#i didn't expect to write this much

[bluerosefox]

Timelines, Red Robins, and Kings

When Tim Drake, who was tossed in the Pits after losing his spleen, suddenly crash lands in Clockworks Tower during Danny's Ghost King lessons, all the time keeper says with a 'I know more than you' smile "Ah, so it's this timeline being played out. How fun this will be. Danny, come. I have a new... friend for you to meet."

"CW...." Danny starts, staring unbelievable at his Ghost King mentor before sighing "Why are you like this?"

"Hush now my King. You will thank me later for the introduction between you both but for now summon forth Frostbite, we'll need his medical expertise for this one "

[miraculouslbcnreactions]

Keep hearing people say maribug keep asking adricat if he's ok and he keep saying he's ok instead of telling her his problem but I don't remember it happened more than once in s4 in Rockettear but even then the circumstances of that episode did warrant the "nothing" answer he gave her unless he want to tell her that "nino tell me you let nino and alya know each other identity" which will reveal adricat identity. So when else did she ask? about the thing in hack-san, I think another credit goes to alya since she's the one who bring the topic to maribug who seems to be blissfully unaware that her leaving without telling adeicat that she send subtitute would be a problem.

I didn't get into this side of things in my other post because it was long and I wanted to focus on why Chat Noir's behavior was so frustrating, but this ask brings up the other big reason why the season four conflict was such a frustrating and terribly written plot line. Specifically, the part of your ask where you point out that Maribug seems blissfully unaware that her actions are having a negative impact on Chat Noir until someone points it out to her.

Yes, she is presented as blissfully unaware of this and every other interpersonal conflict we're given in season four. Your ask treats this as a failing on Maribug's part as if she should have obviously realized that she was in the wrong, but that's the whole problem. Telling kids - telling anyone really - that they should just magically know what others need is a frankly terrible life lesson as that's just not how the world works. You cannot just assume that everyone will have the same view of the world as you do and instantly pick up on the same issues as you do. That is the path to easily avoidable frustration and conflict. It also teaches people to assume that their view of the world is inherently correct when that is rarely the case. We often don't know the whole story and the other person's point of view may end up being equally or even more valid. This issue is extremely present in season four as Marinette has legitimate reasons to behave the way she does, which I'll get into in a bit.

If Marinette were written as feeling guilty about how she was treating Chat Noir, then this would be a different story. She'd be way more in the wrong and would shoulder a much greater portion of the blame. But as is? She has no idea that she's doing anything wrong. And until someone takes the time to tell her that her actions are causing harm, she is going to continue causing harm because she has no idea that she's causing harm.

In fact, I'd argue that the Alya thing in Hack San is a point in Maribug's favor. Throughout the episode, we see Marinette sending Alya messages on ways to be a good partner to Chat Noir, proving that she does in fact care about him. And then, as soon as Alya says, "You need to talk to Chat Noir," what does Maribug do?

She goes and talks to Chat Noir, giving him a pretty good apology for the problem she now knows she caused. Because, shockingly, Maribug doesn't actually want to hurt her partner. She also clearly cares about his feelings, making me want to take the season four conflict and tear it into itty bitty pieces because what is the conflict even supposed to be when you write shit like this?

I want to briefly step away from Miraculous and talk about this issue in a broader context via this YouTube short:

This short is from a Vietnamese woman who moved to Germany. Her YouTube channel is about her experiences there, including things like the short above which goes into the differences between what it means to be a dinner guest in Vietnam and what it means to be a dinner guest in Germany. In Vietnam, it's apparently standard for the guests to cook dinner with you where as, in Germany, you're expected to have the meal ready when the guests arrive, making this a situation where it's super easy to come across as rude just by doing what you think is normal.

Society is relatively aware that these types of culture clashes are a thing, but you don't have to be from different cultures to have these types of situations. Every person has their own unique needs and ideas of what "normal" is. The culture they were raised in will affect this, but so will their family, their personal needs, and many other factors. Two people can be raised on the same street and wind up with wildly different world views even though they supposedly share a culture. This is extra true when you add in compounding factors like neurodiversity, which is why it's an exercise in futility to say, "But Maribug should have realized..."

Well, she clearly didn't. And you can't change that she didn't realize whatever you're mad about. All you can do is have someone tell her what she's doing wrong. If she then continues the behavior, go ahead and judge away. But if she immediately corrects it like she did in Hack San? Doesn't that just prove that she truly didn't know that Chat Noir was hurting and would have probably fixed all of his problems if someone just pointed them out to her?

This is only exacerbated by the fact that Marinette's behavior in season four is largely unchanged from her behavior in previous seasons. The only major change is that she revealed her identity to Alya, but as soon as that's pointed out as a problem, she course corrects with an apology. After that, she thinks that everything is okay because why wouldn't she? Chat Noir said it was fine and everything else has been business as usual.

Bringing temp heroes into help as needed? That's been going on since season two. Having these additional members has been vital in multiple battles and there have been plenty of times where Chat Noir took a background role to the temp hero of the day like in Sapotis, Rena Rouge's season two debut. So why would Maribug suddenly think that this dynamic is a problem when it's been working fine for so long? We even had a whole episode about how Chat Noir was still needed in spite of the new heroes back in season three! Or, at least, I think that was Desperada's message? This show is shockingly bad at giving clear lessons.

Keeping guardian knowledge from Chat Noir? That's also been going on since season two and was even treated as a conflict that supposedly got resolved in the episode Syren which was the episode that ended with Master Fu coming to the mansion to talk to Adrien after everything was over.

When I watched that episode, I assumed this meant that Chat Noir was going to be more involved in things like picking the temp heroes. I actually thought this was how we were going to get Queen Bee because I knew she was going to be a thing, but it made no sense for Marinette to pick Chloe for a miraculous. Of course, I was wrong. Nothing changed after Syren. Chat Noir remained nothing more than the comic relief while Ladybug got all the insider info.

To be clear, I think that was a terrible move writing wise, but it doesn't change the fact that this is what they went with. This is the established dynamic. I can't even say that Alya learning Marinette's secret led to something new. She's just taken Marinette's old role while Marinette has taken on Master Fu's old role. This show loves it's status quo and Chat Noir has been at least tolerant of that status quo since Syren, so it's not surprising that Maribug doesn't register that this is a thing that should change and no one bothers to point it out to her even though she has a mentor in Tikki (and Su Han, I guess?) and a confidant in Alya and a whole slew of Kwamis who could also provide insight if they were allowed to do that sort of thing. (Sass and Wayzz were robbed of mentor roles.) Additional blame goes to Plagg because he should absolutely have told Adrien to talk to Ladybug. What is the point of giving these characters mentors who never mentor? It's aggravating in the extreme.

To circle back to the first part of your ask, outside of Hack San and Rocketear, I don't think there are any times when Ladybug invites feedback from Chat Noir unless you want to give credit to the end of Kuro Neko:

Cat Noir: (lands next to her) I've been a really temperamental kitty, m'lady. I didn't realize how much trouble I'd make for you by giving back my Miraculous. Ladybug: (sits closer to him) Just because I don't need you all the time doesn't mean that I don't need you at all, Cat Noir. No one could ever replace you.

Which isn't Maribug inviting him to tell her what's up, but she is clearly willing to listen to him and reassure him, further backing up my point about this conflict being some of the worst writing I've ever had to suffer through. If Maribug always fixes the issue as soon as she learns about it, you are not writing a situation where she's clearly in the wrong. You are writing an easily solved communication issue where she gets blamed for something she clearly doesn't realize she's doing wrong and it is so frustrating!!! I feel so bad for her. The next episode is Penalteam, btw, which starts the battle with this gem:

Ladybug: (laughs) Nice scare tactics, but it's not gonna work. Cat Noir and I are the best at soccer! Cat Noir: (Whispers to Ladybug) I don't know a thing about soccer M'lady. Maybe it's time to call the real team?

And basically just spends the whole episode making Chat Noir seems like a worthless partner while Maribug tries her best to make him - and everyone else - feel special.

Oh, and the episode before Kuro Neko? Well, it's technically Ephemeral, but that got magically overwritten so let's go one further back and we get to Dearest Family, which ends with this:

Cat Noir: (grabs a golden paper crown on the coffee table) Since I'm the king, (wears the crown on his head) would you be my queen, Ladybug? Ladybug: With pleasure, kitty cat! Tradition is tradition!

Oh yes, these two are in such conflict and Maribug does nothing to validate Chat Noir. He's in pain every episode and she's just totally oblivious to it.

If that was what they wrote, then I'd probably agree that we needed more instances of her asking if Chat Noir was okay. But it's not what they wrote. If you look through the list of season four episodes, you'll find that less than half of them deal with the supposed conflict of the season (by my count, only 8 of the 24 episodes before the final actually showcase the conflict and they are not in a logical order in terms of escalation as I tried to demonstrate above). The rest of the episodes flat out ignore it or even straight up work against the conflict like when Ladybug says this to Chat Noir in Guilttrip: "I probably don't tell you this enough, but I couldn't do this without you. And it'd be a lot less fun too."

Seriously, what even is this season? What is the conflict supposed to be? Because it sure as shit isn't Maribug undervaluing Chat Noir, if memory servers, season four sees her validate him more times than any other season. And it isn't her guiltily hiding things from him like so many fanfics claim because we have multiple points of evidence that prove that she's completely oblivious that there even is a conflict. So what conflict are the writers actually trying to write?

What's even more baffling is that none of this logically leads to the loss at the end of the season:

Maribug's new secrets didn't lead to her downfall. The only reason she lost was because of the secret that's always been there - a fact that's never revealed to her - and a freaking evil twin! So why did it matter that Maribug was keeping secrets? This is made even worse by season five maintaining all of the secrets, once again begging the question of what lesson were we trying to teach here???

Chat Noir wasn't needed for the final fight of the season, Maribug only needed the powers of a few of the temp heroes to win, a baffling ending to a season whose focus was Chat Noir feeling unimportant. You could scrap that conflict entirely and the ending would not change. In fact....

Adrien quitting to be nothing more than a good little boy who obeys his father would have actually saved the world from eventually being rewritten. If you think about it, the season four final actually punishes Adrien for being defiant. So does season five as, if Chat Noir had quit, his father would still be alive. I thought this show was supposed to be a romcom, not a tragedy. Why is Adrien being punished for being a hero? Is this supposed to be karma for lying to Ladybug with the whole Catwalker thing?

This shit is why I say I'm a writing salt, character sugar blog. I can't get mad at the characters when they're in such a nonsense story where things never logically tie together. They all deserve so much better.

None of this is meant to imply that ignorance is a blanket excuse for hurting others. Nor is it meant to imply that you have to forgive someone who hurt you just because they didn't mean to. There's a ton of nuance around these topics. But season four acknowledges none of that nuance while creating a situation that desperately needed nuance because there was no clear right and wrong here. Should Maribug work to be more aware of others feelings? Sure, but that journey can only start after she's made aware of her faults and no one ever points them out to her. Does Chat Noir need to work on clearly communicating his needs? Desperately, but no one is teaching him that lesson so he remains a terrible communicator who suffers in silence. What impressively bad writing.

