#hell we better

[quibbs]

just had SO much fun with the fallout tv show... i love you missus okey dokey

[anotherpapercut]

yesterday I went to a little meeting at my local queer community center and I was admiring their bookshelves and mentioned that I work at the public library and someone said "well I bet they don't have any [LGBTQ+ books] at our library" and I was like um. yes we do. we have tons of them. half of our employees are queer leftists so they said "oh well I bet they don't in [nearby rural county]" and I was like uh once again yes they absolutely do. gay people live and work there as well

so here's a quick reminder that if you don't think your local library has enough queer centered materials you should actually check before assuming, and if you're not satisfied with their collection you should submit a request for more such books. I don't know what the political landscape of libraries looks like outside the us rn, but within the us no matter where you are, I promise you there are employees at your library fighting for inclusion and intellectual freedom and they can't win without vocal public support

[wombywoo]

retired 🩶

[azfellschild]

he is half of my soul, as the poets say ♡

[dex1o]

the third semester of p5r is wild if you think about it from sumire's perspective, and that's without even getting into the whole sumire/kasumi thing.

imagine you wake up one day and the entire world's a little bit fucked up for some reason. you see a building flickering in and out of existence (the same one where you awoke to some crazy JJBA stand powers, except last time it wasn't visable from the outside). so you call your friend/crush (??) because he knows more about this shit than you do, and he shows up with the idol and ace detective, trademarked 'pleasant-boy' goro akechi?? for some reason??? but hey, if he knows about the metaverse then that's good enough for you. he's a nice enough guy anyway but then you get INTO the metaverse, and his outfit is the edgiest thing you've ever seen, and the moment you get into a fight he's releasing what looks like years of pent up rage by screaming and laughing maniacally while absolutely tearing through shadows. and hes flirting (?) with your friend/crush (??) the whole time

but while he's literally calling your friend/crush (?) a loser and an idiot straight to his face, the meanest thing he calls you is a scardy-cat. he never refers to you by your first name and always uses the honorific '-san,' even while he's yelling. he commentates on every one of your kills like a deranged and zealous sports commentator. you think he respects you (???) youre not sure

[poorly-drawn-mdzs]

Average Drama Enjoyer observes some peak drama.

[butchviking]

if you dont believe in homosexuality as a natural, innate, morally neutral sexual orientation that cannot be changed then you! are! a! fucking! homophobe!!!!!!!!

[floating--goblin]

you know what hill i'll die on? terzo is not the sluttiest emeritus

I mean sure, he's the most dramatic and the most outspoken about sex, and he gave us Mummy Dust which is its own discussion-- but I sincerely don't see him, in his private life, being so promiscuous. Like out of all of them, I'm the most certain Terzo would be either monogamous or have a few regular partners at most, but I don't think he'd be big on casual flings. Frankly I don't even see him having sex that much at this point, he seems more attached to it as a concept than an actual activity he regularly engages in.

You know who's the inverse of that, though? The one Tobias himself calls a pervert? Secondo. There's your whore. I know he looks big and mean and authoritary but let's be honest, half of Infestissumam is about ritual sex and he's out in Vegas on the regular with more women than he can reliably satisfy. He says it himself that he became Papa because "he likes a sexy beat". THERE'S THE EMERITUS WHORE, AND I'M CERTAIN OF IT

[turtleblogatlast]

Man “Battle Nexus: New York” was a great episode but I do have one major gripe with it.

Like. Raph being paired up with Ghostbear? Makes sense. Works great. Works amazing, even.

Mikey being paired up with Meatsweats? Yeah that checks out!!

Donnie getting…Hypno…? I mean. I guess Donnie doesn’t like magic so it kindaaa works but Kendra would have been a much better choice to me personally. Maybe Big Mama didn’t wanna include a human or something…

And Leo getting…uh…one of the Sando Brothers???? Of all villains? Nah let’s be real, his main villain is more Big Mama herself (or Leo could be considered his own worst enemy lmao-). Hell Hypno would have probably worked better here considering their shared love for magic tricks and stuff, but Carl Sando????

