, eh- For a really long time I wanted to do a show about, uh, American folklore and urban legends. (Bushman nods) Sort of (gestures) kind of a subject that, you know, even back to elementary school I've been, you know, kind of obsessed with.
As a matter of fact the very (bounces his pointer finger out) my very, very first TV pitch when I first started in town when I was 23- (shrugs) 24 was a-a-a (gestures) urban legend show and I kept (gestures) trying different versions of it and kept getting Smackdown. (audience giggles and Jared smiles) Um, I tried to do it as an anthology (taps his pointer) and then I had this idea of like a (gestures) bunch of reporters in a van, like “Scooby Doo” style. (audience laughs) A-all these sort of terrible ideas.
And then, uh- And then I was, you know, working with Warner Brothers and- and- and just come off of, uh- uh, (fake coughs) ”Tarzan.” And- (audience laughs. Jared laughs.) (Kripke laughs) And, uh- and they said, you know, “What do you- What- What show would you want to do?” And I said (gestures), “Well, an urban legend show.” And they said, “Well, what- what's the concept?”
And I had this (gestures) really long elaborate storyline that I'd spent weeks and weeks on, uh, on about (gestures) a reporter. Um, and it was almost exactly (laughs and gestures) “Night Stalker.” (audience laughs) which was hilarious. Um, and, uh- and, uh, they- they (tilts his head) kind of looked at me and they were like, (shrugs) “Nah.” (audience giggles) There’re like, you know, (shrugs) “Any other, you know?” (shrugs) “What else?” and I said, “Well” (mimics writing) Because I-I'd literally scribbled it my notebook the day before, which was- I said, “Well, you know, it could be like Route 66. Like two guys on a road trip.” And they're like, (stop gesture) “We love that do that.” (Jared and audience laugh) And I-I- So, just kind of came out of nowhere, and just sort of, uh, developed from there.
And- and it turned out to be just the- the right, uhh- You know, the right way into this show. Because they can just drive it- You know, the boys can just drive in and out of a different horror movie every week, so. (audience chuckles)
•(12:20)- PaleyFest06;Q2- Sam and Dean family motivation (Kripke)
Bushman: Did you- Did you, um, at that point know w-in terms of characters who those two guys were? I mean, how did the whole this whole family element, which is so important to the show. I mean even, you know, um, you know, Jared says to-to the girl in this episode, uh, “I've got to go back because it's my family.” How did that whole family aspect-
Kripke: Um, just you know you- you write what you know. And- and I'm from a very, uh, close-knit, (Bushman clears his throat) uh, family and I have a (gestures) big brother. Um, and, uh you know, and I have, you know, a lot of, you know, really great friends and s- and just you know sort (gestures) of the way guys talk and the way they communicate without (gestures) ever really communicating anything. And.. (audience laughs) (smiles)
Um, and, uh- So, (gestures) it just kind of- It- it kind of grew- grew out of that. And, uh, so I knew I wanted to do, you know, uh- You know, in terms of characters, I knew I wanted you know the- the little brother to, you know, (gestures) be conflicted and have a lot of, you know, a lot of the angst and problems which I (gestured to Jared) threw right to Jared. (audience laughs) (J2 smile. Jared nods and clears his throat)
Um, and I wanted a- and-and- I wanted a big brother just be a total smartass. (audience laughs) I mean, that's how I started you know? (Jensen smiles, chuckles and turns to his right. Jared nods and then claps Jensen’s knees. The audience laughs.) Um, and— (Bushman: mm) and so you know and-and-and- it's- and it's, you know, w-w-with a show like this it’s, you know, the, eh, with the genre and it's sort of out there it's-it's- it really needs like a grounding influence. And so, to ground the show into family and elements of family. Um, and that (gestures), you know, that care that these brothers have for each other, uh,  (Jared offers to pour Jensen water in his glass. Jensen gives him a go ahead gesture.) really helps us because these two guys. (audience giggles) (Kripke stops and looks at J2 and J2 are biting their lips)
Shiban: They hug. They hug.
Singer and Kripke look at Jared. Jared smiling makes to put the water bottle behind his chair, but then sets it on the table. The audience keeps giggling. Kripke: Oh. Bushman: He’s pouring him a glass of water. (Kripke looks at Bushman) (mimics pouring water) He’s pouring him a glass of water.
Kripke: Yeah. (gestures) Because these two guys, I mean, the- (J2 are silently laughing) the relationship they have. I mean sometimes we have, you know, (Jensen scratches behind his ear. Jared is biting his finger and silently laughing and then Jared slaps Singer’s thigh) good subject matter and sometimes, you know, we don't. Um, (laughs) (audience, J2, and Singer laugh) but the- but the- the relationship with the brothers- these two actors always sees us through, so.
•(14:10)- PaleyFest06;Q3 - first impressions “J2”, auditioning for Sam and Dean (Kripke)
Bushman: Did- Um, were you familiar with their work? Um, or did you just bring in a ton of actors to audition for the roles?
Kripke: Uh, we, uh, auditioned everybody in town. Um, as you always do kind of on these pilots. (Bushman: uh-huh) Um, my, uh, my wife was quite the “Gilmore Girls” fan. So, (audience laughs) (Kripke looks at Jared) I, uh, I knew, uh-
Jared looking around at the audience. Audience laughs and claps. Jared points around the audience. Then smiles and laughs.
Kripke: (laughs) So, uh, I knew, uh, I-I knew Jared's work. And Jensen, uh, our director David Nutter, (Bushman: uh-huh) who directed the pilot, um, knew Jensen from, uh, (looks over at Jensen) either- Was it “Dark Angel?” From.. (Jensen: mhm, yeah) And he knew him from “Dark Angel” and so, uh- (gestures to the audience) “Dark Angel!” (gestures to Jensen) Jensen in Dark Angel!  
The audience claps and cheers. Jared woo’s and claps. Jensen gives the audience two thumbs up. Jared then goes to drink his water. Jensen looks down chuckling.
Kripke: And, uh- So, when we were, you know. (Jensen scratches his forehead. Audience member laughs.) When we were casting the characters it was- it was David Nutter who said, you know, “We have to- we have to fly down Jensen.” Who was up shooting “Smallville” at the time. So, he wasn't really in the- in the- in the pilot pool. And, you know, (shakes head) thank God we did. Because he walked- eh-uh (holds up his hands) Actually the story, which was funny, is Jensen walked in the room and-and met with us and-and-and David and Peter Johnson and I. And-and we talked to him and talked to him and we walked out the door and we looked at each other we were so exciting we're like we found and we found Sam.
Audience ohs and laughs. Jensen raises his eyebrows and nods. Kripke looks over at the boys.
Jared: I didn't get flown down. I had to ride myself (Kripke laughs: Yeah. Yeah.) Soo. (Kripke: And, uh-) I just wanted that to be known. (laughs) (Jensen is looking down smirking)
Kripke:  And it- and it was- and so, you know, these things just kind of form as-as puzzle pieces come together. And it wasn't until we met Jared that we're like, “Well that's Sam!” And we're like, (Jared chuckles) “And then, you know, Jensen could be Dean!” And then, it all just kind of, you know, it all kind of came together from there.
Bushman: That’s real interesting. Well, how about you guys, Jared and Jensen? Can you tell the story of-  
Jared: (thumbs to Jensen) I’ll let Jensen take that one.
Bushman: from your, um-
Jensen: Uh (points to Jared) you go ahead. (scratches the bridge of his nose)
Jared: (swipes hand in the air) Oh, Jensen (laughs) (Jensen: Oh no) that’s- that’s totally you. (pets his pants leg) What was the- (Jensen: honestly.) (looks at Bushman) What’s the- What’s the exact question?
Bushman: the question is-
The audience laughs. Jared rolls his tongue laughing and then turns his head down to scratch his hair. Jensen is smiling.
Jared: W (laughs to Jensen) I can-
Jensen: (to Jared) Is it a (briefly throws his hand up) spelling Bee? (Jared laughs and looks back at Bushman)
Bushman: Can you, uh, Can-
Jared: Can you use the word in a sentence?
Kripke: Spell. Spell leopard.
Jensen: Yeah, can you use that in a sentence? (straightens his shirt)
Jared: Leper?
Kripke: Leopard.
Jared: Leopard.
•(16:03)- PaleyFest06;Q4A- Auditioning for Sam and Dean (Jared)
Bushman: No, no, no. The question was, uh, Can you talk about the audition process from y-your perspective.
Jared: Well, it’s interesting, actually for me, hearing it from Eric's perspective. Um. I, uh, I’ve obviously been working with Warner Brothers for “Gilmore Girls.” And, um, the five years prior to doing the show I worked on Gilmore Girls to sort of developed a relationship with, um, some of the people at the Warner Brothers offices.
And I had kind of heard about a few of the pilots coming out. And I read this one in particular and I really enjoy the- the characters. And it really struck me as something that- I remembered hearin’ sort of (gestures) once in its breakdown of like it's (gestures) kind of a supernatural. It’s called “Supernatural” (Kripke laughs). And I was thinking like great (briefly throws up hand) “Charmed” or “Buffy,” (audience laughs) which are all great shows, but not the show I wanted to be a part of, you know? I didn't want to do “Roswell” or “Charmed” or “Buffy.” And then, when I read it I was like wow this is- this is very interesting and- and so much more than just like, “Ooo, scary show.” So-
•(16:53)- PaleyFest06;Q4Aa- SPN Appeal (Jared)
Bushman: what- what, uh, appealed to you about it?
Jared: Well, I sort of, uh, I grew up son of an English teacher. So, she was always big- and she would actually taught heroes myths and legends. So, I was familiar with mythology and sort of, uh, the Joseph Campbell taught, teachings. (turns to audience) The taught-teachings of Joseph Campbell. (audience laughs) And, uh, (Kripke chuckles) (scratches head)
Singer: Didn’t- didn't rub off that she was an English teacher. (Jensen mimics closing a film clapperboard)
Jared: It didn’t rub off. (looks down smiling and claps) (Kripke laughs)
Shiban: Yes. (Singer clears throat)
Jared: Uh, yeah. It didn't. It didn’t. I just work till 4:30 this morning in Vancouver. So, I’m a little worse for ware.
Bushman: It’s kind of interesting that you mentioned Joseph Campbell, cuz there's a little bit of “The Reluctant Hero” in your character.
Jared: Very much. I mean there's more than- there's so much more than just the Reluctant Hero. I mean, when you get into the archetypes they're sort of- each script is just bursting at the seams with archetypes and (briefly throws his hand up), you know, last thing I think these people want to hear is me going to a (Bushman chuckles) explanation of- (Audience laughs. Jensen fakes snoring) (briefly throws his hand up) I love the script. (turns to Jensen) I love the character. (shakes Jensen’s leg)
Bushman: Did, uh, so- (Jensen mimics waking up with a shout)
Jared: (leans towards Jensen rotating his pointer finger in the air) We're doing a- we're doing, um, a answer-
Jensen: (shrugs and frowns) I’m awake (reaches for the water)(audience laughs)
Jared: Okay. (turns back to Bushman, smiling and scratching his head)
Bushman: So, uh- Well, so your agent sent you script and you were- you were auditioning for Sam all along?
Jared: Uhh, right. (hits his knee) Right. I guess- I guess w-where the- where the process.. or how the process- where it was when it reached me was: read the script, see if you like the character, see if you like the script. (gestures) It was sort of like do you, you know, do you mesh with this- (gestures) Do you feel you could mesh with this script. And I felt I could and so I went in (thumbs towards Kripke) and I- and I met some of the guys, and I re-met Nutter and.. you know, sat in an office with- Who was it Kripke? (Jared leans forward than back to see Kirpke)
Kripke: (leans forward than back, in response Jared starts rapidly leaning back and forth) It was, uh, Me, Nutter, Peter Johnson we were at the-
The audience laughs. Kripke then notices the movement and starts mimicking Jared. Singer hunches down. Jensen starts laughing to himself while looking away.
