it is hard to explain without sounding vain or stupid - but the more attractive others find you, the more you're allowed to do. the easier your life is.
i have been on both sides of this. i am queer and cuban. i grew up poor. for a long time i didn't know "how" to dress - and i still don't. i make my sister pick out any important outfits. i have adhd in spades: i was never "cool and quiet", i was the weird kid who didn't understand how "normal" people behave. i was bullied so hard that the "social outcasts" wouldn't even talk to me.
i got my teeth straightened. i cut my hair and learned how to style it. i got into makeup. it didn't matter, at first, if i actually liked what i was doing - it mattered how people responded to it. like a magic trick; the right dress and winged eyeliner and suddenly i was no longer too weird for all of it. i could wear the ugly pokemon shirt and it was just "ironic" or a "cute interest."
when i am seen as pretty, people listen. they laugh at my jokes. they allow me to be weird and a little spacey. i can trust that if i need something, people will generally help me. privilege suddenly rushes in: pretty does buy things. pretty people get treated more gently.
i am the same ugly little girl, is the thing. still odd. still not-quite-fitting-in. still scrambling. still angry and afraid and full of bad things. of course it became my obsession. of course i stopped eating. i had seen, in real time, the exact way it could change my life - simply always be perfect, and things can be easy. people will "overlook" all the other things. i used to have panic attacks at the idea others would see me without makeup - what would they think? even for a simple friend hangout, i'd spend a few hours getting ready. after all, it seemed so obvious to me: these people liked me because i was pretty.
i worry about how much i'm being a bad activist: i understand that "pretty" is determined by white, het, cis, able-bodied hegemonies. if i was really an ally, wouldn't i rally against all of this? recently there's been a "clean girl" trend which copies latinx aesthetics: dark slicked-back hair, hoop earrings. i almost never wear my hair like that; i can hear the middle school guidance counsellor advising me that i might fare better if i toned it down on the culture.
the problem is that i can take pretty on and off. that i have seen how different my life is on a day where i try and a day where i don't. i told my therapist i want to believe the difference is confidence, but it's not. and when you have seen it, you can't unsee it. it lives inside your brain. it rots there; taunting. i get rewarded for following the rules. i am punished for breaking them. end of story.
pretty people can get what they want. pretty people can feel confident without others asking where they got their nerve from. pretty people can be weird and different. pretty people get to have emotions; it's different when they get aggressive, it's pretty when they cry with frustration.
of course people care about this. of course it has crawled into you. of course you want to be seen as attractive. it's not vanity: it's self-preservation.
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oh god. oh god. oh.. oh gosh. I didn't expect this so soon. I didn't expect this today, I've been busy with life related things so the HYV calendar is really unbeknownst to me, is this update really next week already?? where can I rant about this- whERe can I rant about this-
oh. I made a blog for that exact purpose ! OKAY—!
fuck. fuck me, dude holy-
FUCK.
the slightly worried look on Arle's face as Snezhevna is reaching out her hand, only for her face to seemingly revert back to cold and neutral once the camera actually focuses in on her. Her tone is cold but her words are reassuring,,,,,,,,
ALSO GOD FUCKING DAMN IT. HOW GENTLY SHE HOLDS HER HAND.
the d o o r. the DOOR. THE FUCKING DOOR, CHAT. the slow opening at first, and once you can make out that it's certainly Arle's silhouette she shoves it fully open - both doors, both hands. incredibly attractive—. the FEAR in that man's eyes.
The crossed hands. We can't see her face but you know what expression she's making (it's not really an expression. it's neutral but you can feel it). THE FUCKING F E A R ON THAT MAN'S FACE.
Oh- she literally just grabbed him by the throat. Just like that- ! There's the expression. Oh, you feel it, alright. If you go frame by frame, you'll notice her eyes narrow in the slightest right before ->
POV: you're getting chocked out by Arlecchino, and that's actually the least of your worries. (my god she is beautiful).
