#i also wish i owned it to write in it

[typingwithmyhandstied]

Books you have to read slowly and talk about to take them in >>>>>

[the-witchhunter]

So Lucifer Morningstar, the fourth of the fallen, (retired) ruler of hell, the Devil himself, is a character in DC comics, appearing in the Sandman comics, his own solo run and various other comics

He is absurdly powerful

The thing is, Lucifer still has access to his Divine power, unlike other fallen angels, and is actually more powerful than other angels

What does this mean?

Lucifer was the guy that shaped the matter to create the stars, an ability he still has

Enter one Danny Fenton

“Omg(oh my ghost) I’m a HUGE FAN of your work”

Just Danny fangirling over the literal Devil because of stars and space

[labotor]

"I'll keep your secret, DiMA."

[jemmo]

Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.

[coraorvat]

Obligatory Pathologic/latest obsession crossover~

I've already seen some pathologic/disco elysium fusions, so here's my offer: consider

Harry doing the Pathologic hd Changeling route~

You woke up in a shallow grave with no memories, no weapon but a strong conviction you're a prophet with magical powers, and now you need to find how to stop the sand plague~ Harry doesn’t get Clara's healing mojo, but his can-opening powers already work similar to her hooks, soooo he won't be completely helpless... all the voices are still present, though Esprit de Corps is now tuned to the town healers (and isn't it fun with Burakh and Dankovsky actively trying to off each other in Clara's route) and Shivers is now speaks for Gorkhon (which won't be as pleasant as Revachol at all)~ All the other townspeople are baffled at best, but you still have a chance to stay with Saburovs if you play your cards right with not Katerina but Alexander, as a fellow man of the law (otherwise Harry is stuck with Grace, that poor girl)~

Meanwhile Kim is reliving his worst nightmare where he has to finish the case with teenager who proclaims herself next Innocence

[vacantgodling]

✨preferences should not be standards for writing advice✨

[cluescorner]

I gave myself a writing challenge and I am fascinated by it

So basically I put the robins in a randomizer to give them a new order/role (because I just...kinda wanted to see what would happen + I like role-reversal AUs) and got results that are giving me a fucking brain blast.

Stephanie, the first sidekick who defines the role

Tim, the sidekick who dies and comes back wrong

Dick, the sidekick who saves Batman from himself

Damian, the sidekick who was never supposed to be a sidekick but would go on to prove everyone wrong

Jason, the youngest sidekick who is still the Kid Wonder

...So this is fucking wild. I've got some ideas and several of these fit perfectly (Dick's role is pretty similar to his one in canon), but some of these are fucking INCREDIBLE to explore (Steph being the first Robin is something I never even considered but tbh I kinda love it).

I probably won't write a fic or anything because tbh I don't like publishing my writing that much, but I might expand this into a full AU and post about it. I might randomize other stuff too (ie, stuff that I cannot change vs stuff that I cannot keep the same) but this fucking rules as a starting point.

[popponn]

there is something about how when anime official art gets yoichi right fashion wise it's always a comfy bf look like look at him

very fluffy. very huggable. i want to poke and pinch his cheeks. also he often has those lil blushies when he eats and for some reason it's cute. the gap moe between on field and off field is still something else to see each time i remember it. i love it ofc 💚 but it's still something else

[kentopedia]

truthfully i want to back away from jjk but i don’t know how

[wavesoutbeingtossed]

I know it’s been talked about ad nauseam, but I think one of the things that got lost in the discourse about TTPD and the muses and whatnot is how one of, if not the core trigger points of the album is the yearning for commitment and perhaps even more poignantly, motherhood.

The reason she was so susceptible to falling for the “conman’s get love quick schemes” is because she was grieving that imagined life with the person she had long assumed would be the one to give her that. What has been beyond clear in several albums, let alone interviews etc, is that those plans for building a family were very much real and top of mind for years, and she kept holding on and shifting her world in service of making that happen. And when whatever happened happened that pulled that rug out from under her, it left her bereft not just for the relationship that had once been her world but also the imagined family she had been hoping for and sticking out the hard times for.

And that’s likely why she was swayed by and trusting of the promises of someone who knew her history and knew how unmooring that loss was to her. It may have been partially about the person himself or lust or whatever, but the core issue was the pain of giving up the dream, and sublimating that dream into this new opportunity in front of her, because she was so desperate to hold onto the last scraps of that imagined life she wanted so badly. (And I don’t mean desperate as in pathetic or negative, I mean as in fighting within the last ounce of energy and hope she had.) It wasn’t rational and it wasn’t love, it was grief, not just for a relationship but even more so for the family it represented.

