Thinking many many thoughts about how Jean was Riko's partner for a YEAR and was still rooming with Goon #3. Because that was how unwilling Riko was to let go of Kevin. And how that implies that Jean was placed as his partner both because of the practicality of Kevin being gone AND as a punishment for letting him go in the first place. Being partners with Jean could actually slow Riko down depending on how often he's hurt (because I don't think Riko was all that exempt from the rules to the point where his partner's performance would completely not matter) and he was still placed there. Riko was just THAT angry at him over Kevin's escape. And all the while he was keeping Kevin's side of room like an altar, even back when he didn't even think Kevin could PLAY, because of an injury he caused.
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Fuck the timeline, everyone please consider an au where the Knight of Dawn narrowly escapes from a fight that almost kills him and as he's limping through a forest to find somewhere to hide and recover, the woodland creatures find him and lead him somewhere. He follows, assuming they're leading him somewhere safe, but before he can reach it he collapses from his injuries. As his consciousness begins to fade, he sees Princess Meleanor looking down at him and he isn't surprised that she'd been waiting for his end, waiting for him to join her in the Underworld where he'd sent her.
Later in the evening, Lilia Vanrouge is startled by the door to his quiet little cottage bursting open. His prince and pupils have returned... and they have dragged the injured Knight of Dawn back with them. Silver runs up to Lilia and begs "Papa" to help the poor injured man they'd found in the woods, completely oblivious to how Lilia's blood chills and his mouth goes dry because his son this human child had so cluelessly brought an old enemy into their home who also happens to be his father.
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yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
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Need castiel to come and hit me in the head with a hammer
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...I... I do not know what on earth compelled me to make this nor why, but I will not be taking criticism at this time
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ficrec this fucked me up
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set out to create a serious, canonesque drawing with which to say "feel free to go in my lackadaisy tag and help me mystery speculate" but only got going when i made it bowling and the rarepair agenda
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wait idk anything about the tevis’— why would tommy tevis call dick his son? would you be willing to give a quick rundown
After Dick failed to get himself incarcerated, he became an enforcer for a mob boss named Tommy Tevis. Tommy took Dick in and made him part of his family. Tommy considered him an honorary son and thought very highly of him.
Nightwing (Vol. 2) #107
He even told Dick that everything he had (his home, his reputation, his family, etc.) was Dick's as well. Lynette, Tommy's wife, told Dick that Tommy would let Dick do anything. The whole family loved Dick, including Tommy's 15 year old daughter, Sophia. Sophia actually had a crush on Dick, but Dick acted like an older brother to her, helping her with her homework and such.
While Dick was away from the family for a few days, the cops busted into the Tevis's home. Lynette got killed in the gunfire, Tommy got taken to jail, and Sophia got taken in by the state.
Dick, while mentoring Rose, broke Sophia out of the state home. He got Sophia to help him with the mob. Then, when Chemo fell on Bludhaven, Dick saved Sophia and left her with Amy. When they reunited at the hospital, Dick asked Sophia to leave the mob behind and join a boarding school.
So, yeah, that's Dick's relationship with the Tevis family.
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i think to really understand hera (and, by extension, her relationship with eiffel) you have to recognize that she values the same things he does. hera works harder than eiffel does because she has to, because more is riding on her doing her job, because the bare minimum she's allowed to get away with and not have everyone die horribly is... still kind of a lot of work, all of the time. and even then, she does the bare minimum when she can. she cuts corners she probably shouldn't. she hates drudge work. and she really hates being told what to do.
eiffel and hera are both prisoners on the hephaestus - and that they're the only two who really know they weren't given a choice is central to their bond as well - but, at the same time. eiffel both embodies and extends to hera a kind of freedom she wants very much. no one else has ever made room for her to goof off or wanted to talk to her about nothing, just wanted to hear her voice, just wanted to make her laugh. wanted to hang out with her and talk, just for a little while, even as he's falling asleep after days without rest.
that's what draws her to eiffel. "you hate rules as much as i do, don't you, doug?" because the first time she ever speaks to him, it's while he's clamoring around in the dark, clearly no idea what he's doing, not having paid attention to anything about the station or the mission or, of course, the rules. because she tells him about the contraband cigarettes floating out of his pocket and makes a point of keeping it a shared secret. she likes those things about him.
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I was just thinking what a cool job this might be.. what if you were just the person who makes little still images of cute animal figurines doing various activities to post on social media...? like.. show up to work and just spend the whole day like "hmm... this table should be placed to the left a little.. let me set this miniature bagel down in this way... this tiny rabbit should be wearing a scarf", setting the backgrounds, the lighting, etc. ... dream job perhaps lol...
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I think the thing that makes masking disability very complex is that often, masking is done to protect one's self, but you still don't know exactly how you'll be perceived by other people, and if you're safe in the ways you want to be. Something I've learned more and more is that... you often can't "fully mask" in the sense that there are certain blindspots you may miss. My flat, monotonous affect stems from autism, and while I can (and do) mask other traits, I can never mask that trait. But, the thing is that I don't detect that I am monotonous, and I only learned that because other people perceived me that way and actually told me. That's what I mean by masking only goes so far, often.
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Im impressed by how much you're art evolved to today, do you still think about your art in the past and how you evolved to today to obtain this level of quality and story telling ?
Thank you very much! :D It always means a lot when other people tell me my art has improved over time. I feel like I can definitely see it in little ways. It's just super nice and cool when other people see improvement too! Like wow it's not just me, I really have come a long way with my art.
But yeah, I do think a lot about the art I did in the past and how I got to where I am today. It's really fascinating to me how the skills that kind of come naturally now were all things I had to learn over time. Like to some extent, I can just "feel out" where facial features go now without thinking too much about it, whereas in the past, I know I had a lot more trouble with that. I feel like I tended to draw eyes too big and I had a really weird way of drawing noses. I don't know. I also had pretty bad same-face syndrome I think. But yeah.
When I'm sketching in my sketchbook, I like to flip through the whole thing and look at all the sketches I've done in the past couple years/months and look at the way they've evolved over time in a "big picture" way. It's cool. I think it's especially because although it's a little more than just a hobby now, a good deal of the improvement came solely from my passion and excitement to just bring ideas to life. I was never really "practicing just to practice", and although I did do little studies based on photos from time to time, most of it was just me noticing things and picking things up from the real world but also from art styles I really enjoyed. And wanting to create something that meant something, and just trying until I was happy with it. Like I definitely never had "natural talent" - that doesn't exist - but I've always had a passion to create, and I feel like the act of drawing as a way of expressing my ideas has always come kind of naturally to me, probably because I did it so much when I was younger. It's always been my "thing". It's just cool to see that passion I've always had turn into art that I'm really proud of today!
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