Kripke: Wonderland. Offices. (Jared and Kripke stop. Audience laughs) And, uh.. Uh, yeah. And he- he came in and he had at such energy and- and just so, uh, (gestures) lived the character. (gestures) Just so was the guy. You know, it's a (gestures) cliche to say that but he really was. So, it was- it was an easy choice.
Bushman: (to Jared) And did you feel real good about it coming out?
Jared: Uvh, well (push his hair behind his ear) yeah. I-I-it was- it was b-by no means that short process, you know? I mean, that was sort of the beginning of a week or two week long (gestures) finding of scripts and characters. And I think the scripts are still being rewritten. I remember I'd seen a script and they’re like, (gestures) “This is changing. You know. Read the script, but (gestures) that's nothing to do with this.”
Kripke: (laughs) Right. Yeah. (audience laughs)
Jared: “It’s gonna change so much.” (gestures towards Jensen)
Kripke: (nods) This is true.
Jared: Which is much like it- it is nowadays. You know, (Kripke: Yeah) we get a script and they're like, “Okay, we're shooting this in a week, but it'll be a completely-“ You know? (audience giggles) (gestures) It’s just like- it-it can always can get better. And- and everybody's always working hard (flings his hand) up to the very last second, you know? Till they call action. (points up) People are working here. People are working in Canada. Just, you know, sprinting.
•(19:22)- PaleyFest06;Q4B- Auditioning for Sam and Dean (Jensen)
Bushman: Okay. (Jared nods) Jensen, what was your experience?
Jensen: (resting his head on his fist, briefly points to Jared) Pretty much the same.
Jared immediately fake sleep-snores and leans his head on Jensen’s shoulder. Kripke and the audience laugh. Jensen smirks. Jared sits up, laughing, and reaches for his water.
Jensen: Uhhh
Jared: Well said Jensen.
Jensen: (rubs his chin, laughs, sits up) Yeah. (rubs his hands) Uh, w-well, (thumbs to Kripke) like-like Eric said, they- they had originally brought me in for, uh, for the role of Sam. And, uhm, I- I knew David Nutter very well. Uh, I-I worked on, uh, testing for some- a number of pilots, um, before that. So, I-I felt very comfortable with him and with his recommendation to me coming in. And he feel good about it. (gestures) And I had a conversation with him on the phone before I come- before I came in and just he kind of gave me a spiel about Sam and, uh, (rubs his mouth) and what he thought. And- and then I read the script. And-and I was just like, “W-what about Dean?” (audience laughs.) “I liked Dean.” (audience laughs) “He's funny.” (audience laughs)
And-and, uh, it's- but (gestures) I, you know, I study for Sam. And-and I went in there and I actually kind of studied for (rubs his tear duct) Dean a little bit too just in case. And, um, I went in there and I read for Sam. And-and, uh, like Eric said. And they were like, you know. They were pleased with it. And then.. went home that evening and got a phone call and he said, “Well, uh- uh, there's this guy, Jared, uh, Pada- Pada- something-” (audience laughs)
Jared: I said Pada-something.
Jensen: (nods) Pada-something. (Smiles)
Jared: Pada-something
Jensen: and uh (grins)
Jared: Pada-some- (laughs)
Jensen: “And-and-and they really ar-are liking him” (gestures) “for-for one of the brothers.” And I'm like, “Okay.” So, of course I look him up online (audience laughs) and I'm like (throws up his hand) “He’s- he’s-“
Jared: (to the audience) He thought I was hot. (audience laughs and claps)
Jensen: He’s- (Jared laughs and scratches his head) “This guy's smoking hot.” (Jared leans back and laughs clapping his hands) “I can't play his brother and-“ Uuum, no. And-and-and- and then they said- (Jared facepalms) they'd said, “But would they like to bring you back in for Dean.” And, I of course was.. very excited about it and I came back in. (Jared clears his throat) And-and I was thrilled. So, uh, (gestures) that's kind of how it all. (gestures)
Bushman: Sut- So by the time you guys actually performed together you had already had the parts. They weren't auditioning-
Jensen: Well, no. We hadn't- we didn't have it- we didn't have it (gestures), uhh, officially.
Jared: (leans forward, to Kripke) Did we? (Jensen leans forward)
Kripke: No. We had-
Jensen: We had to do the-
Kripke: We were the on- (nods his head towards J2) they were the only actors we brought in to network. Because we- (gestures) You have to have a network audition.
Jensen: Formality of the network.
Jared: It’s usually a really terrifying process of (Jensen: Yea.) sort of (Jensen: Yeah.) these guys and gals at you audition with all year long. And it's five people that you're very, very afraid of, sitting in the room with you going for the same part. (Looks at Jensen) And when we got there it was like, “Hey.” “Hey.” “Where's everybody?” “Uh, there is nobody.”
Jensen: “Just you and me pal.” (audience laughs)
Kripke: Right. (briefly turns to Bushman) Yeah.
Jensen: And, uh-
Jared: We started (mimics writing) typing numbers down on a page- (shakes his head) I’m just kidding.
Jensen: Yeah, well (gestures) we went in and-and-and (scratches tear duct) that was yeah that was the first time we actually met. (gestures) And then we (gestures) (Jared: mhm) did a scene together, uh, for a- a-a roomful of executives and, uh, that was that.
Bushman: Okay.
Jensen: (points at Jared) and we’ve hated each other ever since. (reaches for his water) (audience laughs)
Jared: (nods) Yeah. (turns to Jensen) I poisoned your water, so.
The audience laughs. Jensen pauses and stares at his cup. Audience laughs. Jensen inspects his cup by slightly tilting it. He shrugs, takes a drink, and then sets his cup back down on the table.
Kripke: It’s a little unnerving. (Jared laughs)
•(22:09)- PaleyFest06;Q5A- SPN Start (Kim Manners)
Bushman: How about everyone on the panel? Kim, we could start with you and Ben. Talk about how you became involved with, uh, Supernatural.
Manners: I read for Sam. (most of the panelist and the audience laugh)
Jared: (throws his hands up) did everybody read for Sam or?
Manners: Well, David Nutter, who directed the pilot, is a good friend. He did season 1 of “X-files” And, uh, he called and asked if I would do a favor and, uh, come in and do one episode. Because I was kind of semi-retired after X Files. Uh, (nodding) very semi-retired. (audience laughs) And I, uh, came in did a show, uh, called “Dead in the Water,” uuh, enjoyed myself fell in love with, uh, (points to J2) Jan and Dean or is it Sam and Dean? (Jared and audience laugh. Singer pours himself some water.) Uhm, and I was driving home to my home in Missouri and they called me and said, uh, “We want you to come on as a part of the team.” And I turned around and here I am. So.
Jensen: Thank God.
Manners: And I’m having a good time.
Jared: (nods) Yeah. Thank God.
Manners: Yeah.
Kripke: Yeah, I don't know what we’d do without Kim up there. He's unbelievable.
Shiban: (nods) Yeah.
Bushman: Kim, uh, John.
Manners: I know whatchu do, you get another guy. (most of the panelist and the audience laugh)
Shiban: No, there is no other guy.
Jensen: No.
Kripke: Not true. No other guy.
Jared: There's no other guy.. named Kim.
Manners: (nods) Yep. (audience laughs) (points towards Jared and then clears throat) You know if this whole thing fails you guys can go right into stand-up. (audience laughs)
Jensen: Yea. (nods) (Jared claps his hands laughing) (points at Jared) I don't want to stand up to him another time. (audience laughs) I got to stand up on apple boxes all the time. (audience laughs)
Jared: (scratches ear) I'm pretty lazy. I’d rather sit. (Manners and audience laugh)
Bushman: John how did you-
Jared: (points to Jensen) Meanwhile! What-what (Shiban: Meanwhile?) what he- want he- what he doesn't know- what he didn't know about this whole process is that after we had him direct, uh, the- I guess it was our fourth episode we had: (counts his fingers) “the Pilot” (Jensen: yep.) with David Nutter, “Wendigo” with David Nutter, “Hookman” with David Jackson, (Manners: and then) and then (points at Manners) Kim came in.
And immediately I think from day one we were on the phone with everybody. (Manners takes a drink) (gestures) We were on the phone with (thumbs to his left) Peter and (points to Eric) with Erik and saying, “This guy is incredible.” (gestures) “Sw-Who is this guy?” (Manners sets his glass back down) And David Nutter had sort of given him this very.. sort of mysterious.. “You'll love Kim,” kind of sentence (audience giggles) at the very beginning.
Because we were going over this list of seven dir-
Jensen: Yes, the Jedi (waves his hand)
Jared: Very Jedi. (audience laughs) Yeah it was like-
Jensen: You’ll love him.
Jared: (mimics reading a script) “Who is Kim- Who is this guy?” “Oh, (waves hand) I knew him from this.” (mimics reading a script) “Who is Kim Manners?” (nods and waves hand) “You'll love Kim Manners.” (audience laughs) And sure enough, we were like, (double takes) “What?” And, um and he- and he- (his mic clip falls off) came on. And he was just incredible. (picks up mic by hand and talks directly into it.) And he was just incredible. (Jensen takes off his mic and hands it to Jared) And um, (nods to Singer) Can I- (reaches for Singer’s mic) Can I borrow? (audience laughs)
Singer: Sure. Yeah (But Jared doesn't take it and takes back his hand)
Shiban: Wow.
Jared: And, uh, (hands Jensen back his mic) And so we- w-we, uh, we basically begged and pleaded (J2 attach their mics back on to their shirts) to get him, um-
Manners: (fake mourning voice) A job! (throws his hands up) (Shiban pats his back) Just a job. (Jared: A job.) It’s all I wanted. (audience laughs)
Jared: He was hungry. (Manners laughs while rubbing his brow) He was, you know. He kept trying to bite my arm. (audience laughs) I was really worried about him (laughs).
Bushman: Yeah, I don't want to embarrass Kim, but what was so incredible about him?
Manners: about- (Bushman: about-) Who?
Jensen: Well, I-I think that- I think that, uh-uh, Jared and I just- w-we just responded well to him. I mean, he-he directed in a fashion that-that, uh, we really liked. And, uhm.. You know, it was kind of a set where guys could be guys. (thumbs at Manners) And he wasn't someone who-who directed, you know, behind a (throws hands up) screen with a (makes a phone hand gesture) telephone somewhere in LA, and was like, you know, (gestures and mimics a LA director) “Do it over and over. And then a closed up and a close up and let's get out of here and move on in the next set.” He was- (Singer reaches for his water) he was in there.
And-and you know a-a story about another, uh, episode that he directed, “Bugs,” uh, (Manners shakes his head) this was a-a scene where we had to get in (Manners mimics putting a gun in his mouth. the audience laughs) to a room with-
Manners: (turns to Jensen and waves) s-sorry.
Jensen: Yeah, no that’s-
Jared: It’s alright.
Jensen: I mean, ah, you know we get in this-this tiny little room with 65,000 bees and, uh, (Jared: ?Billions?) (gestures) the whole camera crew and (gestures) the sound crew (Manners laughs. Shiban smiles) and (gestures) then everybody's got (gestures) full bee outfits on. (audience chuckles) Then they're like, “Alright, Jared, Jensen, hop on in.” (audience laughs) And, uh-
Jared: And don't swat them, ‘cuz it makes them angry.
Jensen: And, Yeah. And I'll-and I’ll give it to Kim. He said, “You know what? If-if you guys don't have bee suits on. I'm not either.” And he went in there with, uh, (Jared: Right.) shorts and a t-shirt and a monitor.
Kripke?: Wow.
Jensen: And sat down on a box and directed us from inside the room (Manners silently laughs) with bees crawling all over our faces. (Manners and Shiban nod)
Kripke: Woah.
Jensen: It's just- it's-it that- it's that kind of relationship with Kim.
Bushman: Okay.
The audience cheers and then claps. Shiban and Jared clap. Manners briefly salutes two fingers to the audience.
•(26:04)-PaleyFest06;Q5B- SPN Start (John Shiban)
Bushman: John, how'd you get involved?
Shiban: Uh, I was going through the, uh, annual ritual of staffing season. Uh, I had a-a pilot that didn't go. So, I was available and reading all the pilots and taking meetings. And.. and read the script. Aaand loved it. Uh, and met Eric and loved him.
