#from the heart baby

[trashmakerarticle]

Everyone thinks that dick was the golden child when in reality it was Jason.

Clark: Bruce who was your favourite robin?

Dick: obviously it’s me?

Tim: it’s dick

Damian: I am superior robin, it will be me.

Bruce: it’s Jason

Everyone: WHAT?!?!???

Bruce: why are you so surprised? He didn’t jump on too my chandeliers which I had to replace each week

*everyone looks at dick*

Bruce: he didn’t drop out of school

*everyone looks at tim*

Bruce: I didn’t have to stop him from killing everyone who annoyed him

*everyone looks at Damian*

Bruce: in fact, he enjoyed school and handed all his homework in on time, we would spend hours in the library reading his favourite classics. He even helped Alfred with most of the cooking, He was my little boy

Jason: stop spreading lies, I hate you go away

Bruce: my precious little boy

[vaguely-concerned]

I understand and agree with a lot of the frustrations about the shortcomings of Inquisition as a story. but sometimes when I hear people complain about the chosen one narrative in it I do want to just be like... you know it's a deconstruction of the concept more than anything, right. the inquisitor isn't actually chosen by anything except stumbling into the wrong (right?) room at the right (wrong?) time because they like, heard a noise or whatever. or if you think they are chosen, as many do in-universe, that's something you have to take on faith, the maker-or-whoever moves in mysterious ways indeed-style. the Inquisitor isn't actually a Destined Chosen One, they're a Just Some Guy in a fancy hat, self-delusions of grandeur to taste as you'd prefer.

a running thread that goes through all of the personal quests of the companions is the concept of a comforting lie vs. an uncomfortable truth, upholding old corrupt structures vs. disrupting them, and the role of faith in navigating that. (blackwall the warden vs. thom rainier the liar and murderer. hissrad vs. the iron bull, or is that the other way around? cassandra and the seekers -- do we tell the truth about what we find, even if it means dismantling the old order of the world? and so on.) and your inquisitor IS at the same time a comforting lie (a necessary one, in dark times? the game seems to ask) and an uncomfortable truth (we are the result of random fickle chance, no protective hand is held over the universe, it's on us to make a better world because the maker sure as hell won't lift a divine finger to help anyone, should he against all odds exist). faith wielded for political power... where's the point that it crosses the line into ugliness? is it before it even begins? what's the alternative? will anyone listen to the truth, if you tell it?

interesting how you also get a mix of companion agency in this -- you have characters like dorian who ALWAYS choose one side of the comforting lie vs. uncomfortable truth dichotomy. he will always make up his own mind to go back to tevinter and try to dismantle the corruption of the old system no matter what you say, or how you try to influence him. meanwhile iron bull is on the complete opposite side of the spectrum -- so psychologically trapped and mangled, caught in an impossible spiritual catch-22, that his sense of identity is left entirely to you and your mercy. you cannot change dorian in any way that matters; you can be his friend or not, support him or not, but he is whole no matter what. you are given incredible and potentially destructive-to-him power over bull's soul. it's really cool (and heartbreaking) to think about.

this is a game about how history will eat you even while you're still alive, and shape you into whatever image it pleases to serve it, and for all your incredible power right now you are powerless in the face of the gravitational force of time -- of more than time, of History. you won't recognize yourself in what History will make of you, because you belong to it now. you don't belong to yourself anymore and you never will again. the further you were from what it needs from you to begin with, the more you will find yourself distorted in its funhouse mirror. (why hello there inquisitor ameridan, same hat!)

and to me this is so much the core of what Dragon Age is about right from the Origins days -- how and by whom history gets written, the inherent unreliable narration of it all. I hope you like stories, Inquisitor. You are one now.

I do think it's probably still the weakest of the games narratively, and it's hampered by its structure and bloated systems. but I also find it disingenous to say that there's nothing deeper or actually interesting going on with it, thematically. if you're willing to engage with it there is Some Real Shit going on under the high fantasy-tinted surface.

