#help fight info wars

[fluffypotatey]

Sorry for making my first question about Júhua about shadowpeach, but I'm obsessed. She knows about macaques entire codependent mess towards wukong cause of shadowplay (enjoyed the fic where she read him filth). But does she know about wukong's side? She known him a long time, but wukong doesn't really talk about himself or his failed relationships

no yeah, i know i mention it very briefly in the series but swk is pretty tight lipped when it came to discussing past relationships with her. mostly because a lot of their time together was during his 500 year punishment and he was coping horribly :) like all she would get is vague stories that swk could never finish and always had this bittersweet expression

also, literally the day they met was right after swk and Macky’s fight (such a fun introduction to the monkey king her mother was previously hyping up before lmao) so he was even more reticent in sharing that can of worms. especially when Júhua and her mother overheard the tail end of the fight

so Júhua knows that Macky meant something to swk but the specifics are still vague to her. is she able to read between the lines? yes, but she would still like to hear it from swk whenever he’s comfortable

[artemishasthebluez]

actually pissed the save gaza tags arent trending but shit like hazbin hotel was. please please PLEASE start spreading those tags. we need to speak up. thousands are dying. the isreal defense force and hamas is commiting war crimes against palestine. gaza’s death toll has reached 26,257 Palestinians killed and 64,797 wounded since the start of the war.

V**ziepop is a zionist and actively supports the war crimes Isreal is commitjng. She is DISGUSTING. She mocks the boycotts and is on Isreal and Hamas’s side.

if you have any available money, please donate to the following charitys, and if you dont, please speak up against hamas and isreal by spreading the word. the last remaining hospital in Gaza has been attacked. noone has anywhere to go.

update: i have been informed that tumblr is on isreals side. do NOT give tumblr good reviews, dont buy shit from them. they are supporting actual fucking war crimes. its time to stand up. we will not be silenced.

FREE GAZA AND PALESTINE.

Just because the strike is over doesn’t mean we stop fighting.

some other posts for info:

ALL OF THESE POSTS ARE NOT BY ME. I REBLOGGED THESE. PLEASE DONT CREDIT ME FOR THESE.

DO NOT STOP REBLOGGING

[crezz-star]

⚔👒🗡

So I actually have a little idea about that ⚔️👒🗡️ ot3 (EGGHEAD ARC SPOILERS)

Seraphim!Zoro was the first human clone prototype Vegapunk did but he was just, dumped in some cell like a prisoner for any random testing. Until the marines attacked egghead and his cell was opened and he saw Luffy and Zoro fighting alongside one another. Seeing Luffy, he felt something stir within him. something familiar and pleasant. Excitement and delight. So when Zoro and Luffy defeated Lucci and they has a short respite, that's when 'Prototype' popped up and started to follow Luffy like a lost puppy and everyone got spooked for a minute thinking its one of the warlord pacifistas but Luffy saw he looks like Zoro. 'Prototype' is what Seraphim!Zoro was called by the vegapunk crew. Zoro's dna was used and his fighting data back at east blue was also used. Vegapunk tried to imbue him with an artificial devil fruit but his DNA keeps strongly rejecting it. So 'Prototype' is considered a failure by vegapunk but still uses him as a test subject. 'Prototype' was still being given updates in battle memory as they follow Zoro's improvement as a pirate and as time passes. Not to mention, Moria once lent a helping had to vegapunk who also studied and analyzed every move the Ryuma zombie made and fed that info to 'prototype' so his skills are also a no joke. Not to mention,

the Seraphim!Mihawk trains with Seraphim!Zoro. Which was only one of the reasons they kept prototype around.

Vega punk also made an imitation of Shusui that 'prototype' uses.

So prototype is very much like a quiet puppy. Feral when in battle but keeps to himself and is calm when not in battle. another reason Vegapunk deemed him a failure for not being aggressive like the successful new pacifista seraphims.

Vegapunk told Luffy not to worry about 'prototype' and that he's a failure and he will get rid of him but Luffy got mad and almost punched the vegapunk that said it. Luffy then saying, " DON'T TREAT HIM LIKE SOME ITEM. THAT'S ZORO'S CLONE. " covering 'prototype' protectively.

Vegapunk not really having a care for his failed experiemnts, just, told luffy he can have him.

So seraphim!zoro joins the crew. His name being give to him by Zoro - after Luffy's endless coercion LOL- Shiro. since his hair is white. The crew even scolding him to think of a proper name, that shiro makes it sound like Zoro is just naming a dog. But luffy likes it so they go with that.

Once Shiro joins joins the crew, Shiro eventually develops his personality to be closer to Zoro although, more quiet and stoic than Zoro.

Shiro also has sense of direction, but only because vegapunk made sure the seraphim intellect is high to create detailed tactics for war and battle.

[renmarrr]

Two years ago RF invaded Ukraine and tried to take Kyiv in few days (failed). Since then it occupied east-south Ukraine (~26% of territory) and keeps committing war crimes against us. Aside from fights on frontline, RF keeps shelling our cities, towns and villages with missiles. Even tho we desire to gain our deserved freedom and victory as soon as possible, our enemy is ready for a long war which is horrible. And of course it contributes greatly into propaganda to make people believe this invasion was justified even tho it is absolutely not.

Any donation is important and very appreciated, even one dollar, even 25 cents (believe me this is averagely how much people donate at a time). And I remind you that the sooner we win, the sooner we won’t need to be financially supported as we are now.

[brighteuphony]

On the way back from Tea Country with Chakra-poisoned Kakashi tryna "casually" fish for some info before Sakura comes in with the one-hit KO on accident.

So she's got some complicated feelings for Kakashi as well, though they're a lot milder than what she feels about Sasuke.

There's a moment in my AU where Sakura goes through a deep reflection ritual, in which she has to face Inner Sakura -who is representative of all the ugly truths her day-to-day self hasn't been able to face- and come to terms with who she is.

During that time, she's got to face the music.

The music:

Sasuke is the last prodigal son of a clan that was brutally butchered. He's a genius with one of the most powerful dojutsu out there (that he has no idea how to use) and is coming in hot with more baggage than an airport terminal.

Naruto is not normal. She doesn't know what he is (as in-canon, she finds out after the time-skip and the Sakura from above is right on the cusp of Shippuden), but there's nothing normal about a kid who can pull wild orange chakra and who can fight Gaara's tailed beast and come out on top. He's got the personal attention of the Hokage, but the entire village has banded against him for some reason. He's special.

Kakashi is a war veteran turned Jounin and an infamous ANBU captain (I headcanon that some ANBU names are leaked specifically to generate a healthy level of fear/caution among other villages- which is why we know of Itachi/Kakashi/Shisui very publically) and is ALSO the last prodigal son of an old noble clan.

(No way a bookworm like Sakura didn't consume every publically available scroll on Konoha clans).

It doesn't take the big brains to figure out that he got team 7 specifically to help deal with Sasuke's trauma/teach him about the Sharingan, and put a leash on Naruto (and in the future, when she finds out that Madara was able to control the Kyuubi with the Sharingan as well as the knowledge that Kakashi was Minato's student it becomes even clearer why he got the Sasuke/Naruto combo.)

And Sakura? Sakura is a civilian. No clan, no dojutsu, nothing to her name except great chakra control. She's the literal meat in the meat-grinder of the military machine of Konoha, the acceptable sacrifice in a group of otherwise invaluable shinobi. She's just a...girl. (And it doesn't help that she was obsessed with Sasuke instead of training, furthering the gulf between her and Kakashi.)