Kripke: Awww. (audience aw’s)
Shiban: Annnd- (smiles) I know. Aaand-
Kripke: John’s my guy. (audience laughs, Shiban, Jared and Manners smile)
Shiban: Yeah, it’s that. It’s true. Um, and, uh-uh, eh- there are a lot of- Uh, you know, I spent a long time on the “X-Files” and, uh, (gestures) I’m-I'm offered a lot of.. (gestures) scary television shows every year. It's like, (gestures) “Will you do this. Will you-“(Bushman: Yeah) And this one just struck me right away. Ehh, especially (gestures) when I finally saw the- the-the cut of the pilot.
Because it had those two things that I think (briefly pets his beard) you need to have a successful show like this. One is a great franchise, (gestures) which is the engine that runs the show. The idea that the two brothers on the road trip with a very personal agenda, eh-uh, is just great. And you can imagine- I can see instantly five years of suffering for these guys-
Jared nods. The audience chuckles. Jensen dramatically throws his head back. Jared smirks and nods. Kripke?, and audience laugh.
Shiban: And, uhhh, episode after episode. Uhh, and the second thing honestly is- is, uhh, is casting.. and chemistry. And chemistry is something you can't (rubs his hand) manufacture. And these guys have it. And they're so great to write for and they're so fun to write for.
Jensen slowly looks at Jared. Jared with a pressed smile, looks back. Audience woo’s and laughs. Shiban shrugs. Jared moves his face closer and puckers his lips. Audience laughs. Jensen shakes his head no and points to the audience. Jared stops halfway and looks down laughing to himself, and then looks up scratching his nose with a big smile. The audience laugh and clap. Shiban and Manners are smiling.
Jared: Worth a try. Worth a try.
Shiban: Yeah. (Jared chuckles) So, I said, “Yeah. I'm coming up.”
•(27:34)- PaleyFest06;Q5C- SPN Start (Bob Singer)
Bushman: Okay. Bob, how about you?
Singer: (Jared laughs) (gestures to J2) I-Can I just watch them, I don’t. (J2, Manners, and Audience laugh) Uubm, t-they had actually made this pilot. And, uh, I saw the pilot and, uh, really liked it a lot. And I think, uh, what the studio wanted was, um- (gestures) After they saw it and I got picked up, and the studio one point probably said to themselves-
Singer holds up his hands but then stops when audience starts laughing, raising an eyebrow.
Jared: (laughs) Just keep it (unintelligible)
Kripke: (opens his hands) You can't get anything done.
Jared: I can’t- (sets down his glass and then repositions himself)
Singer: (gestures to J2) This is what it's like to direct them too. (audience and Kripke laugh) Uhh- uh, the studio said, “Well, we-we-we can't give ff-40-plus million dollars to Eric Kripke.” And-(shrugs)
Kripke: (laughs) Yeah. (Jared laughs and claps his hands) Very true. (laughs)
Singer: And let him run wild. So, they said, “What we need i-is” (shrugs) “You know, some-”
Audience laughs. Singer stops and briefly looks to his right and up. Audience laughs. Singer rubs his chin and closes his eye laughing to himself. Kripke scratches his lip, looks at Singer, and laughs.
Singer: (shakes his head and then looks up at Kripke) This is so hard. (rubs his brow) (Kripke, audience, and Jared laugh)
Singer leans and reaches over and briefly covers Jared’s face, then returns to his original position. Jared laughs. Jensen is holding a glass of water and reaching for another.
Shiban: These people are very tired.
Jared: Yeah. (laughs)
Singer: Um. So, they thought they needed some, uh, you know, uh, a-a-an experienced hand to guide the young man through these rocky waters. (Jared laughs) The young- the young man of course felt what do I need this old fart for. (Jared and audience laughs)
Kripke: No way. (Singer laughs) He-
Singer: Um, anyway (gestures) we met and we met a number of times. And, um, finally our-got comfortable enough with me for, uh, for us to join up and, uh-uh, partner on this thing. And, um, (shrugs) it-it's interesting because I mean we are sort of from different generations. (gestures) And we approach, uhm, (gestures back and forth) drama in kind of a different way.
Um, but (gestures) as we sort of work together we found (gestures) that we always we really arrived (Kripke nods) at the same place even though kind of the methods (gestures) are a little different of how we get there. And it's a-
Bushman: Can you explain what you mean when you say that (Singer sits up) coming from different generations you approach drama in different ways?
Singer: Well, I don't know if that's a generational thing but I'm very, eh..
Kripke: Sober. (audience and Singer laugh) (Shiban?: And uh) compared to the drunk.
Singer: (nods) There's that, yeah.
Shiban?: (?low court?)
Singer: Um…eh- t-t-this is so boring, but, um, (audience giggles) for, um- I-I-I kind of come in (waves his hand) everything from a character standpoint of view. It’s-it's all about character to me. And I'll kind of (gestures) let the plot work itself out  given (Kripke nods) what the characters are-are gonna do.
And what I'm interested in the scenes is how.. that, you know, it drives the plot. But I'm most interested in how the characters react to it. Umm (scratches brow) and-and-and so the (laughs) stories I do (wiggles his hands up in the air) to tend to get a little like-like this but (shrugs) the character stuff is probably interesting.
Eric really works very, very hard on the stories, um, and gets the plot down. And knows that once his plot is good the-the character stuff will come naturally to that. (Kripke nods) So, we sort of go-go like this (Kripke nods) when we're in the room together. And we’ll arrive at that place which both things are serviced. And-and-and I think you- we’re really sort of one voice now (Eric nodding: mhm) that we-we rarely disagree on stuff. And it's a- (shrugs) You know, I've worked alone for a long time, so it's kind of really cool to have a partner. (shrugs)
Eric: (looks at Bushman and nods) Yeah. And (points to Singer) tah-tah blow smoke up his ass for a minute. (audience laughs) He brings a depth, uh, and-and maturity of care- of character of just depth to the drama that I could not do, you know? It-Me on me alone like is “Boogieman.” (Bushman and audience laughs) And.. and.. and like all of a sudden with him like, you know, we have a-a show where you have these characters that are psychologically rich and true and-and-and- and Bob is-is behind huge amounts of that. So, uh, we- (shakes his head) this show would not succeed, uh, at all without him. So.
Singer: Aw.
Kripke: Aw.
Audience aw’s. Singer leans over and rests his head on Kripke’s chest. Kripke holds him for a sec.
Jared: Aw. (Audience claps)
Shiban: Come on give him a kiss, would yah?
Singer: (turns towards J2) You guys can do it. We can do it.
Jared: No, it’s alright like that.
Jensen: Hey. Hey.
Manners: You guys wanna mow the lawn?
Jensen: Yeah. Around the curtains?
•(31:04)- PaleyFest06;Q6- SPN Mythology + Formula (Shiban, Kirpke)
Bushman: Let me ask one more question before I- before I open this up. But this is for the writers mostly. Um, which I guess is Eric and John. But, um- you know, Eric, you've been quoted, um, as saying that, uh, you know this show differs from a lot of the other, uh, suspense or supernatural shows that you (Kripke nods) say there, because you don't want to get involved so much in those long drawn-out stories or-or the mythology so much as you just- I don't know whether these are accurate quotes but you want to, um, just focus on scaring people and on the- on the urban, uh, folklore and-and so on and just scaring people.
But, um, I think I-I- speaking for myself, and-and maybe some people out here too, I find the mythology, uh, with the-the kids with their mom.. (Kripke: mhm.) and their dad, and, uh- um, you know, one of the really compelling parts of this story. So, um, I'm wondering how you just- an-an-and, you know, you start to see even with the last episode that-that (Kripke nods) aired last Tuesday. You're starting to see you guys are coming back to that. (Kripke nods: mhm)
Um, and I'm wondering how do you decide when it's time to sort of veer away from what “X-Files” used to call the “monster of the week” story and come back to the.. mythology of the show. So it's really for John and Eric. How do you decide when it's time to do that or-
Kripke: John?
Shiban: Uh, two things I made a lot of painful, uh, hair-pulling discussions and arguments and when should we when shouldn't we. But part of it is driven to, by just the nature of television you want to save some of your big.. moments for sweeps. And so you kind of.. work the season around that. Works a actually a very nice five or six episodes that are.. (finger quotes) “non-mythology” and then you can- you can pull the Mythology back. And, uh, and, uhh, again do the nature television. You want to end the season with some- something astounding.
And, uh, (gestures to Singer) also going to back to what Bob was saying, eehh, the mythology is all about character. It's all about.. what the boys are going through and family. (shrugs) And, so that's where we are going to head when we want to do something spectacular. So. (Singer drinks his water)
Kripke: Yeah. we- we had a- we have. And surprisingly have stuck to it. We have a, uh, a-a m-mythology plan for season one. We also have, y-you know God willing a pickup, we have mythology plans for season two and season three. But.. we have this plan of where the story goes in-in- (audience starts cheering) Yeah!
Shiban: On the CW. (Jensen is holding out a hand)
Kripke: On the CW!
Jensen: (to Shiban) When do we get to see this? (Shiban whispers to Jensen)
Kripke: Um, and-and so, you know, it was sort of the plan, which is the first.. (Jensen elbows Shiban while laughing, then Shiban keeps whispering to Jensen) seven ur- sev- about, really, the first seven (Jensen throws his head back and softly laughs) episodes you wanted to be the self-enclosed stories so you could kind of pick up new viewers. And then you start threading in a little bit more mythology.
But I think it's a balance. Because, I mean, it's my own just, you know, kind of personal taste, which is- I mean, I like a- you know, I want a satisfying story every week too. And-and um, you know, I mean “Lost” is (waves hand) an untouchable show. I mean, it's an- it’s-it's a (waves hand) brilliant and unbelievable show, but I-I- I find the endless mystery, my own, taste frustrating.
Bushman: mhm
Kripke: And- and if you're going to give ongoing mystery- (audience claps) Alright, people who believe. And, if you're going to give ongoing mystery, at least give, like, a rollicking badass story… apart from it that can have a beginning middle and end. And you can be satisfied. And the good guys can win. And you and you can have the experience being told a story. (waves hand) And then, you know, thread in the ongoing mystery.
 So, I think it's-it's-it's keeping a lot of different plates spinning. And it's not- it shouldn't be any one thing er-or another.
•(34:18)- PaleyFest06;Q7- SPN Ending, Pre-finale thoughts (Kripke)
Bushman: Do you know where the story ends?
Kripke: Um, I do actually. Yeeeah.
Bushman: Does anyone else on this panel know where the story ends?
Singer: Yeah, but we tell you, we have to kill you.
Kripke: Yeahh. Yeah. (Audience and Bushman laugh. Jared smiles) I mean, it's hard it- because you never know when you're gonna get cancelled or if you're gonna go, you know, 37 years like “Gun Smokers” (audience laughs) Or something. (Jensen chuckles)
Shiban: Oh, god. Please.
Kripke: But, uh.. Yeah.
Jared: Oh no.
Manners: The boys are in walkers. (mimics walking in a walker)
Jensen: (gruff voice) Sam! (audience laughs)
Kripke: Yeah. (nods) Right. (Kim laughs) (laughs) They’ll finish up the season and then they'll slowly die.
Jensen: Yeah. (laughs)
Audience laughs. Jensen is scratching his forehead smiling. Jared is drinking his water.
Kripke: And, uh.. So but-but yes we have, you know, really a-a-a fi- if-if I could somehow find out what the last season was going to be, or-or a five, six year plan, I mean, I sort of know that, you know, the-the final, you know, battle as it were t-that all shapes up. And, uh- But yeah, you know, it’s sort of-
Bushman: We’re gonna have to wait.
Kripke: Yeah.
Bushman: Okay. Let's take some questions from the audience. (holds hand over eyes and looks at the audience) Um, I'm gonna.. to call on two people, um, first question, a second question. Please wait for the mic, because this event is being taped, so we need to be able to hear you.
Uh, (points to the back of the audience) okay there's one all the way in the back over there, and (points his other hand towards the left of the audience) then there's one in a green shirt right down here.
