#fun with typos

[marlynnofmany]

First typo of the day: "crowcar" instead of "crowbar."

I will not get distracted by the idea of a crow steering with its beak. I won't. I will be strong.

[shoesandsocks]

“...players are obsessed with roll-playing...”

Dungeons and Desktops: The History of Computer Role-Playing Games, Matt Barton

---

ROLL-PLAYING.

Schroeder: "I'm player-piano instructions, obviously."

Lucy: "I'm wallpaper! A tasteful mid-70s grasscloth!"

Linus: "I guess I'm grocery store receipt paper."

Charlie Brown: "I'm a bog roll."

[marlynnofmany]

Behold two opposing religious leaders in a heated debate:

was trying to type "oh my god" and it corrected to "oh my gif" so who wants to join my new religion

[iscahmckrae]

[doe-prince]

Honey is a comic based on my run on clangen (lifegen). I think I'll slowly post it here on tumblr, but it'll update faster on Comicfury.

This is not a Warrior Cats comic! They're just cats.

[the-game-spirit]

sometimes a piece of media just! grabs you by the throat and says, "hey buddy! I'm gonna irrevocably alter your brain chemistry now! have fun with that!!"

and then you just ! gotta deal with that ! you guess !!

[poorly-drawn-mdzs]

The Murderbot TV show is finally here!

[roppiepop]

Who’s coming to the cookout?

[literallyjustanerd]

so a few days ago I saw this post, and the accompanying tags from @brrmian :

the idea of Cody being simultaneously so cool on the surface and constantly overanalysing every interaction stuck with me so much that I ended up spitting all my thoughts into existence

so

enjoy a brief look into Commander Cody's mind:

[seagiri]

gravel

[marlynnofmany]

Fun way to get story ideas: make a list of dog-related things, but spell it wrong and say god instead.

"Let's stop by the god park to play fetch."

"The store's out of fancy god treats; do you think they'll eat the cheap ones?"

"Hey, looks like the neighbor kid started a god-walking business."

"Better keep the cat inside; that big god from down the street just dug under the fence again."

"It's your turn to give the god a bath."

[callizinc]

Ena in Dream BBQ and Work Culture

HELLO Dashboard!! Ever since i first played DBBQ i've found the entire game endlessly interesting (as have most people, LOL) But one of the most interesting, and in my opinion, most Potent things, is Ena's character and how she relates to the game's commentary on modern work culture.

So for anyone as much of a #SICKO as me 😭 Here's an embarrassingly long analysis of just that! There's SO much to talk about with this game, and even when I'm trying to focus on one specific idea with this post, I'm sure I'll still miss things, so just stick with me best you can OK? 😭 😭

My aim for this post is to allow you to understand Just how deep in the torment nexus Ena is, and to want to say "she should be at the club" Only to realize she can't even go to the club. She can't even go to the club. Because of Job. (Among other, hopefully more intelligently articulated things!)

SO, Let's just jump right in :D

First, to state the obvious—Ena's literal entire life is her job. The only moods she expresses under normal circumstance are "smooth talking salesperson where every line is about working or trying to sell something" and "Stops keeping up the veneer and gets frustrated and pissed because she hates her stupid job."

This permeates every aspect of her character—I don't think there's a single line in the game so far where she says like, Anything about herself. There's nothing about what she may want or what she may like. It's all about her fuckass job or the fuckass Boss.

And of course, even in gameplay aspects, you literally don't get a chance to choose whether you accept a job or not, like the thought of doing anything besides giving her time and energy for other people or her job's benefit doesn't even occur to her (Or, it can't occur to her—I doubt the Boss would want to allow her reprieve from anything at all, and I'm sure Ena would know this).

(^ Ena's reaction to being told to find a mythical figure that she maybe didn't even know existed cause Froggy sure as hell didn't to do a stupid job for Froggy's stupid ass. Like)

Maybe i'm reaching here, but I even find it interesting how her red hand has no fingers (besides a thumb). I feel like that represents a lack of individuality she has when she's in Salesperson mode, or at least, a lack of individuality she's been allowed. A lack of having a defined being cause it's all about this stupid job.