Kakashi was absolutely not built to handle her- in fact, Kakashi has NO idea how to relate who hasn't gone through a mountain's worth of trauma or someone who hasn't been ingrained in the shinobi-as-a-tool lifestyle, and even then, he's not fully equipped to handle people who have (lmao Sasuke). Not to mention the man is a prodigy- he has no idea how to teach people who have to work hard to get somewhere in life. How do you teach someone if you've never had to 'work hard' to get there yourself?

So, Sakura understands that Kakashi was put in one of the most ridiculous situations of his career- a situation he had NO idea how to handle. She can forgive him for that. BUT, she can't forgive him for not trying his best.

Sakura spent a lot of time coming to terms with the fact that she rushed into the Chidori/Rasengan combo without a single idea of what she would do, but...Kakashi was a big reason for that.

She was HIS responsibility, and he fumbled that bag. Whatever his reasoning, whether it was to 'protect' her, or whether he thought she was worthless, whatever: he should have TRIED.

Kakashi was an adult with resources aplenty. He recognized that she had stellar chakra control but never bothered to teach her genjutsu or direct her to teachers who could pick up the slack.

And after the accident, he abandoned her again. Being forgotten in lieu of Sasuke and Naruto hurt...but she could heal. Being abandoned as some kind of martyr to Kakashi's failures as a teacher? It's gonna take a while for Kakashi to make that up to her...if he can muster the courage to face her.

Sakura finally understands why he preferred the memorial stone to the living. He already failed the dead, and it's easier to wallow in self-flagellation than it is to try and step up for the living.

Sakura stopped being a coward some time ago, and when Kakashi finally does the same, she'll forgive him.

Thank you so much for sticking with this wall of text! And thank you so much anon for the question! Once again, I really appreciate all the kind words people have been throwing my way. <3 <3 <3

[transformers-synergize]

Do you have any more stuff for Sunny & Sides? Your designs for them are some of the best I've seen, and I'd love to know more about your plans or headcanons for them!

No pressure ofc, I support you and your absolute galaxy brain :D

Sure, here is a bunch of random stuff about in no particular order, lot of this stuff was just pulled from my notes but whatever lol 

Sunstreaker is egotistical, he knows he is the best and makes sure everyone knows it too. He also has the skills, looks, and combat prowess to back it up. Sunstreaker only really cares about himself and Sideswipe, considering pretty much every bots below him or not worth his time. He often makes sly comments, belittling or cracking jokes about bots whom he deems lesser. His friends are either Sideswipes friends who can tolerate him or bots who think he's cool, which is usually due to factors outside his personality. He's always down for a good fight, being ruthless and downright merciless in combat while still somehow managing to get as little dirt, energon, or other various combat filth on himself as possible, sometimes being nearly spotless after a battle aside from the energon coating his blade. Sunny likes to keep himself in good condition, making sure his paint is perfect and his polish shines, it really helps accentuate how he's the best.

Sideswipe is the nicer of the two brothers. He's outgoing and usually pretty friendly. Sideswipes is always looking for a fight. He loves the thrill of combat. He often treats serious situations more like a game than the high-danger situations he often places in. Sideswipe often can't sit still and always need something to do, and if there is nothing fun to do then he will make his own fun, he is often sparring with his fellow Autobots, trying risky stunts, pulling pranks on other bots and generally just causing chaos. He's very impulsive, often doing the first thing that comes to mind because he thought it might be fun, never considering the consequences. He's kinda like a jock who treats war like a sport with an almost ruthless approach to combat. He often tenses and banter with other autobots, sometimes making jokes at their expense, but unlike Sunny, he usually knows when to stop or when he's gone too far.

info dump bellow↓↓↓

Sideswipe and Sunstreaker both emerged during the Autobot Decepticon war and never known peace times. They are the youngest of the crashed Autobots, both being around a thousand years old, which is very young when your species can live to their hundred thousands.

Twins are what happens when a shuttle-sized spark splits into two, so before Sideswipe and Sunstreaker split, their emerging was highly anticipated because shuttles are rare and extremely powerful, but their spark ended up splitting. When they finally emerged, it was a great disappointment.

they were mentored by Inferno and, to a lesser extent, his conjux Redalert (they are one of the many reasons for Redalerts anxiety). Sideswipe has a pretty good relationship with his mentors Sunny… not so much 

Sunny hates Earth, it's filthy it's wet it's squishy it's sticky it's too hot, at least compared to Cybertron's frigid temperatures, and its dominant species are nothing but a pain he hates he has to hide his existence from the stupid inferior fleshy creatures that rule this dirtball of a planet he hates how often on missions he has to have a fleshy human chaperone to perform basic task that he could easily do himself or wouldn't be a problem if humans just didn't exist. Whichever bot or bots are on a mission with Sunny where human help is required, the other bot will always be the one transporting the human because Sunny refuses to let a human inside of him.

Sideswipe likes Earth, there so much to see it his first time being anywhere without the war consent looming present of the great war, but having to hide all the time on Earth is frustrating, he's been able to seek out and do some street races without Prowl knowing, he likes quite a lot of human stuff human music is pretty good and he like some human tv shows and movies mostly the ones with a lot of actions and explosion, he like interacting with the humans he's allowed to interact with especially Carly and Raoul, thought Sideswipe often struggles to understand how fragile humans are and often can put them at risk without even knowing it. Sideswipe is still a little homesick for Cybertron, even if he's only ever known it as a war-torn mess.

their poses often mirror each other

Sunny tells Sideswipe to smile with his mouth closed because his split beak. 

Sunny is the decision-maker of the two, and though Sideswipe may make destinations for himself on his own as a pair, Sunny always has the final say. 

Sunstreaker hates Sideswipe stickers but gave up on trying to remove them because whenever he tried, he got his claws sticky. 

Sunstreaker and Tracks have a bit of a rivalry going on, though Tracks hates Sunstreaker more than Sunstreaker dislikes Tracks. Also, Sunny usually comes out as the victor of most of their little spats.

Sideswipe pulls pranks but doesn't dare prank Sunstreaker because he knows there will be hell to pay if he messes up his brother's paint job. 

sideswipe loves to cause chaos, Sunny often help

Sunny has some artistic talent, though he doesn't use it much

Sunstreaker always makes sure his frame is clean and in near-perfect condition. Sideswipe doesn't care as much but Sunny, make sure Sideswipe keeps up to a certain standard.

Sideswipe is very extroverted, loves interacting with other bots, and will talk to basically anyone. Sunny is more introverted and prefers to keep to himself and select bots. Sunny tries to encourage his brother not to hang out with bots he considers not good enough to be associated with them which is most bots.

-----------------

As for plans for them, I like keeping what I share plot-wise pretty vague. They appear pretty early on, and they both are pretty plot-important. I don't really care about spoiling characters who appear in the first seven chapters. After that, I'm a little more sneaky and vague about who will appear.

[vague-humanoid]

A pro-Israel “surveillance network” that has offered bounties for information on pro-Palestinian protesters is establishing a foothold in Australia and claims to have secured meetings with key federal politicians, leaked messages show.

Shirion Collective, which has largely focused on the US and UK, boasts of its ability to scrape digital fingerprints to “aggressively track and expose antisemites”. It is one of a number of groups that have gained prominence on social media during the Israel-Gaza war, publicly naming individuals it accuses of being antisemitic.

Shirion Collective claims it has an AI tool called Maccabee which can identify and track targets.

In one post on X, Shirion outlines a scenario in which the tool creates and releases deepfake videos – falsified content that looks and sounds genuine – to embarrass individuals who take down posters picturing Israeli hostages.

On its X account, Shirion Collective has claimed to offer bounties of US$500 for information on people in videos. In a December post it claimed it would pay up to US$15,000 for “crucial insights” about politicians, US$7,500 for medical doctors and US$250 for students.