[lavi-gs]

Today, q!Missa:

When Roier said Philza's name, he yelled in front of everyone at . "Long live! I love you!"

Missa said he didn't like alcohol, and he threw away all the alcohol they gave his, except the one Philza gave his and that was the only one he drank.

He guided Philza on the dance floor, making them both dance in sync.

Although Missa was so confused and scared by all the information, when Philza said that he would not rest until he found their children, Missa replied "I will be with you, we will find them."

When Mouse called Philza smart, he added whispers "Yeah he is… and handsome"

When everyone is running in the dark, not sure where to go, he ran in the opposite direction to everyone, and said "I'm gonna follow Philza I don't know about y'all take care but I'm going with Philza".

I fight alongside him despite his lack of experience. "I'm not even scared when philza is here!"

When Phil was gonna go off on his own, Missa clung to him. "Where will you go? No, no, I want to go with you. Forget it guys, I'm on a date."

He got angry at himself for becoming clumsy around Phil. "With that I endure life- I endure for life. 'Missa! Speak well! You make me nervous Philza-'."

When he was infected with the virus and thought he might die, he shouted "No, I'm going to die, I have to do everything I want to do before I die… Philza, give me a hug!"

For the first time in a long time, Missa said goodbye properly and promised to return.

And he did it!

But-

[placeofwonder]

lately: enjoyed my beautiful town in the sun and reviewed two plays for the student magazine, which is a great outlet for the part of my brain that wishes I was still studying humanities

[blindmagdalena]

The Athenaeum Portrait

18+ 4.7k homelander x f!reader. established relationship, first time having sex, reader has a complicated relationship with sex, abuse of superpowers for cunnilingus, overstimulation, penetrative sex, lite sublander, praise kink, slight coercion, unhealthy dynamics, implied codependency, implied verbal abuse.

Your relationship with Homelander is a delicious, precarious thing. Like a perfectly ripe peach, its closeness to something bruised and rotten makes it all the sweeter.

AO3 link. inspired by this anonymous prompt. thank you! 🖤

Homelander did not enter your life so much as he bull-rushed into it, a living whirlwind that uprooted you and hurled you into a familiar yet strange new world as unceremoniously as the tornado that took Dorothy to Oz. 

Vought Tower sparkles just as vibrant as the Emerald City, and provides no less surreal of a backdrop to your new life. Homelander's penthouse is a bizarre caricature of personhood, loaded with hundreds of years of American history. It would ring false, just another aspect of his brand, if not for the fact he can—and often does—regale you with a laundry list of historical facts on any piece in the collection.

This is how you find out that Gilbert Stuart is one of his favorite painters. When you ask Homelander why that is, he shrugs. "He painted over a thousand portraits, and he's most famous for the one he didn't finish. Ironic, huh?"

The Athenaeum Portrait, it's called. An unfinished portrait of George Washington that was replicated and sold by Stuart over a hundred times before his death.

The original was never completed.

The more time you spend in proximity to him, the more you start to understand why the piece resonates with him. You see replicas of him sold throughout the world on a daily basis, his face synonymous with Vought’s branding. There is a completeness to the commercial image of Homelander, America’s wholesome hero, but behind closed doors, you see his frayed and unfinished edges.

You feel his desperation for someone who will complete him in the way he touches you. He takes hold of your hands and brings them to the places where he is sketched at best, a ready and yielding canvas for your fingers. He likes when you stroke his hair, and sometimes touching his face turns his eyes glassy. There is a woundedness to the way he seeks your love, like he’s never entirely sure whether to expect the carrot or the stick.

You’ve never raised the stick to him, but it’s clear that those who came before you certainly did. It’s difficult to imagine that a man as powerful as him has been hurt like this, but he is a painfully obvious man at times, wearing his emotions like the scars his impervious body will never show.

When you lie down to read on the couch, he’s drawn to you like a magnet. He has no problem making space for himself within your bubble, sprawling on top of you, snaking his arms around your middle, his head settled on your sternum. You smile to yourself and rest your book on the top of his head as you read.

He gives a small grunt of complaint, but you’re fairly certain he’s smiling, too.

For every night of domestic bliss, so too are there sudden perils. Unexplained nights of absence, wild mood swings, fits of paranoia. He fights as many battles in his own mind as he does on the city streets and on foreign soil, a living weapon used to the fullest extent by Vought and the American government.

It feels like you lose him temporarily, like he becomes someone else. He paces around you like a caged tiger with his teeth bared, daring you to give him a reason to bite. You never do, and he never does, but sometimes you worry just how close of a call it was.

Occasionally he comes to you spattered in muck and bloody viscera. On these nights, he can’t seem to comprehend your presence, your gentleness, your love. It’s as if these concepts ring false in the wake of everything he has been made to endure. It’s suspicious to him that you would love something so repulsive, so opposite of everything Vought has polished his image into being.

He screams at you for this, takes you by the shoulders and demands you explain what he cannot understand, but you can’t. You can’t explain something that you don’t always understand.

Your relationship with Homelander is a delicious, precarious thing. Like a perfectly ripe peach, its closeness to something bruised and rotten makes it all the sweeter.

When things are good, they’re very good. He’s sweet, a romantic who learned everything he knows about romance from jewelry ads and Valentine’s Day specials. He brings you roses on random days of the week and adores showering you in gifts, especially the kind you wear. He tends to gravitate towards soft, velvety fabrics for your clothes because he likes the feel of them. He buys you perfumes that smell like vanilla and pink pepper. He likes fresh, warm scents. Nothing too floral or artificial.

Most importantly, he likes you. There’s rarely a day that the two of you don’t make each other laugh. His sense of humor is strange, but in the same way that yours is. Sometimes it feels like you’re two aliens creating a brand new language that only the two of you will ever know. The more time you spend together, the less the people outside of your relationship seem to understand you.

Not that it matters much. You spend the majority of your time with him these days, consumed by the excitement of this thrilling new thing the two of you share. Homelander is profoundly tactile, always needing to feel or touch you in some way. He loves to kiss you, content to make out languidly with you until your lips start to chap.

You’ve learned to keep lip balm on hand at all times.

Inevitably though, his hunger for intimacy outgrows quaint touches and kisses. You’re cuddled up together on his couch, only half paying attention to the movie playing. Homelander is nuzzling at your neck, pressing warm, wet kisses to it while his gloved hand slips beneath your shirt, fondling your breast through your bra. There’s something endearingly innocent about it, like a fumbling teenager piloting the body of a man in his forties.

Sex is nice enough. You have nothing against the act, but you’ve never felt as though you get as much out of it as the partners you’ve had in the past. Homelander’s touch feels good to you because it’s his, and because you know he wants to make you feel good in his enjoyment of you. You reciprocate by pushing your fingers into his hair, nails scraping along his scalp, eliciting a sweet, rumbling moan from him against your neck.

“Want you,” he mumbles fervently against your skin, his need so palpable it gives you goosebumps. “Can I have you?”

You knew this was coming. It’s not that you don’t want to fuck him, it’s that he’s not the only one whose portrait feels incomplete. You’re a fully grown adult, and never in your life have you managed to pleasure yourself to completion. In your youth, you’d just faked it for partners once you’d had your fill. With Homelander, you’re not even sure that would work. You’re not sure you would want it to.

He’s got a thing about lies, even little white ones.

You swallow and softly say, “Yes.” Ultimately, you do want him to have you. You just hope that what he gets doesn’t disappoint him.

He smiles into the crook of your neck, withdrawing his hand from beneath your shirt. He kisses you as he gathers you effortlessly up into his arms, carrying you to his bedroom. His strength is another aspect of why sex has made you nervous: the internet is full of horror stories of accidental sexual mutilation occurring between humans and supes. 

However, Homelander seems hyper aware of your fragility versus his power. He’s never harmed you. It seems to come naturally to him after years and years of navigating a world not made to withstand him. In the same way you’re capable of handling an egg without shattering it, he has learned how to hold you.

He lays you down on the bed, and then begins the ritual of shedding his signature suit, starting with his belt. You recline, content to watch him, but your gaze seems to make him uncharacteristically self conscious. You’ve never seen him without his suit before, another little quirk that you’ve largely just accepted to this point.

“Aren’t you gonna…” He gestures vaguely to you, expecting you to undress as well.

“Just enjoying the show,” you say coyly, attempting to lighten up a bit of the tension in his expression.

It doesn’t work. The furrow of his brows deepens slightly. “Ah, well. Y’know, the suit, they uh, pad it up some, so don’t–it’s different,” he says, fumbling over his words.

Your expression softens. “I know. It’s okay. I’m excited to see you,” you say, sitting up. In solidarity, you pull your shirt off first, and then wiggle out of your pants, kicking them off the bed. Homelander smiles at this, and works his pants off the rest of the way, kicking off his boots as well, leaving behind just a pair of dark red briefs. You sit up on your knees to help him with the fastenings of his suit top, which he seems to be the most apprehensive about.

To distract him from it, you kiss him. He melts eagerly into the press of your lips, slipping his tongue between yours with that same hunger to taste, to feel, to have. He’s bolder now that you’re no longer playing the part of spectator, shrugging his top from his shoulders and letting it fall with a surprisingly heavy thud to the floor. His ungloved hands skim up your sides, warm and positively thrumming with excitement.

You explore him as well, mapping out the slopes of his body that have previously been hidden from you. He’s leaner, more manageable than the ridiculous bulk of the suit. Part of you had always assumed there was a level of exaggeration in the chiseled, over the top musculature of the suit, but his build is still more slender than you expected. Regardless, it does nothing to detract from his raw strength as he catches you by the backs of your thighs and flips you onto your back, startling out a giddy bark of laughter from you.

He grins down at you, descending to catch you in another slow, consuming kiss, making space for himself between your legs. His lips trail from yours to the corner of your mouth, your jaw, your neck. He turns his head to messily suck two fingers into his mouth, and then slips his hand down the front of your underwear. He finds your clit with surprising precision–someone definitely taught him that–and begins to rub slow figure-eights over it, as gentle as he is deft. It does feel good, so you close your eyes and try to simply enjoy it for what it is, for the touch and warmth and intimacy of it all.

It doesn’t matter if you don’t come. This is still nice. You can feel his desire for you in the heat of his body, in the hot huffs of his breath wafting across your skin between kisses. He eventually slips a single finger inside you, patiently working you open. You drag your nails up his back and into his hair, breathing deeply, willing your mind to pause and let you experience this pleasantry in the same way you would a hot bath or a nice massage.

However, no matter how you try, the looming matter of expectation weighs heavily on your mind. You’ve never been comfortable with the attention being solely on your pleasure: it feels like dangling a treat in front of someone on a treadmill. They’re running for something they’ll never reach.

“Hey,” Homelander calls quietly, yanking you from your mental downward spiral. You see him above you, no longer tucked against you, working your skin with his lips and teeth. His brows are slightly furrowed. “You’re quiet. Am I doing something wrong?”

“No,” you exhale, the question immediately putting a wash of guilt through you. “No, not at all, feels good. I’m just really in my head right now,” you admit, cupping either side of his face. “You’re doing great, I’m ready. I want you inside me,” you tell him in a breathless flurry, pulling him down into a kiss. 