There's lots of avenues to go from here, but let's start with another big point of the game: Everybody hates her. Except for like, three characters, every NPC in the game either insults her, talks down to her, blatantly doesn't respect her, or Literally tells her nobody should be punished for being born except her. Typical day for Ena.

I'm not going to get into why I think this is—for me there's not enough evidence to speculate with surety right now—but I think this does tie strongly into her commitment to her job. Ena working her ass off in every aspect of her life and earning nothing but disrespect for it is very reminiscent of real life work environments.

Think of how almost every NPC claims they are "the Boss" in such a way that many of them seem to want to be the Boss, like he's some kind of well-known or respected figure. The description for the game on Steam even says as much: "Play as ENA as she searches for the Boss that everyone wants to be."

(eg: "I am the B-O-S-S!"):

People wish they were the Boss, they want to be some kind of rich capitalist with power and fame, but when looking at someone who actually works for him, and probably is the reason the Boss has profit and success in the first place, they insult her and demean her no matter how much she gives herself to them and the Boss. I'm sure you can see the real life parallels here.

It's even possible one of the reasons Ena works so hard in the first place is as an attempt to earn respect from these people, or to make up for whatever everyone thinks she did that made everyone hate her so much. Especially considering...

Our society is one that tells its people that Work is unequivocally Good. Committing yourself to work is what everyone, no matter who they are or what they face, is what you have to do to be a valuable member of society, and to have any respect from other people in the slightest. It tells its people that you only have value as a living human being at all if you give your life to work.

Even though this blatantly isn't true. If people think you're the Wrong type of worker, or if people think your work isn't valuable, helpful, or that it doesn't require skill, you can work as hard as you want but you'll still be treated like shit. But, hey, work is still your duty as a member of society, right? Stop bitching and whining and pull yourself up by your bootstraps, right?

Needless to say, it's easy to see how this whole idea is being represented in DBBQ. She even knows how much she's sold herself to this, she just... Seems to have extremely casually accepted it all LOL, which, I mean... What else does she have the power to do?

This very casual and nonchalant acknowledgement of her lack of autonomy connects to another big point: Ena doesn't value herself, nor does she even know how to exist without being in a constant state of working.

Let's talk about the Purge: There's a LOT to get to here in terms of Ena herself LOL, but the intrigue starts before she even enters the party. Literally Froggy just saying she's about to enter an "Event" stops her in her tracks and worries her. Not to mention the next line...

This feels like an indication that despite how much she commits herself to it, Ena does "crave freedom" from her shitty job, although she can scarcely admit this anywhere else so far. Then, if you talk to this slime guy, you get some strange text.

As far as I know, the text for interacting with things doesn't look like this anywhere else in the game. And given that it looks exactly the same as how Ena's lines do in the Purge, it's seemingly the only peek we get into her internal monologue, and it is. Quite worrying! She literally can climb up a hellish freezing floating mountain and yet this is by far the most freaked out she gets in the entire game.

And then to actually get into the Purge, an Evil eye Ball tells her that she needs to give a literal arm or a leg to get in. And she just does it. Like no hesitation no further questions she just gives it away to the evil eye ball. Presumably for Good? Because the only reason she regains the arm later is because of Genie magic? Like Ena. Girl. Are we gonna talk about this at all.

But so many real life work environments expect you to give every part of yourself in order to be allowed to exist and live in society, including your physical being and critical parts of your personhood at all.

(Let me also say I find it intentional that she gave away her white arm. Whereas her red hand literally doesn't have fingers, the sharp claws she has on her white hand represent the individuality and unique identity she Does have. However, it's also the part of herself that's in conflict with her ability to be a Good Worker, that always does exactly what she's supposed to do, and never complains, and never gets in the way of her duties.)

