#i just like really wanted to share this

[dyokenstuff]

Walking with their daughter after school 🎒🏫

[lgbtlunaverse]

The world exists in such a baffling state of simultaneous sex-aversion and sex-hegemony. Every social platform on the internet is trying to banish sex workers to the shadow realm but I can't post a tweet without at least two bots replying P U S S Y I N B I O. People are self-censoring sex to seggs and $3× but every other ad you see is still filled with half-naked women. Rightwingers want queer people arrested for so much as existing in the same postal code as a child and are also drumming up a moral panic about how teenage boys aren't getting laid enough. I feel like I'm losing my mind.

[perfectlyripeclementine]

calling my lover "mine" but not in the way that my toothbrush or notebook are mine, mine in the way my neighborhood is mine, and also everybody else's, "mine" like mine to tend to, mine to care for, mine to love. "mine" not like possession but devotion.

[mienar]

the wandering painter, part one

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[phoenixcatch7]

Dp x dc twin au where Danny and Damian were in fact conjoined/siamese twins, but the most dangerous type - one head, two bodies.

Their early removal from talia being because their shape would not have allowed for natural birth, they were written off but talia begged for the chance to send them off in the lazarus pit.

By some bizarre miracle, before she turned to leave, two small bodies bobbed to the surface - identical in every way, except for the eyes. The previous blue eyes now split in two, one left, one right, and the new eyes, pit created, a bright green.

She took her child, her two children, and together, they survived.

Being removed prematurely, their early years were tough, but soon they blossomed into promising heirs for the league. In sync with every step, the closest of brothers, the league was certain the old fairy tale of twins being telepathic had been granted by the pit that separated them, the remnants of being born as one mind, one brain, one skull.

But then Danny had to flee, and leave his other half behind. Stretched by distance for the first time, the bond grew thin and stretched, and Damian grieved his brother as dead. When he started being sent on public missions, he hid his distinctive heterochromia, choosing the green in memory of the pit that had given him and his brother life.

Danny, hiding his pit aura in the ocean's worth that was Amity park, took to blue, the colour that he and Damian were born with.

Damian moves to Gotham, and continues to mourn his brother as dead, right until one day when he is twelve, when he learns what the death of your other half truly feels like.

-

Their reunion is a thing of family legend. Violence runs hot in both bloodlines, ghosts are highly emotional and prone to fighting a the drop of a hat for bonding, playing, testing, every reason under the green sun. Their training and play often consisted of friendly spars, competitive spars, furious spars, venting spars. Both have been exposed to unhealthy amounts of ecto since before their birth.

There is a long, long minute of staring, before they rip themselves away and lunge at each other like wolves.

The bat family are horrified by their brutally efficient youngest suddenly barreling towards a clone (?) and trying to claw his throat open with his bare hands while openly sobbing.

It ends with them wrapped around each other crying into the others shoulder as their minds finally meet again and relax from the painful stretch for the first time in years.

But nobody else has any idea what to do.

[solarmorrigan]

Steve Harrington is absolutely the sort of person to become emotionally dependent on a pet. He grew up lonely and he loves taking care of things, and here's this creature that loves him unconditionally and is dependent on him for care? He's a goner

He finds a kitten in his backyard, wet and cold and alone, but in pretty good shape, all things considered. It hisses and swipes at him, but it's also mewing pathetically, and Steve can't just leave it, so he manages to get the thing inside with minimal blood loss (all his) and cleans it up and feeds it. It's a lot more amenable to the idea of Steve once it's warm and dry and full, and by the end of the day, it's curled up and purring in the crook of his neck, and Steve is already prepared to die for this thing

He does recognize that the right thing to do is to ask around and see if anyone is missing a kitten, which he does do, but no one on his street or the next one over lays claim to it, and there aren’t any kind of wanted posters going up for it, so Steve decides he is now the proud owner of a cat

He names her Baby and dotes on her accordingly. (In his defense, the name is Robin's idea; she tells him that he treats the cat enough like a baby, so the name might as well fit. Steve's always been shit at coming up with names, so he just goes with it)