I did not expect him to simply be thrown down to the ground and I ... d i d not expect her to step on his FACE. [insert gay masochistic joke here. you know the one]. Did not expect her to smile (this is the ONLY scene wherein we see her smile even slightly... huh...) *And the reason I say "I did not expect her to smile", is because with the momentum we were getting I thought she was straight up going to crush his throat, or stab him (hand, weapon or otherwise). It looked like she was digging the forefoot of her shoe into the guys head and not the... .. y'know deadly fucking heel, so that.. confused me. (and the sound when she supposedly stomped his head in did NOT sound all that impactful) but ANYWAYS I digress-
I'm of course assuming more happened after the cut to black because . madam where did you get that bloodstain on you—
BLOODSTAIN ON HER FACE!?!?!? (more on this in a second)
Freminet??? Freminet feature ! (not Lyney or Lynette.. interesting). :(((( the poor boy sounds so,, desensitized. His father
holy shit quick intermission. After the mental chronological fuckfest that was "The Song Burning in the Embers" I don't think I can look at Arle and the HotH the same anymore because she's.. she's like not even 10 years older than them (?) it's insane this doesn't make any sense- ANYWAYS.
HIS FATHER comes back with what we later see to be real blood on her face. Tells him "I've acquired new funds". We know what that means... HE knows what that means!!, and the way WE - THE AUDIENCE - know that Freminet knows what it means is because the boy replies "Oh.. Okay.."
LIKE-! chat omg this is truly just routine for them,,,, Like out of the 3 siblings, Freminet always gave off the biggest child assassin vibe, but wow. To see that routine and desensitized nature of the HotH's line of work just,, splayed out in a Character Trailer is . wow. and the look in his eyes as he says it is- wow.
YEAH UHH BLOODSTAIN ON HER FACE??/ The lighting in this scene now is evidently less saturated. And it's just- oh my FUCKING GOD it does so many things:
the blood on Arle's face looks... dry. it doesn't look as fresh as you may expect which could mean many things. It could mean she spent,,, hella long in there with that guy doing what needed to be done. It could mean she took care of something else immediately after dealing with that guy (perhaps smth related to the children Snezhevna wanted to save). But regardless, it means she didn't put in the effort to clean her face and hide what happened. OBVIOUSLY !!! that is so . obviously her style but to S E E IT IN MY GENSHIN IMPACT CHARACTER TRAILER it's- oh my god
it serves to highlight the really, truly, bleak nature of the scene now that we know plain and simple Arlecchino just killed a man. There's no subtext, there's no reading between the lines. The only thing that didn't happen is that we didn't see contact nor see a body. But, no sugarcoating, Arlecchino killed a man. No one is hiding it. You are not surprised. No one should be but damn.
and ofc it acts as a representation of Snezhevna dying...
because it seems like the saturation is back once the camera switches to looking at Snezhevna laying in bed.
And is it me, or does it look like Arle's allowing herself to actually display a tinge of worry in her expression this time? And also, EVER so slightly in her tone as well. You can feel it, it's gentler.
"Once I'm better I'll start my next mission.."
THIS. THIS!! IN SO MANY WAYS THIS!
OKAY. so bear with me. I haven't actually read any of the sibling's character stories yet, so there could be a LOT of info I'm missing but:
There's still a pretty thought-provoking conversation going on (in MY mind, at least) about just how intensely these children are being trained to be soldiers for the Fatui. They're obviously in an environment that indoctrinates them into being soldiers of SOME kind, but I still don't know what kind of soldier that's supposed to be. Are they all ALWAYS extensions of the Fatui? Or are they more-so extensions of Arlecchino specifically..? Snezhevna was obviously trying to help those children she came across, and I'm assuming that happened on her latest mission, so was the mission for a charitable cause?? What was her next mission supposed to be?? Same line of work? Saving people? Or would it switch up and was she going to be sent to "take care of" (kill .) someone???
So I don't know whether to interpret that line as a hint of them being overworked and 1) feeling like they need to continue their work out of pure fear that they'll be deemed ineffective and useless... or 2) feeling like they need to continue their work out of a sense of loyalty and duty to the place that took them in and raised them. Or both..
and ofc the funeral scene. I can't say much more than what's already shown right on the screen.
and am I bugging? Or is the location of the grave....
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