[zivazivc]

i have the usual brainrot so here's a bunch of drawings of the brozone bros standing in the void

something something their paint brush hair is just a stage look, they are actually their parents' children

[dcxdpdabbles]

I was thinking about Danny talking about Dan to the Justice League and all it would take would be a little slip of the tongue for Danny's "he's my evil future self" to be heard as "he's my evil future son." Because it's one thing to have futures where You turn evil, but another thing to have futures where your family members, your KIDS, turn evil.

Phantom was new to the Justice League team. He had been inducted only three months ago and could be seen coming and going at odd hours. No one really knew much about him.

Phantom was recommended by Wonder Woman during the last selection. Apparently, she knew him due to a mutual acquaintance, a woman named Pandora, who had asked the princess to meet the boy—teenager? Man? It was hard to know what to call him because his physical appearance was that of a youth when he was immortal. She rarely nominated anyone for membership, but the person was precious to the team when she did.

And the ghost was.

Although he needed some formal training, Phantom had an excellent grasp of his powers and the cleverness to pull off moves with them, which Batman even praised. Many of the members adored Phantom's willingness to take on any role in a team.

He never complained about letting someone else take the lead, followed orders without much trouble, blended well with anyone as a teammate, and, most of all, had compassion for civilians. Phantom was often the hero who lingered after a battle to help clean up and provide relief aid.

Civilians adored him, and his fans were growing in numbers.

Despite all of this, Phantom wasn't really close with anyone. The ghost rarely lingered after his missions or monitor duty. He flew in, kept to himself, and left out once he was done.

Phantom never started or helped the conversation progress if it was not mission-related. He wasn't as bad as Batman, but he made it hard to connect to him. Diana assured everyone it wasn't because Phantom did not like them—he was only shy.

It was hard to put the being who single-handedly held off Superman the last time he was mind-controlled next to the word shy. Yet they've seen it.

They saw him nervously play with his gloves as someone spoke to him, struggled to think of what to say in conversations, and even ducked his head when he got too anxious.

It was like whiplash to see the ghost go from a shy, nervous teenager to the one that stopped and held Superman in a taekwondo hold until Batman could stab the needle to get him free of mind control.

Then, that same powerful fighter drags himself to the crowd and the smocking city, ready to assist in any way.

Despite being exhausted and covered in wounds, Phantom helped the crew in charge of clearing the debris by lifting heavy objects and scanning the building for people needing medical attention.

Phantom had been more than willing to follow emergency services' commands, personally thanking the EMTs and firefighters once the chaos was over. When a little boy asked for a photo, Phantom told him they could take one when everything settled.

No one expected the ghost to keep to his word, finding the boy and his mother later at a hospital for that photo. He has been awfully apologetic that the camera could only catch a blurry outline of him with his glowing green eyes.

The little boy hadn't stopped grinning despite suffering a broken leg.

He was literally the sweetest little hero—Bruce had to remind himself that he was not an actual child and was, in fact, thousands of years old whenever he saw the ghost fidgeting with something while on monitor duty.

That's why, the day Phantom threw himself into one of the lounges couches with a distressed sigh, everyone in the area surrounded him.

"Everything alright, Phantom?" Asked Oliver as the ghost's glow flickered in and out of his usual glow.

The immortal did not remove his hands from his face but nodded. His glow lowered again as if reacting to his lie.

The heroes gave each other loaded looks before Diana stepped forward. "You seemed troubled, dear friend. Are you willing to allow us to lead an ear to your woes?"

"Dan is just giving me trouble," Phantom mumbled, his words muffled by his hands.

Wonder glanced at the others, but when they shrugged in confusion, she sat next to the teenager. Placing one supporting hand on his shoulder, she rubbed it gently and leaned towards him. "Who is Dan?"

"Me."

Barry blinks. "You?"

"Yeah, the evil me of the future."

Phantom becoming evil? That was inconceivable.

"Did something happen to make you think you're going evil?" Barry asks gently, taking the other open seat on Phantom's left. He places a warm hand on Phantom's hunched-over back and is violently reminded of how tiny the boy must have been when he died.