He does relax at that, sinking in against you for a moment before lifting himself back up. He shucks his underwear down and then pulls yours off as well, lifting both of your legs over his shoulder as he slips the panties completely off of you. While he does that, you unclasp and toss your bra aside. He turns his head to kiss the side of your leg before he lowers them both back down around his waist, lowering himself back down atop you.

The thick head of his cock presses wetly to your cunt, sliding up and down, spreading his slick and yours. You can already feel his excitement in the tension of his body, his shoulders drawn tight beneath your hands. You knead them, rolling your palms against steel-woven muscle. “That’s it,” you encourage, working to relax the both of you. “Nice and slow, mmm… Fuck, you’re big,” you say, biting your lip as he spreads you around the girth of his cock.

“You’re tight,” he moans in response, already sounding frayed. He moves his hips in slow, slightly jerky motions–clearly holding back for your comfort–until he finally bottoms out, keening so sweetly in your ear you can’t help but stroke his hair, hushing him.

“Good, good, feel so good in me,” you coo, the words a familiar script. He shudders for the praise, kissing down your chest, mouthing hungrily at your breast, the same he’d been fondling earlier. His mouth is hot and wet, perfectly pleasant as he sucks at your nipple, moaning into your skin. You cradle his head in both hands, adjusting to the onslaught of sensation. 

It’s been awhile since anyone fucked you. The feel of it is just as alien as you remember, but you’re distracted by the persistent swirl of his tongue alternating with the pull of his lips as he lavishes attention on one breast, and then the other. With his bare skin against yours, you’re more aware than ever of the superhuman frequency of his body, how he seems to literally vibrate with restraint and eagerness in equal measure. It’s like there is a line of semi trucks driving by you, the bed itself buzzing with it.

“You’re amazing,” you marvel quietly, tightening your legs on either side of him to feel that preternatural hum against even more of your skin, tingling your inner thighs. “You feel amazing.”

He grunts out a needy, strained noise at that, followed by a jagged thrust deep into you. To your surprise, you realize then that he’s coming apart, dull nails biting crescent marks into your skin, clutching you as tightly as he dare allow himself. You thought that maybe his powers would give him superhuman stamina as well, that he might fuck you raw before he came, but if the shaky cadence of his thrusts are any indication, he’s already holding himself back.

“I can feel how bad you wanna come,” you murmur, carding your fingers through his hair. “Mm? You can, you can come in me,” you say, feeling his whole body shiver from your words. You clench, tightening up around his cock so suddenly that it makes him gasp.

“Fffuck, fuck, oh god, y’can’t–fucking Christ, you–mmm, fuck!” He rasps, choking on his own breath as he comes, burying his face between your breasts at the same time he slams in deep, fading into tight, erotic little whimpers as he loses himself to the rhythmic clench of your cunt. You do it purposefully, milking him of his orgasm, enamored with how thoroughly you’ve reduced a demigod to these simpering noises. The flood of come is hot inside you, already dripping out where your bodies are connected.

All that, and he still never lost control. You doubt his fingerprints will even bruise, though you find a part of yourself wishing they would. 

Homelander comes down gradually from his high, limp against you, breathing shallowly against your skin. He looks dazed, eyes only half open. It’s cute, which isn’t a word you necessarily would have ever thought to associate with The Homelander before you started dating him. When he looks up at you, you smile, already more satisfied than you’ve been with sex in your life.

“That was playing dirty,” he tells you, voice a touch fried.

“I just wanted to make you feel good,” you respond simply, watching as he nuzzles into your hand.

He rumbles out a low hum, kissing your palm. “Which means it’s my turn to make you feel good,” he says, moving to slide out of your hands. You stop him, taking hold of his arm.

“You don’t need to,” you assure him, tugging gently to lure him back up. “Really. That felt incredible.”

He frowns, looking every bit like a confused puppy. “But you didn’t come.”

“I know,” you say, that ball of tightness coiling back up in your gut. “It’s okay.”

He exhales an incredulous little scoff. “What kind of boyfriend d’you take me for? I’m gonna make you come,” he says, shrugging off your hand as he moves down your body, sliding out of you.

“Homelander,” you implore, reaching out for him. “Really, it’s okay, you don’t need to–”

“What, you don’t think I can?” He asks. You can see the challenge in his eyes, but you also recognize the potential of a stinging wound to his ego in those words.

You sigh, folding your arm over your eyes as you lay your head back. “It’s not that I don’t think you specifically can, I’m… Eugh.” You take a deep breath. “It’s not something that I do. I can’t. I’ve never been able to,” you say to the darkness of your arm, fingers rolling apprehensively. “And I don’t want you to take this as some kind of challenge, and then be upset when it doesn’t happen,” you say, speaking from very specific experience.

The space between you is silent for long enough that your curiosity beats out your apprehension, and you lower your arm. Homelander stares at you from between your legs, expression pinched, eyes flickering slightly, as if he’s solving the world’s most complicated puzzle in his brain. His eyes narrow softly, his bewilderment showing.

“Like… You haven’t come… Ever?”

“Ever,” you confirm. “It’s not that I haven’t tried, there’s just something broken.”

He processes that a moment longer. “But all of this still felt good, at least… Yeah?”

“Yeah, yeah, of course it did, I liked it. You really do feel amazing,” you assure him, lest he think you were lying with what you said earlier. “It just never finishes for me. That’s all.”

“Alright,” he says, the gears in his brain clearly turning. “So. Sure, no crossing the finish line, but I can still, y’know. Take you for a cruise? A little joyride?” He asks, making you laugh softly.

He really is cute. Sweeter than one might expect, too.

“A joyride?” You echo with a quirk of your brow, smiling.

He smiles, too. “Yeah. No destination, just a little drive.”

“I can do a little drive,” you say, feeling that knot of tension in your gut begin to untangle itself.

“Good,” he purrs, shouldering down between your legs. “Gimme that pillow,” he says, which you promptly do. He slides it under your ass, adjusting your hips until the angle is just right. He smooths his hands up and down the outsides of your thighs, glancing up at you. “Now, you just sit back and relax. Close your eyes, and imagine some smooth jazz.”

“I hate jazz,” you laugh.

He laughs as well, breath rolling over your wet pussy in hot waves. “Well, fuck, imagine something you do like.”

Relaxing back against the bed, you exhale a deep breath, closing your eyes. The first wet, hot slide of his tongue makes you jump a little. He responds by gripping your thighs and pinning you still, which does admittedly run a little thrill up your spine. You test his grip by pushing against it, and when that fails, pulling away, but neither grant you any leeway.

“Squirming already?” He asks between drags of his tongue.

“I like feeling your strength,” you say through a pleased little smile.

He gives an intrigued hum at that and spreads your legs wider, forcing them down against the bed. To even your surprise, that pushes a small, thin noise out of you. Encouraged, he presses his tongue inside, lapping up the mess he made inside you. It feels fine enough, but after a bit of his tongue pushing in and out of you, you give his hair a little tug. “Clit,” you say simply, a command he happily obliges, drawing back up to suck your clit between his lips.

Without the looming pressure to achieve some kind of euphoric release at the end, you find yourself more capable of simply enjoying this for what it is. Homelander is good at this, but it’s really his persistence that elevates the experience. At no point do you feel him begin to waver or slow, or shift and breathe in impatience. He’s relentlessly consistent, swirling his tongue and lapping at you like he’s starved for the taste.

You sigh, idly scratching his scalp as you toy with his hair. “Mmm, that feels good,” you say, more aware of the effect your praises have on him. He makes an appreciative noise, nuzzling into your cunt. One odd thing is that your clit is starting to ache in a way you’re unfamiliar with. You shift back a touch, but Homelander pulls you right back in.

“Greedy,” you accuse, which draws a low laugh from him, the rumble of it making you shiver a little. You must be growing oversensitized. You’ve lost track of how long he’s been at this.

He pulls back, and the cool air almost stings for the loss of his hot mouth, but that ache was beginning to grow uncomfortable anyways. You’re just about to thank him for his service when a whole new sensation steals the words right off your tongue. You don’t even know how to describe it: hot, pressure, but weightless. Your whole body jerks, but Homelander keeps you still, forces you to endure whatever the fuck it is he’s doing now.

“Wh-what the fuck is that?” Watching him, comprehension dawns; he’s blowing on your clit, lips pursed, forcing out a concentrated stream of warm, almost hot air that has your thighs quivering in his grasp. “Oh fuck,” you gasp, equal parts bewildered and overwhelmed. You try to close your knees, but once again, his hold is completely unrelenting, keeping them spread wide. Immediately that same ache is skyrocketing back up, spreading tightness low in your belly.

“Hold on,” you groan, gripping his hair tighter. You expect it to end before too long, for him to at least need to inhale, but beyond all logic and reason, he just keeps going. The heat of it is surreal, the weightless pressure of it constant. Your toes curl, heels digging into the bed while every muscle in your body starts to lock up.

Homelander’s gaze flickers up to meet yours, nothing pure wicked delight in his eyes. Just as suddenly, he descends upon you, tongue feeling hotter and wetter than ever as he dotes on your clit with it, focusing it with alarming precision. The abrupt change in sensation makes you thrash, stumbling over a stream of nonsense as you pull at his hair, that aching tightness now so prominent that you can hardly take in a breath.

“That’s enough, that’s–fuck, Homelander, it’s too much, it’s too much, s-stop, s–” your pleas erupt into a gasp because he’s focusing that stream of air right back on you again, the feel of it so surreal, so indescribable that your brain can hardly function around it. Your eyes roll back, you writhe, but he’s so much stronger than you’d ever really wrapped your mind around. He’s entirely unyielding in a way he’s never felt in your arms, against your body on the couch. He’s more inhuman than he’s ever been, and it’s driving you wild. 

Tears gather in your eyes. This  assault of sensation walks the knife’s edge of pain, but never quite falls over it. Your whole body is throbbing, and you feel like you’re going to fucking explode. He twists that knife by taking you again with his tongue, swirling and slick in contrast to the dry pressure of his breath.

“H-Homelander, Homelander, please, I’m–I’m–fuck!”

The world turns white, and suddenly you can’t breathe. You hear yourself make a strained noise you’ve never heard before, but it might as well not even be you. You’re somewhere outside of your own body, floating in a torrent of indescribable sensory input that is so alien to you, you don’t even feel real anymore. Homelander isn’t holding you still anymore, but you can still feel him slowly lapping at your throbbing clit, watching you through foggy eyes as he licks you through your first orgasm, no doubt tasting and smelling the endorphins that flood your body.

Every single taut muscle in your body snaps like the strings of a marionette, leaving you to collapse limply on the bed, panting through it as your soul gradually descends back down into your body. Blissfully, Homelander ceases his torment and joins you, laying sideways with his head propped up in his palm while his other hand rests on your hip, thumb rubbing soothing circles. 

“Oh my God,” you whisper eventually.