Baby is the world's most spoiled cat, which Steve readily admits. But isn't that what cats are for? She's a wonderful cat and she clearly deserves nice things and Steve is going to get them for her. Toys, treats, a plush cat bed, the best food, whatever he thinks she could possibly need or want. If "I work hard so my cat can live a better life" t-shirts had existed in the 80s, Robin probably would have gotten one for him and he probably would have worn it

Of course, it helps that Baby actually does adore Steve. With everyone else, she ranges from frosty to outright hostile (she's taken a particular dislike to Eddie, of all people, which is unfortunate, because Steve really, really likes Eddie); she'll consent to be admired, and she'll accept treats, and she might even let more familiar people pet her, but in the end she is very much Steve's baby. If he's home, she's stuck to his side like a burr, curled up wherever he is and purring away, content just to be with him. She still snuggles up in the crook of his shoulder at night, just like when she was a kitten, even though she's bigger now and is a bit less easily accommodated

It goes without saying that Baby is strictly an indoor cat. Steve lives right up against the woods and there are predators out there, and people in town drive like assholes, and Steve won't take the chance of her being eaten or run over or meeting some other horrible fate. He really doesn't think his heart could take it

But of course, because all cats are terrible bastards at heart (affectionate), Baby darts out the back door one day as Steve is coming in off the patio, chasing after some other small animal that Steve can't even see, and she's out of the backyard and up towards the trees before Steve can do much more than make a grab for her

And Steve, who has survived interrogations and monster attacks and many situations objectively much more stressful than this, does not panic. He does spend half the night wandering around in the trees with a flashlight, shaking a bag of cat food and calling for Baby, but that's not panicking, that's problem solving

He eventually gets too cold and too tired to keep going and has to pack it in for the night. He holds onto some shred of hope that she'll be waiting by the back door when he wakes up, wondering why the hell it's taken so long for him to come let her in, but apparently that's not the way life works, because the patio and all areas around the house are still distinctly catless come daybreak

Eddie shows up sometime mid-morning, just as Steve is preparing to head back out and look for her. He has genuinely never seen Steve so upset; he looks like he might actually cry if he doesn't find that damn cat, which just isn't something that Steve does. But he's actually fucking distraught, and Eddie simply can't have that, even if Baby is his nemesis, so he goes to the phone and makes some calls

He cashes in on favors, he makes promises, he actually agrees to pay Mike ten bucks to show up, but he gets the kids, all the older teens (the only reason Robin hadn't been there already is because Steve hadn't paused long enough to tell her what was going on), and even the Corroded Coffin boys up to Steve's house to comb the woods for Steve's damn cat

It's Eddie who finds her in the end, a shock of pale, mewling fur actually stuck in a fucking tree. The cliche nearly kills him – either that or trying to climb down a tree one-handed while holding a cat. He's surprised she actually lets him pick her up, but then again, she's been out here all night, she's cold, and at least she recognizes Eddie. Maybe this is the beginning of a truce

Or, she might go back to hissing and swiping at Eddie any time she the mood takes her, but Eddie doesn't even care, because Steve is elated to have Baby back, so fucking happy that he doesn't even seem to notice that she's digging her claws into his arm as she clings to him for dear life all the way back to the house. Eddie will deal with anything that Steve loves that much

Steve pays for pizza to thank everyone for putting their Saturday on hold to search-and-rescue a cat, and everyone warms up and eats their fill before slowly filtering back out of the house. And later, after Baby's been cleaned up and fed and properly doted on and is purring away curled up over a heating vent in the living room, Steve takes Eddie upstairs to show his thanks in a much more thorough manner

After all – Baby is very important to him, and he's more relieved than he can say to have her back, but she isn't the only thing that Steve adores

[stuckinapril]

how are you so in love with yourself...this is not me accusing you of narcissism or smth i genuinely am in awe of how much you seem to like yourself and be in love with yourself and I try so hard to be like you and do that too but i fail every single time...i really really want to know how I could be like this too because i know it is one of the biggest things stopping me from achieving happiness

Not sure if this is a ubiquitous experience, but for me personally affirmations can only go so far. There’s always been a direct correlation between me doing action-based things and my self-esteem increasing, so I try to keep my promises to myself (study at x time, work out at y time, just doing whatever I need to do even if I don’t have the motivation for it). Someone told me that self-esteem comes w doing esteemable things, and I’ve never forgotten that since. What someone thinks about me (including the gargoyle voice in my head lol) won’t faze me if I have tangible accomplishments under my belt I can refer back to on bad days

[starrcrossrose]

“This Is A Bad Idea”

“I Don’t Care”

Uhh HAPPY VALENTINES DAY *throws guys kissing at you and runs away*

If you wanna see more of them I have a LOT on my Patreon. Uhhhh yeah bYE —

[ruporas]

bound to want (part two) /// part one rest of pages under READ MORE after ID

[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.