It breaks his heart. He's smaller than Wally.

"The ancient of Time showed me that he destroyed the world. I helped create him, so I had to be the one to stop him. For the good of the world."

Diana sucks in a gasp, making Oliver, Hal, Barry, and Dinah weary at once. She made the hand motion, signaling that she would explain later, making the other heroes nod. "I know you may blame yourself, but that was merely a warning from the gods. You still have time to change the outcome."

Phantom glances up from behind his fingers. "You really think so?"

"Yes, of course."

The ghost offers everyone a small smile before vanishing from sight. There are gasps and a desperate cry for his name, but eventually, they realize the ghost has left.

"What was that about?" Hal asks after a moment.

Wonder Woman stands, striding over to the large windows of the watch tower. Her eyes turn to the brightest star visible with a small, sad smile. "Clockwork is the name of the ancient- one of the gods- that controls time. He rarely has champions, but when he does, he often gives them glances of their future. Many claim it's more of a curse than a blessing, for they often see the worse of what is to become."

Dinah straightens. "You're saying Phantom really will go evil?"

"No." Diana closes her eyes. "Ghosts are formed in three ways. The first is death. Someone or something dies, and they are formed from the souls getting attached to ectoplasm. The second is that they are bestowed a duty and are created to keep that duty alive. It often governs a part of our reality- space, dreams, wishes, and even plants. The last is the least common due to how rare it is for ghosts to have powerful enough cores. It is to be born from a stronger ghost, taking pieces of their core and growing into their own person."

Diana turns back to the confused-looking heroes to deliver her blow. "Phantom said it was himself that turned evil, but referred to himself as "Dan". Ghosts do not change their names, for their names are part of what holds their cores together. This means Dan is not him but came from him. His son will grow to be evil, and Phantom will likely have to put him down per Clockwork's instructions for the good of the world."

Hal bites out a curse. "That's sick. How could the time god ask Phantom to kill his own kid? Even if he is evil, Phantom doesn't deserve to have that duty placed on his shoulders. He's just a kid."

"But he isn't," Barry sighs. "Phantom is older than ancient Egypt. He just looks like a kid."

"It does not matter." Wonder Woman declares. "Clockwork's warnings can be overturned. We just need to help Dan off the road of darkness while he is still young."

They call for a Justice League meeting, one that only includes the original team that founded the league, to discuss a strategy plan. At first, some want to change the meeting to discuss how to put down Dan, wondering if being Phantom's son made him just as powerful before Batman stands up.

Bruce does not like the idea that the boy will end up destroying the world, but he is the most outspoken about Dan's innocence in the present day. His scorching words make a few ashamed of themselves for giving up on saving the boy before even meeting him.

The meeting drags on for hours until they eventually agree that they will monitor the child. If they realize he is too far gone to save, they will be the ones to end him. Phantom did not deserve to be the killer.

Clark asked Phantom to bring Dan around and introduce him. They dress the indentation as a league-wide party for the member's family (those in the know). The ghost looked spooked before he agreed to bring his child to meet the team.

A week later, every hero smiles politely at the six-foot-tall man with flaming hair who introduces himself as Dan. He's as bulky as Bane, and his low, dark voice echoes through the room. It's comedic compared to the cracking voice of his father, who has to flout to make them the same height.

As soon as the pair of ghosts fly away to speak to Supergirl and Robin, Barry grabs Bruce's cape. "That's a full-grown man."

"I know"

"Bats, that man is built like a brick house. "

"Yes"

"I thought Phantom said he was three? How in the Speed force is that man three?"

"It seems ghosts age differently. Or they are formed to take on the age they desire. I need to do research."

While the surrounding founding members whisper to each other, more heroes arrive at the makeshift party, some in their costumes and some in their civilian identities.

There are various reactions to Dan. A few consider him Phantom's father or brother, but both ghosts quickly make faces. Phantom reminds someone no less than five times that Dan is his future self.