“Please, you can still call me Homelander,” he says, sounding just as smug as one would expect him to be after such an accomplishment. If you had any power whatsoever left in your lifeless arm, you’d smack him. However, he quickly makes up for it by drawing you gently into his arms, kissing your forehead. 

“I can’t believe you did that,” you say, more malleable than ever as he adjusts you both beneath the blankets. “I thought I was going to die.” It’s only a slight hyperbole.

Homelander laughs softly, beaming at you with pink cheeks and a sly, delighted little smile. “See? Nothing’s broken,” he murmurs at your ear, catching you off guard. That had been such an offhand remark, you didn’t expect to hear it come back around.

“What if I hadn’t? What if all that, and nothing happened?” You ask, adjusting slightly while he entangles his limbs with yours, bodies slotting together like jigsaw pieces. You’re both jagged in all the right ways, fitting nicely together.

He gives a small shrug, stroking his knuckles up and down your spine. “Still would’a been a hell of a ride. Not everything has to be finished to be good.”

Slowly, you smile. “Yeah. I guess you’re right.”

Loving Homelander isn’t always easy or good. There are times when he makes it hard, and there are times when you make it hard, but if there’s one thing you’ve learned in this lifetime, nothing worth doing is ever easy. Love may start as an incidental thing, a passion that ignites as readily as tinder, but the upkeep of it is more like pottery. It’s messy, and even once you get the shape of it right, you don’t always know how it will react to the heat necessary to give it solid form. It can be broken, it can be fixed, it can even be remade, but never is one the same as the last.

Still, even when it hurts, when it’s frustrating, when it doesn’t turn out the way you wanted it to, the euphoria of creating something so beautiful keeps you coming back to it. When the same love that burns you can also warm you against the cold, coat your throat like honey, and fill your night sky with stars to guide your way in darkness, it becomes impossible to let go of.

To love something is to heal it. Everything that is loved is beautiful, even things that are unsightly, unfinished, unappealing. Even things that are broken.

Finally, you think you understand why Stuart never finished his original painting.

He loved it precisely as it was.

[deathlooksgoodonyou-if]

[wavesoutbeingtossed]

I know you don't like discussing the muses but i love your takes and perspectives and i had to ask you about this. after listening to ttpd, did you have the impression that she really loved matty more than any of her exes/previous relationships?. And listening to the whole album as a whole would you call it the ''matty album'' or do you think there are more prominent themes in there than their period together?. (hope this doesn't bother you, feel free to delete if you don't feel like answering it)

hey anon! You're right, I don't really like to get into the muses as I don't really think there's anything to add to the conversation at this point, and ultimately I don't think it matters.

That being said, and with the caveat that I am not Taylor and I do not know Taylor so I cannot speak to her thoughts and can only make relatively educated guesses based on being an avid consumer of her work and a student of the human condition (lol), no I do not think Taylor loved Matty more than anyone else. I think there was maybe a brief period in the thick of things where she *thought* she did because she was not thinking clearly and was in full-on denial, but to me the message that is loud and clear in the album (and more or less explicitly stated in the epilogue) is that it was not any kind of real love affair. It was certainly infatuation and lust and the promise of something more, and there may have been some love as well, but he was in no way the love of her life by any measure.

I would call it a "Matty album" insofar as they're about events in which he was present, sure. But I feel it much more as a Taylor album, if that makes sense, even though I know that's a cop out because every album is to a degree. I can't explain it well, but I don't see TTPD as a Matty (or Joe) album in the way that I would maybe say Red is a "Jake" album or 1989 may be a "Harry" album or even Lover being a "Joe" album whatever, because even if they don't figure in all the songs, that kind of heartbreak permeates so much of the material.

The thing about TTPD and the Matty situation is that the Matty situation is really a Joe situation (which in some ways is actually partially a Jake situation). I always say I hate treating Taylor like a character so I hate speaking about her and her work in this way, but you don't get the Matty situation without the Joe situation precipitating it. It's @taylortruther's now-infamous donut vs. hole analogy. The reason Taylor makes the choices she does with Matty is directly tied to what happened with Joe that made her feel she needed to. Which is not to say Taylor isn't responsible for her own actions or doesn't have agency in her own life, but I mean it in that the situation in which she found herself with Joe, and the pain it caused, is what made the alternative so comforting and perhaps even necessary in her mind. It's why it makes it so hard to "paternity test" the album, because the stories are inherently intertwined and you don't get the former without the latter.

The major "theme" of the album to me is the loss of a very specific, very personal dream, and the way in which she lost it, and the way in which grieving that loss drove her to make the choices she did. We're all talking very delicately about it because it's a sensitive topic, but it's late on Friday and few people are going to see this, so I'm going to say it: it's the give you my wild, give you a child of it all. The yearning she expresses both overtly and sub-textually for having a family in the album is palpable in a very iykyk kind of way, and it's the realization that those plans are not going to come to fruition in the way she had once imagined that drives a lot of the pain she experiences, and makes her jump at the chance to find that again with someone else.

I started a draft post about the theme of womanhood and motherhood on TTPD three months ago that I never finished because I ran out of time and ran out of steam, but it was the most striking thing to me on the album, not because I didn't know that she wanted those things because that's been obvious for years (definitely since Lover, and again, peace put it all on the table), but because the vulnerability she expressed about it on the album is incredibly moving, and it's so generous of her to trust listeners with those feelings and experiences.

Again, it's the thirtysomething of it all.

She is in relationship A which she at one point believes is forever, one which she at one point believes is going to lead to marriage and children. She is so committed to that dream that she either ignores or tries to fix serious issues that may otherwise lead others to think the two people in the relationship are incompatible, both because she loves the person deeply and because she feels that this is meant to be the way she achieves that dream. She gives it her everything, and it still dies a slow, painful, onerous death, and she feels like it may take her along with it. The dream of getting married and presumably having a family gets taken off the table: how we don't know and will likely never know because that is private between the parties involved. All that matters in the context of the album is that those plans never come to fruition and never would.

Then you have relationship B, an old flame who knows just enough buttons to push both to trigger and to flatter. A person who she presumably trusts with very sensitive, personal information as her life slowly crumbles, and this person is telling her all the things she wants to hear because he knows about what is happening in relationship A because she's told him. Person in relationship B doesn't get an "in" with her and sell her this dream unless what happens in relationship A precedes it. It's not a grand love affair for the ages, it's not a mutual decision on building their own dream together. It's Person B learning about what is happening with Person A and saying "I can do that!" even if he can't or doesn't. The dream he sells her is a rental car; it's not his own, he's just borrowing it from someone else and selling it back to her.

And the reason she falls for it is because it is what she aches for the most in her personal life, and she is grappling with it disintegrating, so she (unfortunately for her) falls for the easy way out, and in turn sells herself a story about how this must be fated, and this must be meant to be, because this person wants all the same things she does and she didn't even have to bargain for it! Well, yes, because she fed him the dream in the first place. (Like a mark falling for a sleeper cell spy.) It's too good to be true because it isn't true. IMO Person B doesn't come running out of the gate with the marriage/baby/dream life promises unless he knows that is what she most desires. But what's left unsaid out of all of it is that: those dreams were her dreams because they were her dreams with Person A. It was a whole life they had together, and a whole life they had planned for in some fashion, and a whole life that has to be dismantled in the aftermath.

So all this to say, yes, on the surface, Matty is a "main character" on the album, but truly he's a side character to Taylor as the narrator and person experiencing it and Joe as the ghost bit-player-who-haunts-every-scene. (Again, I hate referring to real people as characters, it gives me the absolute ick, but in this case it's the only way to answer the question.) I jokingly call it the Matty album for shorthand or when I want to say something out of pocket, but really, it's a disservice to the album to say that because it's not a muse album as in it's about the romance (like, say, Red often is), it's about a soul-crushing heartbreak that goes beyond it. The romance is the symptom, not the cause.

The loss of youth is tied in with all this: she's not 22 anymore. She isn't even 32 anymore. She had a very specific idea of what her life was going to look like at this point and had planned for that life, and it goes up in smoke. But again, to bring the womanhood into it all: there is, unfortunately, a deadline for these things. You're with someone for over half a decade you think is going to be your life partner and father of your children and and then he's not. You spent half a decade building this relationship for it to crumble, but now you're in your mid-30s and you don't necessarily have another half-decade to build that trust and faith in someone else before being ready to start a family. And maybe you're scared that anyone else who may become your partner will need that much time to build that trust and faith, because that's kind of all you've ever know in relationships. But lo and behold, someone comes into your life you once had feelings for and maybe now do again and is offering you everything you want and thought you'd have by this point in your life right now. It feels like an elixir that as we find out is actually poison.

That youth is not just the chance for motherhood, but it's also the hopes and idealism and belief in the future that often gradually erodes as we age. But for Taylor as well, it's also tied into the trauma of what she went through particularly in 2016, which kicks off a lot of things on the album as well (her retreat, her relationship with Joe, the pivoting in her career, etc.). That event caused a pretty clear before/after in her life (like a few other events, I suspect), and another major theme in the album is her finally grappling with the full weight of that. They're all different branches of the same tree of the story of TTPD and her life.

I could talk about this stuff forever, but I'm going to stop here because it's long enough and I should save stuff for one of the dozens of drafts I have half-baked lol. But this is just something I needed to get off my chest perhaps.

[luthordamnvers]

'The next time Lena sees Kara, the blonde is 25, and she's in Thorul as a diplomat, to again try to convince Lex to stop the war, to see if they could come up with a solution.

The moment she sees Kara again, it's like everyone and everything else has come to a standstill, and maybe Lena has always been more than a little in love with Kara. She looks incredibly handsome, with a dark coat with gold thread sewn into it with beautiful designs and her family crest.'

As you wish

[kettlefire]

Broken Promises

It wasn't their fault.

Vlad kept trying to remind himself of that. It wasn't their fault when the prototype malfunctioned. When Vlad was curled on the floor of the lab. When screams tried to force their way out of his throat, but all he could muster was muffled choked cries. When it felt like someone had tazed him while also throwing acid on his face.

The pain had been unbearable. He couldn't focus. The voices were barely a haze in the background. Vlad knew something was wrong. So horrible wrong. He just didn't realize just how wrong it all went.

He didn't realize it when he was being wheeled out of the building. Bodies and people moving around him. Vlad could barely see anything. Cooled products were being placed all over his face, blocking out most of his vision. The coolness of the items only seemed to make Vlad's skin burn more, the feeling sinking down to his bones.

But Vlad had seen them. The two of them, just as the ambulance doors closed. Jack Fenton and Madeline Walker. The two held each other, tears streaking their faces.

But that's not what Vlad focused on.

No. What got him was the look of unfiltered horror and disgust. A look aimed at him. At whatever that portal had done to his face. A look that cut so deep that Vlad had felt something crack inside him. The last thing he saw before everything went black.

It wasn't their fault.

Vlad reminded himself after he had woken up alone in a hospital room. Nurses and doctors fussed over him, trying to tell him what was going on. Words that went in one ear and out the other ear.

Everything hurt. Every single atom in his body felt like they were boiled, burning until nothing but ash would be left behind. The medication didn't do anything.