(points to the green shirt again) We can start down here with the green shirt and then go to the back question.
•(35:38)- PaleyFest06;Q8A- Location Significance: John Winchester in Sacramento (Shiban)
Fan: Sorry, I had to take out my gum. Hi, um, I'm- Let me just say, I'm originally from Sacramento so I w-I wanted to know if there's any significance with their dad, John, being in Sacramento twice or just random or.. spoilery or.. Shh
Manners?: Joohn.
Kripke: You wrote it, John. Why did you use Sacramento? (audience laughs)
Fan: It’s-
Shiban: I don't want to give it away, yet. (Kripke? laughs)
Jensen: So, yes there is.
Kripke: No there’s-
Shiban: (points at Jensen) I'm gonna tell you either. (Jensen throws his hands up)
Jensen: I want to know.
Kripke: Yeah. Why?
Shiban: After. After.
Jensen: Ah, thanks a lot.
Singer: Tickets for a Sacramento Kings (Jensen: Yes.) game. Eh. (shrugs) (J2 laugh)
Bushman: So, their-their- the answer is that there is, but you're not gonna say what it is.
Shiban: Exactly.
•(36:12)- PaleyFest06;Q8B- Location Significance: Lawrence Kansas (Kripke)
Bushman: Okay. And speaking of location is there any significance to Lawrence Kansas? That it started in Lawrence Kansas?
Kripke: Um-
Shiban: (points to Kripke).. I’d have to give that to him.
Kripke: Uh, I would say, well, uh-uh i-if anyone does a, uh-uh, w-
Jared: In other words, yes.
Kripke: Yes. (audience laughs. Jared and Manners laugh.) There-there is and-and the-and the one thing I'd say is, because we tend to be really research oriented in our show (Bushman: uh-huh) and about American urban legends and there's a- there's a very famous, uh, urban legend, uh, near Lawrence Kansas. Um, that, uh-
Bushman: That somehow factors?
Kripke: Yeah. (to the audience) You know, if you guys go home and do Google searches on Lawrence (Bushman: Right) Kansas and stuff will come up. (nods)
Bushman: Okay. (points to J2) Do you guys know what it is.. Jared and Jensen?
Kripke: I don't think I've ever told you.
Jared: (looks at Jensen) Y-yeah.
Jensen: Uh, yeah.
Jared: Good gosh. (blows)
Jensen: Yeah. Yeah. Of course. (nods and leans back to rub his chin) (Bushman, Kripke, and audience laugh)
Jared: I haven’t decided when I'm gonna tell Kripke what it is.
Jensen: Yeah. (audience and Kripke laugh)
Jared: I’m mean, honestly. Tell him, ��Hey, uh-
Bushman: (laughs) Okay. In the back all the way.
•(36:58)- PaleyFest06;Q9- Fear “Paranormal” (Manners, Shiban, Jensen, Jared, Kripke)
Fan: Hi. Uh, I just want to say I'm from Texas too. So.
Kripke: Wooo!
Jensen?: (J2 raise their hands) woo! (audience laughs)
Fan: Anyway I had a question, um, for everybody. What urban legend or folklore really does scare you guys?
Kripke: (points to Manners) (Manners shrugs) Kim?
Manners: Um, mm- nothing scares me. (audience and Shiban laughs)
Jared: That's true.
Manners:  I direct television.
Jensen: Yeah, I believe it.
Manners: And I- so (shrugs) (audience laughs) You know, if-if you- if you can live through that nothing scares yah. (shrugs) Really.
Shiban: Good answer.
Manners: Yeah. Well, it’s true. (Shiban laughs) What scares you John? ..Late scripts? (laughs)
Shiban: You do- Yeah. (audience laughs) Yeah. You do. Yeah. When you call me and say, “Where's the damn script?” (audience chuckles) That's frightening. (audience chuckles. Shiban and Manners take a drink)
Bushman: Any-any urban-
Shiban: (bumps Jensen’s arm) What about you guys?
Jensen: (shrugs) I-d-I'm dealing with him all season man. (Kripke and audience laugh) I’m scared of them all. (Kripke: All of em.)
Shiban: What about those bees?
Jensen: Yeah, bees that’s what I’m s-
Jared: You know I have a c- I'll- I’ll say something. I- uh, my daddy used to make me watch a show called, “Shadow Man,” or something, when I was growing up. And it was about a shadow that lived under this kid's bed. And, uh, he was sort of- (audience giggles) What's that? (audience giggles) (Jared smiles) And anyways and, uh, (audience laughs) it was his buddy.
Shiban: And he’s here tonight.
Jared: he wasn’t very popular in school. And so the shadow man started kind of getting all the bullies for him. And then one day came another.. kid’s shadow man got- (sniffs) Yeah it’s probably not as scary as it seems. (laughs, ducks and scratches his head) (most of the panelist and the audience laugh) (hides face behind his jacket)
Kripke: (thumbs to Singer) You wanna? You?
Singer: (laughs) Go ahead. (audience aw’s)
Kripke: (gestures to the audience) Someone has to give her a straight answer. (Jared: Y-yeah.) Hook-Hookman freaked me out when I was a kid. The killer with the hook. All the different stories of the killer with the hook of, uh, you know, the-t-the “Aren't you glad-” “Aren't you glad you didn't turn on the light?” I thought was really cool. And there's, uh, (gestures) the licked hands. If you ever heard the licked hand, which is a really cool one. (briefly looks down) And um, so (gestures) like that- that was always, you know, really sort of- sort of freaky for me.
Bushman: Okay, let's take two more questions. (points to the audience) Um, we'll get this one down here and there's one all the way in the back. Right- right next to you. Right… (points) Go ahead.
•(38:54)- PaleyFest06;Q10- Continuity Mistake “4 years vs 2 years at Stanford”
Fan: Um, in the pilot we know that, uh, when Sam wanted to go to college John told him to get lost. And he's in as presumably his fourth year because he's interviewing for Law School. Um, but d-he says that he hasn't talked to Dean in two years. Is there an answer to what happened two years ago? (Kripke is smiling and looking down at the other panelists)
Jared: Uhhh, y-you mean does that-
Kripke: I-I actually-
Shiban: Eric.
Kripke: (looking down at his lap) I have an answer to that. (nods) (audience laughs)
Fan: Do we get to know?
Kripke: Well, I know you're supposed to.. You know, (gestures to Shiban) do what Shiban does (Shiban nods) which is kind of go, “you'll find out.” (audience laughs. Shiban smiles and nods) But, uh, fact of the matter was is, uh, it-ii- (gestures) you know, these things happen so fast and furious. (mimics writing) And you’re- and- and that it was actually a mistake. (audience giggles)
Shiban: Oh no. (Shiban whispers to Jensen and then Manners)
Kripke: We-we wanted it-d.. Jared is or Sam's character supposed to be a junior in college and starting the interviewing process for, uh, the interviewing process for law school. (Jensen whispers to Shiban) And, uh, so hasn't seen him since he left- So he spent his freshman year and his sophomore year away from Dean and hasn't seen Dean. Then this is beginning of junior year. (briefly looks at the panelists)  This is.. fall of junior year.
So, it's been technically two years as he's beginning (gestures) th-the process. But, because, I think.. Because what happens, eh.. You know, you guys, you know, the-the you know- (gestures) I’m-I'm-I’m lying, (audience chuckles) like, sort of putting it all- Eh, because what happened 22 years ago he-he was slightly older than a junior should be. So, no one sort of bought that he was a junior and, uh, (Jared smiles. Audience giggles) so there's a (gestures) lot of discussion of these two “lost years.” And you’re just- and I just like, (hunches down covering his mouth) “he he.” (shrugs) “Like, just a mistake.” (panelists and audience laughs)  
Jensen: (?Hey, uh, I really wanna back this.?)
Shiban: That’s right (unintelligible) (Jensen laughs)
Kripke: But hold on let me give the real answer. “You'll find ouut.” (Jared and audience laugh)
Shiban: (gives him a thumbs up) Now you're talking.
Bushman: Okay. In the back.
•(40:39)- PaleyFest06;Q11- Network Censorship “Gore” (J2, Kripke, Singer)
Fan: Are there any stories about, uh, t-the show being too scary. Like, do you do trade-offs with the network? Like, they say, “Well, you can have two seconds of this, you know, bloody face, if you do this or that.” (?:mhm)
Jared: Yeah.
Jensen: Yeah, we’ve run into a few-few times that season- this season. (looks at Kripke) Haven’t we?
Kripke: You talking about Night- The Night- the.. On Nightmare was the first time.
Singer: (looks at Kripke) Oh right. Yeah. Yeah, you get into strange dis-discussions of, um, “Can we not see the decapitated- decapitated head (rolling gesture) roll?” (audience and Kripke laugh) And then you start arguing about, “Well.. can it do a half a turn?” (audience and Kripke laugh) Then say, “Okay. You can do a half a turn but the blood gush can't be for two seconds. It has to be for once sec-” Uh- um, so those are ongoing discussions, but a-a-actually the network's been great. We really push the envelope (Kripke: Yeah) in-in every sense. And, uh, they let us get away with more than I thought they would.
Jensen: There was also the, uh, when-
Jared: The gun rig.
Jensen: Yeah, the gun rig with me when I- uh, when Dean was shot in the head.
Kripke: Yeah. The- Night-Nightmare- The episode “Nightmare” was the first and only time that we’ve ever had issues with standards and practices. And so, everything else they just were like, “Give us more.” And we- again we were shocked by that. But there-the-the- there's a scene where, it's a- it's a vision it doesn't really happen, but where Dean gets his brains blown out (gestures brain splat) (audience giggles) in “Nightmare” (audience laughs) and-and… (Kripke briefly looks to his left) And we actually rigged it. And we thought, like, you know- We rigged it so-
Jensen: Yeah, the rig was awesome.
Kripke: Yeah. You-you rigged it so (mimics the shot going through his forehead) the shot actually goes into his forehead and-and the blood explodes out the back (laughs) (audience laughs) on to the wall. And we're like, (makes an excited gesture) “Haha, this is our lead and we're just, you know.”  But and-and-and- and network was like, “No way.”
Jensen: Yeah, this giant- this giant backpack filled with, like, grapes and-and corn syrup (audience ughs) and, uh, and- and it was this tube (partial turns and gestures at the curve of the back of his head) just kind of coming right- right out of the back and, uh, from the head on. And I had a little button in my hand. And they just yelled action. (mimics the scene) And, we timed it with a gunshot, and I hit the button, and gave reaction, and the whole wall went splatium.
Shiban: Yeah.
Kripke: Heheh
Singer: By the way-
Jensen: It was an awesome rig, but then they ended up having to cut to (box gesture) just the splat (Kripke nods) and then back to me with the hole in the head.
Singer: (point to his center forehead) Back to him with a hole. (Jensen: Yeah) But, the, uh, the director of that episode is here tonight, (pointing at the left side of the audience) sitting next to my wife as it is.
Jared: Where is he?
Kripke: Phil Sgriccia.
Singer: And- Phil Sgriccia.
Jared: Phil! (claps)
Kripke: Really good job. (audience claps)
Jared: Wooo!
Kripke: Stand up!
Singer: And, uh, when I looked at those dailies, uh, and I called Phil and I said- he said, “How are they? How are they? Is-” You know, because (swipes at Manners) Kim can tell you all us directors are.. so self-confident (Manners laughs) that we don't need constant approval or anything. (audience chuckles) Um- uh, he said- I said, “They're great, Phil. But what the hell are you doing?” (audience chuckles) And he said, “Well, you know, they look at that and they'll give me all the rest of the stuff.” So (gestures) (J2 and audience laugh)
Manners: We actually play a game with BSP broad-broadcast standards and practice where we cut the show and we cut it way too violent. (Kripke chuckles) So then they come in they go, “Well, you have to take out four frames of that shot.” And you go, “Oh god, not four frames.” “Yes, four frames.” So you take it out, but you always knew that you didn't need those four frames. (laughs) (audience laughs) So, we kind of stack the deck. (audience chuckles)
Bushman: (points) Okay, there's a question over there in the corner. (points) And there's one back there. Over there too.