So to me the core issue of TTPD isn’t just the Joe vs. Matty or whoever of it all: it’s Taylor and her yearning. She wanted a family badly and a life that was theirs and was processing losing that in all kinds of ways. It’s all over the album in overt and subtle lyrics. It may not have been grieving a literal death but I’d bet it felt pretty darn close.

And I’d also bet that’s why we’re seeing… what we’re seeing now.

(I have so many more thoughts about womanhood and motherhood on TTPD but that is another post being worked on piecemeal in my drafts… this is just a little Saturday morning post-zoomies reflection)

[secret-unburnt-guitars]

Hi i don't know much abt styx aside from general prog fandom osmosis but kwh has always intrigued me a little bit. Can you explain it in excruciating detail? (genuinely i'm not being sarcastic)

*cracks knuckles*

on february 22, 1983, styx released their eleventh studio album Kilroy Was Here. it was a concept album/rock opera though dennis deyoung likes to call it more of a "rock theatrical experience" in recent interviews. they even made a minifilm they played before the concert!!!! you can find it and the rest of caught in the act on youtube

it was made partially as a response to the rise of the satanic panic in the early-mid 1980s. people started to believe that rock music was evil and hiding satanic messages. the band was targeted by the public when they were accused in particular by the government of arkansas (i think?) of putting backwards messages (called backmasking) in their song Snowblind (the line "i try so hard to make it so" sounded like "satan moves through our voices" to some people. i own a copy of paradise theatre, that track in particular is damaged.).

and then dennis deyoung had a GREAT IDEA!!!!!!!!

imagine a big ol lightbulb flashing over him while the rest of the members of styx watch in mortal dread

so basically the album follows a sort of loose and vague backstory that's somehow still solid enough for people to follow some sort of a plot in their head (which is slightly backed up by Caught In The Act, the designated KWH "concert," which i'll get to in a second). the basic synopsis (paraphrased but still in excruciating detail) is as such:

set in a futuristic chicago(?) rock and roll has been made illegal under code 672 (prohibits the playing and purveying of rock music). Dr. Everett Righteous (played by JY), who was responsible for this, is the leader of the majority for musical morality or the MMM for short. the MMM is one of the strongest organizations in this universe since you know. they literally convinced congress to criminalize an entire genre of music for the entire country. righteous also hosts a television show where he encourages the public to burn guitars and records in a huge bonfire during “nightly rallies”. he also projects himself onto a big triangle over the skyline which i think is fucking hilarious i haven’t been able to get over it

Robert Orin Charles Kilroy (played by Dennis DeYoung, of course he's the title character), was a prolific rock musician at the time of the ban. he was thrown in prison for breaking the law and after being framed of murder. they accused him of bashing an MMM crusader's head in (which he obviously didn't do) after they raided one of his concerts at the paradise theatre. he then goes to rot in prison and is subjected to attempts of brainwashing by the dr. righteous show with the other “rock n’ roll misfits” they’ve arrested. it doesn’t work lol. i don't understand how it would work BECAUSE IT'S NEVER EXPLAINED

the prison kilroy is rotting in is maintained/monitored by japanese import, mass produced robots dubbed the "robotos," hence the title track. ignore how racist they look, it was 1983, this is not my fault

i mildly dislike them but it sucks how they’re essential to the plot ANYWAYS

here comes Jonathan Chance, (played by Tommy Shaw, albeit reluctantly) who is a rebel that is part of a underground resistance (that's only really mentioned once). with his friend, he breaks into some unknown area that is most likely a recording studio and hijacks the live television recording of the dr. righteous show. he proceeds to namedrop himself and then run off

credit to @mccoys-killer-queen for the gifs!!

kilroy sees this happen, which inspires him to attempt to escape the prison. kilroy incapacitates a roboto that visits his prison cell and disguises himself as it so he can escape without being noticed (i do not like the way he does this)

after kilroy escapes, he goes throughout the city and leaves messages for jonathan, leading him back to the paradise theater which is now the Dr. Righteous Museum for Rock Pathology

it's got a bunch of shitty animatronics that include people like jimi hendrix and elvis presley, but at the very back is an animatronic of kilroy repeatedly bashing in someone's head

this is my favorite part of the minifilm which i've basically explained sorry. you see like what you think is another roboto emerge from the shadows, and then it takes off its mask AND IT'S THE ACTUAL KILROY!!!