They had to limit him, and he understood. They couldn't risk him overdosing, but it was hard not to cry and beg for more when the relief only lasted a few hours... A few hours that quickly turned to minutes.

After the fourth day, Vlad gave up on hoping. Gave up looking up every time the door to his room opened. He was at a high risk of infection, a burn unit for a burn the hospital had never seen before.

Then it happened. Vlad woke up from another fitful, short, painful sleep to voices. Gentle hands holding his through PPE. He barely believed it when his eyes landed on Jack Fenton.

Maddie hadn't come. Jack made a hundred and one excuses why she couldn't. But Vlad knew why. She was disgusted with him. She probably saw him as broken, tainted with how much ectoplasm had hit him.

Jack had been nothing but apologetic and gentle. His usual clumsiness and heavy hands seemed to vanish. Jack had doted over Vlad for three months.

When the burns healed but turned into infectious acne. Something Jack coined as "Ecto-acne". Jack swore up and down that he'd find a way to cure it. That him and Maddie were working on something, something to fix things.

To return it all back to normal.

Long evenings of Jack's visits helped Vlad. Helped him feel less horrible about how he looked or how he felt. The pain was still there, but seeing his friend's smile and attempts to make him laugh seemed to make it all bearable.

Then, one day, Jack didn't show up. Vlad tried to remind himself that the man had other duties in life. Jack had classes still, and it's already been three months. He couldn't expect Jack to throw his life away just because Vlad's life was on a pause.

When one day turns to a week, then to a month, then to five months... Vlad couldn't keep lying to himself. He had been abandoned. Abandoned completely by the people he thought would always have his back.

The pain seemed to just get worse once Vlad fell into the solitude. Even the nurses and doctors couldn't seem to stand being around him once the bandages were removed.

Vlad felt like he was dying. His body was a nerve ending current of pain. He'd have episodes of not being able to breathe. He'd constantly have cardiac episodes, code blues, crash carts, the whole nine yards.

The doctors didn't know what to make up of it. New teams, new faces, new opinions. Yet Vlad wasn't getting better. He was only getting worse.

As a year passed, and then two, Vlad lost hope complete. He resigned himself to a short future of pain, a hospital bed, and a lonely death. The tears dried up by the third year.

By the fourth year, Vlad stopped talking. He remained curled in his hospital bed. Barely eating, being fed through an NG Tube. Psychiatrist tried to talk to him, but Vlad refused. He completely shut down.

The only noises that ever left him were his choked sounds of pain, when he was choking for air, or when his heart decided to stop beating right.

By the fifth year, Vlad couldn't remember much. He had flashes of memories. Of lashing out to the hospital staff. He was constantly restrained to his bed. He was an angry shell of his former self.

By the sixth year, it was a repeat of the fourth year. Vlad couldn't feel anything else but pain. He found himself starting to hate Jack and Maddie. Hate that it was their prototype that did this. Hate that they had abandoned him when he needed them most. It was getting harder for Vlad not to blame them.

It wasn't their fault.

The seventh year was when things changed. Vlad had been resigned to the NG Tube, having to take oxygen in through a breathing tube as well. His body was barely functioning at this point, barely keeping his heart beating.

Vlad felt something change as he saw how it affected the staff. The ones that were there since day one. The ones that had tried to hold out hope, even Vlad had given up.

He saw it in their eyes. The second-hand pain they felt watching him wither away into nothing. Even as they smiled at him, they checked in on him. The pain was always there, always lingering.

Vlad hadn't realized anyone cared if he survived until the last few moments. When his breathing was nothing but raspy harsh inhales. When the beeping in the monitors started to slow.

Then he died.

Vlad was certain he died. He felt it, his body finally giving under the years of pain and loneliness. He remembers taking his last breath, feeling his body start to shut down, and his vision fading to black.

There was no big bright light, no flash of his life before his eyes. Vlad had just faded. He heard the monitor flatline and heard the people rushing into his room. Heard one of the nurses asking him to stay with them. In the moment, Vlad realized he should have signed a DNR. That was his last thought before he passed.

It wasn't their fault.

It was unexpected when Vlad suddenly felt his eyes snap open, his chest heaving with a deep full breath. A breath he hadn't been able to take for years now. He heard the shocked cries around him, something clattering to the floor.

Vlad's eyes were wide, breathing growing labored in shocked panic. He could feel his heart. His heart was beating strong and heavy in his chest. He hadn't felt that in so long.

Then there was the aftermath. Doctors scrabbling for any scientific reasoning for Vlad's sudden turn around.

His Ecto-acne had completely gone away within the first week. His organs had started to slowly get better, functioning as they should. The only crazy split second recoveries had been Vlad's heart and lungs.

There was another year of PT, of tests, and studies. Vlad made a full recovery, at least physically. The staff started to call it a miracle after the first few months. When it was cemented that Vlad wasn't going to suddenly decline, he was free to go.

And Vlad did. He spent eight long years in that hospital, eight long years alone and forgotten.

It didn't take him long to track down Maddie and Jack. They never separated in the time he had been abandoned. Vlad found a small town called Amity Park, the place where his friends had settled down.

His friends had moved on with their lives. They had gotten married and had a beautiful little girl. She reminded Vlad so much of Maddie with her spitfire personality. Even at just the young age of four years old.

Then there was the boy. Just a small young thing at only two years old. He seemed to have his father's clumsiness.

It was then. When Vlad was watching the happy family of four at the park, hidden away in the shadows. As he watched how happy they all looked. How happy Jack and Maddie looked without him.

Vlad had shed his first tears in years.

It wasn't their fault.

Vlad reminded himself over and over again. It wasn't their fault when he had his first accident. Almost a decade in a hospital, no friends or family, Vlad had quickly realized he truly had nothing.

He had no money. No support. No anything.

Vlad had struggled all on his own, barely keeping things afloat. Barely scraping by. Barely finding a place to sleep. It was hard, and Vlad had only found himself falling back into shutting down.

And then he phased through his bed.

After waking up in a muffled cry from a nightmare. A horrible twisted recounting of the accident. Vlad suddenly found himself in the room beneath him.

Thankfully, it was empty, but it left Vlad with a whole new problem. It took months of deep personal testing and trials. Of learning about all his new abilities. Finding out about what he was exactly.

It wasn't their fault.

Vlad reminded himself as he learned the truth about his recovery. Learned that he was now essentially half ectoplasm. Half ghost. Half dead.

Abilities seemed to pop up out of nowhere. First, there was the phasing, then the invisibility, then the flying, and the next thing Vlad knew he had fire abilities too.

Things finally turned around for Vlad. After sulking for months, turning to alcohol and drugs. Alcohol and drugs that only lasted for a few moments at a time before fading from his system.

Sure, Vlad turned to a life of crime. But he changed things. He stopped letting the actions of Jack and Maddie run his life. He became a millionaire over the course a few weeks. Then he became a billionaire.

The world was watching him. And for once, it wasn't as a medical mystery. Vlad felt on top of the world. He completed the work he had strive to do in college. He built his own portal, and it worked.

Years few as Vlad learned more. Learned everything he could about the Ghost Zone. As he established power and control over many of the ghosts. As they all learned just what a halfa was.

Dalv. Co become a national success. Vlad had stolen his money, but he had earned to keep it. Working his hardest to make a name for himself, to final be someone. Instead of just in the shadows.

It wasn't their fault.

Vlad reminded himself when he received the email asking him to host the twenty year class reunion. He reminded himself when he reacted out to Jack and Maddie, inviting them to stay with him for the reunion.

Even behind the hidden anger and pain. Vlad missed his two friends, his two best friends. If he could just get an apology, then maybe. Maybe Vlad could finally let things rest.

Except it hadn't happened. Vlad found himself feeling bitter as he looked at his friends. Looked at how much older they've gotten when Vlad barely aged a year. All that changed was his hair turning white over the years.

Bitter, as he watched them interact with their children. Children that Vlad didn't have. Children that Vlad wasn't even sure he could have if he wanted to. There was no evidence of a prior halfa, and Vlad didn't know how much that changed things.

Vlad had success, yes. But he had it completely alone.

It wasn't their fault.

Vlad barely kept a straight face in as they had dinner together. As Maddie and Jack boosted about Fentonworks and their kids. As Jack washed him with compliments for Vlad's accomplishments.

Vlad barely made it through, but he did. Kept it all together as he wished them all good nights. He kept it all together until the moment he went down for a quick drink.

He had to remind himself that he had guests. Ghost hunters in his home. Reminded himself he couldn't just fade down to the kitchen. It was smart he hadn't, considering the fact that Jack was down there. Helping himself to some leftovers.

Vlad couldn't fake it anymore. His mask slipped slowly as they sat in the dimly lit room. As Jack blabbered on and on the way he always did.

It wasn't their fault.

Vlad reminded himself again, not realizing it would be the last time. He found himself in a vulnerable moment. The pain and hurt in his eyes and tone were clear as day when Vlad finally broke the fake pleasantries.

"You promised."

The words had left Vlad as nothing but a whisper. His heart felt raw in that moment. Open and exposed as he felt those feelings. Those feelings from when Jack and Maddie first abandoned him.

Vlad hadn't meant to. He didn't want this to happen now. Not before the reunion. Not before Vlad truly got to see how much they all changed.

But it happened. And Vlad found himself aching to hear a few simple words. For Jack to apologize. Apologize for turning on the prototype. Apologize for taking four days to see him. Apologize for suddenly leaving him behind. Without so much as a word.

"I know."

All that hope, the desperation in Vlad's chest, broke the moment he heard those words. Heard the resignation in Jack's surprisingly quiet tone. A wave of pure despair and pain washed over Vlad in that moment.

Jack didn't apologize. A simple two word phrase that would have meant the world to Vlad in this moment. Jack didn't say it. Instead, he said two words that felt like a stab to Vlad's half-beating heart.

Vlad didn't say anything else in that moment. He downed the last of his drink before standing from his seat. Vlad was much too into his own feelings and thoughts to notice the shock on Jack's face. Or the way Jack's mouth opened to speak again.

Instead, Vlad turned his back on Jack. Although his tone was more hollow than Vlad intended. He managed to fake a layer of pleasantries. A second good night given that night as Vlad made his ways up the stairs.

He wanted nothing more than to curl up in his bathroom. Downing his sorrows in alcohol and maybe taking his rage out in his hidden lab below the surface.

Instead, Vlad found himself with a burning need for revenge. A burning need to break about Jack's life. Break apart Maddie's life. A life they built once leaving Vlad behind. A life they excluded from him for so long. Only just now showing interest to having him around.

No. This time, Vlad was putting himself first. His wants. His needs. His desires. It wasn't about the Fentons anymore. It was going to be about him. About him finding a family. Of having a community. A life outside of his economic and scientific success.

And maybe this time, Vlad was going to start with a certain fourteen year old boy. A certain boy that Vald had picked out at the start.

A certain boy whose heart beats half the average. Who takes in a breath every few seconds, just a tad too long. A certain boy that made Vlad's ghost sense trigger. A certain boy that reeked of ectoplasm.

A certain someone who might just know how it feels to be an abomination to science. To be so different that you may just be the only one to exist.