•(43:56)- PaleyFest06;Q12- Paranormal on Set (J2)
Fan: Oh, okay. Um, well, we've had the question about what urban myths scare you. But for those of you who are actually on set regularly, has there ever been… you know, a blood splatter or that freaky scarecrow or anything that just really creeped you out just to be around on set even though you knew it was plastic or, you know, karo syrup or something?
Jared: I know one- and just one time randomly we're, uh, we're filming “Skin” the episode where (points at Jensen) he's a shapeshifter. (audience giggles) And we're inside this house- this brilliant house. (audience claps) Yeah. (Jared looks at Jensen and claps) It was a great episode. And, um, we were inside this house. And just this clock on the wall just up and leaned over and fell off. Just this round clock no one was near it. No one was (mimics hammer) hammering on the wall outside. It just kind of fell off and everybody sort of looked around. But instead of kind of going, “Who did that?” we're all just were like, (mimics scene) “Ignore it and go back doing business.” (audience laughs) Just tried- decided to not look into it any further. (audience chuckles) The way real brave people do it (audience laughs) this round.
Jensen: So, the, um, the show “Asylum,” uh, was.. (Jared: Oh, yeah.) Um. (Audience claps) (nods) Yeah. (claps) that was- that was shot in an actual abandoned, uh, mental institute and so.. Uh, the-the halls and the rooms and-and we're all very used at one point. (audience giggles) And-and, uh, you know, it said that-that-that- (gestures) the crew says not to go up to the fourth floor (?entrance?). (audience giggles) And, you know, don't-
And-and I remember we broke for lunch. And, uh, I thought I'd be (gestures), you know, clever and take a shortcut (nods then shakes his head) (audience laughs) I’d-I came down a stairwell and went into one door and it was just a (gestures) long dark hallway, because the-there's (Jared chuckles) no lights on. The only lights on it are what the-the film crew puts out. And, uh, that- I was like, (mimics looking back and forth in the hallway) “Well, it's not that long.” (audience laughs) “I can make it.” (audience laughs)
That freaked me out. (nods) (audience laughs)  
Bushman: Okay.
Manners: (points at Jensen) Dean W-Winchester, ladies and gentleman.
Jensen: Yeah. Thank you. (Jared and Shiban clap. Audience claps and cheers)
Kripke: Goodnight. (Jensen bows) Afraid of nothing. (Shiban takes a drink. Jensen laughs)
Bushman: In the back over there. Yeah.
•(46:09)- PaleyFest06;Q13- Network Censorship “Sex” (Kripke)
Fan: Now that there's a new network that you're probably going to be moving to, the CW, are they gonna and loosen up and give us a little more NC-17 like we got the Jensen storyline the other week. (audience giggles and some woo)
Shiban: Bob? (Jared chuckles)
Jensen: I'm confused. (audience laughs)
Audience member: Next episode!
Fan: Sex.
Audience member: Sex.
Jensen: What?
Fan: Sex.
Audience member: The sex.
Jared: Oh right.
Jensen: Aaahh. (audience laughs) (adjusts his position, shrugs) How can I forget. (audience laughs) (leans forward to look at Kripke) Thank you for that, man. (audience laughs) (Jensen shakes his head, leans back and hides a laugh behind his hand)
Kripke: (briefly holds his hands up) Sure… Happy birthday Jensen.
Jensen: Yes. (nods)
Jared: (laughs) Happy birth-
Kripke: Um, yyou know, I mean, CW is huge on full frontal male nudity. (Jensen is looking down hiding his mouth behind his fist. Jared chuckles into a laugh and then claps and goes to take another drink. The audience screams and cheers.) Well, uh, I think there's a lot in store. (gestures) Stay tuned! (Jared laughs while drinking his water. Jensen laughs) (shrugs) You know, I mean, we'll give ‘em- you know, we'll give ‘em love interests and (Jared coughs) love stories as it's appropriate.
Jared curls up and coughs behind his arm. Jensen reaches over and pats Jared’s back. Audience laughs. Jared folds over and continues coughing. Jensen with his arm on Jared’s back, makes a “come here” motion towards the audience.  
Jensen: We're gonna need it. (Kripke laughs)
Jensen continues to pat Jared’s back. Jared sits up, looks around and coughs one last time behind his fist.
Bushman: Um, okay. Uh, we’ll (points) take one there and one in the middle.
Jared: (wipes his eye and then his forehead) Oh jeez.
Bushman: (points) One down here and one in the middle. (nods) Yeah. Yeah. You just-
•(47:19)- PaleyFest06;Q14- Sam and Dean pre-series (Kripke)
Fan: Hi. Um, first of all thanks so much for being here. Um, if you guys are always like this, can I come work on your set? (laughs) (Manners laughs. Audience chuckles)
Jared: (throws his hands up) Yeah.
Fan: uh-
Jared: Thank y'all guys for being here. This is-
Jensen: Yeah. Thank you. (claps)
Jared: Yeah.
Manners: Thank you! (panelists clap)
Fan: No bother.
Jared: Honestly.
Fan: Um, so we came into this story, uh, when the boys are already adults. And I know there's a lot to explore in the future, but I was wondering about the past. Um, because I know that.. there's a lot of speculation about what their childhood (Jensen nods) was like growing up, (Jared nods) moving around. How much Miller time dad was doing. (Jensen nods: mhm) (Jared smiles. and audience chuckles) And how Sam and Jess met. Stuff like that. So, I was just wondering, um, if you were gonna explore that aspect of their lives?
Kripke: We just- Uh, it's funny you say that. We just yesterday, uhh.. Actually (points to the front row) I think, uh, I'm talking to Brad, who's at the network. I think you're getting a cut on Monday. (audience giggles) Um, of-of an episode that, uh, not only do the boys in-in present day, you know, deal with a creature, but, uh, (gestures) it's a creature they dealt with in the past. (gestures) And there's extensive flashbacks to, uh-uh, Sam and Dean. And John is there, you know, as the boys (•video skips•) children and dad and you get to see a, uh, an element of-of what their past was like or what their childhood was like. (Jensen nods)
Um, and it was- I really happy with how it turned out. And it- You know we won’t- We wanted to try it once. And I think it'll be happening a lot more. (gestures) Because there's this great (Manners and Jensen are leaning forward, looking at Kripke) 22 year window of-of what happened. And-and-and that's- there's a lot of story there that you can- you can flesh out. (nods then shakes his head) So, I think we're definitely to go there.
(nods and gestures) Because it's coming up in, uh, (briefly looks up) I think, uh, April, that episode. And it- I was really pleased with how it turned out. So, yeah. We’re really doing it-
Jared: Another positive is that if little Sam and little Dean filming, big Sam and big Dean are sleeping
Kripke: (laughs) Yeah. Right. (Jensen smirks. Audience laughs. Jensen holds up two thumbs.)  (Jared: Soo-) So, there's that.
Jensen: This is good. This is good.
Jared: So, keep pushing yeah (rocks fist)
Jensen: Yeah, keep pushing.
Jared: Keep pushing.
Kripke: Yeah.
Jensen: (nods and raises eyebrows) Flashbacks.
Jared: Very important. (laughs and scratches back of his head) (audience chuckles)
Bushman: Okay. (points) There was a question there in the middle.
Fan: (off mic) Um, Dean always wears this like- (audience giggles) 
Kripke: Aw.
Audience member: What?
•(49:06)- PaleyFest06;Q15- Samulet (Jensen, Kripke)
Fan: Oh, okay. (voice cracked giggle) (Manners laughs. Kripke smiles) Dean always (laughs)- Dean always wears a certain necklace does it mean anything?
Kripke looks down at Jensen. Jensen is leaning on his knees looking back.
Jensen: (to Kripke) You gonna hang me out to dry on this?
Singer: Oh yeah. (Jensen looks down. Jared laughs. Audience laughs.)
Kripke: I mean we can’t s- I mean it does but we can't…say.
Jensen: (looks at fan) Yeah. It-it-it does have significance and it- it’ll..(rubs his brow) it- but it we can't talk about it.
Kripke: Yeah. (laughs) (audience laughs) (Jensen rests his head on his hand)
Shiban: It's from Sacramento.
Jensen, Kripke, and the audience laugh. Jensen pats Shiban’s shoulder.
Bushman: That's a great question, though, that you picked up on that necklace. So. (Kripke: Yeah.) (Jensen nods. A few of the audience give woo’s.) Um-
Fan: (off mic) I always notice weird stuff. (audience giggles)
Bushman: Okay. I'm trying to spread ‘em out. Uhh. (points) You got somebody back there? Okay. (Points) And then this woman down here in the red shirt… (points) But go ahead in the back first.
•(49:54)- PaleyFest06;Q16- Special effects, Gag Reels (Jensen, Jared, Manners)
Fan: Um, I thought I heard you guys m-mention on a show one time you guys do green screen, blue screen, that kind of thing for special effects. Is that gotten a lot easier for you to do and kind of.. You know… fake it? (laughs) (audience laughs)
Jared: Yeah.
Fan: And, um, and the second part to the question was, uh, when the DVD set comes out are you guys gonna have a lot of.. behind the scenes jokes, cuz yeah this is funny. (audience laughs)
Jensen: We, uh, we-we actually just had a film crew on set with us, uh, this past week doing behind the scenes stuff for the DVD. (nods) So. (audience cheers and claps)
Um. (gestures) Going back to your first question the green screen and, uh, and stuff, we.. we do, do a lot of-
Jared: You-
Jensen: (leans back and looks at Jared) I said doo-doo. (Jared presses his lips. Audience laughs.)
Manners: He said doo-doo. (Jared smiles and shrugs)
Jared: He said doo-doo. (shrugs) (Jensen looks at the audience and briefly raises his eyebrows) (chuckles)
Jensen: (licks his lips and leans forward on his knees) Uumm.
Jared laughs. Manners laughs. Jared then throws his head back, laughing, and claps. Jensen closes his eyes and bits his lips. The audience laughs.
Jensen: We do (gestures) work a lot with- (Jared snorts)
Manners: Doo-doo. (Jensen looks over) (shrugs) (J2 laugh)
Jensen: (quickly sits back and points at Jared) Jared you can take this one. (Jensen stares at Jared with a smirk)
Jared: (laughing) Yeah. (sits up with his feet on the table) Uumm.. (claps his knee) as Kim and Jensen were saying, we doo-doo. (audience laughs) And, uh- No. We do- it was- it was- (puts his feet back on the floor) I guess it was a big learning process for everybody. Just- You know, it's-it’s a very interesting.. sort of task to be given to- Especially these kind of crazy either emotional sequences or these crazy physical sequences when they're like, “Alright. Now, um, you're in the woods.”(Jensen nods) “And, uh, you know, it's dark, and it's scary, and you're hearing things.”And then you look behind you and there's just this (gestures) big blue wall with (gestures) tape (audience chuckles) And, you know, a couple crew guys standing back there smoking cigarettes. (audience laughs) You know, cursing and.. showing off tattoos (audience giggles) And so it's-it's- it's, uh, I think I've- (briefly looks to his right, then gestures to the audience) speaking for myself, I-I hope I've gotten more of a hang of it.
Jensen: Aside from just the actual green-screen of it that w-we can just be in a normal set and-and they're going to, um- visual effects will-will then put in something (Jared: Right.) like, uh, “Phantom Traveler” with the, uh, (gestures) the smoke that would come out of the vents (Jared: Right.) and-and stuff like that. That's not something that we obviously see. Um.. so we have to pretend that it's there. And that there's no real green screen work going on there.
But, uh, there's also an episode coming up (thumbs to Manners) that Kim directed called, uh, “Shadows.” And we deal with, uh- (audience starts murmuring)
Kripke: Yeah, it just aired.
Shiban: It aired (?)
Manners: (to the audience) Well, what happened in “Shadow-” Did you see-
Jensen: (adjusts his seating position) I haven’t seen it. (audience and Kripke laughs)
Manners: (points to Jensen) He loves my work.
