i mentioned the other day that we seem to have acquired some spinning wheels, and when i get my hands on a new wheel, i like to sit down and try spinning a few different ways on it to see what it feels like. thought that someone might be interested in a visual overview of how fibre prep/drafting style changes your yarn.
so that's my bobbin, and there's woolen on the left, worsted on the right, and semi-woolen in the middle.
one and two are both true woolen yarns—i made a rolag on some hand cards, and spun it long draw. one is a little chunky, and would probably be a light worsted weight after being plied. it's super soft and squishy, and a little irregular. (the bobbin collapse you're seeing isn't due to the yarn, but to a little criminal who thought he'd stick his claws into it while i wasn't paying attention.)
two is laceweight, or would be after it was plied. i'm not sure why you'd want to do this other than seeing what a new wheel is capable of—putting in enough twist to keep such a fine yarn together loses a lot of the squishy loftiness that you see in thicker woolen yarns. it's squishier than other laceweight, but also more fragile.
three and four are semi-woolen, and were spun long draw with commercially prepared top. three would probably be fingering weight when plied; four would be laceweight. this is sort of my default spinning style, and what i spin the most of—commercial top is readily available, and i love long draw. i love having twist all up in my drafting zone.
finally, five and six are worsted, or as close as you can get without combing your own fleece. commercial top, spun short forward draw. five plied up would probably be a light fingering, and six (again, plied) ranges from laceweight (on the left) to cobweb (on the far right).
one of the interesting things to me about this is the way that you can see the fuzziness of the yarn just fall away as we move closer to worsted. it's especially clear on top of the bobbin, right under the brackets—that little halo of fuzziness just disappears as you move to the right, and the yarn gets shinier (tho that part's more obvious in person). the worsted yarn is firmer and smoother in the hand, and much sturdier than the equivalent weight of woolen—i had to really back off the tension for the woolen laceweight, but the much-finer worsted lace was happy enough at the same tension as the thicker worsted was.
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