Leaked screenshots of Shirion’s Telegram channel, shared with Guardian Australia by the White Rose Society, an anti-fascist researchgroup, show Shirion has become active in Australia, with participants identifying potential targets and boasting of attempts to meet the home affairs minister, Clare O’Neil, and the shadow home affairs minister, James Paterson.

Anonymised Shirion members discussed presenting O’Neil and Paterson with a list of names to ensure they were “brought to justice according to the rule of law”.

“Need help. We managed to get into home affairs calendar, need to come prepared with people with hate speech and names that the government didn’t held [sic] accountable,” one anonymous user said.

“Meeting with Clair [sic] or her stuff [sic] … we also have a meeting with the shadow minister.”

Both O’Neil and Paterson’s offices said they had not met anyone who identified themselves as part of Shirion Collective.

The leaked texts show people on the Shirion channel discussed adding the names of individuals to a “watch list” and mass reporting posts on social media.

Some Australians whose social media accounts were linkedin the channel had shared antisemitic, racist and conspiracy theory content on social media. Others were pro-Palestinian activists who do not appear to have posted or shared antisemitic content.

When contacted via its social media accounts, a Shirion member describing themself as the “social media guy” said the “Ai is a quiet project with an internal team”.

The Shirion member said “bounties were for info and was in the USA not Australia”. The member said Shirion’s Telegram channel was open.

“The telegram [sic] is open and we do a soft verification that people are real. But freedom of speech is welcome there,” the Shirion member said.

The member said they would refer Guardian Australia’s questions to a “commander” but no further response was received.

Shirion Collective is one of several groups that say they track and fight antisemitism, largely through identifying individuals online.

Canary Mission, which has been operating since at least 2015, maintains lists of students, professors and other individuals on its website who it claims “promote hatred of the USA, Israel and Jews”. Another prominent account on X, StopAntisemitism, shares the names and employers or academic institutions of individuals, and often directs its more than 298,000 followers where to make complaints.

The leaked posts from the Shirion Collective Telegram channel point to some publicly available material its contributors regard as antisemitic, but also discuss creating “infiltrator” accounts to view and share material from private Instagram accounts.

In the leaked posts seen by Guardian Australia, contributors do not reveal personally identifiable information about any individual that is not publicly available.

The Shirion Collective account on X/Twitter has identified people it alleges have posted antisemitic material, or statements in support of Hamas, and tagged in their employer or academic institution in the case of students.

Naming someone online is not necessarily illegal, but Michael Bradley, a managing partner at Marque Lawyers, warned there were potential implications depending on the nature of the claims, such as harassment and intimidation or even racial vilification.

“Using social media as a mechanism for coalescing groups that want to engage in doxing activity, it’s obviously extremely powerful,” he said.

Last month, a Sydney resident named Theo had a picture of his house and his street address posted to a Facebook group.

Theo, who asked that his surname not be used, had raised a Palestinian flag and placed a blackboard with messages critical of Israel in front of his Botany home.

Less than two weeks later, a ​​jerry can with rags stuffed into it, a disposable lighter and large bolts were placed on the bonnet of his car with a message that read: “Enough! Take down flag! One chance!!!!”

The incident prompted the deployment of the bomb squad and local police.

The investigation has not been transferred to the counter-terror investigators and remains with local police.

also

@huzni @el-shab-hussein @dirhwangdaseul

[scorchrend]

URGENT: PLEASE DONATE AND SHARE TO HELP AYA AND MOHAMMED EVACUATE GAZA

They are very close to reaching the short term goal of €14,000! Please donate so that they may meet it soon, and the complete funding of €20,000.

Below is a message from Aya, describing her story in Gaza.

Hi everyone, this is Mohammed and this is Ayah. We're reaching out to you today because we need your help rebuilding our lives in Gaza. Me and Aya were recently engaged July last year and we were planning to have our wedding in February as a ceremony of our love. As many of you know, the recent conflict caused a lot of devastation here. Our home were we supposed to get married was unfortunately damaged in the bombings, leaving us with nothing. At the beginning of the war I had to flee the fighting early on, searching for safety for me and my family. It wasn't the first time we had to run for our lives. We were forced to leave everything behind and make the difficult journey south, Me and Mohammed stayed apart for three months as he stayed in the north. While I tried to stay strong and hold onto our home in the north, the situation became unbearable. First I flee my home for another one seeking safety, then the army got into the place we flee to, I was arrested and tortured by the occupying army. For 20 days I didn’t know anything about Mohammed, with all my trials to contact ICRC, I wasn’t to able to get any info about Mohammed’s place. After 20 days I was released in Rafah, where Aya have been displaced and we were blessed to gather after months of being apart, I was tortured and humiliated for this period, and now I am apart from my mother and sisters who are still in the north. We turn to you asking for your support, ple donate and help spreading the word, we’re trying to help our family to flee out of this horrible conflict and securing a safe place to live temporarily and secure basic necessities. Our GFM is a supporting funding to what we have, the amount in need for s much more, even the smallest contribution will make a huge difference for us. From the bottom of our hearts, thank you for your compassion and support.

Again, your support is necessary so that Aya and her fiancee can stay safe. Every day that passes, the situation becomes more dangerous. Any donation counts, please give what you have to spare.

[writers-potion]

Got anything for dialogue

Writing Dialogue 101

Dialogue is conversation, nothing more, nothing less. The catch is: diagloue is EDITED conversation. It must be more concise, purposeful and witty than the everyday sentences we speak, while sounding natural.

The Purpose of Dialogue

Diaglue is definitely a fiction elements that pops everything up and out. Thus, dialogue is going to have more impact than your normal paragraphs, in order to:

Characterizes/reveals motives

Sets the mood in the story

Intensifies the story conflict

Creates tension and suspense

Speeds up your scenes

Add bits of setting/backgronud

Communicates the theme

Matching the Dialogue to the Genre

The dialogue in a book should speak the reader's language. There is a type of voice that suits each genre/category of fiction, and we must understand what matches the reader expectations and rhythm of the plot we are writing.

Magical Dialogue

"Do not kill him even now. For he has not hurt me. And in any case I do not wish him to be slain in this evil mood. He was great once, of a nobel kind that we should not dare to raise our hands against." - The Lord of the Rings, J.R.R. Tolkein

"As much as I want you and want to be with you and part of you, I can't rear myself away from the realness of my responsiblities." - The Bridges of Madison County, Robert James Waller

This is the language of The Hobbit, Star Wars, The Lord of the Rings, The Wonderful Wizard of Oz.

When writing literary and mainstream fiction (that is targeted at the general public rather than a target audience), we need to go with what sounds real, even with a magical setting

Science fiction and fantasy can be more unreal, i.e. things like "May the Force Be With You."

In romance, magical dialogue takes on a differen form. It's magical in that it transcends the way we talk to each other in normal society. Magical in that all of it makes perfect sense and is said in such eloquent langauge that we marvel at it while at the same time knowing that if we are left to ourselves, we would say something absolutely banal.

Cryptic Dialogue

"You know, the condom is the glass slipper of our generation. You slip it on when you meet a stranger. You dance all night, then you throw it away. The condom, I mean. Not the stranger." - Fight Club, Chuck Palahniuk

This is the dialogue in literary and religious stories that dealw ith abstract ideas and vague concepts and has double meanings. Readers aren't meant to understand theses right away.

These bits of dialogue plant sublimnal messages in the reader's mind that help communicate the theme later on, ultimately making sense.

Cryptic dialogue is difficult to do well. If we're not careful, we'll end up sounding preachy, moralistic and dogmatic.

