#i also think they should kiss

[jacqcrisis]

So this question was posted in both the dead cells and hades subreddits:

And, in the dead cells thread, everyone is talking about builds or how they are both immortal or how one would genuinely win over the other. And then over in the hades thread...

I love this fucking fandom so much

[lost-and-cursed]

I just think it's neat that Spirk will face MulderScully in the finals of ao3shippoll.

Fandom history done right.

[earthbreadconfessions]

[rawstfish]

CoD women are always so serious, except for Syd and Valeria. They just want to be silly goofy girls.

[ormymarius]

they would be so powerful together

[trashy-greyjoy]

sometimes, it's not so much about the romance as it is about the devotion. the adoration.

[malinaa]

if i think about the hunger games in peeta's perspective i WILL start sobbing

[valeovalairs]

Watch Alice get her a mocha again

[tea-earl-grey]

can 2024 please be the year where we stop acting like Jadzia's bisexuality was subtextual and that her queerness should be treated with the same validity as other common headcanons. i love queer headcanons! i love thinking about gay subtext (intentional or unintentional)! but i cannot possibly understand how kissing a woman, professing your love to her, and risking your future to spend your lives together is somehow subtext. (well i can understand because 1) fandom doesn't like to focus on queer women nearly as much as queer men and 2) seeing queer women who later marry men as somehow not "actually queer" is just. classic biphobia.)

[lupins-hehim-pussy]

[ ID in ALT ]

he giggles

[redysetdare]

All this aroace character shipcourse has proven to me that a majority of people that interact in fandom cannot actually interact with characters and media outside of shipping and genuinely I believe you need to learn how to interact with media outside of shipping.

[lucabyte]

A belief in Nominative Determinsim

[hinamie]

congrats on your recovery n all yuuji but unfortunately for you I thought the scars were cool >:/

[archiepelago]

what up pressureheads

[snivel1]

I'm onto something I think

[sneez]

pathologic but it's a lost 1920s german expressionist film [id under cut]

[id:

image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.

images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads: 'Pest', a film by Robert Wiene Alfred Abel as Victor Kain Ernst Busch as Grief Lil Dagover as Katerina Saburova Ernst Deutsch as the Bachelor Carl de Vogt as Vlad the Younger Marlene Dietrich as the Inquisitor Willy Fritsch as Mark Immortell Alexander Granach as Andrey and Peter Stamatin Bernhard Goetzke as General Block Dolly Haas as the Changeling Ludwig Hartau as the Haruspex Brigitte Helm as Anna Angel Brigitte Horney as Maria Kaina Emil Jannings as Big Vlad Gerda Maurus as Yulia Lyuricheva Lothar Menhert as Georgiy Kain Asta Nielsen as Lara Ravel Ossi Oswalda as Eva Yan Fritz Rasp as Stanislas Rubin Conrad Veidt as Alexander Saburov and Tragedian Paul Wegener as Oyun Gertrud Welcker as Aspity

image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).

image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.

end id.]