#hope you understand anon

[mylittlerwde]

TBH the gank-from-behind threat Neo posed to Ruby at V8's end seemed reasonable since (a) Emerald cold-cocked her that way at Haven-maybe aura shielding's a bit less effective against total surprises; (b) Cinder's ginormous flame pillar right in front; and (c) extreme likelihood Ruby gets smacked off the platform, possibly stunned & wide open for Cindy to freeze/zap/roast her in midair. All told I can't blame Yang there (it's V9 where their bond really frays).

I wasn't the one who wrote that post, so I'm not the one you should be saying this to. I did tried to answer this but halfway through writing it I realized I don't give a fuck about this scene. I felt nothing then and still nothing now.

I'm sure talking to the person who made the original post could give you the answer you want but personally I just don’t care.

To me, Yang running to her death is fine. Yang being told she should be smart and still doing the same action is a cool character trait. What I hate is the fact they didn’t keep the same energy in vol 9.

You want to write Yang as someone who repeats past mistakes, fine, but don't switch up the next season.

I will say this, though. You're giving the writers too much credit. Yang ain't real. She wasn't panicking for any of the excuses you just gave she did it because the writer wanted to create tension, and they failed because they could not build shit.

Below is what I was writing before realizing I didn't care if you wanted to read it. Go ahead.

...

I disagree with your points since it gives too much credit to writers.

First Emerald knocking out Ruby has never been brought up. If that moment was supposed to be something important, the show should bring that up. We shouldn’t have to give reason to Yang throwing herself in front of Ruby when she didn't need to. Also, if aura is weak to sneak attack, we need to be told so that we can be worried for Ruby's well-being along with the rest of the characters.

Second Cinder fire wall (I wouldn't call it a fire wall) is nowhere close to Ruby. Look how far from it Ruby is in this shot.

Here is another picture after the strike.

The spot Neo is in is where Ruby should have previously been. So that's how close to the wall Ruby was.

If Ruby was face to face with the wall, sure, I could see why Yang could panicked, but Ruby wasn't close to the wall, so Yang panicking still doesn't make no sense. Especially since Yang could have easily shot at her. What is the point in having a range weapon if you don’t use it.

Third, giving too much credit to the writers. It's not that it isn't a good point. But it is more like,

...

Wow you you made it to the end. Yeah, I gave up there. Hope you find the answer you're looking for, anon.

[katelynnwrites]

hi! I have this idea for a fic and I hope you consider it but if not it’s a-okay!! I was thinking it could be an Ona fic, where reader has adhd or an anxiety disorder. With that Ona found/learns methods to ground reader, whether that’s before a match/training or even at home/in a social setting. Those methods could be soft/reassuring touches,, maybe talking about interests to get readers mind off of things? I hope this isn’t too much! Thank you!!

hi this definitely isn’t too much and i’d love to write it especially given that i have adhd but @l-e-e-woso has already done a lovely fic for this and it can be found here :)

[the1trueanon]

hehehehe finally got these done!! Reboot is so fun to draw; I swear drawing him just bursting into laughter immediately made me feel so much better about literally everything 🥰 He has such a pretty smile, especially when it's genuine. I love him being silly and giggly 🥰 I want him to just be able to laugh and be happy .....buuuut at the same time I also want to put him through so many of The Horrors(TM), so maybe my wants shouldn't be trusted XD

As always, Welcome Home belongs to Clown (partycoffin), and Reboot!Wally/the Reboot AU belongs to @bloodrediscream!💖💖

[appeypie]

Demise and ghirahim remind me of rose quartz and pearl from Steven universe

DO IT FOR HIM…..

[ghost-bxrd]

Been mulling over Titans Tower and it's really interesting to me how it's treated in Fanon as compared to how the events transpired in canon. it's a really fun topic! Honestly, the original writing in canon is DOGSHITE but not for the usual reasons people cite.

Here's what does make sense in canon but is largely ignored (this is using canon characterisations at the time): First, it's all about the whole Titans team, not just Tim. They really downplay his death a lot, did not put up his statue or honour him whatsoever. Plus the hero community tends to victim-blame him a fuckton. Jason is showing that his death could've happened to anyone. Second, Tim and Jason are just two yearish apart—Jay died at 15, Tim becomes Robin at 13—so those Titans are more like his colleagues than anything else; he's not some older guy beating the shit outta them. Third, Tim’s indifference to Jason's comments and his cockiness about being a better Robin are pretty on-brand for his early portrayal as Robin. (I think fanon Tim derives a lot of his characteristics from his Red Robin run, which is valid as well! But here in particular we have Robin Tim... who... was... uh... a bit of an asshole when he was written back then and the HUBRIS on that man? Immaculate.)

What still makes this absolutely dog shit is the dialogue and how Jason is pouring his heart out to someone who he doesn't really care about. Jason... just doesn't operate this way... Why's he trauma dumping on... tim... ???? It makes no sense whatsoever because Jason really is someone who'd keep those vulnerabilities to himself. Why would he open up to... CANON TIM??? He makes scathing remarks when faced with Bruce and Dick because he knows the knife twists then and at he cares about their reaction. But not tim ????? Canon UTRH doesn't even mention Tim ????? ???? So in the end it's still shit imo.

I also find the use of Pit Madness in fanon super interesting, despite it not being canon. It's used to propel the Titan's Tower incident, which fascinates me because it shows how people are willing to work around its flaws to maintain consistent characterization in their works (which is !!! cool !!)

It's so interesting how many other incidents that do occur in canon aren't as well known as this one aren't given much thought. But this one is and it's interesting how people try to work with it regardless of it's flaws originally!

I'd really love to hear your opinions about it and how flexible you are with the Titans tower incident! :) How do you work with your Jason and your Tim? because it's cool to hear your analysis etc etc

Hooo boi okay i was planning on replying to this earlier but this deserves a proper, thought out response (which I’m shite at but I’m trying here. Words are hard.)

For one, I wholeheartedly agree with the whole trauma dumping thing.

Obviously we all have different tastes in media and I know there are quite a few people who enjoyed the confrontation with Tim, which is totally fine, but personally… yeah, not my thing.

I got into the Batman/batfam fandom via fanfic, so my first introduction was some version of Titans Tower I believe. I was super intrigued by the characters and the tidbits of lore sprinkled throughout that I immediately began reading up on them and digging through the internet for more info and background story on them. Which then quickly evolved into the part where my adoration for Jason’s character began and a short phase where I absolutely despised early canon Tim.

Like— all the victim blaming. He seriously couldn’t mention Jason without adding something derogatory about getting himself killed, which sat so, so wrong with me. Not to mention the Titans just accepting a new Robin right off the bat and joining in blaming Jason for his own death. I’m pretty sure that was the point where I swore off comics for a long while and decided to live off fanon 🤣

And then Jason’s part in the Titans Tower incident. I think part of how weird the canon event was is due in part to how the writers fumbled to depict trauma? Or maybe they just outright hated him because I know a lot of people back then despised Jason and his run as Robin.

Whatever the reason, I think I genuinely cringed when he revealed the Walmart Robin costume he was wearing. And then the trauma dumping.

Jason is smart enough to know Tim wouldn’t care about his grievances. I mean- dude just broke into his hideout to attack him, I think Tim’s about as done with Jason as with any other criminals, regardless of his past. And all that is proven by Tim fighting back tooth and nail without pause. He doesn’t even react to the accusation of the missing statue in Jason’s honor. Like, he genuinely doesn’t seem to care. And why would he? They don’t know each other.

And yeah maybe he was trying to beat some sense into Tim (which is still wrong but— vigilantes I guess? Idk) and make him quit Robin, but Jason’s also smart enough to know that Robins don’t quit easily. And then, as soon as Tim is down for the count and can’t keep fighting, Jason leaves. Just like that. No actual murder attempt, no kicking-while-he’s-down (at least as far as I remember).