Jensen: Yeah. That’s right. And we hadn’t- (nods)
Manners: Uhh, If you remember the shot wheree Meg did the high fall (gestures)… (audience’s says yes) (shakes his head) they hung her six feet off the ground. And she was.. (gestures to his belt. Clip on mic falls in his lap) picked-  Wah- we call it picked, with two wires on her hips. And she was looking up at the cabin or doing this (looks up and clawing at the sky).  (looks down and pats for his mic.) Hello. (audience chuckles) (picks up mic from his lap) She was looking up at the camera doing this. (claws at the air with one hand) (audience laughs) And she just laid back and (leans back) she just laid out and flattened out. And they dropped her visually w-, uh, with the computer seven stories. She never went anywhere. That was all just.. in one place, I guess. True story. (clips mic to his jacket)
Jensen: And then when we ran up to the window.. she wasn't even there and we were actually staring at a.. a big.. red X.
Manners: yeah. (audience laughs)
Kripke: So, Jensen, does that mean that you guys actually have to act? (audience gives mixed reaction)
Jared: No, no, no. I'm actually not here right now.
Kripke: (chuckles and then to the audience) Oh, I’m kidding.
Jared: We're actually in Canada. (gestures) This is- this is-
Jensen: These are our body doubles (Jared and Singer chuckle)
Kripke?: yeah. (Jensen nods)
Bushman: Yeah, over here.
•(53:15)- PaleyFest06;Q17- Religion “Jensen,” Dean Winchester cellphone # (Jared, Jensen)
Fan: Um, actually I have two questions. The first one is, Jensen in a past interview he said you were a Christian. I was wondering is it hard to do this kind of show like.. having that background?
And the other question is in an episode, I don't remember which one it was, you gave the phone number what you're trying to reach your dad you're like, “Give me a call this is my number.” But whenever you call you can- you- y- it says, “This is Dean Winchester.” And it says, “Leave your coordinates.” Did you ever hear- like, you- Can you actually voice ‘em on there? Did you hear like- Did you have a lot of fans leaving messages at that number? (Jensen points to Kripke) Because it wasn't a five, five, five number.
It was very small to pick up on, because my sister and I we watch it- She watches it her place. I watch it at mine. (audience giggles. J2 smile.) And I was like “Did you see the number?” She's like, “Was it a real number?” And so anyway that was my question. (Jensen gives a one-handed shrug and then looks at Kripke. audience laughs)
Jared: If you want to actually call him it's 800-Wet-Legs. (Kripke laughs and audience laughs) So, that’s- this is- (Jensen leans over to talk in Jared’s ear)
Kripke: Don’t- don’t give out his number. (Manners laughs)
Jared: Oh, he changed- Oh, you changed it. (audience chuckles) Oh, scratch that. Scratch that. (scratches his head)
Jensen: Um, (readjusts his position) I’m lost.
Shiban: What was the question?
Jensen: What was the- what was the question? (picks up mic from lap) Wha?
Jared: Something about-
Manners: (leans over) You're a Christian!
Jared: (?subliminal worshiping?)
Jensen: (clips his mic back on his shirt) Uh, Yes. Okay. Uhhh, (gestures) Your first question. Uh, y-yes I-I was raised, uh-um, with a very religious family. (gesture) And-and in that, uh-um.. I mean, (open hands) what I do this is, you know.. W-we.. This is acting. (gestures) We're telling stories. I’m-I'm- I portray a character. Um, you know, does my grandmother cringe sometimes? (nods) Yeah. (smiles) (audience giggles) Um, but at the end of the day I'm-I'm, you know, it's- it's something that I'm cool with.
Uhh and, uh- and then as far as the- the-the phone numbers (gestures and looks at Kripke) and I think there’s even websites- there's a-a-
Kripke: Yeah. Yeah. When they called-
Jensen: (looks at fan) Email.
Kripke: Yeah, every so often.
Jensen: There’s actually been a (looks at Kripke) huge response to it.. from what I know.
Kripke: Yeah. Yeah. We got a couple. Wuh-uh- I listened- I mean we couldn't listen all of them, but there’s was a couple thousand voicemail messages. (audience chuckles) (Jensen: Yeah.) of people who called. And-and, uh, I mean I listen to you know maybe, you know, thirt- twenty or thirty of them.
Jared: (to Jensen) Two thousand (Jensen smiles)
Kripke: But some of our hilari- They're like, you know, (dramatic voice) “Sam and Dean! There- there's a ghost in my attic!” (audience and Jared laugh) “You have to come quick!” (Shiban coughs) Those are- those are my favorites.
Jared: (laughs) That’s funny.
Jensen: (scratches head) That's awesome. (audience giggles. Jared laughs)
Bushman: Alright, uh- (more hands in the audience are raised)
Jared: Woah.
Jensen: Woah.
Jared: Wow. (audience chuckles)
Jensen: Yes.
Jared: Can you do that again? (Jensen and audience laugh)
Bushman: Um, take one all the way in the back up there. And one right here in the front.
•(55:39)- PaleyFest06;Q18- Impala 67 (Jensen, Manners)
Fan: Hi. (Bushman: ?second?) My son and I are really big fans. And you guys are great. And I want to know what kind of car it is you drive. It's- it's great.
Jensen: It's a, uh, 67 (Jared?: Impala) Chevy Impala. (J2 nod. Audience cheers and claps)
The audience starts yelling out, “Metallicar!” Jensen smiles. Kripke laughs. Jensen laughs. A few more Meallicar response are said.
Jensen: The Metallicar.
Manners: They’re gonna sell well.
Jensen: Yeah. (shrugs) There it is. And we've got about- (looks around)
Manners: We've just bought our fifth one.
Jensen: (nods) Fifth one. We got about five of them. Yeah.
Jared: that's why you can't find him on eBay. Cuz we’ve been buying- (audience laughs) (Jared takes a drink)
Jensen: Yeah. We have them all. (nods)
Jared: (while drinking) mhm (sets down glass)
Bushman: Right there.
•(56:15)- PaleyFest06;Q19- SPN Music (Kripke, Singer)
Fan: Okay so let's talk about the music.
Jensen: Yeeesss. (audience and Jared clap)
Fan: Yes. Yes. Alright, I grew up in the 70s. I grew up on the mullet rocks. So, yeah. Let's talk about where the inspiration.. came from with that.
Kripke: That.. That was something that was r-really important to me, uh, coming into the show, coming into the pilot. Um, you know, I'm from a small town in Ohio and (gestures) this is the music I listen to. And I was a huge, huge Zeppelin fan. And.. and-and so, ehhh- You know, and so, uh, (gestures) when it came time to write the pilot I-I- and-and produced it, it was- it was so important to me that it had that music. And- and not have, you know, (gestures) all-all due respect to my beloved Network, not half the music that's usually on that network. (audience chuckles)
Um, and-and it was so important to me. (gestures) I was so like rabid about it that in the original draft of the pilot I even wrote in the- in the script. (mimics writing) I wrote, “Cue music. And you can take your anemic alternative pop and shove it up your ass.” (audience laughs, claps and cheers. Manners and Shiban laugh)
And, uh.. and the r- and the reason I wrote the scene when they're in the-in the pilot
Jensen: (? It’s how I knew??) (Jared nods and laughs) (briefly raises his eyebrows)
Kripke: they have the scene where they're talking about tapes and he's like, you know; ac/dc, you know, uh, Motorhead, Metallica. And the reason I wrote that in is I said, “Well, if we shoot that and it gets from the pilot then we have to use my music.” (audience laughs) (frantically gestures) “Because it's already in the- it's already in the sh- it’s in the show and they can't, you know. They can't put in some, you know, Sarah McLaughlin in the- in the- in post.” (Manners laughs)
So, uh- So I- You know, this is- y-you know- (turns to Singer) And we’ve-we've had a great time I mean in-in- with, you know, Phil also in post-production and with Bob (gestures) of figuring out these songs. And coming in one morning and being like, “Oh! Billy Squier! What about Billy Squier?” (Singer chuckles. The audience laughs.)
And, uh- and I think it's like a real signature to the show. And-and is-is the real- (gestures) plus it's Midwestern. You know, it's like two guys in- (thumbs to J2) from Kansas in a muscle car. (shrugs) And this is the music they listen to. So, um, but it's- I- I mean I- I love it. There-there was- The other night was Joe Walsh “Rocky Mountain Way” (Jensen nods) and I'm just laughing my ass off. (audience laughs) “Yeah! I Rocky Mountain Way on The WB! It’s-“ (Jensen and audience laugh)
Singer: It also, uh- It also spreads. Because one of the editors, uh, said to me- And he's a very hip guy and really good musically. (laughs) He- I walk into his room. We were going through songs. I said, “Well, do this song. Do this song.” (unintelligible) Two days there I walk in, he goes, “Do you know Bad Company's really good.”
The audience cheers and claps. Kripke laughs. Jensen nods and smirks.
Bushman: Okay. Let's take two questions from the middle. One- (points) One over there and (points) one on the other side. (points) O-on this side and then (laughs) one on that side.
•(58:41)- PaleyFest06;Q20A- Acting Advice “Start” (Jared)
Fan: Hi, I'm an inspiring actor. And (giggles) I wanted to know-
Singer: We’re sorry. (The audience laughs. Kripke laughs then aw’s)
Fan: I wanted to know, um, how hard was it for you two to get started acting? (Jared looks at Jensen)
Jensen: (gestures to Jared) Go ahead. (audience giggles)
Jared: Uuh. Alright, I'll feel this. I-It’s a it's not the first time I've actually heard that question and I'm- I'm so at a loss for what to tell you. (scratches knee) I have a very interesting story. When I was in high school I won a contest to being on the Teen Choice Awards. (some of the audience laughs) And hold trophies and give them to Freddie Prinze Jr. when he got (audience laughs) “Best Hottie of.. the World”
Jensen: Pretty much went downhill since then. (audience laughs)
Jared: It’s basically gone down, yeah. (Kripke laughs) Yeah, and I just- (laughs) I rode on Freddie Prinze's coattails. (audience giggles. Jensen smirks) No. Um, and I- and I met an agent at the, uh, at the show. I met a manager actually. And-and, Dan Spilo, I'm still with to this day, sitting with my girl Sandy over there. Um, he- we- (gestures) We started kind of talking over the phone with sides. And he had faith in me and I was going back to high school. And I've mommy that's a teacher and a daddy that was an accountant. (audience giggles) And they were like, “He's finishing high school. He's finishing high school.” And I was like, “Why can’t I go act? Why can’t I go act?”
And anyways, I flew out for about a week during pilot season. And I booked a pilot and then I used that money to go out during the summer. So, I had a really kind of crazy interesting story, but I have a lot of buddies who are, you know, much more talented and-and more committed than I am that are still struggling to make it. So, uh- It's a- It's a.. tough, tough industry but just, you know, keep working hard and keep making yourself better. (nods)
•(1:00:08)- PaleyFest06;Q20B- Acting Advice “Start” (Jensen)
Bushman: Jensen how did you get started?
Jensen: Um. Well, I mean like Jared said there's- there's really no set formula, uh, for- for.. how we, you know, we've gotten to where we've got. Um, mine was kind of a (throws up hand and shakes his head), um, sheer luck thing as-as well.
I was, uh, doing theater in Dallas and I happen to have a-a (throws up hand) talent agent from- from LA sitting in and came up to me afterwards and gave me his-his.. (throws up hand) pitch and I said, “Nah, you're full crap.” (Bushman and audience laugh. Jared smiles.) I told him to bugger off. (audience chuckles) And, uh, h- And then he went up to my-my folks and kind of gave him their pitch as well. And I guess they seemed a little bit more interested in a-
And so a few years later after his, um, persistence I-I finally said, “Ah, maybe I'll go out there for a couple of months and check it out. See if he's, uh- See if he'll talk the talk.” And, uh, I came out. And-and started working right away and that was about eight or nine years ago.
Bushman: Mm. Okay. So, question on that side.
•(1:01:02)- PaleyFest06;Q21- Props “Alcohol” (Jared, Jensen)
Fan: First of all, um, “Shadow” was a kick-ass episode. (audience claps followed by J2 and Shiban clapping) And I want to thank you all for that one, cuz it's awesome.