She was already very distressed here, but it's a clear indication of how little she values herself. It was a motion to lose a part of herself just to reach the Genie, both for her stupid job, and possibly for the possibility of "freedom" from it all. And your average job these days—no matter how important you are to your cause—will drill it into you that your ability to be a good worker is infinitely more important than your existence as a person. It's easy to see how Ena may have internalized that.

And then she goes to the club one time and this happens

I won't get too deep into her dialogue with the NPCs here because I think their intention is pretty clear; Being in a place so antithetical to a work environment, and a place where she's supposed to let loose and have fun, is so distressing and impossible to even fathom for her that This Happens.

(see: "H-How can I leave this stupid event? M-my lame schedule is full,")

Like, everything at the Purge is insane, but this is a particularly heartbreaking line for me. One because of her job's shitty environment that's broken her down so much—do you think she EVER gets a break, because I sure don't—but also because of how it's conditioned her to not even believe she can "afford another minute of joy." Ena :[

Note how she's covered in these branches that started growing during Froggy's phone call, which look very similar to how she looks in this gag with the Shaman—it's literally her nervous system. In her scene with Mitu she even says she's feeling "sick," She's literally freaked out of her flipping Gourd with her goddamn Nerves On The Outside

Hell, even though Meanie's speaking (which, I mean, no shit, in another line she literally describes her job as "deplorable" 😭), these sprites in the files are actually labelled "Anxiety", suggesting that she's SO freaked out by being somewhere supposed to be so opposite to her work she's become another variant of herself, a la Drunk Ena from Season 1.

I won't get much more into this, because @cube-cumb3r has a PHENOMENAL post I'll link in the notes that goes deeper into this stuff from the Purge and the "Anxiety" thing, And also gets more into theory territory than I do here! Please please go read that post, it is so damn good.

In any case, I think the scenes with the Purge NPCs are the biggest examples in the whole game of how much she hates her fuckass job, yet she can't be allowed to be anything besides a wage slave to it. And just as she's internalized everybody in her world's dislike of her, she hates herself for it.

So:

We've established that Ena's shitty job parallels the real life work conditions that plague our world, and that these conditions have caused her to devalue herself and believe she can't have any reprieve from them... but, what even is her job?

Apparently she's a salesperson, but what is she even selling? She tries to offer a "divestment opportunity", and tells the Witches she can show them how to "grow [their] own [boss]" which definitely falls in line with the Sales thing, but besides that it's still not clear, even when she talks to Froggy.

I suppose the "grow their own boss" line does sound a lot like the phrasing used in MLM schemes, with how they lure people in by telling them they can "be their own boss." The Receptionist also calls Ena a scammer and a conman, so maybe she is a sort of scammer, but, I also don't exactly think the Receptionist think she has the most reliable opinions of Ena LOL

She also calls her a "pink-collar slug", pink collar meaning a job traditionally associated with women, which. ??? I don't fully know where to go with that.. like ...Nothing she does harkens to... Any kind of job expected to be done by women, imo?? Um. Yeah idk i just thought that may be significant??/ 😭😭😭😭 Listen man I can't know it all

Anyway. Maybe I'll be proven embarrassingly wrong when we receive more information in future chapters, but I think the lack of clarity on what she's supposed to be is representative of the games themes. The constant disrespect Ena receives makes her seem likely to be a low-tier worker, someone at the bottom of the ladder that people have no problems walking all over.

Because these types of jobs will treat you the same no matter who you are or what you're supposed to be doing. She's doing what the world tells her she needs to do in order to be a respected member of society, and yet she's also someone people feel comfortable treating poorly because she's at the bottom—because has no power of her own. It doesn't matter what she's supposed to be doing, it matters that she's the Wrong type of worker.

And how is she supposed to ever say anything for herself? It seems virtually baked into her Salesperson side to completely ignore past all the rude things these assholes say to her. After all, not only would that probably just make most people ruder to her (and impede her ability to complete jobs for them) isn't the customer always right?

...OK I will say her whole "Understood! Aim for the target!" line DOES seem like her overall job here is to fucking kill the Boss, but this is long enough already and the likely theme of Ena having a violent streak and whatnot is another beast entirely that I am NOT getting into here 😭😭

Besides, maybe she has no clearly defined job because we've already seen exactly what it is. To sell her life, time, and emotions to whatever all these clowns ask of her, and to receive no reward besides another goddamn job to do.