You need to be able to view the world in different perspectives.

Descriptive Dialogue

The literary, fantasy and historical story often relies on dialogue for worldbuilding (expplaining history, magic rules, etc.)

The author's goal in descriptive dialogue is to provide the reader with information. However, the character's goal cannot be sacrificed for the author's. Dialogue can still have tension and suspense and can be inserted into a scene of action so the story doesn't bog down while the readers get some info.

Shadowy Dialogue

In shadowy dialogue, the character's job is to keep the reader suspended in a state of terror/suspense. Then you periodically tighten and loosen the tension.

The key here is uncertainty. The reader cannot trust the speaker, so we're always questioning him, wondering whether he's speaking truthfully or is presenting the full picture.

Keep the tone as dark of possible, using action and background as supporting tools.

Make it cryptic, or even better, offering an omnious threat of what is to come.

Provocative Dialogue

This is the type of dialogue that conveys the theme, talking about the "universla truth" your book is trying to convey.

Readers like to be challenged in their thinking, provoked to consider other ways of thinking, and shaken up in their belief systems with a fresh perspective about the world.

Consider this example from To Kill A Mockingbird:

"...but there is one way in this country in which all men are created equal - there is one humna institution that makes a pauper the equal of a Rockfeller, the stupid man the equal of an Einstein, and the ignornant man the equal of any college president."

There is no way we can read this and not think about something that is bigger than our daily lives.

Make your readers squirm, and shock them out of their comfort zones.

Uncencored Dialogue

Uncencored dialogue in YA stories are of young people, but that doesn't mean it's filled with hip-hop words and slag.

While adults cencor themselves when they speak, teenagers haven't yet learned that skill so their dialogue is more raw, edgy and honest.

Readers of YA novels expect realism, so make it as authentic as possible. The last thing we want to is for our characters to be brash and honest, but NOT sound like they've just stepped out of Planet Way Cool.

For example:

"What if he doesn't like me back?" "You are too much of a chicken to do anything aboutit but mope."

As an adult, how often do you admit fear of rejection out loud to another, or call out your friend to her face? In YA-type of dialogue though, we can just write what comes into these characters' minds.

So that sums up the different types of dialogue. Consider the nature of your plot, what your readers and the genre of the story you are writing to choose an appropriate way for your characters to speak!

If you like my blog, buy me a coffee☕ and find me on instagram! 📸

[chiscribbs]

Updated Future Donnie Concept Art!!!

So, I've been hesitant to try my hand at designing an Apocalyptic Future version of Donnie for a while, for a number of reasons - mainly that I just didn't have a clear idea of him in my brain yet and the thought of attempting to update his already pretty perfect design was highly daunting - but I finally caved and decided to take a crack at it. A couple months and several revisions later, I'm actually genuinely happy with the result. I'd still consider this "concept art" more so than a final design, elements of it could definitely be improved, but I really do like the concept as a whole - I think it could work!

The main goals I had in mind while working on this were: A. Must fit the character/look like something Donnie would canonically wear and still be easily recognizable. B. Must work in the Rise world & style (i.e. not be overly detailed or have too complex a silhouette.) C. Must fit in with the other (canonical) Future Rise designs.

I was also thinking about what problems Donnie might be trying to solve, which is what inspired the belt (more info on that below). All-in-all, although there might still be a few kinks to work out, I think I managed to come up with a pretty solid base design for my favorite Warring Warrior Scientist (Jr.)

Some additional character tidbits under the cut.

Also, I can't draw mechanisms to save my life, so just pretend those vague ninpo-gun-things make sense lol

Donnie has a mechanical prosthetic leg. How'd he lose that leg? Up to interpretation - my working theory is that it was a minefield accident that occurred when he was trying to blow some Krang dogs to Timbuktu. Naturally, since it's Donnie and they are in the midst of an alien apocalypse, he designed the leg to do a whole lot more than just help him stand without falling down. It's a multifunctional tool that contains a plethora of secret uses - including, but certainly not limited to, sawing off ugly Krang faces. It's essentially his new tech bo.

Bonus leg tidbit: Casey Jr. saw him deploy the saw blade in battle once when he was little, he then proceeded to beg for a saw-leg of his own to fight the Krang with. Donnie, realizing that amputating a perfectly healthy child's leg is probably not that most morally acceptable option, instead made him his own "sawing stick"(AKA, his motorized hockey stick)...which the others then made him wait until Casey's 10th birthday to give him.

The belt that Donnie's wearing here is a prototype of his latest invention. Its intended purpose: to deflect the Krang's mystic-blocking attacks, allowing them to use their ninpo in close combat. It took a lot of risk-taking to collect the necessary information to create such a device, and he experienced a number of way-too-close calls (one of which may or may not have resulted in that large gash across his plastron), but he finally managed to crack the code and pinpoint the frequency of the Krang's sound waves. He's testing it out right now to make sure that it works and is safe to use, but once it's out of beta, he plans to mass-produce them for every mystic-wielder in the Resistance to use in battle. He believes it could turn the tides of the war...unfortunately, the device never makes it out of beta, as he dies before its completion.

Donnie's gloves are fashioned after the ones his dad used to wear in his Lou Jitsu days (with some modifications, for comfort and to make working with screens a little easier and less annoying.) The material they're made out of is far more durable, of course, since he's working with them near-constantly and under varying conditions. But maybe he designed them to look like this as a way of keeping his dad's memory close, similar to Leo's sword hilt?

Ironically, Donnie uses his ninpo probably the most consistently out of all the brothers (even though Mikey uses his to the greatest extent, hence his rapid aging). He's constantly using it to check on the base's security status and multitask while working on other projects. Because his ninpo takes a good deal of brain power to operate, it puts a significant amount of strain on his nervous system and this causes frequent complications. Seizures, spasms, and blackouts become a semi-regular occurrence - especially in the latter part of his life. Donnie does his best to manage them, but the workload makes it almost impossible to do so properly. Mikey is able to help with these attacks when they happen, but Donnie - not wanting his brother to overuse his powers any more than he is already - usually opts to just ride it out and save the mystic healing for people who need it. The exception to this rule being when he's in the middle of an extremely important procedure and can't stop long enough to let the attack pass naturally, then he has no choice but to accept Mikey's aid.

This is probably needless to say at this point, but much like Leo and his other brothers, he is a giant. Equal in height to Leo (if not slightly taller, even without the goggles.) The doodle in the top-left corner of the sketch page where he's next to April is meant to be them sitting, so don't take it as anywhere near an accurate representation of their height comparison. It is not, he dwarfs her by several feet, lol.

[tobytost]

meet Aspera! my togruta OC

I've had him for some time now and he's pretty much a work in progress right now but here is some info about this little guy:

his name comes from latin saying "per aspera ad astram) which translates to "through great struggle to success" or something like that

i like how it translates to my native language better: "through the thorns to the stars"

so their name basically means "a great struggle"

lost one of his lekku in an incident involving his lightsaber

bites his other lek when nervous, that's why it's bandaged up

his saber is poorly constructed and barely works (sometimes it ignites on its own, or doesn't ignite at all, or its settings suddenly change from training to combat or something like that)

but they're stupidly attached to it (force brain worms) to go and change it

was 21 and at the temple when the order 66 happened

survived thanks to the defective clone that decided to risk his life to save Aspera

wasn't present for the many of the clone wars because he was deemed too unstable in the force to continue fighting

by unstable I mean he can't control the force really well

the force leaks out of him constantly and he can't control its stream

he often hurt his friends because of that

one wrong move and they were sent flying across the room, that's how Aspera developed an anxiety

poorly working saber doesn't help either

I have more thoughts but I can't form a coherent text for the life of me, I will be adding to this post later when I make my brain work properly haha

[dev-mars]

LITTLE DETAILS AND PLOT POINTS I FORGOT ABOUT IN SEASON 1

From like episode 65 onwards

• The Kiki and Zane baby pendent plot line is so odd like did that actually do anything that impacts the plot? Like why would Zane have a reason to do that? I know he’s evil and all but he has goal he’s trying to reach and what does Kiki having a werewolf baby have to do with that? I’m probably just forgetting more stuff that happens later in the season to be honest.