It makes no sense. What would Jason be gaining from that encounter? Why would he blame the kid that replaced him and not the guy that did the replacing? Hell, it would make more sense for him to go after the Titans than Tim. Not the mention him casually doubting Tim’s talents when he must have done some background checks on him.

It’s why I like the idea of Pit Madness I guess, and that Jason actually went to the tower with the intent to kill. Because that way the entire thing wouldn’t seem so… pointless.

As for how flexible I am with the Titans Tower storyline, it really depends on the route people choose to explore. But I’m a huge sucker for the “Jason was Tim’s Robin” trope where there’s at least a mild amount of hero worship going on. 👁️ Oh, and happy endings. I can’t deal with tragedies.

But yeah these are my thoughts on it. Obviously no hate to whoever enjoyed the comic mentioned above 💚 we’ve all got different things we resonate with after all~

[silverliing]

i have an art prompt: imagine lesbyler at senior prom!!

(thank you for drawing lesbyler im fucking obsessed)

Class of ‘89 let’s go!

[new-revenant]

As a practical joke Danny, Tucker, and Sam make an eight bit video game about a circus of anthropomorphic animals they make it look old. It gets progressively creepy and disturbing as it goes on. They give the only copy to Dash to freak him out. Well things go wrong when Technus attacks and unleashes the monsters in the game with a universal remote. Team Phantom has their work cut out for them

Huh, this is a really interesting idea-WAIT A MOMENT

Omg it’s you, I’m so sorry I haven’t answered your previous ask haha. Well, I assume you’re the same asker, since the two prompts are very similar, so I’ll answer them both in this one.

This reads like Technus is releasing the monsters into the real world. If DP ever got a (good)modern day reboot, I could see this being an actual episode. Them making a kind crappy but still scary enough game for Dash sounds plausible, and then Technus decides he can take over the world with these creepy monsters. Team Phantom has to exploit their weaknesses and bugs in real life, using the crappy code to their advantage. Very good prompt, 10/10

Onto the old one lamo. First off, “Pooky Bear’s Three Ring Circus” is such a funny name. The game reminds me of “Sonic.EXE” and all the other crappy games like that. And even though Danny’s game is also kinda crap, but it’s better crap, and original! Technus actually fixes up most of the code before releasing it, and he later works with Danny to update the game and stuff. Technus also added himself to the credits, so now it’s a two person project. Red Robin noticed the game because Benard(his boyfriend) showed it off to him. Something seems off about the game, and not just because it’s a horror game. Something…unnatural is going on, and he wants to get to the bottom of it. First things first, he wants to look into who this “Danny Phantom” and “Nicolai Technus” are.

[cerb-daily]

ok now make him walk the dog Yo-yo style

day 43 - yo-yo

[choccy-milky]

oh boy anon, you’ve activated my trap card. GET READY FOR A SEBASTIAN CHARACTER ANALYSIS ESSAY BELOW LMAO

ok so first off I know im obvs biased, but I don’t actually think my seb is that ooc, AND PUT DOWN YOUR PITCHFORKS IMMA EXPLAIN WHY. but im also gonna explain why I don’t think the other more friendly and lighthearted renditions of seb are ooc either. bc theres so many aspects of seb we get in the game that can be interpreted in so many diff ways, and so this is how i see it/landed on MY rendition of seb:

PROTECTIVENESS/POSSESSIVENESS: this is one of the main aspects of him, imo. his entire questline is about wanting to cure anne, and how he’s not giving up, and how he believes that HE is the only one that can do it, because “she’s MY sister!” seb is super tunnel visioned and has a one-track mind when it comes to this, and I headcanon that he’s this way because of their parents deaths. he’s the brother, the boy, he’s gotta be strong for his sister, and ofc when their parents died, he tries to comfort her and be there for her/be the rock, and it happens again when she’s sick. shes his sister, his responsibility, and he’ll die before he gives up on her and her safety.

SO, I just transfer all those aspects over to a romantic relationship instead. you just replace “shes my sister” with simply, “she’s mine/my gf/my wife/etc.” and in the same way I think seb tries to be strong and reliable and protect anne because he’s the brother, I think seb would be the same way in a relationship, because he’s a boy and she’s a girl and its 1890 and he’s chivalrous and he just sees it as his responsibility. I think the death of his parents and his dynamic with anne has baked this sort of mindset into him, and its even MORE intense in a romantic aspect, because then hormones and puberty and sexual tension and attraction is involved (plus the fact that seb in my fic is 17, so he’s older and has even stronger raging hormones and testosterone LOL.

JEALOUSY: who can forget the lines “between the two of you, I’m starting to feel left out” and “ominis simply needs a moment with you and he’ll change his mind. is that it?” the first one is more playful but I feel like the second one really showcases sebs brand of jealousy, and how biting and uncharitable it can be.

AGGRESSION/VIOLENCE: yet another iconic line with: “fine. but ominis knows, I won’t step back from a fight.” LIKE... the fact that apparently ominis knows this means its come up more than once…and im not saying seb is some unruly aggressor who flies off the handle at anything, but he defs has a capacity and is willing to get violent if HE believes the situation calls for it—basically the same way he feels about the dark arts. he felt justified using imperio to protect anne, and taking the relic to save anne, and so he would have fought ominis to get out of the catacomb. and with MY seb, while he doesn’t go picking fights with any boy who looks or gets close to clora, he’ll definitely be willing to beat up or lay hands on a creep who bothers clora/who is in the process of bothering her LOL.

SO YEAH, that’s pretty much it, and I’ll be the first to admit I definitely ramp up these traits further because he’s older in my fic and i think these traits would only get more intensified with age + being in love and also bc IM A TWILIGHT GIRLIE!!! what can I say. there are so many moments in my fic where you can just replace seb with edward and it wouldn’t seem out of place tbh LMAOO so blame twilight, it was a formative experience for me BAHAHA

BUT like I ALSO said, I don’t think peoples more lighthearted interpretations of seb are ooc either. because even all my earlier above examples, you can just focus on diff aspects of them. like his tunnel vision and obsession to cure anne? instead of seeing it as over the top protective and possessive, you can just view it in a more wholesome determined selfless sort of way. like I said we got so many nice little bits and ingredients of his personality that we can turn into anything we want, really👌just pick which flavour of seb u like best and use what we got in game to create it HAHA

AW TYY QUEEN BAHAHA💖 and aw im always so honoured when ppl tell me they consider my stuff canon that’s like the best compliment I can get, tysm 😭 and im glad you like my fic and art so much (enough for your friends and family to unfortunately know💀 LMAOO)

im adding your ask to this because it kinda ties into my seb essay. LETS GET INTO WHY A SWEET BABY ANGEL WOULD LIKE SOMEONE LIKE SEB. the answer ISSS: the same reason WE’RE also all into him I guess?? BAHHA

ok but to start off im gonna defend my seb, not only cause of what you said anon (i dont want you to feel like this is targeted to you!) but also bc I got an ask recently asking me to summarize seb and clora’s relationship since all they see from my art is that “they fuck and seb is possessive” LMAO, and I feel like ppl who JUST see my art and don’t read my fic have a warped image of my seb.

this may be shocking but I don’t consider my seb a red flag LMAO. I joke about how hes more of a pink flag tbh, but even THAT i dont even really believe, and don’t even consider him overly possessive. like yes he keeps an eye on her when shes hanging around other boys, but I feel like that’s normal (esp for 1890) and all of his most possessive moments have been when theres been a threat to cloras life/coming from a place of love and protection (especially since clora is so self-sacrificial, she’d have killed herself by now if not for seb LOL) so to me id actually put Sebastian as being PROTECTIVE as his first and foremost trait, followed by the possessiveness.

