Trying to offend George and Sapnap by telling them that "Dream made them" its like trying to offend a domestic dog by telling it their human orders them around
Like, yes??? So what, they're my best friend that I trust with my life. Where's your human that provides you warmth and shelter and a successful career and thousands of dollars?
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Reviewing my old notes from Far From The Madding Crowd and stumbled across this gem:
Follow me for part 2 in which I compare Bathsheba’s to Goldilocks…
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I think Dick and Jason would have multiple “what the actual fuck are you saying right now” with Tim and Damian when it comes to quality of life/monetary differences. Sure, Dick and Jason got used to Bruce’s “is $100 a good enough tip on a $30 bill?” shit, but hearing Tim talking about a new laptop he bought for $5000 literally is like a punch in the gut.
If they ever went on a cruise (which they totally wouldn’t because cruises are floating death traps), Jason and Dick would be in awe of the fancy amenities, where as Damian would be unsatisfied with the quality, since he grew up with every single amenity known to man. Tim would just feel like it’s all normal since the Drake’s were extravagant and travelled all over the planet.
Jason : My bedroom is bigger than my fucking apartment.
Dick : I could do a full gymnastics routine with the space in my room.
Tim :
Dick :
Tim : My room is normal sized…
Jason : You grew up in a mega mansion. I hardly think you’re the benchmark of a normal room-
Damian : I must agree with Drake. This room is frankly underwhelming.
Dick, staring wildly at him : What do you mean underwhelming- Dames there’s an aquarium wall in your room.
Damian : Yes. Underwhelming.
Jason :
Dick :
Jason : Do you want to-
Dick : Jump off the boat? Yes.
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I think often about the heavy irony of John laughing at Wake's name and mocking BOE's naming systems. BOE are trying to preserve lost Earth culture, but clueless of context, their fragmented merging of high and low culture comes across as silly to John (and us. But it's a noble attempt to preserve everything, even the stuff that wouldn't necessarily seem 'worth' saving. But what does John rename his friends? Pyrrha and Cassiopeia and Ulysses and Augustine. He also names almost everything after Earth culture, but it's literary/religious/historical 'high' culture. BOE is scrabbling to save everything possible, but John has the privilege of context and memory, and so he picks and chooses what's 'worthy' of being used or shared. Low culture is reserved for his little jokes with himself— though honestly, a lot of his references to earth culture full stop seem to be inside jokes at the expense of others. I doubt Cassiopeia knew she was named after the infamously vain ancient queen, for example. John also quotes things at people without explaining what he means, like when he quotes Shakespeare and Hans Christian Andersen at Harrow; he's not really sharing it, he's mostly using it to isolate the other person in the conversation, or make himself seem unknowable and superior. It's honestly very telling that when given the choice John will name most things biblically or classically. It does partially feel like he's desperately scraping to preserve something of his childhood and the home he destroyed (especially with the renaming of Gideon to the Māori translation Kiriona, but... well, he literally renamed her and made her into a walking corpse teenage soldier so :/), but when you look at how he deploys earth culture on the whole, it usually becomes weird and imperialistic and weaponised. He's not really preserving lost art, he's selectively using it for his own agenda, and he's often using the two biggest things that were ever co-opted by conservatives and imperialists, the classical world and biblical convention.
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YOU MANIFESTED THE TWEEL CARDS CONGRATS
YOU'RE WELCOME EVERYBODY!
seriously though I was probably like. 60-80% thinking we'd get at least one tweel for chapter 10. but I was NOT expecting it so soon! both of 'em! in August! a shame we're not getting a Coral Sea event after all...but I guess I can be resigned to that and ALSO excited for getting shiny sparkly glowing(!!!!) mertwins along with Azul fighting his inner demons and going right for the eyes! AHHHH I CAN'T WAIT
(also heeeey I recognize that rowboat... 👀)
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Do you guys think Logan gets jealous of Hugh Jackman? I mean like Wade mentions that guy all the time and he probably owns hugh jack-merch (or whatever).
I feel like Wade will request to watch another hugh jackman movie for the 10th night in a row, and Logan’s gonna hit his breaking point and he goes,“WHAT THE FUCK DO YOU SEE IN THAT GUY?”
and Wade’s just gonna laugh or something (cuz ohhh Peanut if only you knew)
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This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.
The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.
And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.
I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.
We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.
So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.
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