• Plus you would think that Garroth would have been more concerned about it seeing as Leona could have potentially been his niece.

• When the group gets lost after they leave Malachi’s castle Laurance suggests that Garroth could cuddle with the horses while him and aph cuddle

• He later also clears away poison ivy for a “romantic camping spot” at Lucinda’s while Aph kills crabs

• Garroth is the one that taught Levin to call Aphmau Mama (I think it would be funny if Levin sort of had a british accent because of Garroth and says some words differently like Mum)

• Garroth actively tries to start pursuing Aphmau after the castle with Malachi (presumably because Laurance spent the whole trip getting there convincing Garroth to tell Aphmau his feelings)

• While they’re traveling Laurance seems to constantly trying to force Garroth to confess his feelings to Aphmau and straight up tells Aph that Garroth has feelings for her at nether portal at the werewolf village

• Garroth tries to confess his feelings at camp at Lucinda’s house but Laurance is listening in and only interrupts when Garroth changes the topic to Brightport

• Laurance comes up with the idea of the phoenix alliance

• For some reason Laurance knows everything and is always explaining stuff to Aphmau like he’s the human equivalent of an lore info dump like he’s the one that forces Garroth to talk about his father (Laurance is the world building of this universe)

• Neither Aphmau or Laurance ever sleep

• Dante stays up a lot too and in the beginning he likes to be alone

• Laurance is always eavesdropping on everyone’s conversations literally he is the nosiest.

• Laurance is also way too chill about knowing Gene and for some reason just never says anything to Dante??

• Also I skipped some episodes because season one is slow and I haven’t finished rewatching season 1 but Dante is really chill about Laurance being a shadow knight despite having his entire life being torn apart by his shadow knight brother

• Laurance tells the shadow knight lady and innkeeper in Pikoro to never stop loving her probably because it helps keep her human and wishes Aphmau would do the same for him.

• Laurance is more of a realist than Garroth is both are good at reading situations but Laurance tends to less optimistic than Garroth is (probably from his experiences in the nether.)

• Laurance is also just very good at reading people and understanding their weaknesses

• Laurance realizes that love is able fight against the shadow knight’s magic and that furthers it as a theme in the story

• Garroth despite having a rivalry with Laurance confides in him often and this gives Laurance an intimate look into Garroth’s thoughts

• Laurance pretends to lean in but there’s actually a ladybug on Aph’s shoulder before just telling her about the Magicks and Witchcraft war

• Garroth goes out of his way to try and to spend time with Aphmau like trying to walk her home.

• Dante asks for a combat doll from Nana and thinks he’s met her somewhere before (I don’t remember if this comes back later in the series) and I feel like it hints at a future romance pretty well as first interaction.

• Garroth catches Aphmau when she falls from the tree and Aphmau is pretty calm about the whole situation despite that being a terrifying thing to happen (plus I feel like Garroth should have been more scared and thankful he caught her time like he nearly lost the woman he’s in love with.)

• Then they play with both Levin and Malachi in the tree house like a little family

• Laurance gives Levin and Malachi a book that Zoey reads to them (in my rewrite it would be the legend/fairy tale of aphmau’s name)

• Lucinda and Nana used to have rival cat cafes! Then they have duel!

• Laurance wears gold armor for couple episodes before getting the armor upgrade

• Garroth removes his helm when Aphmau asks him to immediately where before he refused. He trusts Aphmau and presumably Laurance and Dante completely.

• Garroth designed armor when he was younger probably at guard school that somehow Katelyn got a hold of and turned into armor for the guards along coordinating colors that match their personalities

• Garroth, Dante, and Laurance are all on the jury of 9 waitlist

I’m rewatching season one and it’s so much information to sift through. Also there are millions of other things that I probably forgot. Don’t get me wrong, I love it but after season one Jess went a different direction with the storytelling and that was a great decision.

[rassicas]

I have looked everywhere for a clean explanation on what exactly a LIMITER is, all i know so far is its illegal to participate in turf wars without one and they regulate an inkfish's Special Ability.

...Yet what does it look like, when is it added to ones body and why is there so little known about it?

Ive looked up Inkipedia (best boi for info besides you X)) and theirs not much on it.

Like Captian 3 has their Limiter removed a.e frommthe boss fight in OE and i think that weird specail she was capable of in S3 only cause HER limiter was still gone. So does it like not only keep control of what special one can use and actually perform like an inputted template?

And without it and enough practice an Octoling or Inkling can somehow create their own Special? Could that have used in the Great Turf War?

Is that one reason why Limiters are put into us?

I am hooing yah might have a better insight into these...

>why is there so little known about it? Was literally only mentioned one time in canon. this is too many questions in one ask that nobody has answers to (i do NOT wanna get into talking about things like special weapons themselves and special cans, too huge of a topic) so ill just talk about limiters. Based on what other official info we have about specials i have thought about it and I think i have a decent idea of what it could be for. I've been hoping to talk about it in a video properly one of these days. Specials are canonically tied to strong emotion, and are powered by ink from inkfish in heightened emotional states. This is evidenced from the finale of Octo Expansion, a page in the s1 artbook, and a couple other places.

Something like emotions is really variable from person to person, and if emotions can literally effect your ink output, then that doesn't seem... fair? I think the limiter is a part of the ink tank has the function through— whatever kind of advanced technology they have— to regulate their special output so its not purely emotion based but rather tied to a more concrete value of ink output (though i imagine there is some gameification happening here). I also imagine ink tanks regulate clothing abilities too. special charge up would lighten up the limiter. anyways, Another important thing to note is that using a special also results in the output of a LOT of ink.

If someone is able to constantly be in that special charge state, using specials, and producing that much ink, I can easily imagine it being a strain on their body after some time. In short, I think the limiter is a part of the ink tank that helps keep turf wars fair, and has a second purpose of keeping the player from overexerting themselves.

[kitixie]

The Sapphire Ring

request: Hi! If your requests are open, I’d like to ask for a Thomas Shelby x Reader. Tommy gets injured in WW1 at some point and is taken care of the same nurse (reader) at the battlefield medic hospital. She has something distinct about her (I was thinking maybe some unique piece of jewelry so it could apply to anyone). He always remembered the nurse for helping him and the reader always remembered him as a patient she saved after losing a lot of her patients. And then years later they reconnect in Birmingham (he recognizes her jewelry first). Just helping eachother through hardship and fluff and reconnection leading to romance. You’re the best, can’t wait to see what you do with it! Thanks!

word count: 2.5k

warnings/info: no warnings for this, just sweetness and a happy ending :) also, i promise i am working on the next part of “Little Girl Gone”, so be on the lookout for that this weekend!! i had so much fun doing this request, i’d love to do more so if you have any requests, please let me know! enjoy!!

1916, in the midst of World War 1.

“Y/N, there’s a patient down the hall, he’s just out of surgery. Would you check on him, Love?”

You turned to face MaryAnn, the lead nurse tonight. Her curly brown hair framed her face a shoulders, her soft smile aimed at you.

“Of course, MaryAnn,” you said, returning her small smile.