Wonder Woman has to follow the pair whispering to confuse members about the cultural differences between ghosts and children. She doesn't have to explain that to the magic users or those who have worked with ghosts before.

There were a few who had vastly different reactions.

The members of Young Justice, including Secret, all backed up the claims that ghosts did not change their names and were treating Dan as a Phantom's son without blinking an eye.

John Constantine looked at Dan and cooed. "Aw, a baby core. How old is he?"

Phantom cracks a smile while Dan scoffs. "Three"

"Adorable." He raised his flask in salute, "He's powerful. You must be so proud."

Phantom's smile becomes strained. "Thank you."

Across the room, the founding members swear they will save Dan no matter what, as the larger ghost rolls his eyes and crosses his arms.

[poorly-drawn-mdzs]

Council of lovefools.

[First] Prev <–-> Next

[anna-scribbles]

emma dupain cheng on the brain😽🎀

more:

[redberrry]

sif(fin.)

[swottydoodler]

Swotty's DH headcanon no.4:

The Malfoy line has a couple of differing curses.

1. Being able to produce only one son in a lifetime (because of something that happened hundreds of years ago) to prevent any bastards. Draco having a kid with Hermione somehow broke that because his blood disowned him for procreating with someone of Muggle decent—this one was placed by a scorned Malfoy wife.

2. The kids having the signature Malfoy hair and eyes as to know if the wives have bedded another man—done by some Malfoy patriarch along the beginning of the branch.

[aseriesofunfortunatejan]

When I was a kid, as a mix of intrusive thoughts and related real life experiences, I was constantly paranoid that someone, somewhere, somehow, was watching me (among other things.) I would always force myself to behave, look normal, not to pick my nose even if I'm alone, not to say something to myself, not to sigh, because someone might be watching me and ready to judge me harshly for every little thing I did.

Of course, this applied to cameras as well. Every camera I saw had to be on. I was being recorded. That security camera was on, and it was a live feed. That intercom camera was on, and the person inside was watching me, judging me before I came in (or even if I was just passing by, or sitting there.) People had smartphones - they didn't have Tik Tok yet - but they might have been recording me. Somehow, for some reason.

For the most part, this was all in my head. I was paranoid. Living in constant fear. I didn't feel free. I hated myself. Felt like I was constantly doing something wrong.

Because like I said... this was before Tik Tok. Sometimes a stranger might record something outside, but it was not at its height. Video doorbells weren't an actual thing. The intercom camera WAS actually off. But now they're real.

My deep-seated anguish was turned into reality. Though personally, I don't worry about myself too much. I've worked on my anxiety. I'm a responsible adult. But I'm so, so incredibly sorry for the teens with a similar experience to mine, who are made gradually more unsafe, and whose fears feel even more real. It wasn't fun. It could have killed me.

Don't film strangers. Especially don't film kids. This might mean not purchasing this camera that records your neighbours. This might mean fighting the urge to record that kid making a weird sound on the bus to show your friends. The only people you should record are people threatening you, and cops. (If you're dumb enough to post the former on social media and it turns out that the person wasn't being threatening and you were the one acting in a hateful manner, you'll just tell on yourself, so.)

[mediumgayitalian]

i keep seeing sad posts talking about "may castellan making sandwiches every day waiting in hopes that her son will return" and.

guys.

there is no hope for may castellan. she is not waiting at the door with lunch and a tentative smile, waiting for him to come home even though he didn't yesterday, or yesterday, or yesterday, or yesterday. "in hopes" implies that there will come a day when that hope fades. in hopes implies she knows the odds are bad. in hopes implies reality will eventually catch up to her.

there is no hope for may castellan.

she is not waiting in hopes for her son to return. she is preparing, day after day after day (after day after day after day after day after) for the inevitability that luke will return to her. she does not know he is dead. she does not understand he is gone. she does not realize that time has passed; to her luke is nine, still. to her she is still placidly awaiting to return of a fourth grader. luke is not nineteen and betraying his camp. he is not twenty and housing a titan. he is not twenty one and watching his friends get slaughtered in an arena, twenty-two and forcing his sister to hold up the sky, twenty three and realizing, soul shuddering in his chest, that he has made a mistake he can never take back, that he can never undo what he has done.