and yeah he gets jealous, but unless a dude is actively trying to get with her/hitting on her/harassing her, he’ll otherwise just kinda be unhappy about it/let it play out/ watch on unhappily LOL. and even when lawley was blackmailing clora and getting in between her and sebs relationship and lying about how close he and clora were, seb demanded answers from CLORA on what was happening between the two of them, but he didn’t touch lawley or tell him to stay away. bc seb thought that was what clora wanted, so he let her drift away. if he was TRULY a red flag, in this instance he would have just beat up lawley for taking what was "his"/not allow clora to leave him/immediately go to lawley instead of clora, and tell him to stay away despite what clora might want. (and clora even WISHED seb had interfered and done this. she was like 'why is he letting me drift away and go off with lawley i WANT him to fight for me...but she couldn't actually say anything thanks to the blackmail)

clora doesn’t just 'put up' with sebs more possessive and protective behaviour though, she actually likes it HAHA. just bc shes a precious baby angel, we all like a bad boy, even back then. just look at jane eyre, and how popular the dark and brooding and assholey mr. rochester was.

she tells seb at one point that she likes those things about him, even his immature competitive side, and his darker sides, and that he shouldn’t try to hide them or change himself because she accepts them. and even putting aside all of the stuff they’ve been through together that has bonded them (like the main canon quests + annes curse and then CLORA being cursed, and then clora being kidnapped and seb saving her) clora thought seb was roguish and charming and witty and intelligent and good looking from day 1. add to the fact that he’s just so devoted to her in everything he does, that even if he CAN get a bit overbearing at times, how could you NOT fall for someone like that😩 someone whose possessive behavior just stems from wanting to protect you and love you and want to keep you safe and cherish you like DAMN…. GET ME A SEB, TOO. WHERES MINE!!!😭😭

clora also realizes in ch 32 WHY seb is so protective of her (the trauma with his parents and wanting to be there for anne) and that she accepts it, and enjoys it, and that she might even MISS it if seb were to ever get less protective of her/might get lonely LOL, and then sebs like "i’ve "spoiled you, have i?"

so YEAH I don’t think sebs protectiveness and possessiveness goes into any toxic territory or red flag territory PERSONALLY (and the time that it DID get toxic was because of the relic, and clora DID put her foot down)

but my normal seb? whose dream in life is to whisk clora away into a tower and lock her up to keep her safe and keep her all to himself, but that he’d never ACTUALLY do because he knows its insane and unreasonable but jokes about wanting to do it anyway bc he would if clora agreed? clora finds that endearing and cute and is touched by how much he loves her and wants to keep her safe.

IN CLOSING: I LOVE THEM YOUR HONOUR AND THEY LOVE EACH OTHER👩‍❤️‍💋‍👨👩‍❤️‍💋‍👨👩‍❤️‍💋‍👨

[latimeria-fell-from-heaven]

uhhhhh meant to post this a hot minute ago, but just wanted to tell my followers that i'm probs not gonna be writing for ANY of the natlan characters (minus capitano) or doing any commissions for them. pretty sure i don't even have to explain why, we all know why. it's not even out of spite or having a massive hate boner, just sheer disappointment and my already low expectations being underdone in the worst way possible.

i expected this from mihoyo, but i'm not expecting them to change anything, sadly, because they already pulled this with sumeru. i doubt mihoyo would ACTUALLY listen to the genuine complaints and feedback that certain parts of the fandom have to say. which is disheartening, but imo, if they aren't gonna get revenue from some people, then they'll just focus and pay attention more to the groups who will give them money for the upcoming characters. it sucks, BUT that doesn't mean that you guys can't share your thoughts and opinions on natlan and its cast. everyone is entitled to feel how they feel, and that's okay, great even! but i do hope those people in the fandom genuinely understand why some people think the way they do about natlan and why they're so upset in the first place.

and to anyone who will tell me to "just play a different game," i will admit that genshin has a special place in my heart. it's the game that kickstarted me into writing and doing my comms. however, just because i love a game doesn't mean i can't have genuine criticism towards it! just because you love something doesn't mean you can't point out when it's doing something you feel uncomfortable with.

[pix-writes]

"Ford is grateful for your patience and willingness to be involved in his life, especially as he knows he wasn't good at opening up to you when you were starting to become friends let alone a relationship." This is from Stanford HC, and I find it very interesting! How would he act at the beginning of the relationship? What does it take for him to become friends with someone, and that evolves into romance?

My thinking behind this part of my HCs is what Ford has been like through the series, he is shown throughout multiple media in the GF series, that he has continually pushed people away as part of his wound of feeling isolated due to his intellect and polydactly. Through this wound he's actually developed over the course of the series and his time in the portal a lone genius hero archetype that he wants to fit into, to compensate for the hurt he has continually felt from others and being an 'outsider'. (I could go into this in more depth about where this comes from in his childhood and how it affects his outlook when he comes across bill/building the portal, honeslty, but this is the jist of what I want to get across).

(rest under cut)

It's only really once we get to weirdmageddon and post-oddpocalypse, that Ford's arc comes full-circle into healing this wound for good --> as we know Ford has a fair few people in his life who love/care for him, in the past (Bill era) he was unable to see it, but once he exits the portal he begins to care for the twins and value them (and stan, even though he doesn't show it); this makes him take a similar route in trying to defeat Bill still largely on his own, because he doesn't want the people he loves to be in danger and blames himself for Bill's hold on their dimension, thus Ford thinks it's his problem to deal with --> Once they start working together to defeat Bill is the turning point for him to realise that he was wrong and that in order to defeat Bill, you have to work together. [I think he even says that he realises he was foolish for thinking he had to go it alone and that there are people who love him that he can share the buren with, I think in Journal 3 or TBOB (can't remember which rn).] I would argue that it's not until Stanley's great sacrifice in order to save the kids/the world, after screwing up the circle magic thingy, that reality hits him like a ton of bricks and he starts being more open and quickly starts to heal his biggest character wound.

So, considering this in a potential relationship, I think Ford, is generally closed-off, which hasn't helped him in the romance department in his life in the past! Whilst I can see the judgement of others and his outsider status socially would impact this as well, being closed-off and individualistic means that when he does come across someone who would be a good prospective partner, he just... assumes they'd not be interested or overlooks them because he's doing something important and isn't thinking of romance in the moment, so if the other person flirts with him he's not good on picking it up. [I'm finding this all terribly relatable!]

With the insecurity from his wound on top of this, it doesn't make for a good mix, Fiddleford, for example, was not only an assistant but quite a great friend to Ford that he didn't appreciate at the time and due to the added influence of Bill wanting to isolate him from people, Fiddleford ended up having his attempts of deeper connection being thrown back in his face! Whilst a lot of this was unintentionally done on Ford's part, he did tell him when he left that he "didn't need anyone". In the past at Backupsmore Uni, he says that there's not a lot of people he finds 'smart enough' to be on his level to be friends with - which is textbook classic defensiveness to reverse that 'no-one understands me' mentality into something that props up his ego instead. Pushing people away means that he won't have to face the rejection he continually experienced in his childhood, but it means he's potentially pushed away people who could like him as well!

So, I think that in the beginning of a budding friendship/potential relationship, Ford would not be the best at connection or communicating his feelings openly, he'd likely step on other people's toes (metaphorically) in social situations, without realising or meaning to offend someone.

That said, I think it'd be easy for him to become interested in someone who is clearly talented and intelligent, someone who similarly values higher education yet also has a similar love for that which doesn't fit the norm/is bizarre. Perhaps someone who is also deemed a societal 'outsider'. He's been feeling lonely for so long that if you're persistent and kind and can get him to talk on the subjects he loves, he'll start to see you as a friend. I think that being kind and thoughtful with gestures (acts of service) and gifts either to him or his grand-niece/nephew are other things that will make you stand out from the crowd, too, for him to see you as a genuine good person and friend.

However, he will struggle to open up and to let out his natural self (nerdy, passionate, dedicated, 'weird'), so it will take a while to deeply connect to Ford if you're friends, and even longer for him to realise you're interested in him romantically and to act on it.