I think future chapters may delve more into Ena's true feelings on her situation, and possibly even how she'll get freedom from it. Allow me to mention the scenes with Theodora, wherein if you try to "aspire to receive a blissful life" Theodora just tells Ena "You can't aspire for more than what you are capable of." (LIKE OKAYYYY.... RUDE MUCH????)

Until, finally:

How is her mind—containing a desire for freedom—supposed to be in harmony with the letters it spits out, when she's been so conditioned that the only thing she's allowed to be is a worker?

Now, even I still have a lot of questions after this. Like: What has happened in Ena's past that made her this way? How and why did she take this job in the first place? What is up with the "Guys wait, I'm not doing what you say I'm doing" scene I literally didn't even mention that once here. Why should nobody be punished for being born except poor damn Ena, and does it relate to any of the themes I just talked about?

I... don't know. Like I actually truly have no idea. But I have confidence, even if it's in a delightfully vague and abstract Ena-typical way, that we'll find out eventually.

[mapofyourstars]

more text edits

[ninyard]

Exy fans on Twitter (championship final edition pt2)

[neishroom]

x-mas decorations vs grieving... the dichotomy of it all

[jollyparaphernalia]

The Stagemaster

(What's Kingswap?) Meet the Stagemaster, the main antagonist of this little Kingswap AU i've been cooking. The fellow who could have been Siffrin, had their life not taken a different path. In this post, I'll cover a bit about where he came from, their personality, what they're capable of, and other bits and pieces.

Well...maybe not everything. A fellow has to keep some mystery to himself.

As a blanket statement, this AU is just full on spoilers for 'In Stars and Time', and any content warnings that apply to the game apply to this post under the cut!

So...where'd the Stagemaster come from? How'd our Beloved Siffrin end up like this?

Truth be told, no one is born a villain, and the Stagemaster is no different. As I spoke a bit about it in the previous post, the Stagemaster starts in a different place than canon Siffrin; already a young adult, staying in Corbeaux before the Island is disappeared. Think of him as the equivalent of a university student away from home.

Awwww, look at them! So full of whimsy and so many thoughts in that little head of his! I'm sure nothing bad will ever happen to him ever.

He has a life, he has goals and desires, he has friends in Corbeaux (who aren't The Party we know), and he also has strange dreams but that's not a big deal.

Unfortunately, we know how this ends - The Fella Who Could Have Been Siffrin wakes up one day without a name, without any memories of where he came from, and a whole city and House of people who don't know him anymore. Sure, he has some memories, like why he was studying in Corbeaux, that he had people who he loved, but everything else is just swiss cheese in his head.

He doesn't take it very well.

At some point after the Big Forgetting, after trying to reclaim ANYTHING that's his (and failing miserably)...Not-Siffrin makes a request. A small, selfish wish...for just a little bit of control in their life.

You've heard of eating stars, but I present the thrilling sequel(?): Hugging a star so hard you shove it into your ribcage.

And so is born a stranger with nothing to lose and a general spite of having his life messed with...and a desire to mess with other peoples lives in some form of messed up retaliation. Crashing out and making it everyone's problem.

So, What is the Stagemaster Capable of? Is his gimmick still freezing time, or does he have a new skillset?

Both! But the focus for the Smaster is a new thing called 'Control Craft', inspired partially by ISAT Siffrin's view that he was controlling or puppeting his friends/family like actors...so, the Stagemaster takes that concept and makes it very literal!

He also has the floating Disembodied Hands because I Think That's Cool.

Well before the start of the Loops, and even earlier before the King starts his Time Freezy thing in the main timeline, the Smaster is living his best life, playing with their toys (the toys are other people.) He's sort of a travelling ghost, wandering at his whims to hone his skills, so he's messed with all sorts of places across several countries before even starting his grand torment of Vaugarde.