But let's get down to, like, what really matters. What alcohol do you guys like to drink? (audience laughs. Kripke and Singer look at J2.)
Jared: What alcohol do you got? (Kripke shakes his head with opens his hands at the audience, and then laughs with the audience)
Fan: Because I see a lot of beers and stuff in the episode. And it's always my thing to place what y'all are drinking. So, I was just wonderin,’ you hard guys? You light guys?
Jared: (laughs and then claps. Jensen smiles at Jared) Uh, my mom would kill me. (audience laughs) Umm-
Jensen: Yeah, can we cut the tape like right now? (audience laughs)
Jared: Yeah, could we? We were rolling. Check. Check. Actually (Jensen adjusts his position) one of the funny things about the, uh, about the beers is our-our prop master, Chris Cooper, um, he's.. some of the (gestures) (a clicking noise is made) beer labels they're always fake labels. (audience laughs) (Jared looks up) God?
Jensen: (?somebody get?) a staple gun. (audience laughs)
Shiban: (?Give me a minute.?)
Jared: And, uh, (chuckles) They're always fake labels and it usually have some do with the city that we're filming that episode in. You know like if we’re in Texas it'll be like, “Lone Star Logger,” or if we’re in.. (one person laughs) Minnesota it'll be like, “Timber Wolf Ale” or something (audience chuckles) like that.
But, you know, (looks at Jensen) we’re Texas boys. I- I think-
Jensen: Yeah, we, you know, would probably drink what you imagine a couple Texas boys drink. (J2 smirk. Audience giggles)
Jared: Put in a cup. (audience laughs. Jensen nods)
Jensen: That’s right. (Jared rubs his hand over his face and laughs. The Audience laughs)
•(1:02:14)- PaleyFest06;Q22A- Favorite SPN Scene (Manners)
Bushman: I have a question for you guys. (audience laughs. Jared nods while pressing his lips together. Jensen scratches his ear) Um, I'm curious if, ueh, this is possible to answer this question, if you could pick a scene that you either wrote or acted in or directed that's probably like your favorite scene that you've worked on since this show started and if you tell me why. Um, (Jared?: mm) anybody want to.. take. (Manners gestures at Bushman) Kim go ahead.
Manners: I'll take that, um. (rubs his tear duct) “Shadow,” where the boys finally f- saw their father. Uhh d- (audience claps and cheers) (shakes his head and clears throat) “Shadow” was- u-uh, I'm incredibly proud of because there were four great scenes. The scene where the boys were arming up and, uh, Dean blows at Sam and says, “Why do you think I-I got you out of Stanford in the first place?” “Why do you think I came to get you? Because I want us to be family again.”
And, uh, (Jensen dramatically wipes his eyes with the back of his hand. Audience laughs) I'll tell you Jensen had a tough time with that and we kind of arm wrestled over it. And he- and, uh- (Jensen nods) tooo get him there and, you know, because- because Dean is, uhh, you know, he's got his walls up. And-and to break down that wall for (gestures) just a minute to look in the Dean’s heart was- was magical for me.
And then when they met dad in the apartment, uh, and in the alley it was just- (nods) We worked very hard. (Jensen nods: mhm) (Jared nods) The boys- they- their game of tennis improves 2000% when they work with Jeffrey Dean or somebody like Niki.. (audience woo’s and claps. Jared claps) Aycox. (shakes head and then scratches nose)
You know, we find the nuances and, uh, it-it- in acting i-it becomes the crap that it is and it becomes real (Jensen nods), uh, life. And the words become (points at J2) their own and the emotions become their own and that's special, for me. (Jensen nods then looks at Manners. Manners looks back)
Jared: And not just to say this, but having a great director to.. tell you exactly what to do doesn't.. make it hard. (briefly looks at Manners) So you know (Manners: Thank you.) I think (tilts his head at Jensen) Jensen and I would tell you.. a thousand times every day like.. you know.. “Kim got it out in that episode.”
Jensen: (scratches head) (unintelligible) Yeah. (?That happened?)
•(1:04:12)- PaleyFest06;Q22Aa- Acting Challenges “Shadow” (Jensen)
Bushman: Hey, Jensen. Did you not want to do that scene because you thought that Dean wouldn't.. say that?
Jensen: Umm, yeah. Sometimes I-I- I guess I can be a little protective of just of-of Dean and-and him (open hands) showing emotions. And I, you know, I always, um… A-and as an actor as you grow with a character on the series you- you really- you really kind of become close to it. (gestures) And You- you protect it. (Bushman: mhm) Em, you protect that character.
And, um, I guess that, that was probably what-what- what that was. And, uh, I just didn't- I wasn't (gestures) real sure how.. uh, how much of the layers, uh, to peel away (gestures) in that scene. And I guess in that confusion I just- I-I kind of put up my own barrier. (Thumbs to Manners) But, uh, if there was anybody to get me through it, it was Kim. So, I'm glad he was there.
Bushman: Great.
Jensen: Yeah.
•(1:05:00)- PaleyFest06;Q22B- Favorite SPN Scene (Shiban)
Bushman: John you have a favorite scene?
Shiban: Uuuh, there was a moment in “Skin” that-that I'm.. proud of. And actually it- in the- it sort of says something about how we (sniffs) tell our stories because we're always saying, “Okay, we want to do this type of episode. We want to do this monster. But how would Supernatural do it? How is it special for our show?” And I rremember being in- in Kripke’s palatial office of Warner Bros. (audience and Manners? chuckle)
Kripke: Not so fam- fountains and- (Jared smiles)
Shiban: Yeah. And uh- uh- (The audience, Jensen, and Manners chuckle.) We're (gestures) talking through the story of “Skin,” and the shapeshifter and obviously, you know, there's all kinds of (gestures) shape-shifting that's been done on television and movies etc. And he said, “We got to find our own.” And, uh, we kicked it around and came up with that scene, uuh, where Shapeshifter Dean goes down in the sewer.
 And.. and I remember reading a, um- uhh, some online posts some friends send me that someone else (mimics writing) -a fan was watching the show and giving her impressions as she watched it, (mimics typing) “Oh my god! Dean's taking his shirt off!” (audience laughs. Kripke smirks) and then followed immediately- followed immediately by, “Oh my god! He's taking his skin off.” (Jensen and the audience laugh) I knew then that we, you know, we had it. (Jensen takes a drink) And I was very-  I was very pleased with that.
Jensen: (places his glass down on the table) Oh, the things we do.
•(1:06:14)- PaleyFest06;Q22C- Favorite SPN Scene (Jensen)
Bushman: Jensen, you have a scene?
Jensen: Uuum.. (smacks lips) Yeah. I-I- one of my favorite, uh- um, it's not really a-a- a full scene but it's-it’s more of a shot. Um, and it was in, uh, it was in “Dead in the Water” (scratches arm) with, um- (points at Manners) Kim directed. Um, where I-I saved the little boy out of the lake. (nods) Uuh (some of the audience aw’s and then giggling) and coming- coming up out of the water. Uhm, and that was- It was just- It was, you know, slow-motion shot. It was very emotional, coming out with water and it was- That was really neat, um, but the build-up to that shooting it was, uh, (Manners chuckles) was really- (chuckles) (audience chuckles)
Uhhh, I had this 10 year-old boy in my hand and I'm keeping both of us (mimics holding the boy while swimming with one arm) afloat with one- one arm, uum, (rubs his chin) because I came with my feet (mimics holding a foot) because I got two divers holding my feet below me who were about to pull me under. And-d (one hand shrug) , you know, I-I'm fine. I grew up swimming in lakes and j- and all my life. But tah.. to have that sensation of somebody pulling you under water, um, especially when you've got the life of a-a 10 year old, you know, little actor in your hand and-and you're trying to keep him afloat. And he's got to play dead it was just- (shakes his head and rubs forehead) (audience murmurs) It was, uh- (looks up at Bushman) it was a little overwhelming.  And.. and it was definitely unforgettable.
But, uh, we got through it. (throws up hand) We get- and it turned out to be an awesome shot. (thumbs at Manners)
Bushman: That's a great story.
Jensen: Yeah.
•(1:07:34)- PaleyFest06;Q22D- Favorite SPN Scene (Jared)
Bushman: Jared?
Jared: uhh, you know what? I've had some time to think while.. (Kripke chuckles) (scratches head) (audience chuckles) they've answered their questions. And I'm gonna go back to, uh, a scene in “Wendigo” that we did at the very, you know, (throws hand up) second episode of the year and I member there was just such (gestures) a long period of time between the “Pilot” and “Wendigo.” It was.. What? From m-March-April till July. (Kripke: mhm)
And, uh, there were so many (gestures) questions in my head when I found that we were getting picked up. Like, what's gonna happen? Where are we gonna start? Like, how do we.. start? How do we finish? How do we continue this story that we started a pilot with so many things going down? How do we.. keep the momentum going?
And there was this one particular scene that, uh, (points at Jensen) Jensen and I did on stage where he's got (gestures) dad's journal he's saying this is what it's about (Kripke nods) and Sam is saying, “I got to find Dad.” And I remember we, uh- We had a huge day that day. We had like eight or nine (turns his head towards Jensen) pages of dialogue. (Jensen nods) And, uh, Jensen and I realized we had to do the scene. We're like, “Oh, crap.” (J2 turn towards each other) Like, (laughs) “W-what? Let’s go memorize this in my trailer.” (gestures) We sat down in my trailer. And there was an acting coach that I-I work with whenever I can, named Karen Thorpe, up there with us. (Kripke nods)
And, uh, you know he kind of pushed and prodded me a little bit. (throws up hand) And I don't know what he did to Jensen. (audience laughs) But, uh..
Jensen shakes his head. Jared makes a grimace. Kripke? Giggles. The audience laughs. Jensen smiles into his hands. Jared smiles and scratches his head.
Jensen: I don’t want to talk about it.
Jared: It was noisy.
Jared and the audience laugh. Kripke laughs. Jared claps and then looks down, hiding his face behind his arm and scratches and combs his hair.
Jensen: Never again.
Jared: That’s between y’all and the wall. (audience laugher and ughs?) But, anyways we ended up- we ended up kind of getting the scene and-and putting something there. (scratches leg) And I think, um, it was one of the first times I ever felt like (throws up hand)… um, I was- I was hopefully doing what Kripke wanted, you know? Like, I think, like, I felt like, “You know, I think this is what Eric was envisioning.” Like, I really felt, for some reason, there's one of those times when you finish a scene and you're like, “Wow. I don't know where that came from but.” (shrugs) “I don't know.” (Kripke nods) “Whatever.”
Kripke: I remember seeing the dailies on that too. Uh, we were just through the roof. It was incredible. (Jared pats his knees with his fingers)
•(1:09:18)- PaleyFest06;Q22E- Favorite SPN Scene (Singer)
Bushman: Bob?
Singer: Um, I think, um, my favorite scene is a really quiet scene. And It's at, um, is at the end of the “Faith” episode. And-and (gestures) that whole episode was really about (Kripke nods) (gestures) I think, very… topical for today about what's.. what's real faith. And, uh, Julie Benz comes in has a, uh, scene with Jensen. And, uh, Jensen says to her, um, “I-I'm not much for praying, but I-I'll pray for you.” (Jensen nodding: mhm) And (gestures) she said, “Well, that's a miracle right there.”
And, uh, (gestures) I-I thought that, that kind of- I-I thought that was really sweet. I thought it was incredibly well acted, um, with both Julie and Jensen. And-and I thought that, um, I probably.. If people were listening, I think that probably was our.. You know, our finest moment to, uh, say something semi political and-and be, um, on the right side of that. (shrugs) I just hope it affected people the way it affected me. (audience claps. J2 and Shiban clap.)