I think in that stage of 'good friends that are attracted to each other', he would have fallen for you fast; but at the same time he doesn't trust that you are romantically interested in him, even if you have said that you are, part of his mind tells him that it's a trick, a joke. You might think you want to be with him, but you'll leave him soon enough when you realise he's so inexperienced in romance/relationships etc, etc. I think a lot of his old wounded mentality would surface and he's try to push you away, if you get together post-weirdmageddon, or would just shoot you down intentionally/unintentionally if you get together beforehand. Furthermore, he has been a 'loner' for most of his life, particularly after 30 years in the portal, so it's difficult at first in a relationship to share the more mundane things, since he's used to being on his own.

Ford would overthink things to the point of anxiety at the very beginning of a relationship and make it more awkward than if he just relaxed! ^^' He's a bit of a perfectionist when it comes to planning dates, too (reminds me of dipper with the list lol), though it's sweet, cause he cares so much to make it good for you! Once it goes wrong a couple times, you'll both find the humour in it and he'll realise he's being foolish again and relax a little. You'll have to give him reassurance and go at his slow pace in the start of a relationship and he'll find some confidence, probably quicker than either of you anticipated too! He's liked you for a long time by the time you get together, so whether he intends to or not his passionate nature leaks through ;)

[the-way-astray]

The Keefe Sencen Infantilization Argument (because I've seen people say that saying he infantilizes Sophie is a bad-faith argument):

(Note: This post is a repost. I had my thoughts scattered out over a few posts, so I wanted to put them all together in one cohesive post. If you've already seen all the original posts, then aside from like two sentences being reworked and the format being better now, there's like nothing new here for you. Sorry.)

Examples of Keefe infantilizing Sophie and my explanations as to why this is infantilization and not okay:

Lodestar, chapter 4. What I originally said: “There you go, rocking the whole adorable-when-you’re-angry thing. I think that’s what I’ve missed about you the most.” Keefe infantilizes Sophie by saying she’s cute when she’s angry. She is trying to express her feelings, and all Keefe can do is be all Awwwwww. Isn’t that so cute? She’s angry! How adorable. It’s a form of invalidating someone’s feelings, by treating them like they’re just entertainment or by brushing them off like that. It’s some of the most manipulative behavior out there. It also saves Keefe from having to actually take Sophie’s feelings into account. His infantilization of her also shows up in his incessant need to protect her. It’s icky and gross, and authors should stop encouraging this behavior.

Sophie and Keefe are having a mental conversation and Keefe starts talking about Sophie's love triangle/square situation and Sophie doesn't want to talk about it. Not a fan of this, because Keefe butts into Sophie's personal business, then when she gets worked up, he heavily implies that he thinks it's cute. But this one isn't particularly bad compared to the others. Don't get me wrong, I still think this is infantilization, but the best I can say about it is it's not the worst example.

Lodestar, chapter 46. What I originally said: “You’re so cute when you worry, he told her.” More classic Keefe infantilization. He once again invalidates Sophie’s feelings by dumbing them down and acting like they’re this cute, quirky, inconsequential thing.

Sophie is obviously incredibly worried. Keefe clearly knows this. And his comment is to be like Yeah, but don't you know that makes you sooooo cute??? Like, sir.

Lodestar, chapter 65. What I originally said: “Is this going to be another one of those nights where you spend the whole time yelling at me to come home? Keefe asked, making her sit up straighter as his thoughts filled her head. Because as much as I love it when you get all feisty on me, now’s really not a good time.” God, Keefe is so subtly invalidating. He treats Sophie like she’s just his personal worry machine, not a person with valid concerns and ideas. The flippant way he talks about her worry for him makes me so mad. He takes her worry for granted and throws it back in her face, without a care for how it would affect her mental health. He brushes her off and invalidates her because he thinks he’s so much smarter than everyone else. Not to mention he calls her worry “feisty” and further infantilizes her feelings and ideas.

This one honestly stands alone. Context doesn't really do anything to it. The infantilization for all these quotes is in the quote itself, because it is invalidating to treat someone's outburst of negative emotions as entertainment. Keefe basically just says that he finds it cute when she insists he comes home because she's worried about him??? He's like, yeah, Sophie's worried about me, tearing up her mental health over me, but like. She gets feisty when that all becomes externalized and she begs me to come home! Again, it's just a way he's able to brush Sophie's feelings off and disregard her opinion entirely.

When I say Keefe acts like Sophie is his personal worry machine, I'm saying he acts like her worry only exists for his amusement. He doesn't see the deeper feelings behind that worry (or if he does, he certainly doesn't respect them), and only see it for what he sees it as: something cute and adorable.

Nightfall, chapter 24. What I originally said: “‘I know! Our little girl is growing up and getting so snarky!’ Keefe pretended to wipe his teary eyes. ‘I’ve never been so proud.’” “Our little girl” . . . that totally isn’t creepy or infantilizing at all. The way Keefe talks about Sophie here is genuinely so gross, even if it is a joke. 

This is a joke. 100%. But it's a joke that sat very poorly with me because of the way Keefe verbalizes this. The problem for me is in the quote itself, again, because I feel like saying these sorts of things constantly is just so weird.

Nightfall, chapter 32. Wouldn't say what I originally said adds anything new, so I'm just gonna move past that. The larger problem here is 100% the fact that Keefe is clearly trying to joke to deflect Sophie's anger away. My argument isn't about that. My argument is that saying that someone's anger is adorable is textbook infantilization. In context, Keefe uses it as a way to deflect or joke. But the simple act of saying that is a form of invalidation where Sophie's emotions are made out to be some silly, inconsequential thing.

Anyway, about this quote in particular. Sophie is obviously freaking out, and she is clearly and seriously trying to tell him that his joking behavior is unacceptable. Keefe responds, not by listening at all to what Sophie said or what she's feeling, but by instead saying this. This invalidates Sophie's very real feelings as well as saves Keefe from having to confront what Sophie's telling him. And yes, this is a product of his deflection, but my point here is that saying someone's anger or worry is adorable or cute when they are trying to be serious is textbook infantilization, because it treats that opinion they have as a silly, child-like tantrum. "Awwww, isn't that anger adorable???" is what you say about a tantrum-throwing toddler who just got their favorite toy taken away, not someone your age presenting a valid, serious opinion. My issue is with the statement "Your anger/worry is adorable/cute" itself, not how Keefe uses it to deflect. It also presents Keefe, subtle as it may be, as the only one with valid opinions on things because Sophie's adorable little feelings get in the way of her rationality.

And before you say Sophie calls him out on this, yes, but he doesn't change. I'm not going to talk about it at length here, but Keefe apologizes to Sophie in the Nightfall scene after his bed rest more out of a desire to make up with her than a desire to change his bad habits. You can see this because he continues to do it into Unlocked.

Nightfall, chapter 34. Again, I don't think what I originally said adds anything relevant, so I'll skip that here.

The famous scene. I do admit that Sophie calls Keefe out this time. However, as I've already said, this doesn't stick, so it hardly matter. Keefe continues with this behavior through the series and into Unlocked, where he doesn't necessarily say these things out loud, but you can see he still thinks them.

Nightfall, chapter 70. What I originally said: “‘Much as I’m enjoying this sudden overflow of adorable Foster-rage—it’s not worth it.’” Ah, more of Keefe infantilizing Sophie and invalidating her feelings. If someone finds your anger or worry “adorable” and acts like it’s this cute little quirk, then that’s never a good thing. Especially if they enjoy it. Someone who cares about you should never enjoy seeing you angry or worried.