Making your way down the hall, you ducked your head in. Most of these patients you’d already seen, so spotting a new face shouldn’t be hard. Especially if he was fresh from surgery, his moaning and grumbling would probably be heard before he was seen.

You had been working at the hospital for two years, you had only started working here because of the war. Your brother had gone off to fight, leaving you and your father home alone together. Your mother had passed away two years before that, leaving you only her cherished sapphire ring. The piece of jewelry was the only luxury your mother had ever had, growing up in a small town on the banks of Dundalk. It was a large sapphire in the center, flanked on four sides by sparking, clear diamonds. You wore the ring at all times, not much worrying if it would get messed up, as the hospital had paid you nicely, and you’d saved up a small pile just in case something happened to it. You loved the ring almost as much as your mother did, feeling as if it was your only connection left to her. You peered at the ring on your finger, continuing on your search for the mystery patient.

A few doors farther down, a loud bang came from one of the patient rooms. You rushed to the door, only to see a man standing up, and a rolling metal tray lying on the floor. You watched him for a moment, just to see what his next moves were. You observed his pale skin, almost blue tinged; then his dark hair. His head was shaved around the bottom, leaving a messy patch on the top half of his head. He looked to the tray, then to the bed, then to the window on the other side of the room. He leant over to retrieve something off the floor, when he cursed.

“Sir, are you okay?” You called, stepping into the room slowly so as not to frighten him.

He slowly turned towards you, and only when he was fully facing you did you see the bloody bandage dangling from his shoulder.

“I could use a bit of help, I suppose,” he grumbled, staring at you.

You slowly approached him, letting him see that your hands were clear. He was young, a few years visibly older than you, but young enough to justify that the only reason he was in here was because of the war.

“I’m not delusional, I know where I am. So you can stop easing towards me like I’m shell-shocked, aye?” He said, an accent coming out from somewhere.

“You can never be too cautious, ya know,” you stated, straightening your posture back up to full height, and walking normally paced towards him.

You removed his own hand from his bloodied shoulder, and nodded towards the bed. He followed orders, and sat down, rolling his head to the side so you could get a better look.

“I’m Tommy,” he offered, blowing out a deep breath.

“Y/N,” you said, focusing your attention on his now leaking stitches.

You could feel as he watched you, those blue eyes tracking your every movement precisely. He had indeed pulled out his stitches, but it was nothing you couldn’t fix.

“Ya pulled your stitches, so I hope whatever you were trying to do was worth it,” You laughed, casting him a gentle glance so he’d see the joke in your eyes.

“I was trying to get a smoke, so I’d say it was worth it.”

“You want a smoke? I’m about to restitch your shoulder, so ‘ats the least I could let ya do,” you smiled, picking up his discarded pack of cigarettes from the floor, also handing him his pack of matches.

He returned the smile, immediately struck up a match, sending the smell of smoke and tobacco throughout the room. You gently closed the door, not wanting to disturb the other patients with the smell. Walking back over to Tommy, you held a small suture kit in your hands.

“This is gonna hurt, so be ready,” you breathed, not wanting him to lash out at the pain.

“I’ll be fine, Love. But talk to me, will you? Helps distract me,” he said, exhaling a long stream of smoke from his mouth and nostrils.

“Okay,” you agreed. Readying the needle and thread you began speaking right before running the small metal piece through his skin.

“I’m from Ireland, born and raised. Although I used to live in Dundalk, now here we are in Dublin. My brother is fighting in the war, at least I assume he’s still fighting, hasn’t come home alive or in a box yet,” you joked, but feeling a slight twinge of pain in your heart. You continued, “I work ‘ere every night, I like nightshift best because it’s when the least amount of people actually come into the hospital. I don’t really handle losing patients well, but that’s another story,” you sighed, nearly done with the first few stitches.

Tommy nodded his head, releasing another puff of smoke before speaking.

“I’m from Birmingham, it’s not really a place worth talking about though. I fought in the war, ‘ts how I ended up here, but you’ve gathered that much. I’ve got a couple siblings, some still at war, some not, but they’re my only family.” he said, going back to his cigarette.

“I have the one brother, and my father. My mother died a few years ago, but it’s part of my past life now.” You spoke, finishing up the last few stitches. He hasn’t flinched the entire time.

“I’m sorry to hear that, Love. But every sorrier to say I can relate.” Tommy said, gently turing his shoulders towards you now that you were done putting him back together.

“It’s alright, I’m sorry for your loss too, it never really gets better, just more dull,” you remarked, cleaning up the kit from the small rolling tray you had placed it on.

You took notice of Tommy’s staring, following his eyes as the flicked over you, assessing every detail. His eyes caught on your ring, and he cocked his head.

“That’s a lovely ring, Mrs. Y/N,” he said, drawing out the Missus.

“It’s just Miss, and thank you,” you laughed, “it was my mothers.” You gave him a soft smile, looking toward the ring on your middle finger.

You helped Tommy settle back into his small bed, then bid him goodnight with the promise to check on him tomorrow.

-

The next evening, you barely had time to check in before MaryAnn was hounding you about Tommy. He had been refusing care all day, saying that you were the only person he’d allow to check his stitching. The other nurses had tried to reason with, tried to explain that you wouldn’t be here until 10 pm, but he would not listen. He wanted your care, and only your care. You promised MaryAnn you would handle it, and went off on your way to his room. You rapped your hand against the door, slightly cracking it open.

“Tommy?” You called out, not wanting to startle him.

“Oi, finally. I’ve been asking for you all day, where have you been, Y/N?” He said, slowly sitting himself up in the cot.

“I told you Tommy, I work nightshift. It doesn’t switch over until 10,” you laughed, “although I am flattered that you refused all care other than mine.”

“Of course I would, you have the best bedside manner of all the nurses.” taking a drag from the cigarette you hadn’t noticed earlier, “Plus you’re beautiful,” he added.

Your cheeks flushed, and you brought a hand to chest, resting it over your heart.

“Flattery rarely works on nurses, Tommy. Now let’s get those stitches checked.” You smiled, your cheeks hurting from how genuine it was.

After checking his stitches, you gave him the all clear and told him he should be released in a few days, and you swore a frown flashed across his face before straightening back out. You bid him goodnight, with the promise to see him tomorrow night.

For a week straight, this little routine carried on. You’d come see him as soon as you arrived at work, check his stitches, then the two of you would just talk. You talked with him about varying subjects, both of your families, home life (although Tommy didn’t give much away here), and your hopes for the future. You told him of your plans to travel after the war ended, and he told you how he never wanted to travel again. You would compare families, your brother palling in comparison to the array of Shelby boys that Tommy had described to you. Every night, the two of you would talk, some conversations were short, some lasted so long that MaryAnn had to come pull you from his room so that you would round on your other patients. You developed a sense of kinship with Tommy, although the two of you were admittedly very different. You got excited to go to work, marking events in your day that you were excited to tell Tommy about. You thought of him outside of the hospital, more than you should. But how could anyone resist the charms of Tommy Shelby?

On Friday night, you arrived to the hospital. You checked in, and began rounding on your patients, saving Tommy for when you had a bit of free time; you had a lot you wanted to tell him. You eventually found your way to his room, softly knocking on the door.

“Tommy?” You called, easing through the doorway.

Tommy was sitting up in his cot, stitches almost healed enough to go home. You had come to dread the day he would leave, he felt like a friend, maybe more.

“Y/N, Love, I thought you had forgotten me.” He said, adding his signature Tommy Shelby smirk to the end.

“I could never forget you, Tommy,” you blushed, “Now, let me check up on those stitches.”

He nodded his head, tipping it to the side so that you could access his shoulder better.