[gophergal]

Y'know, I think that bed might be too small

[buckttommy]

recontextualizing this story through the lens of buck/eddie and what it means for them, is like. it's so interesting because recently, i got an anon that asked me (paraphrasing) if i thought 9-1-1 would actually "go there" with buck and eddie as individuals, and that three main characters discovering their queerness would be "too much" for the general audience. and, like, not withstanding that it's actually true to life — that queer people can and do naturally gravitate toward each other even when we aren't out / passing / aware of our sexualities at the time — it's also just like. the belief (or disbelief) that 911 wouldn't "go there" with their stories also comes with this inherent assumption that there's only one way to tell a queer discovery story.

like. when michael came out in season 1, he was already at the end of his journey. he had already walked through the self-hate and forced closeting and came out on the other side to self acceptance. when we meet michael, he is a queer man, a gay man (because the word is important), who has already stepped into self actualization and is ready to live his truth. this is not the story 911 is telling with buck.

and then with eddie, you have this character that is introduced with the idea of being perfect, as ryan said, of having it all together, only for the audience to realize he's not. only for the audience to realize that he's broken and cracked on the inside and that a lot of it stems from war. but most of it? most of it doesn't. most of it stems from his father, and from how he was raised. raised to shut it down, to swallow things whole even if they hurt, even if they make him bleed. he was told to keep it all quiet, repress repress repress. and so. i know this is an unpopular opinion, but to that end, i don't think an explicit queer discovery storyline is necessary for him, in the sense that, subtextually, i think it's already happened. season 5 was very much eddie's unrepression arc. we dug deep into the things that make eddie diaz, eddie diaz. and a lot of that was war. violence. chaos."warzones are my thing." but if that was all that his arc was meant to be, why have it end with a conversation with his father? they could have played that arc out in so many different ways.

for one, they could have had mills still be alive. they could have had her and eddie reconnect. they could have had her and eddie have a conversation where she shoulders some of the weight that eddie's been putting on himself and have him settle into the peace of the realization that he's not alone in this specific thing, that he never has been, that other people survived what he did and that he can find solace in them. but the writers didn't do that. they took it back to his childhood, to the root of where eddie diaz began and they said, this is where you need to go. this is what you need to address before you can heal and move on. so that conversation with his dad that culminated in him choosing wellness, in him choosing happiness, in him choosing safety in his body for himself has very much always read to me as queer acceptance even if not explicit (due to the assumed barriers that were placed on that story at the time).

eddie has always been with women, eddie has always liked being with women, so i'd be shocked if he's ever even thought about the nuances of his sexuality. but his unrepression in season 5, to me, has always made him open to the possibility of falling into whatever comes next, whatever that looks like.

this is also not the story they're telling with buck.

(as a side note, i'd just like to say that queer subtext is still queer existence. subtext is how our stories have been told for generations, well before we were able to take up space on the page, and subtext is still a wholly valid and beautiful way of telling a queer story. please don't forget that).

so then, finally, we get to buck, and he's so very new at this. so very green he may as well be a blade of grass on a country club golf course. and so, despite the fact that there have already been two queer storylines prior, this is the first time in 9-1-1 (and tv!) history, that we have ever gotten to see an unplanned queer character discover who he is at this intimate, detailed level. we get to see buck's story unfold in real time, we get to learn about who this actualized version of himself is, as he is realizing it, and we get to know and dissect the layers and nuances, the ebbs and flows of his sexuality as he's taking himself apart and seeing what's underneath.

friends. this is the story they've always needed to tell.

and so, when i think about buck and eddie, and i think about their progression toward a romantic relationship and what that would look like, realistically and in the eyes of the audience, buck has really always been the missing key. we've talked about it before — who he is, who he was, has in no way been ready for eddie on multiple levels. whether it was because of his insecurity, his lack of place in the world, etc, buck has always been (for lack of a better word) too immature for eddie. eddie is a single father. he doesn't have time to play games, and though he will always love and reassure buck when he needs it, he doesn't have time to heal buck for him. nor should he. so buck was the only one who canonically, canonically, needed to be yanked from point a to point z.

and. it's like everyone's said, even before the season began — buck has been on a hamster wheel, buck has been stuck in a rut, yadda yadda yadda, which means that, as far as the audience was concerned, what always was for buck (women) is what always would have been. and there was nothing in canon, nothing concrete to disprove them from believing so. so we needed him to fall into something, not just radical, but sometime new.