(this is taken from the live show, the transition is so goddamn dope)

and then dennis deyoung prances around and has his little pick me theater main character moment and sings mr. roboto and dances and stuff it looks so stupid. the live version of mr. roboto is way funnier than the official music video i don't know. i posted it about here before but i love this part in particular

so that's how kilroy and jonathan meet and that's basically the plot of one of styx's most popular songs!! sorry i gave kind of a play by play of the minifilm

now here's the fun part !!!! (unfinished lore/controversy)

unfortunately the reception of this album was less than satisfactory for most people back in '83, since KWH was way far away from the brand that styx had made for themselves in the 70s. they made art rock and prog, but this was just straight up synthpop. some people liked it though. i read somewhere in an article that it "alienated their male audience" and honestly if you're alienated by a little bit of gay pick me theater bs from your favorite band, that's a you problem

caught in the act was the designated "kilroy concert" that styx did sometime in 1983. the concert, however, doesn't give any. depth. to any additional explanations of multiple plot holes present in the story. as much as i love and cherish dennis deyoung he didn't do a very good job at writing this.

caught in the act felt more like a compromise than a show, seeing as the banter after the performance of mr. roboto was very bare? kilroy explains to jonathan that he was framed for murder, and then he goes in depth on the night it happened. "the crowd was totally psyched," he says, and then it goes to JY performing a guitar solo, which leads into the rest of the concert. the entire concert was portrayed as a flashback and gives no real backstory to any of the established characters. and then at the tail end of the concert they get "raided" by the MMM and you watch as an MMM officer murders one of righteous' own followers with kilroy's guitar. they cut back to kilroy and jonathan, they sing haven't we been before, and then kilroy hands jonathan this sick ass glowing guitar, then they perform the world's worst finale. the dance party ending of caught in the act. it sucks. it's horrible. i hate it. also there is no dennis deyoung in the kilroy was here universe lmfao

i'm still grateful for the concert though don't get me wrong!!! amazing concert

if the rest of styx didn't want to rip dennis deyoung apart for making them do this (i recently learned from a manager that DDY made them turn down an opportunity to perform at one of the largest concerts of the 80s, because he was like "but muh kilroy"), i believe songs off the album like High Time and Double Life would have been performed at Caught in the Act. both extremely lore-heavy songs, especially double life. i really wish they played double life. but c'est la vie, i guess.

literally everyone in the band hated dennis' guts so much while they were making this (justified, he was a stubborn asshole during production) but god was it worth it. for me at least. i imagine one of the conversations about production went like

JY: dennis have you considered that maybe this is a bad idea Dennis: i'm gonna make you the villain of the story if you don't shut the FUCK UP

i still think that JY had a little bit of fun though. he was hamming it tf up as dr. righteous i'm sorry you need to watch the mv's which you can find on youtube as well

but unfortunately tommy shaw wasn't having a good time at all, he literally quit on stage and stormed off and styx split for a while bc of this album i mean LOOK AT HIM HE'S SO PISSED OFF

overall this album is both cheese AND corn, worst album i've ever listened to, and yet it's given me a purpose in life. i've written 7,000+ words in one document about this album just to try and fill in the blanks the lore has, it's got so many. it's a running joke on this blog, i really hope you check out the album, because i think it's wonderful and it's endearing regardless of the controversy, it's too late for me. save yourself

[cerise-on-top]

Hiya!!! I'm new and I really like your fics:)

Maybe a Hank, Deimos, and Sanford (separate) with a S/O who is a bit insecure about their weight or curves?

Hey there! Thank you, that's very kind of you! Here you go :-)

Hank, Sanford and Deimos with an Insecure!S/O

Hank: He’s probably one of the worst people to go to when you’re insecure about something, anything at all. If you have a problem with your weight, then just lose some, it’s not that hard. It would take some convincing on your behalf for him to even understand a little bit that it’s not that simple, that it takes time and dedication and is just a pain in general. It’s not that he doesn’t care, but he doesn’t really know how to show that he does. He doesn’t have a way with words, he’s not very cuddly either. But if he sees just how much your weight and your curves bother you, he’ll try a bit harder to cheer you up. Although his words may seem harsh, he means well when it comes to you. Besides, he can just pick you up still, he’s always benefitted from a naturally good physique, so I doubt he won’t be able to. Will sometimes pick you up to show you that it’s not that bad. He loves you, he just doesn’t know how to show it properly. While he won’t ever comment on your appearance, aside from you being cute, he’ll try to help you otherwise. If you ever mention to him how you feel unworthy of being loved, he’ll tell you that it really isn’t a big deal to him. Hank wouldn’t be with you if he didn’t love you beyond that. Might get annoyed if you’re too insecure too often, but he won’t let it out on you. At one point, he’ll likely tell you to shut up and tell you the reasons why he thinks you are beautiful. Again, he’s not very eloquent, but he tries. Anyone who dares to make a mean comment about you will wind up dead very quickly.