“How’s Georgia?” He asked. Georgia was an elderly lady who lived in your apartments, you had told Tommy about how she loved to bake for you.

“She’s good, she brought me meat pies earlier today,” you said, giving a soft smile, “These stitches look healed Tommy, I think you can go home soon.”

Tommy grew a distant look in his eye, gazing to the floor.

“I don’t really want to go, if I’m honest.” He said, pulling you from similar thoughts.

“I know Tommy, but your family probably misses you, I know I would be.” You replied, trying to coax him with a soft rub of his shoulder.

He placed his hand gently over yours, his massive hand covering the ring.

“You would be or you will be?” He said, cheekily flashing you a smile.

“I will miss you, Tommy. You have been a joy to take care of, and a good friend to talk to.” You could feel tears wanting to come from your eyes, but ever the professional, you held them back.

He gave a soft smile, placing a gentle kiss to your hand.

“If you ever find yourself in Birmingham, come find me. I’ll be at The Garrison, waiting for you.”

Tommy had mentioned The Garrison a few times, noting how it was his family’s favorite bar and pub, and how they spent most evenings there. You gave him a soft nod, and retracted your hand.

“Goodnight, and, goodbye, Thomas.” You smiled at him and pressed a soft kiss to his cheek, before you exited his room.

-

1921, five years later

You found yourself staring, craning your neck up to the sign in front of you. A hundred questionable decisions had led you here, to Birmingham.

The first decision, was getting married. The second, was getting divorced. Your husband had been a prick, and you knew it when you married him but he was handsome, and certainly you could have done worse.

The third decision was traveling. You had been all over the world, but you had avoided Birmingham like it had the plague. After Tommy was discharged, you quit the hospital. Every time you would walk by his former room, tears would well in your eyes and breath would catch in your throat. You hadn’t realized how accustomed to Him you had become, not until he’d left.

But now, five years after last seeing each other, you stood in front of the doors to The Garrison.

Pushing into the pub, holding the leash on your fear and anxiety, you approached the bar. An unpleasant bar keep took your order, appearing surprised at the order of Irish Whiskey for a young lady. You got your drink, and waited. Waited to see if what Tommy had said still rang true. Had he been waiting for you?

You heard a knock, coming from the window that peered into the back room of the pub. The bar keep opened it, and you nearly fainted. There, ten feet away, stood Mr. Thomas Shelby.

You stared at him, mouth hanging open like a fool. He had only gotten more handsome, a peaky cap now sitting atop his head, which looked much better now that he had some color and a fresh haircut. He was dressed in a fine suit, looking polished and refined, like a real man, not just a patient in the hospital. His eyes caught yours for a single second, and a look of recognition flashed across his face before vanishing. The window closed, and your heart sank. He didn’t remember you, or worse, he didn’t want you here.

You stood from your barstool, slapping a bill on the bar. Your ring, that same ring Tommy had stared at and asked a hundred questions about, still sat on your middle finger. The metal slapped against the bar, and you could only look towards the floor on your way out.

A warm, pale hand snatched your arm from your side, cradling that soft hand that held the ring.

“Y/N?”

You whirled around, face to face with Tommy. He had remembered you! You wrapped your arms around his neck, embracing him in a tight hug. He returned the gesture, wrapping his long arms around you and lifting you from the floor. Your head tucked into the crook of his neck, inhaling the tobacco scent you had always associated with Tommy. He gently placed your feet back on the floor before speaking.

“I never thought you’d come,” he breathed, a grin on his face, “but I am so glad that you did, Love.” He said, just before leaning in and placing a hard, passionate kiss to your mouth.

[cluelessrebel1988]

If I Ran The Zoo (or how I would plot out an Animorphs TV/streaming series if I had the time/ability/resources)

So this is something I've been kicking around in my head on-again, off-again for a couple years now, and I thought I'd put it out there, just for the lols (do people still say that?)

My thought process is for a 5 season arc, with each season being somewhere in the neighborhood of 13-15 episodes long, give or take. There would be a few changes with the order of things, and a few minor characters would play a bigger role. I'm not going to go episode by episode, but just sort of outline the big arcs for each season. I'm not in any way suggesting that this is the best way to do it, just that this is how I would do it.

Season 1

This season obviously would start the events of The Invasion and would primarily incorporate events/plot points from the first 10 books, including finding Ax in his crashed ship (though I would move that to either take place in the first episode, or in the second half of the two-part premiere), Tobais getting stuck in his hawk form (and getting an episode or two dedicated to him coming to terms with that), and introducing Erik and the Chee (Erik would be introduced as a friend of Marco's early in the season, with his identity as a Chee being revealed in the second half of the season).

The only major plot point from that run of the series I wouldn't put into play just yet is the reveal of Marco's mother as Visser One (although I would be very much establishing her through flashbacks, dreams, etc., so people will recognize her when Visser One does show up).

The main arc of the season would involve the Kandrona Ray and the events of The Stranger, with the team meeting the Ellimist and learning about the ray and its significance and plotting to take it down to try to end/expose the invasion. Erik and Ax tagteam providing info about the ray and its use, but it's the vision from the Ellimist that gives Rachel the final clue, again, as in the book, with that occuring at the end of the penultimate episode. The season finale is solely focused on devising and executing the plan to destroy the ray. The plan would succeed, which would prompt Visser One's return, revealing her host to be Marco's mother as the cliffhanger for the season.

Obviously, we would be exploring the kid's home lives more, with the relationship with their families and friends and the whole 'work-life balance' thing that comes with fighting a guerilla war against an alien invasion. Not to the point where they're having to fake illnesses to skip school every episode, but enough to show that it's putting a strain on their relationships. I would also explore Rachel's relationship with Melissa Chapman more and have Melissa be a bigger supporting character in the show. We'd also introduce Karen and Aftran in this season, revealing her to be a controller early on, but something that Cassie doesn't find out until the end of the season

Season 2

Season 2 would pick up a few weeks after season 1, as The Alien did with The Stranger. The kids learn that their hope that the invasion would reveal itself with the Kandrona ray destroyed were in vain and that Ax knew that. The premiere would largely follow the plot of that book, with the Animorphs attempting to integrate Ax into society and attempting to take the fight to Visser Three with the help of a Yeerk traitor, and Ax telling the others about the Law of Seerow's Kindness. Ax would get a lot of development this season, with the events of The Deception coming into play.

Tobias would help free the Hork-Bajir as in The Change and get his human form back as a morph, and the reveal that he is Elfangor's son would be included in this season as well (Obviously we're tapping into the Andalite Chronicles for flashbacks in at least one episode this season to help set that up).

Marco's main character arc would revolve around learning that his mother is Visser One, keeping it a secret, only to have the others find out later, thus incorporating The Predator and The Escape. Also Visser One is the big bad for the season, delving more into her conflict with Visser Three. The season would end with her supposed death following the Animorphs' thwarting of her plans

For Cassie, we cover the utilize adapted versions of The Departure and set up for The Sickness, with Karen/Aftran and Cassie perhaps getting trapped somewhere and forced to work together to get out of it, laying the groundwork for Aftran to be captured by Visser Three. The season finale would also center around the efforts to rescue Aftran.

Jake and Rachel will have arcs and roles to play in each of these stories as they each start to fall into their respective roles as leader and fighter, respectively. If they get their own arc, it would be around trying to save Tom specifically.

Additionally, Melissa is still around in her expanded role, but with a new friend: David, who would be introduced fairly early in the season in a recurring role (Melissa is also recurring at this point). She and David will have a B-plot where they become friends and are together when David finds the morphing cube, the discovery of which also occurs in the finale.