and when i think about buck, and when i think about eddie, and when i think about their stories both as individuals and together, buck has, realistically, been the only real stopping point. at least with eddie, when the time is right and buck/eddie go canon, we, the audience, can go back in time and we can look at the way he came into himself and settled into his identity as a person, as a man, and say, like, oh okay, this is the moment. you know? we don't need the writers to take our hands and guide us through the same processes buck is experiencing because eddie's already had his ah moment, he's already experienced the moment where he decides that his life and his needs and his joy and his liberation are just as beautiful and valuable and worthy like everyone else's.

so when people ask, like, "would 9-1-1 really go there with three queer discovery arcs?" it's just like. well yes. they already have. we've already there. in fact, we're well into the third and final act. buck, eddie, and the audience, are almost ready — as in, actively ready — for each other. and yes, sure, even after the meat of this arc has passed, there will still be some things buck and eddie need to learn — specifically, they will need to learn that, not only do they have feelings for each other, but that feelings for each other is actually an option — but. for all intents and purposes, this is the crescendo before the final chord. this is it. and the thought that we've been here, that we've witnessed these three beautiful queer storylines unfold with these three beautiful characters (two of which are gentle, loving, present men of color) makes me entirely too emotional for words. tbh.

[sskk-manifesto]

Bones this episode:

[ghost-bxrd]

"You're a kid whos mom was obsessed with a cult, and when you were just 12, she sacrificed you. You end in hell and expected to be tortured for eternity, but turns out the demon wanted a child of his own"

by WRITING PROMPTs

Maybe Bruce?

Aweee now, just imagine!

These cultists? Totally an accident that they for the ritual right. Jason doesn’t die so much as he just seem to kind of vanish into smoke and—

wtf.

Ok.

There’s- there’s a whole child.

Right at Bruce feet. All of a sudden.

A human child.

In hell.

And look, they couldn’t have chosen a worse demon to send a sacrifice to because Bruce? He’s a protector of children.

Because there’s something that so many story and demonology books get wrong.

Hell is for the bad people to be punished for all eternity.

And Bruce? And all the other demons populating hell? Well, they exist solely for one reason:

To punish sinners for the crimes they committed in life.

It’s a jail. Bruce and his fellow demons are the jailers. They don’t guard the doors of hell because they don’t want anybody to get in, they’re guarding them so nobody gets out.

But children, children have no business being in this place of torture and agony. Not ever. There’s a whole ass system in place to keep the good souls from accidentally wandering where they shouldn’t be.

So Bruce sees this tiny, starved child crying and screaming and— fuck. This is a Dick situation, isn’t it? He needs to go to earth. Again. And drag some people down to damnation all early and piss off death again. But you know what? Tough shit. They want a demon? They’re gonna get one.

(Jason is soon introduced to another strange human after he mysteriously pops back up on earth. His name is Richard “Dick” Grayson, and his teeth are too sharp and his pupils look almost reptilian in the right light, but he takes Jason to a big ass house with a real strange butler and lots of food.

Jason thinks he’s seen the weird Brucie guy who introduces himself as Dick’s dad somewhere before… but Jason is cool with not looking a gift horse in the mouth. After all, what are the chances he’ll fall into another cult’s hands so soon after the last?)

[dawn-the-rithmatist]

Obsessed with authors like Naomi Novik whose books always seem to say “no, fuck that, there is another way than cruelty, and we do have a choice to be decent, and not choosing it isn’t a burden but a cop out.”

Authors like Neil Gaiman whose books seem to say “we are all simply human, and that is so valuable. This world is worth more because we are in it, when we choose to notice and care”

Authors like Brandon Sanderson whose books say “We are all a little broken, and there is strength in not turning away from us, and there is pain in healing but there is also strength and hope.”

Seriously, these folks do more for my faith and hope in this life than any religion ever has. I don’t have the words to describe it yet but just. Warm cup of apple cider held close to the chest on cold autumn night?? That’s the best I got

[khaopybara]

Personally, I also think we overlooked this all denim look from Ray. He went to Sand's knowing he was going to pick a fight and thought, I'm dressing up for battle today.

KHAOTUNG THANAWAT as RAY PAKORN episode 10 of ONLY FRIENDS

Bonus: It's even better for me that the vibes behind the scenes before shotting this scene was of a passiva tóxica (toxic bottom) from Khaotung.

[lag-loves-food]

No you’re all wrong,

the funniest part of the Percy Jackson show is that Nico in the books went “You’re not my type” and show Percy did a full ass 180 and now looks exactly like Will did in the books

like….

spot the difference

you can’t

it would be even funnier if Will was cast to look like book Percy

comedic gold right there fellas