luke castellan to his mother is a child who has not yet lost all his baby teeth. the cookies she makes for him are soft, because she remembers that. he still leaves the crust behind on his sandwiches. he has scrapes on his elbows and dirt on his nose. he flinches before he hugs her. he spends a lot of time outside, but he comes home before dark.

may castellan's tragedy is not that she is penelope waiting for odysseus to one day return and we know that he will not. may castellan's tragedy is that she does not understand her hero has left at all. may castellan's tragedy is that she will never understand, and she will continue to age, and continue to deteriorate, and one day she will die and she will spend eternity walking the dying poplar fields, whittled down to the memory of something missing from her.

there is no hope for may castellan.

[sweatandwoe]

I think the funniest bg3 thing is Astarion trying to actively dislike kids in act 1 to getting his personal autonomy and hope back to act 3 where if you think about hurting kids in any capacity he'd kill you

Man got memed to oblivion about being an asshole to kids only to go full dad mode in act 3

[chyarui]

WE WERE ROBBED OF SCENES WITH THESE TWO

It could have been SO good

I just feel like their dynamic could hold just as much if not more mutual understanding than even that between aizawa and shinsou

anyways dadmic and shinson forever 💜💛

[1071png]

chilling in the keyblade graveyard with grandpa

[franklyimissparis]

never getting over this actually

[starry-bi-sky]

my body's aching like a knock-down drag-out

and my poor heart is an open wound A Childhood Friends Au snippet that very briefly delves into Danny's life post-accident. CW: Mild Mentions of Blood, Violence, VERY mild gore ig. Danny briefly recalls getting impaled during a fight.

------------

What they don't tell you about being dead is that it hurts. That it can hurt. That it can hurt more than when you were alive. That when you die, the emotions you die with stick with you like a leech that just won't let go. That emotions are ugly little thorns that stick their barbs into you and grow beneath your skin; or, at least, whatever’s left of it. 

Danny is familiar with anger. It kept him warm in Gotham, when his parents weren't home from work and he and Jason were crowding Crime Alley with their presence. It kept him warm in Amity, when the fresh sting of moving was still needling into his heart and he wanted nothing more than to rip and tear into the closest person next to him.

He's familiar with violence. With fights. With death. He's seen people die in Crime Alley probably every day. From overdose, from gunshots, from stab wounds; anything that can kill, rest assured he's seen it. He's familiar with getting his own knuckles rough and bloody when other kids turn and bare their teeth at him and Jason; they're all just starving dogs stuck in a fighting pit, primed and ready to rip out each other's throats. 

Black eyes, stomped hands, bloody noses. You name it; he’s had it. Gotham is paved with the blood of her children, and Danny likes to imagine that when he was born, the doctors handed his mother a file and told her; “Take it. He’s going to need it for his teeth.” 

Danny’s mom (and dad, for that matter) was too busy trying to keep him and Jazz fed, so Danny stole the file from her drawer with Jazz’s help, and did it himself.  

He’s familiar with anger, he thought he was getting better at it these days. It doesn’t come to him as easily as it did before. Of course, that was before Jason died. 

Danny is less familiar with grief. Caring kills and Gotham kills the caring, so Danny cares very little about other people. Or he tries to. But grief hurts. His grief hurts. It hurts too much. It hurts like a bug trying to crawl out of his chest; like a rat chewing a hole through his heart. Some days he wants to dig his hands into his hair and split himself down the middle. Some days he just wants to scream. 

He’s dead. He’s dead. He’s dead. 

He wants the whole city to hear him wailing, some days. It sticks itself in the back of his throat like bile, and Danny is one wrong retch away from letting it loose. It sticks in his lungs like all the tar he’s smoked in since he was nine. It pushes and aches at his temples, in his head, like his brain is trying to swell out of his skull. His thoughts becoming so loud they threaten to commandeer his tongue.  