Season 3

Obviously, the primary source for the main arc of season 3 is the David Trilogy, with The Discovery in particular serving as the source for the season premiere. It plays out mostly the same, with the Animorphs learning that David and Melissa have the cube and plans to sell it online. They try to retrieve the cube before the two of them can attract the attention of the Yeerks, but ultimately fail, leading to the battle at David's house. They manage to get Melissa and David out of the house before they can be captured, and are forced to reveal themselves and tell them what's happening, essentially recruiting them into the Animorphs.

The events of the rest of the trilogy, with the threat to the UN summit or some similar event involving world leaders as a target that they have to keep the Yeerks from taking advantage of -- as well as with David and Melissa's reactions to being Animorphs -- would take up the majority of the plot this season. Obviously Melissa becoming an Animorph opens up some new potential for her arc, especially around her relationship with her dad and trying to come to terms with him being a controller (and the fact that Rachel has been keeping this a secret all along). She and David would have similar arcs around their parents being controllers, but while David ultimately turns against the Animorphs, Melissa does not (although David tries to convince her to). The season ends with the gang trapping David in a rat morph, as the books do.

One of Melissa's major character traits is her interest in technology, something she used to bond with her father over (working together to take things apart and then put them back together before be became a Controller to try to keep her safe) and I imagine her and Ax developing something of an awkward friendship as she tries to ask him about the morphing technology and other Andalite technology, with him being reluctant to share due to the Law of Seerow's Kindness. But, as he's grown closer with the Animorphs, he would eventually acquiesce and they would begin to bond. The two big relationships (Rachel and Tobias, and Cassie and Jake) also take major steps this season

The other major arc for the season involves other Andalites, incorporating The Arrival and The Other, with the reveal that other Andalites are on earth and some are there to help...or are they? The season would also end with Tobias getting captured by the Yeerks to begin the laying of the groundwork for the discovery that the Animorphs are not, in fact, Andalite bandits.

Season 4

The events of The Illusion and The Test would be adapted for the season premiere, including the introduction of the Yeerk resistance (led in this series by Karen/Aftran) and Tobias's capture and torture, with the main difference being that it is Tom (who has largely been a secondary or tertiary villain thus far) being the one who conducts the torture. During the interrogation, Tobias lets something slip that most of the controllers in the room don't pick up on, but Tom does, leading him to investigate and setting up for the finale, which would be largely and adaptation of The Diversion, with the race against time to save their families taking up the majority of the episode. Melissa is able to save her parents, her father proving to be an asset in the final season with his knowledge of how Yeerk technology works.

This season as a whole would focus on escalating the war between the Animorphs and the Yeerks. The stakes become higher, as are tensions following David's betrayal. Visser One returns, learning that Marco is one of the Animorphs and we incorporate the events of Visser, seeing the Animorphs rescue her.

Following Tobias's capture and torture, Rachel becomes more angry and vengeful, setting up for her arc over the final season (we've seen hints of her violent streak over the series up to this point, but it gets more intense this season).

Season 5

With their secret out, the Animorphs regroup in the Hork-Bajir valley and try to figure out their next move. The final arc of the series would play out largely how it does over the course of the final books, with the team recruiting more Animorphs to help them with their mission, and even trying to recruit government and military officials to aid in the fight. Tom gets the morphing cube, adding controllers with the ability to morph (other than the newly appointed Visser One) to the threat against the Animorphs. The final battle would be a multi-pronged attack, with the bombing of the Yeerk Pool being part of the final assault and not a separate battle.

Rachel gets aboard the blade ship and kills Tom before being killed herself. In an effort to make up for the harm he caused, Hedrick Chapman sacrifices himself to both ensure the Yeerk Pool bomb goes off and to save Melissa one final time (the pair of them were in charge of building/detonating it, along with Ax), and Jake orders the flushing of the Yeerk Pool on the the Pool ship, alienating Erek and the rest of the Chee going forward. All of this is in the penultimate episode.

The series finale follows the aftermath of the war in The Beginning, and, as the books did, the series would end with Jake, Tobias, and Marco (and probably Melissa) being recruited to help save Ax from an as-yet unknown threat.

And there you have it, my outline for how an Animorphs series could/should play out. As I said at the start, this is just my idea and others might have different thoughts about what order the arcs should go in and what significant changes (if any) would be made. Please be kind with any criticisms, and if you'd like to share your thoughts with me, my inbox is open. I also did a fancast for the series a few years ago if anyone's curious about who would play who

[tsams-and-co-memes]

TSAMS Moondrop Canon Info

Updated - 5/27/24

Moon's likes:

Dogs

Anime

Pokémon

Webcomics

Imagine Dragons

Quietness

Spending time with his family

Magic

Technology

Coding

Six The Musical

My Little Pony

Palworld

Hot water

Minesweeper

Wolves

Historical shows/movies

Moon's dislikes:

Kids

Witnessing any amount of affection between people or being subjected to it, even in a familial way (he always acts grossed out by it, but maybe he’s just messing around, I’m not sure)

Star Wars

Back to the Future

Eclipse

The creator

Bloodmoon

Cooking

Miscellaneous:

Moon is aroace

If he could have a pet, it’d be a fruit bat

He takes a lot of inspiration from Rick Sanchez (from Rick and Morty)

He’s not good with directions

He can drive, he just hates doing so

He does not have a driver's license

Moon takes care of himself by taking a metal buffing drill and rubbing it across his face. He has a machine that cleans the rest of him

He tends to have a lot of sleepless nights, trying to relearn everything he knew from before he was reset, contemplating his mortality, how he could be reset, and wind up “dying” again

He’s been kidnapped by an evil version of Sun, who he described as being similar to “evil Morty”

New Moon (after being reset), doesn’t know how he identifies. At the very least he’s ace, but he’s not sure about if he’s romantically attracted to people or not

Moon is a fan of Rick and Morty, and he thinks Rick is the smartest person in the universe

He gets angry whenever anyone says the earth is flat

Moon talks to the Devil from the Bible quite a bit and they get along

When having conversations, Moon prefers it when people are blunt and direct with him

When confronted with problems, he tends to either shrug it off or get angry

Part of his anger towards the situation with Eclipse being back stems from feeling inadequate. He thought he took care of an issue created by his past self, only to find out that the issue (Eclipse) was back, once again threatening his life and Sun's

There was a kid at the daycare once that wasn't scared of Moon. The two talked back and forth, and upon hearing that the kid's home life wasn't great, Moon decided to sneak out of the pizzaplex. He followed the kid home, saw what his home life was like, and he took matters into his own hands, wanting to help the kid. The kid didn't survive whatever Moon did, and Moon (before being reset) carried a lot of regret with him over that incident

Moon recently bought a Chili's from Monty (implied, since Moon recently bought it and Monty said that they recently sold it)

Moon turned his and Sun's garage into his "experimentation area"

Moon makes and sells technology to the government, but he doesn't specify which government that is

Old Moon once ate someone (during the episode where he and Sun fought, and he wound up punching Sun)

New Moon knows the cure for cancer

Moon frequents a cannibal sushi shop in Japan where the employees all come to work in cosplay. The chef there is a furry/scalie

Moon occasionally goes to some weird anime dimension to blow off steam or find some amusement. In this dimension, everyone talks like anime characters and they all have internal anime character dialogue that gets spoken out loud. Simply saying "wind bullet" or "bang" is enough to defeat them, as they believe they're actually fighting battles similar to what happens in various animes (essentially Moon goes there for anime battle LARP-ing purposes)

Moon has bad handwriting

Moon has always been bad with interior design

Old Moon is still very much present within New Moon's head/mind/consciousness