Sophie's having a serious, key word here is serious, discussion (we'll call it a discussion, even though that's not particularly correct) with Cassius, and even though her rage isn't aimed at him this time, Keefe telling Sophie her rage is adorable when she's being serious is still dumbing down her emotions to that of a toddler throwing a tantrum, not a grown-up (at least relative to Keefe) having a very valid reason to be angry. Just because he agrees with her anger, doesn't mean he can't still infantilize her.

Flashback, chapter 1, page 12. I think what I said in my original post just about sums it up: “‘You’re so adorable when you worry. I’ve told you that, right?’” (12) Yes, you have, and saying it more doesn’t make it any less icky and gross and infantilizing. It’s like he’s dumbing Sophie down to this object who only exists to entertain him with her adowabuw wittle feewings, instead of a person with very real, very complex emotions.

Keefe fans the air, so we have physical evidence he knows exactly how worried Sophie is. And his response is to be like, so cute! So adorable! Once again, this is serious, and Keefe is acting like Sophie's worry exists only to amuse or entertain him. I don't know else to communicate that that isn't a good thing. Someone being worried usually means they have something they're worrying about, worry doesn't just manifest out of thin air for entertainment's sake. Sophie also responds poorly to his writing her off, with what and the glare and all.

(Side note: When I was looking for that quote, I found a quote where Fitz says the exact same thing, I'm talking word-for-word "adorable when you worry" stuff. Like I mentioned in my disclaimers, I'm not saying he's more right for this and I'm not letting him off the hook. It's icky when Keefe does it and it's icky when Fitz does it. But I'm solely focused on Keefe, which is why I'm not bringing that up. It's also worth it to note that Fitz doesn't say this over and over again, the way Keefe does.)

Flashback, chapter 17, page 304. I think I'm just going to copy-paste exactly what I said in my original post because it's exactly what I'm trying to say: “‘Hear that, Ro?’ he interrupted. ‘She’s giving me her serious voice.’” (304) Another example of Keefe infantilizing Sophie and dumbing her feelings down for the sake of a joke. Awwww, isn’t her serious voice so cute? She only does that when she thinks she has something important to say to us grown-ups! Awwwwwww. 

Apparently, people don't get why this is a bad thing, so: acting like someone isn't being serious when you can literally feel their emotions and know they're being serious just because you don't like what they're saying is not just invalidation, but infantilization, because you are dumbing their emotions and the complexities behind them down to that of a child attempting to be serious.

I'd also argue that this shows Keefe's true colors: he only really listens to her opinions and respects them when he agrees with them. Disagreeing with someone is all fine and good, but you can still respect the other person's opinion and not dumb it down and act like it's lesser than your own. If Keefe said "Sophie, I hear you, but I think you're wrong" (in Keefe jokester language, obviously, not word-for-word what I wrote) then I wouldn't call this infantilization, I'd call it respect. My problems arise from when Keefe acts like Sophie's opinions are stupid because Sophie is the one saying them with that adorable little pouty voice.

Flashback, chapter 21, page 355. What I originally said: “It’s always fun when you get feisty.” (355) I’ve said this about a gajillion times, but Keefe’s infantilization of Sophie is so horrific, it’s like he doesn’t care about her at all. He just sees her emotions as amusement for himself.

This is a sad scene, and Keefe has every right to be emotionally . . . off in this scene. But it still doesn't change the fact that he calls Sophie's anger "feistiness" and then says it's fun when she gets angry. You could say that's not exactly what he said, but it's likely that's what he meant given the past few quotes I've shown. Keefe has demonstrated a pattern of thinking Sophie's anger is amusing or adorable or fun. Anger is a negative emotion. When Sophie feels anger she doesn't feel good. And Keefe is like, yeah, but it's cute! Do you see how that's not the greatest thing to say? It says a lot about his internalized beliefs about Sophie, and is essentially confirmed by Unlocked. And even if that didn't represent the way he saw Sophie inside, that's still a really shitty thing to say because it still carries the invalidation.

Legacy, chapter 3, page 70. What I originally said: “‘Tell me why you have that cute little crease between your eyebrows.’” (70) You already know what I’m going to say. Keefe finding Sophie’s worry cute is textbook infantilization. But also, if he finds her worry and anger so adorable, what’s he gonna do when the Neverseen are defeated and Sophie doesn’t have as many things worrying her?

So, the crease between the eyebrows is obviously because of worry. So by saying he finds it cute, Keefe indirectly says he finds Sophie's worry cute, though I'm sure I don't have to spell that out because he's already flat out admitted he finds Sophie's worry cute several times. I'm going to sound like a broken record if I repeat what I've been saying this entire post about why this is infantilization, so instead I wanna talk about that last paragraph there. Keefe literally knows how queasy Sophie's worry can make her sometimes, and he has expressed this before, as well. So he knows exactly what Sophie's going through when she worries. And still, he acts like her worry is amusing, funny, cute, or otherwise a quirky little thing. I don't understand how Keefe can be so invalidating, having had firsthand experience with Sophie's emotions.

“But I was only half listening because she gets this cute little crinkle between her eyebrows when she’s trying to be serious, and it makes me want to reach up and smooth her forehead with my fingertip—and I’m betting she’d think I was super weird if I did that, since it’s not like she’s my . . . ” (Unlocked, very first paragraph of Keefe's diary entry, 481)

Don't have an e-book of Unlocked, unfortunately (boooooooo). So the context is that Keefe is giving us (or himself???) an intro to what he's doing here, which is writing about his drawings. He explains that Sophie gave him the idea and gives a general overview of what she said to convince him. Then he says this quote.

Here's what I said, which I stand by: I hate the way Keefe talks about Sophie. She’s just this soft, kind of ditzy, child-like sort of figure in his head. He admits that he doesn’t care what she has to say, he just cares about how adorable she looks while she says it. This is a textbook sign of a toxic relationship. You should care about what your partner/crush says, because that shows that you see them as a person, not as your personal cover model. Also “trying to be serious” paints Sophie as this impudent little child who’s trying to get the attention of the older, more experienced adults and it very much implies that Sophie is not serious, but awwww, look how cute she looks trying to be serious, isn’t it adorable? Except Keefe and Sophie are the same age. So this is another case of textbook infantilization.

Personally, I think I made it fairly clear why I think this is infantilization. Keefe did not listen to the latter half of what Sophie said because he was too busy imagining how adorable she must've looked as she said it. I don't know how to make it more clear that Keefe does not respect or care about Sophie's opinions. He did what she asked, sure, but he did not actually listen to her. Again, implying Sophie was not being serious when she was is infantilization. It takes away the weight of what Sophie is saying and makes it out to be a thing of like, Oh well, Sophie told me to, so I guess I'll humor her adorable little wishes and give it a shot, but let's get back to what's more important here, which is how cute she probably looks! I don't know how else to explain that that's not an attitude you want in someone who claims to listen to you and respect you.

Addressing some other things (Keefe calling Sophie herself cute [1], Keefe's deflection [2], Keefe praising Sophie's prowess [3], Sophie not seeming bothered [4], and The Real Problem [5]):

I don't think Keefe calling Sophie herself cute or adorable by itself is infantilization. That's just a cute, fluffy teenage crush. 100% cool with that. My problem is with Keefe dumbing Sophie's negative emotions that have complexities behind them down to something cute or inconsequential by calling them adorable. There's a quote in the diary entries where Keefe describes Sophie's blush as adorable and proceeds to describe it in vivid detail. I don't like it for personal taste reasons, but I would never argue that this is infantilization. Because. It's not. There is no dumbing down of emotions here, no shrugging off experience or maturity. There's just a kid with a crush.

As for Keefe's habit of deflecting stuff through jokes, yes, it's a flaw and yes, some of the times Keefe infantilizes Sophie, he's using it as a joke to deflect. Yes, that's the larger issue. But the point still stands that the way in which he thinks of Sophie's worry and anger is infantilization.