Sanford: He has a healthy layer of chub himself, but he’s not insecure about it in the slightest. However, if you show any signs of insecurity about anything, he’s probably the best person to go to. Sanford is a very understanding guy and would try his darndest to make you feel better. You’re gorgeous, you should know as much, but it’s okay if you’re not aware of that fact just yet, you’ll get there eventually. He’s not too eloquent either, but he’ll tell you just how beautiful you are. Your softness is something to be cherished in rough and harsh Nevada. Definitely not above picking you up, laying you down on the nearest soft surface and just holding you for the time being. His hand will be above your stomach so he can squeeze it every once in a while. It just feels nice to him. You’re warm, you’re soft, you’re safe and for once he doesn’t have to worry about getting killed by some no one. Will also use your tummy as the perfect pillow if he ever feels like it, all the while complimenting you on how cute you are and how comfortable he is in the moment. Doesn’t take too kindly to someone else being mean to you. In fact, he doesn’t take too kindly to you being mean to yourself either. If it’s someone else who is making you insecure, then they’ll either wind up dead or with a few broken bones. If you’re being a downer then he’ll cuddle you and nuzzle into you all the while listing all the things he loves about you. It’s his goal to either get you to smile again by the time he’s done, or maybe even hear you giggle a bit. You’re the most wonderful grunt in Nevada, he wants you to be doing well, mentally and physically.

Deimos: If you ever mention around him that you feel as though you’re not pretty enough due to being curvy, then he’ll tell you that that’s fucking bullshit. Not only do you have a lovely personality, you’re also smoking hot to him. That’s one of the reasons why Deimos ended up with you in the first place, you’re everything he was looking for. Since you’re always there for him whenever he needs it, he’ll do the same for you. Like Sanford, he’ll compliment you on your appearance. You’re sexy as fuck, you should be aware of that. You’re royalty, you should carry yourself as such and watch everyone around you go green with envy. Although he hugs you fairly often as it is, he’ll do so more often from now on, just so he can squeeze you in his arms and feel how soft you are. You’ve got the perfect body and Deimos couldn’t have asked for anyone better. Besides, food is scarce in Nevada, you being chubby just means that you’re eating well, another reason why all those other grunts should be jealous of you and worship you instead. Again, if someone ends up being rude towards you, then he’ll break their skull or shoot them. Deimos has his ways of making someone’s life a living hell and he’s not afraid to use them when it comes to you. He’ll hug you, he’ll cuddle you, he’ll compliment you in a vulgar way as well, but you really need to realise your worth. Although it’s hard for him to abstain from touching you, on some days he won’t give you a kiss until you’ve said something nice about your appearance, that’s just how it be then. However, once you’re being nicer to yourself, he’ll go back to his usual self and smother you in love.

[maochira]

Tags: gn!reader, dad!Barou, reader is a picky eater, reader's age isn't specified but they're a teenager

While Barou always encourages you to try new foods, he knows you can't eat the food they serve at your school. And that's why he still packs you bento boxes.

Most of your friends make their own or simply buy food, but your father insists on packing them for you. He always did it before, so why should that suddenly stop? He doesn't care if it requires him to get up an hour earlier.

And of course, your bento boxes are only another thing Barou can put his perfectionism into. You can show him something you saw on pinterest and he will try to replicate it almost identical to the pictures - the only difference are usually ingredients he changes, if things you don't like are on the pictures.

The bentos are also a good way to get you try new foods. Barou used to struggle with you being a picky eater, but by now he knows forcing you to eat something you don't know doesn't end well. He's made that experience countless times.

As long as you eat something, that's enough. And even if you repeat the same 3 meals all the time, that's okay.

[bumblingbabooshka]

Do you think Kes' ability to pick up on things so quickly is linked to her being an Ocampa? Like, since she's 2~ years old in canon (and has distinct memories of her father) I imagine her species doesn't spend much time as children and I wouldn't imagine they'd have formal schools (like entire buildings for schooling) and would instead learn from like, primarily parents or other elders. In that case learning things very quickly would be extremely beneficial for their survival. Kes: Oh yes, childhood...what a lovely few days~ Kes was a baby like for a day and then the next day she was up and ready to learn. Kes meets Naomi and every day that passes she becomes more and more amazed that she's still a baby. Wow! It's been like two months and she still can't do anything?? The doctor told her it was normal but wow. What I'm saying is they should have had Kes as a jack-of-all-trades character who could slide into pretty much any of the teams on Voyager. The Doc misses her when she's not in sickbay though!

[warpolomewdarkmatter]

TEAM LIGHTYEAR... for day 8 of blosctober!!! redrew one of my fave screenshots with the gang. they make mira sit absolutely peculiarly sometimes <3

[onedayfandom]

Going from Funger to reading Beserk for the first time is really funny actually

It's like slowly peeling away the layers of reskin and whenever you think you're done it's just: Ha HA! Fantasy Vatican is from Beserk too!!

Love it, this is deeply improving my reading experience :D