A certain someone that might just make his life a bit less lonely.

In this moment, Vlad finally realized the truth of his situation. Whatever has happened since that accident. Whatever happened in the years they hadn't talked. Whatever happens now, after this reunion was over. When Vlad finally made his moves. Whatever happened then, now, and in the future. He knew with unbridled certainty that...

It was their fault.

[coucou-art]

one thing I absolutely love about tumblr that only exists here is the way many people unrestrainedly pour out their thoughts and reactions in the tags when otherwise they would hesitate writing it in regular comments on other platforms and I live for it. thank you everyone for liking my latest piece, it's been 162494 years since I drew anything FE3H related and I desperately needed this. it feels like I'm back home

[feydrautha]

The more you think about it, the most pressing question about Fenoglio's Inkheart isn't "who in the hell was the protagonist of it?" (it's either Cosimo, the Prince, or, y'know, the guy the literal title refers to - or all three of them), but rather "what in the raging hell was the Shadow's deal?" considering he was immortal, implied to be invincible, could only be destroyed by being rewritten, and as much of an asshole as his boss to the point where you wonder how this guy was dealt with in-story unless the ending saw Capricorn not just get away with everything but also win

[tswwwit]

Lol omg at your last ask because imagine dippers under some truth spell and ends up spilling a bunch of secrets that Bill already knew and had stashed to use for later

This is no longer 'last ask' relevant because I had this partially written in my drafts for like a million years - but a Truth spell on Dipper would be very interesting!

So I took this prompt and didn't really answer it except in some ways.

Here's a thing!

“You never bring me any souvenirs.” Bill complains. In an all-too-whiny tone, and an all-too-close lean into Dipper's personal space.

Plus, it's a blatant lie. One Dipper shouldn't respond to. 

He does anyway. “I literally brought you harpy feathers last week.” 

“Doesn’t count! That was for a ritual you wanted to pull off!” Bill sounds miffed, though he also plants a palm on Dipper’s head and starts ruffling hair. “Now where's the emerald from last March? Or like, the headdress from that cult with all the rabbit bones? The good stuff."

Dipper grunts. He focuses on navigating back out of the cave, turning the clay tablet over in his hands.

Figures Bill would remember all the times he did get something. His memory is excellent. And he’s greedy, because a new toy every time is a big ask. 

What does Bill expect, anyway. Not every situation Dipper gets into has something to bring back. What could he even offer? An ear taken off every monster he has to fight?

Wait, no. Bill would love that.

Dipper makes a face. “You've just proved that it's not ‘never’. With examples." 

"Sure, but when’s the last time it was cool?” 

Dipper sighs. No point in arguing. Bill could go on forever about how 'unfair' it is that he doesn't get trophies from every trip, or trinkets from conquered lands, or, again, ears from every enemy. When he’s decided to complain, no reasonable argument will shake him out of it.

“Too bad, then. You’re only getting some gifts.” Dipper shakes his head rapidly to dislodge Bill’s hand from his hair. "It’s hardly the worst thing that’s ever happened to you."

“Hey! I could argue that it’s related! In fact -”

Dipper tunes out the rest of Bill’s ramble, rolling his eyes. Listening with half an ear to Bill's ongoing tirade about being a poorly kept man, and unappreciated in his time. 

Despite how much he already has, Bill always wants more. Somehow he sniffed out Dipper’s latest excursion, showing up right at the end and looking for ‘loot’.

Which Dipper, by all rights, should prevent. 

 Anything magical falling into Bill's hands can cause chaos, no matter how innocuous it seems. The flower incident alone is reason not to hand Bill anything, ever, and the fact that Dipper still does sometimes should be appreciated, damn it.

Bill's complaining on and on, but whatever. Eventually he'll get bored.

 In the meantime, Dipper turns the clay tablet around again with a frown. He found something interesting, at least.

Whatever this is, it’s definitely not a language he recognizes. The script is strange, scrawled in different directions. For all he knows he’s holding it upside down. He hopes Bill doesn’t notice until he’s figured out - 

"Whatcha got there?" Just as expected - and right on time. 

Dipper feels the tablet yanked out of his grasp, unfazed. He doesn't break his stride.

"I found it in the lair, after... you know." Charred bones, explosions - Dipper wishes he could use, like water, or something, but mastery over even one element is powerful as is. "Anyway, that monster was collecting a lot of weird magic stuff, and this was the only interesting thing it had." He shrugs. Then, because Bill will like it, adds, "So... to the victor go the spoils?"

“Now that’s the spirit!” Bill gives him a grin, holding the tablet up to squint at it. Thankfully not turning it around. One point for Dipper, on not looking incompetent.

Still, if anyone can read it…

“What language is this?” Dipper not-so-subtly leans over, trying to peek around Bill’s arm.

"Old Draconic," Bill says, without missing a beat. Humming to himself as he apparently reads the text. Perking up a bit, smile widening. "Oh, hey! Iambic pentameter."

"What does that mean?"

"Nothing, sapling. I just wish when people did the whole 'ancient poetry curse' thing, they'd get a little more creative. You never see hexameter! Or tetrameter! Not even a tasteful use of spondee.” Bill sticks his tongue out.  "Come to think of it - I don’t think anyone’s done a prose epic that made the reader wanna tear their eyes out since Joyce."

Sometimes with Bill, you have to read between the lines. The long, irrelevant babbling lines.

"Just tell me if I need to get Ford or not." Dipper says, flat. He rubs at the bridge of his nose. 

Among all the other stuff, Bill said ‘curse’. Never, ever a good sign.

Though the monster he just took down wasn’t a dragon, and that wasn’t really a ‘horde’ so much as something resembling the contents of the Mystery Shack, there’s absolutely no good thing about a curse. If Dipper somehow triggered it - 

Great. As if hanging around Bill alone didn’t invite enough bad fortune, he’s picking up parts of his own stupid curiosity.

"Nah, don’t bother with the loser uncle!" Bill waves his concern away, amused. “This is just purple prose! Buncha  ‘oooh, bad things’ll happen if you mess with my stuff.’ Totally boilerplate spellcraft with some flowery wording.” 

With a shrug, Bill dismisses the whole thing. Which includes chucking the tablet over his shoulder, but Dipper manages to snag it before it falls and shatters into a million pieces.

“Typical dragon horde enchantment. All bluster, no burning.” Bill keeps walking without a care in the world. “They’re full of hot air!”

“So I’m not cursed,” Dipper prompts, catching up to him. “Aside from you, I mean.”

“Flatterer,” Bill says, slightly warmer. He continues, shrugging. “No reason you would be! No dragons in the area, and the warning sign there’s too old. By my guess, the original horde was raided centuries ago! Just another piece of random crap that got dragged into that junkyard." And he ruffles Dipper’s hair again, in the second-most annoying way. "You’re stuck with me, though.”

Dipper ducks and twists, thus freeing himself from the minor torment. “I think I can live with that.”

One would think that chatting with a demon - one as cryptic and ominous and aggravating as Bill - would only cause irritation, at best. 

It still does, of course. But when it comes to Dipper, Bill… sometimes lays things out straight. On occasion. Especially when he’s instructing, doubly when it comes to magic. Like he’s trying to pour all the facts he can into Dipper’s brain, overfilling the cup.

If his goal is to overload this one mortal mind, though, he'll have to work a lot harder. 

Dipper gets out his notebook, while Bill looks away, and pretends he didn’t see it. Yet another poorly-veiled lesson, with Bill obviously trying to plant seeds re: actually casting curses. Tough luck managing that. His subtle lean towards chaos might escape the unwary, but to Dipper? Bill’s way too transparent.

The fact is, that Dipper absorbs things fast. Even Bill will admit it, sometimes without being prompted. 

That Includes stuff Bill doesn't even know he's teaching.

Bill’s also rambling on about historical curses, and how often these things backfire, or misfire. It’d almost sound like a series of unconnected, gossipy anecdotes, if it weren’t for the extra technical details. 

And Dipper’s not falling for it. As far as he's concerned, his first curse was his last one.

But then…

Even if he’s not going to use the knowledge, there's no reason not to learn it. Knowledge about making curses can also be used to break them, after all. Taking all the facts Bill smacked a ‘For Evil Purposes Only’ sticker on and using them to shatter an evil plan would be very satisfying.

They’re nearly out of the cave at this point, so Dipper figures it’s fine to let his guard down a bit. The monster's dead, all the traps were cleared out on the way in - everything should be fine.

He clicks his pen a couple times, and asks Bill to repeat that last thing, about the life drain. It gets a snort of amusement, but Bill’s more than happy to elaborate at length. Dipper struggles to keep up with Bill’s rapid-fire speech; he's trying to make this intentionally difficult, damn it.

Bill leads on with careless gestures and an uninterrupted stride. Getting ahead of Dipper by several meters, but Dipper’s got to note down what he says before he has to do something awful, like ask Bill to repeat himself.

Dipper is, in fact, so busy trying to write in shorthand, and walk, and not hit a stalactite with his face, all at the same time, that he sort of loses track of where he is.

And okay, maybe he trips over a rock slightly, and nearly faceplants, bonking against the sudden curve of a wall with a swear.

Dipper takes a step back, rubbing at his forehead. Annoying, but, whatever. There were a few traps around, but he pretty much cleared out the cave on the way in, so it’s probably - oh, hell.

Not fine, he dropped the stupid tablet.

Great. The only really interesting object, shattered into half a dozen pieces. So much from saving it from Bill; Dipper himself fumbled the bag.

He backs up to evaluate the damage -

The stone sinks under his foot, and something goes ‘click’.

With a start, Dipper raises a shield without thinking, arm jerking up as he wills his magic into the gesture. It's solid enough for something done on reflex, but an impact hits hard on his side, with sudden, stinging pain. 

And a pretty hard impact, at that. He didn’t get it solid enough, damn it, wasn’t expecting something physical -  

Dipper wheezes out a breath, slumping to the ground and clutching his stomach. 

Alright. So. He got most of the traps. 

He sits down, and lets his head thump back against the stone, teeth bared in a grimace. Stupid. Should have been paying attention. 

The commotion makes Bill turn his head, blinking at Dipper sitting on the ground. 

Then -  because he’s an asshole - he starts laughing. 

“I know I’m fascinating, sapling, but really?” He tuts, setting fists on his hips. “Not sure if I should be flattered that you’re obsessed with me, or disappointed that you’re dumb enough to walk right into a wall.”

Dipper sucks in a breath, gingerly touching his side. Doesn’t seem like - he glances down. Sure, it stings, and his shirt’s torn, a long, shallow cut on his stomach, just near the old scar. But that’s about it. Over to his side, an arrow rolls against the ground, stone head clicking against the ground.

Over by the cave mouth, Bill’s cackling. God, he’s a jerk sometimes. 

But he must not have seen the trap set off, too wrapped up in his own stupid bullshit, or he’d be less of one. Dipper knows that for a fact. Though he’d really, really prefer he’d never had that experience. 

“C’mon, kid. If you’re not even more brain damaged from your bump, let’s ditch this joint.” Bill jerks his head over his shoulder. 