There are moments where Keefe talks nonstop (sometimes in a very unnatural way, in my opinion) about how powerful and amazing and brilliant and talented and spectacular Sophie is and how he respects her choices and whatnot. I don't see this as particularly contradictory to his infantilization. Keefe can dumb Sophie's emotions down to cute, inconsequential little playthings while also insisting that he thinks she's amazing and powerful. I do think he does think that she's incredibly talented, but he also invalidates or disrespects her choices because he sees her emotions as adorable and unserious. Sophie is objectively powerful and talented and smart, I'm not really sure how saying those clear facts out loud changes the fact that Keefe still sees Sophie as very juvenile in his head. He can respect her prowess and capacity for talent while still disrespecting her opinions and emotions. The two can coexist. This is why I say Keefe pedestalizes and infantilizes Sophie simultaneously.

As for saying this doesn't bother Sophie (except in that one instance where she glares at him), I'd hardly say it matters. People can be the object of toxic behavior without realizing it. Sophie doesn't really seem to care past a handful of seconds when Keefe reads her emotions without her permission (on purpose, with intention), but I think most of us would agree that that doesn't make it acceptable. And Keefe's infantile views of Sophie say more about him than they do Sophie, which is the argument I'm trying to make. My point is that Keefe sees Sophie's emotions as inconsequential little things that don't need to be taken into account. This is all mapped into how he sees her internally. Again, just because Sophie doesn't seem bothered by Keefe's comments, doesn't mean they're acceptable, especially considering it gives us a view into the way he truly sees Sophie. And if Keefe thinks of Sophie is such an invalidating way, how are we supposed to believe he'll respect her when she argues with him, instead of just writing it off as "that adorable rage"?

And last but not least (as this is literally the reason people are annoyed with Keefe, regardless of what flaw you're talking about): the infantilization isn't the problem. Not really. What the problem is is that it is never called out by the narrative and when it is, it lasts two seconds, doesn't stick, and Keefe continues with it having not learned a thing. He doesn't change, and I can give you a thousand explanations for why Keefe may be so prone to infantilizing Sophie based on his childhood, trauma, and everything else, but none of that is an excuse. And I'm certainly not a fan of the way we're constantly told that Keefe respects Sophie when he's clearly so ready to undermine her emotions or dumb them down. If you're going to have him say things like this, it should be understandable that it's not a good thing.

I think it all comes down to this: Imagine you were trying to get a very serious point across to someone or otherwise feeling very emotional over something and then you look over and the other person's reaction is like, Aw, you're so cute when you're all worked up trying to be serious! Anger so adorable! Worry so cute! I love it when you get feisty! Wouldn't you feel like they don't respect what you're saying? Is that not incredibly icky and weird?

Here is the definition of infantilization. I think it's very difficult to make an argument that Keefe is not doing this to Sophie. And if you think that's bad, oh boy, is it so. Much. Worse. In the actual Unlocked novella. It's very difficult to deny that Keefe only sees Sophie as an adorable little cute thing that amuses him when you read it. But I'll get there . . .

Anyway I'm leaving it off with this because these are the vibes I get from Keefe every time he makes an infantilizing comment about Sophie (minus the yelling, Keefe doesn't really yell):

[mousy-nona]

Hey this is the anon that had requested the mpreg story with Lucifer havin a drunken night with Alastor that lead to him having a child with Alastor that he didn't know about until Alastor brought the young boy to the hotel. I just want to say that the first part is really good as I see it as a prompt plot backstory that leads into the prompt itself

PART TWOOO 

Less porn, but still some porn, then mostly plot.

You have been warned.

Later that night

Alastor sneered and tried to buck him off again, but this time Lucifer was prepared. His angelic grace kept the bastard pinned into place as Lucifer lowered himself to Alastor’s weeping cock. 

“Now, that’s not very fair,” he scolded. Alastor stared daggers at him, but he couldn’t quite hide the hitch in his breath as Lucifer’s hot breath washed over his sensitive skin. “You had your turn. It’s my turn now.” 

“Fuck. You.” 

A tentative lick was all it took to send Alastor’s head careening back, every muscle in his body clenched as Lucifer sucked on the head of his cock with reckless abandon. The sounds that were coming out of his garbled throat – his heaving chest slick with sweat and desire – his clenched teeth, Lord, his eyes, hazy and drugged with pleasure as he watched Lucifer bob on his dick…

It was almost too much. One wrong move, and Lucifer thought he might cum again. Patience. He forced himself to go slower, to enjoy every waking second of this already half-forgotten dream. 

Alastor groaned. “Coming,” he managed, his voice hoarse as his hips shot up. 

“No you’re not.” 

“Wha–”

Lucifer squeezed the base of his shaft with his fist, stopping the seed from surfacing. His cock strained, swollen and red with pressure as Alastor cried out, his large body twisting wildly under Lucifer’s golden grip. His back arched, his heels dug in hard, his shadows whipping and snarling as he strained to get free, to release. 

Lucifer had never seen anything more erotic in his long, long life. 

“Lucifer!” Alastor, that cold, cruel, merciless soul, sounded close to begging. The radio static had nearly faded from his voice. With a shiver, Lucifer realized that, for the first time, he was hearing Alastor. The real Alastor. 

“Not yet,” Lucifer groaned, wondering if it was possible to come without touching himself at all. He licked his finger and pressed it between Alastor’s legs, the tight hole clenching and gripping his finger as he continued working Alastor’s dick. 

There was a low moan, but otherwise Alastor didn’t put up any more of a fight. His large frame was trembling, his whole self shaking with the need for release. His eyes were glassy, twin rubies shining through the dark as he watched Lucifer with overwhelming need. 

“Lâche-moi,” he whispered.

Let me go.

“Soon,” he whispered. 

He pushed another finger in, and then another. Alastor let his head fall back, his chest heaving, the sizzle of static and sex heavy in the air. Finally, Lucifer withdrew his hand and pressed himself against Alastor’s loosened hole. 

He leaned forward and captured Alastor’s mouth with his own. The wild animal he was, Alastor slashed at his lips with his teeth, gold blood and spit and pre-cum mixing in an unholy trinity as their tongues fought against each other, sloppily, angrily, violently. It was no more a kiss than it was a battle for dominance. There was nothing tender to it. Nothing sweet or loving. 

So that was how he wanted to play this? 

Lucifer snapped his hips forward, nearly losing himself immediately as his cock was swallowed by the tight ring of muscle. Alastor howled, feeling himself filled, claimed. His eyes flashed, but the anger was quickly replaced by ecstasy as Lucifer found the spot, found it over and over again. Both of them were spiraling quickly, their bodies still oversensitized from the last round. Alastor growled, his long limbs twisting and flexing, his eyes widening as cries burst from him, his hips rolling forward to guide Lucifer’s cock deeper, harder. 

The waves of pleasure washed over Lucifer, coming faster and faster as he lost himself in the rhythm of their bodies. He moved his hand down and grasped Alastor’s head in his palm. Alastor choked, his hips lifting, his back arching.

“Come.”

It was the magic word they’d both needed. Alastor clenched around him, a crazed shout ripping from his beautiful throat as Alastor’s unbelievable tightness milked every last drop from him. In that moment, the Heavens could have broken, and Lucifer wouldn’t have noticed. There was Alastor, and only Alastor. 

A whispered “Lucifer,” was the last thing he heard as the darkness claimed him.  -------------------------------

Lucifer woke up the next morning to a throbbing head, an aching ass, and an empty bed, in that order. Alastor was long gone – or maybe he hadn’t been there at all? Could it have been a dream? 

He rolled over in his sheets – and promptly smacked himself in the face with the remnants of his torn clothes. Ow. Okay, not a dream, then. 

Which only left one question: How the Hell was he going to face Alastor? 

But he needn’t have worried. When he made his way down to the kitchen, the table was set for six, not seven, and Husk was the one leaning over a merrily crackling pan, not Alastor. Lucifer had never seen the ex-Overlord in such high spirits. The cat was humming, for Chrissakes. 