•(1:10:18)- PaleyFest06;Q22F- Favorite SPN Scene (Kripke)
Kripke: Um, I-I (slice gestures) agree with.. all of those. All those are incredible scenes I would also add, uh, the scene when, uh-uh, Dean first calls his father in “Home” and tells him that “Come to Lawrence” and just the way that Jensen was able to try (gestures) to put up those walls, but the walls kept breaking down and that was amazing. (gestures)
But all those amazing scenes aside, (gestures) everyone's given such classy answers. (audience giggles) I have to say that when the when the dude stuck his hand the disposal in-in “Home”. (j2 and audience laugh. Jensen claps) And-and then the monkey starts clapping and- and (mimics camera) we had that shot beneath the sink and you could actually see all the goo come out. (audience ew’s) And I said I- and we shot it in dailies. I said, “They'll never let us use that.” And we used it. And, uh, it's- it's more probably- than any other scare sequence in the show. (Manners laughs) It's the one that people watch (Jensen: Yeah) (mimics viewers cringing and blocking the scene from their eyes) And they just- they can't even, you know, keep their eyes on the screen. (gestures to himself) And, you know, to me that's sort of the fun at getting the effect out of the audience. (to Bushman) So, I'm going to say the (gestures) garbage disposal scene in the “Home.” (audience laughs and claps)
Bushman: It's great because that explains what Bob was talking about before with the two different approaches to dra-
Kripke: See. (gestures) There you go.
(1:11:24)- closing
Bushman: Alright. (to audience) Okay, I want to thank you guys. You guys have been a great audience. (audience, Manners, Singer, and J2 clap)
Kripke: Can I say-
Bushman: Uh, also, uh, Before you go! Before you go! Don't go yet. I also (two security personnel walk on stage) want to thank Er- First of all Erik's got something to say.
Kripke: (holds up hand) Well, I just wanted to say, uh, we have a lot of, uh, the people who work in- on “Supernatural” in the audience. And I want a round of applause for them for this unbelievable season. (audience and panelists cheer and clap) All of them have done such a- They’ve all.. (gestures) They’ve all murder themselves to-to (gestures) bring you this show. And-and we couldn't do it without any of them. So- so, thank you to them. We-(gestures) it's-
Audience member: Are we getting (?pics off?)
Bushman: I- I also want to thank (gestures to panelists)-
Kripke: Hope so.
Bushman: I want to thank you guys, all of you, for.. not just being here tonight, but also for the great work that you're doing.
Jensen: (bows head) Thank you. (audience claps and cheers)
Bushman: And you’re obviously touching our cords. Thank you very much.
Singer: (nods) Thank you.
Kripke: Thank you. (audio cuts)
Jared’s clapping. Jensen is taking off his mic. Shiban is clapping. Manners is sitting up. Four security personnel walk and stand in front of the panelists, along with a woman and two stage assistants. The panelists all take off their mics and stand and mingle with the people on stage. The audience is also standing and exiting. Video fades to black.
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mofffun · 2 months
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#King-Ohger Finale Theatrical Version
Feb 18 22:31 (JPT) Ito Yosuke (Deka Green, director of King-Chan) created the hashtag #King-Ohger Finale Theatrical Version and tagged Producer Omori. He heard the following feedbacks and asked for fans' voices:
fan screenings at cinema
director's cut of ep48,49,50 as one movie
cinemas across Japan
the fans are willing to do crowdfunding
Feb 19 05:51 Omori thanked Ito for the many feedbacks he received
10:22 Hashtag trending at #10 Writer Takano: "King-Ohger is suddenly trending in the middle of a Monday! 'Please screen it at cinemas!' I feel the same! Thank you very much, everyone, Anyway, I'm sending Omori-P this screenshot."
11:23 Trending at #6 Yano Masato (Racules): "eh, eh, What's happening?!!!"
11:42 Trending at #5 Sound Designer Kuwabara: "So may I adjust the volume for a theatrical version?"
12:29 Trending at #3 Omori expressed gratitude and that he "felt the energy of the work"
12:52 Kaku So (Kaguragi) "Eh? It climbed all the way up to #2??? Cool!!!"
12:53 Kamisato Matsuri (Head Maid Cleo Urbanus) I can't believe the [voice is so loud] I will support in [calm]
12:55 Chiwata Yuhei (Shiokara) "I want to see it I want to see it I want to see it x 14"
12:56 Mori Hirotsugu (Tonbo Ohger suit actor) What's this!?!? This exists!?!?!?!?
13:02 Trending at #2: Takamina: We're at #2 now!!! Thank you very much everyone! The voice of the people is heard!
13:10 Inada Tetsu (ex-N'kosopa crime boss, DekaMaster VA) "What an exciting hasthtag! Is it a go? If there are fan screenings, let's party!"
13:16 Trending at #1 Takamina: "!!!Trend #1!!! We did it!!! Finally!!! #キングオージャー最終三話劇場版| his hashtag is trending #1 in Japan! And on a weekday after broadcast... Because of everyone's love and passion, we achieved this amazing feat! Now even the higher-ups can't help but read the subtext of it! Please screen it at cinemas!!!"
13:26 Takamina qrt Ito noticing he's using the tag: "Thank you for creating the tag! We've reached an incredible height!"
13:40 Kaku So: "Un... Unbelievable Will it really happen? See the passion, I can't help but think so!"
14:00 Creature designer Yogo Yuki If this really happen, maybe Dugded's Phase II form will be added…
14:48 Hasegawa Kasumi (Morphonia): Ohh!! It's impressive that it's trending at #1 🥹 Thank you everyone!!
13:32 15:02 16:33 Inada qrt Ito's original tweet: It was you who created the hashtag! Good one, Sen!
Ito: Yes, Boss! I stood on my head for about five minutes figuring it out! My blood was rushing to my head!
Inada: Ohsama Sentai have the full support from us at the SPD Earth branch 👍
15:19 Mizushima Marina (Head Medic Elegance) I hoped it could reach #1…(T^T) I hope everyone's wish reached them…🙏
15:34 Head Director Kamihoriuchi: "I was buried in work and once I opened X, I'm very surprised! This is thanks to everyone who is watching and loves King-Ohger. Dear Omori-san, How about discussing it with the relevant parties?"
16:39 Takamina: !!!World Trends #1!!! Thank you!!! That's all I manage to say. Thank you very much!!
17:44 Amano Kousei (Glodi) "I waaant to see it on the big screen Mama's Royal Arms."
17:23 Omori P: Thank you for sending your many comments. Please give me time. Regardless, first let's enjoy the TV broadcast of the last episode! #King-Ohger Finale Theatrical Version ?
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Bad Batch Season 3 Episode 5 (scattered) thoughts and first impressions (ramblings)
Major spoilers under the cut
This one is also very long because mannnnnnn did I love this episode and omg do I have big feelings about it
Also yes I do love each member of tbb but in case it’s not obvious I’m a crosshair girlie. Have been since I first heard his voice in season 7 of tcw so this is gonna be very crosshair centric (because he finally has screen time and more than like 2 speaking lines this season!!)
Lula! 🥰🥰
Is Omega in a supply closet? Whatever better than her barren room at the lab
Ah nope her old “room” the gun turret 🥰🥰
A glimpse of mornings on board the marauder: peaceful boys and caf 🥹 probably only peaceful again now that omega is home
This is Omega’s best look omg the the crocheted vest??? I wanna cosplay her now or actually just wear this outfit fr
At first I was so annoyed they kept crosshair in this ugly ass outfit but I honestly think it’s because even though it’s warm on Pabu he’s always cold because he’s so skinny now (well he always was lean but this is a testament to how much weight he lost as a prisoner) They keep trying to feed him fruit and my man keeps using it as target practice 🤦‍♀️🤦‍♀️🤦‍♀️🤦‍♀️
I honestly love when they show scenes through like either a scope or helmet visor. Like I really love seeing what they’re seeing. In this case AZI (so happy they took him from Cids bar- sorry “parlor”….it was a dive bar)
He’s so mad at his hand 😭 my poor baby he really should let AZI look at it. What do we think it is? Nerve damage? I imagine it feels tingly like when your foot falls asleep.
I love that Batcher loves him!! Animals know good people. He’s a good man Savannah! 😭😭😭 and he likes Batcher too and anyone that’s kind to animals is ok by me.
Ugh Crosshair teaching Omega about being a sniper 🥰🥰😭🥰😭🥰 one day she’s just gonna pop out with a sick trick shot lmao
Shouldn’t have given him his rifle??? Sir it’s an extension of him, it’s like you gave him back one of his body parts
“Omega trusts him and that’s good enough for me” Wrecker!!! My sweet boy!! Big man and even bigger heart. He’s now kinda caught in the middle he wants to be cool with Crosshair again but doesn’t want to betray Hunter they’ve been through a lot just the 2 of them these past several months. Crosshair and Hunter are like parents in the middle of a divorce 😭
53%???? Fuckkkkkkk way worse than we thought
Echo!!!!! Yay mom came home!
“No hug for me” screaming crying throwing up! 😭😭😭😭😭😭 💔💔💔💔he’s disguising it as sarcasm but he wants it, he wants a hug! SOMEBODY HUG HIM DAMMIT! I volunteer!!! Please
Omega between her 2 dads 🥰 (Though is Crosshair more wine aunt vibes sometimes?) And batcher by Crosshair’s feet of course
Yummmmm I bet Pabu has banging sushi 🍣 Love Wrecker being an unbothered king enjoying his sush🥰
😭😭😭😭😭 Crosshair’s face when Echo mentioned Tech. He knows. He knows he fell or perished (shh no 🤡) trying to save him. They’re twins and he lost his other half and I’m devastated!! 😭
Haaaaa welcome to parenting a teenager Hunter!!!
Are Hunter’s eyes green all of a sudden?
Crosshair being the voice of reason?? I love seeing this side of him. I HC that since he is silent and highly observant he was a voice reason often for the batch. (Can we please get a series of TBB during the clone wars?? Or like when they were cadets or something. We only see them in 4 episodes in tcw and they were just an insane suicide squad who hated regs and didn’t follow orders or have anyone in charge of them like I wanna see their adventures and their dynamic and how they are when they have downtime! Please lucasfilmmmmmm 🙇‍♀️🧎🏼‍♀️)
“I’m older than you are, little brother” 😂😂😂 and she got crosshair to chuckle lol ugh I love their dynamic so much. They are really feeding us rn (please don’t take it away)
Omg he’s so brave bringing them back there! To that freaking ice planet where nothing but trauma happened for Crosshair. I know he probably wished he would never have to go back there again but he knows this will help so he goes anyway
The old armor!!!! Helllllll frickinnnn yeaaaaaa (he’s so hot in armor omg I have a headache)
“Take a guesssssss” 🥵
“He started it” 😂😂 major youngest sibling energy
Mayday’s helmet! 💔💔💔💔 somebody sedate me!! 😭
Why can’t Hunter sense the Wyrm?
TOOTHPICK!!! Wrecker defo kept his toothpicks in the armor case 🥰
Frickin ice vulture always an omen. (Animals seem to really like Crosshair though even the scary ones)
“I know you” 😭 I know Hunter meant it in a “I know you’re sneaky and closed off and I’m expecting the worst from you right now ” but it just hit me harder than that. “I know you”- you’re my brother, the youngest I’ve known you since the day you were born. “I know you- I know there’s more to your silence I know your still waters run way deeper than you let on.” “I’m your brother- I know you talk to me I know you”❤️‍🩹
Oh shitttttt thems are fightin words yes let it out everyone
“I’ll do it! 😁” Wreckerrrr I love you
Hunter’s fast af boi!
Batcher is actually ripped af 💪
Ok petition that Cross doesn’t yell anymore it doesn’t suit him at all lmaoooo
Poor Wrecker yes it’s always ALWAYS a huge monster 😭
“Fantastic” 😂😂😂
Omg this is a roller coaster of emotions! Crosshair being soft with Batcher, the nodding! Ugh nothing like fending off a giant ice wyrm to bring bros back together
He’s so pretty shut up I know his head is shaped like a lightbulb
AAHH THERES THE HUG 🥰
progress 😌
“I thought I was being a good soldier 😔” * *pterodactyl screeching *
Welp Im deceased, fed and nurtured but dead at the same time.
Thank you thank you thank you for these past few episodes. Us Crosshair girlies were really in pain seasons 1 and 2
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