Dipper hugs himself around the torso, grimacing. Not bothering to respond. His heart is still pounding, or he’d have a retort ready. Adrenaline’s helped him out in a lot of situations, but not with talking. He’ll get up when he’s ready.

“What, you smash your skull open or something?” Bill raises one arch eyebrow. 

Though Dipper knows why Bill’s like this, it’s still deeply annoying. He shakes his head in lieu of a reply. In a second, he’ll be calm enough to tell Bill exactly what he thinks of his incredibly poor bedside - and cave-side - manner. 

“Figures. Can’t leave you alone for five minutes without your guts spilling everywhere.” Bill clicks his tongue, folding his arms and stepping forward. “What’s the damage?”

“It hurts.” Dipper says, through gritted teeth. Then pauses. Wait, he meant to say - He shakes his head rapidly, only for more words to force themselves out, unbidden. “I got cut again.”

Again, not what he intended. Dipper lowers his chin, teeth clenched. What the hell, he shouldn’t have said that. Bill’s mocking aside, maybe he did hit his head a little too hard. Once Bill gets the mockery out of his system, he’s going to be a total pest about it, too.

With a huff, Dipper slumps. Settling in for a sulk, waiting for the next jab - But there’s no insult forthcoming. Or argument. 

In fact, Bill’s gone totally silent. Which is super weird. 

Dipper looks up at the cave entrance, expecting a comment or a question, or at least a huge grin. He tenses up, hunching over.

And meets a frozen, unsmiling face. 

Bill dropped his arms, they hang limp by his sides. His expression’s gone blank.

The next moment, he’s right in front of Dipper, kneeling and tugging at his arms with alarming urgency. 

“Alright, lemme see.” Bill’s face is very close. Though he’s trying to pull his arms away, Dipper resists out of sheer surprise. Bill growls, eye darting around until it lands on the arrow. “Oh for - Really can’t leave you alone for five minutes. Move.” 

Another pull, less hard this time. Like he’s trying to ease Dipper’s arms away.

“Wh- Hey!” Dipper plants a foot against Bill’s chest, but that hardly stops anything. He raises his arms. Holding them up, in fact, like he’s at gunpoint. Where’d this come from. “Don’t get upset, I’m fine.”

“Ha! Good one, sapling. Who’s upset, exactly?” Bill says, teeth bared, and in a deeply upset way. He tugs Dipper’s shirt, up, fingers tracing the cut before pressing into his stomach. “I’m just wondering if I need a replacement mortal this soon into your miserable existence. No big deal!”

Okay, this is too much. 

Dipper struggles up, despite Bill trying to shove him down again. Bracing himself on the cave wall, and glaring. “Calm down already.”

“I’m perfectly calm.” Bill says, through gritted teeth. At best he looks miffed, but he’s at least stopped trying to make Dipper lie down in the recovery position or whatever. With a glare, he tugs up Dipper’s shirt, prodding at the shallow cut. “What the hell, kid. I thought you said it hurt!”

“Ow.” Dipper’s stomach jumps at another poke. He smacks Bill’s hand away. “It does, alright? Quit poking.”

Bill doesn’t seem impressed. His fingers trail over the larger, older scar on Dipper’s left side, then glares at Dipper’s stomach like it’s insulted him. A beat, then - “You don’t usually complain.”

“I-” Okay, true. Dipper glares anyway. “Shut up.” 

He doesn’t complain because it’s the only option. For all that Bill whines and teases and taunts Dipper, all the time, about being some ‘fragile mortal meatsack’, already rotting before his eyes, he really doesn’t like it when it’s brought forcefully to his attention. 

God, he shouldn't have said anything. Ninety-five percent of the time, there isn’t any harm to mention. But when Dipper does ends up showing he is kind of… mortal, and it’s small, he just. Doesn’t bring it up. For all that they bicker all the time, he doesn’t like to make Bill upset.

Bill grunts, mouth turned down at the corners. He stands up quickly, folding his arms. His lip curls up in a sneer. “If you wanted attention, kid, there are way better ways to-”

Oh, fuck that. Dipper flips him off, and starts storming off. 

God, this is stupid. Whenever Dipper ever breaks a bone or something, he gets teased about being so weak and vulnerable. Which he is, but neither of them like the reminder. 

These days, it also comes with some weirdly maybe-sincere ‘kiss it better’ thing that Dipper then has to disinfect. A lot of hovering, and rambling commentary. Sometimes creative descriptions of how much worse it could have been, and Dipper never needed those, at any time. Bill gets oddly fixated on such random little moments, and it’s just -

Dipper doesn’t like it, is all. Bill gets the way he gets, it’s a lot, and it’s easier just to avoid it. If he were a different guy - a human guy, or even mostly-human monster- Dipper might try to talk to him about it.

But Bill’s a demon. Not normal, barely sane even on his best days, and worse, he’s Bill, so. That conversation would go precisely nowhere.

Behind him, he hears said demon approaching, fast. Stupid jerk. He should be as tall as his real form. That’d be fair. More accurate, too, and then Dipper could properly stomp off without Bill catching up so easily.

Already the bastard is by Dipper’s side. A tall, irritating presence. Hovering close without grabbing on, which adds to said irritation. 

Dipper leans away, but Bill catches him around the waist and drags him in.

“Don’t get so grumpy, sapling, you’re fine! A little nick in the outer layer rarely killed anyone since they invented antibiotics.” Though he pinches Dipper’s cheek, he yanks his head away with a grunt. Bill sighs. “Everything’s a-okay here! Looks like I don't have to find a replacement just yet.”

Bill’s an idiot. Dipper scoffs, though an unpleasant feeling crawls in his gut. “Oh yeah? Who would you replace me with?”

“Eh, not like I got anyone specific in mind.” Bill waves that off, nonchalant. “But I have options! Lots of options.” He bumps a hip against Dipper. “Keep that in mind before you go charging off into obvious traps.”

This goddamn liar. Dipper  elbows him in the side, because the asshole deserves it. 

Not that Dipper’s worried, or anything. From what little he’s heard of Bill’s exes in the demonic rumor mill - Bill’s been, as they say, less than successful. Already Dipper’s outstripped his longest by years.. Bill can lie day in and day out about his options, put on a brave face - but they both know he’s not going to find this again. Not easily. 

“Good luck finding another husband, asshole.” Dipper says with appropriate derision. It’s annoying that Bill even brought it up. There’s a good riposte in there, somewhere - but while his brain is coming up with an insult, his mouth runs on automatic. “But I was really worried that you would last week. I couldn’t stop thinking about it all day until you sent a dick pic. It was weirdly comforting.”

Bill turns toward him with genuine surprise. He even blinks a few times, no retort emerging, and Dipper looks back at him with equal surprise. 

Until his mind catches up with what he just said. 

Dipper digs his heels in the ground, slamming to a halt. Clapping both hands to his mouth, eyes wide.

Beside him Bill nearly trips at the sudden stop, flailing for balance with a swear.

Shit, shit shit. Dipper really didn’t mean to say that. He knows Bill’s not looking around, that he’s not interested. Cynically, that he couldn’t manage it if he was. Last week was just a one-off anxiety, like all the others Dipper’s brain comes up with when it gets too much free time. Totally irrational, and really hard to stop fixating on.

Bill keeps staring. Not angry, just confused, for long enough that Dipper wants to shrink into the ground and melt into nothingness. 

Then he asks, “What the hell, Pine Tree?” 

“I don’t know! I don’t know why I thought that. I don’t know why I said that.” Dipper cringes into himself, grimacing and ducking his head. He runs a hand over his slightly sweaty face. “I didn't even want you to know I got hurt.” 

At that, Bill snorts. “Oh, please. I’d have seen that first time I got your shirt off. You can’t keep secrets from me!” 

Dipper folds his arms, internally seething - and his stupid mouth moves to say,  “I’ve done it before.” 

This time, the silence is tense.

Dipper wipes his sweating forehead again, not daring to meet Bill’s eye. God he shouldn't have -

Before he can think, he blurts out, “I think something’s wrong.” 

“Probably!” Bill agrees, with a smile just a little too sharp. He takes Dipper’s face in both hands, eye narrowed. “Hold still a sec.”

As Bill’s eye flickers blue, and the magic between them surges -  Dipper squirms a bit, but. Well. If anything’s wrong with him - magically, anyway - Bill’s the best one to diagnose it..

Bill tilts his head to one side, then the other. After a moment, his mouth twists up into something unpleasant, eye glowing slightly brighter for an instant.

Then he sighs, and lets Dipper go. His expression is neutral, except for the slightest downturn of his mouth. His lips part like he’s about to speak, then twist up into a grimace.

Uh oh.

Whatever Bill saw, he didn’t like it.

“What?” Dipper pats his head, then his chest. If there was something weird, magically about him, he - wouldn’t be able to tell, actually. He’s too close to get a good look. Oh god, what if he did hit his head too hard, and something in his brain is bleeding, or worse. “Wait. Am I dying?”

“Worse! You’re telling the truth.” Bill claps his hands together. Though he’s smiling again, it’s brittle and annoyed. “Don’t suppose you know any curse breakers that aren’t your great-uncle?”

“Not really,” Dipper admits. Bill's words catch up to him, and he bites his lip. Then, because the situation deserves it, “Fuck.”

Protection curse. The tablet.

Damn it.

A part of a horde, from a long time ago. Messed with. It should have been something less awful. Like warts, or sprouting plants from his skin, or a big fireball. Pretty much anything else would be less awful.

Truth curses are rare, they’re difficult as hell - but judging by the words spilling out of Dipper, he’s caught a pretty strong variant.

Of all the curses that could hit him. Why this one.

Hell, maybe it’s intended to be the worst curse possible for the ‘thief’. That would explain how targeted this feels. 

And knowing Dipper’s luck, that part was explained on, like, the back of the tablet.

“Welp! Good thing I’m not short on contacts, kid.” Bill grapes his shoulder, shaking him a bit, before he trails an arm over Dipper’s shoulders. “Who wants some fumbling idiot uncle to fix this kinda spell, anyway?”

Dipper would! If it was feasible. He makes a brief attempt at shrugging Bill’s arm up before letting his shoulders slump.

The idea of Ford hearing about this is….

Dipper sucks in a breath through his teeth.

Ford really would have a way around this. He'd certainly have the best intentions, Dipper’s certain. He'd...

Also not have the best sense of boundaries.

Though he'd be doing it for the right reasons, he'd ask the wrong questions. Out of concern, and arguably valid worry; he's never fully believed that Bill can't influence him. Despite how many times Dipper’s tried to explain it to him, Ford just can’t wrap his mind around certain truths.

With this curse, though. Between poor social sense, the Pines curiosity, and what Dipper might blurt out, while compelled to answer - 

On this, Dipper agrees with Bill. They’ll have to find something else to break this.

In the meantime, he’ll manage, like he has all the other times his life has sucked. Hardly the worst case scenario. If Bill had been cursed - someone who lies like he breathes -  Who knows? Give it a few days, and he might just explode from all the backed up bullshit.

“Wait.” A horrible thought strikes. Dipper reels on his husband, eyes wide. “Are you okay?”