Vaugarde has it too good, in the Smasters opinion, so, he wants to just subject its people to being Crabs-In-A-Bucket and fighting among themselves before he freezes them. He's pretty petty like that.

The rarity of his Tears makes it a bit hard to do the freezing thing...so it's very convenient he is able to outsource them to this Suspiciously Present Sadness That Technically Shouldn't Exist In This AU!

What Kind of Person IS the Stagemaster, Anyways? What's Their Personality?

I'm going to be so real with you, reader, I just threw a bunch of villains whos vibes I really liked into a blender

( Emet-Selch (Final Fantasy 14), Dimentio (Super Paper Mario), Count Bleck (Super Paper Mario), Cheline (Phantomarine (Please read Phantomarine)), Lord Dominator (Wander over Yonder) Fandaniel (Final Fantasy 14))

But in all seriousness, I went with a more low down approach to the Stagemaster - the ISAT fandom generally likes focusing on the more Unhinged, Manic version of Siffrin we see from Act 5, and it's a good approach! I love unhinged manic Siffrin, but, I really wanted to explore the more quiet and avoidant aspects of both Siffrin and Loop (while still being theatrical and fun to watch), while also adding some new bits into them.

(If you know where I stole these quotes from, you get a cookie)

I will be so real with you, the Stagemaster is just fun to draw in general, especially peeled (Without the hat or the cloak)

Also...strangely...He knows a lot about the party. Weird!

I'm sure it means nothing.

Hey, I've read the Intro post to the AU, and there's this talk of the Stagemaster having a Big Form and a Little Form That Exists At the Same Time - whats with that? Are they Clones?

Not clones! But the same person with two bodies.

But...why does he need this?

You see...the Stagemaster did his whole Thing in Vaugarde, with ruining communities and friendships and stuff...and then went 'yeah, lets move on, time to do Dormont'. Unfortunately, for him Euphrasie, the Head Housmaiden, kind of planned in case he set his sights on the House of Dormont, and forced him to 'go loud' as it were.

Hey, do you also remember why there's so many locked doors in The House of Dormont in baseline ISAT? And the Party eventually figures out it was the Housemaiden's actively locking stuff up to keep the King in? That also applies to this AU.

Long Story Short: Euphrasie played him like a fiddle, put up enough of a fight to force him to Go Big Mode, and then before she was frozen, she activated the whole Orb Door dealio, trapping the Stagemaster in the House.

Even in an AU where Siffrin doesn't loop, Euphrasie still gets to be his metaphorical jailer. Because I think it's funny.

Sure, the Stagemaster could just sit on his laurels. He technically already won, the Time curse is spreading, Vaugarde will be trapped eventually...but so will he. And he would rather be Free than to Win, so...The Avatar comes into play, allowing the Stagemaster to pick up the pace of his Freezing Vaugarde thing, and to have some fun.

This also lets the Stagemaster have a presence in the Pre-Loop Orb Quest the Party goes on to open the Big Orb Door.

But uhhh...

yeah the smaller form is much weaker and the Smaster gets his ass kicked in a straight up fight, forcing him to be sneaky during Orb Quest Antagonism. Usually he cultivates and wrangles powerful Sadnesses for the party to fight.

Eventually, the party suspects that maybe the Stagemaster is weaker than everyone thinks, that he's hiding in the House of Dormont because the Party will easily defeat him, so he's stalling for time to freeze Vaugarde.

Yeah, he's turned the Party into a way for him to free himself. (Funny, then, that they're never getting out of this House anyways, because a certain long haired Knight trapped himself in a silly little Timeloop) (Unfortunately for Clovis, our swapped King...he's not the only one here who is aware of the loops. Good luck, Clovis!)

And that's all for today! Thank you for reading! Hopefully this is the last 'Pre timeloop' info post before I actually get into the Time Loops Proper...But it's so fun to speculate and imagine snippets of the previous adventure!

(As always, a special thanks to the ISAT discords AU channel for listening to my brainrot, and thanks to everyone who's expressed such enthusiasm for these posts!)