“What are you so happy about?” 

“The annoying-ass deer moved outta here last night,” he crowed. “Back to whatever hellhole he crawled out of. Maybe he’ll actually stay there this time!” 

Husk was too busy whistling away to notice Lucifer disappear.

Alastor’s room. His radio station. The lobby. Every dark and shadowy corner. Even Rosie’s shop. Cannibal Colony. Lucifer searched, and searched, and found nothing.

The demon was gone, as surely as if he’d never existed in the first place.  -------------------------------

Days passed, then weeks, then months, and still no sign of Alastor. The others moved on, some faster than others (Husk, who’d damn near thrown a party the first night he’d left), some later (Charlie, who cried for days when she thought no one was looking), but one by one the mentions of Alastor disappeared. Time ticked forward. The world marched on.

Lucifer, though, never stopped looking. Never stopped staring at shadows, never stopped seeing antlers out of the corner of his eye. 

And then, on the fourth anniversary of his disappearance, there was a knock on the door. 

Because life loves symmetry, it was Charlie who answered. The rest of them crowded around the lobby behind her, each one mentally ticking off the names that mattered and realizing none of them was missing. So who was at the door? 

“Welcome to–” Charlie stopped in the middle of her well-practised speech. She went as still as a statue for one breathless second. Then she screamed and jumped onto the tall, lean figure silhouetted in the doorway.

Lucifer’s mouth went dry. No. No, it couldn’t be. 

“Alastor!” Then she gasped, her gaze shifting to a smaller shape standing by Alastor’s side. “And who is this?” 

“This little one is Dio.” The radio static was so familiar and so heart-breaking at the same time, Lucifer felt he’d been shot through the chest with it. “He and I were staying at Rosie’s –”

“Aunt Rosie’s,” a higher voice piped up.

“Yes, Aunt Rosie’s,” Alastor obligingly amended. “We were staying at hers until things had…calmed down, somewhat.” 

“And do you really think you can come barging back in here as if nothing’s happened?” Lucifer barged forward, pushing Charlie to the side. “It’s been four fucking years –” 

His voice trailed off when he came face to face – with himself. Well, almost himself. The boy had his pale skin, his marionette cheeks, but he had Alastor’s antlers, Alastor’s fire hair and Alastor’s bright red, cunning gleam.

Slowly, disbelievingly, he met Alastor’s narrowed eyes. “Who did you say this was?” 

Alastor ignored him, because he was a dirty, annoying, bastard. Instead, he crouched down so he was eye-level with the boy, his face softer than Lucifer had ever seen it. 

“Dio, say hello to your other father.”

“Hello,” the boy – Dio – said. 

That was when Lucifer keeled over in a dead faint. 

When he woke up, the lobby was empty. Well, nearly empty. Alastor was sitting next to him, and the boy was practicing throwing darts at a lumpy doll. There were at least eight darts skewering the doll in the heart, and three more stabbing it in the brain. 

“What did I say? Think about where you want the dart to land, then throw it.” Alastor was saying, sounding like his usual, terse self. Good to see that some things never changed, child or no child.

There was a child. And from the looks of it, it was most definitely his child. 

He groaned and rubbed desperately at his eyes. They both looked at him at the same time. 

“Welcome back, drama queen.” That was Alastor and his sharp tongue. 

“Where is everyone?”

“I told them to take a walk. There’s a couple of things we need to catch up on, and I thought it might be better if we did it without an audience.” 

“A couple of things?” Anger surged through him, hotter than the fires of Hell. His six wings flared wide, and when he stood, a red tail lashed around his legs. Alastor immediately stepped in front of Dio, his shadow tendrils creating a protective shield around the boy.

But it was Dio and his suddenly too-white face that made Lucifer take a step back. He sighed and forced himself to calm down, extinguishing the fire blazing around his head. “You left. You did…that –” he spluttered, feeling his face turn red at Dio’s curious gaze. “With me, and then you left without a word. And now you turn up here – with our child? How did you think I was going to react?” 

“Frankly, I had no idea.” Alastor’s face was carefully blank, smoothed out of any emotion. “That’s exactly why I had to leave. You dote on Charlie, but she was the product of your marriage. How you would have reacted to a son with an enemy was anybody’s guess. I couldn’t take that risk.” 

“Did you really think I wouldn’t have helped you?” Lucifer bit out. “Do you really have such a low opinion of me?”

“Listen to yourself,” Alastor’s voice snapped and snarled, the static thick in his words. “You hated me. That was fine. The feeling was quite mutual, I can assure you. But this child – I did not want him growing up in that environment. Rosie’s was a much safer bet.”

“Safer,” Lucifer scoffed. “He would have been safer with me. I am the king of Hell. I am the first and original Sin. Who would have dared hurt him under my roof?” 

His son. Lucifer’s mouth turned bitter as he thought of everything he had missed, everything Alastor had stolen from him – those first blissful moments of birth, his first cries, his first steps, his first words. All those years he would never be able to experience. “How could you do this to me?” He asked, his voice half-broken.

“Dio, to the kitchen.” Alastor ordered.

“But–” 

“Now.”

Grumbling, the boy marched away, reminding Lucifer of the way Charlie used to stomp off whenever it was time for bed.

Char-char! It’s getting way too late! 

Da-aad! 

She’d bat those adorable, huge eyes of hers and trick him into staying up just five more minutes, Dad, please! I’ll be super, super good! 

He softened, the deep, protective part of himself stirring for the second time in his life. There was no mistaking it. This was his son. 

And he didn’t know him, but he would die for him. 

Alastor watched him carefully, the stiff set of his shoulders relaxing just a touch when he saw the rage ebbing from Lucifer’s face.

“I’m…sorry,” Alastor said. 

Lucifer gaped. Alastor…apologizing? That was the second most surprising thing he had ever done – the first being giving birth to Lucifer’s kid, of course. 

“You – what? Sorry?” He repeated dumbly. 

“Yes,” Alastor repeated stiffly, as if it was causing him great pain to acknowledge it. “I didn’t want to keep him from you, but I didn’t see any other way. I didn’t know how you would react, and I believed it was safest to wait until he was old enough to defend himself. He means…” 

Alastor trailed off, and Lucifer placed his hand over his and squeezed. “I understand,” he sighed, because he did. Being a parent made you crazy. It made you scared. People did stupid things when they were scared.

The two of them sat in silence for a moment. It wasn’t forgiveness – the hurt ran too deep for that – but it felt like the start of something else. Something new. 

Finally, Alastor stirred. He pulled something out of his coat and placed it in Lucifer’s palm. “His favorite toy.” 

It was a toy duck. 

And suddenly, Lucifer knew everything was going to be just fine.