“What, me? I’m a perfectly moral human man,” Bill says, resting a hand on his chest, lifting his chin with pride. “A boring sentient mammal who’s never found curses entertaining.” 

Yep, Bill’s fine. As always, it’s Dipper who gets the short end of the stick. 

He breathes in slowly, and lets it out. 

Yeah. Still sucks. He’ll deal. Cursed, but not dead. In danger, but not the worst - and his husband’s being annoying, which means he’s perfectly fine. There’s a solution too - it’s just going to be a huge, annoying process getting to it. 

“So,” Bill says, slowly. Drawing the word out in a long string, while he finger-walks his arm up around Dipper’s shoulder.

Uh oh.

Speaking of annoying…

“Watch it,” Dipper hunches his shoulders, not daring to look his idiot husband in the eye. “You’re this close to sleeping on the couch for a month.” Not a big enough threat, Bill’s still thinking- “Or for a year.”

“Oh, sure,” Bill says, in a distracted tone. His fingers pause on their walk, one ‘leg’ poised on Dipper’s clavicle. They hold the position for a long moment, tapping out a little marching step - and seconds later, his palm slaps down on Dipper’s shoulder. “So, Pine Tree! How do you feel about this ‘Bill Cipher’ guy?”

Though Dipper resists, and he really tries to, the words slip out past his teeth, his lips form the sounds -

“I love you.” God. Damnit. He clenches his fists, as Bill’s sheer smugness radiates from him like heat. “And I’m thinking about shoving you off a cliff right now.”

When Bill paused, Dipper thought he might have fended this off. Wishful thinking, really, Bill’s almost impossible to stop. Dipper used what leverage he had, but all he’s managed to avoid are the worst, most invasive questions.

When it comes to Bill, that’s pretty close to a win.

Not that it’s going to feel like one.

Bill has, in fact, been encouraged. Now that he’s heard something he likes, he leans in like a weird creep. Dipper can practically hear the leer in his voice. “And on a scale of one to ten, how handsome am I?

“Ten point five,” Dipper needs to loosen his jaw or he might break a filling. Being pumped for information is bad enough without pumping up Bill’s already ridiculous ego. “You bastard.” 

Bill’s chest puffs out, there’s a strut in his stride. The grin is so wide now Dipper’s pretty sure it should hurt- and if he dares to pucker up, he’s not getting lips on his awful face.  “And am I the most clever and sexually amazing guy in the universe or what?

This time, Dipper snorts. 

“Definitely not.” He ignores the sharp, indignant sound next to him, tilting his head in thought. “For one, there’s succubi and incubi, so. Sexually, you’re not even on top amongst demons.” He glances over at the offended ‘o’ of Bill’s mouth. “And I know you’re not the most clever, because I win our debates nearly half the time. Maybe you’re up there, but not the most. And that’s just the surface level stuff.”

Dipper doesn’t have a complete cosmological view of the multiverse, but he has learned a lot. Mostly stuff he picked up from his husband, and demonic gossip. It’s absolutely enough to go on a long, long ramble about how Bill most likely doesn’t rank number one in anything. If Dipper avoids the topics where he actually is.

He’s barely fifteen seconds in before Bill starts scowling, with a grumpy hunch to his shoulders - But screw him. 

Dipper starts smiling, just a bit. Then, to be a dick, he adds, 

“The ten and a half is just me, anyway. To the average human, you’re maybe an eight..” Dipper continues, over another spluttered protest. Again, true; not everyone likes the slightly inhuman maniac cyclops look. “Six with your personality.” 

Bill groans. “Ugh, you pedant.” He squeezes Dipper’s shoulder, jostling him slightly. “C’mon, you know what I meant! What’s the real - “

“Don’t ask questions if you can’t handle the answers,” Dipper warns, jabbing Bill in the chest. So far it hasn’t been too much, but it could be. Time to draw a line. “I will suck so much fun out of this for you.” 

Bill Cipher, unintentional teacher once more. Now Dipper knows the curse isn’t about perfect truth. When he can deliberately misinterpret a question’s intent, and can go on tangents  - that means he has loopholes. There might even be more, if he tries.

And if they can’t get this settled soon, he’ll need every one of those he can find.

“Clever brat.” Bill’s frowning, but he can’t disguise the amusement in his voice. His eyebrows wiggle, his arm hauling him close -  "Go ahead, then. Anything else you wanna share?"

"I know two and half ways to kill you, Bill Cipher." Dipper gets right up in his face. He won’t let Bill push this any further. "Don't tempt me to use them."

Being face to face like this, Dipper watches Bill’s eye go wide - ha, didn’t expect that, did he. With that threat, he’ll - 

Start cackling. And weirdly, turn a little pink. Dipper feels all the momentum he had whoosh out of him like sad balloon animal. 

“Boy, you are a saucy one!” Bill whistles, low. He places his hands demurely on his cheeks, fluttering his eye at Dipper with amusement. “Oh, yeah. Talk deadly to me.”

By this time, Dipper figures he should be used to stumbling into demonic flirtation. Only it turns out it’s basically fractal in nature, and he keeps running into new and newer edge cases.

“Fun as this is - we gotta get you cleared up, and no time like the present!” Bill’s calmed down enough to scoop an arm around his waist, leading Dipper onward. “Can’t have you babbling everything to everyone, y’know?”

“What, you don’t want me telling you everything?” Total bullshit. Dipper elbows him in the side. “I thought you wanted to get in my head.”

“Hey! I didn’t ask for our game to be set on ‘beginner’ mode. That’s boring.” Bill flicks his fingers - but he’s got his ‘evading questions’ look on. “You’re lucky I’m so- oof.”

Another elbow, harder this time. Bill grunts, but capitulates. Rubbing at his eye briefly, he sighs.

“So! How many of my secrets would you say you know, Pine Tree?” Bill tightens his grip on Dipper’s waist, tugging him closer. “And I’m talking about the ones that I wouldn’t enjoy getting out in the world.”

“More than I can count.” Dipper says without thinking. Then, with thinking -  “Oh.”

Dipper hadn’t considered how much Bill’s taught him, before this exact moment. How much he’s learned. Even unintentionally. Especially unintentionally. 

Crap, even his threat before was kind of - 

Shit. There’s definitely, absolutely, no way can they go to Ford about this. Total recipe for disaster.

“See? We both got liabilities in play here.” Bill moves easily as Dipper picks up the pace. If anything he’s amused, and not feeling nearly as urgent. Another reason he’s an idiot. “All we gotta do is get you patched up quick, and no more loose lips sinking ships! Easy-peasy.”

“It better be,” Dipper mutters. Nothing ever goes right for him. And by extension, them.

“Trust me, kid! I got this handled!” Bill snaps his fingers - and smacks Dipper’s butt with a wink. “I know some guys!”

[littlewinnow]

Fandom creators self rec game! Choose five favourites from your own creations (and tell me why, if you like!), then pass on to at least five other people. I'd love to hear what you're proudest of.

Oh!!! Hello Tacky :) Thank you for passing this on!

🛏️ -The Cozy Blanket Drarry Comic: This was one of the first original Drarry comics I've ever created! Making this made me love my messy lines (something I struggled with for a long time) + explore more with this warm comic style.

2. 👨‍🌾 Single-Dad Draco @ the farmers market: One of my most popular posts! I was surprised by the reaction I received from this comic, it's not only my favourite because of how it turned out (tbh still feel self-conscious about it being unfinished) but by how much everyone enjoyed it! (and continue to do so!!) I ended up interacting with amazing people because of it (including you Tacky!!). Drawing babies was new to me too, I think I did pretty well :)

3. 🪄 Wand tension Drarry...: I'm still really proud of this work! I feel like this shows how the warm tones I've been working with since the beginning evolved into this piece! Also, achieving a sense of tension through the mood lighting is a vast improvement!!

4. 🎨 My Drarry style: I remember in the beginning I was having a hard time figuring out how to draw these two consistently and needed to develop something I was satisfied with to use as a future reference. These sketches popped out and I really loved how their faces differ slightly! Harry's square jaw/wider face and softer nose. Versus Draco being more sharp and narrow (looking at it now I can def improve it). But still love it to this day.

5. 🧹 Quidditch Drarry Moment Comic: I drew this so quickly when it popped into my head, I'm still proud of the dynamic angles, expressions and storytelling I achieved through the short panels/greyscale palette!

[tricoufamily]

a current day nils and a 90s college student nils who's way too intense about his internship walk into a bar

[babybirbb]

Just started watching suits recently and was wondering if you had any good fic recs, particularly AUs. The nature of the show really lends itself to Selkie fics imo but also I just love selkies

anon i need you to know that as soon as i saw your ask i immediately went scouring through the AU tag on ao3. i’m not gonna lie, i'm not usually an AU reader but i wanted to challenge myself to provide some recs as unbiasedly as possible.

at first observation, i noticed a lot of the AU fics were still in some way canon (divergent and adjacent)-- usually splitting off somewhere along the show or a situation where Mike or Harvey is still a lawyer, while the other was not. i will say i skipped over smut-based (omegaverse, bdsm) and lengthy fics (under 20k is nothing, anything more than 50k is pushing it for me) cause i just did not have the brainpower to even try to get through them :/

so of course the ones i ended up liking were mostly canon divergent/adjacent but i tried my best to get you something different. what i managed to dig up for you is under the cut and i really hope you like them anon (also fyi these are all pretty much marvey fics, hope that's okay!) <3 also thanks so much for the ask! i enjoyed this little scavenger hunt haha!

As the World Caves In by SupernaturalIdjit16 | Mature - Zombie Apocalypse, Warning for the usual triggers that come with zombie apocalypse. It’s not a complete work but it literally got updated today!

Here at the end of all things by tattooedsiren | Explicit - Apocalypse, Hurt/Comfort, Mike and Harvey protecting each other, Mike does shoot someone and goes a bit into the psychological aftermath, light smut towards the end

The Haunting of Penthouse B by Skara_Brae | Teen+ - Supernatural Elements, Happy ending, Mike’s a ghost…or is he?

Meet Me at Midnight by butdaddyilovehim | Teen+ - Superheroes/Superpowers, Protective Harvey, he's also Batman…need i say more?

Complications by LearnedFoot | Teen+ - Canon divergence, Fake/pretend relationship, Harvey decides not to hire Mike, instead asks for his help to spite Jessica, of course they end up falling in love

The Touch by FrivolousSuits | Teen+ - Magic, Angst, Soulmate inspired, it’s also from Donna’s pov which was super fun and interesting, as was the nature of the magic

TBR list:

Wear My Name by Lunarflare14 (Teen+) and whatever the question by tattooedsiren (Explicit) - These are both Fake/Pretend relationship AUs based/inspired by The Proposal movie! (a very good movie imo)

The Game by FrivolousSuits | Teen+ - It’s a Hunger Games AU so i am intrigued, just haven't gotten around to reading it yet

Ocean Dream by Blue_Five | Mature - i apologize for being unable to provide you with a selkie fic so the best i could do was the incomplete merperson au... i hope it's enjoyable...😅

[dolokhoded]

my one season 4 complaint is Where The Fuck Was Aneesa