It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."

Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.

A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.

A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.

A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.

A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."

"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.

If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."

Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.

"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."

A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.

The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.

The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.

Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."

With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.

"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.

This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."

The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.

Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."

In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."

The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.

The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...

That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."

The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]

[capn-o-my-soul]

okie i made an art but there is some context to it

so my sister was studying in the haunted theology building on her college campus because it was open and it had rooms to study in . and since it is a theology building lots of people who like catholicism go in there. so my sister finishes working on her paper or whatever and it's like 2 am and she sees a piece of paper in the hallway that says "what is your favorite saint?" with a bunch of names of catholic saints that people like that they put on there. so my sister (an atheist) makes up a fake saint name (st. chadwick the bold) and writes it on the paper.

however, since it was darkish and lateish she accidentally wrote "bold" in a way that it could be misinterpreted as "bald"

now the next day she's having a movie night with friends and tells them about it and one of them draws a very reverent, very bald monk-saint on a whiteboard . and then they make a prayer to st. chadwick the b[o/a]ld

and then when she told me about it this weekend i thought i could use it as a chance for calligraphy / gothic graphic design practice so i made this

behold

[reasonsforhope]

Btw, if you really just Need A Job (tm)

I'd really recommend looking into care work

Care work here is specifically being a home care aid, a care aid or assistant at any kind of residential home.

This for usually for elderly or disabled adults - and those are the ones that tend to be most entry level, from what I've seen, but also for mental health, addiction recovery etc. (With the obvious caveat that some of these jobs will be more emotionally intense than others)

I'm so serious about this guys. I was applying to jobs in care work for just three weeks, starting a couple days before Christmas, and in that time I got three interviews, two jobs offers, and five additional interview requests

Care work needs people CONSTANTLY

because it's a huge sector but very hard for them to keep staff long-term. Partly because it can be high burn-out, and there's definitely toxic places out there you should watch out for. And partly because a lot of people think care work is beneath them

AND they ACTUALLY MEAN IT when they say they're entry level. Because it's so hard for them to get staff that a lot of them will advertise super aggressively that they will train you themselves. A lot of them will straight up pay for your CPR and First Aid certifications, once they hire you, too (and you can get a leg up on applications by getting a CPR/First Aid certification for like. $30 to $80, at least in the US). They also accept experience taking care of elderly/disabled/etc. family members as real experience

Like, obviously don't do it if you hate taking care of people, but if you're open to it, it's probably by far your best shot of getting hired rn, statistically

(eta: Genuinely disclaimer that it can be super taxing emotionally and large portions of the industry are indeed fucked, and def don't take a job in this field if you're gonna be an asshole to the people you're caring for, but sometimes you just need whatever job you can get.)

Seriously, though, the first time I applied for a care work job (in October 2023, yes short timeline, like I said there's some toxic workplaces etc. out there), I applied to like ten or fifteen jobs over the course of a week or so. Within three weeks, I was working.

(And they did provide all of the training, fwiw)

If you need a job and no one is hiring, seriously consider looking into it

[poorly-drawn-mdzs]

Sharing is Caring!

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[mienar]

small town buzz

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[uncanny-tranny]

Alright, today is Transsexual Thursday; put in the reblogs, tags, or on anon the things you have loved about your transness/transition/presentation/anything related to being trans! We can never have too much positivity about the joy of creation 💛

[ibtisams]

middleeasteye

[humming-fly]

Happy to report I have finally started listening to Malevolent and to no one's surprise I am already obsessed (I'm almost done with s2 atm please don't send me spoilers yet sdlkfj)

I'll skip over my usual formality of having one normal art post before diving into shitposts let's not waste anyone's time here