[shizunitis]

No, ur absolutely so right about Bingcest. Preach louder because like. It’s just so fun. Any reason why they would be doing it is so fun. Is Bingge fucking Bingmei to show him how he needs to fuck Shizun? Is it a domination thing? What crazy kinks would Bingmei learn from Bingge? How would he try and incorporate them with Shizun? So many questions. I want Bingge to bite Bingmei’s lips when they kiss.

anon i love you and am willing to go through the abyss for you empty-handed and with my hands tied. will give you my firstborn. thank you for letting me talk about this please never leave me

now that the bingmei rp is over, and keeping in mind that i am forever sleep deprived, in a vaguely bingge mood, and also very sorry for what that means for any passersby, here’s my answer. horniness and thoughts (hopefully coherent enough) under the cut

though i find the shizun sandwich version of bingcest to be extremely tasty and a great apperitif, i feel like the pure bingge-bingmei storylines my brain throws at me every now and then are so fucking good (read: hhNnNg) on their own.

a non-exhaustive list of some ideas i didn’t ever think too deeply about but like for reasons:

what if bingge is bingmei’s shizun.

what if bingmei gets stranded in pidw.

what if bingge accompanies bingmei in the abyss.

what if instead of only having bingge and bingmei, we also throw in oo!lbh into the mix and make this the worst throuple to have ever existed.

what if the system fucks up and there’s two binghe’s from the very beginning, twins or clones or whatever, and they brave the world on their own so as not to strain the washerwoman’s already precarious situation further than they did the first time around.

what if bingmei wishes very, very hard for a father during his disciplehood, and the system plops bingge into his world when shen yuan is mia.

what if bingge goes out and tries to find the svsss world again but ends up in oo!pidw.

what if bingge and bingmei live to the ends of their lives and meet after the universe is wiped as cosmic beings and they have incomprehensible sex to soothe the pain.

what if bingmei suspects bingge came back to steal shizun during the monthly wifeplots, and just jumps the gun and goes after the fucker directly.

what if modern au.

what if modern au where they’re separated at birth.

what if actual lab clones of each other!

et cetera (many more examples. none of which i can think of right now and if i’m being honest? half of these i thought up on the fly, so i was lying. fibbing. other words. never ever assume i know what i’m talking about)

in any and all these situations shen qingqiu and/or shen yuan could and perhaps should be integrated, but for my purposes he can take a moment to breathe. i’ll return him his husbands shortly.

back to the point: i love every iteration of bingcest.

bingge and bingmei being very alpha vs. alpha about fucking and literally fighting for dominance. bingmei being horrible at kissing and bingge getting annoyed with the teeth thing and showing him how to actually bite someone (stealing your desires as they perfectly align with mine, anon) and then finding out that what bingge would consider lowly and ignoble (is that how you use the word? probably not), bingmei blushes and whines for so prettily.

exchanging blood and it fails to do anything but induce arousal in the other and then using that as a way to torment each other.

i want the snapping teeth and the clawing and the violence. the almost-tangible, suffocating hatred and frustration. them choking on their leashes tied together without their knowledge. choking on them where the’re tied to opposite ends of the bed as they try to get to the other. and so forth

but soft bingcest works beautifully too. don’t know how they’d end up in that situation but i’m picturing it and it’s very nice.

bingge’s vanity and desire to be perfect projected onto his own self staring back at him, bingmei’s bratty disobedience challenging bingge’s desire to subjugate and conquer and take, all of this culminating in the two of them understanding their differences but also loathing them in a way. why is he different, he’s me, why can’t he understand, why isn’t he doing what i would, why does he hate me, the likes

oh!! bingmei should yell that at bingge actually. or growl it while he pins bingge down to get him to listen to him. and bingge should want to say, “are you stupid?” but holds back because now isn’t the time. where did the brat even get that idea from? he’s done everything he could to make him stronger, to make him realise that the world is a shit, cruel place and they only have each other in the end, and yeah it’s a shit hand to be dealt, but is it? is it really?

hm. don’t really know where that thought ends up but i’m pretty sure it ends up with both of them fucking unbearably tenderly (by their standards) in a forest somewhere.

anyway.

i don’t mean to exclude shizun because. i wouldn’t fucking dare? but bingcest is. it’s dear to me. i’m a bingcest purist if you’d like, but bingcestqiu/yuan is second on the list. third is mobingcumplane/moshangbingqiu but that’s another thing altogether

(i have no actual clue if there’s ship names for these already. surely there are?)

BUT. adding shizun into the mix is wonderful. i’ve rec’ed it before but through the eye of a needle is SUCH a good fic PLEASE give it a read it’s my favourite fic ever ever in the history of ever

i love the idea of shizun trying to tame these two idiots and failing miserably. i also love the idea of him succeeding. i want bingmei making bingge drink some ‘respect shizun’ juice and i want bingge to give bingmei some much needed ‘fuck shizun’ lessons. i want shizun to direct their every movement while he casually drinks his tea and pretends like he’s not foaming at the mouth seeing the two protagonists being “forced” to go at each other like they’re passionate, devoted lovers.

just.

bingcest…

there’s so much i want from bingcest. i want the guilt, and the confusion, and the rage! i want the angst! the territorial spats, the dick measuring contests (literal and metaphorical). the comfort! the. idk man they should be allowed to be horrible to each other, it’s not like they can die.

(holy shit what if one of them dies. fuck i’m exhausted but please. kill one of them and make the other revive him. somehow. maybe we can make regret of chunshan reality but it’s bingcest, if you understand)

but mainly i want the two pretty idiots humping each other’s thighs like teenagers. making bingge crawl for bingmei is also a very fun thought that would make him (plural) react in a very entertaining way. getting bingmei to power bottom is chef’s kiss when bingge’s on the other end. teaching bingge about the beauty of surrendering to his own self, which he does not trust with anything but also understands more than he’d like or wants to acknowledge is also neat. they would get up to degeneracies that i can’t speak of. i’m shy and also inarticulate about them

oooh also lebingcest. exactly the same as before but it’s better. because lesbian yaoi

[whiskeyswifty]

Taylors so sweet. Most millionaires are greedy af and there she is donating insane amounts of money to her employees. Queen!

While I agree totally that she's doing an amazing thing, i want to very gently remind you that she's not donating anything or being sweet. But rather perhaps consider these people are her employees and she's properly compensating them for their their integral roles in earning her those millions of dollars in the first place, with months of grueling work that they’ve performed exceptionally and deserve said financial compensation for with a bonus, not a donation. Remember that she cannot earn that much money alone, it quite literally takes a large village of people to put on a show of this magnitude and put millions of dollars in her pocket, and she clearly values every single person who worked to make it happen, emphasis on WORK. Every single person who works on a show like this is a gig worker, and crew members make shockingly little for a gig like this, even when paid the industry standard. They often don't know when or where their next job will be, and live life from job to job. I gently urge you to see Taylor's bonuses, which is what you should call them not donations, as a recognition of their hard and exceptional work, which is what a bonus is for, and her simply wanting to fairly share the profits with them more equally and proportionately, which is fantastic to see and how it should be!! She is providing a model for workers to see that their bosses, especially in Taylor's industry at her level of success, can afford to pay more livable wages and bonuses and if they can, it should be industry standard that they should.

I also gently urge you to consider that paying workers their fair share of an extremely successful profit margin should not be considered a form of charity but rather just fair compensation. I agree that most millionaires, and billionaires really, are greedy yes, but not because they're not "generous" or "sweet" like Taylor. It's because they're unfairly and improperly compensating their workers for the labor it takes to earn that profit, paying them far too little. Paying your workers has nothing to do with generosity, it's simply fair compensation for their work. Taylor in comparison is not "generous" or "sweet" either but simply a fair and respectful manager and CEO who values her employees as people and values their work financially, which is FARRR more important than being "sweet" or "generous" from time to time. Instead, you should commend her for her exemplary leadership in this decision and I think it's a fantastic standard that we should hold ALL CEOs to for how they should treat their employees.

It's important that you understand that it's never charity when paying an employee for their labor, whether it's a raise or a bonus or any financial compensation. By your line of thinking, we are to rely on the benevolence of billionaires. Given that their inherent greed is what got them there in the first place, we would be truly doomed. I’m absolutely beaming with pride for her and to be associated with her because she stands for this kind of proper compensation, but that’s because of a managerial standard she holds herself to. Which is fairness, not kindness, and as we continue to fight across the country for more fair wages, it's imperative that you understand the difference.

[arsquare]

So what're Conan's humanoid Clear Cards going to be like (I mean resembling to someone he knows)? Struggle was Meiling with a mixture of The Fight and The Twin, Appear has Rika's face, Mirror is just Mirror, Repair is Tomoyo, Kindness and Choice are Sakura's dad and Touya respectively, etc.

I think you may have sent this ask to the wrong person because while I do have a CCS AU my sakura is kaito but I gave this my best shot. it can be hakuba if you want but know in my heart he went straight home and tried to make magic merch of his #1 blorbo