He has no mouth, but he must scream. 

Something they don’t tell you about being dead is that it hurts. That it hurts more than when you were alive. Something they don’t tell you about being dead is that it’s violent. That it’s bloody. Or as bloody as it can be when everyone has no blood. 

Another thing they don’t tell you about being dead, is that it’s a lot like Gotham that way.

With no threat of death, Danny’s enemies forget death itself. Blood comes easy, like water, and teeth are encouraged. Bring your own fangs to the fight. Dying is something you can just walk off. 

Danny’s been dead for three months. He can’t say he’s been walking it off easy. He’s perfected the art of turning his nails into claws since his heart was still beating, but he can’t say he’s perfected fighting other ghosts. 

Scrappy is just not enough. 

He feels like he’s back in Gotham again. Back in her death-shroud alleyways, fighting someone bigger than him. But there’s no Jason to watch his back, and Danny has to get himself out of there alone. Or he might just not get up at all. 

Black eyes, busted lips. It’s familiar to him like an old scent, Danny isn’t quite sure that he’s missed it. It’s more familiar than his fights with Dash. 

But there’s no one else who can do it but him. Not Sam, not Tucker. He can’t lose them too. He can’t. He can’t. He can’t. His heart can’t take another break, he already feels like he’s going insane. 

With no threat of death, Danny’s enemies fight like death themself. He learns why when Technus puts a street sign through his stomach one day. It pins him to the asphalt like a moth pinned by its wings. 

Danny claws at the metal like how an animal caught in a trap chews off its leg, and every move is blinding pain. He thinks he was howling, but it’s hard to tell. He couldn’t recognize the sound of his voice. 

He bleeds green. It mixes in black with the pitch blackhole in his heart, which throbs and twists and cries in time with his reckless panic. The finger-choking terror of dying again strangles out the air he doesn’t need. His blood evaporates, only to reabsorb into him. It just bleeds out again, cycling like a snake eating its own tail. 

Danny breaks his nails clawing at the metal, and eventually gets it in his mind to pull it out. So he does, and the end drips ectoplasm green as he gets to his feet. In red-vision, Danny sends the sign back with snarling, vicious fervor. The pain is irrelevant in his rage.

Only after the fight does the hole the pole left start to close. Danny doesn’t shift human until it’s gone. Unlike other injuries, a scar stays behind. Ugly; mottled, it aches for a week with every twist and stretch his body makes. He hates it. 

Being dead is agony. 

Every part of him is in pain. Every step, every word he speaks, everything he does, it is prerequisite with pain. The body is temporary, but the soul is forever, and death has carved into it with its freezing green hands and left him with never-ending heartache. It has torn from him and stolen what of him it could, and in return it’s left him with sorrow. 

His pain is his grief, and he’s sobbed in the safety of his room more times than he can count. It’s still as fresh as the day he heard the news of Jason’s death. He knows, instinctively, that it will stay fresh forever. 

In his room, Danny shoves his hands over his mouth and shrieks in whatever, muffled way he can into his pillow. It’s not enough. It’s never enough. He needs to be louder. He needs to be heard. He refuses to be. 

Being dead hurts. 

[scourgebff]

warrior cat twitter be so funny cause you’ll have someone say “i wish rootspring wasn’t being set up to move on from bristlefrost so quickly” which is understandable considering it’s only been a handful of months since TBC and they’ll get spammed with replies like “well ACTUALLY 🤓 i think it is good to show him moving on past his girlfriend’s death!!! don’t you want him to not be miserable for the rest of his life!!!!” and yeah sure but what tom in this series hasn’t moved on from the death of his love interest and was given a new one (sometimes multiple) after only a few moons with kits and everything once their obligatory angst for five seconds quota has been fulfilled. also wild take but i don’t think someone absolutely needs to have a wife and ten kids in order to gain a renewed sense of happiness and peace idk.